Tunebook 'oct03' For Eb 185pages

SCRATCH BAND TUNES in Eb OCTOBER 2003

COLLECTED BY PAUL BARBER -RILEY

INDEX Advance Australia Fair............................ 117, 118 African Swallow ............................................ 66 After the Ball................................................ 23 Alexander's Ragtime Band............................... 84 All For My Grog............................................142 All my trials.................................................135 Alnwick Castle.............................................. 30 And the Band Played Waltzing Matilda..............117 Andrew's Polka............................................. 44 Angels we have heard on high.........................170 Anniversary Waltz ........................................115 Another Fall of Rain......................................... 1 Are You Lonesome Tonight?............................ 27 Arrivaderci Roma.........................................102 Ash Grove..................................................129 Ashokan Farewell. ......................................... 21 Athol Highlanders.......................................... 54 Auld Lang Syne...........................................115 Away in a Manger.........................................170 Baby Face.................................................110 Ballade Irlandaise.........................................124 Banana boat Song........................................105 Barren Rocks of Aden.................................... 79 Barrett's Half Century ..................................... 55 Basil Cosgrove's ........................................... 97 Battle Hymn of the Republic............................. 98 Battle of Jerico.............................................137 Beer Barrel Polka.......................................... 18 Belfast Almanac ............................................ 56 Berkshire Tragedy ........................................129 Billy of Tea................................................... 19 Black Velvet Band........................................142 Blarney Pilgrim ............................................. 50 Blaydon Races ............................................... 7 Blind Mary ..................................................121 Blue Moon..................................................106 Bluebell Polka............................................... 43 Bobby Shaftoe........................................... 7, 73 Bodmin Riding March..................................... 14 Boll Weevil. .................................................135 Bonnie Kate................................................. 12 BONNY BREAST KNOT ................................. 79 Bonny Doon................................................. 19 Botany Bay .................................................. 28 Boulavogue.................................................. 28 Boy's Lament for His Dragan............................ 87 Bride's Favorite............................................. 57 Brighton Camp.............................................. 45 British Grenadiers.......................................... 79 Bye Bye Blackbird........................................110 Caddam Wood............................................. 71 Calypso Carol. .............................................184 Can Can..................................................... 68 Can Can..................................................... 69 Careless Love.............................................. 72 Carneval di Venezia......................................104 Carolan's Concerto.......................................120 Carolan's draught.........................................119 Catalpa......................................................... 6 CHAIN DOUBLE QUADRILLE.......................... 67 Charles Lynch.............................................. 24 Chase me Charlie in G................................... 78 Cherry Tree Carol. ........................................185 Chicken dance.............................................113 Christmas Day .............................................184 Church St...................................................... 4 Cindy.........................................................138 Clare Jig....................................................... 7 Clare Jig..................................................... 73 Clementine.................................................136 Click Go the Shears.............................. 11, 34,96 Cock O' the North in D.................................... 78 Cock o' the North........................................... 59 Cock of the North in G.................................... 78 Coconut woman...........................................105 Colleen....................................................... 59 Colleen......................................................... 8 COLONIALS QUADRILLE............................... 68 Columbus's Sword......................................... 71 Coming in on a Wing...................................... 72 Coming 'Round the Mountain..........................136 Copper Kettle..............................................134 Corn Rigs .................................................... 64 Cornish Floral Dance...................................... 80

Cosgrove's Schottiche.................................... 97 Cruising Down the River in G........................... 25 Cruising Down the River.................................. 26 Cuckoo is a Pretty Bird..................................133 Cuckoo Waltz............................................... 24 CUMBERLAND REEL.................................... 53 Cumberland Reel.......................................... 53 Cunnamulla Stocking Jig................................. 56 Daisy Daisy in F........................................... 26 Daisy Daisy in G........................................... 25 Danny Boy ..................................................143 Darling Clementine.......................................100 Dashing White Sergeant ................................. 12 Davy Nicknack................................................ 5 Day Trip to Bangor........................................139 Deck the Halls .............................................171 Dennis Murphys.............................................. 5 Devil Among the Taylors ................................. 56 Dicey Reilly.................................................143 Didn't He Ramble.......................................... 72 Ding Dong Merrily on High..............................171 Dingle Regatta................................................ 7 Dirty Old Town.............................................144 Do You Hear the People Sing?......................... 88 Donkey Riding.............................................. 12 Donna Donna..............................................133 D'Oro Waltz ................................................. 31 Dorset Four Hand Reels.................................. 70 Dorsetshire Hornpipe..................................... 93 Down at the Old Bull and Bush......................... 27 Down By The Riverside..................................110 Down by the Sally Gardens.............................144 Down in the Valley ........................................137 Drops of Brandy ............................................ 60 Drover's Dream............................................. 11 Drovers Dream ............................................. 34 Drowsy Maggie............................................. 63 Drunken Sailor.............................................132 Early in the Morning...................................... 87 Early One Morning........................................132 Edelweiss.................................................... 32 Endearing Young Charms................................ 20 Euabalong Ball............................................. 28 F airy dance................................................125 Father O'Flynn.............................................. 13 Father's Polka.............................................. 44 Fathom The Bowl.........................................130 Fiddler's Green............................................145 Fields of Athenry ..........................................145 Fiery Clock Fyece............................................ 6 Finnegan's Wake..........................................146 First Noel. ...................................................172 Flossy O'Toole.............................................. 33 Flowers of Edinburgh..................................... 74 Flying Pieman.......................................... 47, 48 Foggy Dew .................................................131 Foggy Foggy Dew ........................................132 For He's a Jolly Good Fellow ...........................115 For Ireland I'd not tell her Name.......................122 Forty Pound Float............................................ 2 Four Sister's................................................. 41 Foxhunter.................................................... 60 Galway Bay................................................147 Garryowen................................................... 47 German Waltz 1............................................ 30 Girl I Left Behind Me................................. 45, 77 Girl With the Blue Dress on............................ 4, 8 Glory Shines ................................................ 73 Go to the Devil and Shake Yourself................... 57 God Defend New Zealand..............................118 God Rest You Merry Gentlemen......................172 God Save the King........................................118 Good Christian Men Rejoice............................173 Good King Wensleslas ..................................173 Goodnight Sweetheart.................................... 42 Grand Old Duke of York.................................. 85 Grandfathers Clock.......................................... 5 Great Storm is Over......................................134 Gypsy Rover...............................................147 Hackett's Schottiche...................................... 97 Happy Birthday ............................................116 Happy Wanderer..........................................135 Hark! The Herald Angels Sing.........................174

Harper's Frolick............................................. 12 Harvest Moon Schottische............................... 96 Haste to the Wedding..................................... 49 Haymaker's.................................................... 9 HEDLAND SCRATCH BAND SETS..................... 1 Heel and Toe Polka....................................... 13 Herb's Jig.................................................... 47 Hogmanay ................................................... 51 Hokey Pokey ...............................................114 Holly and the Ivy..........................................174 Holy Ground................................................148 Home On The Range....................................100 Homecoming................................................ 33 House of ther Rising Sun................................. 99 Hull's Victory ................................................ 76 Hundred Pipers........................................ 78, 83 I Belong to Glasgow....................................... 27 I Know Where I'm Going................................149 I Never Will Marry.........................................128 I Still Call Australia Home...............................117 If You Knew Susie......................................... 18 If You're Irish Come into the Parlour.............16, 169 I'll Take You Home Again Kathleen...................149 I'll Tell My Ma............................................... 13 I'll Tell My Ma..............................................149 I'm a Rover Seldom Sober..............................150 I'm Dreaming of a White Christmas ...................175 Irish Rover..................................................150 Irish Stew .................................................... 46 Irish Washerwoman....................................... 13 Island in the Sun..........................................105 It's a Long Way to Tipparary.......................15, 151 I've Got A Lovely Bunch of Cocoanuts................ 17 Jack Broke Da Prison Door............................. 65 Jacob's Ladder............................................129 Jamaica Farewell.........................................105 Jambalaya................................................... 99 Jenny Lind polkas.......................................... 44 Jingle Bells .................................................175 Jockey to the Fair.......................................... 58 John Brown's Body ..................................73, 136 John of Paris................................................ 58 John Peel.................................................... 86 Joy to the World...........................................176 Jug of Punch...............................................151 Keel Row.................................................... 75 Kelly the Boy From Killanne ............................. 81 Kelvin Grove...............................................123 Kesh Jig...................................................... 48 Kesh.......................................................... 49 Kilgary Mountain..........................................166 King of the Fairies ........................................125 Kumbaya....................................................130 L a Cucaracha.............................................103 La Russe..................................................... 75 La Va......................................................... 95 Lament on the Death of Rev. Archie Beaton........122 Last Night I Had the Strangest Dream ...............116 Lazy Harry's................................................... 2 Leaving of Liverpool.................................14, 152 Lest We Forget............................................116 Let Me Call You Sweetheart. ............................ 23 Levi Jackson...............................................101 Liberty Bell. .................................................. 55 Life is All Chequered...................................... 46 Life on the Ocean Wave.................................. 59 Lilliburlero.................................................... 59 Lincolnshire Poacher........................................ 8 Little Brown Jug............................................ 44 Little Drummer Boy .......................................176 Loch Lomond................................................. 5 Londonderry Air...........................................143 Long Black Veil............................................131 Long Long Trail. ...........................................130 Lord of the Dance.......................................... 86 Louisburg ...................................................... 9 Love is a Beautiful Song.................................. 27 Love is Teasin'. ............................................152 Loveliest Night of the Year............................... 26 M acPherson's Lament..................................126 Maggie May ................................................153 Maids When You're Young.............................153 Mairi's Wedding...........................................154

Mama Don't Allow.......................................... 72 Manchester Galop ......................................... 77 Manchester hornpipe...................................... 94 Marble Halls................................................108 March of the King of Laoise............................. 86 Margaret's waltz ............................................ 24 Marie's Wedding........................................... 73 Marino Waltz...............................................124 Mary Hamilton.............................................133 Mary's Boy Child ..........................................178 McNamara's Band......................................... 16 Men of Harlech............................................. 79 Merrily Kiss the Quaker.............................. 50, 61 Merry Blacksmith........................................... 63 Mexican Hat dance.......................................113 Michael Row the Boat Ashore..........................137 Midnight Special. ..........................................138 Milord........................................................140 Minstrel Boy ......................................... 122, 154 Minuet from Berenice....................................141 Miss Kate Rusby ..........................................127 MODERN DANCE........................................109 Molly Malone...............................................155 Monk's March............................................... 86 Moreton Bay ................................................ 28 Mountains of Mourne.....................................156 Mr Hitler...................................................... 82 Mrs Grace Bowie........................................... 51 Muckin' ......................................................... 9 Mudgee Schottiche........................................ 41 Mudgee Schottische....................................... 96 Munster Cloak .............................................. 33 My Old Man................................................. 15 No Hiding Place Down There..........................137 No Nay Never..............................................168 No title........................................................ 69 O Come All Ye Faithful .................................177 O Little Town of Bethlehem.............................177 O Sole Mio..................................................104 O Suzannah................................................. 98 O'Brien's Jig................................................. 57 Oh Dear What Can the Matter Be?.................... 58 Oh Johnny Oh Johnny Oh! .............................111 Oh You Beautiful Doll....................................111 Old Joe Clark ............................................... 98 Old Legacy .................................................... 7 Old Orange Flute..........................................157 Old Palmer's Song........................................... 1 On Christmas Night.......................................178 On Top of Old Smoky....................................136 Once in Royal David's City..............................177 Onward Christian Soldiers..............................116 Orotaba Waltz .............................................. 29 Our God our help in Ages Past........................116 Over The Rainbow........................................107 Oyster Girl..................................................... 9 Pack up your Troubles................................... 15 Perfect Cure................................................... 6 Pick a Bale of Cotton.....................................135 Pinch of Snuff............................................... 62 Pine Tree Flat Barn Dance.............................. 97 Pirate Chorus ............................................... 89 Plaisir d'Amour............................................. 24 Planxty George Brabazon...............................119 Planxty Hewlett............................................119 Planxty Irwin................................................ 20 Pokare Kare Ana..........................................130 Port Hedland Carol.......................................182 Portsmouth.................................................. 79 Princess Royal. ............................................. 77 Put your Little Foot......................................... 95 Puttin' On the Style.......................................138 Quartermaster's Stores.................................. 17

Rachel Rae................................................125

Raglan Road................................................ 81 Rakes Mallow ............................................... 12 Rakes of Mallow.............................................. 2 Rare Oul' Times...........................................158 Rattlin' Bog .................................................... 5 Red River Valley ................................... 100, 136 Red Wing.................................................... 68 Reedy River................................................123 Reel De Montreal.......................................... 76 Reilly's Daughter..........................................159

Repasz....................................................... 85 Resting Chair..............................................126 Rickett's hornpipe.......................................... 94 Ride a Cock horse to Banbury Cross.................. 58 Rights of Man............................................... 94 Rising of the Moon........................................159 Roaring Jelly ................................................ 55 Robbie Hobkirk's........................................... 44 Rock around the Clock..................................113 Rocky Road To Dublin.................................... 60 Roddy McCorley......................................... 1, 81 Roisin Dubh with ornamentation.......................127 Roisin Dubh................................................127 Roll out the Barrel. ......................................... 18 Rose of Aranmore......................................... 19 Rose of Tralee.............................................160 Rose Tree..................................................... 3 Roxburgh Castle........................................... 90 Rudolf the Red Nosed Reindeer.......................179 Rum Rebellion.............................................. 47 Saddle the Pony ...................................... 46, 49 Sail Away Ladies..........................................137 Sailor.........................................................106 Sally Gardens............................................... 64 Sally Sloane's .............................................. 95 Santa Lucia.................................................103 Sash My Father Wore....................................160 Scarborough Fair.........................................128 Scarterglen.................................................. 67 Scotland the Brave.......................................... 6 Scottish Wood .............................................. 33 SET DANCE: EVENING THREE STEP.............. 55 SET DANCE: VIRGINIA REEL......................... 73 Seventy Ninth Highlander's farewell to Gibraltar.... 82 Seventy Six Trombones .................................. 83 Shady Grove...............................................128 Shandon Bells .............................................. 46 Ship Ahoy.................................................... 17 Shoals of Herring.........................................128 Si Beg Si Mor ..............................................125 Silent Night.................................................179 Silv er Spear................................................. 76 Silver Threads Among the Gold.......................107 Smash Windows........................................... 49 Soldier's Joy................................................. 74 South Wind.................................................. 20 Spanish Lady .......................................... 3, 161 Spanish Waltz .............................................. 30 Speed the plough.......................................... 66 Spey in Spate............................................... 65 St Anne's Reel. ............................................. 62 St Anthony ..................................................... 5 St Mary's....................................................... 4 Star of the County Down................................162 Stars up above............................................123 Staten Island................................................ 74 Steam Boat.................................................. 90 Strangers in the Night....................................107 Streets of London.........................................139 STRIP THE WILLOW..................................... 54 Susanna Suzanna......................................... 98 Swallow's Nest............................................. 49 Sweet Jenny Jones.......................................131 Sweet Rosie O' Grady in D.............................. 25 Sweet Rosie O' Grady .................................... 26 T empest................................................... 4, 8 Tennessee waltz........................................... 25 THADY THOU GANDER................................. 49 That Big Rock Candy Mountain........................101 That's Amore...............................................102 There But For Fortune...................................134 There's a Tavern in the Town........................... 15 Three Drovers .............................................183 Tie a Yellow Ribbon......................................139 Tobin's Favourite........................................... 56 Today ......................................................... 32 Tom Blackman's............................................ 19 Tom Dooley ................................................101 Too Young..................................................106 Toss the Feathers......................................... 75 Town I Loved So Well. ...................................163 Traveller...................................................... 65 Trip to Bavaria.............................................. 71 Tripping Upstairs........................................... 48 Turkey in the Straw ........................................ 62 Twist.........................................................113

VARSOVIENNA........................................... 95 Villikins and his Dinah....................................157 VIRGINIA REEL............................................ 72 Walkin' My Baby Back Home..........................112 Walter Bulwer#2............................................ 70 Walter Bulwer's Polkas ................................... 43 Waltz for Mr & Mrs Lysons............................... 31 Waltzing Matilda Buderim................................ 11 Waltzing Matilda Cowra.................................. 11 Waltzing Matilda............................................ 34 Wangaratta waltz .......................................... 31 WASHINGTON POST.................................... 55 Waves of Tory ............................................ 2, 3 Waxies' Dargle............................................164 We Shall Not Be Moved.................................. 72 We Three Kings of Orient Are..........................180 We Wish You a Merry Christmas......................181 Wearing of the Green..................................... 87 Welsh Rabbit. ..............................................123 When I Grow Too Old To dream ....................... 23 When Irish Eyes are Smiling......................32, 164 When the Red Red Robin...............................111 When the Saints............................................ 99 When You and I Were Young Maggie................165 Where Have All the Flowers Gone?................... 99 While Shepherds Watched Their Flocks.............180 Whiskey in the Jar ........................................166 White Cliffs of Dover...................................... 42 Wild Colonial Boy ....................................28, 167 Wild Rover..................................................168 Willafjord..................................................... 63 WILLOW TREE............................................. 50 Wiltshire Six Hand Reel.................................. 70 Wind That Shakes the Barley ........................... 66 Winster Gallop.................................... 53, 70, 77 Winster Processional. ..................................... 83 Wish Me Luck as you Wave Me Goodbye........... 42 With a Shillelagh Under My Arm........................ 16 Woodcutter's Jig............................................ 10 Worried Man Blues .......................................100 Yankee Doodle............................................ 98 Yarmouth Reel. ............................................. 67 Yellow Rose Of Texas...................................100 You Are My Sunshine..................................... 17 You! You! You! ............................................106

1

HEDLAND SCRATCH BAND SETS 1. MEDLEY: Another Fall of Rain, The Old Palmer’s Song, Roddy McCorley. Another Fall of Rain E

A

E

B7

^3 .3 .3 [^3]

[3 .3 .3]

E

A

4 4 .4 ^4

.5 .5 .5

^5 .5 .4 .3

E

.2 .3 ^3

.4 .5 .4 .3

B7

E

^3 ^4 .4 ^3

.3

Ahorus

.5 .5

.5

^5

.5

.4

.3

− .4 ^4

^3

.3

^4 ^4 ^4 ^4

.3

^5 .5 .4 .3

^4 ^5 ^5 ^5

[^3]

^5 .5 .5 .4

.5 .2

.3 .3 .3 .4

.5 .5 ^4 .4

B7

.2

.3 ^3

.4

^3 .3 .3 [^3] B7

E

^3

.5 .5 .5

E

A

.5

.5 .5 ^4 .4

A

− .3 .3

E

.3 .3 .3 .4

.5

.4

.3

− .5

^3

E

^3

^4

.4

^3

−

.3

The Old Palmer’s Song. B

E

B

E

F#7

B

^5 .5 .4 .5 .5

^5 .5 ^4 .4

^3 .5 .5

.3 .3 .4 .5

2 4 .5

.3 .3 .4 .5

.6 .6 .6 .6 ^7

E

.7 .6 .6 .5

^5 ^6

.6 .6 ^6 .6

.7 .6 .6 .5

^5 ^6

.6 .6 ^6 .6

B

F#

B

^5 .5 .4 .3

^3 .4 .3 .3

.3 .5

.6 .6 .6 .6 ^7

Roddy McCorley (Celts to Cobbers) E

A

B

E

.3 ^3

.3

A

E

C#m

^5

.5 .4 ^3

A E

F#m

^4 .4

^3

2 4 .3 ^3 B7

.4 ^3 .4

.2 .3 ^3

E

− .4 ^4 1

.4 ^3

A

.5 .5 .5

.4 .5

.3 [3 .3]

G#m

^5

.5 .4 ^3

C#m

.3 .4

[^3] .3 F#m

B7

^4 .4

^3

− .4 ^4

.5 .5 .5

E

− .3 ^3

.4 ^3 .4

.2 .3 ^3

.4 .5 E

E

.4 ^3

.3 [3 .3]

.3 .4 A

[^3] .3

B7

E

.3 ^3

.3

2

.3 .3 ^3

.3

Maggie May B

E

B

F#7

.5 .5 .5 .5 .4 .3 .3

^4 ^4 ^4 ^4 ^4 ^5 ^5

.5 .5 .5 .5 ^5 .5 .4 .5

^3

B

A

4 4 .4 ^4 F#7

B

.5 ^6 ^5 .5 ^4 .4 ^3

.3

E

.6

^4

.6 .6

^4

^4

^5

^5 ^5

.5

.6 .5 .5 .4 .5

.5 .5 .5 .5 ^5 .5 .4 .5

1

.5

^6

^5

.3 .3

^4 ^4 ^4 ^4 ^5 ^5

F#7

F#7

^4

.5 .4 .3 .4 .5

B

.6 ^5 ^5 ^5 ^5

E

.5

.5

^4

.4

^3

^3

.5

.5 .4 .3 .4 .5

2

B

.3

B

.6

.3

^5 ^5

2

2. Lazy Harry’s = 270

B

.3 .4

.5 .5 .5 ^5

E

B

^4 .5 ^5 .5

.6 .6 ^7

.5 .4 .3 .4

.5 ^5 .5 .4

.4

.4

B

.6 .6 .6 ^6

^5 .5 .4

F#7

.7 .6 ^7 ^6

C#7

.5

.5 ^5 ^6

E

.4

.6 .5 .5 ^4

.4 .3 ^3 ^2

B

.3

.5 .5 .5 ^5

^3

.4

.3 .4 B

^3

^3

.4

^3

.3

.3

.6

F#7

E

B

^3 ^3 .4

^4 ^4 ^4 ^4

.4 .5 .5 .3

.4 ^3 ^3 .4

B F#7

F#7

^3

C#7

^6

.5 .4 .3 .4 E

F#7

^5 .6

.5

.5 ^5 .5 .4

.5

.4

.5 ^5 .5 .4

B

^4

B

.4

.3

^3

^2

.3

3. MEDLEY: Forty Pound Float, Rakes of Mallow, Waves of Tory Forty Pound Float (John Ryan’s) B

E

B

B

E

B

.5 .4 .5 .4

.6 .6 ^5 ^6 .6 ^5

F#

B

E

B

B

F#7

B

.5 .4 .5 .6 ^7

.7 .6 ^7 .6 ^6

.6

4 4 .6 .6 ^5 ^6 .6 ^5

.5 .4 ^3 .3

B

E

B

B

F#

.7 .6 .6 ^7 .7

^8 .7 ^7 .6 ^7

.7 .6 .5 .6

.7 .6 .7 .8 ^8

.6 .6 ^5 ^6 .6 ^5

.6

.6 ^7

1 B

B

E

B

F#

.7 .6 .6 ^7 .7

^8 .7 ^7 .6 ^7

.7 .6 ^7 .6 ^6

.6

2 B

.6

.6

.6

Rakes of Mallow (Walls of Limerick) E

B

E

A

B

E

4 4 .3 .4 .3 .4

.3 .4 ^4 .4 ^3 .3

^2 ^3 ^2 ^3

^2 ^3 .5 ^4 .4 ^3

E

B

.6 ^6 ^5 .5 ^4

.4 ^4 .5

.6 ^6 ^5 .5 ^4

.3 .4 .3 .4

.3 .4 .5

E

.4 ^4 ^3

^4 .4 ^3 .3 ^2 .3 ^3 ^4 A

.6 ^6 ^5 .5 ^4

.4 ^4 .5

.4 .3 .3

B

E

^4 .4 ^3 .3 ^2 .3 ^3 ^4

.4 .3 .3

Waves of Tory (Grand Old Dame Britannia) B

F#

B

F#

B

D#m

E

F#7

B

B

.4 .3 .3

.7 .7 .7 .7 .7

2 4 ^5 ^6 E

^8

.6 .5 .4 .5

.6 .6 .6 .7

B

^8 ^8

.7

.7 .7 .7

.8

^7 .6 ^6 .6 C#m

F#

^8 .7

^7

^7 .7 ^8 .7 ^8

.8 .7 ^8 ^7

B

.7 ^8

.8

.7

.6 ^6 .5 .4

F#

B

^8 ^7

.6

^4 ^5 .5 ^5 .5 ^4

D#m

^6 .5

.4

E

F#

B

^4 ^5

.5 ^5 .5 ^4

.4 .3

.3

3

4. MEDLEY: Waves Of Tory, Spanish Lady, Rose Tree Waves of Tory B

F#

B

F#

B

D#m

E

F#7

B

2 4 ^5 ^6

.6 .5 .4 .5

.6 .6 .6 .7

^7 .6 ^6 .6

^7 .7 ^8 .7 ^8

B

E

B

C#m

F#

B

.7 .7 .7 .7 .7

^8 ^8 ^8

.7 .7 .7 .7 .8

^8 .7 ^7 .7 ^8

.8 .7 ^8 ^7 F#

.6 ^6 .5 .4 B

.8 .7 ^8 ^7

D#m

.6 ^6 .5

^4 ^5 .5 ^5 .5 ^4 E

.4

F#

.4 .3 .3 B

^4 ^5 .5 ^5 .5 ^4

.4 .3 .3

Spanish Lady B

E

B

F#

B

E

^5 .5 .5 ^5 .5 ^4

.4 .5 .5 ^5 ^6

B

F#

2 4 .5 ^4

.4 .5 .5 ^5 ^6

.6 ^6 .6 ^7 .7

^8 ^7 .7 .6

B

.7 .8 .8 ^9 .8 .7

^7 .6

.6 ^7

.7 .8 .8

.7

F#

B

^7 .6 ^7

.7 .8 .8 ^9 .8 .7

.6 ^6 .6 ^7 .7

^8 ^7 .7 .6

E

^7 .6 .6 ^7 .7

B

^5 .5 .5 F#

^8 ^7 .7 .6

^5 .5 .5

Rose Tree B

B

F#7

.6 ^5 .5 .4

.5 ^5 .5 .4 .5 .4 .5

B

G#m

C#m

F#7

B

B

3

D#m

4 4 .7 ^7 G#m

F#7

.6 ^6 .6 ^7 .6 ^7 G#m

F#7

.6 ^6 .6 ^7 .6 ^7

B

.7 .6 .6 B

.7 .6 .6

.6 ^7

.6 .6 .7 ^7 .6 ^7

.7 ^7 ^7 ^8 .7 ^7

.6 ^5 .6 ^5 .5 .4

B

B

C#m

F#7

B

.7 ^7 .7 ^8

.8 ^9 .8 ^8 .7

^7 ^9 ^9 .8

^9 ^7 ^7 .7 ^7

.6 ^5 .6 ^5 .5 .4

3

.5 ^5 .5 .4 .5 .4 .5 B

D#m

.5 ^5 .5 .4 .5 .4 .5

4

5. MEDLEY: The Tempest, Girl With the Blue Dress on Tempest, The (Wiltshire Tempest) B

B

F#7

B

F#7

.6 .5 .5 ^5 .5

.7 .6 .6 ^7 .6

^7 .5 ^5 ^6

.6 ^6 .6 ^7 .7 .8

B

F#

G#m f#

C#m F#7

B F#7

B

^7 .5 ^5 ^6

.6 .6 .7 ^8

.8 .7 .7 .6

2 4 .5 E

F#7

^7 .6 ^6 ^5 .5 .7 ^8

B

C#7

.8 .7 .7 .6

^7 .6 ^6 ^5 .5 ^5 ^6 .5

F#7

B

.6 .5 .5 ^5 .5

F#

.7 .6 .6 ^7 .6

G#m f#

.6 .5 .5 ^5 .5

.7 .6 .6 ^7 .6

C#m F#7

B F#7

B

E

B

^7 .5 ^5 ^6

.6 .6 .5

.6 .7 .8 .7

^9 ^8 .8 .7

C#m C#7

F#7

B

C#m C#7

F#7

B

F#7

B

F#7

^8 .7 ^7 .6

^6 .6 ^7 ^6 .5 ^5 ^6

.6 .7 .8 .7

^8 .7 ^7 .6

^8 ^7 ^6 .5

.6 .6 ^7 .7

^8 ^7 ^6 .5

.6 .7 .8 .7

^8 ^7 ^6 .5

B

F#7

.6 ^7 .7 ^8 .8 .7

B

F#7

F#7

B

.6 .7 .8 .7

^8 ^7 ^6 .5

^8 ^7 ^6 .5

.6 .6

The Girl With the Blue Dress on E

B7

E

B7

E

B7

E

.4 .3 .3 ^2 .3 .4

^3 ^2 ^2 [^3] ^2 .3

^3 .3 .3 .4 ^4

B7

E

4 4 .4 ^4

.5 .4 .5 ^4 ^3 ^4

B7

E

E

A

B7

E

B

^3 ^2 ^2 [^3] ^2 .3

^3 .3 .3 .5

.3 .4 .5 .6 ^6

^6 ^5 ^5

.2 ^2 ^3 ^6 ^5

^5 .5 .5

.5 .4 .5 ^4 ^3 ^4

.4 .3 .3 ^2 .3 .4

E

A

B7

E

.3 .4 .5 .6 ^6

^6 ^5 ^5 .6

^6 ^7 ^5 ^6

.6

6. MEDLEY: St Mary’s, Church St, Girl With The Blue Dress On. Saint Mary’s E

B

E

B

.4 .4 ^3 .3 ^2 [^3 .3]

.3 .4 ^3 .4 ^3

2 4 .3 .4 ^3 .4 ^3

.3 .6 ^5 ^6 .6 ^5

1 E

2 E

.5 .4 ^3 .3 ^3

E

.3 .6 ^5 ^6 .6 ^5

B

.5 .4 ^3 .4 ^3

E

B

3

.3 .3 [3 ^3] ^2

1 E

.3 .3 ^3

.4 .5 .6 .5

.4 .5 .6 .5

.4 .5 .6 ^5

^6 ^6 .6

^7 .6 ^5 ^6 .6 ^5

.5 .4 ^3 .3 ^3

.4 ^5 .5 .4 ^3 .4

2 E 3

.3 .3 ^3

.3 .3 [3 ^3] ^2

Church Street E

A

B

E

E

.2 .5 .5 ^5 .5 ^4

.4 .3 [3 .3]

A

2 4 .5 ^4

.4 .3 [3 .3]

1 B

2 B

.3 .4 .3 .5 ^4

2 E

[^3] ^4 ^4 ^3 .4

B

.3 .6 ^6 ^7

E

.6 .6

.3 .4 .3 .4 .5

^4 [^3] ^2 [^3]

E

A

.6 .6 ^6 ^6

^4 ^5

E

^5 ^5 .5 .5

.4 .4 ^4

[^3] ^4 ^4 ^3 .4 B

.5 ^5 .5 .4

^3 ^3 .4 ^3

^4 .4 ^3 .3 ^2 [3 ^3] ^2

1 E

.3 ^3 .4 ^4

.5 .5 ^5 ^6

5

7. MEDLEY: Dennis Murphys, St Anthony, Rattlin’ Bog, Davy Nicknack, Grandfathers Clock, Loch Lomond Dennis Murphy’s polka B

E

F#

B

E

^4 ^3 ^7 .6

^6 ^5 ^5 .5

.7 ^8 .7 ^7 .6 ^7 .6 ^5

F#

2 4 .7 ^8 .7 ^7 .6 ^7 .6 ^5

.5 .3 .4 .5

.5 .3 .4 .5

^4 ^3 ^7 .7

^7 .6 .6

B

E

B

F#

B

E

B

F#

.5 .7 .7 ^7 .7

.5 ^8 ^8 .7 ^8

.5 .7 .7 ^7 .7

^7 .7 ^7 .6 ^5 .5

.5 .7 .7 ^7 .7

.5 ^8 ^8 .7 ^8 .8

^9 .8 ^8 ^7 ^6 .6

^6 ^5 B

^7 .6 .6

Pat Horgan’s #1 (St Anthony’s) B

E

F#7

B

^5 ^3 ^3 .4

^4 .5 ^4 .4 ^3

.3

E

F#

B

C#m

4 4 .3

.4 .5

.6 ^6 ^5 .5

B

.4 .5

.6 ^6 ^5 .5

^5 ^7 ^5 ^6

.6

C#m

.6

.5

.6

.5

.6

.5

.5

^5

^7

.6

^7 ^5 ^7 ^5

E

^5

^7

^5

^7

^5

^5

^6

B

.6

^5

^7 ^5 ^5 ^6

C#m

.5

.4

^3

^3

1 F#7 E

2

Rattlin’ Bog E

A

E

F#7

.3 [^3 ^3] .3

.2 .3

B7

E

.4 ^3 ^3

.4

A

E

.3 [^3 ^3] .3

.2 .5 .5 .4

4 4 ^3

.4

E

B7

.4

.3 ^3

.4 ^3 E

.3

.4

.3

B7

E

^3 .3

.4

.3 ^2 .3 ^3 F#7

.5

.5

.4

B7

E

^3 .3 ^3

.4

.4

.3

^3

B7

E

^3 .3

.4

B7

.3

^3

^3

.3 .3

^4

.4

^3

.3

E

.3

.4

.5

.5

^3 .3

Davey davey nick−nack E

B7

E

4 4 .3 ^2 .3 ^3 .4

.4

.3 ^2 .3 ^3 .4

B7

E

.5 ^4 .4 ^4 ^3 ^4 .4 ^3

.3 .4 .3

B7

E

.5 ^4 .4 ^4 ^3 ^4 .4 ^3

.3 .4 .3

.4

.5 ^4 .4 ^4 ^3 ^3

.5 ^4 .4 ^4 ^3 ^3

E

.4 ^4

.3 ^2 .3 ^3 .4

.4

B7

.5 .5 ^4 .4 .5

.6 .6 .5

.3 ^2 .3 ^3 .4

.4

E

.5 ^4 .4 ^4 ^3 ^3

.5 ^4 .4 ^4 ^3 ^3

.5 .5 ^4 .4 .5

.6 .6 .5

Grandfather Clock E

.2

B

.3 ^2 .3 ^3 .3 ^3

.5 .4 ^3 .3 [^3] .3

.4

E

.5

.4

A

.4 ^5 .4 [^3] ^3 ^3

1 E

E

B

.3

^2 [^3] ^2

B7

E

B7

E

^3 .2

.3

^3

.4 .4 .4 ^5 .4 [^3] ^3 ^3

.5

.6

B7

E

^7

.7

.3

2

.2

A

.3

.3 ^2 [^3] ^2

.4 ^4

.3

.5

.5 .4 ^3 .3 ^2 .3

.6 .5 .5 .4 .4 .5

A

^8

.7

^5

^7

^7

^3 .3 ^2 [^3] .3 [^3] .3

.4 .5 .4 .5

E

B7

.6

^6

E

.6 .5 .5 .4 .4 .5

.6

Loch Lomond E

A

B7

.3 .3 ^3 .4 .4 ^3

.3 .3 [^3 .3 ^3 ^3]

E

A

B7

C#m

.3 .3 .3 .3 .4 .5

^5 ^5 .5 .5

E

F#m

B7

6

E

4 4 .2

^5 ^5 .5 .4 .4 .5

^4 .4 ^3 .3 [^3 .3 .3]

.3 .4 .5 ^5 .5 .4

B7

^3 .3

8. Scotland the Brave E

E

A

E

F#7

B7

E

A

^4 ^5 ^4

.4 .5 .4 .3

^3 .5 ^5

.5 ^4 .4 ^3

.3 .3 ^3

4 4 .2

.3 .3 ^3

.4 .3 .4 .5

.6 .6 ^6

.6 .5 .4 .3

E

A

E

B7

E

.6 .5 .4 .3

^4 ^5 ^4

.4 .5 .4 .3

^3 .3 ^2

.3

B7

.5

B7

^6 .6

E

^4 .4 ^3

E

^7 ^7 ^7

A

.3

.3

^3

.4 .3 .4 .5

.6

^7 ^6 .5

E

.6

^6

.6 .7 ^7

.6 .5

.4 .3

^4

^4

.4

.6 ^6

B7

F#7

.6 .6 .6

^6 .6 ^6

^5 .6 ^6 ^5

E

^5

.6

F#7

.6 .5 .4 .3

A

.4 .3 .4 .5

B7

.5 .4

.3

^3

E

.3

^2

.3

.3

9. MEDLEY: Fiery Clock Fyece, Perfect Cure, Catalpa Fiery Clock Fyece

6 8 .5

.7

.6 .6 .3 ^3

.7 .6 ^7 .7

.4 ^4 .5 ^5

^8

.7 ^7

.6

(^4) ^6 ^3 .4

^6

^5 .5

^5

^4 .5 ^5 ^6

^6

.6 ^7

.6 .6 .3 ^3

.1

.7

.4 ^4 .5 .5

.7 .6 ^7 .7

^8

^5 ^6 .6 ^7 ^6

.7 ^7 .6

.6

.6

^6 ^5 .5 ^5

^6

.4 ^4 .5 .5 ^5 ^6

.6

.6 ^7

.6

.6

The Perfect Cure

6 8 .5 ^4

.4 ^4 .5 .3 .6

.7 ^7 .6 ^7 .6 ^6

^6 ^5 .5 ^4

.4 ^4 .5 .3 .4

.6 ^5 .5 .5 ^7

^3 ^3 .5 ^4

.7 ^7 .6 ^6 .6

^7

^7

.4 ^4 .5 .3 .6

^6 ^5 .5 ^4

.7 ^7 .6 ^7 .6 ^6

.6 ^5 .5 .5

^5

.6

.5 ^5 .5 ^5 ^6

.6 ^7

.6

Rosin the Beau, Catalpa) E

E

A

.3 ^2 .3 .4 ^3 .3

.5

^5 ^6 .6

C#m B

E

E

A

E

B7

[^3

.3 ^2 .3 .4 ^3 .3

.5

^5 ^6 .6

.5 .4 .3 ^3 .4 ^3

E

6 8

E

B7

.5 .4 .5 .5 ^5 ^6

.5 .4 .3 .3 ^3 .4

^3 .3]

A

E

C#m B

E

E

A

E

.6 ^5 .6 ^5

.5 .4 .3 .3 ^3 .4

[^3

.3 ^2 .3 .4 ^3 .3

.5

^5 ^6 .6

.5 .4 .3 ^3 .4 ^3

^3 .3]

B7

.3 E

.3

7

10. MEDLEY: Dingle Regatta, Blaydon Races, Clare Jig, Old Legacy, Bobby Shaftoe Dingle Regatta E

B

E

^3 ^3 ^3 .3 ^3

.4 ^3 .3 .4 ^4

B

E

^3 .4 ^4 .4 ^3

.3

6 8 .4 ^4

.5 [^6] .5 ^5 .5

.4 [^1] .4 .5 .4

.5 [^6] .5 ^5 .5

.4 [^1] .4 .5 .4

B

B

E

B

E

B

E

B

B7

.5

.5 .5 ^5 ^6

.6 .6 ^6 .6

^7 ^7 .6 ^7

.7 ^7 .6 ^6 ^5

.5 .5 ^5 ^6

^7 ^7 .6 ^7

^7 .6 ^6 ^5

.5 ^5 ^6 .6

.4 .5 .4 .3 .4 .3

B

E

^2 .3 ^3 [3 ^3] ^2

.3

.4

B

E

.5 ^5 ^6

.6 .7 .6 .5 .6 .5

E

^2 .3 ^3 [3 ^3] ^2

−

E

.5

.6 .7 .6 .5 .6 .5

B

E

.6 .7 .6 .5 .6 .5

.3

−

.3

.3 .3

Blaydon Races E

B7

E

^3 ^3 ^3 ^3

.4

A

E

B

F#7

B B7

^4 ^4 ^4 ^4

.4 .4 .4

^3 .4 ^3 .3

E

6 8 .2

.3 ^2 .3 ^2

B7

E

^3 ^3 ^3 ^3

.4

.3

.3 .3

.3 .3 A

E

^4 ^4 ^4 ^4

.4 .4 .4 .5 .5

A

E

B

^4 ^4 ^4 ^4 ^4

.4 .4 .4

^3 .4 ^3 .3

B7

.3

F#7

B

B7

E

.5 ^4 .4 ^3

B

.3 .3 .4 ^4

E

^2 .2

− [3 .3]

− .3 .2

^2

.3 .3 .3 .3

.3 .3 .3

− .4

.5

− .3

.3

.3 .3 .3 .3 B7

E

^3 ^3 ^3 ^3

.4 .3

−

B7

E

A

E

B

^3 ^3 ^3 ^3

.4 .3

^4 ^4 ^4 ^4 ^4

.4 .4 .5 .5

E

.5 ^4 .4 ^3

.3 .3

Clare Jig E

B

B

E

6 8 ^3

.4 .4 .4 ^3 .4

.5 .4 ^3 .3 .4

E

B

A

.6

^6 .6 ^6

^5 ^6 ^5 .5 .4

.5 ^5 .5 .5 ^5 .5

.5 ^5 .5 .4 .3

E

.5 ^5 .5 .5 ^5 .5

.5 ^5 .5 .4 ^4

.4 .4 .4 ^3 .4

.5 .4 ^3 .3 .4

E

B

A

E

.6

^6 .6 ^6

^5 ^6 ^5 .5 .4

.5 ^5 .5 .4 ^3 E

.3 .3

B

E

.5 ^5 .5 .4 ^3

.3

.3

Old Legacy E

A

E

6 8 .2 A

.3 ^3 .3 .3 ^3 .4

.5 ^5 .5 .5 .4 ^3

.3 ^2 .3 .4 ^3 .3

[^3] ^2 .3 .2

E

A

[^3] ^2 .3

.3 .4 .5 .6

^6 ^5 .5 ^5 .5 .4

.3 .4 .5 .6

^6 ^5 .5 ^5 ^6

.3 ^3 .3 .3 ^3 .4

.5 ^5 .5 .5 .4 ^3

.3 ^2 .3 .4 ^3 .3

E

A

E

A

.6 ^6 .6 .5 .4

^5 .5 ^5 .5 .4

.3 ^3 .4 ^3 .4

E

[^3] ^2 .3

Bobby Shaftoe E

A

E

B7

.4 .5 .4 .3

[3 .3 .3] .3

E

A

E

B7

E

.4 .5 .4 .3

^3 ^4 ^3 ^2

.3

E

4 4 .2

.3 .3 .3 ^4

^2 ^3 ^2 .2

.3 .3 .3 ^4

.3

.4 .5 .4 .3

.4 .5 .4

B7

E

B7

E

8 ^3

^4

^3

^2

^3

^4

^3

.4

.5

.4

.3

.4

.5

.4

^3

^4

^3

^2

.3

.3

11. MEDLEY: The Tempest, Girl With the Blue Dress on Tempest, The (Wiltshire Tempest) B

B

F#7

B

F#7

B

.6 .5 .5 ^5 .5

.7 .6 .6 ^7 .6

^7 .5 ^5 ^6

.6 ^6 .6 ^7 .7 .8

F#

G#m f#

C#m F#7

B F#7

B

^7 .5 ^5 ^6

.6 .6 .7 ^8

.8 .7 .7 .6

2 4 .5 E

F#7

^7 .6 ^6 ^5 .5 .7 ^8

B

C#7

.8 .7 .7 .6

^7 .6 ^6 ^5 .5 ^5 ^6 .5

F#7

B

F#

F#7

B

C#m

^8 .7 ^7 .6

^6 .6 ^7 ^6 .5 ^5 ^6

.6 .7 .8 .7

^8 .7 ^7 .6

F#7

.6 ^7 .7 ^8 .8

.7

C#7

.7 .6 .6 ^7 .6

G#m f#

.6 .5 .5 ^5 .5

C#m C#7

B

.6 .5 .5 ^5 .5

C#m F#7

B F#7

B

E

^7 .5 ^5 ^6

.6 .6 .5

.6 .7 .8 .7

^9 ^8 .8 .7

.7 .6 .6 ^7 .6

F#7

B

F#7

B

^8 ^7 ^6 .5

.6 .6 ^7 .7

^8 ^7 ^6 .5

.6 .7 .8

B

F#7

F#7

B

.6 .7 .8 .7

^8 ^7 ^6 .5

^8 ^7 ^6 .5

.6 .6

B

F#7

.7

^8 ^7 ^6 .5

The Girl With the Blue Dress on E

B7

E

B7

E

B7

E

B7

E

.4 .3 .3 ^2 .3 .4

^3 ^2 ^2 [^3] ^2 .3

^3 .3

.3 .4 ^4

.5 .4 .5 ^4 ^3 ^4

4 4 .4 ^4

.5 .4 .5 ^4 ^3 ^4

B7

E

E

A

B7

E

B

^3 ^2 ^2 [^3] ^2 .3

^3 .3 .3 .5

.3 .4 .5 .6 ^6

^6 ^5 ^5

.2 ^2 ^3 ^6 ^5

^5 .5 .5

.4 .3 .3 ^2 .3 .4

E

A

B7

E

.3 .4 .5 .6 ^6

^6 ^5 ^5 .6

^6 ^7 ^5 ^6

.6

12. MEDLEY: Lincolnshire Poacher, Colleen The Lincolnshire Poacher = 100

B

G#m

B

B

B

F#

B

B

.6

−

B

B

B

B

B

B

F# F#

B

B

6 8 .5

.6 .6 .6 ^6 ^5

B

B

.8

.7 .6

.5 ^4 .4 .5

B

^7

.6 .6 ^7 ^6

B

.7

.7 .7 ^7 .6

F#

B

^7

.7

.5

B

^7

.6

.6 ^7 .7 ^8 G#m

.6 .6 ^6 ^5

.8 .7 .6 ^7 B

B

.5

^4 .4

.7 .7 .7 ^7 .6 B

.5 .5

.6

−

^7

.5

F#

.6 ^7 .6 ^6

.6 ^7 .7 ^8 B

B

.6

−

Colleen E

E

B

A

B

.4 ^4 .4 ^3

.3 .4 .2

^3 .3 ^3 .4

^4

F#m

B

E

^3 .4 ^3 ^2 [^3]

.2

E

E

.4 ^4 .4 ^3

.3 .4 .2

6 8 .2 B

A

^3 .3 ^3 .4

^4

B

E

B

E

E

^3 ^3 .4 ^4

.5 .4 .3

^3 .4 ^3 ^2

.2 .4 ^4

.5

1 E

.3 .4 ^4

− .2

2 E

.3

−

− .2

^3 .3 ^3 .4

^4 .4 ^3

1 E

E

E

E

.5 .5 .5

.5 .5 .5 .5 .5

.5 ^4 [^3] ^2

.3

E

− ^5

.5

2 E

.2

.3 .4 ^4

F#m

− ^5

E

.5 ^5 .5 ^4 ^3

.5

− .2

E

− ^5

.5

F#m

− ^5

E

.5 ^5 .5 ^4 ^3

.3 .2

E

F#m

G#m

E

.3 .2

[^3 ^3] ^3 .3

^2 .5 .5 .5

.5 ^4 [^3] ^2

9

13. MEDLEY: Louisburg, Muckin’, Haymaker’s, Oyster Girl(D Then G), M’moiselle Louisburg (Uncle’s Jig)

6 8 .4 ^4

.5 .5 .5 .4 ^4

.5 .5 .5 .4 .5

.6 .6 ^6 ^5

.5 .4

^4 ^5 ^5 .5 ^4

.4 .5 .5 .4

1

.5 .5 .5 .4 .5

.6 .6 ^6 ^5

.5 .4

^4 ^5 ^5 .5 ^4

.4 .5 .3 .4

^3 ^4 ^2 ^3

^3 .4 ^4 .4

^3 .4 ^4

.5 .5 .5 .4 ^4

.5 .6 ^6 ^7

.6 .7 .8 ^8 .7

2

.3 .4 ^4

.4 ^2 .3

1

^7

.8

^8 .7

^7

.6

.7

.8

.5

.6 ^6

^7

.6

.7 .8 ^8 .7

^7

.8 ^8 .7

^7

2

.6

.4

^4

.6

.6

Mucking of Geordie’s Byre B

E

F#

B

E

^8 ^7 .7 .6

^7 .6 ^5 ^6 .6

.5 ^5 .5 .5 .4 .5

F#

B

6 8 .5

.5 ^5 .5 .5 .4 .5

.6 ^7 .7 .8

E

B

F#

^8 ^8 ^8 .8 ^9

.7 .7 .7 ^8 .8

^7 ^7 ^7 .6 ^7

.6 ^7 .7 ^8

.8 .7 .6 ^7 .7 ^7

B

.7 ^7 .6 ^5 ^6 .6

E

.5 ^5 .5 .5 .4 .5

.6 ^7 .7 ^8

.6 .6

F#

^7 .7 B

.8 .7 .6 ^7 .7 ^7

.6

.6

Haymaker’s Jig E

A

B

A

E

E

B7

E

^6 ^5 .5 ^5 ^4 ^3

.3 .3

6 8 .4 ^4

.5 .5 .5 .4 .5

.6 ^6 .6 .4

E

^4 .4 ^4 ^3 .4 ^4

A

.6 .6 .6 ^6 ^5

.5 .6 .5 .4

B

^4 .4 ^4 ^3 .4 ^4

^5 .5 .4 ^4 E

^5

.5 .5 .5 .4 .5

.6 ^6 .6 .4 .6

E

.5 .4 .5

.6

.6 .6 ^6 ^5

.5 .6 .5 .4

.6

.4 .5

B7

E

^6 ^5 .5 ^5 ^4 ^3

.3

−

Oyster Girl (in D) 1 B

B

F#

B

F#

B

E

B

F#

.5 ^5 .5 .4 .3

^3 ^2 .2 ^2

.3 ^2 .3 .4 ^3 .4

.5 ^4 ^3

.5 ^5 .5 .4 .6

^6 ^5 ^4 ^5

.5 .4 ^4 .4 ^3

6 8 .4

2

B

E

F#

B

.3 .4 .5 .6 .5

.4 ^4 .5 .4 ^4 .5

^5 ^4 ^5 ^4

^3 .4 ^4 ^3 .4 ^4

.5 .4 .5 .4

1 B

.5 ^5 .5 .4 .6

.3

.3 .4

F#

B

F#

^6 ^5 ^4 ^5

.5 .4 ^4 .4 ^3

2

.3 .4 .5 .6 .5

.3

.3 .4

Oyster Girl (in G) E

B7

E

B7

E

A

E

B7

E

.5 ^5 .5 .4 .3

^3 ^2 [3 ^3] ^2

.3 .3 .4 .3 .4

.5 ^4 ^3

.5 ^5 .5 .4 .5 .6

^6 ^5 ^4 ^5

.5 .4 ^4 .4 ^3

6 8 .4 ^4 E

A

B7

E

.4 ^4 .5 .4 ^4 .5

^5 ^4 ^5 .5 ^4

^3 .4 ^4 ^3 .4 ^4

.5 .4 .5 .4

.5 ^5 .5 .4 .5 .6

.3 .3

.5 ^4

A

E

B7

E

^6 ^5 ^4 ^5

.5 .4 ^4 .4 ^3

.3

.3

Mademoiselle from Armentiers E

B7

E

10

A

E

^4 ^4 ^4 ^3

.4 .4 .4 .3

6 8 .2

.3 .3 .3 .3

.3 .3 .3

^2 ^2 .3

B

E

B

E

^3 ^2 .2

.5 ^5 .5 ^4

.4 ^4

.3

^3

.2

^3 ^3 ^3 ^3

^3 ^3 ^3

.3 .3 ^3

.4

.4

.5 .5 .5 .4

B

14. Woodcutter’s Jig E

B

E

B

.7 .6 .6 ^6 .6

^6 ^5 .5 ^4

.4 ^4 .4 ^3 ^2

E

B

E

B

E

E

.7 .6 .6 ^6 .6

^6 ^5 .5 ^4

.4 ^4 .4 ^3 ^2

6 8 A

^4

^5 ^6

^5

.3 ^3 .4 ^3

E

B

E

B

E

.5

^4

.4 ^4 .4 ^3

.4

A

.5

.5 ^4 .4

^4

E

^5 .6

^5

.5 ^5

.5

.3 .3

.4 .5 .5 ^4 .4

B

E

^4 .4 ^3

.3

.3

15. MEDLEY BARN DANCE: Click Go the Shears, Waltzing Matilda Cowra, Waltzing Matilda Buderim, Drover’s Dream 11 Click go the Shears E

