Jazz Essentials

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- bebop,swing& everything

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We at Bordersare proud of our deepselectionof jazztitles.5o we're verypleasedto presentthe 2002BordersJazzEssentials, a wide-ranging list designedto helpyou startor enhanceyourlazzCDcollection. Most of thesediscsare universallyacknowledged, timelessmasterpiecesfrom legendslike LouisArmstrong,BillieHoliday,MilesDavis, EllaFitzgerald, and JohnColtrane; still othersarepresent-day classics by supremelytalentedsingersand musicianslike Cassandra Wr'lson, JoshuaRedman,and Diana Krall,who are dedicatedto carryinqon the richjazztradition. ln selectingour JazzEssentials, we attemptedto coverthe gamut from bebopandbig band standardsto the finestvocaland Latinjazz recordings, aswellasfusionandsmoothjazz.Onmanyof thesediscs, you'll enjoynoticeablyimprovedaudio quality,extensiveliner notes, and bonustracksnot availableon the originalvinyl releases.We've orderedour )azzEssentials chronologically in an attempt to giveyou a senseof narrativethat conveysthe evolutionof a quintessentially Americanformof expression. Enjoy our catalog,and keep an eye out for JazzEssentials in BordersStores.

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1925-392 SATCHMO, BIGBAND & BEYOND

LouisArmstrong TheHotFives,Volume 1

lelly RolIMorton GreatestHits

A must-havefor anyone interested in the beginningsofjazz, this is one of the most important albums from the 1920s.lt was recorded after Louis Amstrong left King Oliver'sfamous Creolelazz Band in Chicago Among many standout tracks is "Heebie Jeebies,"which features one of the first Satchmoscat soloseverrecorded.

As grandiose as it sounds, Jelly Roll Morton can truly be ca1ledthe first jazz giant. The pianist was composing as early as 1902, and he was a major force in the shift from ragtime to early jazz.This is a great overuiew of both hjs career and'2Os jazz in general. Includes classicslike "Black Bottom Stomp."

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Sidney Bechet TheLegendary SidneyBechet Sidney Bechetnever got the recognition that Louis Amstrong gamered, despite actually beating Satchmo by a few months in tems of being the first recorded jzz soloist. This remarkable example of New Orleans jdz features piping hot clarinet and saxophone playing ftom a master's lips. Includes "The Sheik of Araby," on which Bechet played all the instruments himself

Fletcher Hend.erson Tidal Wave It has been said that without FletcheT Henderson, there would never have been a Benny 6oodman. This is a comprehensivecollection of classic tracks by the legendary pjanist and bandleadel who also served as a talent scout,producer,and arrangerfor the giants of the big-band era. These tracks,taken from sessionsin the'30s, show Henderson to be an early jazz vrsronary BINC:5524160 UPC:01'1105064323

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Fats WaIIer fhe VeryBestof FatsWaller The artistry and shomanship of Fats Waller made him one of the most popular entertainers of his day. His technical virtuosity, his prodigious composing skills,and his effewescent personality had a tremendous effect on thejazz world and he continues to be ahuge influence on pianists like George Winston. This set features some of his bestloved 'Ain't Misbehavin"' and songs, including "HoneysuckleRose." BINC:6424621 UPC:O90266373123

Count Basie fhe Bestof Early Basie ftesenting roughly one-third of the sides Count Basie made for Decca oeween ryj / ano tyjy. Ints olsc offers pure, unadomed gwing at its finest- LegterYoungandhis magic su can be heard. and "One O'Clock Jump," the anthem of an entiTe era, makes this an essential pick for anyone interested in the beginnings of swing. BINC:1619597 UPC:0111O5065528

Benny Goodman TheFamous1938Camegie HalI lazz Concert On January 16, 1938,big-band hero Benny Coodman brought jazz from the nightclub and the roadhouse to the concerthall,where ithas enjoyed a residence ever since. Marking the first time all of the music from that fabled night has been available,this spedadar recording documents a rare moment when an art fom met a wider audience. Highlights include Gene Krupa's propulsive drumming on the flag-waver "Sing Sing sing." BINC:6O46814 UPC:074646514320

Django Reinhardt AIIStarSessions Django Reinhardt was a master of the gypsy guitar. He was also the first major jazz innovator to come out of EuroDe.This disc features his i939 sessions with Rex Stewart and his 1937sessionwith Coleman Hawkins and Benny Carter,as well as tracks on which Reinhardt appeared with the bands ofCarter and Hawkins. BINC:6502898 UPC:72435J15T122

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Artie Shaw Highlightsfrom SeIfPortrait At 92,Artje Shawis one ofthe last liMng legendsfrom the golden era of swing. At times, his personal life seemed to overshadowhismusicalcareer,with six highly publicized mariages (including unions with Lana Tumer and Ava Gardner), but his contribution to the big-band era can't be overlooked.This collection of tracks recorded between 1937and 1954coversthe clarinetistand bandleader's entire career on the Bluebirdlabel,r well as some extralive and are material. Includeshis smash hits"Frenesi" and"Beginthe Beguine. BINC:67'11269 UPC:O9O266384525

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It was big news at the end of 1939 when Frank sinatra left Harry James'sband to join Tommy Dorsey, More than 60 years later, it's fascr nating to listen to Sinatra's musical development in the company of the trombonist andhjs swingingensemble. This compilation features the chart-toppjng "l'll Never Smile Again"and 14more topl0 hits. BINC:1523299 UPC:O90266848720

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Frank Sinatra and TommyDorsey GreatestHits

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Glenn Miller GreatestHits Though Clenn Miller was at the height of his career nearly 60 years ago,his musjc is as belovedtoday asit ever was-if not more so- A perfect introduction to perhaps the biggest big-band leader of them all, lhis compilation includes classics like "ln the Mood," "Tuxedo Junction," "When You Wjsh Upon a Stat" and "Moon Love." BINC:1523305 UPC:090266849024

Billie Holiday TheCommodore Master Takes

ColemanHawkins Bodyand Soul

To listen to Billie Holiday'svoice is to drift in a beautiful twilight landscape ofpure emotion. She was at her peak when this 1939 recording was made. The CD also includes songsfrom four 'l9zl4. sessionsin Almost all of them are now classics,including the haunting "Strange Fruit" and "l'11Be Seeing You."

Coleman Hawkins's 1939 recording of "Body and Soul" helped establish the saxophone as a featured solo instrument and launched this groundbreaking tenor player into the jazz limelight. This compilation highlights hjs work from 1939 to 1956:from beautiful balladsand lively swing to the birth ofbebop.

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1945-50: THEBIRTHOF BOPa COOL

Louis Jordan The Bestof Louislordan Singer and bandleader Louis Jordan was one of the first artists to truly blend the worlds ofjazz and blues on a grand scale,and he has even been credited wjth contfibuting to the 'n'roll. birth of rock This collection features 20 songsfrom the most fertile period jn the 194Osand early'50s. Includes the raucous "Saturday Night Fish Fry" and the swinging "Five Cuys Named Moe." BINC:1522353 UPC:O767f24O7929

Django Reinhardt and StephaneGrappelli Souvenirs

Billie Holiday lazz at the Philharmonic

Cypsy guitarist Django Reinhardt and swinging French-bom violjnjst Stephane Crappelli enjoyed a long and fruitful partnership, creating music that helped shape jazz and had a huge impact on the development of Westem swing. These sessions, recorded just before and just after World War ll, capfure the elegant swing and playful interplay that made this duo so great.

Billie Holiday was one of the first vocalists to take jaz songs and give them an intense personal touch, something that had been chiefly a characteristicof blues singers before then.This cD includes live takes from shows in the 40s in addition to some that were recorded near the end of Holiday'slife, when her perfomances were at their most nw and the singer herself was at her most palpably wlnerable.

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Charlie Parker Biril\ Best Bop on Verve

fhelonious Monk Geniusof Modern Music, Volume1

Saxophone high emperor Charlie Parkerwas one of the pioneers of b e b o p .T h i s c o m p i l a t i o n ,w h i c h i s representative of Parker'srecordings from 1948 until his death in'1953, showcaseshis brilliant playing and compositional skills. The personnel include Miles Davis, Thelonious Monk, Dizzy Cillespie, and Buddy Rich among others. Featuresstaples like "K.C.Blues"and "Confimation.''

Thelonious Monk was viewed as an eccentric, albeit talented, composer when many of these 1947recordings were first released. Eventually,they would be viewed as the early stages in a jazz giant's career Art Blakey plays drums on all tracks, among which the unique "Ruby My Dear" and the legendary"'Round Mjdnight" are particularly noteworthy.

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Bud,Powell TheAmazingBudPowell,Volume I Though a major piano innovator in his oM right, Bud Powell was frequently overshadowed by close friend and fellow keyboard wizard Thelonious Monk. With a flair exemplified by"Un PocoLoco"and"Bouncing with Bud," Powell sculpted an incredible body of work over his career This collection presents tracks lajd dom in 1949 and 1951,featuring Fats Navaro, RoyHaynes,Sonny Rollins,and others. Includes nine altemate takes.