A

E

B7

E

A

B7

E

.4 .4 ^3 .3 .4 .5

.6 .6 ^6 ^5

.5 .5 ^5 .5 .4 .3

^3 ^3 .4 ^3

.4 .4 ^3 .3 .4 .5

.6 .6 ^6 ^5 ^5

^7 .6 ^6 ^5 .5 ^4 .4 ^3

.3 .6 .6 .6

4 4 B7

E

A

E

B7

^7 ^7 ^7 ^6 ^7

.6 .7 .6

^5 ^5 ^6 .6 ^6 .6 ^5

.5 ^5 .5 .4 ^3 ^4 .4 ^3

E

A

B7

.4 .4 ^3 .3 .4 .5

.6 .6 ^6 ^5 ^5

^7 .6 ^6 ^5 .5 ^4 .4 ^3

E

.3 .6 .6 .6

Waltzing Matilda (Cowra, normal) E

B

E

A

E

B7

E

B

E

A

E

.2 .3 .4 .5 .5 .5

.5 .5 .5 .5 .3 ^3

.4 .4 ^3 ^3

.3 ^3 .4 .3 [^3] ^2 .3

.2 .3 .4 .5 ^4 .4

E

E

E

4 4 .3 ^3

.4 .4 ^3 ^3

.3 ^3 .4 .3 [^3] ^2 .3

B7

E

A

E

^3 ^3 ^3 .3

.5 .5 .5 .5 .4

.6 .6 .6 ^6 ^5

.5 .5 .5 ^5 .5 .5

B

B7

.5 ^4 .4 ^3 .3 ^3

B

.4 .4 ^3 ^3

A

.3 ^3 .4 .3 [^3] ^2 .3

.2 .3 .4 .5 ^4 .4

E

^3 ^3 ^3 .3

Waltzing Matilda (Buderim) E

A

E

A

B

C#m

^5 ^5

.5 ^5 ^6

B

A

A

^6 .5

^5 .5 ^5 ^6

^5 .5 .4 ^3

6 8 .3 .3 .3

.6 .6

E

E

.3 .3 .3

.6

.6

^5 .5 ^5 ^6 B

E

^3 .4 ^3

.3

^5 .5 .4 ^3

.3

.3 .3

.6 .6

.6 ^7 .6

Drover’s Dream, The (The Flash Stockman) B

E

A

.2

.3 ^3 .4 ^3

E

B7

E

6 8

A

[^3] ^2 .3 [^3]

.3

[3 .3]

E

.2 .3 ^3 B7

.4 .4 ^3 .3

[^3] ^2 .3 [^3]

^3

.4 .4 .4 .3

[3

B7

E

^3 ^3 ^3 ^2

.3

E

[3 .3]

.3]

.3 ^3 .4 ^3

.3 .3 .3 .3 ^3

[3 .3]

^3

A

−

^3 .4

A

.3

.4 .4 ^3 .3

[^3] ^2 .3 [^3]

−

[3 .3]

.3 ^3 .4 ^3

.3 [3 .3]

E

^4 ^4 ^4 ^4

^4 .5 ^4

.4 .4 .4 ^3

E

.2

.3

.4 .4 .4 .3

.3

.2

B7

E

^3 ^3 ^3 ^2

.3

.3 .3 .3 ^3

.3

.2

12

16. MEDLEY: Harper’s Frolick, Bonnie Kate Harper’s Frolick B

F#

B

^6 .6 ^7 ^6

.6 ^6 .6 ^7 .6 .5

F#

B

^6 .6 ^7 .6 ^6

.6

F#7

2 4 .5

.5 .4 .3 .5

.4 .5 .3 .6

B

F#7

B

.7 .6 .7

^7 .6 ^6 ^5 .5 ^8

.7 .6 ^7 .7

.7 .6 .7

.4 .5 .3 .5

F#

B

.7 .6 ^7 .6 ^6

.6

.4 .5 .3 .6

^8

.7 .6 ^7 .7

^8 ^7 ^8

Bonnie Kate E

B

E

^4 .5 ^5 .5 ^4

.4 .3 .3 ^3

1 B

A

E

^4 .3 .3 ^4

.4 ^4 .5 ^4 .4

2

4 4 .5 ^5 ^6

.6 ^6 .6 ^6

E

.6 .5 .5 .4

A

.4 .3

.3 ^3 .4

E

^4 ^3 .5

A

.4

B

^5

^4 ^4

^5

^6

^5 ^6

.4 .3 .3 ^3 .4 E

A

.6

^6 .6 ^5

^3 .5 ^5 ^6

E

B

E

.5 ^5 ^6 .6 .4

^4 .5 ^5 ^4 .4

^3 .3

^3

.3

17. MEDLEY: Dashing White Sergeant, Donkey Riding, Rakes Mallow Dashing White Sergeant B

E

F#

B

E

4 4 .4 ^3

.3 .3 .3 ^3 .4 ^4

.5 .5 .5 .7 ^7

F#

.6 ^5 .5 .4

^5 ^3 ^3 ^4 .4 ^3

B

.5 .5 ^5 ^6 ^6 .6

^7 ^7 ^6 .5

B

.5

F#

^5 ^5 ^6 .6 .6 ^7

.7 .7 .6 ^5

E

.4 .6 .6 ^6 .6 ^7

.6 .5 .5 .5

.3 .3 .3 ^3 .4 ^4

^5 ^7 ^7 .6 ^7 .7

^7 ^5 ^5 ^5

^5

B

.5 .5 .5 .7

F#

^6 .5 .6 .5

B

^7 .5 .7 ^7 .7

B

E

F#7

.5 .6 .6 ^6 .6 ^7

.7 .6 .6 ^6 .6 ^7

.7

^7 .6 ^6 ^5

.5

^3

E

F#

^8 .7 ^7 .6

^6 ^5 .5 ^4

1

.8

2

.6 ^6 ^5 .5 ^4

.6

Donkey Riding E

E

F#m

F#m

E

E

E

E

C#m

E

F#m

F#m

4 4 .3 ^3 .4 .4 ^4 ^3 .4 C#m

E

^5 .5 ^4 ^4 .5 .4

E

.4 ^3 ^3 .3 ^3 .4 ^3 ^3

.3 ^3 .4 .4 ^4 ^3 .4

.4 ^3 .5 .5 .3 .3

^5 .5 ^4 ^4 .5 .4

.4 ^3 ^3 .3 ^3 .4 ^3 ^3

E

.4 ^3 .5 .5 .3 .3

Rakes of Mallow (Walls of Limerick) E

B

E

A

B

E

4 4 .3 .4 .3 .4

.3 .4 ^4 .4 ^3 .3

E

.6 ^6 ^5 .5 ^4

^2 ^3 ^2 ^3

E

.4 ^4 .5

.6 ^6 ^5 .5 ^4

^2 ^3 .5 ^4 .4 ^3 B

.4 ^4 ^3

.3 .4 .3 .4

.3 .4 .5

E

.6 ^6 ^5 .5 ^4

^4 .4 ^3 .3 ^2 .3 ^3 ^4 A

.4 ^4 .5

B

^4 .4 ^3 .3 ^2 .3 ^3 ^4

.4 .3 .3 E

.4 .3 .3

13

18. MEDLEY HEEL & TOE: Heel and Toe Polka, I’ll Tell My Ma) Little Brown Jug Heel & Toe Polka 1 B

B

E

F#7

.4 .5 .5

^4 ^5 ^5

^6 ^6 ^6 ^5 ^6

2 B

1 B

B

E

F#7

.7 .7 ^7 .6

^6 ^5 ^5

^6 ^6 ^6 ^5 ^6

B

E

.4 ^3 ^3 .4

^3 .3 .3

2 B

bc

2 4 .6 ^7 .7

^7 .6

.6 ^7 .7

^7 .6 .6

I’ll Tell My Ma E

B

E

.4 ^3 ^3 .4

^3 .3 .3 .4

E/G#m

A/F#m

2 4 .3

.2 .3 .4 .4

^4 .4 .4 ^4

.2 .3 .4 .4

E

B

E

A

E

B

.4 .4 .4 .4 .3

^3 ^2 [^3 .3]

.5 .5 .5 .4

^4 ^4 ^4

.4 .3 .3 ^3 ^2

^4 .4 .4 ^4

.5 .5 .5 .4

^4 ^4 ^4 ^3

E

.3 .3 .3

19. The Irish Washerwoman E

F#m

E

F#m

B7

6 8 .4 .3 .3 .2 .3 .3

.4 .3 .4 .5 ^4 .4

1 E

^4 ^3 ^3 ^2 ^3 ^3

2

.4 .3 .3 .3 ^3 A

A

^4 .6 .6 .4 .6 .6

.4 .3 .3 .2 .3 .3

E

.4 .3 .3 .3 ^5 ^6

E

^4 ^3 ^4 ^5 .5 ^4

B7

B

.6 ^6 .6 .5

.6 .5 .6 .7 ^7 .6

1 E

^4 .4 ^4 ^3 .5 ^4

.4 .3 .4 .5 ^4 .4

^4 .4 ^4 ^3 .5 ^4 A

^6 ^5 ^6 .5

^6 .5 ^6 ^7 .6 ^6

E

^5 .6 .6 .5 .6 .6

2

.4 .3 .3 .3 ^5 ^6

.4 .3 .3 .3 ^3

20. Father O’Flynn The Top of Cork Road B

E

F#

B

E

.6 ^6 .6 ^7 .7 ^8

.7 .6 .7 ^7 ^6 .5

.6 .5 .4 .3 .4 .5

F#

6 8 .6 .5 .4 .3 .4 .5

1 B

2

.7 .6 ^6 .6 .5

1 E

.6 ^7 .6 ^6 ^5 .5

F#

.6 ^6 .6 ^7 .7 ^8

.7 .6 ^6 .6 ^7 B

.7 .6 ^6 .6 ^7

.6 .5 .4 .3 .4 .5

.6 ^6 .6 ^7 .7 ^8

B

F#

B

F#

E

B

.7 .7 ^8 .8

^7 ^6 .5 .5 ^5 ^6

.6 ^6 .6 ^5 ^7 .6

^6 .5 .5 .5 (^4)

^5 ^5 .5 ^4

.5 .4 .3 .3 .4 .5

2

Variations

.6 ^6 .6 ^7 .6 ^7

.7 .6 .7 ^8 .7 ^7

.6 .5 .4 .3 .4 .5

1

.7 ^7 .6 ^7 ^6 .5

.6 ^7 .6 ^6 ^5 .5

^5 ^7 .6 ^6 ^5 .5

^5 ^6 .6 ^7 .6 ^7

.7 .6 ^6 .6 .5

^5 ^7 .6 ^6 ^5 .5

^5 ^6 .6 ^7 .6 ^7

2

.7 .6 ^6 .6 ^7

.7 .6 .7 .7 ^8 .8

1

^7 ^6 .5 .5 ^5 ^6

.6 ^6 .6 ^5 ^7 .6

2

.6 ^6 .6 ^7 .7 ^8

.7 .6 .7 ^8 .7 ^7

^6 .5 .5 .5 (^4)

^5 ^4 ^5 ^5 ^6 .6

.5 .4 .3 .3 .4 .5

.6 ^6 .6 ^7 .6 ^7

.7 .6 ^6 .6 ^7

14

22. The Leaving of Liverpool D

D7

G

^6 ^5 .5 ^4

^8

D

Bm

Em

^7 .6 ^5

.5

via PR

A7

D

D7

G

^6 ^5 .5 ^4

^8

D A7

2 4 ^4 .5 D

^5

Bm

− .6

Em

A7

− ^7

D

^5 .6 .6 ^5

.5 ^6 ^5 .5

D7

G

^6 ^5 .5 ^4

^8

.6 ^4 .5

^5 .6 .6

A7

− .7 ^8

^4

.8

D A7

D

Bm

− ^7

.6 ^4 .5

^5 .6 .6 ^5

B7

E

G

− .7

.6 .7 .8

Em

A7

.5 ^6 ^5 .5

^8

− ^7

− ^4 .5

− .6

^5

D A7

D

B7

E7

.6 ^4 .5

^5 .6 .6 .6

^6 .6 ^7 .6

.5

− ^7

.6 ^4 .5

A7

D

− .6 .6 ^6

− .6

^5

D

^4

−

Leaving of Liverpool in D B

B F#7

B

G#m

C#m F#7

B

B7

E

B F#7

B

G#m C#mF#7

B

2 4 F#7

E

BF#7

B

G#7

C#7 F#7

B

B7

E

B F#7

B G#m C#mF#7

B

23. Bodmin Riding March B

E

B

F#

^8 ^8 ^8 .8 ^8

.7 ^7 .6 ^8 .7

^7

4 4 .5

.6 .6 .6 .6

.6 ^6 .6 ^7 .6 ^6 .6 ^7

F#

^7

.7 ^7

.7 .7 .7 .7

.7 ^7 .7 ^8 .7 ^7 .7 ^8

.8 .8 .8 ^9 .8

B

.7

^7 .6 ^6 ^5 .5

.8 ^9 .8

F#7

^9

.8 ^8 .7 ^7 ^6 .8 ^8

.7 ^7 .6 .8 ^8

.7 ^7 .6 .8 ^8

.7 ^7 .6 ^7 .7 ^7

B

.6

GYPSEY TAPS

15

24. MEDLEY GYPSEY TAP: There’s a Tavern in the Town, It’s a Long Way to Tipparary, Pack up your Troubles, My Old Man There’s a Tavern in the Town E

B7

E

A

B7

2 4 .5

.5 .5

^5 .5 [^6] .5

.4 .5 .5

E

^6 .5 ^5 ^6

.5 .5

.5 .5

^5 .5 [^6] .5

B7

−

.6

.5 .5

^3 .5 .5

E

^4 ^6 ^6 ^6

^6 .5 ^4 ^3

.4 .5 .5 .5

.5 .5

.5 .5

^5 .5 [^6] .5

.3 .4

.5 .6

^7 .6 ^6 .6

B7

.3 .6 .6 .6

.6 .5 .4 .4

B7

^5 .5 [^6] .5

.5 ^4 .4 ^3

^4 ^6 ^6 ^6

E

^3 .5 .5

.5 ^4 .4 ^3

^6 .5 ^5 ^6

E A

E

.6 ^5

.5 .5

A

.3 .4

.5 .6 .6

^5 ^5

^6 ^6

.5

.5

B

^7 .6 ^6 .6

^5 .6

^6 ^6

^6 .5 ^5 ^6

E

.6

.6

It’s a Long Way to Tipperary B

B7

E

B

F#7

B

C#7

4 4 .4 ^4

.5

− .5 ^5 ^6

.5

F#7

^6

.6

C#7

.7

F#7

.5

− ^4 .4 ^4

.5

E

.5

− .5 ^5 ^6

.6 .7

B7

E

.7 ^7

.6

− .7

D#7

^8 ^5

.6 ^7

− .5 ^5 ^6

.5 .5 F#7

B

− .6 ^7

.7

− ^6 .6

.6 .7

.7 .7

.7 .6 ^7 .6

^7 ^5

E

B

^5

.5

.6 ^7

B

− ^7

.6

− .6

.6 ^5

B

− .4 ^4

^7

− .7 ^7

.6 .7

−

.6

Pack Up Your Troubles B

B

F#7

B

C#7

4 4 .4 ^4 F#7

.5 ^4 .4 ^4

B

−

^7

.5 .5 ^5

.5 .7

F#

.6 ^7

.7 .6

^5

E

^6 .6 ^7

− ^7 .7 ^8 ^7

− .4 ^4

.5

.5 .5 ^5

B

C#m F#7

B

.7 .6

^7

.5 .5 ^5

.8

.5 ^4 .4 ^4

.5 ^4 .4 ^4

.5 .7

.5

.6

.8

.6

^7 ^5

^6 .6

E

B

F#7

B

.8 ^8

.7

^7

.6

− Don’t Dilly Dally on the Way E

F#7

B7

E

G#7

C#m

F#7

B7

2 4 .5 ^5

^3 .5

− .4

.4 .3

.3

[^3]

^2 .5 ^5

.5 ^4 ^3 [^1]

.4

.4

E

B7

E

B7

E

B7

.5 .5 .4

^4 .5

.5 .5 .4

^4 .5 .5

.5 ^5 .5 .4

^3 .3 [^3] .3

E

.4 ^3

^3 .4 ^3

.3

.4 .4 ^4

.4 ^3 ^2

^3 .4

^3 .3

E

^3

^3

.5

.3 .3 ^3

.4 ^3 .3

^3 ^3 .4

^3 .3 [^3]

^2 .3

A

F#m

B7

^3 .4

^4 ^3 .4 ^4

.5 ^5

16

25. MEDLEY GYPSEY TAP: If You’re Irish Come into the Parlour, With a Shillelagh Under My Arm, McNamara’s Band If You’re Irish, come into the Parlour E

F#7

B

− [3 .3 ^3 .3] [^2]

^3

B7

E

A

E

F#7

6 8 .5 ^4

.4 .2 B7

^3 .4 ^3 .3

^4

^3

.4

.4 ^3

.5

.5 ^4

.5

.5

.5 .4

^3 .4

^4

.5

^3

^3 .4

E

^4

.4

^3 .4

^4

[^3]

[3 ^2 .3] .3

B7

− [3 .3 ^3 .3] [^2]

.4 .2 B7

.5

−

.3 F#7

E

.4

^4 .5

E

^2 .2 ^2 ^3

B7

^3 .4

.4

^4 .5

^4

^3 ^3 ^3 ^3 ^3

E

.4 [^1]

−

.4

B7

.5

.4 .4 .4

−

.4

.5 .5 .5 .5 .4 .5

E

.5 ^4

.4

^3

−

.3

−

If you’re Irish medley tune 1

2

6 8 .4 ^4

.5 .5 .5 .4 .5

.7 .6 .6 ^6 .6

^7 .6 ^6 ^5

.5

^7 (^1) ^7 .7

^8 ^7 ^6 ^5

.5 .5 ^5 .5

.4

.5 .5 ^5 ^6

.6

With a Shillelagh Under my Arm (G)

6 8 .5 ^5 ^6

.3 .6 ^6

.6 .3 ^3 .3 ^2

^5 ^6 .6 ^5

[^6] .4 ^4 .5

.5 ^5 .6 .7

.3 .6 ^6

.5 .5 ^5 ^6

^5 ^6 .6 [[^10]]

^7

^5 ^6 .6 ^5

.6 ^6 .6 ^5

^7 .6 ^6 ^5

.5

.5

.5 ^5 ^6

.5 .6 ^7 .7

.5 ^5 ^6

.6 ^6 .6 ^5

^7

.6

.3

.5 .4 ^3 .3

^3 [1] ^3 .4

.6 .3 .3 ^2 [^3]

.3

.6 ^6

.4

^3

.5 ^5 ^6

^4 .4 ^4 ^3

^5 ^6 .6 ^5

.5

.6 .3 ^3 ^3 ^2

.4 [^1] .4 ^4

.5 ^5 ^6

−

.5

.6 ^6 .6 ^5

.6

McNamara’s Band

6 8 .5 ^4

.4 .4 .4 ^3 .4

.4 ^3 .4 .4 ^3 .4

^2

− .5 ^4 ^3

.4 .4 .4 ^3 .4

.4 .4 ^3 .3

.4

.2

.4

− [3 ^3] ^2

.4 .4 ^3 .3

^4 ^4 .4 ^4

.3

.2

.4

^4 ^4 .4 ^4

.5 .4 .3 [^3]

− ^5 .5 .4

^3

.5 .4 .3 ^3

.2 ^4 .4 ^3

^5 ^6 ^5

.4 ^3 .4 ^3 .3

.3 [3 ^3] ^2

.5 ^4 .5 .5 ^4 .5

.3

^3 .5 ^4

− ^5 .5 .4

.5 ^4 .4 ^3

.3

.4 ^3 .4 .4 ^3 .4

^3

[^3]

.5 ^5 ^6

− [^3]

.3

17

26. MEDLEY GYPSEY TAP: I’ve Got A Lovely Bunch of Cocoanuts, Ship Ahoy I’ve Got A Lovely Bunch of Cocoanuts A

E7

6 8 .4 [^1] .4

.6 .6 .6 ^6 ^5

−

.4 .4 .4

.4 .4 .4 [^1] .4

B7

^5 ^5 ^5 ^5 ^5

^5 ^5 ^5 ^5 ^5

^7 .6 ^6 ^5

E

A

.5

.4 [^1] .4

.6 .6 ^6 ^5

^4

−

^4

^6 ^6

^6 ^6

^6 ^6 ^6 ^6 ^6

^6 E7

.6 .6 .6 ^6 ^5

−

.4 .4 .4

.4 .4 .4 [^1] .4

.6 .6 ^6 ^5

^4

A

−

^4

^6 ^6 (^4)

− ^6 (^4)

^6

^6 ^6 ^6 (^4)

^6 ^6

^5

.5 ^5 ^6 ^5

.5 ^4 .4 .4 ^3

.3

.3

.5 ^5

.6 .6 .6 .6

E7

.6 .6 .6 ^6 ^5

.6

.5 ^5

.6 .6 .6 .6

.6 .6 .6 ^6 ^5

−

^6

^6 ^6 ^6 ^6

^6

^6 ^6 ^6 ^6

^6 ^6 ^5

.5 ^5 ^6 ^5

A

.5 ^4 .4 .4 ^3

−

.3

Ship Ahoy (All the nice Girls love A Sailor) A7

D

B7

Em

6 8 [3 ^3]

− .4 ^3 [^3] ^2

^2 ^4

A7

^5 .4

.3 .5

[^6] ^5

A7

−

^3

[3 ^3]

−

.5

.5 ^1

^5 .4

− .4 ^4 .4

D

− .4 ^3 [^3] ^2

^2 ^4

A7

[^3] .3 .4

− [^3] ^2

− [^3] ^2

− ^2 .3

.4 [^3]

B7

.3 .5

[^6] ^5

−

.5

.5 ^1

.4 ^3

Em

^5 .5 ^5 .5

.4 ^4 .4

C#m

B

.4 ^3 .4 ^3

D

−

.5

.5 .4

−

.3

28. The Quartermaster’s Stores B

G#m

B

F#

B

B

G#m

B

B

B

4 4 .5 .6

.7

.7

.7 ^7 .6 ^5 .5 .6 .7

G#m

^5

C#m

^5

^5

^5

^7

^7

F#

^8

.7 ^7

.6 ^7

.7

F#

.6

^6

.5 .6 B

^7

.8

.7

.7

.7 ^7 .6 ^5 .5 .6 .7

B

.5

.7

.6

^6

^7 ^8 .7 ^7

G#m

C#m

^5

^8

^7

.6

.5

.6 .7 ^7 .6 ^6

B

D#m

.8

^6

.6

E

C#m

29. You Are My Sunshine E

E7

A

E

A

4 4 .2 .3 ^3 E

.4

− .4 [^1] .4

.4 .4

B7

^4

^3 ^3 .4

.3

−

.3 .3

− .3 ^3 .4 ^4 ^5

− ^5 .5 ^4

.4

−

.3 ^3 .4

^4 ^5

− ^5 .5 ^4

.4 .3

−

.3 ^3

18

30. If You Knew Susie B

.5

G#7

.6

F#7

^7

^7 .6

3

^4 .5 .5 ^5 ^6 F#7

B

.7 ^7 .7

.6

^5

^6 .6

.6 ^6

B7

B

E

.6 ^7

^7 .6

^7 .6

C#m

^5

^5

F#7

^5 .5 ^6

^5 .5

C#7

^7

.6

.6

F#

^6 .6

.6 ^6 .5

F#7

^7 .7

.7 ^7

^5 ^6

^6 ^5

B

.7 ^7 .7 ^7

.7 ^7 ^6 .5

.5

B

.5

.5 .4

C#7

.6

^7

^7 .6 ^5

.4

C#m

^7 .7

.7 ^7

^8

−

30. If You Knew Susie A

.5

F#7

.6

^7

^7 .6

E7

^5

^6 .6

.6 ^6

A7

A

D

.6 ^7

^7 .6

^7 .6

Bm

^5

^5

E7

^5 .5 ^6

^5

B7

.5

E

^6 .6

.6 ^6 .5

E7

^5 ^6

^6 ^5

A

A

.5

.5

.5 .4

B7

.4 Bm

3

^4 .5 .5 ^5 ^6 E7

A

.7 ^7 .7

.6

^7

.6

.6

^7 .7

.7 ^7

.7 ^7 .7 ^7

.7 ^7 ^6 .5

.6 ^7

^7 .6

^5

^7 .7

.7 ^7

^8

−

31. Beer Barrel Polka, Roll out the Barrel PartA

G

.3 ^2

D

.3 [^3] .3 ^2

.3 [^3] .3

.3 ^4 .5 ^4

G

^4 .4 .4 .4

.4

^4 .5 ^4

D

.3 [^3] .3

.3 ^4 .5 ^4

G

^4 .4

.5 .5

.4 .4 .4

.4

.3 [1] ^3 .4

− ^4 .5 ^4

.3

.4 .5

^4

.3 [1]

.4 .4 .4

^4 .5 ^4

.4 .5

PartC D

[[^1] .3]

.5

.5

− −

[^6]

−

.5 ^5

.5

^3 .3 .3 ^2

.3 [^3] .3 ^2

.3

[[^1] ^3 .3]

2

G

^3 [1]

G

.3 [1]

^3 Link

^3 .4

− [[^1]] ^2

− ^4 .5 ^5

^4

.5 ^5

.5 ^5 .5

−

.5 ^5 .5

D7

G

B7

^5 .5 .3

^5

−

^5 .5 [^6]

^4

.3 ^2 .3

3

.1 .5

A7

.5 [^6]

−

^3 [1] ^3

1

^3 .3

.4 ^3 [1] ^3 .4

PartBEb

D

− [^3 .3] −

^4 .4 .4 .4

^4 ^3 D

^4

^5

^5 ^1

Em

A7

D

^3 .4 ^4 .5

^6 ^5

^5 .5

^5 ^6

−

^5 ^6 ^5

Bm

−

^4 .5

^6 ^5 ^1

−

.5

E7

A7

DC7

D

^5

^6

.6

−

WALTZES SCRATCH BAND WALTZ MEDLEYS

19

32. MEDLEY: Billy of Tea, Tom Blackman’s Billy of Tea = 160

B

E

B

.6 ^6 ^5

.5

C#7

F#7

^3 .4 ^3

^3

B

E

B

.6 ^6 ^5

.5

3 4 .4 ^4

.5 .5 .5

.4 .5 .3

.5 .4 .5

E

F#7

^4 ^4 .4 .4

^3 .3

^4

.4 .4 .4

.5 ^4 .4

.4

.5 .5 .5

.5 .4 .5

.5 ^4

B

^2

.3

Tom Blackman’s Waltz B

F#7

C#m F#7

^6 ^5

^3

B

F#7

B

.5

.7 ^7 .6

E

C#m F#7 3

^6 ^5

^3

3

3

3 4 .7 ^7 .6

.5

.6

^6 ^5 .5

^4 .4 ^3

B 3

3

.4

.5

.6

E

C#7 F#7

^4 .5 ^5

^3

^6 .6 ^6 ^5 ^6 ^5 .5 ^5 .5 B

F#

B

.4 ^4

.5

.4 ^4 .5

3

.3 ^3 .3 .3 ^3 .4 .5

E

^3

^4 ^5

B

3

^4 .5 ^4 .4 ^4 .4 ^3 .4 ^3

.3

.4

^4

.5

^5

.6

.4 ^4 .5

C#7

F#7

^3

^6

.3 ^3 .4

^6 ^5 .5

^4 .4 ^3 B

^5

.5

^4

.4

^3

.3

.4

B

F#7

.5

.6

33. MEDLEY: Rose of Aranmore, Bonny Doon The Rose of Aranmore = 1000

B

E

B

F#7

B

E

B

E

3 4 B

E

B

F#7

B

E

B

F#7

B

Bonny Doon E

B7

E

B7

E

C#m

.3 .3

^3 .3 ^3

.4 .5 .4

^3 .3 ^3

.4 ^3 .3

B7

E

^3 .2

.3

B7

E

B7

E

^3 .3 ^3

.4 .5 .4

^3 .3 ^3

.4 ^3 .3

3 4 .2 C#m

.3 [^3 .3]

B7

E

[3 ^3] .3

.3

B7

E

^3 .3 ^3

.4 ^3 .3

.3 [^3 .3]

[3 ^3] .3

E

.4

C#m

.3 [^3 .3]

.5

^5

.5 .4 .3

B7

E

[3 ^3] .3

.3

.5

^5

.5 .4 .3

.5 .4 .3

.5 .4 .3

.3

C#m

B7

E

^5 .5 .4

^3 .2

.3

.3

B7

E

^3 .3 ^3

.4 .5 .4

20

35. MEDLEY: Planxty Irwin, South Wind, Endearing Young Charms. Planxty Irwin E

A

E

.6 ^6

^5 ^6 .6

.5

C#m

A

E

B7

^4 ^3

.4 ^4 .5

^2 .3

E

A

E

.6 ^6

^5 ^6 .6

.5 ^4

B7

E

.4 ^3 .3

^4 ^3

.4 ^4 .5

A

E

^5 ^6 .6

.5

^4

.4 ^3 .3

.5

^4

.4 ^3 .3

3 4 .5 B7

E

.3 ^2

.3

A

^4 ^3

^4

.4 ^3 .3 B7

.5

.6 .6

.6 ^6 .6

E

B7

E

.4 ^4 .5

.3

^2

E

^7 .7 ^7

^7 ^6 .5

.7

^3 .5

C#m

F#7

B7

E

^7 .7 .6

^6 .6 ^5

.5 ^5 ^6

.6

.7

^6

C#m

.3

The South Wind E

B7

E

A

E

.4 ^3 .3

[^3 .3 ^3]

.3

A

E

.6 ^6 ^5

.5

3 4 ^4

.4 ^3 .3

1 C#m

.4 ^4 .5

.4 ^4 .5

F#m

B7

^3 ^3

^3

^3 ^3

2 F#m

^3 ^4 B7

E

^3 ^4 ^2

.3

.3

.3

.5

.6

.6

.5

.3

All Those Endearing Young Charms E

A

E

B7

E

B7

E

A

.5 ^4 .4

^3 .3 ^3

.4 .5 .4

^3 .4 ^3

.3 ^3 .3

3 4 .4 ^3

.3 ^3 .3

.3 .4 .5

E

B7

E

.5 .6 .4

^3 .3 ^3

.3

A

^4 ^5 .6

.6

^6 ^5

^4 ^5 .6

.6

^6 ^5

A

− .5 ^4

.4 .5 .6

E

B7

E

.5 .6 .4

^3 .3 ^3

.3

.6

.5

−

^5 ^4 .6

.6

^6 ^5

.3 .4 .5

^4 ^5 .6

E

B7

E

B7

E

.5 ^4 .4

^3 .3 ^3

.4 .5 .4

^3 .4 ^3

.3 ^3 .3

.6

^6 ^5

.3 .4 .5

21

36. Ashokan Farewell B

G#m

B

E

B

G#m

B

^4 .4 ^3 .3

[^3] .3 [^3]

.2 .3 .4

.5 .6 .7

.3

F# D#m

B

G#m

B

.7 ^8 .7

^7

.5 ^6

.6

.6

^7 .6

^6

.5

.3

.4

^5

.5

^4

.4

−

−

.5

.5

.2

.5

3 4 .5 ^6

.6 ^6 ^5 .5

.4

^3 .4

.4

.5

^5

^3

.4

.3

.4

^4

.3

.3

.4

.2

.3

.3

−

.2

[^3

^6 ^5 .5

.4

^3 .4

3 4 .3

.5

3 4

3 4

E

B

^4 .4 ^3 .3

D#m F#

^3]

G#m

B

B

G#m

B

F#

[^3] .3 [^3]

.2 .3 .4

.5 .6 .7

.5 ^6

^7

.6

.4 ^4

.5 .4 .3

.6

^5 ^6 .6

.3 .2 .3

.4

^4

^3

.3

^3

.4 .3 .2

−

[^3]

.5

^4

.4

.4

.5

^4 .5 ^5

.5

.2

.3

.4

.3

.3

.5

^5

^3

^4

[^3]

.2

.3

.3

−

.3

.2

[^3]

F#m

G#m

.3 .4 .5

(^4)

^5 ^6 .6

.5 .4 .3

.2 .3 .4

.5 .6 .4

^3 .3 ^2

^3

.3

.2

.4

^4

B

.2

.5

.4 ^3

.2 ^2 ^3

.5

.4

^2

^3

.2

^2

.2 ^2 ^3

.3

.4

− ^3 .4

.5

.6

B

F#

B

G#m

E

.5 .4 ^3

.4 ^3 .3

[^3]

−

.2

.3

.3

[^3]

.3

^2

D#m

.5

.2

.4 ^3 .3

.3 ^2 [^3]

.4

B

G#m

.3

B

.3

.5 ^6

.6 ^6 ^5 .5

.4

^3 .4

.4

−

.6 ^7

.7

^7 .6

.5

^4 .3

^4

^5

.5

.4

.3

[^3]

.2

.4 ^4

.5 ^4 .4 ^3

.3

.3

.3

^4

.4 .3 .2

.3

[^3]

^3

.3

.3

.3

.2

.4

^3

E

B

G#m

B

F# D#m

B

G#m

B

E

B

G#m

B

22 ^4 .4 ^3 .3

[^3] .3 [^3]

.5 .6 .7

.7 ^8 .7

^7

.5 ^6

.6 ^6 ^5 .5

.4

^3 .4

^4 .4 ^3 .3

[^3] .3 [^3]

^5 ^3 ^4 .4

.3

^3

.3 .4 .5

.6 .7 .8

.8 ^9 .8

.8

.4 ^4

.5 ^4 .4 ^3

.3

.3

^3 .3 ^3 .4

.3

^3 .3 ^3 .4

.4 [^3] ^4

.4 .2 .3

.4 .5 ^5

.6 ^7 .6

^6

.6 ^7

.7 ^7 .6

.5

^4 .5

^5 .5 ^4 .4

.4

[^3] ^4

.3

.2

.5

.3

−

^2

[^3

−

^3

G#m

B

.3

[^3]

.4

.2 .3 .4

−

^3

.3

D#m F#

.3 ^2

[^3]

.3

.3

B

B

^3

.4

E

B

^3 .3

[^3]

−

.2

^4 .4

.3

[^3]

.2

^7

.6

.4 ^4

.5

.4 .3

.6

.5

^5

.4 .5 ^5

^4

^3

.3

^3

.4

.3 .5

.7

.6

.6 ^7

.7

.6

.5 ^5

.5

.3

.5

.5

^4

.4

.2 .5

.3 ^3 .4 .4

^4 .5

^5

.5

.3 ^4

.4 .3

.2

.3 ^2

[^3 ^3 .3]

.2

.3

[3

^3]

.5

.4 ^3

.3

.4

.5

.5

.5 ^4

.4

.5

^6

^3

.5

.2

.3

^3

^2

^3 .2

.3

.6

F#m

G#m

(^4)

^5

^7

^7 .6

− ^3 .4

.5

[^3]

.2

.4

^2 [^3 .3]

−

B

^6 .6

F#

.4

.3

.2

.3

.5

.3 .4

.5

.6

.5

^4

.5

.6

.5 .4

.3 .4

.5

.3

^3 .4

.4

.3 .2

.3

.3 ^2

.6

.3

^5

^3]

.5

.4

^3

G#m

.5 ^6

−

.5 .4

F#

.5 .6 .7

.4

^6 .6

.2

.4

^3 .3

[^3]

.2 .3 .4

.3 .2 .3

.2

.3 .4 .5

^2 ^5 .5

^2 .3 ^3 ^4 .4

^2

.2

D#m

.5

.6 .4

^3

.3 ^2

.3

.3

.4

.5

^4

.4 ^3

.4

.6

.6 ^6

^5

.5 ^4

.5

[^3

^3 .3

.3 ^3] ^2 .3 ^3

.3

20th CENTURY WALTZES

23

37. MEDLEY: After the Ball, When I Grow Too Old To dream, Let Me Call You Sweetheart After the Ball E

A

E

.4 .5 .4

.3 [^3]

.3

B7

E

3 4

A

E

.3

[^3]

.2

.4 .5 .4

.3 [^3]

C#7

.3

.2

−

^2

^4 ^5 ^4

F#m

[^3 .1]

.4

^5

.5

.4 ^3

[1]

^3

B7

−

^4

^3 .4 ^3

E

.5 ^3 ^3

^3 .4 ^4

.4

.2

^2 .2

A

B7

[^3]

^2

−

.5

.4 .5 .4

E

.2

−

.3

When I Grow Too Old To dream B

F#7

B

E

B

F#7

B

^3 .3 ^3

.3

D#m C#m

3 4 .3 ^3

.4

^4

.5 .4

B

.3

^3 ^3

D#7

−

.4

.2

.4

^3

^3 .3 ^3

G#m

.4

.4

B7

.3

−

E

C#7

.3

^4 .5

^5 ^6

E

.3

.6 .5 B

^4

.5

^5

^6

.6

.5

.4 .3

.4 .2

G#m

B

.4

.3

.4

− .2

F#7

.2

^3 .3

.5

^4 .5

B

^3

−

.3

Let Me call You Sweetheart B

F#7

B

F#7

B

3 4 .4 .5

.6 ^7

.7 .5

E

[^6]

.5

^5

[^6] .5

^5

^5

C#7

^5

^7

^5

−

^6 E

−

^7

−

^6 .6

F#7

.6

^6

^7 ^6

^5 ^6

B

.6

.7

.5

.5

G#7

.5

^8

.7

.5

−

.4

.5

Ém

F#7

B

^5

^6

.6

.6 ^7

−

.7 .5

24

38. MEDLEY: Cuckoo Waltz, Plaisir d’Amour Cuckoo Waltz E

B7

A

3 4 .4

.3

.4

.3

.4 .5 .5 .4

E

.3 .4 ^3

^4

^3

B7

.5

.5

.5 [^6] .5

^6 ^5 .5

^5

^2

^3 ^4 ^4 ^3

E

^4

^4

^4 .4 ^4

^5 .5

^5

.5

.5 [^6] .5

^6 ^5 .5

^5

^5

^5 ^1 ^5

.6 ^6 ^5

A

.4

^4

[^6 ^6 ^6 ^6]

B7

.5

^2 ^3 .3

.5

E

^5

^5

^5 ^1 ^5

.6 ^6 ^5

.5 ^5

.5

E

^4

^4

^4 .4 ^4

^5

^2 .3

.4

.3

.4

.3

.4

.3

.4

.3

Plaisir d’Amour E B7

E

F#m

E

B7

.3 ^3

.4 .4 .4

^4 ^4 .4 ^3 .4

A

B7

E

F#m

E B7

E

E

A

.4 ^3

.3 .3 .3

.5 ^5

^2

.3 ^3 .4 mour du − re

E

A

E B7

6 8 .2

^3 ^3 .2

[^3] ^2

.3 ^3 .4 [^3] ^3 ^4

E

F# B

C#m

B F#7 B7 Dinish on f#n F#

.4 .4

[^6] .5 ^1

^5 ^6 .6 ^6 ^5

.5 [^6]

.5 ^5 ^6 .6 ^6 ^5

.5 ^4

.5 .5 .2

Plaisir D’amour (Baez)

3 4 .2 Plai

.3

^3 d’a

− sir

.4 − − mour Ne

.4 du

^4

^4

− re qu’on

.4 .3 .4 mo − ment, Cha

−

^3

− grin

[3

^3]

−

d’a

[^3] ^3 ^4 tou − te la

.4 vie.

^3

−

.3

39. MEDLEY: Margaret’s waltz, Charles Lynch Margaret’s waltz E

B

E

B

E

^3

.3

A

3 4 .3 [^3]

[3 ^3] .3 ^3

.4

.3 .4

^3 .3 [^3] .3

^3

.3 [^3]

E

[3 ^3] .3 ^3

.4

A

.5 .3

.4

B

.4 ^4

.5 ^5 ^6

.6 ^6 .6

E

3

^5 .5 ^4 ^5

.5

.3 .4 ^3 .3

.3

^3 .4 ^4

.5 .4 .3

B

.5

.3 ^4

.3

.4

.3

^5 .5 ^4 .4

.4 .5

^3

.4 ^4

.5 .3 ^5 .3 ^6 .3

.6 .3 ^6 .3 ^5 .3

B

E

E

^3

.3

[^3]

[3

^3]

.3

^3

.4

.5

.3

.4

^3

.3

Charles Lynch’s Waltz

3 4 .3 ^3

.4 ^3 .4

.4

.5 ^5

.5 ^4 .4

.3

^3 .3 [^3]

.2

^4 ^5 .5 ^4

.4 .5 .6

^4 ^3 [^3] ^2

.3

^5 ^6

.4

.6 .4

.4

.5 ^5

^3 .4 ^3

^6

.5 ^4 .4

.3

^4 ^4

^5 ^6

^5

.5

^4 ^3 [^3] ^2

.3 ^3 .3 [^3]

.6 .4 .4

^6 ^4 ^4

^5

.5 ^5

.5

.5

^5 .5

^4 .4

.2 .3 ^3

^5

.5

.4 ^3 .4

.5 ^5

^4 ^3 [^3] ^2

^4 ^5 .5 ^4

.5 ^4 .4

.3

.4 .5 .6

^4 ^3 [^3] ^2

^3 .4 ^3

.3

25

41. Tennessee waltz A

A7

D

A

F#m

Bm

E7

.7 .8 .7 ^7

.6 ^5 ^6

.6 .5 .4

^5 .5 .4

^3

−

A

A7

3 4 .3 ^3

.4 .5 .3 ^3

.4 .5 .6 ^7

D

A

E7

A

.6 ^5 ^6

.6 .5 .4

^4 .4 ^3

.3

−

.6 ^7

A7

.4

.5

.6

^7

.8

.7

^7

.4 .5 .3 ^3

.4 .5 .6 ^7

A

C#7

D

A

A

F#m

Bm

E7

.7 .8 .7

^7 .7 ^7

.6 ^5 .6

.5 ^5 ^6

.6 .5 .4

^5 .5 .4

^3

−

D

.7

.3 ^3

A

.6

^5

^6

E7

.6

.5

.4

^4

.4

^3

.7 .8 .7 ^7 A

.3 ^3

A

A

.3

−

.4 .5 .3 ^3

42. Sweet Rosie O’ Grady in D B

F#7

B

E

.7

^7 .7 ^7

.6

.5

F#7

B

^7 .6 ^6

.6

G#m

C#7

F#7

B

F#7

B

.7

^7 .7 ^7

.6

3 4 E

.6

D#7

.6

^7 .6

^7

−

.6

.6 ^7 .7

E

−

.7

.7

^5

B

.6 ^6

.6

^7 .6

^5

.7

^7 .6 ^6

G#m

.5

.7

.6

−

^7

C#7

F#7

^7 (^1) ^7

^5 ^6

.5

B

.5

−

.6

43. Daisy Daisy in G E

A

E

B7

E

F#7

B

B7

3 4 .4 ^4

.5

.4

E

.3

.2

[^3] ^2 .3

C#m

^3 .3

− .3 ^3

A

.4

.3

[^3] .3 E

[^3]

.3

− .3

.2 B7

.5

E

− ^2

[^3 .3]

^3

.4

.3

B7

.3

.4

[^3] ^2 .3

E

^3

.2

.3

^3 .4

− ^3 .4

^3

B7

E

B7

^3 .4 ^4

.5 .4 .3

^3

.4

^4 .4 ^3

.5

.4

E

.4

−

.3

44. Cruising Down the River in G Play this on D row

^5

^1 ^5

^1 ^5 6

^4 ^5

5 ^5

5 ^4 ^3

[^1 ^5

^1 ^5] ^4 [6

^5 6

^5 6

^6 6]

^4 ^5 ^7 ^5

6

3

6

^6

6

^6

3 4 ^7 6

^4 [^6

^3

^5

5

6] ^5

5

^5

5

4

5

3

^3

5

3

^1 ^5

^3

^1

^4

^3 ^4 5

5

^1 ^5

5

^5

^1

6

5

^5 5

^1 ^5 ^4

^5

5

6

^3 4

1

6

^5

^4

^4

6

^6

5

^4 [^6

6

^6 ^7 6

^3

4

6

^6] ^4

^5

^4

[^6

5 ^5

6

^6]

5

4

26

42. Sweet Rosie O’ Grady A

E7

A

D

.7

^7 .7 ^7

.6

.5

E7

A

^7 .6 ^6

.6

F#m

B7

E7

A

E7

A

.7

^7 .7 ^7

.6

D

3 4 .6

C#7

^7

.6

^7

−

.6

.6 ^7 .7

D

−

.7

.6

^6

.6

^7

.6

^5

.7

^5

A

F#m

.5

.7

.7

^7 .6 ^6

−

^7

B7

.6

E7

^7

(^1) ^7

^5

.5

.6

A

^6

.5

−

.6

43. Daisy Daisy in F) D

G

D

A7

D

E7

A

A7

D

3 4 .4 ^4

.5

.4

.3

.2

Bm

− .3 ^3

[^3] ^2 .3 [^3] .3

G

.4

.3

D

[^3]

.3

− .3

.2

A7

D

− ^2

[^3 .3]

^3

.5

.4

A7

.3

.4

^3

.2

.3

[^3] ^2 .3

D

A7

.3

.4

^3 .4

^3

− ^3 .4

D

^3 .4

^4

^4 .4 ^3

.5 .4

A7

.5 .4

.3

^3

^3 .3

D

.4

−

.3

44. Cruising Down the River Play this on C row

^5

^1 ^5

^1 ^5 6

^4^5

5

^5

5

^4 ^3

[^1 ^5

^1 ^5] ^4 [6

^6 6]

^4 ^5 ^7 ^5

6

3

6

^6

6

^6

[^6

6

^6]

5

4

^3

3 4 ^7 6

^5

5

^4 [^6 6] ^5

5

^5

5

4

5

5

3

^3

^3

^1 ^5

^1

^4

3

^3 ^4 5

5

^1 ^5

5

^5

^5 6

^1

5

^5 6

^5 5

^1 ^5 ^4

6

^5

5

6

^3

1

6

^5

4

^4

6

^6

5

^4

6

^4

[^6

6

^6 ^7 6

^3

^6]

^4

^5 5

4

^5

^4

45. Loveliest Night of the Year, the

3 4 .4

[^1] .4 .5

[^1] .4 .5

^8 .7 ^7

[^1] .4 .5

.6

.6

− ^6 .6

− .7 ^7

^8

.6

− ^6 .6 ^7 .6 ^6

^7 .6 ^6

.6 .4 .5

^5 ^1 ^5

^7 .6 ^4

.6 ^6 .6

^7 .6 ^6

.6 .4 .5

^5

−

^5

−

.4

.6 .4 .5

−

^6

^5

^4

.4 ^4 .5

^5 ^6 .6

.5

^6

− [^6] .5

.4 [^1] .4

^7 .6 ^6

^7

−

^5 ^6 .6

.7

^5

− (^4) ^6

.6 ^6 (^4)

^5 ^6 .6

− .6 (^4)

− ^8 .7

^6 ^4 ^6

^7 .6 ^6

.6

.4

−

−

.4

^5 ^1 ^5

.4 [^1] .4

(^4) ^5 .5

^4

^7 .6 ^6

^5 ^6 ^7

.6

.5

.4

−

27

46. Love is a Beautiful Song

3 4 .6

^6 ^5

^7 .7 .6

^6 .6 .5

^7 .7

.4

− .6

^7 .7

.5 ^5 ^6

^5 ^6

^5 .3

.4

^6

.6

.5 .6 .5

.6

^6 .6 ^5

.5

− .6

^6 .6 ^5

^7 .7 .8

.5 ^5 ^6

.5 .6 .5

−

^8

−

.6

^6

^8 ^8 ^8

−

^5 ^2

^5

−

^4

.5

.6 .6

^5 .5

^8 .7 ^7

^5

^5 ^6

− .6

^5 ^6 .5

.7 .7 .7

^5 ^2

− ^5

.6 ^6

^3

.7 ^7 .6

^3

.5

^5 ^6 .5

^7 ^7 ^7

.5 ^5 ^6

.4

.3

.4

^5 ^6 .5

^7 .6 ^6

.5 ^5 ^6

^4 ^4

−

.4

−

^4 .4 .4 ^3

^7 .6

−

^7 .6

^5 .4

− ^4

.7

.5

.5

^5

.3

^5

^5 ^6

.5 ^5 ^6

47. Are You Lonesome Tonight?

3 4 .4 .5

.6 ^6 .6

^4 .5 ^5

^6 .4 .5

.6 ^6 .5

^6

.6

−

.4

(^1)

.7

^6 ^5 ^6

.5 ^5

^7

^5 .4 .5

(^4) ^5 .5

.7

^5 .5 ^5

.5 ^4 .4

.6 ^5 .6

.5 ^4 .4

^1

.6

^7

^5

−

^5

^4 ^5 ^6

^6

^4 ^5

.6 ^6 .6

^6 ^4 .5

.6 ^6 ^5

^7 ^6 ^7

^5 .5 [^6]

^5

^6

^6 ^5 ^6

.5

.4 .5

^5 ^3 .4

.6 ^6 .6

−

.6

^7

.6

F#m

B

B7

E7

^6 .6

^7 (^1)

^7 .7

^7

48. I Belong to Glasgow A

D

A

A

3 4 .3

^3

.4 ^4

.5 .6

E7

.7 ^7 .6

^7 ^6

^5

.5

−

.6

^7

D

A

^5 ^6 .6

.5

.6

^5 B7

.4

− .5

.5 E7

^3

− .5 .5

.3

.3

.3 .4 ^4

.5

^5

A

D

A

F#7

.6 .6 .6

.6 ^6 ^5

.5 ^5 .5

.4 ^4 .5

−

.5

B7

E7

A

^5 ^6 .6

^7 ^6

.6

.6 .6 ^7

−

49. Down at the Old Bull and Bush A

E7

D

A

3 4 .6

.6

.6 .6 ^7 .7 A

E7

A

.6

.5

.6

.6 ^6 ^5

.5 ^5 .6

^6 ^6 ^6

E

A

^7 .6 ^5

.5 ^5 .5 ^4

^6 ^6 ^6

.4 .3 .3

^6 ^3 .4

.6 ^7 .7

^4 .4 ^3

D

A

^7 .6 ^5

.6

^6

^6

^6 ^5 .5

^4 .5 ^6

^5 ^5 ^5

.6 .6 .6

.5

−

E7

−

.4

.4

.5 ^5 .5 ^4

.4 .5 .6

^3 .4 ^4

.5 ^5 ^6

28

AUSTRALIAN WALTZES 50. Moreton Bay, Boulavogue) = 100

E

A

E

C#m

E

A

E

B

3

E

3

3 4 .2

.3 .2 .3 .4 .5

.6 ^6 ^5 .6 ^5

A

.5 .4 .3 .3 ^3 .4

E

^3 .3 [^3 .3]

C#m

.3 .2 .3 .4 .5

E

.6 ^6 ^5 .6 ^5

A

.5 .4 .3 .3 ^3 .4

E

^3 ^3 .3 .5 B

E

3

.5 .4 .5 ^5 ^6

.6 ^6 ^5 .6 ^5

.5 .4 .3 ^3 .4

^3 .3 [^3] ^2

.3 .2 .3 .4 .5

.6 ^6 ^5 .6 ^5

.5 .4 .3 .3 ^3 .4

^3 ^3 .3

51. Euabalong Ball = 160

B

C#m

B

^4 .4 ^3

.3

C#m

B

^3 ^4 ^5

.5

C#m

B

^3 ^4 ^5

.5

3 4 .4

.5 .5 .5

.5 ^5 .5

C#m

B

^4 .4 ^3

.3

.5 ^5 .5

.5 .5

.6 .5 .5

.5 ^4 .4

.5

.6 .6 .6

.6 .5 .4

.5

.5 .5 .5

− ^3 .4

.4 .5 .5

52. Botany Bay = 180

B

F#7

B

.4 .5 .5

^3 ^4 ^4

.4 ^3 .3

E

F#7

^4 ^5 .6

.5

B

E

B

.6 ^6 .6

^7 .6 ^5

.5 .4 .3

3 4 .3 ^3 F#7

B

^3 ^4 .4

.3

− .5

.4 .5 .6

− ^5 ^6

−

53. Wild Colonial Boy B

E

F#

B

^5 ^4

^3 .3

F#

E

F#

B

^4 .5

^6 ^5

.5

2 4 .5

.3 .4

.5 .5 F#

.5

.6

.6

^6

^6 ^5

^3

.4

^2 .2

.4 ^3

− .4 ^4

.3

B

F#

B

^4 .5

^6 ^5

.5

−

.5

.5 .5

.3

.4

.6 ^6

.5

.5

^6 ^5

^3 ^3 .4

E

F#

^5 ^4

^3

− .5

B

.3

^2

.2

.4

^3

.3

.3

29

54. Orotaba Waltz = 180

3 4 .5 ^4

.4 [3 .3]

.3

^6 ^5 .5

^4 ^2 .3

.3 ^3 .3

.5

.6

.6

^6

.4

^3 [^3 ^3]

^3

.3 .4 ^3

.4

^3 .3

^2 ^3 ^4

.3 .4 ^4

^4

.5 .6 .6

.5

^5

^6 ^5 ^6

^6 ^3 .4

^6

^5

^5 .5 .5

^4 ^6 .6

.5

.5

.5 ^4

^6 ^3 .4

^4

^2

.4 [3 .3]

^4 ^5 ^6

.3

.3

.4

^3 [^3 ^3]

^5 .5 .5

.3

.5

^3 .3

.4 ^3

^3

.5 ^5

.3 .4 ^4

.3

OTHER WALTZES

30

62. Alnwick Castle

Kevin Briggs

= 140

E

B7

E

A

B7

E

B7

C#m

.3 ^3 .4

^4 .5 ^5

.5 ^4 .4 ^3

.3 .4 ^3 ^2

F#m

B7

E B7

^4 .4

^3 .2

.3 ^2

A

B

^4 .5 ^5

.5

3 .5 ^5 ^6

.6

.5 ^4 .4

3 4 .2

.3 .4 ^3 ^2

A

E

B7

B7

E

.6 ^6 ^5

.5 .4 .5

^4 .4 ^3

.3

A

.2

B

B7

E B7

^2 [^3] ^2 .3

^3 ^2 .2

.3

B

^4

.5

^5

.3 .4 .5

^3

.4

.4

A

.5 3^5 ^6

^3

B

B7

E

B7

E

^3 .3 ^3 .4

^4 .4 ^3

.4

^4

.5

E

.6

^6

^5

.3 ^3 .4

B7/F#m

.5

.4

.5

^4

.5

.6 ^6 .6 ^7

E

.6

.5

B7

E

^3

.3

.7 .6 ^5

.5 ^5 .4

.4

63. Spanish Waltz = 116

3 4 .5

.6 ^6 .6 ^7

.7 .6 ^5

.5 ^5 .4

^7 (^1) ^7 .7

^8 ^7 ^6

.5 ^5 ^6

^7 (^1) ^7 .7

^8 .7 ^7 .6 ^6 ^5

.5 ^4

.6

.5

.5 ^5 ^6

^7 (^1) ^7 .7

.7

.7

^8 ^7 ^6

.7 ^8 .8

^9 .8 .7

.5 ^5 ^4

.4

^7

^7 .7 ^8

^7

^9 .8 ^8

.7

.7

.7 ^8 .8

.5

^4

^9 .8 .7

.6

64. German Waltz 1 = 200

4 4 .2

.4

.5

.4 .5

.4

.4 .5

− ^3 .4 ^4 .5

^5 .6

^5 .6

^5 .5

^6

^5

^5

− ^3 .4

.4

^4 .5

− ^5 (^4)

.5 [^6] .5

^6

.7 ^7

^4 .5

^4 .5

^4

− ^5 .6

^5

^4

.6 (^1) ^7

^4

^6 ^8

− .4 ^4 ^5

− ^4 .6 ^6 ^8 ^6 ^8 ^6

^6 ^8

.5

^6

− ^5

^5 .5 [^6]

.4

− .5

.6

^6

− ^5 ^6

.6 .7

.5 .7 ^7

^7

.6

.6

^5 .6

.6 ^5

−

− .2 ^3

.5

.5

.6

^5 .6

^5

^6

.4 .5

^7

.6

− ^1 ^5

^6

31

65. Wangaratta waltz = 170

E

E

C#m

E

A

[3 .3]

^4 .4

F#m

E

^4 ^3 ^2

.2

G#m

A

E

B

^2 [^3]

^4

.4 ^3 .3

^3 [^3] ^2

3 4 .2

.4

^3

.4

^3

E

.4 .3 [^3]

E

.3 .4 .5

.6

.2

G#m

B

E

^2 ^5 .5

.5 ^3 ^4

.3

G#m

.4 ^3 .4

^4 .4

E

[3 ^3] ^2

.3 ^2 .3

.3

.2

B

E

^2 ^5 .5

.5 ^3 ^4

.4

E

[^3] ^4

^4 [^3]

.5 [^6] ^4

G#m

.2 ^3 .3

A

.5

B

.2

.4

.4 .2

.4 ^3 .3

G#m

.3 .2

.4 ^3 .4

E

.2 ^3

^3 .4

.3

E

[3 ^3] ^2

A

[3 .3]

.3 ^2 .3

.2 ^3 .3

E

[^3] ^4

^4 [^3]

B

.2

.4

.4 .3

^3 .3

E

^3 .4

−

.3

66. D’Oro Waltz = 200

1

2

3 4 .3 .5 .3

^5 .5 .3

^5 ^5 .5 ^5 ^6

−

^2

.6 .6 ^6 .6 ^7

^3 ^5 ^3

.7

^9

^6 ^5 .4

.7

.7

^8

−

.3

^6

.3 .5 .3

^6 ^5 ^6 .6

^5 .5 .3

^5 .4

^2

^5 ^5 .5 ^5 ^6

−

.5

^4

−

.4

.6 .6 ^6 .6 ^7

.4

.7 .7 ^8 ^9

.5

.7

1

.7 ^7 .7 ^8

^6

^6 ^5 ^6 .6

^5 .4

^5

67. Waltz for Mr & Mrs Lysons

Barber−Riley

A

3 4 .3 ^3

.3

.3 ^3

.6

.6

.4 .5 .5

^5 .5

.4

^4 ^3 ^2

.6

.4 .4

^6

.5

^5

.5

^5

^4 ^3 ^5 [^6]

.5

.5

.3 ^3

.4

^5 .5 .4 ^3

.3

.5

.3

.3 .3 ^3

.4 ^3

.5 3^5 ^6

.4 .5 .5

.3

.6 .6 .6

^5 .5 .5

.3 ^3

^6 ^5 [^6]

^5 .5 .4 ^3

.4 .5 .6 .5 .4 .3

.5

.3

.5

.5 3^5 ^6

3 ^6 .5 ^5

.6 .6 .6

.6 .6 .6

^3 ^4 ^5 ^4 ^2 ^3

.3

^6 ^5 .5

^6 ^5 [^6]

.3 ^3

^5 .5 .4 ^3

.5 .5 3^5 ^6

.5

.4 ^3 .3

.3 ^3

B

.4

.4

^4 ^3 ^2

^5

.5

.3

.4

.3

^3

.3

.5 3^5 ^6

.4

.6 .6 .6

^4 ^3 ^5 [^6]

.3 ^3

.4

.5 .6

^6 ^5 [^6]

.5

.5

.5

.4

.5

.5 .5 3^5 ^6

.5 3^5 ^6

.3

.6 .6 .6

.6 .6 .6

^6 ^5 .5

^6 ^5 [^6]

^3 ^4 ^5 ^4 ^2 ^3

.5

.3

^5 .5 .4 ^3

.5

.3

.5 3^5 ^6

^3

.4

.3 .3 ^3

.4 .4 .4

.6 .6 .6

^6 ^5 .5

^3

.3

.3

^3

32

69. Edelweiss E

B

E

^7

.6

A

E

^4

.4

C#m

A

B

E

^5

.5

.4

B7

E

^7

.6

A

E

^4

.4

B

E

.5 ^5 ^6

.6

B7

3 4 .4

.5

E

.5

.4

.4 ^4 .5

F#7

.4

.5

.6

^5

.6

^7

.6

B

B7

E

^6

.5

.4

.5

.5

.5

B7

E

^7

.6

.5

.5 A

E

^4

.4

.6

^7 .5 .5

B7

.5

.5

^6 ^5 .5

E

^5 ^6

.6

.6

70. When Irish Eyes are Smiling A

E

A

A

D F#m A F#m A

A F#m

A

E

.4 .4

^3 .3

.4 .5

^5 .4 .3

^4 ^5

− ^5 ^6 .6 ^6

1 A

E

F#m A

D A

F#m E

E

A

E

2

.6 ^6

^5 .5

^4 .4

^5 ^3

^3 .4

^3

^3 ^6

A

3 4 .5 A

.4

.5 [^6] .5

B7

E7

A

^5 ^10 .6

^7 .6

.6

.6

^5

.5

−

71. Today

Randy Sparks

= 100

E

C#m

3 4 .7 ^8 .8

.6 ^7 .7

^7 .7 ^8 .6

^6

.6

^7 .7 .6

^5 ^6 .6 ^5

^4 .5 ^5 ^6 .6 ^5

^6

.2

.3

^3 .4

.3 ^3 .4

3 4 F#m

^4

B7

^3 .3

^2

F#m

^3

E

.2

C#m

.3 ^3 .4 ^3

.3 ^3 .4

B7

.4 ^4

^2

F#m

B7

^4 ^3 .3

^2

E

^2

^2

.3

E

.4

A#

.5 .5 .5

1 F#m

C#m

.3

.5 ^6 ^6 ^6

^3

.4

^4 .4 ^3

^5

^5 ^5

A#m

E

^5

.4

^3

^4 .5

2 B7

B7

.3

C#m

.2

^4

.3

^3 .4

E

^3

33

72. MEDLEY: Homecoming, Flossy O’Toole, Scottish Wood Homecoming

Merlina arr. King

= 180

A

B

F#

G#m

.6 ^7 .7

^7 .7 ^8

E

B

F#

B

F#

B

F#

G#m

^5 .5

.6 ^7 .7

^7 .7 ^8

.7 ^7 .6

.8 .5

.6 ^7 .7

^7 .7 ^8

E

B

^5 .5

^5 ^6 .6

4 4 .5

1 B

F#

B

^6 .6 ^7

.8 .7 ^7

B

.7 ^7 .6

B

F#

.8 ^8 .7

^7 .7 ^8

2 B

.6 .5

.6 .8

G#m

E

B

F#

^5 .5

.8 ^8 .7

^7 .7 ^8

.7 ^7 .6

F# 1 B

F#

B

^6 .6 ^7

.8 .7 ^7

.7 ^7 .6

G#m

C#

F#

.7 ^9 [^10]

.8 .8

.8 ^8 .7

B

E

G#m

^7 .7 ^8

.7 ^8 .7 ^7 .6

^5 .5

^5 ^6 .6

2 B

.6

.8

.6 .5

Flossy O’Toole E

F#m

B

E

B

^5 ^4 .4

^3

.4 .4 ^4 .5

3 4 .4 .4 ^4 .5

.4 .4 ^4 .5

.6 .5 .5

C#m

E

B7

E

^5 .5

.4 .4 ^4 .5

^4 .4 ^3

.3

B7

E

^4 ^2 .3 ^3 ^2

.3

.6 .5 .5

−

.4 .4 ^4 .5

.4 .4 ^4 .5

B7

E

B7

E

A

^6 ^6 .6 ^7 .6

.6 ^7 .7

^6 ^6 .6 ^7

.7 ^7 .6

^5 .5

.4 .4 ^4 .5

.6 ^6 .6 ^7 .6 ^6 E

.5 ^5 ^5

.5 ^4

^4 .5 .5

Scottish Wood B

E

1 C#m

F#

B

^6 ^5 ^6 .6 ^6 ^5

.6 ^7 .7 ^7 .6 ^6

F#

2 E

F#

B

B

.6

.5

B

3 4 .3

^3 ^4 .4

.6

.6

.3

.3

.6

.6

A

B

− ^4 [^3]

.2

−

.5

^5 .5 ^4

^5 .5 ^5 (^4)

.4

^6

^3 ^4 .4 ^4 .4

^5 .5 ^5 ^6

.3

.6 (^4) ^5

.3

^5 .5 ^4

−

.3

.4

.3

75. The Munster Cloak

BB&S

3 4 .3 .3 ^3 .4 .3

.6

.6 ^7 .6 ^6

^3 ^3 .4 ^4 ^3

.3 .3 ^3 .4 .5

.5

^7

.6

^7

.7

.6

^6

^4 ^3 ^2

.6

^7

.7

.3 .3 ^3 .4 .3

^7

.6

^6

^3 ^3 .4 ^4 ^3

.5 ^5 ^6 .5

.5 .5 ^5 ^6 .5

.5 ^4 ^3 .5 ^4 ^3

^4 ^3 ^2

^3

.3

.3

34

76. MEDLEY PARMA WALTZ, Bell Table, Under the Bridges of Paris) Bell Table = 160

B

E

B

D#m

.3 ^7 .6

.6 ^6 ^5

.5 ^5 .5

E

F#

E

F#

B

E

B

D#m

^4 .5 ^5 ^4

.5 ^5 ^6 .5

^4 .5 ^5 ^4

.5 ^5 ^6

.6 ^7 .6

.6 ^6 ^5

.5 ^5 .5

3 4 .5 ^4 .4

E

F#

E

F#

B

B

^4 .5 ^5 ^4

.5 ^5 ^6 .5

^4 .4 ^3

.3

.5 ^9 .8

D#m

G#m

.8

^8

.7

D#m

.8

^8

B

^8 .7

G#m

.7 ^8 .7

E

.7

^7

.6

B

E

C#m

F#

.7 ^7 .7

^8 .8 ^8

^8 .7 ^8

.8 ^9 .8

B

^5

^8

B

.8 .7 ^8

F#

.7

−

.8

^6

.5 ^4 .4

.8 ^9 .8

B

^7

−

.6

^6

.6

.5

.6 .7

Under the Bridges of Paris (Que Sera, Sera) E

B7

E

F#

B7

.4

[^3] ^2 .3

3 4 .2 .3 .4

.5

.3

−

.4

.2 .3 ^3

.4

^4

E

.5

^3

B7

.2 .3 .4

.4

^3

[^1]

.4

.5 .3

.4

.4 .3

.5

.4

.4

.2 .3 ^3

E7

A

.3 ^3

.4

.6

.5

.4 ^4

^3

E7

.3

^3 .3

^3 .4 ^4

.5 ^4 .4

^3 .3 ^3

F#m

^3

G#7 F#m

^3 .4 ^4

.5 ^4 .4

^3 .3 ^3

BmF#7 Bm

^2

^2 ^3 .4

F#7

Bm

.5 ^4 .4

^4

^4 .4

^4 .4

^4 ^3

Dm

^4 ^3 .4

^4

^4

.5

.4

B7

E

.4 ^3

.3

E7

B Dm E7

A

^3 .4

^4 ^4

.3

A

^4

^3 .4 ^4

^3 .3 ^2

.4 ^3

F#m

.4 .3

B7

.3 .4

^3

^3

[^3 .[1] ^3]

Bm7 E7

C Fine

− .2

.3

.3 .4 ^4

.4 [^1]

.5 .4

Bm E7

A

B7

.3

.3

−

^4 .5 ^5

.5 ^2

^2

^3

.5 .4 D.C. al Fine

^5

77. Que Sera Sera

3 4 .3 ^3 .4

.6 [^6]

^5 .5 .4

.5

^3 .4

.5 ^3

.4

^4 ^2

.5

.5 .4

.3

.5

.3

.4 .5

.4

.3 ^3 ^4

^5 .5

^5 .5 .4

^5 ^6

.6

.6

^4

^4

.6 .5

^6 .6 ^7

.6

^5 ^4

.6 ^6

^5

^5 ^6 .6

^5 ^6

^6

^7 .6 ^5

.5 .6

.4

.3

.4 [^6]

35

83. Rothbury Hills E

E

B7

B7

E

.5

.6 ^6 .6

.5 .4 .3

^3 .4 ^3

^2

.3

.4

.4 .3 .4

^4 .5 ^4

^3 ^4

E

Air − unknown, Harmony − Laurie Griffiths

F#7

B

^6 ^7 ^6

.5

^3

^2 .2

A

E

F#m

B

^4 ^5 ^4

.4 ^3 .3

[^3] ^4 .4

^3 .4 ^4

[^3]

.3 ^2 .2

[^3] ^2 .3

^2 .3 ^3

3 4 .2

.3

.4 ^4

.5

.6

.4

3 4 ^3 .4

E

B7

E

.5 .4 .3

^3 .5 ^2

.3

.4 .3 [^3]

[3 ^3] ^2

.3 .5 ^4

E

.4 .3 .3

A

.3 ^3 .4 A

E

E

B7

B7

E

B

−

.5

^5

^4 ^5

.6

^6 ^5

.5

.2 .3

.4

.5 [^6]

^4 .4 ^4

[3 ^3] ^2

.3

.4 ^4

.5

.4

.4

^4

.3 ^4

^5

.5 ^4

.4

.5 .4

.3

.3 [1]

^3 .3 ^3

^4 .4

.4

.3

^2 .3 ^3

E

F#m

B

F#m

B7

.6

^6 .6

.5

.4 .3

^3

.4 ^3

^2

[3

^3]

^4

^3

.5

.4

^3 .4

.4

.3 .4

^4

.5 ^4

^3

^4

^4

^3

[^3]

[3

^3

.5

E

^4 ^3

^3]

−

.3

^2

.3

.5

^4

.4

^3

86. Will Ye Go Lassie?

BB&S

3 4 .3 [^3]

− .3 [^3]

[^3] .3

[3

^3]

.2

.3

.3

[^3] .3

^3

.3

.3

− .4 .5

− .4 .5

^5

^5 ^6

^5 .5

^5 .5

.4 .5

.4 .5

− .4 .5 ^5

− .4 .5

^5

.5 .4

.5

^3 .3

.4

^3 .3

− ^3 .4

^4 .4

^3 .3

− ^3 .4 ^4 .4 ^3 .3 [^3] .3

[^3] .3

− .3 [^3]

.2

−

87. Amazing Grace E

E7

A

E

.3 ^3 .4 .3

.4 ^3

.3 [^3]

[3 .3]

F#7

B7

E

E7

A

E

.5 .4 ^3 .3

.4 ^3

.3 [^3]

[3 .3]

C#m

3 4 .2 B7

E

.4 ^3

.3

−

.3 .4 ^3 .3

.4 ^3 .4

.5

− .4

.3 .4 ^3 .3

36

88. Mull of Kintyre E

A

E

A

3 4 .2 .3 [^3]

[3 .2 .3]

.3 .4 ^3

.3

[^3] .3 ^2

B7

E

E

[3 ^3] ^3

.3

[3 ^3] .3

[^3 .3 .2

.3] .3 [^3]

.2

A

.2 .3 [^3]

[3 .2 .3]

E

.3 .4 ^3

.3 ^3 .4

A

^4 .4 ^3

E

3

.3 [^3 ^3] ^2 [^3]

−

.4 .4

.4 ^3 .3

^3 .3 [^3]

[3 ^3] .3

.4

.4

.4 ^3 .3

^3 .3 [^3]

[3 ^3] ^3

.3

−

89. German waltz 2 = 200

3 4

3

.2

.3 .2

.3

.4 .3

.4

.5 .5 .5

.5

.5

[3 ^3] ^2

.3

3

−

[3 ^3]

.3

.4

.4

.5

.5 ^4

.4

.5

.5

^4 ^3

3

− ^2

^2

^3 ^3

^4

^4

^3

.5

.5

−

.4 .3

[3 ^3] ^2

.3 .3

.4

.4

.5

.5 ^4

.4

.5

3

.5

^4

^3

− ^3

^4 ^5

.6 ^6

^5

.5

.4

.3

^5

.5

^4

^2 ^5

.5 .4

.3

.3 ^3 .4

1

.3

.6

^6

^5

.5

^4

.4

^3

.3

^2

−

^4 ^5

.6 ^6 ^5

2

[^3

.3

^3]

.5 .4

37

90. Starry Night for a Ramble (as jig) AABA A

Segno B

E

B

C#7

F#7

EF

B

E

B

F#7

B

^4 .5 ^5 ^6 ^5

.5

.6 ^6 ^7

.6

6 8 ^8 B

^7 .7

.7 .6 .5

.4

^4

^5 ^5

.5 .6 ^6 .6

^7

E

B

C#m

F#

^8 ^8 ^8 .7 ^7

.7 .7 .7 ^7 .6

^7 ^7 ^7 .7 ^8

.8

^7 .7 ^8

.8 .7

.7 ^7 .6 .5

.4

.6

E

B

C#m

F#7

^8 .8 ^8 ^8 .7 ^7

.7 ^8 .7 .7 ^7 .6

^7 .7 ^7 ^7 .7 ^8

.8 ^8

Starry Night for a Ramble (another version in two parts) B

E

B

F#7

B

E

B

F#7

B

F#7

^4 ^5

.5 .6 ^6 .6 ^7

.6

−

.7

^8 ^8 ^8 .7 ^7

^8

.8 .8 ^8 .8 ^8

.7

−

.8

^7 ^7 ^7 .7 ^8

6 8 .5

.7 .6 .5

.4

.6

.7 .7 .7 ^7 .7

^4

^5

.6

^7

− .5

.7 .7 .7 ^7 .6

^7

.8 ^8

.5 .6 ^6

.7 .6 .5

.4

6 8 ^8 ^8

B

F#7

B

.7 .7 .7 ^7 .6

^7 ^7 ^7 .7 ^8

.8

.8 .8 .8 ^8 .7

^8 ^8 ^8 .7 ^7

.7

B

− .7

.6

.7 .7 .7 ^7 .7

^8

F#7

B

C#7

F# F#7

B

^8 ^8 ^8 .7 ^7

.7 .7 .7 ^7 .6

^7 ^7 ^7 .7 [^10]

.8

^8

.7 .6 .5

.4

^4

^5

^7 ^7 ^7 .7 ^8

.8

^8 ^8 ^7

^6

.5

.7 .7 .7 ^7 .7

^8

^8

F#7

.8 .8 ^8 .7

B

.6

E

B

E

F#7

B

.5

.6 ^6

.6

^7

−

.5

.7

.6 .5

.4

^4

^5

.5

.6

.6 ^7

.6

−

.7

.7

.6

^7

.8

^8

.7

.7 .7

^7 .7

^8

^8

.8

.8 ^8 .8 ^8

.7

−

.7 ^7

^6

94. The Flower of Scotland = 80

6 8 ^6 ^6 ^5

− ^6 .6 ^7

.6

− .5

^7 .5

.5 ^3

− .5 .5 ^6

− ^6 .6 ^5

^7 ^7 ^7 .6 ^7

^6 .5

.7 ^8 .7 ^7

^5

− .5

− .5 ^4 ^5

.6

.5

.5 ^5 ^6

.5

−

− .7 ^8 .8

−

− .5

.7 .7 ^7

.8

.6

.6 ^7 ^7

.6 .5

.5

− ^3

^5 ^5 ^5 .5 ^5

− .5 .6 .7 ^7 − .6

− .7 ^8 ^7

.7

.6

^6 .6 ^6 ^5

.6 ^7 .7

− .6 (^4) ^7

.6

−

− .6

−

.5 ^3

^8 .8 .8

−

38

95. Skye Boat Song, the E

F#m

B7

E

A

E

^3 .4 ^3

.5

.4 ^3 .4

[^3 ^3]

.2

F#m

B7

E

A

E

^3 .4 ^3

.5

.4 ^3 .4

[^3 ^3]

.2

3 4 [3 ^3 .3]

.3 .3 .3

C#m

−

F#m

.4 .3 .4

.4

−

[3 ^3 .3]

.3 .3 .3

C#m

^3 [^3] ^3

^3

F#m

.3 [^3] .3

−

.3 ^2 [^3]

.4 .3 .4

.4

C#m

^3 [^3] ^3

^3

.3 [^3] .3

.3 ^2

−

[^3]

97. Les Bicyclettes de Belsize Dm

Dm7

Gm

A7

Dm

Dm7

Gm

Em7

E7

A7

Em7A7

^4 [^1]

^3 .3

^2

[^3] ^2

3 4 .5 .5 .5 D

.5 .5 .5

Am7 D7

.3

.4 ^4

.3

^1

G6

.5

2 G

.1

^5

.3

^1 .5

A7

^4 .4

.2 ^3 ^1 D

^3

^3 .4 ^4

−

.5

A7

Bm

− ^4 .4

.5

.5 .5 .5

.3 ^3 .4

.5 .5 .5

.6

Em7 G6

A7

^4

^2

^3 .3

.1

^1 .5

1 D

^2 .3 ^3

.4

C#m

F#m

D7Am7D7

^6 .5 .4

.4 ^4

.6 .6

.5

D

− .3 .3

−

.3

98. The Flower of Scotland

Roy Williamson of Corries

3 4 .7

.7

.7 ^7

.6

.6

.5

^7

.5

.5 .5

.5

.7

.6

.7

^7

^8 .7 ^8

^7 ^7

.8

.6 ^7

.6

.6

.7

.7

.7

.7

.7

^8 .7 ^7

^8 .7 ^8

.7

^7

.8

.6

.6

.6

.6 .7

.6

^7 ^7

(^4) ^7

^7 .6 ^7

.6

.6

.7

^8

.6

99. Tulips from Amsterdam

3 4 .5 ^5 .5 ^5 .5 ^5

^5 ^5 ^5

.6

^5 ^7

^5 ^6

.5 .8 .8

^5

^7 ^7

.6 ^5

.5 ^5 .5 ^5 .5 ^5

^5 ^6

.5

.5 ^6 ^7

^8 ^7 .7

^5 ^6 .6

^7

.5 ^5 .5 ^5 .5 ^5

^7 .6

.6 .5

.5 ^5 .5 ^5 .5 ^5

.6

.7 .7

−

.7 .7 .7

.6 ^6

^6 ^5

.6 (^1)

.5

.5 .8 .8

^5

.5 ^5 .5 ^5 .5 ^5

.5 .5 .5

^7 .5

^7 .1

.5 .5 .5

^5 .5 ^5

^6 .6 ^7

.6

^5

.5 .6

.7 .6

^6

.7 .7 .7

^5

.5 ^4 ^3

.5

.5

.7 .7

^6 .6

.8 .8 ^8

.5 .6 .7

^6 .6 ^7

.6

.7 ^7

.6

.7 ^7

^7 .6

.6 (^4)

.8 ^8

.8 .7 ^8

−

.7 .7

.7

^7

^5 .6 .6

.1 .7

−

^7 .6

(^4)

.6 .6 .6

.8 .8 ^8

.5 .5 .5

.6 ^5

.6 ^6

.5 .6 .6

.6 ^8

.7 ^7

^5 .5 ^5

.6 ^7

^6

^6

.6

^5

.7 ^7 .6

39

100. Song of the Moulin Rouge = 140

B

F#

B

^3 .4 ^3

.5

C#m

B

^4 .4 ^3

.3

C#m

B

^4 .4 ^3 ^4

.4

F#

3 4 .2

.3 .4 .3

.5

.2

.3 ^3 ^2

B

[^3 .3 .3]

F#

.3

[^3] ^2

.3 ^2 [^3] .3

C#m

B

^4 .4 ^3

.3

^2

G#m

^2

^3 .4

F#

.3 ^2 [^3] ^2 .3 [^3]

^3

^3 .4

.3

^3 ^4 .4 ^3 .3 ^2

F#

B

.3]

^3 .4 ^3

.5

^5 .5 ^2

.3

.5 ^5 ^6

.5

^2 .3

B

.2

.3 .4 .3

.5

.2

.3 ^3 ^2

[^3 .3

^3 .4

101. Last Waltz, the 1

2

3 4 ^3 .4 ^3 .4 ^3

−

^5

.4 .6 ^5 .4

^6 ^6 ^6

^6 ^5 .5

−

^3

[^3] .3 [^3] .3 [^3]

−

[^6] ^5 .5

.7

^7 .6

^5 .5 .4 ^3

^7 .6

^3

−

.4

^4

^5 ^5 ^5

^2

−

.6

^6 .5

^6 .6

^7 .6

1

^5 ^6 .6

^7 .6

^1 (^4) ^1

.5 .5 .5

^5 ^6 .6

.7

^7

.4 ^3 .4 ^3 .4

.6 ^5 .4

−

^3

.3 [^3] .3 [^3] .3

^5 .5 ^2

.3

2

.5 ^5 ^6

.3

102. Raemona’s Waltz E

3

G#7

C#m

Brian Hebert

E7

A

B7

E

^4 .4 ^3

.3 [^3] .3

^2 .3 ^3

.2

1 E

3 4 .5 ^4 .4 ^4 .4 .3 [^3 G#7

.3] .4

C#m

.2

[[1]] .4

E7

[[1]]

[^3] .4

A

.5

B7

[3

2 E

E

.2]

−

.2 .4

G#7

.2

C#m

3

[[1]] .4

[[1]]

[^3] .4

.5

^4 .4 ^3

.3 [^3] .3

E7

A

B7

E

^5 .5 .4 .5 .4 ^3

.3 [^3] .3

^2 .3 ^3

.3

F#7

B7

^3 [^6] ^5 3^6 ^5

.5

.3

[2]

− [^2]

.5 ^5 ^6

^2 .3 ^3

.3 .5 ^5 ^6

.3

.3

[3 ^3] ^2 [^3]

.2 .4

.5

^1 .4

[^3]

[^3] .4

.5

E

G#m

A

E

A

E

.6

^6 .5 .4

3 ^4 .5 ^5 ^6 .6

.5

3 ^5 ^6 .6 ^6 ^5

.5 ^5 .5 ^4 .4

F#m

E

G#m

A

E

.6

^6 .5 .4

^4 .5 ^5 3^6 .6

.5

.5 .4

^4

B7

^4 ^4

^4 .4 ^2

1 E

.3

2 E

.3

.5 ^5 ^6

.6

40

105. Midnight on the Water

Luke Thomasson

1

2

3 4 .2 .3 ^3

.6

− .6

.4

.4

.4

.4 ^3

.6 ^6 ^5 .5 ^5 ^6

.4 .5

.6

^5

^5 .5 .4

.5 .4 .3 .3 ^3

.3

.6

^7

.4 .6 ^5

^7 .7

.5 .3 ^3 .3

^7 .6 ^7

.4 ^5 .5 .4 ^3 .3

.7 .8 .7 ^7

.3 .2 .3 ^3

.6 ^6 ^5 .5 ^5 ^6

.6

1

.5

^5 .5 ^4

.4

^3 .3 .2 .3 ^3

.4

.6

^5

.5

.3 ^3 .3

.4 ^5 .5 .4 ^3 .3

.3 .5 ^5 ^6

.6 ^7

.6 ^6 ^5

2

.3

.5 ^5 ^6

.3

−

BARN DANCE TUNES

41

106. MEDLEY REELS BARN DANCE: Click Go the Shears, Waltzing Matilda, Drovers Dream) Click go the Shears = 180

4 4 .3

.4 .4 ^3 .3 .4 .5

.3 .6 .6 .6 .6

.6 .6 ^6 ^5

^7 ^7 .6 ^6 ^7

^7 .6 ^6 ^5 .5 ^4 .4 ^3

.3 .6

.5 .5 ^5 .5 .4 .3

.6 .7 .6

^3 ^3 .4 ^3

^5 ^5 ^2 .6 ^6 ^5

.4 .4 ^3 .3 .4 .5

.5 .6

.4 ^3

^3

.6 .6 ^6 ^5

.4

^7 .6 ^6 ^5 .5 ^4 .4 ^3

.4 .4 ^3 .3 .4 .5

.6 .6 .6

^6 ^5

^5

.6 .6

Waltzing Matilda Buderim

4 4 .3 .3

.3 .6 .6 .6

.3 .3 .3 .6 .6 .6

^5 ^5 ^6 ^5 .5 .4 ^3

^5 ^5 3^6 ^5 .5 ^5 ^6

.3 .3 .3 .6 .6 .6

.6 ^7 .6 ^6 .5

^5 .5 ^5 ^6 ^5 .5 .4 ^3

^3 .4 ^3 .3

Drover’s Dream

4 4 ^3

.5

^5 ^6 ^5 .5

.4 ^4 .5 .4 ^3 .5 ^5

^5

^4

.4

^3 ^3

.4

^4 .5

.4 ^3

^3 ^3

^6 ^6 ^6 3^5 .5 ^5 ^5 ^5 3.5 ^4

^3

.5

^5 ^6

^5 .5

^3

.5

^3

.5

^5 ^6

.4

.5 .5 ^5 ^6

^6 ^6 3^5 .5

.6 .6 .6 .6 .6 ^6 .6

^4 .5

.4 ^3

.5

^5

^5

^4 .4

^3

^7 ^7 ^7 ^6 .5 ^3

^6

^6 ^6 3^5 .5 ^5

.5

^5 ^6 ^5 .5 ^3 ^3

.5 .5 .5 ^5 ^6 ^6 ^6 3^5 .5

^5 ^5 3.5 ^4

.5

107. MEDLEY REELS FOUR SISTER’S BARNDANCE: Four Sister’s. Mudgee Schottiche) Four Sister’s Barndance = 140

A

E7

D

A

E

3

A

D

A

B

E7

A

^8 ^8 ^8 .7 ^7 ^8

.7 .7 .7 ^7 .6 .7

^7 ^5 ^6 .5

3

4 4 .5 ^5 ^6

.6 .6 ^6 .6

^5 ^5 .5 ^4 ^5 ^6

.6 .6 ^7 ^7

.7

− .7

.6

Mudgee Schottische C#m

A

E

C#m

C#m

A

E

F#m

C#m

A

E

C#m

4 4 .3 ^3 C#m

.4 .4 ^4 .4 ^4 ^5 F#m

.4 .4 .3 ^3 .4 ^2 C#m

C#m

^5 ^6 ^5 .5 .4 .3 .4

.5 .3 .3 .3 ^3

E

C#m

.5 3^5 ^6

.3 E

E

C#m

.6 .3 ^5 .3

C#m

C#m

^5 ^6 ^5 .5 .4 .3 .4 C#m

3

.5 .5 .4 ^4 .5 ^4 .4

.4 .4 ^4 .4 ^4 ^5

^3

.3

.3 ^3

.5 ^5 .5 .4 ^3 .3 E

.5 .5

F#m

.4 ^3 .4

^3 E

.4 .4 ^4 .4 ^4 ^5 3

.5 .3 .3 .3

E

^4 .5 ^4 .4 ^3 .3 .5 3^5 ^6

^3

C#m C#m

.6 .3 ^5 .3

42

110. Wish Me Luck as you Wave Me Goodbye E

[3 .3]

.3

B7

E

^3 .2 ^3

.3

C#m

−

.2 .3

E

E

E

.4 .3 ^5

.5

− .3 ^4

.4

G#7

−

.4

E

.3 ^4

E

.4

.2 .4

.2 .4

B7

E

B7

^3 .2 ^3

.3

− [3 .3]

C#m

^2 .3

B7

E

^3 ^5 .5

.3

^3 .4 ^4

.4 [^3] ^2

.3

^3 .4

E

E7

.3 .2 .3

.4

B

F#7

B7

^3 .5

[^3] .4

^3

.3 ^5

E

C#m

E

.5

− .3 ^4

.4 .2 .4

E

− [3 .3]

E

.3

.2 .3

.4

.3 ^5

.5

−

111. Goodnight Sweetheart = 100

B

Bm

.4

.4

G#m

−

− .4

− .4

^4 .4

B

F#

C#

B

− .5 [^6] ^4

^5 ^4 .4 ^3 D#m

.7

.6

B

− .4

E

^5

E

^6

.4

G#m B

.5

.5

[^6] .5

[^6] .5 [^6] .5

Bm

.4

− .4

E

− .4

− .4

^5

G#m C#m

.5

.6 .6

^6 .6

.6

^6

D#m B

^6 .5 .4 .3

G#m B

.5

.5

[^6] .5

[^6] .5 [^6] .5

^5

B

.6

−

.6 ^5 ^4 ^3

B

^4 .4

F#

.5

.6 .6

^6 .6

G#m

.6

.5

.5

[^6]

.5

.7

−

.6

112. White Cliffs of Dover 1

2 3

.4 .5

.6

.6

^6 .5 .3

^5 ^5 ^5

3

^5

^4 .5

.5 .4

.3

^4 ^4

.4 ^3 .3 ^3

.4

−

.4 .5

.3

−

.3

^5 ^4 .5 ^5 ^5

^5 ^6

3

^5

^5

.6

^5 ^6

^5 ^4

.5

^5

^5

.6

^5 ^6

.6

^6 .6 ^6

^5

^3

.4

.5

43

POLKAS 113. Bluebell Polka = 210

E

B

E

^2 .3 ^3 .4 ^4 ^5

^5 .5 [^6] .5 .4 .4 3.5 .6

4 4 .4 3.5 .6

.7

.7 .6

^6 .6

^5

.5 .5 .4 .3

B

E

B

^2 .3 ^3 .4 ^4 .5 ^5 ^6

.6 .6 .6

^5

F#7

E B E

.8 [^10] ^8 ^7

.6 .7 .6

.8 .8 .7 .7

.4 .4 .4 ^4 .5

F#7

.5 .5 .4 .5 .6 .7

.8 .8 .7

E

^3

F#m

E

^4 ^4 .5 ^4 .4 ^3

.3 .4 .3

.7 .7 .6

^6 .6 ^5

B

.8 [^10]

^8 ^7

^9 .8 [^10] .8

.5 .5 .4 .5 .6 .7

F#m

.4 .4 .4 ^4 .5

.4 .4 .4 ^4 .5

.5 .5 .4 .3

E

^4 ^4 .5 ^4 .4 ^3

^4 ^4 .5 ^4 .4 ^3

.4 .4 .4 ^4 .5

114. MEDLEY: Walter Bulwer’s Polkas Walter Bulwer #1

2 4 .2 .3 .3 ^2 .3

.5 .5 ^5 ^5

^3 [^3 ^3]

.5 ^4 .4 ^4 .5

^2 .3 ^3 ^2 .3 ^3

^4 .4 ^3 .4 ^4 ^4

.4 .3 .3 [^3]

.4 ^3 .3 ^3 .4 ^4

.2 .3 .3 ^2 .3

^3 [^3 ^3]

^2 .3 ^3 ^2 .2 ^2

.5 .5 ^5 ^5

.5 ^4 .4 ^4 .5

.3

.3

^4 .4 ^3 .4 ^4 .5 ^5 ^6

.6 .6

Walter Bulwer (Bulliver) #2

4 4 .4 ^4

.5 ^4 .4 .5 .6 ^6

.6 .6 .6

1

.6 .7 .6 .7 ^8

.7 ^8

^5 ^3 ^3 ^3 .4

.8 .7 ^8 .8 .7 ^8

2

.6 .7 .6 ^5 (^4)

^4 .4 ^3 ^4 ^6 ^5

.8 ^8 .7 ^7

.5 .4 .4 .4 ^4

^7 ^8 .7 ^7

.5 ^4 .4 .5 .6 ^6

.6 ^6 .6 ^7 .7 .7 ^8

^5 ^3 ^3 .3

.8 .7 ^8 .8 .7 ^8

^2 .3 ^3 .4 ^4 .5 ^5 ^6

.8 ^8 .7 ^7

^7 ^8 .7 ^7

44

115. MEDLEY: Robbie Hobkirk’s, Father’s Polka Robbie Hobkirk’s Polka

4 4 .5 .4 .5 .6 .5 .6

.7 ^7 .6 .7 .8 .7 .8

^8 ^7 .8 ^8 .7 ^7 .6 .7

^7 ^6 .6

^8 ^7 .8 ^8 .7 ^7 .6 .7

.5 .4 .7 ^7

^7 .6 .6

^7 .6 ^6

^6 ^5 ^8 .7

.5 ^4 .4 ^4

.5 .4 .5 .6 .5 .6

.7 ^7 ^7 .6 ^6 ^5

.5 .4 .7 ^7

.7 ^7 .6 .7 .8 .7 .8

^7 .6 .6

^6 ^5 ^8 ^7

.7 .6 ^7 ^6 .6

Father’s Polka

4 4 .3 ^3

.4 .4 .4 ^3 .4 ^4

.5 ^4 ^4 ^3 ^2 ^3

^5 .5 .5 .4 .3 .4

.3 ^3 .3 .4 ^3

.3 .4 .6 ^6

1

^2 .3 ^3 .4 ^4 .5 ^5 ^6

.5 ^4 ^4 ^3 ^2 ^3

^6 ^3 ^3 .3

^4 .4 .4 .3 .2 ^3

^2 ^3 ^6 ^5

.4 .4 .4 ^3 .4 ^4

.5 .4 .4 ^4 .4 ^3

^5 .5 .5

.3 .4 .6 ^6

.4 .3 .4

^6 ^3 ^3 .3

2

.6 ^6 .6 .4 ^3

.6 ^6 .6

116. MEDLEY POLKAS BROWN JUG POLKA: Little Brown Jug, Andrew’s Polka, Jenny Lind polkas) Little Brown Jug Heel & Toe Polka = 140

1 B

B

E

F#

.4 .5 .5

^4 ^5 ^5

^6 ^6 ^6 ^5 ^6

2 B

1 B

B

E

F#

.7 .7 ^7 .6

^6 ^5 ^5

^6 ^6 ^6 ^5 ^6

2 B

2 4 .6 ^7 .7

^7 .6 .6

.6 ^7 .7

^7 .6 .6

Andrew’s Polka E

B7

E

^4 ^3 ^3

.4 .3 .3

B7

E

E

B

E

^4 ^3 .3 ^2

.3

.6

.6 ^6 ^5

2 4 .3

^3 .4 ^4

.5 .4 .4

B7

E

B

^4 ^3 ^2 .3 ^3

.4 .3 .3

.6

.6 ^6 ^5

.3 ^3 .4 ^4

.5 .4 .4 ^3 .4

E

B7

E

.5 .4 .3 ^3 .4

^4 ^3 ^2 .3 ^3

.3

.5 .4 .3 ^3 .4

Jenny Lind Polka B

E

B

F#7

B

B

E

.5 .7 .7 ^8

.7 ^7 ^7 .7

^7 .6 .6 ^6

.4 .5 ^4 ^5

B

F#7

B

B

.5 .7 .7 ^8

.7 ^7 ^5 ^6

.6 .6

2 4 .5

.4 .5 ^4 ^5

F#7

.8

.8 .7 .6

.7

^8

B

^8 ^7 ^6

^7

^8

^8 ^7 ^6 ^7

^9

.5

F#7

^9 .7 .6

.7

.8

.8 .7 .6

.7

^8 ^7

.8 .8 .7 .6 .7 B

^6

^7

.6

.6

−

45

138. The Girl I Left Behind Me, Brighton Camp) Brighton Camp = 180

2 4 .6 ^6

^5 .5 .4 .3

^3 .3 [^3] ^2

.3 .3 .3 .4

.5 .4 .6 ^6

^5 .5 .4 .3

^3 .3 [^3] .3

^2 ^3 [3 ^3] ^2

.3 .3

.5

1

.6 .5 .4 .3 .3

.4 .5 ^5 ^6

.6

^6 .6 ^6

^5 .5

.4

^3 .4 ^3 .3 [^3] .3

^2 ^3 [3 ^3] ^2

.4 .5 ^5 ^6

2

.3

.3

.3

.3

DOUBLE JIGS

46

180. MEDLEY JIGS COUNTRY BUMPKIN: Irish Stew, Saddle the Pony, Shandon Bells, Life is All Chequered Irish stew

6 8 .2 .3 ^3 .4 ^3 .3

^3 .4 ^3 .3

.6 .3 ^3 .4 .3 ^3

.6 ^6 .6 .5 .4 .3

^3 ^5 .5 ^4 .4 ^3

.6 ^6 .6 .5 .4 .3

.6 ^6 .6 .5 .4 .3

^3 ^5 .5 ^4 .4 ^3

.2 .3 ^3 .4 ^3 .3

.6 ^6 .6 ^7 .6 ^6

.6 ^6 ^5 .5

.6 .3 ^3 .4 .3 ^3

.7 ^7 .6 ^7 .6 ^6

.6 ^6 .6 .5 .4 .3

.6 ^6 ^5 .5 .4 .3

.3 .4 .5 .6

Saddle The Pony E

B7

E

.3 .4 ^3 .3 .4

.5 ^5 ^6 .6 .5 .4

B7

E

B7

C#m

A

^3 ^2 .2 ^3 ^2 .2

.3 .4 ^3 .3 .4

.5 ^5 ^6 .6 ^6 .6

B7

E

6 8 .3 .4 ^3 .3 .4

C#m

B

E

C#m

^5 ^6 ^5 ^5 .5 .4

.5 ^5 ^6 .6 ^6 .6

G#m

^5 ^6 ^5 ^5 .5 .4

^5 .6 ^5 .5 .4 ^3

.4 .3 .3 .3

C#m

C#m

A

^5 ^6 ^5 ^5 .5 .4

^5 ^6 ^5 ^5 .5 .4

^5 .6 ^5 .5 .4 ^3

.5 .4 ^3 ^3 .4 .5

B7

E

.4 .3 .3 .3

Shandon Bells (Cluig Sean−duin) B

C#m

F#7

B

E

^5 ^4 ^3 ^3 .4 .5

^5 .5 ^5 ^6 .6

.5 .4 .3 .3 .4 .5

F#7

6 8 ^5

.5 .4 .3 .3 .4 .5

B

.6 ^7 .6 ^6 ^5 .5

B

−

.6

^8

.7 .6

F#7

− ^7 .6

.7 .8 .8 .8 .7 .6

.6 ^7 .6 ^6 ^5 .5

B

^6 .5 .5 ^7 .5 .5

^6 ^5 ^6 ^7 .7 ^8

^5 ^6 .6 ^7 ^6 .5 E

.7 .6

− ^7 .6

.7 .8 .8 .8 .7 .6

F#7

^5 ^6 .6 ^7 ^6 .5

B

−

.6

Life is All Chequered

6 8 .3

.3

.5 .4 .4 .4 ^3 .4

[^3 ^3

^3]

.5 .4 .4 .4 .6

.7

^7

.6

^7

.5 .4 .4 .4 ^3 .4

.6

^6

.6

^6

.3 [^3 ^3 ^3] .6

^5

.5

.4

.3

.5 .4 .4 .4 ^3 .4

^3

.7

^4

.5 .4 .4 .4 ^3 .4

.4

^3

.4

.3

.3 ^3 .4 ^3 .4

[^3

^3

^3]

47

181. MEDLEY JIGS FLYING PIEMAN: Flying Pieman, Herb’s Jig, Rum Rebellion, Garryowen) Flying Pieman B

G#m

B

B

B

B

G#m

F#

B

G#m

B

B

B

B

G#m

B

B

B

6 8 .6 ^7 .7 .6 ^5 E

E

^8

.5 .5 .4 ^3 B

^9 ^9 .8 ^8

.7

.3 .5 .5 .5

B

^5 ^6 .6 ^7

E

.8 .8 ^8 .7

F#

B

^8 .7 ^8 ^7

.7

.6 ^7 .7 .6 ^5 B

.5 .5 .4 ^3 E

.8 .8 ^8 .7

.3 .5 .5 .5

E

^8

^5 ^6 .6 .6

B

^9 ^9 .8 ^8

.7 .8 .8 ^8 .7

F#

.7 ^8 .7 ^7 .6 ^6

B

B

.6

.6

Herb’s Jig

6 8 .2

.2 .3 .3 .4

.6

.6

^6 ^5

^3 .3 .3 ^5

.5

.4

.5 .4 .4 ^3 .3

.3

.4

^3

.4 ^3 ^3 .3 [^3]