Charlie Parker Charlie Parker with Strings: fhe Master Takes

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Many purists prefer Charlie Parker's boldel bop-oriented recordings, but this beautiful set of songsrecordedin 1949 with a small string ensemble features some of the most soaring improvisational flights ever taken by the Bird. lt also helped bring about the trend of jazz artists recording with larger orchestTas. Includes superb versions of "Summertime" and"Laura."

MilesDavis Birthof the Cool

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With this groundbreaking album, Miles Davis staked his claim as a jazz giant, blending the bebop of the day with new musjcal themes and incorporating lesser-used instruments such as the tuba and French hom. Teaming with ananger Cil Evans,Davis assembled a remarkable nonet that featured Max Roach, Cerry Mulligan, J.l. lohnson, Lee Konitz, and other luminaries. BINQ6472274 UPC:724353011727

ElIa Fitzgerald. PureElla Ella Fitzgerald was perhaps best knorvn for her work with large combos and orchestras.On this gem from the early 1950s,however, Fitzgeald settles in for a much more intimate recording, teaming with pianist Ellis Larkinsto caress20 standards,including numerous Cershwin numbers. Both perfomers find plenty of room to show offtheir unique gifts. BINC:869935 UPCrOlllO5063623

Chaflie Parkerand. Dizzy Gillespie Birdand Diz Yearsafter the birth ofbop, two masters of the sound reunited for their fina] recording together lt was the only time either player recordedwith Thelonious Monk, and the disc also features Buddy Rich on drums. The dazzling r'nterplay of trumpet and sax on "Leap Frog"is so amazjng that this reissue contains every take they did ofthe piece. BINC:4887436 UPC:7i'145214f624

ArtTatum ArtTatum's Finett Hour With his lightning speed and crisp precisjon, Art Tatum was one of the 20th centurys best piano players in any genre.This collectionspans hjs career,from 1934 to 1955 (a year before his death). Most impressive are his solo pieces,from the swing of "Cet Happy" to his sensitiverendition of FatsWaller's"Stormy Weather" BINC:6390721 UPC:731454.376129

Gerry Mulligan and. ChetBaker TheBestof the GerryMulligan with ChetBaker O_uartet

1952-59: THEPOPULAR EXPLOSION

Cerry Mulligan was probably the greatest jazz baritone-sax player of all time, demonstrating the clailty and breathless speed of an alto-sax exDert. His first triumDh was on Miles Davis's Birth of the Cool. This is an overview ofthe briefbut potent partnership Mulligan enjoyed in a piano-less quartet with trumpet maestro Chet Baker

Billie Holiday BiIIie'sBest

l.t. Johnson fhe Eminent,VolumeI

Culled from the extensive fhe Complete Billie Holiday on Vewe box set, these 16 tracks wonderfully document the contrjbutjons Lady Day made to Ameilcan music and culture. "What a Little Moonlight Can Do,""StarsFellon Alabama,""l've 6ot My Loveto KeepMe Wam," and the rest of the songs sewe to rcmind us that there's never been another like Billie Holiday.

At once lush and invigorating, this is perhaps the finest document of trombonist j.J. Johnson's productive

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career Layng dom all nine tracks in New York City on June 22, 1953, Johnson clearlyenjoyed the company of fellow hom players Clifford Brom andJimmy Heath,along with thefine rhythm section of John Lewis, Percy Heath, and KennyClarke. BINC:6532099 UPC:0724353214326

GeneKrupa and. Builily Rich fhe DrumBaftle BackbeatmasterGene Krupawas one of the first percussionists to play solos,fuming the drums into a much higher-profile instrument on the bandstand. Taken from a Jazz at the Philharmonic concert, this 1952 release shows Krupa in top form, pounding the skins and inviting Buddy Rich to engage in a brisk duel on one track. Also featuring Flip Phillips,Hank iones, and Willie 5mith. BINC:5957929 UPC:731455981025

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LesterYoung With the OscarPetersonTrio Bi11ieHoliday dubbed Lester Young the "President of the Saxoohone" (later shortened to "Prez"),and, although the sax player responsible for bebop, he had a wasn't so1e1y definite hand in its origin. Young was always at his best when hosting guests,and thjs disc with Oscar Peterson hops. lt starts off with the appropriately named'Ad Lib Blues,"and Peterson'screw gets to shine on'lustYou,Just Me." BINC:4873005 UPC:731452145123

Dave Brubeck lazzat Oberlin

tune Christlr Something Cool

The Quintet lazz at MasseyHall

Orct Baker My FunnyVdentine

Half a dozen years before releasing his landmark time Out, Dave Brubeck was already solidifying himself as a singularjazz artist, both as a composer and a pianist. In tandem with his njmble band, including extraordinary alto saxophonist Paul Desmond, Brubeck offers up gorgeous readings of "stardust," "How High the Moon," and more, breathing fresh ljfe jnto

When June Christy and afiangerconductor Pete Rugolo first recorded Something Coolin mono in the 1950s, it became such a hit that they rerecorded all 11 tracks, including "lt Could Happen to You," for a 1960 stereo release.This reissue features both complete albums. Alto-sax guru Bud Shankwas present forboth recordings

There's a good reason this May 1953 event is often dubbed the greatest jazz concert ever Actually, there are five good reasons: Dizzy Cillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. Despite Parker biowing through a bonowed, white plastic alto sax, this quintessential quintet thrilled its Toronto audience with sizzling takes on ? Night in Tunisia" and "Salt Peanuts," among other.

On one ofthe smokiest,most hypnotic albums in the jazz catalog, Chet Baker is clearly at his peak while blending his sensitive vocals and spare tTumpet. Lush symphonic strings and Russ Freeman's tender piano plalng further enhance many of these gorgeous numbers. Highlights include the tiUe track,"Like Someone in Love,"and "Someone to Watch Over Me."

these standards. BINC:655749 UPC:025218604624

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Clilforil Brown and Max Roach CliffordBrownlMax Roach

Sarah Vaughan Sarah Vaughan with Clifford Brown

In the spring of 1954,trumpet pjoneer clifford Brown and bebop drummer Max Roachteamed up as co-leaders of a group that became one of the greatest jazz combos of their time. You can hear how much fun they had bringing their musical worlds together on this hard-bop classic.The superb solos of West Coasttenor saxophonist Harold Land are not to be overlooked either This reissuefeafures four bonus tracks.

lf there were any jazz instrument that could emulate the virtuosic nuances and cool beauty of Sarah Vaughan's voice, it would be the trumpet of Clifford Brown. Sadly,this was their only collaboration. lt includes two takes of the vibrant "Lul1aby of Birdland," as well as romantic favorites like "He's My 6uy" and'lim."

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Dinah Washington Dinahlams This one-day jam session found Dinah Washington in the studio with trumpeter Clifford Brom and drummer Max Roach among her talented foils, trading licks and matching wits in front of a live studio audience that was clearly thrilled to witness the proceedings. "Come Rain or Come Shine" and "Crazy He Calls Me" are among the many highlights.

Sarah Vaughan Swingin'Easy By the time Sarah Vaughan finished recording this album in 1957,her recording career was spotted with sessionsmaned by poor-qua)ity pop tunes ard heavy strings. Fortunately, this album showed her flexing some pure, unadorned jazz vocal mastery, especiallyon cuts like "Shulje a Bop," "LoverMan,"and"Bodyand Soul."Roy Haynes plays drums in both of the accompanying trios. BINC:75O212 UPC:731451407222

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CarmenMcRae CarmenMcRaeSingsGreat AmericanSongwriters While not as well-knom r Ella Fitzgerald, Sarah Vaughan, or her mentol Billje Holiday, Carmen McRaewas consideredby her peeE to rank among the bestjaz vdalists.This compilation dnws from her beginnings at the Decca and Kapplabelsin the l950t and it fmses on her extraordinary talent for interpreting a lyric. Herversjonsofthe Rodgersand Hart standards "My Funny Valentine" and "My Romance" are not tob€ missed. BINC:4830686 UPC:0'l'1105063128

Count Basie and, loeWilliams Count Basie Swings, loeWilliams Sings This 1955 meeting between blues sjngerJoeWilliams and big-band guru Count Basie managed to give both artists a new burst of creative energy. The blues and ballads are rich and charged with a delicious, large-scale brashness.The fireworks begin at the outset with their version of Memnhis Slims"EveryDay I Havethe Blues." BINC:836412 UPC:0731451985225

fhe Modern tazz Ouartet

Count Basie

Django

April in Paris

Fresh from doing time with Dizzy Gillespie'sband, pianist John Lewis, vibraphonist Milt Jackson,bassist Perry Heath, and drummer Kenny Clarke cut this delicate and radiant album. The title track is a tribute to gujtarist Django Reinhardt,who died shortly before this album was recorded. The disc also features a wonderfully gentle vibe piano exchangeon "One BassHit."