.4

^3

.2 .3 .3 .4

.3

.3

.4

.5

^3 .3 .3 ^5

.6

^5

.5 .4 .3 ^3 .4 ^3

.5

^5 .5

.3

.4 ^3

^4 .4 ^3

.3 .3 .4 .5

.3

Rum Rebellion

6 8 .5

.6

.3 ^3 .4 .5 ^5

.6 ^6 ^5

.5 ^5 .5 .4 .3

.5 ^5 .5 .4 .5

.6

.3 ^3 .4 .5 ^5

.6 .6 ^6 .6

^7

.5 .4 .3 ^3 .4

^7 .6 ^6

.3 ^3 .4 .5 ^5

.6

.6 ^6 ^5

.5 ^5 .5 .4 .3

.5 ^5 .5 .4 .5

.3 ^3 .4 .4 ^4 .5

.4 ^3 .3

^5 .5 ^5 .7

.6 ^7 .6 .6

^7

.5

Garryowen

6 8 .6 ^6

^5 .5 ^4 .4 ^3 .3

^3 .4 ^3 ^3

.4 ^3 .4 ^3

.4 ^4

.4 ^4 .4 .4 .6 ^6

.5 .4 .5 .4

^5 .5 ^4 .4 ^3 .3

.5 .4 .5 .6 ^6

^3 .4 ^3 ^3 .6 ^6

^5 ^4 ^5 ^4

^5 ^4 ^5 ^6

^5 .5 ^4 .4 ^3 .3

.3 ^7 .7 ^7

.4 ^4 .4 .4 ^4

.6 ^6 ^5 .5 .4

.5 ^5 ^6 .6 .5 .4

.5 ^5 ^6 .6 .5 .4

48

182. MEDLEY JIGS FLYING PIEMAN:Flying Pieman, Kesh Jig, Tripping Upstairs) Flying Pieman (see above) The Kesh Jig E

E

B

B

.3

.3 ^3 .4

^3 .4 ^3 ^3 .4 .5

E

E

C#m

E

E

E

B

B

E

E

6 8 1 B

E

2 B

^3 .3 ^2 .3 .2 E

B

.6 ^6 .6 ^7 .6 ^7

E

^3 .3 ^2 .3 ^3 E

^5 .5 .5 .6 .5 .5

^5 .5 .4 .5 .4 ^3

E

E

C#m

E

.4

.5 .4 .5

^5 .6 ^5 .5 .4 .3

.3 ^3 .3 .3 ^3 .4

^3 .4 ^3 ^3 .4 .5

E

E

B

B

.4

.5 .4 .3

^3 .4 ^3 ^3 .3 ^3

^5 .5 .5 .6 .5 .4

E E

C#m

E

.4 .5 .4 .5

^5 .6 ^5 .5 .4 .5

E

.7 .6 .6 .6

Tripping Upstairs B

E

B

F#7

B

E

.4 .5 .6 .7 ^7 .6

^6 ^5 ^6 .5 ^5 ^6

.6 .7 ^7 .6 ^6 ^5

B

E

B

6 8 .5

.4 .5 .5 ^4 ^5 ^5

F#7

B

^6 ^5 ^6 .5 ^5 ^6

.6 .7 ^7 .6

G#m

.6 ^5 ^5 .7 ^5 ^5

F#

F#7

B

^6 .5 .5 ^7 .5 .5

^6 ^5 ^6 .5 ^5 ^6

.6 .7 ^7 .6

.4 .5 .5 ^4 ^5 ^5

F#

.6 ^5 .6 .7 ^7 .6

^6 .5 .5 ^7 .5 .5

.4 .5 .6 .7 ^7 .6 G#m

^6 ^5 ^6 ^7 .6 ^6

.6 ^5 ^5 .7 ^5 ^5

49

184. THADY THOU GANDER, Swallow’s Nest, Saddle the Pony, Kesh, Haste to the Wedding, Smash Windows Swallow’s Nest = 134

C#m

B

C#m

B

6 8 ^3 .4

^4 ^3 ^3 .6 ^3 ^3

^4 .4 ^3 ^5 .5 ^4

.4 .3 .3 .5 .5

.6 ^6 .6 .5 ^4 .4

^4 ^3 ^3 ^5 ^3 ^3

^4 .4 ^3 ^5 ^6

.6 ^6 .6 .5 ^4 ^3

C#m

^4 ^3 ^3 ^3

Saddle The Pony E

B7

E

.3 .4 ^3 .3 .4

.5 ^5 ^6 .6 .5 .4

B7

E

B7

C#m

A

^3 ^2 .2 ^3 ^2 .2

.3 .4 ^3 .3 .4

.5 ^5 ^6 .6 ^6 .6

B7

3

6 8

[3 ^3] ^2

.3 .4 ^3 .3 .4

E

C#m

B

.4 .3 .3 .3

^5 ^6 ^5 ^5 .5 .4

.5 ^5 ^6 .6 ^6 .6

A

B7

E

C#m

G#m

^5 ^6 ^5 ^5 .5 .4

^5 .6 ^5 .5 .4 ^3

C#m

C#m

^5 ^6 ^5 ^5 .5 .4

^5 ^6 ^5 ^5 .5 .4

.5 .4 ^3 ^3 .4 .5

E

^5 .6 ^5 .5 .4 ^3

.4 .3 .3 .3

Swallow’s Nest (above) The Kesh Jig E

B

A

E

A

.3 .3 .3 ^3 .4

^3 ^3 ^3 .4 .5

^5 .5 .5 .6 .5 .5

B

E

B

A

E

.3 ^3 .3 .3 ^3 .4

^3 .4 ^3 ^3 .4 .5

^5 .5 .5 .6 .5 .4

6 8 .2

1 B

E

^3 .3 ^2 .3 .2 E

B7

2 B

E

^3 .3 ^2 .3 ^3 C#m

.6 ^6 .6 ^7 .6 ^7

E

.4

A

.5 .4 .5

^5 .5 .4 .5 .4 ^3 B

C#m

^5 .6 ^5 .5 .4 .3

.4

.5 .4 .3

B

E

B

A

B

^3 .4 ^3 ^3 .3 ^3

.4

.5 .4 .5

^5 .6 ^5 .5 .4 .5

E

.7 .6 .6 .6

Swallow’s Nest again Haste to the Wedding B

E

B

E

.5 ^5 .5 .5 .8 .7

^7 .6 ^7 .7 .6 ^5

F#7

B

E

B

B

.5 .4 .5 .5 .8 .7

^7 .6 ^7 .7 .6 ^5

F#7

6 8 .5

1 E

B

.6 ^7 .6 .6 ^5 E

B

^7 .6 ^7 .7 .6 ^5

2 E

B

.6 ^7 .6 .6 .8 F#

.5 ^8 .7 .8 .7

.8

1 E

.5 .4 .5 .5 .4

^4 .4 ^4 ^3 .4 ^4

.5 ^8 .7 .8 .7

B

E

B

E

.8 .7 .8 .8 .7 .8

^9 ^8 ^9 ^9 ^8 ^9

.8 .7 .8 .8 .7 .8

^8 .7 ^8 ^7 .7 ^8

B

.6 ^7 .6 .6 .8

2

.6 ^7 .6 .6 .5

F#7

B

.8

.7

Swallow’s Nest again

50

Smash the Windows B

E

B

F#

B

E

^3 .4 ^4 .4 ^3

.3 ^3 .3 .4 .5

F#

B

6 8 .6

.3 ^3 .3 .4 .5

.6 .7 ^7 ^6 .5

B

^4 ^5 .4 .5

F#

.8 ^8 .6 .7

.5 .8 .8 ^8 .7

B

^8 ^7 ^6 ^7

.5 ^8 ^8 .7 ^7

E

B

.7 .6 ^8 ^7

F#

.8 ^8 .7 .7 ^7 .6

.5 .6 .7 .8 ^8 .7

^8 .7 ^7 ^7 ^6 .5

.5 ^6 ^7 ^8 .7 ^7

.6 .7 ^7 ^6 .5 E

B

F#

.7 ^7 .6 .5 ^5 ^6

B

B

.7 ^7 .6 ^8 .7 ^7

.8

.6 .5 .4 .3

.8

.6

B

.8 ^8 .7 ^9 .8 ^8 E

−

^5 ^8 .7 ^7 .6 ^6

E

B

.8 ^8 .7 ^9 .8 ^8

F#7

.7 ^7 .6 .5 ^5 ^6

B

−

.6

186. WILLOW TREE, Blarney Pilgrim, Merrily Kiss the Quaker’s Wife) Merrily Kiss the Quaker’s Wife BB&S A

E

A

E

B

.3 ^3 .4 .2 .4

^4 ^3 .4 ^3 .3

.3 ^3 .4 [3 ^3] .3

^3

E

A

E

B

.3 ^3 .4 .2 .4

^4 ^3 .4 ^3 .3

.3 ^3 .4 [3 ^3]

E

6 8 .2 B

E

^3 C

A

.4 .3 .3 ^3 .3 .3 E

.5

E

A

.4 .3 .3 ^3 .3 .3

B

E

.6 ^6 .6 ^7 .6 ^7

B

.7 .6 ^5 .5 .4 .3

^3 .2

E

B

E

A

E

.3 ^3 .4 [3 ^3] .3

^3 ^3 ^3

.4 .3 .3 ^3 .3 .3

E

B

E

B

.6 .6 .6 ^7 .7

^7 ^7 ^6

.6 ^7 .6 ^6 .6 ^6

A

E

.4 .3 .3 ^3 .3 .3 A

E

^5 ^6 ^5 .5 .4 ^3

.3

B

−

E

.3 ^3 .4 [3 ^3]

.3

E

E

B

.3 ^3 .4 [3 ^3]

.3

−

−

Blarney Pilgrim E

B

E

B

C#m

[3 ^3 .3 .3 ^3] .3

^3 .3 ^3 .7 ^4

.4 ^3 .3 ^3 .3 [^3]

B

E

B

E

B

[3 ^3 .3 .3 ^3] .3

^3 .3 ^3 .7 ^4

.4 ^3 .3 ^3 .3 [^3]

6 8

C#m

B

E

C#m

B

.3 [^3 .3 .3]

.5 ^5 .5 .5 .4 .3

B

B

E

.3 ^3 .3 .3 E

B

.3 [^3 .3 .3]

E

^7 .2 .4 .2

C#m

^3 .3 ^3 .4 .3 [^3]

.3 [^3] ^3 .3 [^3 .3]

E

B

.5 ^5 .5 .5 .4 .3

^3 .3 ^3 .3

B

E

B

^3 .2 ^3 .7 ^4

.4 ^3 .3 ^3 .3 [^3]

C#m

E

E

.3 [^3] ^3 .3 [^3 .3]

E

B

.6 ^5 .5 .4 .4

^3 .3 ^3 .4 .4 [^3]

B

E

^3 .2 .4 .2

E

B

^3 .2 ^3 .7 ^4

E

C#m

.4 .3 ^3 .3 [^3]

C#m

B

.4 ^3 .3 ^3 .3 [^3]

51

194. MEDLEY JIGS: Mrs Grace Bowie, The Hogmanay Mrs Grace Bowie

Air:Unknown, Harmony and bass Laurie Griffiths

= 120

B

B

B

F#7

F#7

C#m F#7

C#m F#7

C#m F#7

6 8 .5 ^4 .4 .5

.5

.5 ^4 .4 .5

.6

.6 ^6 .6 ^7

.6

^6 .6 ^5

^6 .6 ^7 ^5

^8 .8 ^8

^8 .7 ^7

^8

^5

^6 .6 ^7 ^5

.6

^6 ^7 .6 ^6

^5

6 8 .7

.7 ^7 .6

.7

.7 ^7 .6

.7

^8 .7 ^7

^8

^8 .7 ^7

.5 ^5 .5 .5 ^5 ^6

6 8 − B

−

−

F#7

−

−

−

−

−

−

B

B

B

.5 .4 ^4 .5 ^5 ^6

.6 ^5 .5 .7

.6 ^5 .5 .7

.6 ^6 .6 ^7

.6

.6

.7

.7

.7

−

−

−

F#7

.7 ^7 .6

−

B

^6 ^5 .5 .7

.7 ^7 .6

−

− B

.6

.6 ^5

.5 ^5 .5 .6 ^7

.7

.5 ^5 .5 .5 ^5 ^6

.6

.7

.6 .6 .6 .5 .6

.7 .7 .7 .6

−

−

−

F#7

^6 ^5 .5 .7

^7

^8 .7 ^7 .5 ^5 ^6

−

−

−

−

.7

−

C#m

−

−

−

F#7

C#m

F#7

C#m

^6

.6 ^5

^6 .6 ^7 ^5

^6 .6 ^7 ^5

^8 .7 ^7

^8

.7 ^7

^8

^8

−

−

−

−

.7 .7

−

F#7

−

.6

B

^7

−

F#7

−

B

−

C#m

C#m

^7

.8 ^8 .7 ^7 .6

^5 ^6 .6 ^7

−

C#m

C#m

^6

−

−

B

B

.6 ^6 ^5 .5 ^5

.5 ^5 .5 .6 ^7

.7

.7 .7

.7 ^7 .7 ^8 .7

^7

.6

.6

.6 .6 .6 .5

.7 .7 .7 .6 .7

.8 ^8 .7 ^7 .6

^5 ^6 .6 ^7

−

−

−

−

−

−

−

−

−

^6 ^5 .5

−

−

^6

− F#7

^6

^6 ^6 ^6

^8 ^8 ^8 ^8 ^7

−

F#7

^5

^8 .7 ^7

−

^7 ^7 ^7 ^7 .7

B

.6

B

^5

−

− F#7

.7 ^7 .7 ^8 .7

−

^8 .7 ^7

.6

−

F#7

^6 ^5 .5

^6 ^7 ^6 ^5 .5

^7 ^7 ^7 ^7 .7

^8 ^8 ^8 ^8 ^7

−

−

−

−

F#7

B

52 ^7

.6

−

^8 .7 ^7 .5 ^5 ^6

.6

−

−

−

^6 ^5 .5 .7

−

−

The Hogmanay E

B7

E

.4 ^4 .4 .4 ^4 .4

^3 .3 .3 ^3

E

G#m

C#m

.4 ^4 .4 .4 ^3 .3

^2 [^3 ^3]

B7

C#m

B

B

^2 .3 ^2 ^2 .3 ^3

[^3 .3 .3]

6 8 .3

^3

.2 ^2 ^3 .5 [^6] .5

6 8 − B7

−

−

E

^4 .4 .4 ^3 .3

−

−

−

−

−

E

B7

.4 ^4 .4 .4 ^4 .4

^3 .3 .3 ^3

−

−

E

B7

.4

^3

.3

^2

[^3]

−

−

−

−

−

−

C#m G#m C#m

C#m

E

− [3 ^3]

−

−

−

−

[3 ^3]

−

.4 ^4 .4 .4 ^3 .3

^2 [^3 ^3]

−

− F#m

^2 [3 .3] ^2 ^3

^4 ^4 .4 .4

−

− F#m

[3 .3] ^2 ^3

C#m

−

C#m

^4 .4

−

−

^3

−

−

C#m

−

E

.3

−

.3

−

B7

E

.2 ^2 ^3 ^4 ^3

.3 .2 .3 ^3

−

.2

−

^3

−

−

B

^2 .3 ^2 [^3] ^2 [^3]

B7

.4

B

−

−

−

[^3 .3 .3]

− B7

^3 ^3 .3 .3

− C#m

−

E

−

^4

−

^2 ^2 ^2 .3 ^3

− B

−

−

C#m B7

−

B

−

−

G#m

−

−

^2

−

E

B

[^3]

−

− E B7

− .3 ^3

−

− C#m G#m

.4

^3

.3

^2

−

−

−

−

B

B7

E

[3 ^3 .3

.3 ^3] ^2

.3

−

−

−

53

208. MEDLEY JIGS: CUMBERLAND REEL, Cumberland Reel, Winster Galop) Cumberland Reel King of the Cannibal Islands = 140

B

E

B

.7 ^7 .6 ^6

.6 ^5 .5 .4

C#m

F#

B

E

B

G#m

F#

.4 ^4 .5 .5

^5 ^4 .6 ^5

.5 .4 .6 .6

F#7

B

B

.6 .6 ^7

.7 .7 .7 .6 ^7

6 8 ^4 .4 ^4 ^3 .4 ^4 C#m

.7 .7 .7 .6 ^7

.7 .6 ^8 .7

F#

.6

^7

.6

G#m

^7 ^7 ^7 ^5 ^6 E

^6 ^5

.5

^5

^6

C#7

.6 .6 .6 ^5 ^6

B

C#m

.6

^7

.6 .6 .6 ^7

.6 ^5 ^7 .6

^6 .6 ^7 .5 ^5 ^6 F#7

B

^6 ^5 .5 ^5 ^6

.6 .6 ^6 ^5 ^1

F#

^7 ^7

^7

^7

^7

^7

.7

^8

.8

F#

F#7

.8

.5

E

B

^5 ^6 .6 .5

B

^5

^6

.6

.6

.5

Winster Galop[ E

B

E

A

E

B7

E

E

^3 ^4 ^4 .4 ^3

.3 .4 .5

^4 ^5 ^6 ^5

.5 .4 .5

^3 ^4 .4 ^3

.3 .3

.6 ^6 ^5 .5

2 4 .3 .4 .4 .3 .4 A

.6 ^6 ^6 ^5 .5

.3 .4 .5 B

^4 .4 ^3

B

^6 ^5 .5

^6 ^5 .5

B7

E

.5 ^3 ^4

.4 .3 .3

.6 ^6 ^5 .5

54

211. STRIP THE WILLOW, Athol Highlanders) Athol Highlanders = 134

Gb

Db7

Gb

Abm

Db7

.8 .8 .7 .6

^7 .7 ^8 .7 ^7 .6

Gb

Db7

Gb

Cb

Db7

Gb

6 8 .4 ^8

.8 Db7

.8 .8 .7 .6

.8 .7 .6 ^7 .7 ^8

Gb

Cb

Gb

Abm

.6 .7 .8 .6 .7 .8

.6 ^8 ^9 .6 ^8 ^9

.6 .7 .8 .6 .7 .8

^7 .7 ^8 .7 ^7

Gb

.8

Cb

.6 .8 .8 .8 ^8 .7 Db7

Gb

.7 ^8 ^7 .6

Cb

Gb

^8 .7 ^8 ^7 .7 ^8

.8 .9 .8 ^9 .8 ^8

Cb

Cb

Gb

.6 .7 .8 .6 .7 .8

.6 ^8 ^9 .6 ^8 ^9

.8 .9 .8 ^9 .8 ^8

.3 ^4 ^5 .3 ^4 ^5

^3 .4 ^4 .4 ^3 .3

.6 .5 .5 ^4 .4

Db7

Cb

Gb

^7 .7 ^8 .7 ^7 .6

.6 .8 .8 .8 ^8 .7

.9 .8 .8 .8 ^8 .7

Gb

Fb

Gb

.4 .6 .7 .7 .6 .7

^8 ^7 ^8 ^8 ^7 ^8

.7 .6 .7 .7 .6 .7

^7 (^4) ^7 ^7 ^6 ^7

.4 .6 .7 .7 .6 .7

Gb

.7 ^8 ^7 ^6

.3 .4 .5 .3 .4 .5

.7 ^8 .7 .6

Cb

Db7

.5 .6 .5 ^5 .5 ^4

.9 .8 .8 .8 ^8 .7

.8 .9 .8 ^9 .8 ^8

Gb

^7

.5 .4 .3 ^3 .4 ^4

.4 ^3

.9 .8 .8 .8 ^8 .7

.8 .7 .6 ^7 .7 ^8

Gb

Abm

.9 .8 .8 ^9 .8 ^8

.4 .4 .3

Db7

Gb

.7 ^8 .7 .6

.3

.8 .8 .7 .6

.5 .5 .4 .3

.4 ^4 ^3 .3 .3

.3 .4 .5 .3 .4 .5

.5 .6 .5 ^5 .5 ^4

.6 .5 .5 ^4 .4

^2 ^3 ^3 ^2 ^3 .4

.3 .4

.5 .4 .3 ^3 .4 ^4

.4 ^4 ^3 .3 .3

.5 .6 .5 ^5 ^4 .4

.4 .3 .4

^4

.5 .5 .4 .3

.3 ^4 ^5 .3 ^4 ^5

.6 .5

^4 ^3 .3 .3

.3 .4 .5 .3 .4 .5

.5 ^4 .4

.4

^3 ^4 ^4 ^3 ^4 .5

^3 .4 ^4 .4 ^3 .3

.6

^3 .4 ^4 .4 ^3 .3

.6 .5 .5 ^4 .4

.3 .4 .4 .3 .4 ^4

.5 ^5

.5 .5 .4 .3

.6 .5 .5 ^4 .4

^3 ^4 ^4 ^3 ^4 .4

.5 ^4 .4

^4 ^3 .3

55

215. SET DANCE: EVENING THREE STEP, WASHINGTON POST, Liberty Bell Liberty Bell = 120

E

A

F#m

^4 ^4 ^4 .5

^5

B

B7

E

B

^3 ^3 ^3 [1] ^3

^2 ^5 ^5 ^4

.4 .4 .4 ^4

.5

E

6 8 .4 .4 .4 [^1] .4

.6 .5 .5 .4

F#7

.7 .6 .6 .5 E

.3

− .3

[^6] ^7 ^7 ^7

− .6

^7

− ^4

B7

F#7

B

^6 ^7 ^7 [[^10]] ^7

^5 ^7 ^7 [[^10]] ^7

.5 [^6] .5 [^6]

B7

E

F#7

B7

^3 .4 ^4 ^6 ^5

.5 .6

^6 ^5

.5

A

G#7

− .5 ^5 ^5 ^5 ^1 ^5 ^6 ^6

A

A

G#

.6 .6 ^7 .6 ^7

.7

E7

.4 ^4

[^6] .5

.7 .7 .7 .1

.7 .7 .5

E

B7

E7

^6 ^7

.6 ^7 ^5 .6

^6 .6 ^5 ^6

.4 ^4

[^6] .5

.5

[^6]

.5

B

E

.5 .5

.4 [^1] .4

^4 ^8 ^8 .7

^8 ^8 .7

− .7 ^7 .6 ^5 ^4

^8 ^8 .7

.1

.7

.4 ^4

.5

.3

[^3] ^3

E

B7

E E7

.4 .3

^3 ^2

.3

^7 (^1)

^7 .5 [^6] .5

.7

.1

.7 .5 [^6] .5

E7

[^6] .5

.7 .7 .7 .1

.7 .7 .5

D

.7

.4

[^6]

.5

.4 ^4

[^6] .5

E7

^5

^8

B7

A

A

.5 ^5 ^4 .5

.4 .4 .4 [^1] .4 A

A

E

A

^7

B7

− .5

^8 ^8 ^8 .7

E

^8 ^8 .7

^7 (^1)

A

.7

.6

^7

^6

.6

−

.6

225. Roaring Jelly

6 8 .5

.3 ^3 .3 .4 .5

.5 .7 .7 .6

.6

.6 .7 ^7 ^6 .5

.5 .7 .7 .6

^4 ^5 .4 .5

.5 .6 .7 .8 ^8 .7

^3 .4 ^4 .4 ^3

^4 ^7 ^7 ^6

.3 ^3 .3 .4 .5

.5 ^6 ^7 ^8 .7 ^7

.6 .7 ^7 ^6 .5

.4 ^7 .6 ^8 .7 ^7

^5 ^8 .7 ^7 .6 ^6

.8 ^8 .7 ^9 .8 ^8

.6

−

.8

.7 ^7 .6 ^7 .6 ^6

−

230. Barrett’s Half Century

6 8 .3 ^3 .5 .6 .5

^3 .4 ^3 .3

^3 .4 ^3 .3

^5 ^6 .6 .5 .5

.6 .6 .7 .6

^5 ^6 .6 .5 ^4 .4

^7 .7 ^7 ^6 ^5 .5

^3 .4 ^3 ^2 [^3 .3]

.6 .6 .7 .8 .7

.3 ^3 .5 .6 .5

^7 ^6 ^5 .5 ^4 ^3

.3 .4 .5 .6 .5

^5 ^6 .6 .5 .5

^5 ^6 .6 .5 .5

^5 ^6 .6 .5 ^4 .4

^5 ^6 .6 .5 ^4 .4

56

231. Tobin’s Favourite B

F#7

B

E

^7 ^6 .5 ^6 .6 ^7

.7 ^7 .7 ^8 .7 ^8

Trad, arr Phil Rowe

F#

F#7

B

F#7

6 8 .4 ^3

.3

B

.4 .5 .6 ^6 .6

F#7

F#7

.7 ^8 .8 .7 ^8 ^7 ^6 B

.3

.4 .5 .6

^6 .6

B

B

^7 .6 ^6 .6

.7 ^7

.6

^7 ^6 .5 ^4 .4 ^3

F#

.7 .8 .8

^8 .7

F#7

B

F#7

^7 ^6 .5 ^6 .6 ^7

.7 ^8 .8 .7 ^8 ^7 ^6

F#7

B

^7 .7 ^8 ^7 ^7 .7 ^8

F#7

.3 .4 .5 .6

^6 .6

^7 ^6 .5 ^6 .6 ^7

E

F#

.7 ^7 .7 ^8 .7 ^8

F#7

^7 ^6 .5 ^4 .4 ^3

B

^7 .6 ^6 .6

233. The Belfast Almanac Cumberland Reel Jig E

B7

E

E

B7

B7

E

C#m

F#m

B7

A

B7

E

6 8 .2

.3 .3 ^2 [^3 .3] E

.5 ^4

[^3] ^2 .3 ^3

B7

.4 .3 ^4 ^3

E

.4 ^4 .5 .5 ^5 ^6

E7

.6 .6 .6

.4 .4 .4 ^4 .5

.4 .3 ^4 ^3

.4 ^4 .5 [^3 ^3]

A

E

^5 ^5 ^5 ^5

.5 ^4 .4 ^4 .5 ^5

^3 .4 .3 ^2 [^3 .3]

A

E

[^3] ^2 .3 ^3 ^2 .2

.3

A

E

B7

.5 ^4 .5 [3 .3]

[^3] ^2 .3 ^3 ^2 .2

^4 .4 ^3 .4 ^4 .5

^3 ^3 ^3 ^3 .4

.3

−

−

235. Cunnamulla Stocking Jig

6 8 .6 ^6 ^5 .5 .4

^4 .4 ^3 .4 ^4 .5

.6 ^6 ^5 .5 .4

^4 .4 ^3 .3

^3 ^3 ^3 ^3 .4

244. The Devil Among the Taylors Gb

^4 .4 ^3 .3

Trad, arr Phil Rowe

Cb

Gb

Abm

Gb

Abm

^5 .6 ^5 ^4 ^5 ^4

.5 .6 .5 .4 .5 .4

^4 ^5 ^4 ^3 ^4 ^3

.4 .5 .4 .3 .4 .3

^3 ^4 ^3

Db7

6 8 .4 ^3

.3 .4 .3 .4 .3 .4

Gb

.3 .3 .3

.4 ^4

.5 .4 .5 .6 .5 .6

− ^3 −

Gb

Db7

Gb

Db7

Gb

Gb

.5 ^5 .5 .5 ^5 .5

^4 .5 ^4 ^4 .5 ^4

.4 ^4 .4 .4 ^4 .4

^3 .4 ^3 ^3 .4 ^4

.5 ^5 .5 .5 ^5 .5

.4 ^4 .4 .4 ^4 .4

Gb

Db Db7

.5 ^5 .5 .5 ^5 .5

^3

Gb

− .5

Gb

Abm

.4 .5 .4 .3 .4 .3

^3 ^4 ^3

.3 .4 .3 .4 .3 .4

Db7

− ^3 −

Gb

.3

.3

.5 .4 .5 .6 .5 .6

Cb

Gb

Abm

^5 .6 ^5 ^4 ^5 ^4

.5 .6 .5 .4 .5 .4

^4 ^5 ^4 ^3 ^4 ^3

57

245. Go to the Devil and Shake Yourself B

E

B

B

F#/a+

.5 ^5 .5 .5 .4 .5

.5 .6 .6 .6 ^7

G#m

F#7

B

EF

E

B

B

F#7

.5 ^5 .5 .5 .4 .5

.6 .7 .6 ^7 ^8 ^7

6 8 .5 B

.5 .6 .6 .6 ^6 ^5 F#7

.7 .6 .6 .6 B

.7 ^8

F#7

.7 .6 ^5 ^5 .5

B

E

C#m

.8 .7 .6 .6 ^6 .6

^5 ^4 ^4 ^4 ^8 .8

^9 ^8 ^7 ^7 .7 ^7

.5 .6 .6 .6 ^6 ^5

C#7

F#7

B

E

^6 .5 .5 .5 .5

.5 .6 .6 .6 ^6 ^5

B

.5 ^5 .5 .5 .4 .5

B

.6 .7 .6 ^7 ^8 ^7

.7 .6 .6 .6

247. Bride’s Favorite, O’Brien’s Jig) E

E

B

F#m

.3 .4 .5 .6 .5 .4

^3 ^2 .5 ^4 ^3 ^2

E

E

.3 .4 .5 .6 .5 .4

.3

E

B

F#m

.3 .4 .5 .6 .5 .4

^3 ^2 .5 ^4 ^3 ^2

6 8 .2 B

.3 E

^3 .3 ^2 .3 B

.4 ^3 .4

.5

E

^3 .3 ^2 .3 E

.6 ^7 ^6 .6

.2

.4 ^3 .4

E

B

E

E G#m

C#m

E

B

E

F#m

.6

^6 ^7

.6 .5 .4 .3 .4 .5

.6

^5 ^64 .6 ^6 ^5 ^6

.6

^6 .6 ^7

.6 .5 .4 .3 .4 .5

^4 ^3 .5 ^4 ^3 ^2

E

A

E

.3 .4 .5 .6

^5 .5 ^4 .4 ^4 ^3

^6 ^5 .5

E

B

E

.3 .4 .5 .6

^6 ^7 ^6 .6 ^7

E

B

.7 .6 .7 ^7 ^6 ^7

C#m

G#m

.6 ^5 .6 ^6 ^5 .5

F#

G#m

^5 .5 [^6] .5 ^5 ^6

ENGLISH (SINGLE) JIGS

58

259. John of Paris (Ninety−Five)

Trad

= 110

E

A

C#m

E

F#m

B

.5 .4 .4 ^3 .4

^4 ^3 ^3 .3 ^3

E

B

E

.4 .3 .3 .4

^3 .4 ^3 .4

^3 .5 .5 [^6] ^4

6 8 .5 ^4

.4 .4 .4 ^3 .4

.5 .4 .4 ^3 .4 A

.4 .4 .4 ^3 .4 C#m

.5 .4 .4 ^3 .4

E

C#m

^5 ^6 .6 ^7 A

.7 ^7 .6 ^6 ^5

C#m

^4

^5

.6

^4 ^5 .6 ^5

C#m

^4 ^5 .6 ^5

F#m

.5 .4 .4 ^3 .4

^4 ^3 ^3 .3 ^3

E

C#m

.5 .4 .4 ^4 .5

^5 ^5 ^5 ^4 .3

E

^5

E

A

F#m

.5

.4

.4

^3 .4

^4

B

E

F#m

.4 .3 .3 .3

E

F#m

.5 .5 .5 .4 .3

^4 ^3 .4 .3

B

.2 ^5 .5 ^4 .4 ^3

E

B

.3

^3

.4 .3 .3

^3 ^2 .2 ^5

.4 .4 .4 ^3 .4 F#m

.4

.3

.3

^2

.5 ^4 .4 ^4 .5

E

E

^3 ^3

E

.2 ^5

.5

.5 .4 .4 ^3 .4 E

^4 .4

^3

.4

.3

.3

260. Jockey to the Fair

McCuskers

E

E

E

F#m

B

F#7

.3 ^3 .4 ^4

.5 .6 ^5 .5 ^4

.4 .5 .4 .3 ^2 .3

^4 .4 ^4 ^3 .4 ^4

.5 [^6] .5 ^5 ^6 .6

B

C#m

F#7

^6 .6 ^7 ^6 .5 .6

^6 ^5 .5 ^3 .4 [^6]

6 8 .2 B7

.5

.5

A

^5 ^6 .6 B

B

A

^7 ^6 .5 ^7 ^6 .5

^4 .4 ^4 .4 ^4

C#m

^5 .5 ^4 .4 ^4 ^3

B7/d+

.4 .3 [^3 .3]

E

E

A

E

.5 .6 .5 .5 .6 .5

^4 .4 ^4 .4 ^4 .5

A

E

^5 ^6 .6 ^6 ^5

.5 ^4 .4 ^4 .5

E

A

E

AEm

B

.3 ^3 .3 .3 .4 .5

^5 ^6 .6 ^6 ^5

.5 .4 .3 ^3 .4

[^3] ^2 .3 ^3

E

B

.4

.6 .4

E

^3

.3

.3

261. Ride a Cock horse to Banbury Cross

Trad

= 200

6 8 .5 ^5 ^6

.6

.6

.6 ^6 .6 .6 ^6 ^5

.4

− ^3 .4

.4

.5 ^5 .5 .4 .5

^4

^5

.5

.6 ^6 .6 .5 ^5 .5

− ^4 .4

^3

^4 ^3 ^3 .5

− ^3

.4

.6 ^6 .6 .6 ^6 ^5

.4 ^3 .4

^4

^5

.5 ^5 .5 .4 .5

.6 ^6 .6 ^7 ^6

.5 ^5 .5 ^4 .4 ^3

262. Oh Dear What Can the Matter Be?

.3

.3

Bacon (the common song tune) (English)

A.(AB)2n = 300

6 8 .5 .4 ^4 .5 .4 ^4

.3

.3

.5

.5

.5 .4 .6 .5 .4 .3

.5 .4 .6 .5 .4 .3

^4 ^3 .4 ^4 ^3 .4

^4

^4

^4 ^3 .4 ^4 .4 ^3

^4 ^3 .4 ^4 .4 ^3

.5

.5 .4 ^4 .5 .4 ^4

.5

.5 .4 .6 .5 .4 .3

.5 .4 .6 .5 .4 .3

[^3] ^4 .4 ^3 .3 ^2

[^3] ^4 .4 ^3 .3 ^2

.3

.3

59

263. Life on the Ocean Wave, A

Trad

= 200

6 8 .2

.3 ^2 .3 .3 ^3

.4

− ^3

.4 ^3 .4 ^4 .4

^3 ^3 .5

.4 ^3 .4 .4 ^3

.4 ^3 .4 .4 ^3

^3 .3 ^3 ^3 .4

.5 ^4 .4 ^3

.4 ^3 .4 ^4 .4

^3 ^3 ^3 .4

^4 ^4 .5

.4 ^3 .4 ^3 .4

.3

− .2

^3

^3 .3 ^3 .4

^5 .5 ^4 ^3

^4 ^4 .2

− .5

^4

.3

.3 ^2

.3 ^2 .3 .3 ^3

^5 .5 ^4 ^3

[^3] ^2 .3 ^3

− ^3

.4

− .2

.4

.3 ^2 .3 .3 ^3

− .3

.4

.4 .4 .3

[^3] ^2 .3 ^3

.4 ^3 .4 ^4 .4

− .2

^3

.4

− ^3

^3 .3 ^3 ^3 .2

.3

264. Cock o’ the North G#m

G#m

B

G#m

G#m

G#m

C#m C#m

Trad.

G#m

G#m

B

G#m

G#m

C#m

G#m G#m

6 8 ^3

.4 .4 .4 ^3 .3 .4 .5 ^5 .5 G#m

.6

.5

^5

.5 .6

.5

^5

.5

.4 .4 .4 ^3 .3 ^3 G#m

^3 .3 ^3

C#m C#m

.4 ^4 .4 .4 ^3 .3 ^3

.4 .4 .4 ^3 .3 .4 .5 ^5 .5

B

^3 .3 ^3

.6

G#m

.5 ^5

B

.5 .6

G#m

.5 ^5

.4 ^4 .4 ^3 .4 ^3 .3

G#m

.5

C#m

.3

G#m G#m

.4 ^4 .4 ^3 .4 ^3 .3

.3

265. Lilliburlero

6 8 .3 ^3 .3 .4 .4

^5 .5 ^4 .4 ^4 .5

^3 .4 ^3 ^4

^5 .5 ^4 .4 ^4

.4 .5 .3 ^4 .4

^3 .3 ^2 .3

.5 .6 .3 ^4 .4

^3 .3 ^2 .3

.6 ^6 .6 .5

.5 ^5 ^6 ^5 .5

.5 ^5 ^6 .6 .5 ^5

.5 ^4 .4 ^3 .5

266. Colleen

Barber−Riley

= 140

E

E

B

A

B

.4 ^4 .4 ^3

.3 .4 .2

^3 .3 ^3 .4

^4

F#m

B

E

^3 .4 ^3 ^2 [^3]

.2

E

E

.4 ^4 .4 ^3

.3 .4 .2

6 8 .2

− .2

B

A

^3 .3 ^3 .4

^4

B

E

B

E

E

^3 ^3 .4 ^4

.5 .4 .3

^3 .4 ^3 ^2

.2 .4 ^4

.5

1 E

.3 .4 ^4

− .2

2 E

.3

−

^3 .3 ^3 .4

^4 .4 ^3

1 E

E

E

E

.5 .5 .5

.5 .5 .5 .5 .5

.5 ^4 [^3] ^2

.3

E

− ^5

.5

2 E

.2

.3 .4 ^4

F#m

− ^5

E

.5 ^5 .5 ^4 ^3

.5

− .2

E

− ^5

.5

F#m

− ^5

E

.5 ^5 .5 ^4 ^3

.3 .2

E

F#m

G#m

E

.3 .2

[^3 ^3] ^3 .3

^2 .5 .5 .5

.5 ^4 [^3] ^2

SLIP JIGS

60

279. Drops of Brandy (in D)

9 8 .5 ^4 .4 .3 .4 .4 .3 .4

.3

.4

.5

.6

.5

.4

.5 ^4 .4 .3 .4 ^4 .4 ^3

^4

.4

^3

.3

.5 ^4 .4 .3 .4 .4 .3 .4

.4

.5

.6

.5

.4

.6

^4 .4 ^4 ^3 .4 ^4 .4 ^3

.5

.4

^4

.4

^4

.3 .4 .5 .6 .5 .4 .6 .5 .4

^3

.4

^4

.4

^3

280. Drops of Brandy (in G)

9 8 .5 ^4 .4 .3 .4 .4 .3 .4

.3 .4 .5 .6 .5 .4 ^4 .4 ^3

.5 ^4 .4 .3 .4 ^4 .4 ^3

.3 .4 .5 .6 .5 .4 .6 .5 .4

.5 ^4 .4 .3 .4 .4 .3 .4

^4 .4 ^4 ^3 .4 ^4 .4 ^3

.3 .4 .5 .6 .5 .4 .6 .5 .4

^4 .4 ^4 ^3 .4 ^4 .4 ^3

281. Foxhunter, the

9 8 .4 ^4 .4 .4 .3 ^4 ^3

^5 ^3 ^3 .4 ^4 ^5

.4 ^4 .4 .4 .3 ^3 .4

.5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6

.8 .7 .6 .6 ^7 .7 ^7 .6

.4 ^4 .4 .4 .3 ^4 ^5

.6 .3 .3 ^3 .4 ^3 .3

^8 .7 ^7 .6 ^6 ^5 .5 ^4 .5

^5 .4 .3 .3 ^3 .4 ^3 .3

.7 ^8 .7 .7 .6 ^8 ^7

^5 ^3 ^3 .4 ^4 ^5

^5 ^6 ^5 ^5 .5 ^4 .4 ^4 .5

.7 ^8 .7 .7 .6 ^7 .6

.5 ^5 ^6 .6 ^6 ^5 .5 ^5 ^6

.7 ^8 .7 .7 .6 ^8 ^9

.6 .3 .3 .4 ^3 .3

284. Rocky Road To Dublin, the F#m

E

F#m

E

F#m

E

F#m

Toby Bennett

E

F#m

E

F#m

.4 ^3 .3 ^3 .4 ^4 .5

^5 ^6 ^5 .5 ^4 .4 ^3

9 8 ^3

^5 ^6 ^5 .5 ^4 .4 ^3

F#m

E

[^3] ^3 ^3 ^3 .4 ^4 .5 E

.5

C#m

[^3] ^3 ^3 ^3 .4 ^4 .5 G#m

^5 ^6 .6 ^6 .6 ^7 .6 ^5 F#m

.4 .3

^3 .4 ^4 .5

C#m

^5

E

^7 ^7

^6 .6

^5 ^6 ^5 .5 ^4 .4 ^3 ^4

E

F#m

.5 .4 .3 ^3 .4 ^4 .5

^5 ^7 ^7 ^6 .6 .7

F#m

.7

^5

E

^7 ^7

^6 .6

E

C#m

^5

F#m

G#m

E

F#m

^5 ^7 ^7 ^3 .4 ^4 .5 C#m

^5 ^6 .6 ^6 .6 ^7 .6

E

^5 ^7 ^7 ^6 .6 ^5

E

^5

.5

.4

.3

^3 .4 ^4 .5

61

287. Merrily Kiss the Quaker

12 8 .2

.3 ^3 .4 .2

.3 ^3 .4 [3 ^3] .3 .3

.3 ^3 .4 [3 ^3] .3

.3

.3 ^3 .4 [3 ^3] .3 .3

.4

^3

^3 ^3 .4 ^3 .4 .3 [^3]

.3 ^3 .4 [3 ^3] .3 ^3 .4 ^3 ^3 .3 [^3]

.4 .3 .3 ^3 .3 .3 .4 .3 .3 ^3 .3 [^3]

.4 .5

.3 ^3 .4 [3 ^3] .3 ^3 .4 ^3 ^3 .3 ^3

.6 ^6 .6 ^7 .6 ^7 .7 .6 ^5 .5 .4 .5

.6 ^6 .6 .6 ^7 .7 ^7 ^7 .6 ^6

.3 ^3 .4 .2

.4 ^4

^3 ^3 .3 [^3]

.4 .3 .3 ^3 .3 .3 .4 .3 .3 ^3 .3 [^3]

.6 ^7 .6 ^6 .6 ^6 ^5 .6 ^5 .5 .4 ^3

REELS

62

288. MEDLEY REELS: Turkey in the Straw, St Anne’s Reel, Pinch of Snuff Turkey in the Straw = 220

E

B7

E

.4 ^3 ^3 .4 ^3

.3 ^2 .3 ^3 .3 [2]

4 4 .4 ^3

.3 ^2 .3 ^3 .3 [2]

−

[3 ^3 .3 .2 .3] .3 ^3

B7

.4 .5 ^5 .5 .4 .3 ^3

.4 ^3 .3

E

B7

.4 .5 ^5 .5 .4 .3 ^3

.4 ^3 .3

.5

.4 .4 .4 ^3 .3 ^3

E

A

.4 .5 .4 .5 .5

.4 .5 .4 .5 .5

−

[3 ^3 .3 .2 .3] .3 ^3

E

^4 ^5 ^4 ^5 ^5

^4 ^5 ^4 ^5 ^5

B

E

.6 .6 .5 .5

B

.4 .4 ^3 .3 ^3

E

St Anne’s Reel

4 4 .7 ^7 .6 .7 ^7 .6 ^6 ^5

^5 ^7 .6 ^6 .5 ^5 ^6

.7

.7

^7

.5 .4 .5 .3 .5 .4 .5

.6 ^7 .6 ^6 .6

.7

.6

^7

.7

.6 ^7

^8

.8

^5 ^4 ^5 ^3 ^5 ^4 ^5

.7 .7 ^7 .7 .6 ^7 .7

^8

.7

^8

^8

.5 .4 .5 .3 .5 .4 .5

.7 ^7 .6 .7 ^7 .6 ^6 ^5

^8 .8 ^8 .7 ^8 ^8 .7

.7

^7

.6

^6

.5 .4 .5 .3 .5 .4 .5

^7 .6 ^6 ^5 .5 ^5 ^6 ^7

^5

.5

^5

^6

.6

^7

^9 .8 .8 ^9 .8 .8 ^8

.6

.6

^6

.6

A Pinch of Snuff

4 4 .4 .3 .4 ^3 .3 ^3

.4 .3 .4 ^3 .4 ^4 ^3

.3 .4 .5 .4 ^5 .4 .5 .4

.3 .4 .5 .4 ^5 .4 .5 .4

.7 .6 .7 ^7 .7 ^8 ^7

^4 .5 ^5 ^4 ^3 .4 ^4 ^3

^8 .8 ^9 ^8 ^7 .7 ^8 ^7

.3 .4 .5 ^5 (^4) .5

^4 .5 ^5 ^4 ^3 .4 ^4 ^3

.4 .3 .4 ^3 .3 ^3

.3 .4 .5 .4 ^3 .4 ^4 ^3

.7 .6 .7 ^7 .6

.6 .7 .8 .7 ^9 .7 .8 .7

.4 .3 .4 ^3 .3

.7

.6 .7 ^7 .6 ^7

.6 .7 .8 .7 ^7 .7 ^8 ^7

^4 ^3 ^3 (^4) ^3 ^4 ^3

.4 .3 .4 ^3 .4 ^4 ^3

.3 .4 .5 .4 ^5 .4 .5 .4

^8 .8 ^9 ^8 ^7 .7 ^8 ^7

.4 .3 .4 ^3 .3

.3 .4 .5 .4 ^3 .4 ^4 ^3

^4 .5 ^5 ^4 ^3 .4 ^4 ^3

^4 .5 ^5 ^4 ^3 .4 ^4 ^3

.6 .7 .8 .7 ^9 .7 .8 .7

.7 .6 .7 ^7 .7 ^8 ^7

.6 .7 .8 .7 ^9 .7 .8 .7

.3 .4 .5 .4 ^5 .4 .5 .4

.7

.6 .7 .8 .7 ^7 .7 ^8 ^7

.7

.6 .7 ^7

^8 .8 ^9 ^8 ^7 .7 ^8 ^7

.6

.6 .7 ^7 .6 ^7

.6 .7 .8 .7 ^9 .7 .8 .7

^8 .8 ^9 ^8 ^7 .7 ^8 ^7

.7 .7 ^7 .6 .6 ^5

.5 .4 .3 .4 .5 .4

63

289. Willafjord

Trad Shetland (Shetland)

= 200

B

E

B

C#m

F#7

B

E

4 4 ^5

.5 .3 .5

− .3 .4 .5

− .3 ^4 ^5

^5 ^4 ^5

F#7

B

.5 ^5 ^6 .6 ^7 .7 ^8 ^7

.7 .6 .6

B

^7

B

.6

−

.7

.5

.6

.7

^8

^3 .4 ^4 .5 ^4 .4 ^3 .3

C#m

.7 .6 .7

C#m

.7

− .3 .4 .5

.5 .3 .5

− .5 .6 .7

E

^7

.8

.7

^8

B

^8 ^7 .8 .7 ^8 .7 ^7 .6

E

− .3 .4 .5

.5 .3 .5

C#m

− .5 .6 .7

.7 .6 .7

^7

.6

.5

− .3 ^4 ^5

F#7

^7 .6 ^6 ^5 .5 ^5 ^6 ^7

F#7

.7

^5 ^4 ^5

B

^5

^6

.6

^7

.7

^8

^7

.7

.6

.6

290. Drowsy Maggie C#m

C#m

B

^3 ^5 ^3 .6 ^3 ^5 ^3

^3 ^5 ^3 .5 .4 .3 .4

B

B

.6 .7 .6 ^6 ^7 ^6

.6 ^7 .7 ^8 .8 .7 ^8 ^7

B

F#

E

F#

.8 .7 ^8 ^7 .7 .6 ^7 ^6

1 C#m

C#m

^3 ^5 ^3 .6 ^3 ^5 ^3

2 C#m

B

^5 .5 ^5 ^6 .6 .5 .4 .3

^5 .5 ^5 ^6 .6 .5 .4 .5

B

E

B

F#

B

.6 .7 .6 ^6 ^7 ^6

^5 .5 ^5 ^6 .6 .5 .4 .5

.6 .7 .6 ^6 ^7 ^6

.6 ^7 .7 ^8 .8 .7 ^8

E

^5 .5 ^5 ^6 .6 .5 .4 .3

291. The Merry Blacksmith B

E

Trad.

F#

B

4 4 .5

.6 .5 ^5 .5 .4 .5

.5 ^5 .6 .5 ^5 .5 .4 .5

E F#

.5 ^5 .6 ^7 .7 ^7 .6

B

.6 ^5 .5 .4 .3

.5 ^5 .6 ^7 .7 ^7 .6

^5 ^7 ^7 ^8 .7 ^7

.6 .6 .5 ^5 .5 .4 .5

B

.7 ^8

E

.8 .8 ^8 .7 .7 ^7

.6 .6 .5 ^5 .5 .4 .5

.5 ^5 .6 ^7 .7 ^7 .6

B

.8

.5 ^5 .6 .5 ^5 .5 .4 .5 F#

^5 ^7 ^7 ^8 .7 ^7

E F#

^9

.8

^8

.7

^8

.7

^7

.6

.5

^5

.5

.4

.5

.5

^5

.6

^7

.7

^7

.6

.6

B

^5

.5

.4

.3

64

16. Sally Gardens = 120

1

E

.2

.3

.2 .3 .4 .5 .3 .4

.3

^3

B

E

.5 .4 ^5 .4 .5 .4 ^3 .4

3 .5 ^5 .5 .4 .5 ^5 .4 .5 .4

^3 ^4 .4 ^3 .3 [^3 .3 ^3]

.3

.4

.5

.4

.3

^4 B

^5

.5

E

^4

^3

.3

^2

E

.2 .3 .4 .5 .3 .4

^3

F#m

.5 .4 ^5 .4 .5 .4 ^3 .4

3 .5 ^5 .5 .4 .5 ^5 ^6 .6 ^5

.5 .4 ^3 .4 .3 .2

.4 .6 .6 ^6 .6 .5 ^5

.6 ^7 .6 ^7 .6 ^6 .6

^5 ^7 ^7 .6 ^7 ^5 .6

.4

.5

.4

.3

.3 .5

^3

^4

^5

.5

^4

^2

.3

.5

^4 .4

E

^4

.4

B

E

^5

.5 ^4

^7

.7 .6 ^7 .6 ^5 .6

.5 .6 .6 ^6 .6

.5 ^5

.6

^7 .6 ^7 .6 ^5 .6

.5 3^5 .5 .4 .5 ^5 ^6 .6 ^5

.5 .4 ^3 .4 .3

^3

^5

.3

.4

.3

.5

.5

.3

.5

^4

.5

^4

^4

.4

^4

.4

^3

^2

.3

Variations

3

.3 .4 .2 .3 .4 .2 .3 .4

.5 .6 ^5 .4 .5 .4 ^3 .4

.5 .3 .4 ^4 .5 ^5 .5 .6 ^5

.5 .4 ^3 .4 .3 [^3 .3 ^3]

.3

.4 .4 ^3 .3 .4

3

.5 .4 ^5 .4 .5 .4 ^3 .4

.5 .3 .4 ^4 .5 ^5

.6 ^5

.5 .4 ^3 .4 .3

.5 .6 .6 ^6 .6 ^5 .5 ^5

.6 .7 ^7 ^6 .6 ^5 .5 .6 3

^5 ^7 ^7 .6 ^7 .6 ^5 .6

.5 .4 ^3 .4 .3

^7 .6 .7 .6 ^7 .6 ^5 .6

.3 .5 ^4 .4 .3 .5 ^4 .4

.5 .6 .6 ^6 .6 ^5 .5 ^5

.6 ^7 .7 .6 ^7 .6 ^5 .6

.5 .4 ^4 .5 ^5 ^6 .6 ^5

.5 ^4 .4 ^3 .3 ^2 .3

293. Corn Rigs

.5

.6 .6 ^7 .7 ^7 .6

^5 ^6 .6 ^5 ^7 .6 ^6 ^5

^8 .7 ^7 .6 ^6 .5

^6 ^5 ^6 .6 ^7 .5

.5 .6 .6

.5

^5 ^6 .6 ^5 ^7 .6 ^6 ^5

.6

.6 ^7 .7 ^8 .7 ^7

.6 .8 .7 .8

.5 .6 .6

Trad

.6 .8 .8 .5

^6 ^5 ^6 .6 ^7 .5

.6 .6 ^7 ^8 .7 ^7 .6

.6 .8 .7 ^8 ^7 .7

.6 .8 .8 .5

^6 ^5 ^6 .6 ^7 .5

.6 .8 ^9 .8 ^8 .7

65

294. Jack Broke Da Prison Door

Trad Shetland

= 240

E

(C#m)

(F#m)

B

E

1 B(Am)

(C#m)

2 B

4 4 .3 .4 .3 .4 .5 .4 .3

^4 .4 ^3 .4 .5 .4 ^3 .4

.3 .4 .3 .4 .5 .4 .3

^3 .4 ^3 .3 [^3 .3 ^3] ^2

E

E

(C#m)

1 (F#m)

.6

.6 .5 ^5 .5 .4 .3

E

.6

.6 .5 ^5 .5 .4 .3

B

.6

.6 .5 ^5 ^7 ^7 ^6

^3 .4 ^3 .3 [^3

2 (F#m)

(B)

^3 .4 ^3 .3 [^3

.3] .3

(B)

^3 .4 ^3 .3 [^3

295. Jack Broke Da Prison Door (Malarkey) (C#m)

(F#m)

B

E

1 B(Am)

(C#m)

.3]

Trad Shetland

= 240

E

.3] .3

2 B

4 4 [3 ^3] ^2

.3 .4 .3 .4 .5 .4 .3

E

^4 .4 ^3 .4 .5 .4 ^3 .4

E

.6

.6 .5 ^5 .5 .4 .3

.6

B

.6 .5 ^5 ^7 ^7 ^6

.3 .4 .3 .4 .5 .4 .3

^3 .4 ^3 .3 [^3]

1 (F#m)

E

(C#m)

.6

.6 .5 ^5 .5 .4 .3

− [3 ^3] ^2

^3 .4 ^3 .3 [^3 .3] .3

2 (F#m)

(B)

^3 .4 ^3 .3 [^3

.3] .3

(B)

^3 .4 ^3 .3 [^3]

296. The Traveller 3

.3

.4 .3 .5 .3 .4 .3

^3 .4 ^4 .5 ^4 .4 ^3 .3 3

^3 .4 ^4 .5 ^4 .4 ^3 .3

.4 ^4 .5 .6 .5 ^5 .6 .5 .4

.4 ^4 .5 .6 .5 ^5 .6 .5 .4

^4 .4 ^3 .3 ^2 ^3 .2 ^2

1

2

^4 ^3 ^2 ^3 .3 .2

^4 ^3 ^2 ^3 .3 .5

.3

.6 .5 .6 ^5 .6 .5 .6

.4 .3 .5 .3 .4 .3

.6 .7 .6 ^7 .6 ^5 ^6

1

.6 .5 .6 ^5 .6 .5 .4

^4 .4 ^3 .3 ^2 ^3 .2

.6 .5 .6 ^5 .6 .5 .6

.6 .7 .6 ^7 .6 ^5 ^6

.6 ^7 .6 ^6 ^5 .5

3 ^5 ^6 .6 ^6 ^7 .6

^5 ^6

2

^5 3^6 .6 ^6 ^7 .6 ^5 .5 .4

297. Spey in Spate, the

J. Scott Skinner (Scotland)

= 140

E

F#m

E

4 4 .3 .4 .3 .2 .3 .4 .5 C#m

.6 .3 ^6 .3 ^5 .3 .5 .7

.6 ^6 ^5 .5 [^6] .5 .4 .3

^3 .4 ^4 ^3 [^3] ^3 ^4 ^5

1 E

2 E

F#m

^8 ^7 .7 .6 ^7 ^6 .6 ^5

.5 .4 ^4 ^3 .3 [3 ^3] ^2

^8 ^7 ^6 .5 ^4 ^3 ^2 ^3

G#m

.5 .4 ^4 ^3 .3 ^3 .4 .5

E

F#m

B

E

.3 .4 .5 .6 .7 .8 ^8 .7

^7 ^7 ^8 ^7 ^5 ^7 ^4 ^5

^2 ^3 .5 ^6 ^7 ^8 .7 ^7

.6 .6 .7 .6 .5 .6 .4 .5

F#m

E

^8 ^7 .7 .6 ^7 ^6 .6 ^5

.5 .4 ^4 ^3 .3

.3 .4 .3 .2 .3 .4 .5

^6 ^6 ^7 ^6 .5 .6 .4 .5

.3 .4 .5 .6 .7 .8 ^8 .7

66

298. Speed the plough E

E

E

F#m

E

(Scotland)

1 F#m

E

2 B

G#m

E

4 4 .2

.3 .3 .4 .5 ^5 .5 .4

E

.6

.5 ^5 .5 .4 .5 ^5 .5 .4 E

E

.6 ^6 .6 .5 .4 .5

^4 ^5 ^4 ^3 .4 .5 .4 .3 F#m

C#m

.6 .3 ^6 .3 ^5 .3 .5 .3

3 ^3 ^4 ^3 ^2 .3 .5 ^5 ^6

^3 ^4 ^3 .3 ^2 [3 ^3] ^2

1 F#m

E

^4 ^5 ^4 ^3 .4 .5 .4 .3

2 B

B

^3 ^4 ^3 .3 ^2 .5 ^5 ^6

E

^3 ^4 ^3 ^2 .3

299. The Wind That Shakes the Barley B

G#m

B

E

F#7

B

4 4 .5

.5 ^5 .5 .4 ^3 .3

G#m

.3 ^5 ^5 .5 ^5 ^6 .6 ^5 B

^5

^5 .5 ^5 ^6 .6 ^5

.5

.5 ^5 .5 .4 ^3 .3

B

E

.5 .5 ^5 .5 .3 .4 .5

^8 .7 ^7 .6 ^5 ^6 .6 ^7

F#7

.8 .7 ^7 .6 ^5 ^6 .6 ^7

B

E

.7

.7 .6 ^8

F#7

^8 ^7

^8 .7 ^7 .6 ^5 ^6 .6 ^5

B

E

.7 .7 .6 ^8 ^8 ^7

B

F#7

.7

.7 .6 ^5 ^6 .6

B

.5

F#7

.5 ^5 .5 .4 ^3 .4 B

.7 .7 .6 ^5 ^6 .6 ^7

E

.7 .6 .7 ^8 ^7 .7 ^8

B

E

F#7

.6 ^7 .7 ^8 .8 .7 ^9 .7

^8 .7 ^7 .6 ^5 ^6 .6 ^5

300. African Swallow B

B

G#m

B

E

B

E

F#

B

C#m

B

E

E

C#m

4 4 .6 ^6 .6 .5 D#m

B

B

.5 ^6 .6 E

^5 .6 ^6 ^5 .5 .4 B

E

.3 .4 .5 .4 .5 .4 B

^5 ^4 .6 ^5 .5 .4 .6 .5

B

^4 ^5 .5 .4 .3 .4 B

^5 ^4 .6 ^5 .5 .4 B

.4 ^3 .3

^4 .5 ^4 .4 ^3 E

.3 .4 ^3 .4 ^4 ^3

B

^5 ^4 .6 ^5 .5 .4 .3 .4

E

.4 .5 .4 .3 ^4 .4 ^3 .3 F#

^4 .5 ^4 .4 ^3

B

B

.3 .4 .5 .4 .5 .4

^4 .5 ^5 ^4 ^3 ^5 E

B

^5 ^4 .6 ^5 .5 .4

67

303. MEDLEY REELS: CHAIN DOUBLE QUADRILLE,Scarterglen, Yarmouth Reel) Scarterglen

Trad.

= 250

E

C#m

B

E

.4 ^3 ^3 .4 ^3

.3

1 E

B

2 E

2 4 .2

.3 .3

^3

.4 .5 .5 ^5 ^6

.6 .4 .4 ^3 .3 ^3

.3 ^3

.4 .5 .5 ^5 ^6

.6 .4 ^3 .4 ^3

E

A

E

B

E

A

E

B

E

.4 .5 .6 ^6

^6 ^5 ^5 ^6 .6 ^5

.5 .4 .4 ^3 .3 ^3

.4 ^3 ^3

.4 .5 .6 ^6

^6 ^5 ^5 ^6 .6 ^5

.5 .4 ^3 .4 ^3

.3

E

.6

B

.6

C#m

^7

^7

A

.7

.7

^7

E

.6

^5

^5 ^6 .6 ^5

.5

.3

.5

B

.4

.6

^5

.5

.4

.2

.3

E

B

.6

^7

^3

C#m

.7 ^7

E

^3

.4

^3

.3

Yarmouth Reel

2 4 .5 ^4

.4 .4 ^4 ^3 ^3 .4

^4 .4 ^3 .3 ^2 .3 ^3 ^2

.4 .6 ^6 ^5 ^5 .5

^3

^3

^3

.3

.3 .3 .3 ^3 .4

.3 .3

.5 ^4

.5 ^4 .4 ^4 ^3 .5 ^4

.4

^4

.5

.5

^4 .4 ^4 .5 ^5 .5 ^4 .4

.4 .6 ^6 ^5 ^5 .5

.4 .5 ^4 .4 ^3 ^4 .4 ^3

.5

.6

.5

.5

^3 ^3 ^3 .5 ^4

.5 ^4 .4 ^4 ^3 .5 ^4

.3 .3 .3 .4 ^4

.5

.6

^5

.4 .4 ^4 ^3 ^3 .4

.4 .6 ^6 ^5 .5 ^4 .4

.5 .5 .5 .6

.5 ^4

.4

.5

.5 .5 .5 .6

^4

.4

^3

.3 .3 .3 ^3 .4

^3 ^3 ^3 .5 ^4

.5 .5 ^5 .5 ^4 .4

.3

.3

.3

68

304. MEDLEY REELS: COLONIALS QUADRILLE,Can Can, Red Wing) Can Can = 134

F#

B

E

B

F#7

B

C#7

.5 ^3 ^3 .4

^3 .3 .3 .4

^4 ^5 .6 ^5

^5 .5 .5

^5 ^2 ^2 ^5

.5 .3 .3 .4 .4

F#7

B

2 4

E

B

F#7

B

F#7

^4 ^5 .6 ^5

^5 .5 .5

^5 ^2 ^2 ^5

.5 .3 .3 .4

.4 ^3 .4 ^3

.4 ^3 .4 ^3

B

B E

B

^3 .3 ^3

.7 .6

^5 .5

F#7

.5 ^3 .4 ^4

B

B E

B

F#7

B

B E

B

F#7

B

^7 .6 .6

.7 .6

^5 .5

.5 ^3 .4 ^4

.4 ^3 .3

.7 .6

^5 .5

[^6] .5 ^5 ^6

.6 (^4) ^5 .5

E

B7

E

B7

E

.3 .6 ^6 ^5

.5 ^4 .4 ^3

.3

^3 ^4 .4 ^3

.5 .5

B7

^3 ^3

^3 ^4 .4 ^3

B7

E

B7

^3 ^4 .4 ^3

.5 .5

.5 ^5 .4 ^4

^3 ^3

^3 ^4 .4 ^3

E

E

.3 .5 ^3 .4

.3

.4 ^3 .4 ^3

B7

^3 .3 .3 .4

B

B B

B

F#

.4 ^3 .3

.7 .6

^5 .5

[^6] .5 ^5 ^6

E

B7

E

.3

^3 ^4 .4 ^3

.5 .5

B7

.5 ^5 .4 ^4

.5 ^3 ^3 .4

E

^3 ^3

^3 ^4 .4 ^3

F#m

G#m

.5 ^5 .4 ^4

B

E

.3 .6 ^6 ^5

.5 ^4 .4 ^3

.3

Red Wing E

E

E E

A

C#m

.5 .5 .4

^4 ^5 .6 ^5

E

A

F#m

E

E

B

C#m

E

E

2 4 .2

.3 ^2 .3 .4

E E

A

.5 .5 .4 E

B

.5 ^3

C#m

.5

E E

A

^4 ^5 .6 ^5

.5 .5 .4

^4 ^4 .4 ^3 ^4

B

E E

E

.5 .4

.3 .6 .6 ^6

C#m

^3 .5 ^5 .5

F#m

E

.4

^4 ^4 .4 ^3 ^4

E

E

.4 .4 ^3 .3 .4

F#m

.4 .4 ^3 .3 .4

^3 [^3] ^2 .2

C#m C#m

C#m

^5

^5 .6 ^6 ^5

^5 ^5

G#m

G#m

E

E

^3 [^3] ^2 .3 E

.3 .6 .6 ^6 E

.5 .4

E

^3 .4 ^3 ^2 [^3 .3]

.3 .3 ^2 .3 .4

C#mC#m

C#m G#m

E E

E

^5

^5 .6 ^6 ^5

.5 .4

.4 .5 ^5 .5

C#m

.4 .5 ^5 .5

^5 ^5 E

B

.5 ^3

F#m

E

^3 ^4 .4 ^3

E

.3

C#m

C#m

.3

69

305. Can Can (parts) Celebrated Galop from "Orpheus in the Underworld"

Offenbach Arr Lynn Palmer

= 140

2 4 .5 ^7 ^7 .7

^8 ^9 .9 ^9

^7 .6 .6

^9 .8 .8

.7 .6

.5 ^6 ^5 .5

.6 .6

^7 .6 .6 .7

^9 ^6 ^6 ^9

^5 .5

^4 ^8

.5 ^6 ^5 .5

^3 ^5 ^5 ^6

^5 .5 .5 ^6

^4

.7 .6

^4 ^8 .7 ^7

.6 .7 .8 .7

.7 ^7 ^7

.8 .6 .6 .7

^7 .6 ^7

^5 .5

.5 ^6 ^5 .5

^5 .5 .5 ^6

.6 .7 .8 .7

^9 ^6 ^6 ^9

.7 ^7 .7 ^7

.7 ^7 .6

.6 ^6 ^5 .5

.5 .5

^9 .8 .8

.8 .6 .6 .7

.8 ^7 .7 ^8

^4 ^8 .7 ^7

.6 ^7 ^5 ^6

^8 ^9 .9 ^9

[^6] .5 ^5 ^6

.6 .6

^4

.7 ^7 ^7

.5 ^6

.7 ^7 .7 ^7

.8 ^7 .7 ^8

^4

.5 .5

.5 ^6 ^5 .5

.7 ^4 ^4 .7

^7 .5

^5 .5

.3

.6 ^7 ^5 ^6

.6 ^6 ^5 .5

.7 ^4 ^4 .7

.7 .6

.7 ^7 .7 ^7

.7 .6

^5 .5

.5 ^6 ^5 .5

.6 .6

.6 ^7 ^5 ^6

^6 ^5 ^6 ^5

^4 .6 .5 ^5

.6 ^7 ^5 ^6

^7 .5 .5 ^6

^7 .6 .6 .7

.7 ^7 .6

.5 ^6 ^5 .5

.6 .6

.5 ^7 ^7 .7

^4

.5 .5

^6 ^5 ^6 ^5

.5 ^7 ^5 ^6

^4

.5 ^6 ^5 .5

^6 ^5 ^6 ^5

.5 ^7 ^5 ^6

[^6] .5 ^5 ^6

.5 .5

.5 ^6 ^5 .5

^4 .6 .5 ^5

^3 ^5 ^5 ^6

.5

305. Bass line for Can Can

4 4 −

−

−

−

−

− −

−

− −

−

−

−

−

− −

−

−

− −

−

−

− −

−

−

−

− −

− −

− −

− −

−

−

−

−

−

−

−

− −

− −

−

−

−

−

− −

−

− −

−

− −

−

−

−

−

−

−

−

−

−

−

−

− −

− −

−

−

−

− −

− −

− −

− −

− −

− − −

− −

−

−

− −

−

−

−

−

−

−

−

− −

− −

− −

− −

−

− −

−

−

−

70

307. MEDLEY REELS: DORSET FOUR HAND REEL,Dorset Four Hand Reel, Winster Galop, Walter Bulwer#2) Dorset Four Hand Reel = 120

E

E

A

A

E

E

E

F#m

E

E

A

A

E

1 E

E

E

2 4 .4 ^3

2 E

.3 .4 .5 ^4 .4 E

E

.4 ^3 .3

^4 ^5 ^4 ^5

C#m

E

.6 .6 .6 ^6 ^5

.3 .4 .5

E

.5 .5 ^5 .5 ^4 .4

^4

.4 ^3 ^3 .4 ^3

.3 .4 .5 ^4 .4

^4 ^5 ^4 ^5

F#m E

C#m G#m

E

^3

^5 .5 .5 ^5 ^6

.6 .6 .6 ^6 ^5

.4 ^4 .5

C#m

E

.3 .4 .5 ^4 E

.5 .5 ^5 .5 ^4 .4

.4 ^3 .3 .4 ^3

F#mG#m

E

^3

^3 .3 .3

.4 ^4 ^2

E

Winster Galop[ E

B

E

A

E

B7

E

E

^3 ^4 ^4 .4 ^3

.3 .4 .5

^4 ^5 ^6 ^5

.5 .4 .5

^3 ^4 .4 ^3

.3 .3

.6 ^6 ^5 .5

2 4 .3 .4 .4 .3 .4

.3 .4 .5

A

.6 ^6 ^6 ^5 .5

B

B

^4 .4 ^3

^6 ^5 .5

B7

E

.5 ^3 ^4

.4 .3 .3

^6 ^5 .5

.6 ^6 ^5 .5

Walter Bulwer’s Polka #2 E

A

B7

E

^2 .3 .3 ^2 .3

^3 [^3 ^3]

^2 .3 ^3 ^2 .3 ^3

.4 .3 .3 ^2 [^3

B

B

E

B

^3 ^3 ^2 .3 ^3

^3

^3 .4

^3

A

B7

E

^3 [^3 ^3]

^2 .3 ^3 [3 ^3] ^2

.3 .3 .3

2 4 ^2 .3 B

E

B

F#7

^3 ^3

.4

^3 ^3 ^2

.3

.3 [^3] ^2 .3

.3] .3 .3 ^2 .3

F#7

^3 ^2

.3

B

.3 [^3] .3 ^2 [^3

.3]

308. MEDLEY REELS: Wiltshire Six Hand Reel, Dorset Four Hand Reels, Wiltshire Six Hand Reel Trad

= 130

B

B

B

F#7

B

F#7

.7 .5 .6 ^7

.7 .5 .6 ^7

.7

^8 .7

.7 ^7 ^7

F#

F#

F# B

F#7

B

^7 .5 ^6 .6

^7 .5 ^6 .6

^7 .7 ^7

^7 .6 .6

B

F#7 E

.8 .6 .6 .6 .6 .6

^6 ^5 ^5

4 4 F#7

^8 ^6 ^6 ^6 ^6

^6

E

B

B

^5

.5

.5

F#7 E

.8 .6

.6 .6 .6

.6

^6

^5

E

^5

^5

^5

^7

^5

F#7

B

^6

.6

.6

Dorset Four Hand Reel #1 E

A

E

B

E

A

E

B7

E

.3 .4 .5 ^4 .4

^4 ^5 ^4 ^5

.3 .4 .5 ^4

.4 ^3 ^3 .4 ^3

.3 .4 .5 ^4 .4

^4 ^5 ^4 ^5

.3 .4 .5 ^4

2 4 .4 ^3

.4 .3 .3

.5

E

E

F#m

B7

E

E

B7

E

.6 .6 .6 ^6 ^5

.5 .5 .5 ^4 .4

^3 ^3 .4 ^4 .5

^5 .5 .5 ^5 ^6

.6 .6 .6 ^6 ^5

.5 .5 .5 ^4 .4

^3 ^3 .4 ^4 ^3

.3

.3

Dorset Four Hand Reel #2 Gb

Cb

Gb

Db7

Gb

Cb

Db7

.6 .7 .8 .9 .8 .7 .6

^8 ^9 ^8 ^9

.6 .7 .8 .9 .8 .7 .6

^7 .8 ^7 .8

.6 .7 .8 .9 .8 .7 .6

^8 ^9 ^8 ^9

2 4 .5 Gb

.6 .9 .9

.7 ^8

Gb

Cb

Gb

Db7

Gb

Cb

.8 .7 .8 .7

^9 ^8 ^9 ^8

.8 .7 .8 .7

^7 .8 .8 .8

.8 .7 .8 .7

^9 ^8 ^9 ^8

.8 ^10 ^9 .8 ^8 .7 ^7

Db7

.8 ^10 ^9 .8 ^8 .7 ^7

Gb

.6 .9 .9

71

313. MEDLEY REELS:TRIP TO BAVARIA, Trip to Bavaria, Caddam Wood, Columbus’s Sword) Trip to Bavaria Hamish’s Tune = 240

Gb

Db

Db7

Gb

^10 ^9 ^10 ^9

^9 .8 ^9 .8

4 4 .5

.5 .6 .6 .7

.7 .8 .8

Gb7 Cb

.8 .9 ^10 ^10 ^9 ^9

.5 ^6 ^7 ^6

.8 .7 .8 ^9 .7

.8 ^8 .8 ^7

Db

Cb

^10 ^9 ^10 ^9

^9 .8 ^9 .8

Db7

Gb

^10 ^9 ^10 ^9

^9 .8 ^9 .8

C8

.5 ^6 ^6 ^7

Db7

^7 ^8 ^8

Gb

.8 .7 ^8 ^7

G8

.6 .6 .5

.5 .6 .7 .6

Gb7

.5 .6 .7 .6

.5 .6 .7 .6

.8

.5 .6 .7

Cb

.9 ^10 ^10 ^9 ^9

.7

.5 .6 .6 .7 Abm

^8 .7

.7 .8 .8

Db

.7 ^7 ^7

Db

Cb

^10 ^9 ^10 ^9

^9 .8 ^9 .8

.5 ^6 ^7 ^6

C8

Db7

.8 ^8 .7 ^7

Gb

.6

.6

Caddam Wood E

1

B7

E

4 4 [^6]

.5 .5 .5 .5 [^6] .5

2 B7

E

^6 ^5 .5 ^4 .4 ^3

^5 .5 .4

[3 .3 .3 .3] .3 .4

^5 .5 ^4

^4 ^4 ^4 ^4 .4 ^4

E

−

.3

^5 .5 ^5 .5

^6 ^5 ^4 ^3

^5 .5 [^6] .5

B7

.5 .5 .5 .5 .4 .4

.5 .5 .5 .5 .4 .4

.5

^5 .5

E

^6 ^5 ^6 ^5

^6 ^5 ^4

.5 [^6] ^4

^4 ^4 ^4 ^4 ^3 ^3

^4 ^4 ^4 ^4 ^3 ^3

B7

.5 .5 .5 ^5 .5 ^4

.4 .4 .4

.5 ^5 .5

.5 [^6] ^4

^4 ^4 ^4 .5 ^4 .4

^3 ^3 ^3

.5 .5 .5 .5 ^5 ^6

.6

Columbus’s Sword B

F#

B

F#

B

4 4 .3 .4 .5 ^5 ^6

.6 .6 ^6 ^5 .5

B

.7 .6 .7 .6 B

.3

.3

.2 ^2 ^3 .4

^4 ^4 ^4 .4 ^3 .4

F#

.7 .7 ^8 .7 ^7 .6

^7 ^6 ^7 ^6

.3 .4 .5 ^5 ^6

.6 .6 ^6 ^5 .5

B

^7 ^7 ^8 .7 ^7 .6 ^7

.7 .6 .7 .6

.2 ^2 ^3 .4

^3 .3 .3

F#

.7 .7 ^8 .7 ^7 .6 .7

^7 .6 ^6 ^5 .5 ^4 .4 ^3

314. MEDLEY: VIRGINIA REEL, Mama Don’t Allow, Didn’t He Ramble, Coming in on a Wing, We Shall Not Be Moved, Careless 72 Love Mama Don’t Allow Trad

E

E

E

E

E

E

D

.3 .3 .3 .4

^3 .3 [^3 .3]

.3

− .3 [^3 .3]

.3 .3 .4 .4

.5 .5 ^5 .5

^3

B7

E

E

A

.4 .3 .3 .3

.4 .3 .3 .3

.2 .3 ^3 .3

2 4 .2 A

E

B7

E

.4 ^3 .3 [^3]

.3 .3 .3 .4

^3 .3 [^3 .3 ^3]

.3

− ^3

− Didn’t He Ramble

B

F#

B

B

^7 .6 ^7

.7 .7 .6

2 4 ^5

.5 .5 .5 ^5

.7 .7 .6

.6 .6 ^7

F#

B

^7 .7 ^7

.6

.7 .7 ^7

.6 .6 ^7

.7 .7 .6

^7 .6 ^5

.5 .5 .5 ^5

.6 .6 ^7

.7 .7 ^7

.6 .6 ^7

− Coming in on a Wing

B

F#7

B

.6 .7 .7

^7 .6 ^5

.6

E

F#7

^9 .8 .7

^7

B

E

B

F#7

^7 .6 ^5

.6 .5 ^5

2 4 .5 ^5

− .7 ^8

.8 .8 .8

− .7 ^8

.8 ^9 .8

.7 ^7 .6

.6 .7 .7

^7 .6 ^5

B

−

.6

We Shall Not Be Moved E

B7

B7

B7

E

.4 ^3 ^3 [1]

^3

^3 ^3 ^3 ^3

A

E

B7

2 4 .4 .4 .4 E

A E

.3

−

^4 .4

.4 ^3

^3 .3 .3 ^2

.3 .3 [[^1]]

[^3] ^2

.3 ^3 .3 [^3]

.2

.3

.4

.3

.4 ^3

− Careless Love

E

B7

E

.4 .4 .3

^2 .2 ^2 ^3

.3

B7

E

E

B7

E A

.4 .3

^2 .2 ^2 ^3

.3

2 4

EA

− −

− .3 ^3

.4 ^4

.5 .5 ^4 .4

^3

− .3 ^3

.4 ^4

.5

^1

^5 ^4

.3 .4 ^4

−

73

315. SET DANCE: VIRGINIA REEL,Bobby Shaftoe, Clare Jig, Marie’s Wedding) Bobby Shaftoe = 160

B

F#7

B

F#7

B

2 4 .6

.6 .6 ^8

.7 .8 .7 .6

F#7

.5 .5 .5 .6

^6 ^7 ^6 .8

B

^7 ^8 ^7 ^6

^7 ^8 ^8

.7 .8 .7 .6

.7 .8 .8

.6

.6 .6 ^8

F#7

B

^7 ^8 ^7 ^6

.6 .6

.7 .8 .7 .6

^7 ^8 ^7 ^6

.6 .6

.7 .8 .7 .6

.7 .8 .8

Clare Jig E

B

E

.5 ^5 .5 .4 .3

.4

A

B

E

6 8 ^3

.4

.4 ^3 .4

.5 .4 ^3 .3 .4

E

B

A

.6

^6 .6 ^6

^5 ^6 ^5 .5

.5 ^5 .5 .5 ^5 .5

E

.4

.5 ^5 .5 .5 ^5 .5

.5 ^5 .5 .4 .5

.4 ^3 .4

.5 .4 ^3 .3 .4

.5 ^5 .5 .4 ^3

E

B

A

E

.6

^6 .6 ^6

^5 ^6 ^5 .5 .4

−

.3

B

.5 ^5 .5 .4

.5

E

^3

.3

^2

Marie’s Wedding B

E

F#

B

^7 .6 ^5 .6

.7 ^7 .7 .8

.5 ^5 .5 ^5

E

F#

B

E

^7 .6 ^5 ^4

.5 .5

.8 .8 .8 ^9

2 4 .5 ^5 .5 ^5 B

F#

.6 ^7 .7

B

.7 ^7 .7 .8

.8 .8 .8 ^9

.8 ^8 .7

E

F#

^7 .6 ^5 ^4

.5 .5

.6 ^7 .7

.8 ^8 .7

^7 .6 ^5 .6

317. MEDLEY REELS: Glory Shines, John Brown’s Body Glory Shines Laurie Griffiths

E

E

E

.3 .3 [^3]

[3 ^3 .3]

E

E

[2 .3] .3 ^3

.4

E

B7

B7

.5 .5 ^4 .4

^3

−

E

C#m

G#

4 4 .3 ^3 C#m

.4

.4 .3

.4

.4 ^3

F#m

B7

E

E

^3 ^3 .3

^2 .3 ^3 ^2

.3

−

−

.4

.5 ^4

.4

.4 ^3

.3

.3 ^3

.4 .4 .4 ^4

John Brown’s Body E

E

E

E

.4 .5 .6 ^7

.7 .7 .7 ^7

.6

−

^5

.6 ^6 ^5 .5

.6 ^6 .6 ^7

.7

−

^8 ^8 ^8 ^8 ^8

6 8 .5

.5

4 4 .6 .6 .6 .6 .6 G#

C#m

A

1 B7

F#m

E

E

.6 ^6 .6 ^5

.5 ^5 .5 ^4

.4

−

.5

.7 .6 .6 .6

.7 .7 .7 ^7

.6

−

.6 .6 .6 .6 .6

E

.7

.7 .7 ^7

.6

.6 .6

^7

^7

.6

^1

^6

.7

.7

^8

^8

.8 ^8 .7 ^7 .6 ^6

.7

^5

A

^6

.6

2 B7

E

−

.6 ^6 ^5 .5 ^4 .4

−

E

−

^3 .4 ^4 .5 ^5 ^6

E

.5

.4 .5 .6 ^7

E

.6 ^6 ^5 .5 E

.6

^6

.6

−

−

−

.8

^8

.7

−

−

−

74

323. MEDLEY REELS: Flowers of Edinburgh, Soldier’s Joy, Staten Island Flowers of Edinburgh = 180

4 4 .3 [^3

.3 .3 ^3] .3 .3 ^3

.4 .3 .4 .5 ^5 ^6 .6 ^5

.4 .3 .4 .5 ^4 .4 ^3 .3

.5 ^4 .4 ^3 .3 ^2 .3 ^3

.4 ^5 ^5 .5 ^5

.5 .4

.3 .4

^2 .3 [^3] ^2 [3 ^3] ^2 .3

.4 .3 .3

.5

^5 ^6

^3 ^2 ^4 ^2 [^3] .3 [^3]

.6 .6 .6 .7 ^7 .6

^5 .5 ^5 ^6 .6

^6 ^5

.5

^6 ^6 ^6 ^7 .6 ^6

^4 .4

^3 .3

[3 .3 ^3] .3 .3 ^3

^5 .5 ^5 ^6 .6 ^6 ^5 .5

^2 .3 ^3

.4

.3

.3

Soldier’s Joy

4 4 .4 ^4

.5 .4 .3 .4 .5 .4 .3 .4

.7 .8 ^8 .7 ^7 ^8 .7 ^7

^7 ^7 ^7 ^8 .7 ^7

.6 .6 .6

.5 .6 .6 .4 ^4

^7

.5 .4 .3 .4 .5 .4 .3 .4

.7 .7 .7 .8 ^8 .7

.7 .8 ^8 .7 ^7 ^8 .7 ^7

^4 ^3 ^3 .4 ^4

^7 ^7 ^7 ^8 .7 ^7

.7 .7 .7 .8 ^8 .7

.5 .4 .3 .4 .5 .4 .3 .4

^7 .6 ^6 ^5 .5

.5 .6 .6 ^7

.7 .7 .7 .8 ^8 .7

.6 .6 .6

Staten Island

4 4 .5 ^4

.4 .3 .4 ^4 .5 .5

.6 .7 ^7 .6 .6 ^6 ^5 .5

.6 .6 ^7 .7 ^8 ^7

.7 .6 .6

.7 ^8

.7 .6 .7 ^7 ^6 .5

.6 .6 ^7 .7 ^8 ^7

.8 .7 .8 ^8 ^7 ^8

.7 .6 .6

^5 ^4 ^5 .5 .4 .5

.7 .6 .7 ^7 ^6 .5

^4 ^3 ^3

.5 ^4 .4 .3 .4 ^4 .5 .5

(^4) ^6 ^7 .7 ^8 ^7

.6 .7 ^7 .6 .6 ^6 ^5 .5

(^4) ^6 ^7 .7 ^8 ^7

.8 .7 .8 ^8 ^7 ^8

OTHER REElS

75

324. La Russe E

Kevin Briggs, via EF

A

B

E

B

^7 .6 ^5 ^4

^5 .5 ^5 .5 ^4 .4 ^3

.3 .4 .4 .4 .5 .5

B7

E

4 4 .4 ^3

.3 .4 .4 .4 .5 .5

B

.5

E

.5 .6 .6 ^6 ^5

.5 .6 .6 ^6 .6

B

F#7

B

.5 .8 .8 ^8 .7

^8 .7 ^8 ^7

.7 ^8 .8 ^8 .7 .6

.5 .6 .6 ^6 .6

E

.5 .6 .6 ^6 ^5

^5 .5 .5 ^2 .3

^3 .3 .3

B

F#7

B

.5 .8 .8 ^8 .7

^8 .7 ^8 ^7

.6

325. Keel Row E

F#m

E

B7

E

via PR

1 E

B7

B7

E

E

B7

E

3

4 4 .5 ^4 E

.4 .3 .4 ^4 ^3 ^4 A

.4 .5 .5 .6 ^5 .5 ^4 E

A

.4 .5 .5 .6 ^6 ^5 .5 ^4

E

.4 .3 .4 ^3 ^2 .2 ^4 B7

E

.4 .3 .4 ^3 ^2 .2 ^4 E

B7

.4 .3 .4 ^4 ^3 ^4 A

E

.4 .5 .5 .6 ^5 .5 ^4

.4 .3 ^3 ^2 ^2 ^2 .3 ^5 .5 ^4

B7

E

E

.4 .3 ^3 ^2 .3 ^5 .5 ^4

.4 .3 ^3 ^2 .3 .5 ^4

A

E

.4 .5 .5 .6 ^5 .5 ^4

A

.4 .5 .5 .6 ^5 .5 ^4

E

.4 .3 ^3 ^2 .3

326. Toss the Feathers = 240

.2

^2 .2 ^3 .2 ^2 .2

^3 .4 ^4 ^3 .3 [^3 ^3]

^3 .4 ^4 ^3 .3 [^3 ^3]

^4 ^3 .4 .3 ^3 [^6]

^5 ^7 ^7 .6 ^5 .5 [^6] .5

.2 ^2 .2 ^3 .2 ^2 ^3

.5 ^5 .5 ^4 ^3 .3 [^3]

^5 ^6 .6 ^5 ^7

.6 ^5

^6

.5 ^5 ^6 .5 ^4 ^3 .3 [^3]

^3 .5 .5 ^3 .5 .5

^5 .5 ^4 ^3 ^3

.2

^2 .2 ^3 .2 ^2 .2

^3 .5 .5 ^5 .5 [^6] .5

^5 ^7 ^7 .6 ^7 .6

^4 ^3 .4 .3 ^3

^4

.5

^5 .5 ^4 ^3 .3 [^3]

76

327. Silver Spear

4 4 .5 ^4

.4 .5

− ^5 .5 .4 .5

.6 .7 ^7 .6 ^5 ^6 .6 .5

1

^8

^7 .7

^7

− ^5 .5 .4 .5 .6 .7 ^7 .6 ^5 .5

.4 .5

.4 .5

− ^5 .5 .4 .5

.6 .7 ^7 .6 ^5 .6 ^7 .7

2

.6 .7 ^7 .6 ^5 .5

^4 .7 ^7 .6 ^5

.5

.7

.6 .7 ^7 .6 ^5 ^6 .6 ^7

.8 .7 ^9 .7

.8 .7

.4 .8 .7 ^9 .7 .8 .7

^8 .7 ^7 .6 ^5 ^6 .6 ^7

^8 .7 ^7 .6 ^5 ^6 .6 ^7 .7

^8

^7 .7

^7

.7 .8 .7 ^9 .7 .8 .7

.3 .7 ^7 .7 ^5

.5

Ceili Band version

.4 .5 .5 .5 ^5 .5 .4 .5

^8 ^8 ^7 .7 .7 ^7

.7

.8

.8

.8

.6 .7 ^7 .6 ^5 .5

.4 .5 .5 .5 ^5 .5 .4 .5

.6 .7 ^7 .6 ^5 .5

^9

.8

.8

.7

^8

.6 .7 ^7 .6 ^5 .5

.7 .8 .8 .8 ^9 .8 .8 .7

.7

^7

.6

^5

^8 .7 ^7 .6 ^5 .5

.6 3^7 .7

^8

^8 ^7

.6 .7 ^7 .6 ^5 .6 3^7 .7

.4 .5 .5 .5 ^5 .5 .4 .5

.7 .8 .8 .8 ^9 .8 .8 .7

.7

.7

^7

.6

.7

^8 .7 ^7 .6 ^5 .5

^7

.6

^5

.5

349. Hull’s Victory D

G

D

A

via PR

D

D

.4 ^4 ^3 .4 .3 .5

.6

A

4 4 .5

.6

Bm

.6 ^6 .6

.6 ^7

E7

.7 ^7 .6 ^6 .6 .4 ^4

A

.6 ^6 ^5 .5 [^6] .5 ^5 ^4

.5 .5

.5

A

D

A7

^7 ^7 ^6 ^7 ^7 ^8

.7 ^7 .6 .7 ^7 .6 ^6 ^7

.5

.5 ^5 .5

^4

.6 ^6 .6

.6 .7

^7

^7

^7 .7 ^7

D

G

Em

A

D

.6 .6 ^7 .7 ^7 .6 ^6

^5 ^4 ^4 ^6 .6

^7 ^7 .7 ^8 .7 ^7 .6

^6 .5 .5 ^5 ^6

.6 .6 ^6 .6 .6 .7

D

.6 .7 .6

355. Reel De Montreal

via PR

E

E

B

E

E

E

.6 ^6 ^5 .5 ^4 .4 ^3

.3 .4 .2 .3 .4 ^3 .3

^2 ^3 .2 ^2 ^3 ^4 .4 ^3

.3 .4 .2 .3 .4 .4 .5

.6 ^6 ^5 .5 ^4 .4 ^3

.3 .4 .2 .3 .4 ^3 .3

B

E

B

B

^2 .3 ^3 .4 ^4 .5 ^5 ^6

.6 .6 .6

.5 .4 .5 .6 .5 .6

.7 .6 .7 .8 .8 ^9

4 4 .5

F#

B

.8 ^8 ^7 ^6

.6

−

F#m

.8 ^8 ^7 ^8

B

B

^9 .8 .7 .5

.5 .4 .5 .6 .5 .6

F#m

.8 ^8 ^7 ^8

77

358. Princess Royal AABCBCB A

Abingdon

E B E

E B E

A

E

F#m e d# c#

B7

a#

g# f#

E

.4 ^3 .3 .5 ^4

.4 ^3 .3 .6

^5 .5 ^4 ^5

.5 ^4 .4 .5

^4 .4 ^3 .3

^2 .3 ^3 ^2 .2 .5 ^4

B7

E

4 4 .5 ^4 A

A

^5 ^5 ^5 .5

^5 ^6 .6

B7

a#

b c#

g# f#

A/c# b

.6

a g#

E/b

^6 ^5 .5

E

B7

B7

E

.4 ^3 .3 .4 ^3

B7

E

.3 .3 ^3 ^3

E

E

B

E

.4 ^3 .3 .6

C#m B7

E

B

^6

.4 ^3 .4 .3 ^3 ^2

A

E

.6 .5 ^5

C#m

A

.3

.3

A

F#m e d# c#

.5 .4 ^4

^4 .4 ^3 .3

A

E

E

2 4 ^2 .3 ^3 ^2 .2 .5 ^4

.4 ^3 .4 .3 ^3 ^2

F#m e d# c# B7

a#

g# f#

.3

.3

E

.5 ^4

.4

B7

^3

.3

.5 ^4

.4

^3

.3

.6

^5

.5

^4 ^5

.5

^4

.4 .5

E

4 4 ^4

.4 ^3 .3

^2 .3 ^3 ^2 .2 .5 ^4

.4 ^3 .4 .3 ^3 ^2

.3 .3

359. Girl I Left Behind Me, the Brighton Camp A

C#m

C#m C#m

C#m C#m

E

C#m

A

C#m

C#m

C#m

B

G#m

4 4 .6 ^6

^5 .5 ^4 .4 ^3

C#mC#m

.3

.3

E

C#m

.4 .3 [^3] ^2 E

.4 .5 ^5 ^6

.3 .3 .3 ^3 .4 ^4

C#m

E

.6 .5 .4 ^3 .3 ^3

C#m

.5 .5 .4 .6 ^6

C#mG#m

.4 .5 ^5 ^6

.6

^5 .5 ^4 .4 ^3

A

^6 .6 ^6

C#m

.4 .3 [^3] .3

C#m C#m

^5 .5 ^4 .4 ^3

^2 .3 ^3 ^2 [3 .3 ^3] ^2

B

.4 .3 [^3] .3

G#m

C#mC#m

^2 .3 ^3 .3 [3 .3 ^3] ^2

.3

.3

368. Winster Gallop E

B

E

A

E

B7

E

^3 ^4 ^4 .4 ^3

.3 .4 .5

^4 ^5 ^6 ^5

.5 .4 .5

^3 ^4 .4 ^3

.3

E

4 4 .3 .4 .4 .3 .4

.3 .4 .5 A

.6

^6

^6 ^5

.5

^4

.4

B

B

^3

^6

.3

.6 ^6 ^5 .5

B7

^5

.5

^6

^5

.5

.6 ^6 ^5 .5

E

.5

^3

^4

.4

.3

.3

369. Manchester Galop E

B

A

E

A

E

B

E

C#m G#m

A

G#m F#m

E

4 4 .5 3^5 ^6 B

.6 .6 ^6 ^6 E

E

^5 ^5 .5 3

3

^3 .5 ^5 ^6 .6

.4 .5 .4 .3

E

3

3

.4 .5 .4 .3

^4 ^5 .5 ^4 .4 .5 ^4 .4 A

3

.5 .4 .5 .4 .3 .4 .5

3

.5 .4 .5 .4 .3 .4 .5

A

.6

^3 ^4 .4 ^3 .3 .5 3^5 ^6

.6

E

^6

E

^6

^5 .5

^5 .5

E

.5

^4 ^5 .5

3

.4

^4 ^5 .5 ^4 .4 .5 ^4 .4 F#m F#7

.5 .4 .5 .4 .3

E

^4

^5 ^5 .5 3

.4 .5 .4 .3

A

.5

.6 .6 ^6 ^6

.5

^4

.4

.4

^3

^3

F#m

B7

E

^3 .5

^5

^6 .6

F#7

.4 ^3

.5

B7

.5 3^5 ^6

SLIDES

78

370. Cock of the North in G, or Chase me Charlie in G 1

2

6 8 .4 .4 .4 ^3 .3

.4 .5 ^5 .5

.4 .4 .4 ^3 .3

^3 .4 ^3 ^3 .3 ^3

.4 .4 .4 ^3 .3

.4 .5 ^5 .5

.4 .4 ^3 .4 ^3

.3 .3 ^3

.3 .3 .4 .5

1

.6 .5 ^5 .5

.6 .5 ^5 .5

.4 .4 .4 ^3 .3

^3 ^3 ^3 .4 .5

.6 .5 ^5 .5

.6 .5 ^5 .5

.4 .4 ^3 .4 ^3

2

.3

.3 .4 .5

.3

.3 ^3

371. Cock O’ the North in D

BB&S

12 8 ^3

.6

.5

.4 .4 .4 ^3 .3 .4 .5 ^5 .5

^5

.5 .6

.5 ^5

.5

.4 .4 .4 ^3 .3 ^3

.4 ^4 .4 .4 ^3 .3 ^3

^3 .3 ^3

^3 .3 ^3

.4 .4 .4 ^3 .3 .4 .5 ^5 .5

.6

.5 ^5

.5 .6

.5 ^5

.5

.4 ^4 .4 ^3 .4 ^3 .3

.4 ^4 .4 ^3 .4 ^3 ^3

373. The Hundred Pipers E

A

E

F#m

B7

E

−

−

Trad, arr Phil Rowe

A

E

B7

E

.5 .4 ^3 .3 ^3

.3

6 8 .3 ^3

.4 [3 .3 .2 .3]

E

.5

.5 .5 .4 .5

[^3] .3 .3 ^5

A

E

^5 .6 .6 ^5

.5 .4

.5 .4 .4 ^3 .3 F#m

.4 ^3 .3

.4

.4 ^3 ^3 .3 ^3 B7

^3 ^3 .4 ^4

.4 [3 .3 ^3 .3] [^3] .3 .3 ^5 E

.5

A

.5 .5 ^5 ^6

.6

E

.6 .6 ^6 ^5

−

.4 ^4

B

E

.5 .4 ^3 .3 ^3

.3

−

MARCHES

79

379. British Grenadiers

2 4 .2

.3 .2 .3 ^3

.3 ^2 .3 ^3 .3 ^3

.4 ^4 .4 ^3 .4 ^4

.5 .3 .4 ^3 .3 ^2

.4 ^3 .4 ^4 .4 ^4

.5 .3 .4 ^3 .3 ^2

.3

.4 ^4

.5

^5 .5 ^4

.4

^4 .5 .5

^5 ^5 .5 ^4 .4 ^3

.3 ^2 .2

.3

380. MEDLEY MARCHES: BONNY BREAST KNOT,Barren Rocks of Aden, Portsmouth) Barren Rocks of Aden = 130

B

F#7

B

B

^6 ^7 .5 .6 ^7

.7 .5 .6 .6 ^7

.7 ^8 .7 ^7

F#7

B

^6 ^7 .5 ^5 ^6

.6

B

4 4 .6 ^7

.7 ^8 .7 ^7

F#7

.6 .7 .5 .6

C#m

^7

.7

.5 ^7 .7

^8

Omit for dance

B

^7 ^6 ^7

.6

B

.8

.8

^8

.7

B

.7

.5

.7 ^8

B

.6

.6 ^7 .7

.6 .7 .5 .6 F#

.8

.7 .6

D#m

^8 .7 ^7

.6

^6 .5

.7

^7

C#m

.7 .5

B

.5

.8

^7 .7

^8

^8

.7 .6

.6

^7 .7

.8 .7 .6 .7 B

^7 ^6 ^7

B

.8

.7 ^8

.6

.6

C#m

B

^8 ^5 ^6 ^7

.6

−

Portsmouth E

A

E

E

E

A

.5 .4 ^4 .4 ^3 .3

^3 .2

.3 ^3 .4 ^3 .3 ^2

E

1 E

B

2 E

2 4 .2

.3 ^3 .4 ^3 .3 ^2

[^3] ^5

E

.6

^7 .7 ^7 .6 ^6

.6 .5 .4 .5

A

B

.6 .4 ^4 .4 ^3 .3

^3

E

.2

.3 ^3 .4 ^3 .3 ^2

[^3] ^5

.5 .4 ^4 .4 ^3 .4

A

E

[^3] ^5

.3

.2

1 E

B

.5 .4 ^4 .4 ^3 .4

.3

.3

.5

2 E

.5

.3

381. Men of Harlech

4 4 .3 ^2 [^3] ^2

.5 ^4 .4 ^4

^2

[^3]

.3 ^3 .4 .3

.5 .5

− .5

^2

.2

^4 .4 ^3 .3

.5 ^4 .4 ^4

.3

^2 [^3] ^2 .2

.5 ^4 .4 ^4

^2 [^3]

^2

.3 ^2 [^3] ^2

.3 ^3 .4 ^5

.5 ^5 .5 ^4 .4 ^3 .4 ^4

.3

^3

.4

.5 .5

^5

.5 .4 ^3 .3

−

.3

^5 ^5 .5 .5

.5

.4

^3

^3 .3 ^2 .3

^4 ^4 .4 .4

.3

^3 ^3

−

^3 .4 ^4 .4 ^3 .3

.3

80

382. Cornish Floral Dance B B

B

D#m

.4 .5 ^4

.5 .5 .5 ^5 ^6

B

B

B

B

E

E

B

B

C#m

C#m

B

B

E

E

2 4

B

D#m

.4 .5 .5 ^5 ^6

B

B

.6 .5 .5 ^5 .5 ^4

.6 .5 .5 ^5 .5 ^4 B

B

.4 .3 .3

.4 .3 .3

^4 ^5 ^5 .5 ^4

.4 .5 .5

^3 ^4 ^4 .4 ^3

.4 .5 .5

^4 ^5 ^5 .5 ^4

81

383. MEDLEY: Kelly the Boy From Killanne, Raglan Road, Roddy McCorley. Kelly the Boy From Killanne = 350

4 4 .3 .4 What’s the

.5 .5 .5 wind from the

.6 .6 ^5 sun blows his

.5 .6 .6 bring, youth of

.4 ^4 ^3 Kel − ly the

.5 .5 .5 .6 .6 ^5 news? what’s the news? Oh my

.5 .4 .3 bold Shel − ma

.5 .4 .3 [^3] .3 ^3 mes − sen − ger here, With a

.5 .5 .5 Forth, good − ly

.5 ^4 ^3 ^2 bo − y from Kil

[^3] .3

^3

.4

^4

.4 ^4 ^3 .5 ^4 ^3 ^2 .3 hymn of the dawn for the free?

^5 ^5 ^5 .6 .6 ^5 news do I bring, Bar − gy

.5 man!

.4

.5

− lier, with your long bar − relled gun,

−

.3 .4 For the

.5 .5 .5 boys march at

−

−

^4 ^3 ^2 .3 of the sea?

.5 .5 ^5 ^5 ^5 Good − ly news, good − ly

.6 .6 ^5 dawn from the

.3 .4 Say what

.6 .6 ^5 news, do I

.5 .4 .3 [^3] .3 ^3 south to the north, led by

−

.3

− lane! Raglan Road

4 4 .3 ^3 On

.4 .4 Rag − lan

.3 .4 ^4 snare that

.4 said,

.5 I

.4 ^3 .4 Road of an

^4 .4 mi − ght

.6 .4 one day

.4 grief

^3 be

.4 Let

.5 .5 Au − tumn

−

^3 rue.

.4 a

.5 fal

^5 .5 .4 day, I

.5 I

−

.3 .4 ^3 saw her

.3 .3 first and

^5 .5 saw the

^5 .6 dan − ger

.4 ^3 and I

.5 len

^5 leaf

.5 at

−

.3 knew

.3 .5 passed, a

.4 the

.3 daw

.5 That

.5

^5 her

.5 da

^4 .4

^5 ^6

.6

.4

.6

.4

−

^3

− long the en − chan − ted way,

.4

^3

.3 of

− ning

^3

− rk hair would weave a

.3 the

.3 ^3 And I

.3 day.

Roddy McCorley

4 4 .3 ^3 Oh

.5 .4 cot. A

.4 Rod

.4 ^3 .4 see the

.3

[^3]

− long the

^3

− dy

.4 M’

.2 .3 ^3 fleet fo − ot

^4 .4 banks of

.2 Cor

^3 Ban.

.3

^3

− le − y

.4 ^3 .3 − [3 hosts of men. who speed

−

.4 ^4 .5 .5 The − y come with

.4 goes

^3 to

.3 die

^3] .3 with fa

.3 ^3

− ces

.5 .4 .5 ven − ge − nce

[3 on

.3 the

.3 wan.

^5 ^5 in their

^3] Bridge

−

.4 ^4 Fro − m

.5 .4 eyes, too

.3 of

.5 .5 farm − stead

.3 [^3] late, too

.3 Toombe

^3 to

.5 .4 .5 and fro − m

^4 .4 late are

−

.3 day.

^3 they.