One of the essential Count Basie albums, this version has been remasteredfrom the original session tapes and includes six previously unreleased bonus tracks. You don't 'Apfil need to go any farther than ir Paris" to hear the sound of the count's exuberant band performing at the peak of its powers. The jazz standard "5hiny Stockings"also made its debut here.

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,,'!t' Nat King Cole After Miilnight: TheCompleteSession

Chris Connor A JazzDate with ChrisConnor

As both a pianist and vocalist, Nat King Cole has inspired countless performers through the years,lncluding Oscar Peterson and Diana Krall. Trumpeter Harry "Sweets"Edisonand violinist Stuff Smith were among the guests on enchantjng renditions of "Route 66," "Caravan," and other tracks on whjch Cole adroitly proved that he indeed was still jazz royalty

Another "cool school" singel Chris Connor took June Christy's place in '1950s. the Stan Kenton band in the Knom for her relaxed, warm, and understated sound, she js a staple jn

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any vocaljazzlibraryThis CD features two different albums recorded in the '50s. Listen for Lucky Thompson on sax. Includes"Moon Ray." BINC:1565238 UPC:081227174729

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Ella Fitzgerald TheBestof theSongBooks

EIIaFitzgeruldand LouisArmstrong Ellaand Louis

When Noman Cranz bought Ella Filzgerald'scontract from Decca in '50s, the early he saved her from a decade of laboring through some of the worst material Tin Pan Alley had to offer and allowed her to showcase her glorious voice in the setting it deserved. Songs from Cershwin, Porter, Ellington, and others com bined with arangements from the likes of Nelson Riddle and Billy May make these some of the bestloved recordings jn Ella'soeuwe.

Together, these two voices could make rocks smile. Ella Fitzgeraldand Louis Amstrong had the whole of American popular song to play with on this 1956recording. The ensemble includespianist OscarPeterson,guitarist Herb Ellis, bassist Ray Brown, and the mighty Buddy Richon drums. The blend of Satchmo's gravelly cham and Ella's bell-like clarity on tunes like "can't We Be FTiends?" makes for one of the most beautiful albums ever made.

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It's pure and simple: Louis Prima made fun music. "lust a Cigo1o,""oh Marie," and "Buona Sera"are just a few of the 31finger snapping, toe-tapping tunes in this comprehensive collection. With duet partner Keely Smith and a swingin' band that included saxophonist sam Butera, Prima was a juke'1950s and a major inspira box lavorilein the tion for the 1990s swing revivai. BINC:679781 UPC:OOTlTl9407224

Miles Davis Cookin'withtheMilesDavis O_uintet In 1956,Miles Davisled the first of his classic quintets into the studio for epic sessionsthat would ultimately result in four albums. The first to be released,Cookin'openswith an elegant tum on "My Funny Valentine." Miles spars playfully with lohn coltrane, Red carland, and the rest of an ace band. BINC:6558O2 UPC:025218612821

Duke Ellington Ellington at Newport 1956(Complete) AmilestoneinthehistoryoftheDuke,this ' 1956'tomeback concerf w perfomed in fiont of more than 7,000 psple. The audience an be heard being whipped into afH4/by Paulconel6! saring 2Trhorus solo on "Dminuendo in Blue and Cwendo in Blue."Legendh6 it that audiencemember JoJonet Count Basie's original drummelffi soimpressedwith thebands firethathebeat timeforthem from his fiont-rcw seat with a rclled up apy of TheChistian kience Monitor. BINC:5854617 UPC:074646493229

fhelonious Monk BfiIliant Comers

Sonny Rollins SaxophoneColossus

Sonny Rollins TenorMadness

Count Basie TheCompleteAtomicBasie

lohn Coltrane BIueTrain

This disc feafures the cantankerou, inimitable Thelonious Monk at his finest. Taking care to select a lineup that couldkeepupwith his apturous inventions, Monk engages Max Roach,Sonny Rollins,Oscar Pettiford, and Emie Henry in friendly combat on an album brimming with original tunes. Frequentlyletting his talented friends take center stage, the piano wizard exhibits some of his mostDassionate playjng on this 1956release.

With the likes of Tommy Flanagan on piano and an incendiary Md Roach on drums, this w6 the album that propelled tenor-sax wizard Sonny Rollins from underground status to huge audiences and long-overdue critical acclaim. Encompassing a range of slrles and material, this CD features the Rollins original "St. Thomas" and "Moritat," the theme from The Three-PennyOpera.

Just before the release of his Saxophone Colossus cataDulted him to worldwide fame, SonnyRollinswas joined by the rhythm section of Miles Davis's quintet for this delightful outing. The classic title track features a rip-roaring saxophone duel with John Coltrane, who counted Sonny as one of his primary influences.

Several elements of Count Basie's '1950s band echo the straight-ahead swing of his 1930s ensemble. The sound is still brassy and infectious, although this period from the famed pianist and bandleader is a bit more dynamic, daring, and blues-inspired, from the up-tempo romp of "The Kid from Red Bank" to the sultry, madefor-candlelit-dinners "Duet."

John coltrane laid down some ofhis most famous solos during these 1957 sessions,merging his unmistakable, potent tenor saxophone with Lee Morgan's trumpet and Curtis Fuller's trombone to create a lasting, multilayered sonic impression. Highlights include the unforgettable tiue track and the soaring "Lazy Blrd."

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tohnny Grilfin A Blowin'Session Rarely htr an album been more accurately titled. This hard-bop masterpiece features not onebuttwotenortitans (the otherbeing Johr Coltrane). Fiery playing enlivens the entiTe disc, as hom stalwarts Hark Mobley and Lee Morgan also join in the action. lncludes an altemate take of"Smoke stack." BINC:5858126 UPC:0724349900929

Dizzy Gillespie,Sonny Rollins,and Sonny Stitt SonnySiileUp Among the best of the summjts of jazz greats hosted by Dizzy Cillespie, this album shows the brass master feeding the fire between two of the era'smightiest sax players.Themeeting begins with a bluesy "On the Sunny Side of the StTeet"and then moves to an all-time giant of whitehot, bop-sax improvisational fury: I ne Etemat tnanote. BINC:4887412 UPC:731452142627

Lambert,Hendricksand Ross Singa Songof Basie Waybefore the art ofjazz vocaleseeven had a name, Dave Lambert andJon Hendricks were joined by Annie Rossin this bold expet iment comprised of recordings made between 1955 and 1957.After a friled attempt to utilize a choir (Hendricks wouid later say, "They sounded like the moron tabemacle choir!"). the three singers multitracked their voices into an epic tapestry of perfomances of Count Basie'sbest big-band numbers. BINC:5513618 UPC:731454.382724

TheloniousMonk and lohn Coltrane Thelonious Monkwith lohn Coltrane During the summer of 1957, Thelonious Monk and John Coltrane combined their signature styles during an extended, historic run at New York s celebrated Five Spot Cafe. They also aligned their extraordinary talents inside the studio,bringing out each other's best on memorable Monk comDositions such as "Off Minor" and an incredible, altemate rendition of "Epistrophy." BINC:655743 UPC:025218603928

AnitaO'Day AnitaSingsthe Most

Ben Webster Soulville

Anita O'Day first found fame as the swingjn'singer in bands like 6ene Krupa's superb ensemble. But this 1957 recording, made with Verve Records'"house-backing trio" led by Oscar Peterson, is her finest hourPerhaps most remarkable are the breakneck medley of two Gershwin brothers' songs ("5'Wonderfu1/They can't TakeThat Away from Me") and the luminous "l've Cot the World on a string."

In a league with the likes of Coleman Hawkins and Lester Young, Ben Webster is considered one of the most jnfluential saxophonistsin jazz history His deep,breathy tone on the tenor is instanUy identifiable, and, despite his brutish reputation, his sensitive touch on ballads has never been equaled. This 1957session js at fums vaporous and searing. You can almost taste the smoke-filled club on the title track.

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CannonballAdderley Somethin'EIse

Art Blakey Moanin'

Sonny Clark CooIStrultin'

Recorded in March 1958, almost exactly one year before Kind of Blue, this pairing of Cannonbail Adderley and Miles Davis gave us a taste of what was to come. Despitethe apparent disparity between the hard-bop approach of Adderley and the somewhat cool background of Davis, the music proves that this was a match made in heaven. Standouts include the title track and'Autumn Leaves."

A propulsive drummer, Art Blakey was also one of the most soughtafter teachers in all ofjazz. Featuring the powerful playing of trumpeter Lee Morgan, tenor saxophonist Benny colson, and pianist Bobby Timmons,this installment of the Jaz Messengers is sure to satisfy. Features the hard-bop standards "Blues March" and the title track.

Tragically, pianr'st Sonny Clark died six months short of his 32nd birthday; fortunately, he left behind a legacy of scintillating perfomances both as a valued sideman and as a skilled bandleader. On an album considered one of the hard-bop standards, Clark iammed with talented cohorts like PaulChambersand PhillyJoeJones,in addition to a young Jackie McClean on alto sax.