^5 ^5 thresh − ers

−

−

.3 ^3 For young

82

384. Mr Hitler Dad’s Army Theme

4 4 .4 [3 ^3]

^3 ^3 ^3 ^3

^2 .3

.4 ^3 .4 ^3

^3

.4 ^3 ^3 [1]

.4 [3 ^3]

.4 ^3 ^3 [1]

.4 ^3

^2 .3

.4 ^3 [1] ^3

.4 ^3 .4 ^3

.4 ^3 .4 [^6]

.4 ^3

.4 ^3

.5

.2

.2

^3 .3 ^2

^6 ^5 .5 [^6]

.4 [3 ^3]

^4 ^2

^2 .3

^3 .3 [^3]

.3

.3

.4 ^3 .4 ^3

.3 ^2 ^2 [^3]

^3 .3 .3 ^2

.4 ^3

^2

.4 ^3 [1]

^3 .3 .3 ^2

^6 ^5 .5 [^6]

.4 ^3 [1]

^3 .3 .3 ^2

^4 ^2

.3

.3

.3

385. Seventy Ninth Highlander’s farewell to Gibraltar A

4 4 .5 ^5 .5 .4 ^3

.5 ^5 .5 .4 ^3

.3 ^3 .3 .6

.3

^3 .3 .6

^5 .5 .4 .5 ^5 .6 .4

^5 .5 .4 .5 ^5 .6 .4

.4 ^3 ^3 .4 ^4

.4 ^3 ^3 .4 ^4

.5 ^5 .5 .4 ^3

.3 ^3 .3 .6

^5 .5 .4 .5 ^5 .6 .4

.4 .3 .3 .4 ^4

.5 ^5 .5 .4 ^3

.3 ^3 .3 .6

^5 .5 .4 .5 ^5 .6 .4

.4 .3 .3 .6

B

^5 .5 .4 .5 ^5 .6 .5

.4 .3 .3 .4 ^4

^5 .6 ^5 .5 .4 .6

^5 .5 .4 .5 ^5 .6 .5

^5 .5 .4 .5 ^5 .6 .4

^5 .5 .4 .5 ^5 .6 .4

^5 .6 ^5 .5 .4 .6

.4 ^3 ^3 .6

^5 .5 .4 .5 ^5 .6 .5

^5 .5 .4 .5 ^5 .6 .4

.4 ^3 ^3 .6

^5 .6 ^5 .5 .4 .6

^5 .5 .4 .5 ^5 .6 .4

^5 .5 .4 .5 ^5 .6 .5

^5 .6 ^5 .5 .4 .6

.4 .3 .3 .4 ^3

C

.3

.4 .3

^3 .4 .6

.3 .4 ^3

^5 .5 .4 ^3 .4 ^3

.3

^5 .5 .4 .5 ^5 .6 .4

^3 .4 .6

.3 ^2 .3 ^3 .4 ^3 .4 .5

^5 .5 .4 ^3 .4 ^3

^5 ^3 ^3 .4 ^3

.3 ^2 .3 ^3 .4 ^3 .4 .5

.3

^3 .4 .6

^5 .5 .4 ^3 .4 .5

^5 ^3 ^3 .4 ^3

.3

^3 .4 .6

^5 .5 .4 .5 ^5 .6 .4

^5 .5 .4 ^3 .4 .5

.4 .3 .3 .4 ^4

D

.5 ^5 .5 .4

.5 ^5 .5 .6

^5 .5 ^5 .6

^5 .5 .4 ^3 .6

^5 .5 .4 .5 ^5 .6 .5

^5 .6 ^5 .5 .4 .6

^5 .5 .4 .5 ^5 .6 .4

.4 .3 .3 .4 ^4

83

386. Winster Processional = 100

B

B

E

B

B

B

E

B

.6 .5 .5 ^5 .5 ^4

.4 .3 .3

.6 .5 .5 ^5 ^6

E

B

B

.6 .5 .5 ^5 .5 ^4

.4 .3 .3

2 4 .6 .5 .5 ^5 ^6 E

B

^4 ^5 ^5 .5 ^4

.6 .5 .5 ^5 ^6 B

F# E

B

B E

.4 .5 .5

^3 ^4 ^4 .4 ^3

B

E

.4 ^4 .5

B

.6 .5 .5 ^5 ^6

B

^4 ^5 ^5 .5 ^4

E

.4 .5 .5 ^5 ^6

B

B

.6 .5 .5 ^5 .5 ^4

.4 .3 .3

387. The Hundred Pipers Gb

Cb

Gb

Abm

.7 .5 .5 ^5 .5

^5 .6 .6 ^9

.8 .7 .7 ^7 .6

Db7

Trad, arr Phil Rowe

Gb

Cb

Gb

Db7

Gb

.7 .5 .5 ^5 .5

^5 .6 .6 ^9

.8 .7 ^7 .6 ^7

.6

6 8 .6 ^7 Gb

Cb

Gb

.8 .8 .8 .7 .8

^9 .9 .9 ^9

.8

Abm

.7 .7 ^7 .6

.7 ^7 ^7 .6 ^7 Db7

Gb

.7 ^7 ^7 .7 ^8

.8

.8 .8 ^9 ^10

−

.7 ^8

Cb

Gb

Db

Gb

.9 .9 .9 ^10 ^9

.8 .7 ^7 .6 ^7

.6

−

388. Seventy Six Trombones Intro

Part F#

6 8 ^6 .6 ^7 .7

^8 .7 ^7 .6

^6

.8

.5 ^5 ^6

.6

.5

.4

^3 .3

− .5 .5 ^5 ^6 .6

^2 ^5 .5

^7 ^6

1

−

.5 ^5 ^6 ^7

.7 .6

.5

.4 .6

^4 .5 ^5 ^6

.6 ^6 ^5

.5

^6

^7 ^7 .6 ^5

.5 ^4 ^3

.3

2

^7

^7

.5 ^5 ^6

.6

−

.3 .3

Part G#

.4 .4 [^1] .4

^3 ^3 ^5

^5 ^5 .5 .4

− ^4 .4 ^3

^4 .4 ^4

.5 ^5

−

^4 .4 ^4

^6 [3 .3]

^4 ^4 ^4

.4 .4 [^1] .4

.5 .5 .4 .3

^5 ^5 .5 .4

.2

.5

^4 .4 ^4

−

.4 .4 [^1] .4

^5 ^5 .5 .4

^4 .4 ^4

^4 ^4

^4

−

^3 ^3 .5

.5 .5 .4 .3

.2

Link to F#

.4 .4 [^1] .4

^3 .4 ^4

^5 ^5 .5 .4

^4 ^4 .4 ^4

^6 ^6 ^5 ^4

.5 .4 .5

^4 .5 ^5 ^6

.6

.6 .6 .6

.6 .6 .6 .6

[[^10]] .6 .6 .6

^7

84

389. Alexander’s Ragtime Band = 100

6 8 .4 [^1] .4 .5

.5 ^5 ^6 ^5 .5

[^1] .4 [^1]

.4 [^1] .4 .5

.4 [^1] .4 .5

.4 .4 [^1] .4 [^1]

.5 .5 ^5 .4 .5 ^5 .5

.4

.4 [^1] .4 [^1]

.5 .5

.5 .4

^5 ^1 ^5 .6 ^5

.4 [^1] .4 .5

.4 .4 .4 [^1]

.5 .5 ^5 .4 .5

.4

.4 .4 [^1]

^3 .3 .4

^3

.3

^5

.4 ^3 ^2 .2

.6

^1 ^5 .6 ^5

.4 ^3 ^2 .2

.3 .4 .2 .3 .4 .2

^5 .6

.3

.3

.5 ^4 .4 ^3

.3 .3

^1 ^5 ^1

.6 [^6] .5

^4

.5 ^4 .4 ^3

^1 ^5 .5

.3 .3 .4 .2 .3

^5

.5

.4 [^1] .4 .5

.3

.5

.4 [^1] .4 .5

^4 ^5

^5 ^5 ^1 ^5 ^1

^3 ^3

.4

^5 ^1 ^5 .5

.5 [^6] .5

^4

.5 ^5 ^6 ^5 .5

^5 ^5 ^5 ^1

[^6] ^3 .4 ^4

^5

.5

^5 ^5

^1

.5 ^5

^3 .4 [^6] .4 ^3

.5

^5 ^4 .3 ^4

^4 .4 ^3

^5 ^4 .3 ^4

^1

.6

^5

.5 .4

^5

^3

.6

^5 .4 ^4

[^1] .4 [^1]

^5 .4 ^4 [^6]

.3

.3

85

390. Repasz Irish Guards, the = 60

6 8 .5

^4

.5 [^6] .5 ^5 .5 .4

^4 ^5

.3 ^2 .3 .4 .3 [^3]

^5 ^1 ^5 ^6 ^5 .5

^4

1

^3 [1] ^3 [^1] .4 [^6]

^2 .5

^2

^4 ^4

.4 .4

.5

.4

.4 .4 .5

.5 [^6] .5 ^5 .5 .4

.5 [^6] .5 ^5 .5 .4

.3

.4 .4

.4

.3 ^2 .3 .4 .3 [^3]

^3 [1] ^3 [^6] .4

^2

.4 .4

.4

^3 [1] ^3 [^6] .4

2

.5

.8

.5 [^6] .5 ^5 .5 .4

.5

.5

.3 .5

.8

.5 [^6] ^4 .4

.5 [^6] ^4 .4

^3 .3 ^2 [^3]

^3 .3 ^2 [^3]

[3 ^3] ^2 .3 ^3 [^1]

[3 ^3] ^2 .3 ^3 [^1]

.4 .4 ^3

.4 .4 .5

.5 [^6] .5 ^5 .5 ^4

.3 ^2 .3 ^3 .3 [^3] ^2 .3 .4

.5 .5

1

^6 ^5 .5 ^4 .4 ^3

.3

.6

.7

2

^7

1

^5 ^6

.4 .4 .5

.1 .7

.6

.6 .6

.6 ^7

.7

.6 ^7

.6

.6 .6

.6

^7

^7

^5 ^6

.3 ^2 .3 .4 .3 [^3]

^2

.6

.4 .4

.6 .6

.4

.5 [^6] .5 ^5 .5 .4

^4 ^4 ^5

^5 ^1 ^5 ^6 ^5

1

.3

.4 .4

.4

^3 [1] ^3 [^6] .4

[3 ^3] ^2 .3 ^3 [^1]

.4

[3 ^3] ^2 .3 ^3 [^1]

^3 [1] ^3 [^6] .4

.4 .5

.4

^6 ^5

.5

.6 .7

.7 ^7

^5 .7

^7

2

^5 .7

.5 [^6] .5 ^5 .5 .4

^8

^3 [1] ^3 [^1] .4 [^6]

.5 [^6] .5 ^5 .5 ^4

.4

^3

.3 ^2 .3

^2

.5

^4

^4 ^4

.5

^2

.4 .4

.4

.5 [^6] .5 ^5 .5 .4

2

.5

.8

.5

.5 [^6] .5 ^5 .5 .4

^3 .3 [^3] ^2 .3 .4

.5

.3 ^2 .3 .4 .3 [^3]

.5

.5

.5

.3

.8

.5

.5 [^6] ^4 .4

.5 [^6] ^4 .4

^6 ^5 .5 ^4 .4 ^3

^3 .3 ^2 [^3]

^3 .3 ^2 [^3]

.3

.6

392. Grand Old Duke of York

Trad

= 116

2 4 .4 .6

.6 .5 .4 .5

^7 ^7 ^7 ^7

^7

^7

.6

.6

^7 ^7 ^7 ^7 ^7

.7 .7 .7 .7

^8 ^8 ^8 ^8

^7

^7

.7 .7 .7 .7 .7

.7 .7 ^7 ^7

.6

^8 ^8 ^8 ^8 ^8

.7 .7 ^7 .6

.6

.5

.6 .6 .6 .6

.6

.6

86

395. March of the King of Laoise

BB&S

3 2 ^3 ^2

^3 .2

^3 ^2

^3 .2

.4

.3

^3 ^2

.3

^2

[^3 .3]

^3 ^2

^3 .2

^3 ^2

^3 .5

.4

.5

^3 .3 ^2

.3

^2

[^3 .3]

1

^2 .2

.3 ^3 .4

^3

^3 .3 ^2

.4 .3

.5 .3

.4 .3

.5 [^6] .4

[^3] ^4 .3

^3 .5

[^3]

− [^3]

^3 .3 ^2

.3 ^4 .3

^3 .5

− [^3]

[^3]

^3 .4 ^4

.4 ^5

.5

[3 ^3 .3]

^3

.3

[3 ^3 .3]

[^3] ^2 .3

[3 ^3 .3

^2 .2

2

.3 ^3 .3

.3 ^3 .4

^3

1

[^3]

^4 .3

− [^3]

[^3]

.3

.6 .3

− [^3]

[^3]

[3

^3 .3]

[3

^3 .3]

[3

^3 .3

B7

E

C#m

G#m

.2

.3 .3 .3 .4 ^3 .4 ^4

C#m

^3 .3 ^2

2

.3]

^4

396. Lord of the Dance segno

.3] ^4

.2

Sydney Carter, arr Eric

F#m

F#m

B7

E

^3 ^3 ^3 ^3 .4

^4 .4 ^3 .3 ^2 [3 .3]

C#m

G#m

C#m

F#m

B7

4 4

A

E

E C#m

.3 .3 .3 Fine

.5

.4

.5 .5 .5 .4 .4 .4

E

^3

C#m

.4 ^4 .4 ^3 .3

E

F#m

.3

.4

.4

^3

E

F#m

.4 .4 ^4 .5 ^4 .4

^3 ^3 ^3 [3 .3]

B7

^3

.4

.4

^3

E

A

.3

.3

B7

E

.3 .3 .3 .4 ^3 .4 ^4

.5 .5 .5 .4 .4 .4

A

E

E

.3 .3 .3

^3

.3 .3 .6

.6

B7

F#m

.4 ^3 .4 ^4 .5 ^4 .4

^3 ^3 .4 .4 ^3 B7

E A

^3 ^3 .4 .4 ^3

.3

B.S. E

.3

397. John Peel

4 4 .4 ^4

.5 .5 .4 .4 ^3

.5 .5 .4 ^3 .4

^4 ^4 ^3 ^3 .4

^4 ^4 ^3 .4 ^3

^6 ^5 .5 ^4 .4

^5 ^4 ^3 .3 ^2 .3

^3

.3

398. Monk’s March = 100

B

C#m

B

B

C#m

.4 .5 .6 ^5 .5 .5 ^4

.4 .5 .4 .3 ^3 ^4 ^3 [^3]

B

B

C#m

B

.3 .3 .3 .3 .2

.3 .3 .4 ^3 ^3 ^4

4 4 .2 B

.3 .3 .4 ^3 ^3 ^4 F#

.4 .5 .4 .3 ^3 ^4 ^3 ^2

B

B

E

.3 .3 .3 .3 .4 ^4

.5 ^5 .5 ^4 .4 .4

^4 .5 ^4 .4 ^3 ^3

B

B

F#

.4 .5 .6 ^5 .5 .5 ^4

.4 .5 .4 .3 ^3 ^4 ^3 ^2

B

.3 .3 .3 .3

F#

.4 .5 .6 ^5 .5 .5 ^4

B

E

F#

.5 ^5 .5 ^4 .4 .4

^4 .5 ^5 ^4 ^3 .2

B

C#m

.3 .3 .4 ^3 ^3 ^4

87

399. Boy’s Lament for His Dragan Seventy Second Highlander’s Farewell, the = 200

4 4 .5

.5 .6 .6 ^7 .7

.7 ^8

^8 .7 ^7 .6 .7

.8 .5 .5 (^4)

^5 ^4 .5

^8 ^5 ^5 ^6 .6

.5 .6 .5 .6

^7 .7 ^7 ^6 .5

.5 .6 .6 ^7 .7

^7 .6 ^6 ^5 .5 .7 ^8

.8 .5 .5 (^4)

^8 .7 ^7 .6 ^7

^5 ^4 .5

^8 ^5 .7 ^7 .6 ^6

.5 .6 .7 ^7 .6 ^6

.6 .6

.6

402. Wearing of the Green

Trad

1

.3 ^3

.4 .4 .4 .4

.5 .3 ^3

.4 .5 .5 .4

.4 ^3 .4 ^4

^5 ^4 .6 ^5

^5 .5 .4 .3

.4

.6 ^6

.4 ^3 ^3 .4

^5 .5 .5 .4

^3 .3 .3 ^3

.3

^3 .4 .5

.5

.3 ^3

^5 ^4 .6 ^5

.4

− − [1]

.6

2

^5 .5 .4 .3

^3 .3 .3 ^3

.3

^3

.4 .4 .4 .4

.4 .5 .5 .4

.3 ^3

.3 ^3

.3

.6 ^6

.4 ^3 ^3 .4

^5 .5 .5 .4

^3

.4 .5

.6

408. Early in the Morning They Called the Bastard Stephen

2 4 .3 ^3

.4 .5 .3 .4

^6 ^5 ^5 ^6 ^5

.4 ^3 ^3

.5 .5 ^4 ^3

.3

^3 ^4 ^2 .3

^3 .3 .3

.3 ^3

.4 .4 ^3 .3

^2 ^3 ^3 .4

^4 ^4 .4 ^3

.3 .4 .4 ^4

.5 .5 .6 .6

88

410. Do You Hear the People Sing?

Music:Claude−Michel SchOnberg Lyrics Alain Boublil & Jean−Marc Natel, English: Herbert Kretzemer

= 120

G

D

Bm

E

3

4 4

3

.4 ^3 Asus

^2 [^3 .3 ^3 .3] − song of an − gry men? It is the

.3 ^3 .4 ^4 .5 .4 ^3 .3 hear the peo − ple sing? Sing − ing the

Do you A

D

[2 .3] .3 .4 ^3 mu − sic of a peo

G

[1] ^3 [^3]

− ple who will

D

3 3

.3 not

^2 .4 be slaves

Bm

^3 a − gain!

When

Em

.3 bea

the

A7

D

^3

.4

^4 .5 your heart

− ting of

.4 Ech

^3

.3

^2 bea

− oes the

C#7

Bm

^2 ^2 Will you

^7 .6 ^6 yond the bar

[^3

.3 F#m

D

3

Bm7

3

.3 comes! 3

3

.6 ^6 ^5 .6 ^6 ^5 .6 ^6 ^5 .6 ^6 .6 join in the fight That will give you the right to be F#m

B7

E7sus

E

.6 ^7

.6

^6

^7

− ri − cade Is there a

There is

.6 ^6 world you

− ^5 ^6 .6

E7/A

A

A

a

F#m/E

3

3

[2 .3] .3 .4 ^3 [1] ^3 ^2 life a − bout to start When to − mor − row

−

^3 .3] the drums

− ting of

^5 Then

long to see?

3

^7 .7 ^7 free! Do you

E7

.6 ^7 ^8 .7 ^7 .6 3 hear the peo − ple sing? Sing − ing the

A

^6 ^5 ^6 .6 .5 ^5 .5 ^4 song of ang − ry men? It is the

D

A 3

.4 .5 .6 .7 ^7 (^1) ^7 ^5 mu − sic of a peo − ple who will F#m

Bm7

3

.6 ^6 ^6 ^7 not be slaves a − gain! When the

E7

1 A

.6 ^7 ^8 .7 ^7 .6 3 bea − ting of your heart Ech − oes the

2 A

Am

F/A

Am

5 4 .4 .5 .6 .7 ^7 (^1) ^7 ^4 ^6 life a − bout to start When to − mor − row

.6 .4 .4 comes! Will you

rit...........

4 4 .6 come?

.3 .3 .3

410. Do You Hear the People Sing? Bass line

4 4 1

2

5 4

4 4

^6 ^5 ^6 .6 .5 ^5 .5 ^4 bea − ting of the drums, There is a

89

411. Pirate Chorus (from the Pirates of Penzance) Come, Friends, We’ll Always Be

Gilbert and Sullivan

= 120

4 4 .7 Come,

.7 Friends,

^7 ^7 .6 who plough the

.5 sea,

.5 ^5 ^6 Truce to Na

^5 ^5

.5

− vi − ga − tion,

4 4 .5

^5

^5

4 4

.5 ^5 ^6 ^5 ^5 take an − oth − er sta

.5

.7 Let’s

− tion,

.7 va

−

^7 ry

^7 pi

.6

.5

.5 ^5 ^6 with a lit

− ra − cee,

.6

− tle

^6 bur

^6

.4

− gla − ree 3

^5

^5

.7 Come,

^7 pi

.5

.7 Friends,

.6

^6

− ra − cee,

^7 who

^5

^7 .6 plough the

.5 sea,

.5 with

.5 .6 a lit

.5

.6 ^5

−

−

−

^5

.5 ^5 ^6 Truce to Na

.7

.8

^6

.6

− tle bur − gla − ree

−

^5

^5

.5

− vi − ga − tion,

.6

.5 ^5 ^6 ^5 ^5 take an − oth − er sta

.5

− tion,

.7 Let’s

.7 va

−

^7 ry

90

413. MEDLEY HORNPIPES,Harvest Home, Boys of Bluehill, Belfast) Harvest Home

Trad

= 150

B

F#7

B

4 4 .5 .4

.3 .5 .4 .5 .3 .5 .4 .5

.6 ^7 .7 ^7 .6 ^6 ^5 .5 F#7

.6 ^7 .7 ^7 .6 ^6 ^5 .5

F#7

B

^7 .5 .7 .5 ^8 ^7 ^6 ^7

.6 .7 .6

C#7

^7 .5 .7 .5 ^8 .5 .7 .5

^7 .5 .7 .5 ^8 .5 .7 .5

F#7

3

B

F#

^6 .6

^7 .6 ^6 ^5 .5 ^4 .4 ^3 3

B

F#7

3

^7 .5 .5 .5 .5 .7 .5 .5 .5 .5

3

3

^8 .5 .5 .5 .5 .7 .5 .5 .5 .5

B

3

.3 .5 .4 .5 .3 .5 .4 .5

F#7

3

3 ^7 .7 ^7 .6 ^6 ^5 .5 ^5 .5 ^4 .4 ^3

.3 .5 .4 .5 .3 .5 .4 .5

.6 ^7 .7 ^7 .6 ^6 ^5 .5

^7 .5 .7 .5 ^8 ^7 ^6 ^7

B

.6 .7 .6

Boys of Bluehill B

B

3

E

C#m

3

B

C#m

B

G#m

4 4 .6 ^5

.5 ^5 .5 .4 .5 .3

.4 .5

.7 ^8

3 .8 ^8 .7 .3 .5 ^5 ^6 .6 .5

^5 ^4 ^5 ^6 .6 ^7

.6 ^7

.7 ^8 .8 ^8 ^7 ^8 .7 ^7

.6 .7 ^7 .6 ^5

.6 ^5

^4 .5 ^5 ^6

.6 ^5 .5 .6 ^6 ^7 .5 ^6

.6 ^6 .5 .4 ^4 ^8 .7 ^8

4 4

B

B

3

G#m

.5 ^5 .5 .4 .5 .3 .5 .4 .5

3

^4 .5 ^4 C#m

^5 .5 ^5 ^6 .6 ^7

.4 B

.6 ^7

C#m

B

.7 .8 .8 .7 ^7 ^8 .7 ^7

.6

G#m

^7

.6

B

.7 ^8

B

.8 .7 .6 .7 .8

^8

.7 3

3 .7 ^8 .8 .6 .5 ^5 ^6 .6 .5 C#m

E

^4 .5 ^4 B

^7 .7 ^8 .8 ^9

.4

^4 .5 ^5 ^6

C#m

B

.6 ^5 .5 .6 ^6 ^7 .5 ^6 G#m

B

.8 ^8

.7 ^8 .8 .7 ^7 ^8 .7 ^7

.6 .7 ^7 .6 ^5

^7 .6 ^5 .5 ^4 ^8 .7 ^7

.6 ^5 .5 .6 ^6 ^7 ^5 ^6

.6 ^6 .5 .4 ^4 ^8 .7 ^8

B

C#m

B

.7 .8 .8 .7 ^7 3.7 ^8 .7 ^7

.6

.6 ^5 .5 .6 ^6

.5

^7

^5 ^6

B

.7

.6

.5

.6 ^5

^5

.5

^4

.4 .5 .6 .5 .4 .5 ^5 ^6 .6

B

.5

.4 .5 .3

G#m

.4 .5

3 .8 ^8 .7 .6 .5 ^5 ^6 .6 .5

3

C#m

^5 .5 ^5 ^6 .6 ^7

^4 .5 ^4

.4

.6 ^7

^4 .5 ^5 ^6

Millicent’s Favourite (Belfast Hornpipe)

91

Part F#

4 4 .8 ^8

.7 .8 .6 .7 .5 .6 .4 .5

.3 .4 .5 .6 .7 ^7 .7

^8 .8 ^9 ^8 ^7 .7 ^8 ^7

^6 .6 ^7 ^6 .5 .8 ^8

.7 .8 .6 .7 .5 .6 .4 .5

Part G#

.3 .4 .5 .6 .7 ^7 .7

^8 .8 ^9 ^8 ^7 .5 ^5 ^6

^4

^4

^7 ^7

.6

.5

.4 ^4

Part A

.5 ^5 ^6 .6 3

.6 .7 ^7 ^6 .6

^7

.7

3

.7 3^8 .7 ^7 3.7 ^7 .6 3^7 .6 ^6 .6 ^6

^8 .7

.5

^7 .6

^6 ^5 .5

3

3 3 3 .7 ^8 .7 ^7 .7 ^7 .6 ^7 .6 ^6 .6 ^6

.7 ^8 .7 ^7 .6 ^6 ^5 .5

^4 .7 ^7 .6 ^6

.5 ^5

^6

3 3 ^8 .8 ^8 .7 3^8 .7 ^7 3.7 ^7 .6 3^7 .6

^5 ^6 ^5 .5 ^5 .5 ^4 ^9 .8

3

^4 .4 ^4 .5 ^5 ^6 .6 ^7

3

3

^4 .7 .7 ^7

.6

.7 ^7 ^6 .6

3

3

.8

^6 .6 ^6 ^5 ^6 ^5 .5

^8

.8 ^8

3

^5 ^6 ^5 .5 ^5 .5 ^4 .5 ^4 .4 ^4 .4

^3

.3 ^3

.4 ^4

.5 ^5

^6

.6

.7

.6

415. Off to California E

4 4

E

A 3

[3 ^3] ^2

.3 ^2 .3 .4 ^3 .3 [^3 .3]

.3 .4 .5 .6 ^5

E

E

.3 ^2 .3 .4 ^3 .3 [^3 .3]

3 .3 .4 .5 .6 ^5 .5 ^5 ^6

A

E

3

C#m

B

E

C#m

3 .5 ^5 ^6

.6 ^6 .6 .5 ^5 .5 .4 .3

E

A

.6 ^6 .6 .5 ^5 .5 .4 .3

^3 .4 ^3 .3 ^2 .3

A

B

^3 .4 ^3 .3 [^3 E

3

E

.3 ^3] ^2

.5

B

.6 ^6 ^5 .6 ^6 ^5 .5 ^6 E

A

3

^5 .5 ^5 ^6 ^5 .5 .4 E

C#m

.6 ^6 .6 .5 ^5 .5 .4 .3

3 .5 ^5 ^6 .6 .5 ^5 .5 .4 .3 A

3

B

E

^3 .4 ^3 .3 ^2 .3

^3 .4 ^3 .3 [^3 .3 ^3] ^2

.3 ^2 .3 .4 ^3 .3 [^3 .3]

3 .3 .4 .5 .6 ^5 .5 ^5 ^6

92

416. Londonderry Hornpipe = 180

A

3

4 4 .5 ^4

.4 .5

^4 ^5 .6 ^8 .8

.6 .7

^8

.6 .5 .4

.7

^4 ^5 .6 ^8 .6 ^5 ^4

.8 .7 .6 ^5 ^8 ^7 ^6

.4 .5 .6 .7 .6 .5 .4

^3 ^4 ^5 ^7 .6 ^6 .5

^4

.4 .5

.6 .7 .6 .5

.4

.7 ^8

.8 .7

.6 .5 .6 .7 .8

.6 .7 .6

B

3

.7 ^8

.8 .7 .6 .5 .6 .7

^8 ^7 ^6 ^7 ^8 .8

^8

.8

^8 ^7 ^6 .5 ^6 ^7 ^8

.7 .8 .7

.6 ^5 ^8 ^7 ^6

.8 .7 .6 .5

.6 ^8 .7

^7 3.7 .6 ^6 .6 ^5 .5

.6 .7 .6

C

3

.5

^4

3

.4 ^3 .3 .5

.3 ^5

.3 .5

.3

.3

.6

.6

^6 .6

.7 ^7

^6 .5

^4

.4 ^3 .3 .5

.3 ^5

.3 .5

.3

^3

^4 .4

.5 ^4

^5 .5

^4

3

.4 ^3 .3 .5

.3 ^5

.3 .5

^6 .6

.7 ^7

.6 ^7

3 .7 .8 .7 .6

^8

.7 ^8

^7 ^6

^7

.6

.7 ^7 3.6 ^6 .6

D

3

.4 ^4 [^6]

.5

3

3

.5

[^6] .5

[^6] .5

^5 .5

^5 .5

.4 .3

.4

.4 .3

.4

^4

.6 .5

.6 .7

^4

.4 ^4 .5 ^4 ^3 ^2 ^3

.4 ^3

.4 ^4

^5 .5

.5

^4

[^6] .5

.4

^5 .5

.5 .4

.4 .3

.4

.3 [^3]

3

^3 .4 .3 ^2 .3 [^3 .3] .4 ^4 [^6]

^4 ^3

^2

.3

.4

.3

^6 .6

^5 .5

.7

.6

.7

.6

E

.7

.8

^8

3 .8

.8 3.8 .8 .7

.8 .7

.6 .5

.6 .7

.6

.6

^8 3^8 ^8 ^7

3 ^8 ^8 ^8 ^7

^6 .5

^6 .5

^6 ^7

.8

^6

^8

.7

.7

.6 ^8

.6 .5

^7 .8

.4 ^3

.7 ^9

^8

^8 ^7

^7

^6

^8

F

.4 ^4

^5 ^4 ^5 ^7 ^8 .7 ^7 .6

.7 .8 .7 .6 ^5 ^8 ^7 ^6

.6 .7 .6

^6 .5 ^6 ^7 .8 ^8 .7 ^7

.7 ^6 .6 ^5 .5 .4 ^4

.5 .4 .5 .6 .7 ^7 .6 ^6

^5 ^4 ^5 ^7 ^8 .8 ^8

93

419. MEDLEY HORNPIPES: THE STEAM BOAT,The Steam Boat, Roxburgh Castle Steam Boat, the = 174

E

A

F#m

B

B7

E

4 4 3 ^6 .5 ^5 A

.6 ^7 .6 .5 .6 .5 B

B7

^4 ^5 .5 ^4 .4 ^3 .3 ^2

.4 ^4 .5 .4 .3 ^3 .4 E

^3 .3 .3

.4 ^4

^4 ^5 ^4 ^3 ^4 ^3

E

A

F#m

.5 .4 .5 .4 .6 .6 .5

^5 ^4 ^5 ^4 ^7 ^7 ^5

E

.6

^2 .3 ^3 .4 ^4 .5 ^5 ^6 B

.6

.5

.6

.5

.4

^4

.5

.4

.3

^3

.4

^4

E

.5

^4

B7

^7 .6 ^6 ^5 .5 ^5 ^6 .5

B

^5

.4 ^4 .5 .4 .3 ^3 .4

B

^6 ^5 ^6 .5 .6 ^6 .6 .7

A

^7

.6 ^7 .6 .5 .6 .5

B7

.4

^3

.3

^2

^3

E

.3

.3

Roxburgh Castle Gb

Cb

Gb

Cb

Gb

Abm

Db7

Gb

4 4 .7 ^7

.6

Cb

.6 .7 .8 .7 .6 .7

Gb

Cb

^8 .7 ^8 ^9 .8 .7 .6 .7 Cb

^8 ^8 ^9 .8 .7 .6 .7

Gb

Gb

Db7

^7 .6 ^7 .7 ^7 ^8 .7 ^7

^7 .6 ^7 .7 ^7 ^8 .7 ^7

.9 .8 .7 .8 ^9 .8 .7 .8

Gb

Cb

Gb

.6 ^6 .6 .7 .8 .7 .6 .7

^8 .7 ^8 ^9 .8 .7 .6 .7

.7 .6

.6 ^6 .6 .7 .8 .7 .6 .7

Gb

3 ^10 .8 ^9

.9 ^10 .9 ^9 .8 ^8 .7 ^7

Abm

^8 ^11 ^8 .7 .9 .7

Db7

^8 ^9 ^8 .7 .8 .7

.6

Cb

.9 .8 .7 .8 ^9 .8 .7 .8 Db7

Gb

.9 ^10 .9 ^9 .8 ^8 .7 ^7

.7 .6 .6

420. Dorsetshire Hornpipe = 100

Intro

4 4 .7 ^7 .6 ^5 .6 ^6 ^7

.6 .6 .6 .8 ^8

.7 ^7 .7 ^8 .8 ^8 .7 ^7

.6 ^6 .6 .7 .5 .5 ^4

1

.7 ^7 .7 ^8 .8 ^8 .7 ^7

^7 .6 ^7 .7 ^7 .6 ^7

1

.6 .6 .6 ^6 .6

.6 ^6 .6 .7 .5 .5 ^4

.4 .5 .6 .7 ^7 ^8 ^6 ^7

.6 .6 .6 .8 ^8

.7 ^7 .6 ^6 ^5 ^6 .6 ^7

.7 ^7 .7 ^8 .7 .5 ^4

.4 .5 .6 ^4 ^5 ^7

2

.6 .6 .6

.4 .5 .6 .7 ^8 .7 ^7 .6

^6 .6 ^7 .7 ^7 .8 ^8

2

.6 .6 .6 ^6 .6

.5 .6 .7 ^5 .6 ^8

^7 .6 ^6 ^5 .5 ^5 ^6 .6

.7 ^7 .6 ^5 .6 ^6 ^7

94

421. The Rights of Man =1

BB&S

= 150

3

3

3

4 4 .3 ^3

.4 ^4 .5 ^3 .4 ^3 .3 ^3 .3 ^2 .3 ^2

3

3

[^3] ^2 .3

^3 .4

^5 ^6

.6

^6 ^5

.5 .4

3 .6 ^6 ^5 .5

.5 ^5 ^6

.4 ^3

.3

^3

3

.4 ^4 .5 ^3 .4 ^3 .3 ^3 .3 ^2 .3 ^2

.7 ^7 .7 .6 ^5 ^6 ^5

.6

3

^6 ^5 .5 .4

.5

.6 ^6 .6

[^3] ^2 .3 ^3 .4 ^5 ^6

[^6] .5

^5 ^6 ^5 ^6 .6

.6 ^6 ^5 .5 .4 .6 ^6 .6

^7 ^6 .5 ^6 ^7 .6

^6

^5 [^3 ^3]

^5 .5 ^5 ^6 .6

.6 ^7

^6 .6 ^7

.7 ^7 .7 .6 ^5 ^6 .6 ^7

.7

.6 ^5 ^6 .6 ^5 ^6

^5 [^3 ^3]

422. Manchester hornpipe, or Rickett’s hornpipe 3

(Ireland)

3

4 4 .5 ^5 ^6

.6 ^6 .6 .5 .4 .5 .6 .7

^7 .6 ^6 ^5 .5 ^8

^7 .6 ^6 ^5 .5 ^8

.7 ^8 .8 .7 ^9 ^8 ^7 ^6

.6 .7 .6

.7 ^8 .8 .7 ^8 .7 ^7 .6

.7 ^8

^6 .6 ^7 ^6 .5 .5 ^5 ^6

.8 .7 .8 .7 .6 ^8 .8

^9 ^8 ^9 ^8 ^7 .7 ^8

.6 ^6 .6 .5 .4 .5 .6 .7

.8 .7 .8 .7 ^9 .8 ^8 .7

3

^7 .6 ^6 ^5 .5

.5 ^5 ^6

.6 ^6 .6 .5 .4 .5 .6 .7

^7 .6 ^6 ^5 .5

^8

.7 ^8 .8 .7 ^9 ^8 ^7 ^6

.6

.7

.6

VARSOVIENNAS

95

428. MEDLEY: VARSOVIENNA, Sally Sloane’s. Put your Little Foot, La Va Sally Sloane’s Varsovienna = 160

E

C#m

E

A

B

B7

.5 .6 ^6

^5 ^6 .6

^7 .6 ^5 3^6 ^5

.5

E

B7

E

^6 ^5 .4 ^5

.5 .4 .3 ^3 .4 .3

3 4 .4 ^4

.5 ^4 ^3

.3

.4 ^4

B7

^4

E

^3 ^2

^5

B7

.5

.6

^4 .4

^4 ^3 ^2

.3

.6

E

^6

^5 .4

^5

B7

.5

.4 .3

^3

.4

.3

E

^4

^3 ^2

^5

.3

Put Your Little Foot E

B

B7

E

.5 .3 .4

^3 ^3 .4

^4 ^2 ^5

.5

B

B7

E

^3 ^3 .4

^4 ^2 ^3

.3

E

3 4 .4 ^4

.4 ^4

.5 .4 .3 .4

.2 .3

.4 .3 .4 .2 .3

.4 .3 .4 .2 .3

B7

.4

.3 .4

^4

E

^3

^3

^2

^3

^2 ^3

.2

^2

^3

^2 ^3

.2

^2

^3

^2 ^3

.4

.3

La Va B

1

F#7

2 F#7

B

B

3 4 .5 .6

.7 .7 .7

.6

.6 ^5

.5 .5 .3

.4

^3 .3

^2 ^3 .5

^6 ^5

.5 .5 ^5 .5 ^4

.4

.5 ^5 ^6

.6

.7 ^7

.7 .6 .5 .7 ^7

F#7

.7

.6 .5

.7

^7

.7

^8

.7

^7

B

^7

^6

^7

^6 .5

^7

^6

^7

^6 .5

^7

^6

.5

^5

^6

.6

SCHOTTICHES

96

441. Mudgee Schottische C#m

E

E

C#m

C#m

E

4 4 .3 ^3

.4 .4 ^4 .4 ^4 ^5

.5 .3 .3 .3 ^3

C#m

.4 .4 ^4 .4 ^4 ^5

.5 ^5 .5 .4 ^3 .3 ^3

C#m

.4 .4 .6 ^3 .4 ^6

.3

.5 3^5 ^6 E

^5 ^6 ^5 .5 .4 .6 .4

.6 .3 ^5 .3

^5 ^6 ^5 .5 .4 .3 .4

.4 .4 ^4 .4 ^4 ^5

B

E

.5 .5 .4 ^3 .4

^4 .5 ^4 .4 ^3 .3 .5 3^5 ^6

.5 .5 .4 ^4 .5 ^4 .4 ^3

.3

.3 ^3

442. Harvest Moon Schottische E

D

D

E

Trad Australian, playing of Jamie carlin

F#m

3

Bm

A

.6 .5 .4 .3 E

^2 .3 ^3 .4 ^4 ^4 .5

A

A

^5 ^4 ^3 ^2

A

A

D

^5 ^4 ^3 .3 ^2 .3 ^3 ^4 A

.4 .3 .3 .4 ^4

A

D

3

.5 ^5 .5 .4

.5 .6

^6

.3 ^3 .4 ^5 .5 .5 ^5 ^6

3

3

.5 ^5 .5 .4 .5 .6 ^6

^5 ^6 ^5 ^4 ^5

E

F#m

3

^5 ^6 ^5 ^4

^5

^7

A

.6

A

E

D

3

4

.5 ^5 ^6

.6 .3 ^5 .3

C#m

3

A

^3

C#m

3

= 60

A

.5 .3 .3 .3

.6 .5 .4 .3

E

F#m

^7 .6

^6 .6 ^6 ^5 .5 .7 ^7

F#m

3

A

3 .6 .7 ^7 .6 ^6 ^5 .5 .4 ^4

F#m

3

^6 .6

A

3

^2 .3 ^3 .4 ^4 ^4 .5

^6 ^5

.5 .7

^7 ^5

^6

.6

.7

.6

446. Click go the Shears

4 4 .4 .4 ^3 .3 .4 .5

^7 ^7 ^7 ^6 ^7

.3 .6 .6 .6

.6 .6 ^6 ^5

.6 .7 .6

.5 .5 ^5 .5 .4 .3

^5 ^5 ^6 .6 ^6 .6 ^5

^3 ^3 .4 ^3

.4 .4 ^3 .3 .4 .5

.5 ^5 .5 .4 ^3 ^4 .4 ^3

.6 .6 ^6 ^5 ^5

.4 .4 ^3 .3 .4 .5

^7 .6 ^6 ^5 .5 ^4 .4 ^3

.6 .6 ^6 ^5 ^5

.3 .6 .6 .6

^7 .6 ^6 ^5 .5 ^4 .4 ^3

97

448. Cosgrove’s Schottiche G#m

B

B

G#m

3

4 4 .5

^5

.5 .4 .5 .4 .3

G#m

.4 .5

B

.5

B

.6

.6 ^7

G#m

^5 .5 .4 .5 .4 .3 .4 .5

.5

B

F#

G#m

− ^6 ^5

.6 .7 ^7 .6 ^5 F#

3

C#m

.6 .6 ^7 .6 ^5

F#

− ^6 ^5

F#

F#

.5 ^6 ^7 .7 ^8 ^7 .5 ^5 ^6

.5

C#m

^6 ^7

C#m

.7 ^8

B

3

B

.6 ^7 .7 .6 .5

^7 .5 ^5 ^6

.6

B

B

^7 .7

B

.6 .7 ^7 ^6 .6 ^7

B

− ^7

B

3

B

3

.5 ^6 ^7 .7 ^8 ^7 .5 ^5 ^6

.5 ^6 ^7 .7 ^8 3^7 ^6 .5 ^5 ^6

3

− ^6 ^5

.6 ^5

3

3

F#

3

3 .7 ^7 .7 .8 .7 .6 ^6 B

.7 3^7 .7 .7 3^7 .7 .7 3.8 .7 .6 ^6

.5

B

.7

B

−

.6 .5

G#m

.6 .7 ^7 .6 ^5

3

− ^6 ^5

B

.6 3^7 .7 ^7 ^6 .6 .5

449. Pine Tree Flat Barn Dance, Basil Cosgrove’s Hackett’s Schottiche A

4 4

E

B

A

B

3

F#m

E

E

[3 ^3] ^2 B

.3 .3 ^2 .3 A

3

^3 .3 ^3 .4 ^4 B

− .4 ^4

F#m

− .4 ^4

^3 .3 ^3 .4 ^4

B

F#m

A

.5

.6 ^6 .6 ^5 ^4 ^3 ^2

.3

E

3 .6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2 A

− .4

3

E

.3 ^3 .4 ^3 .3 .2

.5 .6 ^6 .6 ^5 ^4 ^3 ^2 E

.3

E

3

− .4 ^4

A

3

3

^2 .3

.3 ^3 .4 ^3 .3 [3 .3 ^3] ^2

E

^3 .4

^4

E

.5 F#m

.5 .4 .3 .4 .5 .4 .6 ^6

E

.5

F#m

.4 .5

.4 .6

^6

A

^5 ^4 ^3 ^4 ^5

E

3

A

^5 ^4 ^3 ^4 ^5 B

− .4

.3 .3 ^2 .3

−

^6

F#m

3 .6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2

− ^6

A

.3 .3 ^2 .3

450. Hackett’s Schottiche Basil Cosgrove’s Pine Tree Flat Barn Dance = 180

3

4 4

3

3

[3 ^3] ^2

.3 .3 ^2 .3

− .4

^3 .3 ^3 .4 ^4

− .4 ^4

.5 .6 ^6 .6 ^5 ^4 ^3 ^2

3

.3 ^3 .4 ^3 .3 [3 .3 ^3] ^2

− .4

.3 .3 ^2 .3

3

^3

.3 ^3 .4 ^4

− .4 ^4

.5

.6 ^6

.6 ^5 ^4 ^3 ^2 3

3 .6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2

.3 .3 ^2 .3

.3

^3 .4 ^3 .3 .2

.3

.3

^2 .3

^3 .4

^4

.5

.5 .4 .5

.4 .6

^6

^5 ^4 ^3 ^4 ^5

−

^6

3

− .4 ^4

.5 .4 .3 .4 .5

.4 .6 ^6

^5 ^4 ^3 ^4 ^5

− ^6

3 .6 ^6 .6 ^6 .6 ^5 ^4 ^3 ^2

AMERICAN

98

462. Yankee Doodle Too Young to Marry Trad

= 116

2 4 .6 .6 ^7 .7

.4 ^4 .5

.6 .6 ^6 .5

^5 ^6 ^5 .5

.7 .6 ^6 ^5

.6 .6 ^7 .7

^5 ^6 .6 ^5

.5 .6 ^6 ^7

.6 ^6 .5

.5 .6 ^6 ^7

.7 .6 .6 ^5 ^6

.6 .6 ^7 .7

.6 .6 .7 ^8

.6 .5 .5 ^5 ^6

^8 .7 ^7 .6

.8 .7 ^8 ^7

.6 .5 .5 ^5 ^6

^6 .5 ^5 ^6

.6 .6

.7 .6 .6 .7 ^8

.6 .7 ^7 .6

^5 ^6 ^5 .5

.8 .7 ^8 .8

^6 ^7 ^7 ^5 ^6

^5 ^6 .6

.5 ^5 .5 ^4

^9 ^7 ^7 .7 ^8

.8 .7 ^8 ^7

.6 .5 .5 ^5 ^6

.6 .5 .5 ^5 ^6

1

.6 .7 ^7 ^6

.6 .6 .7 ^8

.8 .7 ^8 ^7

.7 .6 .6 .7 ^8

.8 .7 ^8 .8

^9 ^7 ^7 .7 ^8

.8 .7 ^8 ^7

.7 .6 ^6 ^5

.5 .6 ^6 ^7

.6 .6 .5

2

.6 .6

463. O Suzannah, or Susanna Suzanna) = 120

E

A

E7

F#7

B7

E

B7

E

A

E

.3

^4 ^4

F#7

2 4 .3 ^3

.4 .5 .5 ^5

B7

E

^3 .3 ^3

.4 .5 .5 ^5

.5 .4 .3 ^3

.4 .4 ^3 .3 B7

.5 .4 .3 ^3

^3 .3 ^3

.4 .5 .5 ^5

.5 .4 .3 ^3

.4 .4 ^3 ^3

^5 ^5 ^5

.5 .5 .4 .3

E

.4 .4 ^3 ^3

.3

464. Old Joe Clark

2 4 ^3 I

^3 .4 ^4 .4 .4 used to live on the

[3 .3 .3] Fare thee well,

^3 .3 ^2 moun − tain top,

^3 .3 ^2 Old Joe Clark

[3 Fare

.3

^3 .4 ^4 .4 Now I live in

.3]

^2

− the well I’m

[^3 bound,

^3 town;

^3 I’m

.3 Fare

^3 .4 ^4 .4 stay − ing at the

.3 .3] thee well,

465. The Battle Hymn of the Republic = 80

F#

6 8 G#

^3 .3 ^2 big ho − tel,

^3 .3 ^2 Old Joe Clark,

.2 ^2 [^3 ^3 Cour − tin’ Bet − sy

.2 ^2 [^3] − Good − bye Bet − sy

.3] Brown

.2 Brown.

99

466. Jambalaya

Hank Williams

= 100

4 4 .4 .5 ^5 .4 .5 .5 Good − bye Joe, me got − ta

^5 .5 .4 go, me oh

− .5 .5 Got − ta go,

.5 ^3 my oh,

^6 ^6 − ^5 pole the pi − rogue

.5 .5 ^5 .5 down the

.4 ba

.4

.5

^5 ^5 .5 .4 Y − vonne, the swee

− you. My

−

3

^5 .5 .4 test one, me

−

.5 ^3 oh my

oh,

.5 .5 .5 Son of a

^6 ^6 ^6 ^5 gun, we’ll have big

.5 ^3 .4 fun on the

−

^3 .3 ba − you.

.7

.7

− ba − lay’

Jam

.6 .6 .6 ^5 .5 ’n a craw − fish pie’n’

.6 .5 .4 fi − let gum

−

3

−

.5 ^3 bo, ’Cause

to

^5 .5 .4 big fun on

^3 .3 the ba

− .5

.5

−

.5 .5 .5 ^5 .5 night I’m gon − n a

.5 .4 see my

−

.6 .6 cher − ie

ma

.6 ^5 .5 mi − o Pick

.6 ^5 .5 gui − tar, fill

^3 gay,

.5 .5 .5 o. Son of

^6 ^6 ^5 .5 a gun, we’ll have

− − you.

467. When the Saints E

F#7

Kevin Briggs, via EF

B7

E

E7

A

.3 .3

.4 .5

.5 ^4

Am

E

F#7B7

E

.5 .4

.3 ^3

.3

4 4 .3 .4 ^4

− .3 .4 ^4

.5

.5

− .3 .4 ^4

.5 .4

.3 .4

− .4 ^3

^3

− .4 ^4

−

468. House of ther Rising Sun = 100

3 4 [2] There

.3 .3

[^3] is

−

−

− a

^3

^2 house

.3 in

.4 .4 ma − ny

− ^3 New Or

.4

^3

.3

.3 [^3]

−

^5

^5

^5

− leans, They call the

− ^3 ^3 .3 a poor girl, And

.3 [^3] − me Oh God,

.4 for

.4 ^3 one.

−

.5 Ri

.3

− ^5 .4 − sing Sun; And

[^3] [2]

− [3]

−

^5 ^5 been the

it’s

^5 ru

− [^3] − in of

−

[^3]

468. Where Have All the Flowers Gone?

Pete Seeger

= 100

4 4 .5 ^5 .5 Where have all

.5 ^5 .5 ^4 Where have all the

.3 learn?

^4 the

.4 ^3 .3 flow − ers gone?

.4 ^3 .3 .5 flow − ers gone? The

.6 Long

^7 time

^6 ^5 .5 pas − sing,

.6 .7 ^7 .6 girls have picked them

.5 ^5 .5 Where have all

^6 ^5 .5 ^5 ev − ’ry one, Oh

^4 the

.4 ^3 .3 flow − ers gone?

^4 .4 ^3 .3 .4 when will they e − ver

^4 Long

.5 ^5 learn? Oh

.4 time

.3 a

^3

− go,

^4 .4 ^3 .3 ^2 when will they e − ver

100

469. Red River Valley

(American)

= 126

4 4 .2 .3 .4 .4 .4

^3 .4 ^3 .3

.2 .3

.4 .3 .4 .5 ^4 .4

^3 .5 ^4 .4 .4 ^3

.3 ^3 .4 .5 ^4

[^3 ^3 .3] ^2 .3 ^3

.4 ^3 .3

470. Yellow Rose Of Texas

(American)

= 126

1

2

3 4 .4 ^4 .5 .5

^5 ^5 .5

.4

.5 ^5 .6

.6 .6 ^7

.7

^7 .7

^8 .7 ^7

^8 .7 .6

.6 ^6 ^7

^7 .7 ^7

^6 ^5 .5 ^8

.7 ^7 .6

471. Darling Clementine

(American)

= 150

3 4 .3

.3 .3

.2

.4

.4 .4

.3

.3

.4 .5

.5 ^4 .4

^3

^3

.4 ^4

^4

.4

^3 .4

.3

.3

.4 ^3

.2

^2

^3 .3

.3

.3

472. Worried Man Blues E

B7

E

B7

A

4 4 .2

.3 .3 .3 ^3 It takes a wor

.4

.4

− ried man

.4 .4 .4 ^3 to sing a wor

.3

.3

[^3] .3

.3

.3

.3

.3

.3

[^3

− ried song, takes a wor − ried man to sing a wor − ried

4 4 .4 ^3 .3 [^3]

−

.3

E

B7

.3 .3] song, It

.3 .3 takes a

.3

.3

A

−

.3

.3 ^3 wor − ried

.3

.2

.3

.3

.3 ^3

E

.4 .4 man to

[^3] .3 B7

.4 .4 .4 ^3 sing a wor − ried

E

A

.3 .3 ^2 .3 song, I’m wor − ried

^3

.3

A6

^3 ^3 ^3 now but I

^3

.3

.2

B7

.4 ^3 .3 [^3] won’t be wor − ried

^3 ^3

.4

^3

.3

−

1 E

2 E

.3 long

−

.2

.3 long

.2

.3

.3

.4

E

.4 .3 wor − ried

.4

.4 long

−

−

473. Home On The Range = 126

1

2

3 4 [3 .3] .3

^3 .4

.3 ^2 [^3] ^4

^4 ^4

.4 ^4 .5

.3 .3 .3 ^2

.3

^3

^4 ^4 .4

^3 .3 ^2

.3

^3 .3

101

474. That Big Rock Candy Mountain = 90

.4 ^4

.5 .5 ^4 .4 ^4

.4 .4 ^4 .5 ^3 ^3

.3 .3 .3

.3

.5 .5 ^4 .4 ^4

^3 .4 ^4 ^3

.5 .5

^5

.5 .5 ^3 ^4

.4 .5 .5 .4 ^4

^5

.6

^5

^5

.4 .3 .4 ^4

.5 .5 ^4 .4 ^4

.5

.5 .5

.5 .5 ^4 .4 ^4

.5 .5 ^4 .4 ^4

.5 .5 ^3 ^4

.5 .5 .5 ^4 .4 ^4

.5 .5 ^4 .4 ^4

.4 .3 .3 .5 ^4

^4 ^4 ^4

^4

.5 ^4

.4

.4

.4

^4 ^4

.5

.4 .3

.5

.4 .4

^3 .4 ^4 ^3

.4 .4 .4 .4 .4 .5 .5

^3

^4

.4

474. Tom Dooley (2 parts) E

E7

.3

Trad American

E

B7

F#m

4 4 [3

.3 .3

.3 ^3] .3

.4 .4

.4

[3 .3

.3 ^3]

.3

^3

[3 .3

.3] .3

^3 ^3

4 4 − − − − − − − −

−

− − −

−

−

[2

.2

.2

.2]

.4

−

^3

−

− − − −

− − − − −

1 E

B7

.4

− − −

.3

−

− −

[^3

−

−

.3

−

^3]

2

.3

.3

−

475. Levi Jackson E

E

B7

.6 .5

^5 .5 .4 .5

E

E

− .4 ^3 .3

.2

G

Folk Camps, via EF

G

F#m B7

E

E

B7

.6 .5

^5 .5 .4 .5

E

4 4 .5 ^5 ^6 A

Am

E C#7 F#7

[^3 .[1]]

.2

.5

B7

.4 .3 ^3 [^1] .4 .3 ^3

[[^1] ^1]

A

.3

− .3 ^2 [[^1]] [^3] .3 ^3 − [^3] .3 [^3] .3 ^3 − [^3] .3 [^3] .3 ^3 ^4

C#

^3

[1] .4 [^6 ^3] .3 .4 .3 .4

[^6 ^3 .1] .4 .3 .4 ^4 ^5

^6 ^6

− ^5 .5 ^5

− .5 ^5 ^6

.5

E

C#

^6

− .5 ^4

E

F#m

B

.5 .1 .6 ^6

A

A#m

[[^10]] .6 .6

B7

E

^6 ^7 ^6 ^5 .5 ^5 ^6 ^7

.7 ^7 ^6 ^5

D#m

− ^6 ^5

^6

.3

F#m

C#

[[^10]] .6 .6

^5 .5 .4 ^3

^5 ^5 ^5

− .5 ^4

F#7

− ^6 ^5

A

− .5 .4

− .4 ^3

− .3 [^3] .3

.6 .6 .6

− ^6 ^5

B7

E

^3

.3

ITALIAN

102

476. That’s Amore

3 4 .7 ^7

.4 .5

.6 .7 ^7

.6 .4 .5 .4 .5

−

^5 .4

−

−

−

.7 ^7 .6

−

.4

.6 .7 ^7

.6 .7 ^7

.6 .4 .5 .4 .5

.7 ^7

.4 ^4 .5

.6 .4 .5

.6 .7 ^7

^5 ^4 .5

.6 ^6 ^5

.6 .7 ^7

^5 ^5 ^6

−

−

^6 .5

−

^4 ^3

.6 ^7 .6

^7 .6

−

.6 .7 ^7

.6 ^6 ^5

.5 ^3

.6 ^5 ^6

.6 ^7 .6

.7

^6 ^7 .6

^3 ^4

−

.5

^6 ^7 .6

^6 ^7 .6

^6 ^3 ^4 ^3 ^4

−

−

^7 .6

^7 .6

^6 .6 ^5

^6 ^3 ^4 ^3 ^4

^6 ^7 .6

^6 ^7 .6

^6 .4

−

−

^6 ^3 ^4

^6 .6 ^6

^6 ^7 .6

^6 ^7 .6

^6 ^5 ^4

^6 ^7 .6

^6 .5 ^5

^6 .6 ^7

477. Arrivaderci Roma

4 4 .2

^2

.4

− .5 .4

^3 ^2

− [^3

^4 .4

^3]

^3

− .3

[^3 .3]

.3

.2 .4

^2

^2 ^2

^2 ^3

^2

.3 [^3]

^2

−

^3 ^2

^2 ^2 ^2 ^2 ^2

[^3]

[^3

^3 ^2 [^3 ^3 ^3]

.3]

^4

.4

.2 ^2 ^2 ^2 ^2 ^2

.5

−

103

478. La Cucaracha = 150

D

A7

[3 .3] .3 .3 .4 .4 D Bm7

.3

D

− [3 .3 .3]

.4

.5 .4

.3

.5 ^5 .5 ^4 .4 .5

Bm7

.4

^4 ^3

D

−

A

Em

[3 .3] ^2 ^2 ^3 ^3

Em7

^4 ^3

A7

.5 ^5 .5 ^4 .4 ^3

A7

.3 .3 ^2 ^2 [^3 ^3]

.2

D

Em7

− [3 .3 .3]

− [3 .3 .3]

^2 ^4

−

^2 ^3

− [3 .3 .3]

.4 .3 A7

D

.5 ^5 .5 ^4 .4 ^3

.3

La Cucharacha in F

2 2 [3 .3 .3]

.3 .4

−

.3

[3 .3 .3]

.3 .4

.3 .2 .3 .2 .3 .4 .5

−

.3 .3 ^2 ^2 [^3 ^3]

−

.4

[3

.3 .3 .3] [^3] ^3

.5 ^5 .5 ^4 .4 .5

^4

[3 .3 .3]

−

^3

[^3] ^3 ^3

.5 ^5 .5 ^4 .4 ^3

^2 .2 ^2 .2 ^2 ^3

1

.5 ^5 .5 ^4 .4 ^3 ^3 .4

.3 .4

[3 .3 .3]

.3 .4

.3

−

−

^2 .2 ^2 .2 ^2 ^3

.3 .3 ^2 ^2 [^3 ^3]

[3

^4

−

^3

.3 .3 .3]

.5 ^5 .5 ^4 .4 ^3

[^3

.3 .3 .3]

.4 .3 .3 [3 .3 .3]

^2 ^3

^4

^3

−

2

−

.4 .3 .3 [3 .3 .3]

.5 ^5 .5 ^4 .4 ^3

.3 .6 .6 .6

479. Santa Lucia = 120

A

E

E

A

E7

3 4 .6 .5

.4

.5 ^4 ^4

^3 .4

^3

.3

.5 .5 Sul ma

.6

− re

.6 ^6 ^6 luc − ci − a,

^4 ^4 L’as − tro

^5 d’ar

^5

.5 .5

− gen − to,

.4 Plac

^5

.5

.5 [^6] ^4 l’on − da,

− ci dae

A

^4 .5 .4 ^3 Pro spe − roeil

^5 .5 ven − to.