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Bill Evans EveryboilyDigsBiIIEvans

Tito Puente DanceMania

Mongo Santamaria Mongo'sGreatestHits

After a stint with Miles Davis, Bill Evansbegan to make his om mark, as evidencedby his secondreleaseas a bandleader While his soaring piano playing is a perfect complement to talented trio-mates Paul Chambers and Philly joe Jones,Evansalso goes solo on three tracks, including his own composition, the transfixing "PeaceFiece."

Long before Santara covered "oye como Va," Tito Puente had attained his status as one of the bestloved fi gures in Latinjazz historyThis is his best-knom album for many reasons: lt was both his first all-dance album andhisfirst one in stereo,and there's not a weak track on it. Mambo, guaguanco, bolero, and many other spicy styJesa1l get the spotlight.

Chick Corea and Hubert Laws are among the many musicians who were given their start by this relentlesslyinventive and energetic Cuban bandleader This set was culled from recordings made before "Watermelon Man" shot him to superstardom. lt includes a spooky,stripped-dom ver'Afro Blue" and the perrussive, sion of hypnotic "Mazacote."

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Dave Brubeck TimeOut

Ornette Coleman TheShapeof lazzto Come

When the English-born Dave Brubeck feCOfOeO ltme UUI In lY)Y Wl[n nl5 band (which included sax player Paul Desmond),little did he know that hi5 experimental mix of classical structure, dramatic improvisatjon, and various folk textures from acrossthe sea would become the classicit is today. lncludes the milestones "Blue Rondo a la Turk" and "TakeFive."

This is alto sax master Ornette Coleman's first Atlantic recordjng with hjs phenomenal quartet. With ils lark of piano and almost no reai hamonic structure, this "free jazz" mastemork played a major role in '6Os jazz. shaping the sound of Pieces ljke "Lonely Woman" have become ciassicexamples of beautiful order amidst chaos.

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BordersMail is our lineup of email newsletterscoveringthc subjectsyou like best in the world of books,music, and movies.As a subscriber,you'll teceiverevealinginterviews with authors and artists, editors' recommendations, and information about giveaways and exclusivestore promotions. Learnmore about BordersMail and sign up at http://www.bordersstores.com /bordersmail.

Miles Davis Kind of BIue

1959-69: EXPERIMENT & EXPANSION

lt might seem grandiose to call Kind of Blue Ihe Citizen Kane of jazz albums. But when you considerits popularity with critics,audi ences,and fellow artisls,as well as its peerless mix of accessibilityand groundbreaking innovation, it's hard to argue. Miles Davis eljcjted sublime performances from a wildly talented group of players that included Cannonball Adderley,John Coltrane,and Bill Evans.This 1959marvel stands as one of the of Amencan expression. true maslerpieces BINC:4843597 UPCIO7464649J526

CharlesMingus Blues& Roots on this spectacular recording, bassist and composer Charles Mingus dug deep into Amefican roots music to produce a sonic gumbo of New Orleans flavors, gutbucket blues, and gospel. Backedby a nine-piece band that includes saxophonists Pepper Adams, Booker Ervin, and John Handy, Mingus shjneson tracks such as "My Jelly Roll Soul," "Wednesday Night Prayer Meeting," and "Moanin'." BINC:672552 UPC:075678133626

John Coltrane ffIA}ITSTXPS MITRA}II GiantSteps Recordedjustone month after.john Coltrane played on Miles Davjs'sKind oJ Blue,6idnt Steps was ColtTane's first album comprised entireiy of original tunes, and it's arguably just as important to the history of jnz as Davis's masterpiece. Many of the songs feafure several members of the Kmd o/ BIue lineup, and this reissueincludes eight bonus tracks with altemate takes and versions of nearly every piece on the original release.

Nat Adderley WorkSong Although Nat Adderley was never as famous ashisbrother,Cannonball, his abilities as a composer,trumpet and cornet playel and gifted hard-bop improvisationalist earned him his place in jazz history. He plays memorable solos on his take on his brotherl "Sack O'Woe" and on the title track, which has since become a jazz standard. BINC:655934 UPC:025218636122

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lohn Coltrane My FavoriteThings John Coltrane's album of standard ballads is among his most accessible for the jzz novice. The balance between soloist and ensemble has rarely been more poised. ln addition to the title track, the disc includes "Everytime We say Coodbye" and"Summertime." BINC:672558 UPC:07567413462)

Miles Davis Sketchesof Spain

Bill Evans Portruitin lazz

Billy Eckstine NoCover, NoMinimum

Although not as well-lnom outside the jaz community as Kind of BIue, this collaboration between Miles Davisand Cil Evanswasjust as significant. lt was the first recording to bring the music of Spain to jzz audiencesfar and wide, and it's highlighted by the ultimate jazz interpretation of a classicalpiece, Davis'shaunting tate on Rodrigo's "Concierto de Aranjuez."

Pianist Bill Evans had already established himself on Kind oJ Blue and Everybody Digs Bill Evans when he took bassist scott LaFaro and drummer Paul Motian into the studio to record this classic gem. The disc closeswith two verions of "Blue in Creen," one of Evans'sown compositions.

Billy Eckstines groundbTeaking1940s big band has been credited with launching the bebop craze. His vocal stylings had a profound influence on Sarah Vaughan, Johnny Hartman, andcountless other singers. He was a sex symbol who made women swoon. Discover the magic of Billy Eckstine on this fabulous 1960 live recording.

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Ella Fitzgerald fhe CompleteEllain Berlin. Mack the Knife Ella Fitzgenld couldn't remember all the words to "Mack the Knife" and "How High the Moon?" during this 1960 concert, but you'll never forget the high-spirited live recording. Her hilaTious recoveryon the title tune is just one of many winning moments as Fitzgerald joins forces onstage with the Paul Smith's quartet, featuring Jim Hall on guitar Includes four cuts not on the original LP. BINC:1587044 UPC:731451956423

Efta lones Don't Go to Strangers

Hank Mobley SoulStation

Wjth this artistic breakthrough, Etta lones staked her claim in the jzz world. Havingperfomed andrecorded extensively over the previous decade,Jonestruly hit her stride during these 1960 sessions.Her expressivevoicelit up well-knonm numbers such as "YesSir,Thats My Baby,""Fine and Mellow" and"ByePye Blackbird."

loin tenor silophonist Hank Mobley for a thrilling ride. Hopping onboard for these 6ensational tTacks are pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, as Mobley sinks his chops into four original tunes and adroitly handles a pair of standardl "Remember" and "lf I Should LoseYou."

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WesMontgomery fhe lncredible lazz Guitar of WesMontgomery Wes Montgomery was the most sign'ificantjazz guitarist to emerge since Charl'ieChristian in the 1930s.ThisCD shows him keeping his solos gentle and fluid while producing a sound that is eminently bluesy. His understated style is especially obvious on his covers of songs by Dave Brubeck and Sonny Rollins. BINC:655/tl0 UPC:025218603621

limmySmith Backat theChickenShack "The Incedible" Jimmy Smith once more lives up to his billing on this stellar 1960 Tecording,one of a string of sensational efforts during an amuingly productive period for the virtuoso. Hammond organ Mgorously pounding his keyboard, smith squeezes everylast drop out of each note, with Stanley Tunentine, Kenny Bunel'I, and Donald Bailey joining in on the fun. ' BINC:67759 UPC:OT|TI464O22Q

Stanley Tunentine BIueHour: TheComplete Sessions Although perhaps not as well knom as other big-name combos like the Modem Jazz Quartet or the Ramsey LewisTrio, Stanley Turentine and the Three Sounds were instrumental in bridging the gap between the bebop years and modem juz ideas. Gene Hanis's gentle pjano caresses Tunentines slow assured sax naratives on gorgeous tracks like "since I FellforYou'and"WillowWeepfor Me." BINC:6298586 UPC:724352458622

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Roland Kirk WeFreeKings Roland Kirk was famous for the multitude of saxes,flutes, and other instruments dTaped around his neck when he perfomed. And he used every last one of them, quite often simultaneously,as he does on the fip-roaring opener ofthis album,"Three for the Festival," which is jumping with flute acrobatics. BINC:563481 UPC:042282645524

Louis Armstrong and. Duke Ellington TheGreat Summit: TheMaster Takes Satchmo and the Duke together in the studio?! lt happened only once. h April 1961,Armstrong ard his ace band covered 17 Ellington tunes, including spiTited renditions of "Mood lndigo," "ln a Mellow Tone," and "Cottontail." Featuring Armstrong's signature vocals and trumpet in tandem with Ellington's jaunty piano, this is a sheer delight from two jazz legends. BINC:6472275 UPC:O724152454723

Bill Evans Waltzfor Debby

Dexter Gordon Ballads

Bill Evans, Paul Motian, and Scott LaFaro comprised one of the most simpatico trios in jazz, and this live date from the Village Vanguard catches them at the height of their brilliance. sadly, bassist LaFarodied just days after Waltz for Debby was recorded,making this highly recommended set even more historic.

While he could make his saxophone breathe fire at will, Dexter cordon was blessed'with an equal talent tor blowing beautiful ballad phnses. lts famous cover photograph a good indicator of the smoky sounds that abound within, this compilation features Cordon's lovely readings of "Body and Soul," "Willow Weep For Me," and six other soulful classics.

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Stan Kenton Adventuresin Jazz Kenton'sname has long been synonymous with the best in rutting-edge American music. This album, which feafures his fabulous 1960sorchestra, is among his best, and it could almost be called "progressive big band." Includes "stairuay to the stars," featuring asupercharged sax soloby alto magician cabe Baltaar, aswell as the modem standard "Malaguefra." BINC:5967299 uPCO724i52122226

Oliver Nelson fhe Bluesand theAbstractTruth This album, recorded in 1961, is perfectly named.Sax player and afianger Oliver Nelson'sexpertisemanjfests itselfin the form of six dreamy hard-bop tracks that, although stemming from blues ideas, range from ballads to swing and after-hours darkness.The moody "Stolen Moments" bums with magnificent brass work by Nelson, Eilc Dolphy, and FreddieHubbard. BINC:12142697 UPC:0111050'15424

HeftAlpert Definitive Hits With fivetop-20hits between 1962and1968, trumpeter Herb Alpert and the Tijuana Brass Band enjoyed commercial success un6ul for accomplished jzz instrumentalists. This is the first single-disc retrospective of Alpert's work, from his fiEt hit "The Lonely Bull," to his complete mastery of contemporary jazz on later hits like "Keep Your Eyeon Me."

Pete Fountain fhe Bestof PeteFountain A Dixieland favorite, New Orleans-born clarinetist Pere Fountain is knom for his animated perfomances and for adding exha flavors to every tune he plays. This 25track collection coveB the gamut of Fountain's prolific career, from the opening "While We Danced at the Mardi Gras" to "lndiana (Back Home in lndiana)." ElNC:1534751 UPC:011105O56525

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Quincy lones BigBand.BossaNova Vince Guaraldi Jazzlmpression;of BlackOrpheus This was the true breakthrough from Charlie Broms favorite composer, with Vince Guanldi's eccentric piano style emerging fullyformed-The firsthalf is aperformance of Antonio Carlos Jobim's score to the film Elack Orpheus.Jhe second is a mellow trio date that includes "Cast Your Fate to the Wind.' ElNC:655008 UPC:025218643726

Riding the wave of Latin music surging through America at the time, pianist, composer, and arranger O_lrincyJones peppered this 1962 recording with exciting themes for a big band that featured the talents of dyrarnic players like Clark Terry and Lalo Schifrin. Features "soul Bossa Nova" (as heard in the Aurtin PoweR soundtrack) and a prwiously unreleased bonus track,'ATaste of Honey." BINC:5?17163 UPCI71145579827

Duke EIIi ngton, Charles Mingus,and MaxRoach Moneylungle Already deep into his second golden age, Duke Ellington was joined by hot new stars Charles M'ingus and Max Roach for this unlikely yet brilliant 1962 trio date. ln addition to new versions of favorites like "Solitude" and"Caravan,"this reissue features four new funes and four altemate takes. BINC:597636 UPC272438a22729

Stan GeE lazz Samba In the 1960s,when Americans wenr giddy for samba music, this effewescent 1962 album was one of the Drime reasonsfor all the excitement. Taking wing with guitarist Charlie Byr4 Stan cetz plays a smooth, sery tenor sound that resonates with catchy Latin rhythms. Filled with earcatching highlights, including "Desafinadq" "Samba Triste," and many others. BINC:t1859741 UPC:711452141323

Dexter Gord.on Go

Freddie Hubbard Hub-Tones

Sheilalord.an Portrait of Sheila

WesMontgomery FUIIHouse

Oscat Peterson Night Train

Donald Byrd A NewPercpedive

Bopping through half a dozen tunes, including the opulent "CheeseCake," tenor-sax titan Dexter Cordon riffs brilliantiy on energetic tTacks and gorgeous ballads alike. Pianist Sonny Clark, bassist Butch Warren, and drummer Billy Higgins round out a top-flight quartet, blending their immense talents on spiTited studio sessions still considered among the finest ofGordon's prolific career

Though still a valued member of Art Blakey'sJazzMessengersat the time of this release,Freddie Hubbard was pure dlmamiteas a bandleaderin his own right. Merging elements of the then-exploding free jazz with his feruent bop playing, Hubbard laid dom some of his finest sides here as saxophonist and flautist James Spaulding and pianist Herbie Hancockmade key contributions-

In 1962, Sheila Jordan's unconventional and brilliant vocal improvisations brought her to the attention of Blue Note head Alfred Lion, who promptly signedher asthe first vocalist in the label's history. Portrait oJ Sheila is by tums delicate, intense, intimate, and advenfurous. Includes classictakes on "Dat Dere" and "Hum Drum Blues."

lf it's true that none of guitarist Wes Montgomery's studio albums captured the wamth and gnce of his live sets,then this 1962concert album js even more of a treasure. His pure, textured playing style (whr'ch has influenced many roct guitarists, as well) comes through perfectly. Miles Davis'srhythm section backs him up on his first live recording.

Few pianists swing as hard as Canadian jaz giant Oscar Peterson, and few records capture him as well as this 1962 trio set. Longtime collaborator Ray Brown joins Pete6on on the bass for a program of mostly blues and Ellington pieces, inciuding "CJam Blues" and "The Honeydripper."This reissue features six bonus tracks.

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Combining the talents of the Coleridge Perkinson Choir and a septet that featured guitarist Kenny Burrell, saxophonjst Hank Mobley, and pianist and arranger Duke Pearson, trumpeter Donald Byrd blended ahealthy dose of gospel and blues into the jazz mix on this innovatjve recording. Byrd's soaring take on Pearson's"Cristo Redentor"is but one of many shining moments. BINC:5868121 UPC:0724}49900622

Stan Getz and JoAoGilberto Getz/Gilberto This is the album that launched the bossa nova crue in the'60s, and it went on to become one of the bestsellingjazz albums in history Stan Cetz's melodic tenor sax and Joao Cilberto's beautiful guitar combine with the timeless songs of Antonio Carlos Jobim for a relaxing Brazilian jazz portait. Includes "Desafinado" and "The Cirl from lpanema."

John Coltraneand. tohnny Hartman lohn Coltraneanil lohnnyHartman The pairing of smooth crooner Johnny Hartman with the firebreathing innovator John Coltrane for this 1963 date initially seemed illogical to the critics.What emerged from these sessions.however. are some of the most hauntingly beautiful renditions ofballads and love songs injazz, including "My One and Only Love" and "Lush Life." BINC:1007181 UPC:011105015721

BINC:4859735 UPC:731.452141422

JoeHenderson Pdge One

With his fluid, sophisticated guitar technique, Crant Green had an uncanny ability to draw listeners deep inside his records from the very first note. On these 1963 sessions, Greenonce again bends his strings beautifully with vibraphonist BobbyHutcherson,snophonist JoeHenderson,and the rest ofhis allstar band.

This 196l session was tenor saxophonist Joe Henderson'sfirst record1ngas a leader for the Blue Note label. Featuring the compelling piano of Mccoy Tyner and the assured trumpet of Kenny Dorham, Page One helped to solidify Henderson'sreputation as one of the shining lights in the new genention of jazz musicians. Includes "Blue Bossa"and the Latinflavored"RecordaMe."

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Grant Green ldleMoments

Charles Mingus Mingus Mingus Mingus Mingus Mingus

LeeMorgan TheSidewinder

Charles Mingus will always be remembered for his stormy playing and stomier lifestyle, but this 1963 opus is perhaps his most memonble release. Few other albums contain such an astonishing diversity of mood and style.Mingus rangesfrom the noir "ll 8.5."(aka "Haitian Fight Song") to a delightful take on Ellington's "Mood Indigo" and the fiery"HoIa Decubitus."

Blowing fiercely for more than l0 minutes on the funky title track (and continuing to impress throughout these remarkable sessions), Lee Morgan was merely 25 years old when he recorded this gem for Blue Note. Wjth saxophonist Joe Henderson providing the other half of a dynamic twin-hom attack, Morgan solidified his position among the trumpet legends of jazz. Includes an altemate take of"Totem Pole."

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HoraceSilver Songfor My Father With this rousing release, pianist Horace Silver added to a legacy already packed with memorable efforts. With its instantly identifiable melody, the tiUe track is perhaps the best-known tune ftom these classic Blue Note sessions,onwhich Silvermakes the keys positively sparkle. In later years, Steely Dan adapted the song's melody as the underpinning for the pop smash "Rikki Don't LoseThat Number"

Nancy Wilson Yesterday\ Love5ongs, Today'sBlues Splitting time between standards and pop songs of the day, Nancy Wilson joyfully shows off her versatile voice on this 1963 release.Plalng off the cool gujtar ofJoe Pass,trumpeter Carmell Jones and Al Porcino, lush stTing arrangements, and a host of top-flight players,Wilson is clearly in her element, as is evidenced by "My SweetThing" and "Satin Doll." BINC:680046 UPC:O7T179626526

EricDolphy Out to Lunch!