.5 .5 .6 Sul ma − re

D

.7 ^7 .6 Ve − ni − teal

.6 ^6 ^6 luc − ci − a,

^4 ^4 ^5 L’as − tro d’ar

^5 .5 .5 to,

A

^6 ^5 ^7

− l’a − gi − le

^7 .6 ^5 Bar − chet − ta

.6

− chet

−

[^6] ta

.5 [^6] ^4 l’on da,

E7

[^6] .5 .6 mi a

.7 .6 .6 .5 .5 .4 San ta Lu

A

^7 Bar

.4 ^5 .5 Plac − ci dae

− gen

^4 .5 .4 ^3 Pro spe − roeil

A

^4 ^4 ^7 ci a

^7 ^5 ^6 San − ta Lu

^7 .6

− ci − a

D

.7 ^7 .6 Ve − ni − teal

E7

.5 mi

.6

.7 .6 San

.6 ta

.5

.5 Lu

.4

^4 ci

^5 .5 ven − to.

^6 ^5 ^7

− l’a − gi − le

A

−

^7 a

^7 San

.7

− ta

^7 Lu

−

^7 ci

−

.6 a

104

480. Carneval di Venezia = 240

E

B

E

B

E

3 4 .5

^5 .5

^4 .4

^4 ^2

^3 ^3 .4

^4 .5

^5 .5

B

.5 ^4 .4

.4 ^3 .3

− .5

.4

^5 .5

^4 .4

E

− ^3 .4

.3 ^2

^4 .5

^5 .5

− ^3 .4

^4 ^3

^4 .5

^5 .5

.3

B

−

.4

.5

.6 ^6 ^5

.5 ^4 .4

.5

E

− ^3 .4

^4 ^3

^4 .5

^5 ^6

−

.6

481. O Sole Mio

4 4 .8 ^8 .7

^8 .7 ^7

^7 .6

.6 ^7 .7 .6

.8 .7 ^7 .6

^7

.7

− ^3

.4 ^4 .5

−

^5 ^6

.6 ^7 ^6

^5 ^5 ^6

.6

^6

.6

−

.6 .6

.5

.4

.8

^8

−

.5

^3 .3 .5

.7

^7

.6

− .5 ^1

−

^6

−

.4

.6

^1

^4

.5

^7

^1 .5

.8

^6 ^6 ^5

−

^6

−

^3 .3 .3

.6

.6

.5

^4

.5

− ^6

.6 .6

.6 ^7 ^5

^6 ^6 ^5

− ^6 .6 ^7 ^6 ^5

^6 ^5

.7

.6

^6

−

.5

.5 .4

^8 .7 ^7

^8 .7 ^7

^5

−

.6 .6 ^7

−

^6

−

.6

.6 ^7

^8

.7

^7

.8

^8

.7

^6

^7

^7 .6

.8

^1

^8 .7 ^7

.6 ^7 ^6

.6

^7 .6 ^7

^4 .6 .5

−

^7

.6 ^7 .7 .6

^6 ^5 ^4

.7 ^7 .8 .7

.4 ^4 .5

^5

^6

−

^1 .5

^3

.7 .6 ^6

−

^3 .3 .3

^5

− .5

^6 ^5 ^4

.8 ^8 .7

^6 ^5 ^4

.7 .6 ^6

.5

^5 .5

− .4

^3 .3 .5

− ^3 .4 ^4

^4

^6 ^5 ^4

.8

−

^5 ^6 .6 ^7

.5

.5

− .5 ^1

^1

^5 ^5 ^6

−

.7

−

^6

.6

.6 ^7

^6 ^5 ^4

− .7 .6

.7 .6 ^6

−

− .4 ^3 .3

^4

.6

.6 ^7 ^5

.6

^6 ^5

−

.6

^7 .7

^1

.5

.5

.8

.6

LATIN AMERICAN

105

482. Banana boat Song, the

.5 .5

D

G

.3 .3 .4 .4 .5 .5 .4 .4

^4 ^5 .5 .5

Em

D

^3 ^3 ^3 .3 .3

D

D6 F#m

G

D

.6

^5

.5

^6

Em

.4 .4 .4 .4 .4

G

^3 ^3 ^3 .3 .3 .5

Em

.4 .4 .4 .4 .4

D

D

^3 ^3 ^3 .3 .3

.3 .3 .4 .5 .5 .4

D6 F#m

G

D

.6

^5

.5

^6

D

^4 ^5 ^5 ^5

.4 .4 .4 .4 .4

Em

.4 .4 .4 .4 .4

D

^3 ^3 ^3 .3 .3 .5 .5

483. Island in the Sun B

E

F#

B

F#

3

.5 .5 .5 .6 .6 B

.4 .4 .4

B

3

^5 ^5 .6 .6 .6

^6 ^6 ^6 ^5 ^5

^5 .5 .5 .5

E

F#

B

^4 ^4 ^4 ^4

^3 ^3 ^3 ^3 .3 ^3

^4 .4 .4 .4

.4 .4 .4 ^5 .5

.3 .3 .3 .3 ^3 .4

.5 .5 .5 ^4 ^4

^4

.4 ^4 ^4 ^4 .4 .3

^3 .3 .3 .3

E

F#

B

^4 ^4 [^3 ^3] ^3 .3

^2 ^2 ^2 ^2 [^3] ^2

^3 .3 .3 .3

484. Jamaica Farewell E

A

E

.5 .5 .5 .5 .5

^5 ^6 .6 .6 ^6 ^5

.5 .5 ^4 ^4 ^4 ^4

E

E

.4 ^3 .3 .3 .4 .5 E

B

A

.3 .3 .4 .4

B

E

B

E

.4 ^4 .5 .5

B

^3 ^3 ^4 ^4

.5 .5 .5 .5 .5 .5

A

E

^5 ^6 .6 .6 .6 ^6 ^5

.5 .5 ^4 ^4 ^4 ^4

E

^2 .3 ^3

^3

B

A

.3 .3 .3 .4 .4

.5

.3 .3 .4 .4 .4 .4 .4

^3 ^3 ^3 ^4 ^4 ^4 ^4 ^4

E

.4 .4 .4 .4 ^3 ^3

^3 .3 .3 .3

485. Coconut woman = 60

4 4 .4 .5 .6

^6 ^6 ^5 ^5 ^6 ^5

.4 .5 .5 .5 .5 .5

[^6] .5 ^6 ^6 .6

1

[^6] .5 ^6 ^6 .6

.5

^6 ^6 .6

.4 ^5 ^5

.5 .5 ^3 .5 ^4

.5 .5 .5 .5 .5

.4

.4 .5 .6

[^6] .5 ^6 ^6 .6

^6 ^6 ^5 ^5 ^6 ^5

^4 ^4 ^4 ^4 ^4 ^4

.5

.4 ^5 ^5

[^6] .5 ^6 ^6 .6

.5 .5 ^3 .5 ^4

.5 .5 .5 .5 .5

Aoda

^5 ^5 ^5 .5

^6

^6

.6 .6 .6 .5

^6

^6

^5 ^5 ^5 .5

^6

^6

.6 .6 .6 ^5

^6

.6 .6 .6

SLOW DANCE TUNES

106

486. Blue Moon = 150

A F#m Bm

.5

E7

A

^7 ^7 ^7 ^7 .7 .7 A F#m

A F#m

− ^4 .5 ^5 .5 .5 ^4 .5

.5

Bm

E7

F#m

E7

E7

A F#m Bm

− ^3 .4 ^4 .4 .4 ^3 .4 E7

A F#m

− .3 ^3 .4 .3 .3 .3 .3

.4

1 A

AD

−

.6 .6 .6 .6 .6

.6 .6 .6 .6 ^7 ^7

E7

A F#m

− ^3 .4 ^4 .4 .4 ^3 .4

2

−

G

Bm

−

E7

A

^7 ^7 ^7 .7 .7

− ^4 .5 ^5 .5 .5 ^4 .5

.5

− Bm

.6 .6 .6 .6 .6 .6

B

B

.5

E

− ^4 ^4 ^4

^4 ^4 Bm

.3 .3 .3

B

E7

^6 ^6 ^6 ^6 ^7 ^7

E7

.8

.5

A

− .3 ^3 .4 .3 .3 .3 .3

.4

.3

−

−

487. Sailor = 160

B

B7

.5

−

.4

E

.3 .3

B7

−

^4 ^5

B

B

F#7

F#7

B

.5 .4

− .3 .4

^3

−

.5

E

− .6 .6 .6 .6 .6 .6

.6

B

^5 ^4

.3 ^4 ^5 .6

E

^5

B7

− .6 .6

.4

^5

^4

.3

^4

^5

.6

^5

B

−

^4 ^5

− .4 ^4 .5 ^4 .4 .5

.5

−

.4

^4 .5

^4 .4

^4

.5

.4

^4 ^4 .5 ^5 .5 ^4 ^5

^4

B

.4 .4 .2 ^3

B

F#7

.5

F#7

.5

F#7

B

.6

E

.3

B7

− .6 .6 .6 .6 .6 .6

.5 B

.5

^5

^2

−

.3

488. You! You! You! E

.5

A

.4

.3

E

[^3] .3 ^4 ^5

B7

^3

^3

^3

.3

^3

.5

B7

.4

.3

.2 .3 .4 ^4

E

F#7

.4

[^6]

.4

^3

^2

.2 ^2 ^3 .4

B

^4

^4

.4

^4

.5

.5

E

A

E

B7

E

.3

[^3]

.3

^3 ^3 ^3 .3 ^3

.4

F#7

(Dinish with one F#) B7

^5

^5

^5

.5

^5

.4

^6

489. Too Young

.5

.6

.5 ^5 ^6 .5

^5 ^4

^6

^7

.7 ^6 .5 .4

− .5

.4

.5

.6

−

^5

.6

^7

−

.5

.6

.7 ^6 .5 .4

^7

^5

.7 ^6 .5 .4

−

.5

.6

^5

^7

−

^5

^7 .7 ^8 .6

.7 .6 ^7 .7

^7

−

^6 ^5

^5

^6 .6 ^7 ^5

^8 .7

.5

.7 ^7 ^7 .6

^5

.5

^6 .6 ^7 ^5

−

[^6] .5

107

490. Over The Rainbow = 130

A

.3

.6

C#m

D

^6 .5 ^5 ^6 .6

.3

E7

A

^4 .5 ^4 .5 ^4 .5 ^4 .5

^5

A

^5

D

.5

A

[^3] ^4

−

.5

1

Bm

.4 .3 ^3 .4 ^4

E7

^5

F#m

^3 ^2 .3 ^3 .4

2

.3

A

.3

.5

.4 .5 .4 .5 .4 .5 .4 .5

A

B7

E

.4 .5 .4 .5 .4 .5 .4 .5

[^6] ^5 ^4 ^5 ^4 ^5 ^4 ^5

^6

E7

^6

^7

^5

491. Silver Threads Among the Gold = 160

E

B7

E

.4 ^4

.4 .2 ^2 ^3

.3

B7

E

E

B7

E

.4 ^4

.4 .2 ^2 ^3

.3

E

4 4

B7

[3 ^3]

E

^2 .3

^3 [3 ^3] ^2

E

B7

E

.4 .2 ^2 ^3

.3

.4

.2

^4

.3

^2 ^4 [^3] ^4

F#7

.4

^3 ^3

B7

.4 ^3 .4 [^6]

B7

.2

−

.4

E

−

.5

.4

B7

E

.4 .2 ^2 ^3

.3

^4

E

[3 ^3]

^2 ^4 [^3] ^4

.4

−

.4

^4

B7

E

.4 .2 ^2 ^3

.3

.2

[3 ^3]

^2 ^4 .4 ^3

B7

.2

E

[3 ^3]

^2 ^4 .4 ^3

.3

B7

.2

−

.3

−

E

[3 ^3]

^2 ^4 .4 ^3

.3

492. Strangers in the Night

−

Bert Kampfert

2 2 .3 ^3 ^3 .3 ^3

^3 .4 .4 ^3 .4

^3 .3 ^3 .4 ^3 .3

.4 ^3 .4 ^4 .4 ^3

^2 ^3 ^3 ^2 .3

.3 ^3 ^3 .3 ^3

.3 ^2 .3 ^3 .3 ^2

^3 .3 ^3 .4 ^3 .3

[^3] ^2 ^2 [^3] ^2

^2 .3 .3 ^2 .3

^2 [^3] ^2 .3 ^2 [^3]

.3 ^2 .3 ^3 .3 ^2

.5

.5

^4

^4

.5 ^4 ^4 .4 .4 rit.

.4 ^4 ^4 .5 .5 ^4 ^4 .4

.5 ^4 ^4 .4 .4

.4 ^4 ^4 .5 .5 ^4 ^4 .4

^4 .4 .4 ^3 ^3

^4 .4 .4 ^3 ^3

^4 .4 .4 ^3 ^3 .3 ^2 .3

f# tempo

.4 ^3 ^3 .3 .3 ^2 [^3] ^2

.3

.3 ^3 ^3 .3 ^3

^3 .3 ^3 .4 ^3 .3

^2 .3 .3 ^2 .3

− ^2 .3 ^3 .3 ^2 [^3] ^2 ^2 [^3] ^2

^2 ^2 .3 ^3 .3 ^2

.3

108

493. Marble Halls

4 4 .5

^3

.4

.5 .6 ^6

^4

.4

.4

−

.5 ^4 [1]

.5 ^6 ^5

^4 .5

^3

^4

.5 ^5 .5

^5 ^7 .6

.4

^4 .5

.4

.4

^1 ^7 .6

.5 ^4 [1]

.5 ^7 .6

^5 ^6 .6 .6

^3

.5

^7 ^6 .6

.5

^4

−

.4

[^6] .5

^7 ^5 ^6

^5

.5

.5 .6 ^6

^6

.6

^6

^4 .5

.5 ^6 ^5

.5 ^5 .5

.4

− .5

.5 .6 ^6

.5 ^6 ^5

^6

^5 ^6 .6

^7 ^6 .6

.7

.4

^7 ^5 ^6

.5 ^4 [1]

.5 ^5 .5

.6

.5

109

496. MODERN DANCE BEATLES: Hey Jude, Let it Be, Michelle, Penny Lane, Ob La Di Hey Jude

Beatles, abc file by Bernard Loffet

= 70

^segno

D

A

A7

D

G

D

3 ^5 ^5 ^5 ^7 .6 ^6 .6 ^6

.5

A7

4 4 .5

− .4 .5 ^5

.4

1 D

^3

2 D

^2

.3

.5

^3 .4

fine F

^2 .3

.1 ^5 .5 .5 ^4

Em7

^5 .6 ^5

.5 G

.3 .6

G

.3 .6 ^5 ^5 .5 .5 ^4

^5 .5 .4

D7

^2 .3

D7

− .6 ^6 .5

^4 .6

− .6

Em7

−

^5 .6 ^5

A7

− .5 ^4

^4 .6 ^5

.6

− ^4

− .5 ^4

^4 .6 ^5

D7

.4 ^3 .3

^5 .5 .5 ^4 .4 ^2

A7

D

.5 ^5 .5

.3 ^3 .4

.3 .5 ^5

D

.5 ^5 .5

− ^4

.4 ^3 .3

^D.S. al fine A7

.1 ^5 .1

^6 .6 ^7

^7

.5

Let it Be A

E

F#m

D

A

E

D

.7 .7 ^7 .7 .7

− ^7

A

E

4 4 .5 .5

.5 .5 .5

F#m

^7 .7

− .4 .5 .5 .6 ^7

D

A

− .6 .6 −

.7 .7

.7 ^7 ^7

.7 .7 .7 E

D

− ^7

^8 .7 .7

E

D

− .7 .7 − ^7

.7 .7 ^8

− ^7 ^7 .6 .6

.7 ^7 ^7

.7 ^7

.7 ^7

A

−

^7 .6

F#m

.7 ^7 .6

−

^7 .6

.5

.5 .5 ^5 .6 .5

− .5 .6 ^7

E

D

A

− .8 .8 .8 .7

.7 ^7 .6 ^5 .5 .7

− .6

.6 .7 .8 ^9

A

−

^7 .6

.4 .5

Michelle B

Em7

.4

.4

A

^4 .3

F# ^to aoda G F# 3

^2 [^3] ^2 .3 Em7

.4

^2

^2 .4 ^2 [[^1]] Bm

.4

G

3

[^3] .3 [^1] .3

^5 .5 .4 ^5 .5 .4 F#

^2

^2

^2

G

[^3] .3

Am

3

^segno F#

^3 .3

F#

D7

^Segno F#

B

^2

.4

G

F#

^6 ^5

.4 ^4 .4 ^4 .3

G

Bm

.3 [^3] ^3 ^2

.3 [^3] ^3

[^3] ^2

.3

Em7

.4

^4 .3

Bm

^2 .4 ^2 [[^1]] Bm

^3 .3 ^2

Em

.3

G

Em

.4 .4 .4 ^5 .4

^2

A

− ^2 ^3

F#

^2 [^3]

[[1]

[^3] .3 [^1] .3

A#+

.4 .4 .4 .4 B Em

^3]

^2

Bm7 Bm6

.4 .4 .4 .4 B

[^3]

[^3]

Penny Lane E

.3 ^3

C#m

.4 ^3 .3 ^2 .3 ^2 [^3 .3]

B7

A

[^1] .3 ^3

^3 [^3]

.3

1 B7

^3

F#m7

[^3 .3]

B7

−

E

.2 .3 ^3

F#m7

^4 [^1] ^3 [^1]

^4 [^1] ^3 .3

2 B7

^2

[3 .3] .3 ^3

^3

Em7

.4 ^3 .3 ^2 .3 [3 ^3] .3

D

[1 ^1]

C#m

G

.3

Em6

− .2 .3 ^3

^2

F#m7

^4 [^1] ^3 .4

E

^2

.2

.4 ^4

.5

^3 .3 .3 .3 .3 ^3

D

[[^1]]

C

^4 [^1] ^3 .3

.4

^4

.5

^4 .4

^3

.3

.3 ^3

G

[[^1]] .3 ^3 [^1]

A

^4

[^1]

.3

Ob−La−Di E

B7

.4 .4 .4 .4

.4 .4 ^3 .3

E

^2 ^3

E

B7

E

.4 .4 ^4 .4

^3 ^4 .4 ^3

.3

^3

^3

^4 ^4 ^4 ^4

^5

.3

.3

.5 .5 .5 .5

A

.5 .5 ^4 .4

^4 .5

1

.3

.3 .4

.5 .3 .4

A

.3 .3 .3 ^4 ^4 .5

^4 ^4 .4 ^3

110

E7

.5 ^5

.6

^4

^5

.3

.5

.3 .4

.5

E

A

.4 .3 .3 .5

^5

.6

.5 ^4 .4 ^4

.4

^3

^5 ^5 .5 ^4

2 BC 2nd versefine

−

.3

^5

.3 .4

.3

E

.5 ^5

.6

^4

^5

.3

.4 .4

.4

.4 .4 [^1]

.4

^4

.4

B7

^DC al fine

^3

^3

497. Down By The Riverside D

.4

A7

.4 [3 ^3] .3

.3 .3 .4 .4

.4 .4 [^1]

.4 ^3 .3 .3

D

^3 ^3 [1]

1

A7

.3 .3 .4 .4

.4 .4 [^1]

A7

.4

^3 .3 .3

.4 ^3 ^4

D

.4 ^3

^3

.3

^3

.4

^3

− .3 ^3 .4

2

− .5

.3

G

.4

^3 .3 ^2 ^2 G

.3 .3 ^3 .4

−

.4 [3 ^3] .3

D

− ^4

^4 ^4 ^4 ^4 ^4

D

^4 ^4 ^4 ^4 ^4

^3 .3 .3 .4

.4 .4 .4 .4 .3

−

E7

−

.4 .4 .4 .4 .3

^3 ^3

.4

[^6] ^3 .4 ^4

−

.5

.5

498. Baby Face A

.5

E7

−

− .6 .6 ^6 ^6 ^5 ^5 .5

E7

A

.4 .5

− ^6 .6 ^5

− ^6 ^5 ^1

^6 .6 (^1) ^7 A

−

^5

^1

^5

.5

A

^4 ^3 ^4

−

− ^6 ^6 ^5

^6

^4 ^3 ^4

^4

C#7

.4 .5

−

− .6 .6 ^6

F#m

.6

^5 .5 .5 [^6]

^6 ^5 ^5 .5

−

^5

.5

^1

.5

^5 ^6

(^4)

^5 ^6 .6 D

− ^6 .6 (^1)

.6

E7

^5

−

.4 .5

F#m

^1 .5

Bm

B7

^7

.6 ^6

A

^6

.7

−

.6

499. Bye Bye Blackbird E

.4 .4 .4 .4

^4 .4 .4

B7

E

.4 ^3 ^3

^3 .3 .3

E

.4

^3 .3

−

C#7

F#m

^3 [1] .3

^3 ^4

.3 .5 .5 .5

−

.5 ^4 .4 ^3

B7

E

^2

.3

−

B7

.3

^3

.3

^2

Bm

C#7

F#m

^3

[1]

[^3] ^4 ^4 ^4

−

^4 ^4 ^4 ^4

^4 .4 ^3 .3

.5 ^4 ^4

^4 .4 .4

A

B7

E

.3

^2

.4 .4 .4 .4

.4 ^3 ^3

^3

Bm

^4 .4 .4

.4 ^3 ^3

111

500. Oh Johnny Oh Johnny Oh! A

E

.5

^4 .4

.5 ^4 .4

E7

−

^4 .4 ^4 ^3

A

^5 .5 ^4

^5 .5 [^6]

A

^6 ^5

^5 ^5 ^6

^5 .5 [^6] ^4

Bm

E

.5 ^4 .4

.5 ^4 .4

B7

− .5 ^5 ^6

.5 [^6] .5 .4

.6 .6

D

.6 ^5

E7

− .5 ^5 (^4) ^6 ^6

^4

C#7

^4 .4 ^4 ^3

− .5 ^5 ^5

^5

^6

−

^1 ^5

A

− ^5 ^6

^6

.6 ^6 .6 .5

− ^6 .6

E7

^7

(^1)

^7

−

^5

^5

(^4)

^6

.5

^5

.5

−

.6

501. When the Red Red Robin Comes Bob Bob Bobbing Along E

.3 ^3

E

.4 .4 .4 ^3 .3

^3 ^3 ^3 .3 ^2

E

.3 .2

.4 .3 ^3

C#m

.5 .4

.5

.4 .5 .4 .4 ^3 .3

F#m

.4 .3

.4

.3 .4 .3 .3 ^2 [^3]

B

.5 .5 .5 ^4 .4

^4 ^4 ^4 .4 ^3

.4 .4 .4 ^3 .3

.5

.3

^1

^3

.4

^3 ^3 ^3 .3 ^2

E

E7

.3 .2

.5

^5 ^4 ^5

^4 ^5 ^4 ^4 .4 ^3

B7

E

B7

E

^4 .5 ^5 .4 ^3

.4 .4 .4 ^3 .3

^3 ^3 ^3 .3 ^2

.3

A

Am

E

^5 ^5 ^1 ^5 .5 ^4

^1 ^1 ^1

.1 ^1 ^4 .4

.5

.4 .3

.2

.4

C#m

E

[^3] .3 ^3

.4 .4 .4 ^3 .3

B7

^3 ^3 ^3 .3 ^2

.3

−

502. Oh You Beautiful Doll

.5

^5

.6 ^7 .7 .8

.7

.7

.6 ^7 .7 .8

− .7

.7 .7 .8

− .7

^7 ^7 ^7 .6 ^5 ^7

^7 ^7 ^7 .6 ^5 ^7

− .7 ^7

.6

−

.6 ^7

−

.7 ^7 .7

^6

− ^5 ^6 .6

− (^1) .6 ^7

^7 ^6 ^1 .5

.7 ^7 .7

− .6

.6

^7 (^1) ^7

− ^6 .6 ^7

.7 .6 ^5 ^1

− .6 ^6 .6 ^7 (^1) ^7 −

.5

.7

^1

.7

112

503. Walkin’ My Baby Back Home 1

.5 .5 .5 ^5 .5 ^5

^6 .6 ^6 ^5

−

^6 .6 ^6 ^5

− .5 ^5

.4

− ^3 .4 ^4 .5 .4 ^3 ^3

^3 ^3 .4

^4 .5 .4 ^3

− .3 ^3

.3

2

.3

.6

^6 .5 ^5 ^6

^7 ^6 ^5 .5

−

− ^5

.5 .4 [^6] .5

− ^4

.4 .3 ^3 .4

− ^3 .3 ^2

.6

^6 .5 ^5 ^6

− ^5

.5 .4 [^6] .5

−

^5 ^5

− ^6 .6

PARTY

113

506. Rock around the Clock A

E7

[3 .3 .3 .3 .3]

[3 .3 .3]

−

^2 ^2 ^2 ^2 ^2

A

^2 ^2 ^2

E7

.2 ^2 ^3 ^2

.2 ^2 ^3 ^3 ^2

.2 ^2 ^3 .4

−

^3 ^3 ^3 ^3 ^3

D7

^4 .4 ^3

.3

.3

^2

[^3]

^2 .3

.3

.3

.3

^3

^3 ^3 ^3

^3 .3 [[^1]]

−

^3

E7

^3 .3 ^2 .2

1

[3

^3

A

^3 .3 [[^1] .3]

A

^3

−

^3 ^3 ^3

^3 .3 ^2 ^2

.3 .3 .3 .3

−

2

.3 .3

.3

.3

.3]

^3

^2

[3

.3

.3]

507. Twist, the tacit

.3 .4

− .3 .4 .3 ^3

.4 .4

−

.3

.3 ^3

.3 ^4

^4 .3 .4 ^3

.3

.4 .4 .4 .3 .4 .3

^3

− .3 .3 .3 .2 .3

.3

.4 .3

tacit

.3

^3 .3 ^3 .3

.3

.3 .3 .3

.3

.3 .3 .3

.3 .3 .3 .3 .3 .3

−

[^1] .3

^3 .4

.3

.3 .3 .3

.3 .2 .3

− ^3 .4

− .3 .3 .3 .2 .3

^3

.3

508. Chicken dance (D) = 90

4 4 .5 .5

^5 ^5 .4 .4 .5 .5 .5

1

^5 ^5 .4 .4 .5 .5

^5 .6 ^6 ^6

^5 .5 ^4 ^4 ^4

.5 .5 ^3 ^3 ^4 ^4 ^4

.5 .5 ^3 ^3 ^4 ^4

.5 ^6 .6 .6

2

.5 .4 .3 .5 .5

.6

.5 .4 .3

.5 [^6] ^4

−

^6

^7

^7

.6

.4

.5

.6

.7

^7

^7

− .5 [^6] ^4

.6

−

^6

^6

.6

.4

.5

^7 .6

^7

^6

− .5 .5 [^6]

−

.6

^4

.5

.5

[^6]

^7 .6

^4

509. Mexican Hat dance A

1 A

E7

6 8 .5

.6 .5 .6 .5

2 A

.6

.6

.6

.5

.6 ^7 .6 ^6 .6

^7 ^7

.5

^6 .5 ^6 .5

A

.8 [^10]

.8 [^10]

.8 ^9 .8 ^8 .7 ^7

.6

2 A

.8 [^10]

^6

.5

^6 .6 ^6 ^5 ^6

.6

.5

E7

.8 .7 .1 .7 .6 ^6

1 A

^6

.6

.6 .5

.4 ^4

.5 ^5 ^6 .6 ^7 .7

^8 ^7

^8 .7

^8 ^7 (^1) ^7 ^6 (^4)

^6 .5

.8 [^10]

114

510. Hokey Pokey, the A

E7

A

4 4 .5 .5 .5

.7

.6 .6 .7 .5 .5 .5

^7 .6 ^5 .5

^5 .6

.7

.6 .6 .7 .5 .5 .5

^7 .6 ^5 .5

.6 .6 .7 .6 .6

E7

A

.7 ^7

.7

^6 ^5 ^6 .6 ^7 ^6 ^5 .5

^5 .5 ^5 .6 ^7

E7

^7 .6 ^5 .5

^5 .6

.5 .5 .5 ^5 ^6

.8 .8 ^8 .7 ^7

1 A

.6 .6

.6

2 A

− .5 .5 .5

.6

SPECIAL OCCASIONS

115

511. For He’s a Jolly Good Fellow = 100

6 8 jol

− ly good

no − bo − dy can

de

− ny.

− low, For

he’s

For

fel

he’s

a

fel

− low, For

no − bo − dy can

Which

jol − ly good

a

he’s

fel

a

− ny,

de

− low For

− ly good

jol

he’s

a

fel

− low, For

he’s

no − bo − dy can de

Which

jol − ly good

fel

−

a

− ny,

jol − ly good

For

fel

− low Which

he’s a

jol − ly good

no − bo − dy can

low, Which

de

− ny.

512. Anniversary Waltz A

A#

E7

^5 .4

.5

Bm

E7

Bm7

E7 E+ A6 Ao

E7

^5 .6 ^5 .5 ^5

^5 ^6

^5 .5

3 4 .3 ^3

.4

.5

^5 ^6

E7m

A7

^7 ^7 .6

^7 ^7 .6

AD

A

.6

.6

^5 .5

^5 .6 ^5 .5 ^5

D

.5

F#+

(^4) ^5 .4

.5 ^4

^5 ^5 .5

^5 ^5 .5

^3 .4

^4 ^5

B7

E+

A

.4 ^6 ^5

[^1]

.3

^6 .6

^6 .5

^5

C#m7

F#7

B7

E7

^5 ^5

.6 ^6 ^5 ^6 .6

^6 .5

^3

.4 .5

^5 ^6

G

A7

D

G

D

.3

^5

.5 .4 .4 .3

513. Auld Lang Syne

.2

D

Em

.3 .3 .3 .4

^3 .3 ^3 .4

D

.5

A7

D

G

.3 .3 .4 .5

^5

G

.4

.4

.5

^5

^5

D

^5

.5

D

Em

.5 .4 .4 .3

^3 .3 ^3 .4

Bm

.4

.4

A

Em

.3

^3

A7

.3

Should auld acquaintance be forgot, And never brought to mind? Should auld acquaintance be forgot, And days of auld lang syne? And days of auld lang syne, my dear, And days of auld lang syne. Should auld acquaintance be forgot, And days of auld lang syne? We twa hae run aboot the braes And pu’d the gowans fine. We’ve wandered mony a weary foot, Sin’ auld lang syne. Sin’ auld lang syne, my dear, Sin’ auld lang syne, We’ve wandered mony a weary foot, Sin’ auld ang syne. We twa hae sported i’ the burn, From morning sun till dine, But seas between us braid hae roared Sin’ auld lang syne. Sin’ auld lang syne, my dear, Sin’ auld lang syne. But seas between us braid hae roared bSin’ auld lang syne. And ther’s a hand, my trusty friend, And gie’s a hand o’ thine; We’ll tak’ a cup o’ kindness yet, For auld lang syne. For auld lang syne, my dear, For auld lang syne, We’ll tak’ a cup o’ kindness yet, For auld lang syne.

.3 [^3 ^3 .3]

^3

.4

^3

Bm

Em

A7

^3 .3 ^3 ^5

G

A

A7

D

.3

[^3 ^3

.3]

.3

116

514. Happy Birthday C#m

B

F#m

E

E

B

A

E

E

6 8 [3

.3]

[^3

.3]

.3

^2

[3

.3]

[^3

.3]

^3

.3

[3

.3]

.5

.4

.3

^2

[^3]

^4

^4

.4

.3

^3

.3

515. Last Night I Had the Strangest Dream = 100

3 4 .5

.5

−

.3

.4 ^3

.3

^4 .4 ^3

.6

.3 .5

^5 .5

.5

.4 ^3

^4 .6

.3

.6

.6

.5 ^4

.6

^5 .5

^4 .5 ^5

.4

.5 .5

.5

.5

− .5

.5

^5

^5

.5 ^4

−

.5

^3 .5

.6 .6

.6

.5

^5 .5

^4

.3

.6

.4

.6

^3 .4 ^4

.5 ^4

.4

^4 .4 ^3

.5

.5 .5

−

−

.3

516. Our God our help in Ages Past

Isaac Watts 1674−1748 Tune William Croft 1678−1727

3 verses =1

.4 ^3

= 140

.5

.4 ^5

.3

.3

.5 .6

.3 ^3 .4

.4

.6 ^6

.6 .5

^3 ^3 .4

.4

.6 .5 ^5 [^6]

.5

^6

.6 ^5 ^7 ^6

.6 ^5

.4

^3

^3

.4 .3 ^4

.4

.4

.4

^3

^3

^6 .5

^3 ^2 .3

^5 .6

^7 ^6

.6

^4 .4 ^3 ^3

.4

517. Lest We Forget For Those In Peril on the Sea Wm Whiting. Tune John Bacchus Dykes 1823−76

(Recessional) 3 verses = 140

.3

.4 .4 .5 .5

[^6] ^4 .5 .5

^5 ^5 .5 .5

.5 ^5 .5 .4

.6 ^7 ^6 .5

.5 [^6] .5 ^3

^4 ^4 .4 .4

.5 .5 [^6] ^6

.5 [^6] .4 ^5

.5 [^6] .4 .4

.4 .4

^4 ^4

^3 .3 .3

518. Onward Christian Soldiers

4 4 .3 .3 .3 .3

^5 .5 ^4 .5

.3 ^2 [^3] ^2

^5 .5 ^4 .5

^3 ^3 ^3 .3 ^3

^5 .5 ^4 .4

^3

.4

.3 .4 .5 .6

.3 .3 .3 .3

.6

^6

.3 ^2 [^3] ^2

^5 ^5 .4 [^6]

^3 ^3 ^3 .3 ^3

.5

.4

^3 ^3 .5 ^3

.3 .4 .5 .6

.4 ^4 .4

.6 .5

.5 .5 .6 .5

^4 .4 ^3 .3

^5

.3

117

519. And the Band Played Waltzing Matilda B

E

F#7

.4 .4 .3

.6 .6 ^5

E

3 4 .3

.5 .5 ^4

.4 .3 ^3

.4 .5 .5

.5 ^4 ^3

^3 .3

E

B

.6 .6 ^5

.5

F#7

.4 .5 .5

.5 ^4 ^3

E

B

.6 .6 ^5

.5 .5 ^4

−

−

^3 .3

.6 .6

^6 ^6 .6

^7 ^6

F#7

.3

.4

.4

.5

.3 ^3

.5

.4 .5 .5

.4

.6

.5 ^4 ^3

.6 ^5

−

.3

.5

.3 ^3

.5

^5

−

.3 .4

.5 .5 .4

.6 .6 ^5

F#

.6

^6 ^6 .6

^7 .6 ^6

B

E

B

.4 .3

^4 ^4 .4

^3 .3

.4

.3

.4

E

B

.6 .6 ^5

.5

− .3 .4

.5

.5 .5 ^4

.5

.5 ^4

.5 .5 .5

.5

.4

.4 ^3 .3

.5 ^4 .4

^4

^3

520. I Still Call Australia Home F#7

Bm

D Dsus4D

G

Bm7

.4 .4 .4

^3 .4 ^3

^3 .3 .3

.3

^4 ^4 ^4

^3

.3

Peter Allen

= 120

D

.3

E7

Em7

D

F#7

.4 ^3 .3

^3 .3 ^3

.4 .4

Bm

E7

^3 .3 .3

^5

3 4 D

Em7

D

.5 .5 .4

^4 ^3

.3

F#m

−

F#m7

^6 .6

.4

Bm7

.4 ^4 .4

.3

^6 .6

F#m7

.6 .6 ^6 ^5

F#m6

^6 .6

Bm7

^5 ^5 ^6

.6

.6 .6

^4

Em7

D

F#7

.4 ^3 .3

^3 .3 ^3

.4 .4 .4

^3

Bm7

E7

Em7

.4 ^3 .3

^3

Dsus4D

.3

.3

G

^4 ^4 ^4

.4 ^4 .4

.4

F#m6

.6 .6 .6 ^6

Em7

E7

D

.4 ^4 .4

.6

^6

A7

.4

^3

.2

Bm

E7

^3 .3 .3

^5

.3

D

.3 ^3

.4

.4

.6 .6

.6

E7

A

^5 .5 ^4

.4

.4 C#

.4

.6 .6 ^6 ^5

Bm

D

Dsus4D

.4 .4 .4

^3 .4 ^3

^3 .3 .3

.3

.3

Em7

D

.5 .5 .4

^4 ^3

.3

.4

Bm

E7

^3 .3 .3

^5

−

G

^4 ^4 ^4

D

F#7

Bm

.4 .4 .4

^3 .4 ^3

^3 .3 .3

D

^3

.3

F#m

F#7

D

^3

^3

D

F#7

−

Bm7

.4

D

.5 .5 .4

^4 ^3

^3

.5 .5 .4

D

^4 ^3

^3

.5 .5 .4

^4

.5

.6

−

521. Advance Australia Fair

Amicus

= 160

E

F#mF#7 B F#7 B

E

A

E

F#7

^3

.3 [3 .2]

−

[3 .3 .3] .4

B E B F#7

B

^3 .3 ^2 [^3]

[3

A

E

B

4 4 .2

.3 [3 .2 .3]

A

[^3] .3 ^4 .4

.3 .3 .3 .4

B

^3

.3 ^2 .3

A

.2

[^3] ^2 .3 [^3]

^3 .2

E

C#m

E

B7

E

.2

.3 .3 ^3

.4

.3 ^3 ^2

.3

B E B7 F#7 B7

.4

^4 .4 ^3 .3

.3]

[^3] ^2 .3 [^3]

[3 .2 .2 .3]

E A

E

B7

E

^2 [^3 .3] .3

.4

.3 ^3 ^2

.3

118

522. Advance Australia Fair (upper octave)

4 4 .5

^7

.6 .5 .4 .5

.5

.6 .6 .6 .7

^5 ^6 .6

^5

^7 .6 ^6 .6

.5

^7 .5

.6 .6 ^7

.7

.6 .5 .4 .3

.5 .5 .5 .7

^7 .6 ^6 ^5

.6 ^7

.6

^8

^6

.7

.7

^7 .6

.5 .5

^5 ^6 .6 ^5

^6 ^5

.5

.6

.5 .4 .4 .5

^5 .6 ^8 .7

.7

^6

.6

^7

.6

523. God Defend New Zealand New Zealand National Anthem Thomas Bracken, Tune John Woods

= 140

.6 ^6 .6 .5

.8 .8 .6 .7

.8 .8 ^9 .8

.7 .7 ^7 .6

^5 ^8 .5 .7

^7 .7 ^8 .7 ^7 .6

^7 .6 ^6 ^5 .5

^6 .6 ^6 ^5 .5

.6 .5 ^5 ^6

.6 .5 ^5 ^6

.6 ^7 .7

.6 ^7 .8

.7 .6 ^5 ^7

.8 ^8 .7 ^8

.6 ^6 .6

.7 ^7 .6

524. God Save the King E

B7

E

A

E B7 E

B E B7

E

.4 .4 ^4

.4 ^3 .3

^3 .3 ^2

.3

E B7 E

F#m

B7

E

E B7 E

.5 ^4 .4

^4 ^4 ^4

^4 .4 ^3

.4 ^4 .4 ^3 .3

.4 ^4 .5

3 4 .3 .3 ^3 A

^2 .3 ^3

E B7

E

^5 3.5 ^4 .4 ^3

.3

.5 .5 .5

O’CAROLAN

119

525. Carolan’s draught

.2

.3 ^3 .4 ^4 .5 ^5 ^6 .5

.6 ^6 ^5 .5 ^3 [^6]

.5

.7 .4 .7 .4 ^7 .4 ^7 .4

.6 ^6 ^5 .5 .5

^6 .6

^5 [^3] .5 .2

^7 ^6 .6 ^7 .7 ^7 .6 ^6

.6 .4 .6 .4 ^6 .4 ^6 .4

^2 .3 ^3 ^2 .2

^4 .4 ^4 ^3 .4 ^4 ^3

.3 ^3 .4 ^4 .5 ^5 ^6 .5

^5 .6 ^6 ^5 ^5 ^1 ^4 .4

^5 ^1 ^5 ^6 .6 ^6 ^5 .5

[^3] ^2 .3 [^3] ^2

Turlough O’Carolan (Ireland)

.3 ^3 ^2

.3

^3 .4

^5

^6

.3 ^3

.4

.6 ^6 ^5 .5 [^6] .7 ^7 .6

^5 ^1 ^5 ^6 .6 ^6 .6 ^7

.7 ^7 .6 ^6 ^5 ^6 .6 ^7

.6 ^6 ^5 .5 ^4 .4 ^3 .3

^5 .5 .5 .2

^4 ^3

^7 .6 ^6

.5

.6

.7

526. Planxty Hewlett B

B

D#m B

.5 .4

.3 .3 ^3 .4 ^4

.5 ^5 ^6

.5

G#m

E

B

B

G#m

.6 .7 .7 ^8

.7 ^7 .6 .6 ^5

.6

Turlough O’Carolan (Ireland)

= 140

B

^4 .4 ^3 .3

B

E

B

.5 .4 .4

^4 ^4 ^5 .5 ^4

B

B

B

B

.5 .4 .3 .3

.3

.3

.5 .4 .5 ^5

3 4

B

B

B

.5 .4 .5 ^5

.5 .6 .6

.6 ^6 ^5 .5 ^4 .4

B

.7

B

^7

.7

^8

.8

^8

.7

E F# E

E F# E

E

^4 ^3 ^4 .5

^4 ^3 ^4 .5

^4 .4 ^4 ^5 .5 ^4

G#m

^7

.6

.6

B

^5

.5

B

B

B

.5 .4 .3 .3 ^3

.4 ^3 .4 ^4

E

.4

.4

^4

E

B

^4

.5

^5

^4

.5

.5 .3 ^4 .4 ^3 .3

.4 ^3 .3 [^3 .3 ^3] .3 ^3

.6 ^5 .6 ^5 .5 ^4 .4

.5 .3 ^4 .4 ^3 .3

.4 .3 .3

.6 ^7

^5 ^3 ^3 .4 ^4 .5

.7 .6 .7 ^7 ^6 ^7

^4 .4 ^3 .3 [3 ^3] .3 ^3

.4 .3 .3

.5 ^5 ^6

.5

.4

.3

.3

.3

O’Carolan

^5 ^3 ^3 .4 ^4 .5

.6 ^5 .6 ^5 .5 ^4 .4

D#m B

B

527. Planxty George Brabazon

.6 ^5

B

^5 .5 ^4 .4 .6 ^6 ^5

^5 ^3 ^3 .4 ^4 .5

^5 .5 ^4 .4 ^4 .4 ^3 .3

^5 ^3 ^3 .6 ^7

.7 .6 .7 ^7 ^6 ^7

120

528. Carolan’s Concerto

BB&S

= 60

3

G#m

B

G#m

B

^5 ^6 .6 ^7 .6 ^6 ^5 .5

.6 .8 .7 ^8 .8 .7

2 4 .5 ^5 ^6

.6 .6 .6 .6 ^6 ^5

.5 ^5 ^4 .5 .4 .5

^3 .5 .3 .5

E

^8 .8 ^9 ^8 .7 .6 .7 .8

B

^8 .7 ^7 .6 .6 ^6 ^5 .5

^5 .6 ^5 .6 ^8 ^5 ^8 ^5

B

.4 ^4 .5 .4 ^3 .4 ^4 ^3 E

^5

.5 .6 .5 .6 .7 .5 .7 .5

1

.4 ^4 .5 .4 ^4 .5 ^5 ^4

.5 .6 .7 ^7 .6 ^6

B

^8 ^5 .5 ^5 ^6 .6

^7 ^6 ^5 .5 .6

.6 .7

.6

^7 .7 ^8 ^7 .7 ^8 .8 .7

C#m

D#m

^4 ^5 ^4 ^5 ^7 .7 ^7 .6

^6 ^5 ^6 .5 ^4

2

3

.5 ^5 ^6

.6

F#

.5 ^5 ^6

.6 ^9 .8 ^8 .7 ^7

B

.6 .8 ^6 .8

F#

G#m

F#

^7 .6 ^6 ^5 ^6 .8 .8 .8

^5 ^8 ^8 ^8 .5 .7 .7 .7

^7 .6 ^6 ^5 ^6 .8 .8 .8

E

B

D#m

B

C#m

^5 ^8 ^8 ^8 ^9 ^8 ^9 ^8

.8 .7 .8 .7 ^7 .6 ^6 ^5

^6 .5 ^5 ^4 .5 .4 ^4 ^3

.3 .5 .4 .5 .3 .5 .4 .5

^4 ^3 ^5 ^3 ^4 ^3 ^5 ^3

B

C#m

B

.4 .5 .6 ^6 ^5 .5 ^4 .4

^3 .4 ^4 .5 ^5 ^6 .6 ^7

.5

1

.6

.7 ^7 .6 ^6

2 dinish on one F# part 3

.6

.5 ^5 ^6

.6

.5 ^5 ^6

121

529. Blind Mary = 45

4 4 ^3 .5

− [^6 ^6]

.4 ^3 ^2 .3 ^3 .4 ^3 ^2

[^3]

^2 .3 ^3 ^6 ^6 ^5

.5 .4 ^3 [3 ^3] ^2 .3 [^3] ^2

.2

^3 .5

− [^6 ^6]

4 4

.4

^5

^3 ^2 .3 ^3 .4

^3 ^2

[^6] ^3 .4 [^6] .5

[^3]

[^3 ^3] ^2 .3

^5 [^6] ^3 .4 [^6] .5 [^3 ^3] ^2 .3

[^3]

^2 .3 ^3 ^6 ^6 ^5

.5 .4 ^3 [3 ^3] ^2 .3 [^3 .3]

.2

.5 ^5 ^6

.6 ^6 .5

^2 .3 ^3

^2

.4 .3 ^2

^2 .4 .3 ^2 .3 ^3 .5

.5 .4 ^3 [3 ^3] ^2 .3 [^3] ^2

.2 .5 ^5 ^6 .6 ^6 .5

^5 [^6] ^3 .4 [^6] .5

^6 ^6

^5

.3 ^3 .5

.5

.4 ^3 [3 ^3] ^2

^6

^5 .5 [3 ^3] ^2

^6 ^5 .5 [3 ^3] ^2 .3 [^3 .3]

.2

^3 .5

− [^6 ^6]

^2

.4 .3 ^2

.3]

.3 [^3

.2 ^3 .5

− [^6 ^6]

^2 .4 .3 ^2 .3 ^3 .5

.3 ^3 .5

^6

.2

.3]

.4 ^3 ^2 .3 ^3 .4 ^3 ^2

^5 [^6] ^3 .4 [^6] .5 [^3 ^3] ^2 .3

[^3 ^3] ^2 .3

.3 [^3

.2

.5 ^5 ^6

.6 ^6 .5

.5 ^5 ^6

.6 ^6 .5

.4 ^3 ^2 .3 ^3 .4 ^3 ^2

[^3]

^2 .3 ^3 ^6 ^6 ^5

^6 ^5 .5 [3 ^3] ^2 .3 [^3 .3]

^5 .5 [3 ^3] ^2

.3 [^3 .3]

.2

AIRS

122

530. For Ireland I’d not tell her Name

3 4 .4 [3 .3]

[3

^3] .3

−

.3 ^3

[^3] .3 ^3

− .4 ^4

.3

.4 ^3 .3 [^3]

− .3 ^3

.4

.5 .4 ^3

.4 [3 .3] [^3] .3 .4 .3

.3 .4 .5

[3 ^3] .3

−

^5

.6 ^5

− .3 ^3

^3

.5 .4 ^3

.4 [3 .3]

.3 ^3 .4 .3

[^3] ^4 ^3

−

^3

.4

.3 ^3

− .3 ^3 .4 ^3 .3 [^3]

.4 [3 .3]

[^3] ^4 ^3

.4

−

.3

531. Lament on the Death of Rev. Archie Beaton

J. Mason 1971

Slow and pathetic = 58

.4 ^4

[^3]

.5

^4 ^3

.4 ^3

.5

.5

.5 ^4

^2 .2

.3 [^3]

.5

.5

.4 ^3

.3

.2

^4

.3 .4 .2

[2]

−

− [2]

.3 [2]

.4

−

^3

.3

[^3]

[2 .3

−

.3

.3]

−

[2]

.4

.3 [^3

.3

.2]

.4 ^3

.3

[^3]

−

.4 ^4

.2

.3 [^3

− [2 .3] .3 .4 .5 .6 ^7

.2

.3

[^3]

.7 ^7

^4

^3

.5

.5

.3

.5 ^4

−

.2]

.6 ^5

^2

.5

−

.2

.4 ^3

[2]

.6 ^5

−

.3 .4 .2

−

.3

− [2 .3 .3]

.5 .4

^3 .4 ^4

−

532. The Minstrel Boy

Thomas Moore (1779−1852) Air "the Moreen", an Ancient Irish Air, recorded by the Clancy Bros on songs of Rebellion.