Andrew HilI Point of Departure

Wayne Shorter SpeakNo Evil

Playful and edgy,this landmark 1954 recording was the high-water mark for one ofthe greatest free-jazz piayers in history: multi-instrumentaligt Eric Dolphy. Whether on flute, bass clarinet, or alto saxophone, Dolphy enlivens each tTack. Drummer Tony Williams, bassist Richard Davts, trumpeter Freddie Hubbard, and vibraphonist Bobby Hutcherson also flex theirmuscles on these exhilaratin9 sessions.

with a septet comprised of established stars, Andrew Hill brilliantly molded the talents of his amuing musicians into an album that's still recognizedas his shining hourWith a three-horn attack-including the in jmitable Eric Dolphy-and a rhythm section led by a spirited, 18year-old Tony Wiliiams, the music spins menily around Hill's vigorous piano riffing. Featuresthree altemate takes.

Showing off his compositional abilities on songs such as the lovely "lnfant Eyes"and displaying on every track the finely honed saxophone skills that continue to thrill jazz lovers,Wayne Shorter jams as part of a vibrant quintet on this recording. Shorter's Miles Davis bandmates Herbie Hancockand Ron Carterjoin FreddieHubbard and Elvinlones for a world-class ensemble. lncludes an altemate take of "Dance cadavercus."

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NinaSimone Vervelazz Masters17 Whereas Bjllie Holiday emphasized the jazz part of her jazz-blues sound, Simone's raw, often dark songsofprotest and lost Tomance were definitely rooted in pure blues. Includes her version of"Strange Fruit"and a spellblnding take on "Little Cirl Blue," on which her piano playing and singing make for an intriguing contrast. BINC:885866 UPC:731451819827

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lohn Coltrane A LoveSupreme PerhapsJohn Coltrane'smost important album and certainly a landmark in jazz history A Love Supreme is a sujte in four parts recorded after Coltrane'sspiritual awakening. This is the saxophonist at both his most emotional and his most clear The other members of the classic quartet-Mccoy Tynet Elvin Jones, and Jimmy Carrison-are also at the peak oftheir powers. BINC:100779 UPC:011105015523

Astrud. Gilberto Astrud Gilberto's FinestHour When Astrud Cilberto sang on Stan Cetz's hit "The Girl from lpanem4" she was immediateiy hailed as the new voice of bossa nova. Featuring the best of her work with Getz, as well as with her husband, Joio Cilberto, this 2o-track.collectior reaffirms her importance in both the jazz and world-music genres. BINC:6586150 UPCI73]452079022

Herbie Hancock MaidenVoyage

RamseyLewis TheIn Crowd

LeeMorgan Cornbread

LarryYoung unA

Herbie Hancockenjoyedthe limeiight as part of Miles Davis'sclassic 1960s quintet. At the same time, he was also recording his own sterling albums. Featuring drummer Tony Williams and bassist Ron Carter from Daviss group, s well as s*ophonist Ceorge Coleman and trumpeter Frcddie Hubbard, these five original compositions gleam with Hancock's distinctive piano-playing style.

RamseyLewisbecame famous for his prodigious contributions to jaz z education, his constant search for new musicians. and his experiments with juz fusion. This funky, smooth 1965 live album put the pianist on the maD, and it's rife with moments of wam crowd interaction (especially on the groovin'title track).

This hard-bop masteruork came out in 1965, while trumpet adventurer Lee Morgan was still riding high on the success of his legendary Sidewinder alburn. This is an excellent example of experimentalism gone right, perfomed with a group of like-minded and fearless innovatols like Herbie Hancock and Hank Mobley. Includes the beautiful bal'lad "Ceora'

As the 1960s progressed, the Hammond organ became a more prevalent feature on lhe jazz landscape. In the hands of an exceptional player like Larry Young, this versatile, attention-grabbing instTument spoke volumes. For this 1965 recording-on1y his second as a leader-Young assembled a strapping quartet with saxophonist Joe Henderson, drummer Elvin Jones,and trumpeter Woody Shaw. Featuresthree altemate takes.

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Duke Ellington TheFarEastSuite:SpecialMix More than most other 2oth-century composers,Dute Ellington was uncannily skilled at translating exotic locales into d)mamic music. This extensively remstered album was conceived by Ellington and Billy Strayhom during a State Department tour in 1963.Highlights include an inspired Johnny Hodges on the lush ballad "lsfahan" and the ensembleworkftom Eilington stalwarts Paul 6onsalves and CootieWilliams.

Cannonball Adileiley Mercy, Mercy,Mercy! Live at "The CIub"

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Featuring keyboardist Joe Zawinul's inspiTational title track, these sessionsboast alto-saxgreat Cannonball Adderley in top fom, Adderley shows off his exuberant,soul-drenchedplaying in front ofalive audience,with his younger brother, Nat, on comet. The qujntet swings thTough half a dozen tunes, including "SackO'Woe."

CecilTaylor Unit Strudures

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McCoyTyner TheRealMcCoy

LouisArmstrong WhataWonderfulWorld

Taylorwas a classicallytrained pianist before entering the jazz world. Thelonious Monk and Duke Ellington were the main inspirations for his frenzied, if controversial,flights to the outer limits of the jazz universe. Percussive song structures and free-form explorations are the orders ofthe day on this groundbreaking-and still quite underground-I966 album.

Demonstrating the sophisticated, flexible piano technique that made him an integral part of .John coltrane's classic 1960s quartet, Mccoy Tyner led off these sessions with the jaunty "Passion Dance,"one of five original compositions that make up what is corsidered by many to be his finest solo work. Ron Carter and Elvin Jones lock down a steady rhythm, andJoe Henderson provides succulent tenor saxophone.

Originallyreieasedin 1968,thiswas a landmark release for Louis Armstrorg and remains one of the most enjoyable exruTsions one can take into the land ofjazz. lt's also a great snapshot of Satchmo's later career The title track hasn't lost a shred of power in the past three decades.

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Vince Guaruldi oh Good Grief! Ttep1ayful soundtrack that accompanied Snoopy, Charlie Brown, Lucy, and the rest of the Peanuts gang features some of pianist Vince Guaraldi's most nimble playing. Includes "Linus and Lucy,""You're in Love,Charlie Brom,""Creat Pumpkin Waltz," and many other favorites. BINC:674096 UPC:O75992717229

Herbie Hancock HeadHunters With Herbie Hancock already a famjliar name in jazz households,this funky masterpiece, with its unfolding layers of invigorating percussion,made the rest of the world stand up, take notice, and dance. Includes new liner notes by Hancockhimself Feafures the familiar"chameleon" and early echoesof trip-hop on "Watemelon Man."

LesMcCannand Ed.dieHdrrts Swiss Movement In the summer 1969, pianist Les McCann was joined by two horn players hed never met before (tenor saxophonist Eddie Haris and trumpeter Benny Bailey)for alive perfomance of completely unrehearsed music at Switzerland'sMontreux Jazz Festival. The miraculous result includes the fiery "Compared to What," on which Mccann singsin his inimitable fashion. BINC:1538023 UPC:081227245221

PharoahSanders Karma

Miles Davis BitchesBrew

Saxophonist Pharoah Sanders first made a name for himself as a prot6g6 ofJohn Coltrane,and although his music is possessedof the same sense of cosmic innovation, there is an element ofpeace that is not often found in his mentor's music. This epic release features the half-hour octet piece, "The Creator Has a Master Plan."

For many jazz fans, the 21st cenfury began in 1969 with the release of Davis's mind-blowing integration of funk and electric elements into his already experimental landscape. He and cohorts like Chick Corea and Dave Holland practically redefined improvisation with this fiery and fascjnating progressive masterpiece. Includes abonus track.

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Joe Pass Virtuoso Joe Pass was almost a veteran when he Teleased this 1973 classic. But it was this album of dazzling unaccompanied guitar piecesthat brought him to the attention of a much wider audience,and it was the first of many recordings featuring Pass alone. He played all the rhythms, solos,and harmonies himsell and they are especially noteworthy on faves like "How High the Moon?"

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TheMoilern lazz Quartet TheCompleteLastConcert

Chick Corea Retum to Forever

Keith lanett TheKiiln Concert

Wher the MJO_took Avery Fisher Hall's stage in 1974 for what was billed as their flnal performance together, it was viewed as the end of an era. John Lewis,Milt Jackson,and crew played iike they've never played before, and the result is captured on this two-CD set. The album opens with a wonderfully complex version of "softly, As in a Moming sunfise."

Not released in the U.S.until 1975, these sessions mark the earlier recording debut of the first installment of keyboardist Chick Corea's celebrated Retum to Forever band. Intemingling h'iselectric piano with Latin rhythms, Corea fashioned a highly appealing mix, showcasing the percussion talents of Brazilian husband-and-wife duo Airto Moreira and Flora Purim, as well as Joe Fanell on sopnno sax and Stanley Clarke on bass.

It's not every solo piano album that remains a classicmore than 25 years after its release. From the very first notes of this 1975concert in Cemany, Keith Jarett cast a spell overhis audience and didn't snap his fingers until almost an hour later This is a nearly flawiess example of the art of piano dynamics.

BINC:672998 UPC:O7567819762a

BINC:884595 UPC:O422a\97826

BINC:506832'l UPC:042281006722

Chuck Mangione ChuckMangione's FinestHout

Jean-Luc Ponty TheVery Bestof tean-LucPon$r

r huck Mangione got hjs start in the lrard-bop school of Art Blakey'slazz Messengers in the 1960s,but his greatest successcame a decade later when he pioneered the smooth-jazz fomat with his hits "FeelsSo Cood" and "Land of Make Believe."This set features the fliigelhom maestro at his midrTospeak.

French violinist Jean-Luc Ponty merged the old jazz style of Stephane Crappelli with more contemporary sounds. He played with everyone from Frank Zappa to the jazz rock pioneers of the Mahavishnu Orchestra. As this collection shows, though, his sensr bilities were rooted in pure jazz and classicalsounds.Includesthe Philip Class-like"Mirage."

BINC:5586352 UPC:606949057021

BINC:6257926 UPC:081227986223

David Sanborn TheEssentials David Sanbom is one of the most widely knom saxophonists in the smooth-jazz world, thanks to more than 20 years of hit songs and countless televjsion appearances (includ'9os show Nrghf ing his own early Musrr). This disc compiles his finest "Chicago Song" recordings,including and"Love & Happiness." BINC:6963464 UPC:0812276O6725

GeorgeBenson Breezin' It might be stnnge to apply the phrase,.pop superstar" to a smooth-jazz wizard like George Benson. However,his 1976 Breezin, not only hit No. 1 on the Billboard jazz )ist, but also topped the R&B and pop charts at the same time.This 25th-anniversaryedition feafures bonus material, including a soulful rendition of "DoM Here on the Cround,, from the movie Cml Hand Luke.

Gato Barbieri Caliente! Cato Barbieri has one of the mosr recognizablesax accentsin the history of the instrument. Originally releasedin 1976,this album showcases a great mix of Barbieri's smooth, jazz tendencies with his trademark Latin sax explosiveness.lt features a number of his more famous pieces, including "Fireflies," "Don't Cry Rochelle,"and the cover of Maruin Caye's"lWant You." BINC:671793 UPC:075O21124725

BINC:6484828 UPC:08'1227671327

Michael Franks TheArt ofTea Striking gold on jut his second recording, multi-instrumentalist and vocalist Michael Franks found successby blending jazz and pop sounds and appealing to a wide audi_ ence.Calling on saxophonists David Sanbom and Michael Brecker,Frankskeeps the music carefree and sexy-His pleasant vocals carry such memorable tunes as "Eggplant', and "PopsicleToe9." BINC:674130 UPC:075992722421

fhe ManhattanTran*t TheVery Bestof the Manhattan Transfer

Spyro Gyra fhe Bestof Spyo Gyra: The First TenYears

When the group formed jn 1972,its rnember'original intention was to ' mulatethe sound ofthe Count Basie saxophone section. In the 30 years that have followed, the Manhattan Transfer has branched out into the worlds of pop, doo-wop,jazz,Brdilian music,and much more.This d'isccatalogs some of their finest moments, including "Boy from New York City," "Birdland,"and "Tuedo Junction."

This collection coveE what is probably the most exciting part of Spyro 6yn's career,when they were blu'70s ing new ground in the late and '80s,years before the phrase"smooth jdz" entered the public vocabulary Includesearlyhits like "Shakersong" and "Moming Dance,"as well as the joyous "Summer Strut."

BINC:86328'l UPC:0081227155022

BINC:5015898 UPC:051617550129

Al Jarreau Bestof AI laneau Silky-voicedAl larreau has covered a lot of ground ovet an enomously successful career, and he's the only singer to have snagged Clammys in jazz,pop, and R&8. Released in 1996, this collectjon features two prevjously unreleasedtunes and two decades of hits,highlighted by "We're in This Love Together," "Mornin'," and "Moonlighting." BINC:4786515 UPC:093624645429

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Weather Report HeavyWeather

EarI Kugh LateNightGuitar

Grover Washington,ln Winelight

Walme Shorter and Joe Zawinul were both a part of Miles Davis'sjuz-rock experiments in the late l960s, so it's hardly surprising that they were responsible for one of the first jazzfusion groups. This,their most popular release, features bassist Jaco Pastorius and includes the hit "Birdland" and the dreamy tone poem'A RemarkYou Made."

One of the coolest cats ever to strap on a six-string, Earl Klugh has entertained listeners for more than three decades with a lovely acoustic toneHis career is packed with outstanding recordings, and these 1980 sessions reinforced Klughs place in jazz. Featuring an orchestra and multiple hom players, "Mona Lisa" and "Two for the Road" are among the standout tracks.

This was the perfect title for an early milestone in the burgeoning smooth-jazz genre. Washington's silky sax lineund rhythmic Arooves would set a dreamy mood for any night, and his sound is both accessible to mainstream pop fans and musically compelljng for followers of jazz. Includes the Crammy-winning collaboration with Bill Withers on 'lust the Two of Us."

BINC:579'1584 UPC:724349a5822

BINC:672138 UPC:075596055529

BINC:4925557 UPC:0746465]0827

1985-99: THENEW GENERATION

Bobby McFerrin Spontaneouslnventions Bobby McFerin exploded onto the music scene with his groundbreaking debut, rhe Voice,and the vocal-jazzinnovator brilliantly followed it up with this rousing release. Pianist Herbie Hancock plays accompaniment on "Tudle Shoes," while the Manhattan Transfer and Jon Hendrjcks stop by for'Another Night in Tunisia." McFerrin also perfoms solo on severalnumbers. BINC:671123 UPC:O-f1T14629829

Boblames a.ndDavid Sanborn DoubleVision

m#ry''.

Keyboardist Bob James and saxophonist David Sanborn joined forces on this midl980s effort packed with stylish tunes. Sharing top billing, both ofthese high-profile perfomers contribute original material that beautifully showcases their individual abilities. Al Janeau checks in for a soulful rendition of"Since I Fellfor You." BINC:674626 UPC:075992539325

Wynton Maralis Marsali s Standard Time, Volume 1 With elegant, inventive takes on "Caravan," 'April in Paris," and "Memories of You,"Wynton Marsalis solidified his stature as a iazz scholar and assured his positionit the van guard of the 1980s'"Young Lions" movement. Backedby a superb quartet that includes Marcus Roberts, Robert Hurst, and Jeff "Tain" Watts, Marsalis blows magnificent trumpet notes on this first of three Standard Time volumes. BINC:669147 UPC.074644046120

Pat Metheny still Life(ralking)

fhe Rippingtons TheBestof the Rippingtons

Take 6 Greatest Hits

Iohn Zorn Nakeil City

With a technique like no other and a skill for plalng an incredible range of musical styles, guitarist Pat Metheny has deseruedly eamed 14 Grammy Awards (including one for this 1987 release)while perfoming and recording with a variety ofmusicians. Here, Metheny demonstrates his love for Braziiian mwic, laying down sophisticated originals such as "Minuano (six Eight)" and "Third Wind."

When RussFreemanfirst fomed the Rippingtons,he began making waves whose effectsare still being feltin the ju z community.Their mix of intricate jaz z soloing and easy grooves is one of the most imitated sounds in modern jazz. This comprehensive overuiew includes fuvorites like "5he Likes to Watch" with Kenny C.

Take 6 took the world by stom in 1988 with the release of their Crammy-winning debut album. They continue their joyful sound today with aforus on tight,mostly acappella hamonies, and a unique blend of gospel, soul, and jazz. This compilation looks back on their fiTst l0 years, and it includes favorites like "Spread Love"and"Biggest Part ofMe"

There is eclectic, and then there is avant-garde.And then there is John zom,the darling of NewYork'sdomtoM scene. From freakish experiments with noise to scoring Japanese adult films, there is no frontier unexplored by this saxophonist and composer The forus of this album is on Zomifiedversions of c'lassic movie themes, including those for Chinatown, Batman, and. the James Bond movies.

BINC:652651 UPC:7206424145A

BINC:4953010 UPC:011105989121

BINC:5934235 UPC:09162473752O

BINC:689108 UPC:07559792!427

Bila Fleckand the Hecktones GreatestHitsof the 20thCentury combining elements of bluegrass, jazz,and whatever elsehe can get his banjo strings around, B€la Fleckhas been caruing out a unique niche in music sincethe late 1970s.With his equally flexible bandmates proving spirited foil' this tenific compilation includes 1l classic Flecktunes, including the Grammy-winning "The Sinister Minister," as well as "Flight of the Cosmic HiDDo"and more. BINC:6050451 UPC:O9162473O125

# Fourplay Bestof Fourplay It's been more than a decade since these smooth-jazz stars first joined forces on Bob.lames's Grand piano Canyon album. James and cohorts LeeRitenour,Nathan East,and Hawey Mason continued to record together under the Fourplay moniker, issuing numerous dazzling efforts. Cathering hits from theirfirst three albums, this '12-track collection includes ouest vocalsby Chaka Khan and Take6. BINC:4864414 uPQ093624666127

Shirley Horn YouWonTForgetMe Packedwith classicballads,this l99t relede from versatile vocalist Shirley Hom fooses on love. Feafuring "Don't Let the Sun Catch You Crying,""lt Had to BeYou,""you Stepped Out of a Dream," and more, the album also boasts a wide range of guest perfomers, including Miles Davis and Wynton and Branford Marsalis. BINC:654?'16 UPC:042284748227

Dianne Reeves I Remember Detroit-bom vocalist Dianne Reeveshas had an interesting career, rotating among pop, African music, and juz before settling .in at the Blue Note label to make some of the better jzz records of the past lO years. This set of standards includes 'Afio Blue" and a lush take on the underappreciated "Softly, As in a Moming sunrise." BINC:6792140 UPC:0TlT19026425

RickBruun Bestof RickBraun

CassandraWilson BlueLight'TilDawn

loshuaRedman MoodSwing

Eversince his entrance on the scene, trumpet master Rick Braun has had a profound effect on contemporary smooth jaz z. This CD feafures recordings sprinkled with funk, R&8, and catchy pop grooves that date back to 1993.Boney.lamesis a featured guest on tenor sil, and the disc includes "Hollywood & Vine."

her sensual contralto, With CassandraWilsonhas eamedthe full jzz community. A attention of the talented songwriter and bandleader, Wilson also dips intothe deep well of Delta blues on haunting renditiors of Robert Johnson's"Come on in My Kitchen"and"Hellhound on MyTrail" on this mesmerizing release.

BINC:6015664 UPC:0075678323829

BINC:838520 UPC:OflTI8139l22

An heir to the hard-bop masters,saxoDhonist loshua Redmanhas nroven himself deseruing of all the praise he has gamered since he emerged in the early 1990s. His music is both challenging and an enormous amount of fun. Bassist Christian McBride and pianist Bnd Mehldau are more than up to the challenge of blending past with future. BINC:93073 UPC:O93624564324

KirkWhalum ForYou Groory sax guru (and sometime gospel composer) Kirk Whalum offers a collection of smooth, R&B-tingedjazz pieces drawn from the past fewyears. Featuring Wendy Moten's radiant voiceon'All I Do,"the album also has versions of BTian McKnight's'Anytime," Maxwell's'Ascension,"and Mariah Carey's "My All." BINC:5702522 UPCI09]6247]2428

Diana Krall Allfor You:A Dedication to the Nat King ColeTrio Vocalist and pianist Diana Krall has become one of the most celebrated jazz artists of the past decade. This tribute to Nat King Coleincludes cool versions of "Frim Fram Sauce," "Hit That .Jive,Jack!",the haunting "You're Looking at Me," and'A Blossom Fell." An excellent companion piece to any Nat King Colecollection. BINC:1513657 UPC:0'11105018227

Pat Metheny lmaginaryDay

Brad Mehldau lntroducingBradMehldau

Kenny G GreatestHits

Heavilyinfluencedby keyboardgreats Bill Evans and Keith Janetl Dianist Brad Mehldau first athacted national attention while perfoming with saxophonist loshua Redmans group. On this frrst outing as a leaderi Mehldau tackles severaltime-honored classics, giving tender, wise-beyond-his-years treatment to standards such d "lt Might AsWell BeSpring,""Preludetoa Kiss,"and others,in addition to four catchyoriginals.

Callhim instrumental pop or the king ofsmooth-sax silkjness.Either way,all of Kenny C's hits are collected on this disc,which provides a wonderful retrospectiveofhis vast catalog ofwork. Includes his cover of Sam Cooke's "You Send Me" (with Michael Bolton) and the breakout hit "Songbird."

'at Metheny creates some of the rrost beautiful guitar work heard in rny field. His songs are at once pen:ive and packed with stunningly dexterous guitar melodies. His arsenal ' ere includesa 42-stringPikassoguilar and an acoustic sitar-guitar,which is a natural fit for the world of colors he exploreson this disc.

BINC:4949550 UPC:O78221899123

BINC:4931014 UPC:09)624679127

BINC:1455081 UPCt09)624599722

Boneylames BodyLanguage One ofthe smoothest sax players on the jazz scene,BoneyJames moves through soprano, alto, and tenor saxophones with seductive grace on this 1999 disc. On such tTacks as "lnto the Blue,""l'll Always LoveYou" (featuring Shai),and a take on Janet Jackson's"l Cet Lonely,"Jamescreatesperfect mood music. BINC:5797091 UPC:093624728320

We Wqnt to Contribute

to YourChild College Educotion. Keith tanett TheMelody at Night, with You One of the greatest living jazz pianists presents a collection of hjs personal favorites.Stripping down his virtuos'ictendencies,Keith Jarrett perfoms songs like "Someone to Watch Over Me" and "Shenandoah" with pure, simple, and sometimes stark beauty. Included with the 10 standards is the very pretty original "Meditation." BINC:6032101 UPC:73149.794923

MedeskiMaftin &Wooil LastChanceto DanceTrance (Perhaps): BestOf (1991-1ee6) John Medeski,Billy Martin, and Chris Wood have been straddling the fine line between avant-gardesunealism and groovy accessibility since they started. They also almost singlehandedly brought the worlds ofjazz and jam-band together This is an excellent collection ofwork from one of the most innovative trios in modem music BIN€:6O21241 UPC:798187952O28

Introducingo RemorkobleNew to Help You Sove Thousonds of Dollorsfor College.

Diana Krall Discwes Nat King Cole3 influence on her singing and playing stlie Though her beautiful voiceand melodic piano plaing seem effortless,Diana Krall has worked intensely at developing her abilities. Through childhood lessonsand her father\ extensiverecord collection, she developed a lovefor starc like Nat King Cole, Frank Sinatra, Billie Holiday, and Fats Waller.

Cole's style sounds easy and natunl and relaxed, but when you really listen to it, it's very complex. He appealed to me as a great jdz pianist who influenced other people, like Oscar Peterson.His artistry as a pianist is almost separate from his artistry tr a singer. He had beautiful, impeccable tste as an interpreter of American popular song.

PatMetheny

Wilson Cassandra

On the meaning ofmusical categoris

On leaming from her elilen

A l+time Grammy Award-winnetr Pat Metheny has spent more than a quarter century forging an instantly identifiable sound. His nearly boundlessenergy and passionfor sonic expeimentation arefrequently augmente d by acoustic and electric instruments oJhis own design.

Blessed with a sensual contralto voice and a gif for seamlessly blending juz, blues, pop, and other styles, Cassandra wilson says songs choose her not the other way around. Wilson achieved a breakthrough with the 1993 releaseof her exhilarating Blue Light It uaM.

The methods that are used to quantify music-jazz, rock, pop, black white, American, folk, European, arrart-garde, etc.--*rave all failed dismany as terms that have any rralue whatsoever for me as a listener or a player. I love music and see it, like humanity itself, as one big thing. I can get goose bumps listming to just about anyone playing just about anjfthing if the/re doing it at their very best. When the)/re ffnding something unique and important and special about that particular musial endeavor at that particular moment il musicians and would suffer greatly unless they could make that thing happen in just that way at just that time, that's when I love music the most.

when lwas in Mississippi,I was searchingfor oldermusicians that I could work with, older musicians that I could leam from. And I heard a lot about Boogaloo Ames while I ws there. One thing led ifhe might like to play on to another, and I called and rkedhim the recording. I was especially fascinated with him because he symbolized a missing link, so to speak, between jazz and blues. He wr equally facile in both, and you hear it in what he's Playing. In Mississippi, there is sometimes a gny area where ja:z and bhres meet.

JoshuaRedman On whatlnext

in jazz

What began for Joshua Redman as a one-year break bqfore law schnl culminated. in his winning first pize in the sixophone categoty at the lggl Thelonious Monk tnternationai Jazz Competition. Since then, he hasfocused on mwic and dram rave reviewsfrom aitics, fan5 anil peers.

We have to stop seeing the development ofjazz---or the develop ment of anyart-in this kind of linearprogression.youknow,each step is a little bit higher than the one before; there! always a next obvious step, which represents obvious progress and linear evohr_ tion from what came before. Thatt a very modenist conception, and it! ri'orked for a long time. But I think this is more of a post_ modem age. ftt less about the next big thing or the next logial extension of what! happening. ft! more about all these diffeient possible crcative avenues that are being explored-

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