= 240

E

F#m

E

^4 .4 ^3 .3

.4

C#m

E

B

1 E

^5 .5

.4 ^4 .5 .4

^3

.3

2 E

E

C#m

G#m

E

.6 ^6

^5 ^6 .6

^6 ^5

.5

4 4 .2

.3

C#m

^5

^3 E

.4

.4

C#m

.5

^5

.5

.6

E

^6

.6

^6 .6 E

.6

.3

^3

F#m

E

^4 .4 ^3 .3

.4

.2

.3

.5 C#m

.5

.6

^6 .6

^5

.5

E

B

.4 ^4 .5 .4

^3

.3

.5

123

533. Welsh Rabbit = 100

E

F#m

E

B

E

F#m

E

2 4 .6

.5

.5 ^4 .4 ^4 .5

B

E

^3 ^3 ^3 ^3

.5 ^4 .4 .5 ^4 .4 ^3 ^4

F#m

^3 .5

B

.4 ^3 .3 .4 ^3 .5 ^5 ^6

E

^4 .4 ^3 .3 ^2 [^3 .3]

B

E

.3 ^3 .4 ^3

.6

B

E

.6 ^7 .7 ^7

.6

.5

.5 ^4 .4 ^4 .5 .6

A

.5

^4 .4 ^3 ^4 .4 ^3 .3 .4

E

F#m

^5 .5 ^4 ^5 .5 ^4 .4 .5

E

^4 .4 ^3 ^4 .4 ^3 .3 ^2

.3 .3 .3 .3

534. Reedy River

(C) Chris Kempster

= 125

v1,2,4,5,7

4 4 .2

.3 .3 .3 .4

.3 [3 .3]

[^3 .3 ^3] ^2

.3 .3

^4 ^4 ^4 ^4

.4 .3

.3

^3 .3 ^3 .4

.4 .2

.3 .3 .3 .4

.3 [3 .3]

[^3 .3 ^3] ^2

v3,6,8

.3

.3

^4 ^4 ^4 ^4

^3 ^4 .4 ^3

.4 ^4 .5 .4

.4

^3

.3

^3 ^4 .2 ^2

.3 .3 .3

.3

^3 ^3

^3

.3

^4 ^4 ^4 ^4

.4

.4 .3

.4 ^4 ^3

.4

.3

^3

^4 ^4 ^5 ^4

.4

.4 ^3

.3 .3

.4

−

.5 ^4

.3 .3 .5

^4

.4 .4

.4

.4

^3 ^4 .4 ^3

.3

Am

E

E

F#m7/e

.3 ^3

.3

− ^3 .4

535. Kelvin Grove (Air) = 100

E

B/f#

E/g#

.4 .5

^3 .4

E

A

F#7/a+ B7

B7

E

B/f#

.4 .5

^3 .4

E/g#

E

A

e# F#m

2 4 .3 ^3 B7/d+

.3 ^2

[^3 .3]

E

g#

F#7/a+

B7

.5

.4

^3

^3

B7

− .4 ^4

^5

[^3]

.3

^3 .4

^3

− .3 ^3

B7

E

− .3 ^3

.4

B/d+

.5

^3

.3 ^2 [^3 .3] C#m

.4

.3

[^3]

C#m b

^2

[^3

.3]

A

Am

[^3]

.3

^3

^4 .4

^4 .5

E

E

.3

−

536. The Stars up above

4 4 .2

.4

^3 ^3 .3 ^2

.5

.5

.3

.4

−

^4 .4

^3

−

.2

.4 .5 ^5

.5

.5

^5 .5

^3

−

.3

^5 .5 ^4

.5

.5

^4 .4 ^3 .3

^3 .4

^4

.4

124

537. Ballade Irlandaise

Traditionnel abc file by Bernard Loffet

= 300

4 4 .3 .3 .3

.4

.3 ^4 ^5 .3 .3

.7 ^5 ^5

.3

^5

^5

.3 ^5 ^5 ^5

^4

^5

.3 .3

^5 .7 ^3 .7 .5 .5

^4

.5 .5 .4 .4

^4

.3

.4

.3

.3

.3

538. Marino Waltz = 70

A

4 4 .6

.5

.4 ^2

^4

^3 ^2

.4 .3

.5

.4 ^2

^6 ^5 .5

[^3]

.3

.4 [^3]

−

^4

.5 [^6] .5 ^5 ^6 .6

^4

− ^3 .3 ^2

[^3] ^5 .5

^2

[^3

.3]

−

.2

.5

−

[3 ^3] ^2 .2

.4 ^2

.4 [^3]

^4

^3 ^2

.4 .3

−

[3

^2

^2

− [^3]

^3]

.2

^3 .3 .2 .4

−

^4

[3 .3]

^3

.3

.2

^3

−

−

.2

.6

−

.5 .4 ^2

[3 ^3] ^2 .2

− .4 .4

[^3] ^2 .3 ^3

.5

^5

.5

^4

^6 ^5 .5 ^4

[^3]

^3 .3 .2 .4

^3

^2

^3

−

[^3]

^2 .2

−

.4

^5 .5

−

.6

^4

.3

B

[3 .3]

^3 ^2 .2

[^3] ^2 .3 ^3

.4 .3

− .4 .4 −

^5 ^1 ^5 ^6 [[^10]] ^7

−

^4

[^3] .3

− ^3 .3 ^2 ^2 [^3 .3] −

[3 ^3] ^2 .2

^3 .3 .2 .5

^5 .5 ^4

125

539. King of the Fairies = 40

2 4 [2]

[^3 .3 ^3] ^2 .3 ^2 .3 ^3

.4 [^3] .3 ^2 [^3 .3]

[^3 ^3]

.6 ^7 .6 ^6 ^5 ^6 ^5 .5

.4 .4 .3 ^3

.4 [^3 ^3] ^2 .3 [^3]

^5 ^5 .4 .5 ^5 ^6

.6 ^7 .6 ^6 ^5 ^6

.4 .5 ^5 .6 ^6 ^5 .5 ^6

.5 .4 ^3 ^2 .3 ^2 [^3 ^3]

^5

[2 ^3 ^3] ^2 .3 ^3

^2 .3 ^2 [^3 .3 .2]

.4

^5

^6

[^3 .3 ^3] ^2 .3 ^2 .3 ^3

.4 ^3 .3 .4 .5 ^4

.5 ^5 .5 ^4 .4 ^4 .5 .4

^5 .4 .4 .5 ^5 ^6

^5 .4 .4 ^3 .4 ^4

.6

^5 ^5 .5 ^5 ^6

^5 ^6

^5

.4

.5

^5 .5 .4 ^4 .5

.4 ^3 .3 ^2

^5

.5 .4 ^3 ^2 .3 ^3 .4 ^4

[^3]

540. Si Beg Si Mor

Carolan

3 4 .6 ^7

.7

.5

.6 ^6

.5

.8

.6

^7 .6

.6

.6

^7 .6

.6 ^7

^9 .8 ^8 .7 ^7 .6

^5 .5

.7

^7 .6

^7 .6 ^6

.4

.5

^5 .5 ^5 ^6 .6

^7 .6 ^7 .7 .8

.6

^9 .8

^7 .6 ^7

.7

^7 .6

.7

^7

^7 ^7 .8

.6

.7

.7

^5 ^7

^7

.6

^5

.5

.6

.4

^5 .5

.4

^3

.3

.7

^5 ^7

^3

.3

.7

^5 ^7

.6

541. Rachel Rae

(Scotland)

= 70

4 4 .3 .4 .5 .6 .5 ^6

.6 .7 .6 ^7 ^6 .5

.6 ^7 .7 ^8 .8 ^8 .7

.6 .5 .4 ^5 .5 ^4 .4

^7 ^8 .7 ^7 .7 .6 .6 .5

^3 .4 ^4 .5 .4 .3 .3

.6 ^7 .7 ^8 .8 .7 .6

^8 ^9 ^8 ^7 ^6 .5

.6 ^7 .7 ^8 .8 .7 .6

.6 .5 .4 ^5 .5 ^4 .4

542. Fairy dance

^8 ^9 ^8 ^7 ^6 .5

^3 .4 ^4 .5 .4 .3 .3

Nathaniel Gow ? (England)

= 80

4 4 .7 .7 .6 .7 .7 .6

.7 .7 .6 ^6 ^7 ^6 .5

.7 .7 .6 ^8 .7 ^7 .6

1

.7 .7 .6 ^8 .7 ^7 .6

^6 .5 ^5 ^6 .6 ^7 .7 ^8

2

^6 .5 ^5 ^6 .6

^6 .5 ^5 ^6 .6 ^7 .7 ^8

.8 .8 .7 ^9 ^9 .8

^8 .7 ^8 ^7 .8 .8 ^8

126

543. The Resting Chair

Trad

4 4 .7 ^8 ^7 .7

.6 .5 .4 .3

^4 ^7 .4 .6 .5

[^6] ^5 ^7 .6 ^6 .5

.7 ^8 ^7 .7

.6 .5 .4 .3

^4 ^7

.5 ^6

.6

.5

.7 ^8 ^7 .7

4 4

.6 .5 .4 .3

^9

.9

^9

.9

^4 ^7 .4 .6 .5

.8

.7

.8

[^6] ^5 ^7 .6 ^6 .5

^8 .8 .7 .6

.7

^8

^5 ^7 .6 ^6 .5

.8 .7

.6 .5

.7

^8 ^7 .7

.6 .5

^8 .7 ^7 .6 .9

[^6] ^5 ^7 .6 ^6

.8

.5

.4 .3

^9

.7

.9

^4 ^7

.8

^8 ^7

.5 ^6

.7

^8

.7

.6

.6

.8

^9 .8 ^6

.5

.4

.6

.3

^4

^8 .7 ^7 .6 .9

.8

^8 .7 ^7 .6 .9

.8

.8

^3

.5

^6

.6

.3 Pher

− son’s life will not

544. MacPherson’s Lament = 50

Verse

4 4 .2 Fare

.3

− well,

^3 .4 ye dunge

^3

.3

− ons dark

^3 .3 ^3 .4 ^3 and strong. Fare − well, fare

.2

.3 to

− well

^3 .4

^3 .3

[^3 thee.

.3] Mc

^3

.4

^3

.3

Bhorus

^3 .3 ^3 .4 ^3 .2 be long, on yon − der gal

[^3] he.

^5 He

.3

− lows

.5 played

.4 ^3 .3 [^3]

.2 tree.

.4 ^4 .4 ^3 .3 a tune and he danced

.4 ^4 Sae rant

.4 a

.5

.4 ^4

.4

^3

.3

− ing − ly, sae want − ing − ly,

^3

− round

^3 be

.2

− low

.3 tree.

.4 ^3 ^3 .4 ^4 And sae daunt − ing − ly

.4

^3

.3

[^3

.5 .4 ^4 .4 ^3 .3 gaed

.3]

127

545. Miss Kate Rusby

John McCusker (Battlefield Band) Pub Kinmor Music arr.PBR

= 80

E

B

C#m

B

E

3

B

F#m

3 4 .2

.4 .2

F#m

^3 .3 ^2 E

3

[^3] ^3 .4 ^4 B

.4

.2

[^3] ^2 .3

^3 .5 .2 ^3 .4 ^4

F#m

B

^4 .4 ^3

.3 ^3

G#m

E

.4

E

−

.2

B

B

E

^2 ^3 ^2

.3

3

.4

.2

.2

^3 .3 ^2

[^3] ^4 .4

^3 ^3 .3 [^3]

B

C#m

B

^3 .3 ^2

[^3] ^2 .3

^3 .5 .2 ^3 .4 ^4

E

3

1 F#m

C#m

^4 .4

E

B

.4 .5 .2

^3

.3 ^2

B

2 F#m

B

^3

^4

C#m

.5 .3 ^2 F#m

[^3] ^4 .4 E

3

^3 ^6 .6 ^7

.7 ^6 ^7

.6

.3

^6 ^5 .5

^4

.4 .5 .3

^2

[^3] .3 ^3 .4

^4

.4 .5

.3

[^3]

.4

^2

^3

.3

546. Roisin Dubh Roisin Bheag Dubh My Little Dark Rose Traditional Celtic

= 60

BBB

C#m B

B C#m G#m B

C#m B

B C#m B B

B C#m B

C#m

B

B

B

B

C#m B

B C#m

3 4 BB

B

B C#m 1 B

B

B

E

B

B

B

B

B

C#m B

B C#m

B G#m B

B

B BB

C#m B

B C#m G#m B

C#m B

2 B B

547. Roisin Dubh with ornamentation = 60

B

G#m

F#

B

F#

B

4 4 F#

3

B

3

F#

B

B

G#m

G#m

F#

B

F#

B

F#

G#m

F#

B

F#

B

SONGS

128

600. Shoals of Herring = 76

2 4 .3 ^3 .5 .5

.5 ^5 .5

^4 .4 .5

.3 .4 .5 .5

.6 ^7 .7 .6

^7 ^6 .5

.6 ^7 .7 .6

^7 .6 ^6

.5 ^4 .4 .3

.3 .4 .5 .5

.4 .3 ^4 .4

^3 .3

601. Scarborough Fair

Trad. North England

= 150

3 4 [^3 ^3]

− .4

.4 .4

^2 .3 ^2

[^3]

[^3]

.4 .5

^5

.5

.4 [^6] ^3

−

.4

−

−

^5

3 4 [^3 ^3]

^5

^5

.2

[3 ^3 .3]

.4

.4 ^3 .3

^2

.5 .5

.5 .4 .5

^3 .2

.3 ^2 [^3]

[^3 ^3 ^3]

−

[^3]

[3 ^3] ^2 .3

[2]

.4

.5 ^5 .5

^3

.3

^2 [^3

^5 ^5 ^5

^2 ^6 ^6

^5

.3 ^2 .2

[^3]

−]

[^3 ^3]

.3 ^2 .3

^3 .3 ^2

602. I Never Will Marry = 100

3 4 One

mor − ning I

ram − bled,

Down

by the sea shore.

The wind it did

whis − tle

And the

wa − ters did roar.

603. Shady Grove = 400

2 4 Cheeks as red as the

down.

bloo − ming rose,

Eyes of the dee − pest

brown

You

are the dar − ling

of my

heart,

Stay til the sun goes

129

606. Ash Grove, the (2 parts) E

F#m

B

E

^2 [3 .3]

.3 .4 ^3 .3 ^2

.3 .3 .3

.3 .3

Old Welsh tune Words Thomas Olipham

A

E

B7

E

B7

E

C#m

.3] .3 ^2

.3

.2

.3 .4 .5

.4 .3

−

[2 .3] ^3

.3 [^3 ^3

3 4 .2

.3 .4 .5

.4 .3 .3

^3 ^4 .4 ^3 .3

[3

.3 .3] ^3

.3 [3 .2

^3]

− [^3

[^3]

.3

3 4

F#m

F#7

−

[^3

B

E

^3 ^4 .4 ^3 .3

^2 [3 .3]

.3 .4 ^3 .3 ^2

^3] ^3

.3 .3 .3]

[3 .2

[^3

E

B

A

.3]

E

.4 ^4

.5 .4 ^4 .5 ^5

.5 ^4

−

− −

[2 .3]

−

[2]

.3

.4 .3

[1] ^3 [1]

.3 .4 .5

.4 .3 .3

^3 ^4 .4 ^3 .3

−

^2 ^2 ^3

.3 [3 .2

^3]

.3

^2 ^3 .3

^2 .2

F#m

.3

.5

.3 .3

C#

.3] .3 ^2

E

.5

Bm

^2 [2]

− [^3

B7

^3 .5 [^6]

−

[^3]

B

.4 ^3 .3

[2]

B7

.2 .2]

[3

F#7

.4 ^3 ^3 ^3 ^4

.3

E

−

.3]

F#m

F#7

−

[^3

.3

−

.4

E

^2 [3 .3]

.3 .4 ^3 .3 ^2

− [^3

.3 .3

^3 .4 ^4 .5

^3 [^3]

B

^3]

B7

^4 .4 ^3

^3

^3 .3 ^2

A

.3]

E

B7

[^3]

− [^3

.3] .3 ^2

−

− −

[2 .2]

−

E

.3

[2]

607. Berkshire Tragedy, the (Trad)

6 8 .5 A

^4 he

.5 .5 ^4 ^3 .4 ^4 far − mer he lived in the

[^1] ^3 had daugh

.3

− ters

.5 ^3 .3 .3 .3 West Count − ry with a

^2 ^2 [^3 .3 one two and three,

.3] and

.3 I’ll

^3 .2 ^3 .2 hey down, low down

.3 .4 .4 ^5 be true to my

.5 A

.5 love

.4 if

.5 .5 ^4 ^3 .4 ^4 far − mer he lived in the

.4 my

.4 love

.5 ^3 .3 .3 West Count − ry and

.4 ^3 .3 ^3 will be true to

.3 me.

608. Jacob’s Ladder = 400

A

E7

A

D

A

E7

A

130

609. Fathom The Bowl = 100

3 4 From

Port − u −

France

gal come. Bu − t

fath − om the

bran − dy, from Ja

we get

stout and strong

fath − om the

bowl. I’ll

ci

−

− mai − ca

der are

fath − om the

bowl. I’ll

−

Eng

comes

rum.

land’s con

bowl.

Sweet

oran

− trol.

Give

− ges and

Bring

− ons

from

la − dle, I’ll

me the punch

lad − le I’ll

me the punch

lem

fath − om the bowl.

610. Kumbaya A

D

A

A

Bm

E7

A

D

A

2 4 Bm

A

E7

A

611. Pokare Kare Ana D

G

A7

D

G

3 4 .2 .4 .4 ^3 ^3 D

[^3] .3 ^4

−

.3 .4

.2 .3 .3 ^2 ^2

A7

.4

.3 .3 ^3 .4

−

[^3] ^3

[^3 ^3] ^3 ^3 .3 .3

−

^2 ^3

[3 ^3 ^3 .3 .3]

.3

.3 ^3 .4

D

^3 ^3

^2 ^2 [^3 .3]

.3

612. Long Long Trail E

^4

E

A

Kevin Briggs, via EF

E

B7

B7

E

F#7

6 8 .2 .3

.4 .4

B7

− ^4

.4 E

^3

− .2 .3

B7

E

− .3 ^3

− ^2

.3

[^3]

.4 .4

− ^4 .4 ^3

.4

.3 .3

− ^2 [^3] ^2 .3 [^3] C#m

−

.4

^4

−

.5

− ^4

E

.3 .3

.4

− ^3

.4

− ^3 .4 ^4 G#7

[^3 ^3] ^2

.4

− ^4

.5

B7

[^3 ^3] ^2

.5

C#m

.3 ^2

F#m C#m C#m

− ^2 [^3] ^2 .3 [^3] ^4

[^3] G#7

^3 [^1]

− ^3 .4 ^4

F#m C#m C#m

G#7

.3 [^1]

.4

A

C#m

A

.3 [^3] ^2

− ^4

.4

− ^3

.3 .3

E

.4 .4

C#m

[^3 ^3] ^2

− ^4 .4 ^3

.4 .4

[^3]

G#7

.3 ^2

^4 .4

B7

− ^4

.5

^2 .3

.4 ^3

E

− ^4

E

^4 .4

^2 .3

C#m

−

[^3]

C#m

[^3]

.4 .4

F#m C#m

− ^2 [^3] ^2 .3 [^3] A

−

^3 .4

[^3 .3 ^3] ^2

^4

.4

A

.3

[^3 .3 ^3] ^2

131

613. Long Black Veil

Marijon Wilkins and Danny Dill

= 128

4 4 −

[^3] Oh

.3 .3 .3 Ten years a

.3 [3] .3 ^3 on a

− go

.4 .4 cold dark

−

^3 .3 night,

^3 ^3 .4 Some − one was

^3 [3] [3] .3 .3 ^3 killed ’neath the Town Hall

.3 .3 light. The

.3 .3 .3 peo − ple who

aho:

.3 [3] .3 ^3 they saw

.4 all

.3 .3 long black

− ^3 .4 ^3

.5 knows,

.4 veil,

.4

.3 No

.4 a

^3

.3

− ^2

.3 That the

− greed

.3

− bo −

.3

[^3] .3 Vi − sits

.3 dy

^3 ^3 .4 slay − er who

− .3

[^3] [3] grave

my

.4 ^3 .3 sees,

^3 [3] [3] ran looked a

−

.3 .3 ^3 lot like

− [3] [^3]

.3 ^3 .3 night winds

when the

−

[^3] .3 No

.3 [3] [^3] me. She

.3 .3 bo − dy

.4 wail,

^3 knows

.3 .3 walks these

− ^3 .4 ^3

.4 but

[^3] [3] hills

.3

− [3] [^3] in

a

.4 .5 .5 ^5 No − bo − dy

.4 ^3 .3 me.

.3

614. Sweet Jenny Jones

Adderbury

3 4 .5

.6 .5 .4

.7 .6 .7

.3 ^3 .4

^7 ^6 .5

^4 ^5 ^7

.6 ^6 ^5

^6 .5 ^6

.5

.6 .5 .4

^5 .5

.6 .5 .4

^4 .5 ^5

.3

.5 .6 ^6

^3 .4

.6

^4 ^5 ^7

.6 ^7

.7 .6 .7

^6 .5 ^6

^7 ^6 .5

.6 .5 .4

^4

.6 ^5 .6

.5 ^5

^6 .5 .6 ^7

.5 .6 ^6

.6

615. The Foggy Dew = 100

4 4 ’Twas

march

− ing

sound it’s

down the

men

dread

glen one

In

tat

squad

−

too,

Eas

−

− ter morn, To a

rons

But the

passed me

An

ci

−

ty

by.

− ge − lus bell o’er the

fair

No

rode

I.

pipe

did hum,

Lif − fey’s swell Rang

When

and no

out

Ire

− land’s

bat − tle

line of

drum Did

in the fog − gy

dew.

132

616. Foggy Foggy Dew, the (2 parts)

Trad

= 170

E

A

F#

B7

E

A

.2 ^2 ^2 ^3 ^4

.4 .3

[3 .3]

.3 .3 .3 .3 .4 .4 .4

−

[3

.3

.3

F#

4 4 .2

.3 .3 .3 .4 .4 .4 .4

[^3 ^3 ^3] ^3 ^3

.4 [^3 ^3 ^3] ^3

.3 .3

4 4 [3

.3

B7

E

^2 ^2 [^3] ^2

.3

−

−

−

.3]

[3

−

−

−

−

B7

E

.3] ^2 ^3 ^4

.4 .3

[3 .3]

[3 .3

B7

E

.3 .3 .3] ^4 ^4

.4

.3 .3

−

.3]

− [^3] A

[3 .3]

.3 .3 .3 .3 .4 .4 .4

[^3 ^3 ^3] ^3 .3 .3

−

[2]

B7

E

^2 ^2 ^2 [3 ^3 ^3] ^2 .2

.3

F#

− [^3

.3]

617. Drunken Sailor

Trad sea shanty

= 240

C#m

B

C#m

E

B

C#m

Aho

4 4 .4 .4 .4 .4 .4 .4

.4 [^3] .3 .4

^3 ^3 ^3 ^3 ^3 ^3

^3 .2 ^2 ^3

B

.4

[^3]

.3

.4

^3

.4 .4 .4 .4 .4 .4

.4

− .5 ^5

C#m

^3

^3

^3

.2

^2

^3

.4

.5 .4 ^3 ^2 E

.4

.4

.4

−

.5

^5

.5

^5 [^3]

B

.4

^3

.4

.4 .4

C#m

^2

[^3

^3]

618. Early One Morning (2 parts) E# A#

E#

A#

D#m

.3 Ear

.3 .4 .5 .5 mor − ning, just

^5 ^4 ^3 .3 as the sun was

B#7

E#

A#

B#7

E#

B#7

.3

Oh, don’t de ^3 .4 ^4

2 4 .3 .3

− ly one

^2 ^3 [3 .3] ri − sing, I

.3 .3 .3 heard a maid

.3 .4

.5

.5

2 4 B#7

me. ceive .5 .4 .3

E#

Pray, ne − ver leave me ^3 .4 ^4 .5 .4 .3

B#7

How could you .3 .4 .5 .6

use a ^6 ^5 .5 ^4

^5 ^4 ^3 ^2 ley be

− en sing in the val −

E#

poor maid − en .4 ^3 .3 ^2

so! .3

− low.

−

133

620. Mary Hamilton = 130

3 4 .3 Last

.3 .3 ^3 Bea − ton and

.4 ^3 night there

.3 .4 .5 four were

.4 .5 ^4 .4 Ma − ry Car

^3

^5 Ma

.4

.5

.4

.4

.5

.5 ^4 .4 but

^3 three

− ries, this night there’ll be

^3

.3

^3

.5 There’were

−

.6 .6 Ma − ry

^6 ^6 ^5 Sea − ton and

.5 .4 Ma − ry

.3

− mi − chael and me.

621. Donna Donna = 100

Verse

4 4 .4 [^3] ^2 .3 ^3

.4 [^3] ^2 .3 ^3

.4 [^3] ^4 .4 ^3 wing − ing swift − ly

.3 ^2 [^3] thru the sky.

.4 [^3] ^4

.4 ^3

.5 .5 .5 ^4 How the winds are

.3

^3 .4

.4 ^3 .3 laugh − ing,

.4 [^3] ^2 .3 ^3 High a − bove him,

.3 they

^3 ^3 .5 ^4 laugh with all their

.4 [^3] there’s a

.4 might.

^2 .3 ^3 swal − low

.5 .5 .5 ^4 Laugh and laugh the

Ahorus

.4 ^3 .3 ^3 whole day thru and

^2 ^2 ^2 ^2 ^3 Don − na, don − na, don

.4 ^3 .3 ^2 half the sum − mer’s

^3

− na,

.3 ^3 .4 don − na.

[^3] night.

^2 ^2 ^2 ^2 ^3 Don − na, don − na don

.4 ^2 .3 ^3 .3 ^2 Don − na, don − na, don − na,

^3

.3 ^3 .4 don − na.

− na,

^3 ^3 ^3 ^3 .5 Don − na, don − na, don

.5 ^4

− na,

.4 don.

[^3] don.

622. Cuckoo is a Pretty Bird = 100

3 4 [^3] [^3] Oh the

.3 tell

.4 ^3 .3

− eth no

[^3] ^5 .5 .4 cuc − koo, she’s a

[^3] lies.

.4 ^3 .3 ^3 .4 koo ’til cuc −

[^3] ^2 She

^3 ^2 [3] [^3] ^2 pret − ty bird. She

.3 suck

^3

.4

− eth white

^3 [^3] .3 .5 sum − mer draw − eth

[^3] near.

.3

.3 sing

.4

^3

.3

[^3]

− eth as she flies.

^3 .3 ^3 ^3 .4 flow − ers for to

[^3] [3] She

^4 .5 ^5 .4 ^3 keep her voice

[^3] bring

^5

.5

.4

− eth glad

.4 .4 ^4 .5 clear. And she

^3 tid

−

^5 nev

^2 [3] [^3] ^2 ings, she

^5 ^6 ^5 .5 cry − eth

− er

134

623. There But For Fortune

Phil Ochs

= 100

4 4 .4 .4 ^3 Show me a

.4 .4 I’ll show

.4 ^3 you a

^3 .3 pris − on

−

^3 .3 young man

.4 .4 ^3 Show me a

−

.4 with

.3 jail

^4 ^4 ^4 .4 so many reas − ons

.4 .4 .4 Show me a

^3 why

.5 And

.5 there

^4 .4 ^3 .3 pris on man whose

^3 [^3] [^3] .3 face is grow − ing

.5 .5 but for

^2 may

.5 .3 for − tune

^2 pale

^3 ^3 [^3] .3 go you or

[3] And

^2 I

624. Copper Kettle = 100

Verse:

6 8 .3 .3 .3 ^3 ^3 Get you a cop − per

.4 .5 ket − tle.

−

.3 .3 .3 ^3 Get you a cop

.3

.4

.4 .4 .4 .4 ^3 Co − ver with new made

− per coil.

.3 ^2 [^3] corn mash

− [^3]

^3 ^3 ^3 ne − ver more

and

−

.4 you’ll

Ahorus

^3 toil.

−

.5 .5 You’ll just

.3 .3 ^2 .3 in the pale

^5 ^5 lay there

^2 moon

− ^5 ^6 by

the

^5 .5 .4 ju − ni − per

−

^5 .5 .5 .4 while the moon is

.4 bright.

^5 ^5 ^5 Watch the jugs

.5 a

.4

−

^3

− fil − ling

[^3] light.

625. Great Storm is Over

Bob Franke

= 100

2 2 .5 The

.5 .5 .5 thun − der and

.4 .4 ^3 light − ning gave

.3 .3 [^3 voice to the

.3] night.

.3 The

.3 .3 ^3 lit − tle lame

.4 .4 ^3 .3 .3 child cried a − loud in

[^3 her

.3] fright.

.5 .5 .5 Hush, lit − tle

.3

^3

Ahorus:

.4 .4 [^3] ba − by, a

^3 .4 .5 o − ver, lift

.3 .3 sto − ry

[^3 I’ll

.5 .4 ^3 up your

.3] tell

.3 .3 of a

.3 [^3 wings and

.3] fly.

.3 [^3] .4 love that has

.4 .4 ^3 van − quished the

.3 .3 [^3 pow − ers of

.3 hell.

.3] .3 A − le

.3

^3

^3

.3

− lu − ia, the great storm is

135

626. All my trials = 132

B

D

B

D#m

C#m

D#m

4 4 .5 .5 .3 .3 ^3 ^3 If re − li − gion was a C#m

F#7

−

.4 ^3 ^3 tri − als Lord, Chorus

.4 ^4 .5 .5 ^5 thing that mo − ney could

−

− .4

^3 Soon

^3 .3 ov − er.

be B7

−

.6 .6 bro − thers.

^6 The

.6 .5 .5 rich would live,

.5 .5 .5 .5 .5 ^5 and the poor would die,

^4

−

.4 All

.4 my

B

B

.6 .6 .5 Too late my

−

(^4) buy,

−

Em

.5 .5 ^5 Too late but

C#m

F#m

.5 .3 ^4 ne − ver mind,

−

−

.4 All

−

.4 my

F#7

.4 ^3 ^3 tri − als Lord,

−

^3

B

−

^3 Soon

.4 be

^3 .3 ov − er.

−

−

627. Pick a Bale of Cotton = 250

E

A

E

B7

E

ahorus:G

2 4 Gon − na

Jump down,

A

turn a − round

E

pick a bale of

pick a bale of

B7

cot − ton,

turn a − round

pick a bale a

day.

Oh

Lor − dy

E

Lor − dy

Oh

cot − ton, Gon − na Jump down,

pick a bale a

day.

628. The Boll Weevil = 100

2 4 The

man,

farm − er took de

It − ’ll be

my

Boll Wee − vil

an’

put him in de

It − ’ll be

home,

sand; An’ de

home. It − ’ll be

my

Boll Wee − vil said to the

my

home,

farm − er,

It

− ’ll be

I’ll stand it like a

my

home.

629. The Happy Wanderer = 100

4 4 .5 I

^6 ree,

.5 .5 .5 ^4 ^4 .4 .4 .4 love to go a − wan − de − ring, A

.5 .5 Val de

.6 rah,

.5 .5 Val de

^7 ree,

.4

.5

.5

.4

^4

.5

− long the moun − tain track, And

.5 .5 Val de

^4 .5 ^6 ^6 as I go I

.7 ^7 .6 ^6 .6 ^6 ^5 .5 rah − ha − ha − ha − ha − ha Val de

^6 ree

^6 .6 .5 .5 love to sing, my

.5 .5 Val de

.6 rah

.5 My

.5 ^5 ^4 .4 knap − sack on my

^3 .3 .5 back. Val de

^5 ^4 .4 ^3 knap − sack on my

.3 back.

136

630. Red River Valley = 100

4 4 val − ley they say you are

From this

sun − shine

THat has

go − ing,

bright − ened our path − way a

We will

miss your bright face and sweet

smile, For you

know you are ta − king the

− while.

631. On Top of Old Smoky = 100

3 4 On

top of old

Smo

− ky All

co − vered with

snow,

I

lost my true

lo

− ver, From

cour − tin’ too

slow.

632. Coming ’Round the Mountain = 100

4 4 com − ing ’round the

She’ll be

She’ll be

com

moun − tain when she

− ing ’round the

comes.

mountain, she’ll be com

She’ll be

com − ing ’round the

moun − tain when she

comes,

− ing ’round the mountain, she’ll be com − ing ’round the mountain when

she comes.

633. Clementine = 100

3 4 In a

cav − ern, in a

can − yon, ex − ca

− vat − ing for a

mine. Dwelt a

mi − ner, for − ty

nin − er and his

daugh − ter Clem − in

− tine.

634. John Brown’s Body = 128

6 8 .

− . − John

Brown’s

bo − dy lies a

− mould − rin’ in his grave; . − . − John

bo − dy lies a

Brown’s

− mould − rin’ in his

ahorus:

grave. . − .

lu

− jah!

− John

Glo

−

Brown’s

ry

bo − dy lies a

glo − ry hal − e

− mould − rin’ in his grave, His soul goes

− lu − jah!

Glo

−

ry

glo

march − ing

− ry hal − e − lu − jah! His

on.

soul goes

Glo

−

ry

glo − ry hal − e

march − ing

on.

−

137

636. Michael Row the Boat Ashore = 100

4 4 Mi − chael

row

− shore,

the boat a

Al

− le − lu

−

Mi − chael

ya,

row the boat a

− shore,

Al

− le − lu − ya,

Mi

−

643. Battle of Jerico = 132

0 8 Jo

− shua fought the

of

Je

can

talk

a

bat

− tle

of

Je

− ri − cho,

− ri − cho An’ the walls came

tum

− bout the men

But

of

Saul,

Je

− ri − cho,

− blin’ down

You

there’s

none

like

Je

− ri − cho

can

good

talk

old

a

Josh

Jo

− bout the kings

−

u

− a

at

− shua fought the

bat

of

Gi

− de − on,

the

bat

− tle

of

− tle

You

Je

− ri −

cho.

637. Down in the Valley = 100

3 4 Down in

the

val

−

ley,

Val

− ley so

low,

Hang your head

−

o

ver,

Hear

the

wind

blow.

638. Sail Away Ladies = 100

refrain:

2 4 Ain’t no use to

set an’ cry,

Sail a − way, la − dies,

sail

a − way.

You’ll be an an − gel

bye and bye.

Sail a − way la − dies

sail

− dy O,

Don’t she rock em

di

a − way.

ahorus:

Don’t she rock em

di

− dy O,

Don’t she rock em

di

− dy O, Don’t

she rock

em

di

639. No Hiding Place Down There E

A B7

G

C#mF#7 B7

E

E7

A

A7

E

F#7 B7

E

− dy O.

138

640. Cindy = 154

4 4 You

ought to see my

Cin

− dy, She’s

li

− vin’ way down

south;

ho − ney − bees,

She’s so sweet that

Swarm a

− round her

ahorus:

mouth.

Get a

− long home, Cin − dy,

Cin − dy, Get a − long

home.

Get a

− long home, Cin − dy,

Cin − dy, I’ll

mar − ry you some

day.

Cindy 642. Midnight Special

Southern Prison Folk song

= 180

E

A

E

B7

E

A

E

4 4 B7

E

Ahorus

A

E

B7

E

3

2 4

644. Puttin’ On the Style = 140

4 4 Young man in a

car − riage,

dri − ving like he’s

mad,

hor − ses he

With a pair of

bor − rowed from his

dad; He

cracks his whip so

ahorus:

smart

− ly

just to

Put − ting on the

smile,

see his la

style,

To

− dy

smile,

But she knows he’s

That’s what all the

see

so

young folks are

ma

−

ny

on

− ly

do − ing all the

peo

−

ple,

put − ting on

while, And

Put

the

style.

as I look a

− ting on

Put − ting on

the

− round me, I’m

the

a − go

− ny,

ve − ry apt to

style.

139

645. Tie a Yellow Ribbon Round the Old Oak Tree

4 4 ^2 .4 .5 ^5

.5 .5 ^5

^1

.1 .5

.5 ^5

.5 .5 ^4 .4

.5

.5

− ^5 ^5 .5

.4

.4

.5 .4

.4 ^4 .5

−

^1

.4

.5 ^5

^4 ^3

^4 .5

.1

^1

^4

.5

^5

.2 ^2 ^3 .5 .5

.4 ^5 ^5 .6

− .3 ^3 .4

.5 ^4

− .5 ^4

.5 ^4

.3 .3 .4

− .5 ^5 .4 .5 .3

.6 .6

− .5 ^4

^4 .4 ^3 .3

− .3 ^3 .4

^4 .5 ^4 .5 ^4

.5

^4 .5 ^4

−

^6

^4 .5

−

^4

.5

− .5

^5 .5 [^3]

.4

[^3] ^3 ^4 .5

^3

^3 .3 ^2

.4

.5 .5 .3

.6

− .4 ^3 .3

− .3

.5 ^4

.5

−

−

.6 ^5 ^5 .4

− ^5

[^1]

.4 ^5

.5

^3 .4 .4

−

^2

^1

^5 .5 [[^1]]

.4 .4

.3 .4 .4

.4

.5

.3

647. The Streets of London

4 4 .7 .7 .7 .7

^5 .6 .6

.7 .7 .7

.8 .8 .7 ^7

.6 .6

.8

.6 .6 ^7

− .5 .5

.8 .8 .7

.5 .5 ^6

− ^7

.6

−

.7 .7

^5 .6 .6 ^7

− ^4

.6

− ^7

.6 .6

.6 .6 .6 .6

^8 ^8 ^8

.7 ^8 .7

^7 ^7

.7 .7 .8

− .5

.8

.7

− ^8

^5 .6

.7 .7 .7 .8

.7

.6

.8 .8 .8

^7 ^7 ^7 ^7

− .6

.6

.5 .5

−

.6 .6 .6 .7

− ^5 ^5 .6 ^6 −

^5 ^6

.7 ^8 .7

−

.5

−

.6

646. Day Trip to Bangor Play this on low G (outer row)

4 ^4 1 5 7

^7 6 ^6^5 ^5

5 7 ^4 ^7

6 5

^5 ^1 ^5 6 ^5

5 ^5^6 6 6

^7 6 ^6 ^5

5 ^4 4 ^3

4 ^4 1 5 7

^7 6 ^6 ^5 ^5

6 8 5

7

^4

^7

6

5

^5

^1

^5 |][5

^5 [^4]

^6 [^4 4]

^1

4

4

5

^5

5 ]|]

140

648. Milord Intr 4 [^1] 4

4 ^4 [^6]

5

[^1] 4 3

3 3

Verse [middle row] (outer row)

3 2 2 ^2 ^2 3

1 1 1 ^1

Chorus

[^1] 4 3

4

4 ^3 ^3 [1]

3 2 2 ^2 ^2 3

1

4 [^1] 4

4 ^3 ^3 [1]

4

4 [^1] 4

1)]

^3

3 [^3]

3 ^3 [^1]

^3 4 [^1] 4 [^1] 4 3

^3 3 ^3 3

^3 [(^1)

4

2

3

4 [^1] 4

4

^3

4 ^3 ^3 [1] ^3 4 ^4 [^6]

3 [^3]

3 ^3 [^1]

^4 (^1) ^4 (^1) ^4 ^4 ^4 3 3] ^2

^2 3

4

5

2

3 3

3

3 2 2 [^3

4

(^1

1

4 ^4 [^6]

5

3 3

3 ^2[^3] ^2

3

3

1) − − 3

3

(1

4 [^1] 4

3 [^3]

3 ^3 [^1]

^3 4 [^1] 4 [^1]

4 3

4

2

4 [^1] 4

3

4

4 ^3^3 [1]

3 [^3]

^3 4 ^4 [^6]

3 ^3 [^1]

4

2

5

3 3

3

4

4 ^4 [^6]

5

3 ^2[^3] ^2 1 3

3 3

4 ^4 [^6]

4 [^1] 4

2 3

5

3 3

OTHER

141

1000. Minuet from Berenice

Handel

3 4 .4 ^3

^4 .4

^3 .3 ^2 .3 ^3

^2

.5

^5

^6 .6 .5 ^4

.4

.3

.3 .4

^3 .3 ^2 .3 ^3

^2 ^3

.5 ^3

.5 .3

^2 [^3 ^3 .3]

rit.

.2

.7

^7

^8

.7

^7 .6 ^6 .6 ^7

^6

.8

.9

.8

.8

^8 .7 ^7

.6

.6

.5

.6

.5

.6

^8 .7 ^7 .6

.6

− IRISH SONGS − Appear in alphabetical order

142

2000. All For My Grog E

E

E

B

E

4 4 .4 ^3 It − ’s

.4 .4 ^3 .3 ^2 all for me grog, me

[^3] ^2 .3 [^3 .3] nog − gy nog − gy grog.

.5 .5 .5 .5 ^4 .4 All gone for beer and ter

.4

^3

− bac − co,

− .4 ^4

.5 ^5 .5 .4 .3 .3 ^2 spent all me tin With the

For I’ve

B

[^3] ^3 .3 [^3 .3] .3 ^3 .4 .5 ^4 .4 .4 ^3 .3 ^2 las − ses drin − kin’ gin, And a − cross the wes − tern o − cean I must

^3 tra

.3

−

− vel.

2001. Black Velvet Band A

D

G

D

A7

D

D

3 4 .5 .5 .5 Her eyes, they

.4 ^4 .5 shone like the

Bm

Em

A7

.4 .3 der, Tied

^3 .4 ^4 ^2 .3 ^3 up in a black vel − vet

^4 .4 dia − monds.

−

^3 You’d

.3 ^3 .4 think she was

.3 ^2 [^3 queen of the

.3] land;

D

.3 band.

−

In a neat little town they call Belfast, Apprenticed in trade I was bound And many an hour of sweet happiness, I spent in that neat little town Till bad misfortune befell me, And caused me to stray from the land Far away from my friends and relations, To follow the black velvet band Her eyes they shone like the diamond, You’d think she was queen of the land And her hair hung over her shoulder, Tied up in a black velvet band Well, I was out strolling one evening, Not meaning to go very far When I met with a pretty young damsel, She was selling her trade in a bar When I watched, she took from a customer, And slipped it right into my hand Then the Watch came and put me in prison, Bad luck to the black velvet band Next morning before judge and jury, For our trial I had to appear The judge, he said, "Young fellow, The case against you is quite clear And seven years is your sentence, You’re going to Van Dieman’s Land Far away from your friends and relations, To follow the black velvet band" So come all you jolly young fellows, I’d have you take warning by me And whenever you’re out on the liquor, Beware of the pretty colleen They’ll fill your with whiskey and porter, Until You’re not able to stand And the very next thing that you know, You’re landed in Van Dieman’s Land

− .5 ^4 And her

.4 .4 hair hung

[3 ^3] ^2 .3 ^3 o − ver her shoul

143

2003. Dicey Reilly E

B

E

4 4 .3 Ah

.3 .3 .3 .3 .3 ^3 .4 ^4 poor oul Di − cey Reil − ly she has

^3 ^2 .2 ^2 .3 ^3 tak − en to the sup, And

^3 ^3 ^3 .2 ^3 .4 ^4 .5 poor old Di − cey Reil − ly she will

.4 ^3 .3 ^3 .4 ^3 ne − ver give it up, It’s

B

.3 [3 .2 .3] .3 ^3 .4 .4 off each morn − ing to the pop that

B

^3 ^2 .2 ^2 ^2 ^3 ^3 .4 .4 ^4 .4 ^3 she goes in for a − noth − er lit − tle drop, But the

.3 heart

.4 ^4 .5 .4 .3 .4 of the rowl is Di − cey

^3 Reil

.3

− ly.

She will walk along Fitzgibbon Street with an independent air, And then its down by Summerhill, and as the people stare She’ll say, "It’s nearly half passed one, Time I went in for another little one But the heart of the rowl is Dicey Reilly, Now at two, pubs close and out she goes as happy as a lark She’ll find a bench to sleep it off at St. Patrick’s Park, She’ll wake at five feeling in the pink And say, "Tis time for another drink, But the heart of the rowl is Dicey Reilly Now she’ll travel far to a dockside bar to have another round, And after one or two or three she doesn’t feel quite so sound After four she’s a bit unstable, After five underneath the table But the heart of the rowl is Dicey Reilly Oh they carry her home at twelve o’clock as they do every night, Bring her inside, put her on the bed and then turn out the light Next morning she’ll get out of bed, And look for a cure for her head But the heart of the rowl is Dicey Reilly 2002. Danny Boy, or Londonderry Air A

Bm

F#m

A

E

4 4 ^2 .3 ^3 Oh Dan − ny A

.4 gone,

^3 and

.4 ^3 Boy, The

.4 ^5 .5 .4 pipes, the pipes are

A

Bm

.4 ^5 .5 .4 all the flow’rs are

^3 .3 [^3] ing, dy

D

A

^6 ^5 .5 ^5 sum − mer’s in the

.5 .4 .3 mea dow

A

.5 sha

−

^3 .3 [^3] cal ling,

.3 dow,

−

^2

.3 .4 ^4 From glen to

E

−

A

^2 .3 ^3 ’Tis you, ’tis

E

A

.5 ^5 ^6 Or when the

.6 val

E

.4

−

.4 you

^4 must

^3

A

.4 ^3 .3 ^3 go and I must

C#m

^6

^6

.5 .4 .3 .4 down the moun − tain

E

^5

.5

.4

−

^3

−

.5

.4

^3

^2 .3 ^3 The sum − mer’s

.5 ^5 ^6 But come you

.6 back

^6 when

F#m

.5 .5 .5 ’Tis I’ll be

Bm

^5

−

A

A

− ley’s hushed and white with snow,

.4

^3 side, E

.3 bide.

E

A

.3

.5 ^5 glen, and

.7 ^7 there, in

^7 .6 ^5 .6 sun − shine or in

A

.3

[^3]

^2

And if you come, when all the flowers are dying, And I am dead, as dead I well may be You’ll come and find the place where I am lying, And kneel and say an "Ave" there for me. And I shall hear, tho’ soft you tread above me, And all my dreams will warm and sweeter be If you’ll not fail to tell me that you love me, I simply sleep in peace until you come to me.

.3

−

144

2004. Dirty Old Town B

G#m

B

B

4 4 [3 ^3] .3 I found my

− ^3 .3

.4 love

.4 .3 by the gas − works

−

.2 cry,

.4 .5 Dreamed a

G#m

−

^3 .3 .4 by the fact

.3

−

.2 wall,

− ’ry

− .5 .4 ^3 .3

^5 dream F#

[^3] .3 .4 Dir − ty old

−

.4

G#m

−

^3 town,

^3 dir

^5 .5 Kissed my

− nal;

by the old ca

.4 girl

G#m

.3 [^3

−

^3] town.

− ty old

Clouds are drifting across the moon, Cats are prowling on their beat Springs a girl in the streets at night, Dirty old town, dirty old town Heard a siren from the dock, Saw a train set the night on fire Smelled the spring on the smoky wind, Dirty old town, dirty old town I’m going to take a good sharp ax, Shining steel tempered in the fire We’ll chop you down like an old dead tree, Dirty old town, dirty old town 2005. Down by the Sally Gardens A

E

D

A

D

E

A

A

E

D

A

2 2 .3 ^3 Down D

.4 ^3 .3 ^3 .4 .5 by the Sal − ly

E

A

^5 .5 .6 .5 fool − ish, With

.5

D

.3 feet.

.6

.5

− dens My

A

^5 .5 .4 ^3 .3 snow white lit − tle D

^5 gar

D

.5 She E

^5 .5 .4 ^3 .3 her did not a

.6 ^6 .5 ^5 .6 bid me take love

^5 .5 .4 ^3 .3 love and I did E

.3 meet.

.3 ^3 She

.4 ^3 .3 ^3 passed the Sal

F#m

^6 .5 .4 .5 ^5 .5 .4 .5 ^5 .6 ^7 ea − sy, As the leaves grow on the

.4 .5

− ly

A

.6 tree.

^5 gar

.5

.6

.5

− dens with E

.3 ^3 But

.4 ^3 .3 ^3 .4 .5 I, be − ing young and

A

.3

− gree.

In a field down by the river, my love and I did stand, And on my leaning shoulder, she laid her snow−white hand. She bid me take life easy , as the grass grows on the weirs, But I was young and foolish, and now am full of tears. Down by the Sally Gardens, my love and I did meet. She crossed the Sally Gardens with little snow−white feet. She bid me take love easy, as the leaves grow on the tree, But I was young and foolish, and with her did not agree.

145

2006. Fiddler’s Green D

G

D

Bm

D

G

D

A7

G

3 4 .2 Oh

.3 ^3 .4 lers Fidd

^5 .5 ^4 fair and the

^4 .4 ^3 Green is a

.3 ^3 .4 place I’ve heard

D

F#m

.4 ^4 .5 dol − phins do

.5 ^4 ^4 .4 ^3 .4 play. And the cold coast of

G

D

D

A7

^5 ^4 ^5 .5 .4 .3 more on the docks I’ll be

^3 seen.

[^3 tell.

.3] Where

G

D

^4 .4 ^3 Green − land is

G

−

.4 ^4 .5 ^5 Just tell me old

.3 ^3 .4 fish − er − men

^5 .5 ^4 ship − mates I’m

^4 .5 ^5 go if they

.5 .4 .3 don’t go to

A7

.3 ^2 .3 ^3 .5 ^4 far far a − way. Wrap me

^3 .4 .4 Hell. Where the

^4 .5 ^5 weath − er is

D

A7

.4 .4 .4 up in my

^4 ^3 ^2 ^3 .3 oil − skins and jum −

D

F#m

Em

.4 ^4 .5 ta − king a

.5 ^4 .4 trip, mates, and

^3 .4 ^4 I’ll see you

D

D

− .5 per. No

A7

.5 ^4 .4 ^3 .4 ^3 some − day on Fidd lers

D

.3 Green.

Now Fiddler’s Green is a place I’ve heard tell, Where fishermen go when they don’t go to Hell Where the weather is fair and the dolphins do play, And the cold coast of Greenland is far, far away The sky’s always clear and there’s never a gale, And the fish jump on board with a flip of their tail You can lie at your leisure, there’s no work to do, And the skipper’s below making tea for the crew And when you’re in dock and the long trip is thru, There’s pubs and there’s clubs, and there’s lassies there too Now the girls are all pretty and the beer is all free, And there’s bottles of rum hanging from every tree I don’t want a harp or a halo, not me, Just give me a breeze and a good rolling sea And I’ll play me old squeeze box as we sail along, When the wind’s in the rigging to sing me this song 2007. The Fields of Athenry B

E

B

F#

B

E

F#

4 4 [3 .3 By the

.3 .3] .3 ^3 lone − ly pri − son

.4 wall,

− .4

B

−

I E

^4 ^4 ^4 .5 heard a young girl

.4 cal

− ^4 .4 .3

B

F#

.5 Low,

B

^5 .5 .3 lie the fields

C#m

[3 .3] Now a

− .2 .3 ^3 .4 ^3 .3 .2 .3 ^3 .4 ^4 .5 ^3 of A − then − ry, where once we watched the small free birds fly; F#

^3 .3 ^3 .4 and songs to

^3 sing;

C#m

[3 .3] It’s so

^3 lone

^4 .5 ^4 .4 ta − king you a

^3 ^3 .4 ^4 pri − son ship lies

.4 ^3 .3 ^2 wai − ting in the B

−

^3

− way,

B

F#

B

.4 dreams

.5 .5 .5 .4 "Mi − chael they are

B

.4 ^4 .5 .5 .5 .4 ^4 .5 ^4 .4 ^3 .3 ^3 .4 ^3 For you stole Trev − el − yn’s corn, So the young might see the morn, G#m

^3 ling,

.3 bay,

−

E

.4 ^4 .5 .5 .5 .4 ^4 .5 ^4 Our love was on the wing, We had

B

^3

.4

^4

− ly ’round the

.4 fields

^3 .3 of Ath

^2

− en

−

.3 ry.

By a lonely prison wall, I heard a young man calling "Nothing matters, Mary, when you’re free, Against the famine and the crown, I rebelled, they cut me down, Now you must raise our child with dignity." By a lonely harbour wall, she watched the last star fall, As the prison ship sailed out against the sky For she lived to hope and pray, for her love in Botany Bay, It’s so lonely round the fields of Athenry

−

146

2008. Finnegan’s Wake F#m

E

F#m

^3

.4 .4 .4 .4 ^3 He had a brogue both

4 4 .5 Tim

.4 .4 .4 .4 ^3 Fin − ne − gan lived in

.4 ^5 ^5 ^6 Walk − in’ Street, A

D

.4 ^5 ^5 ^5 ^6 rich and sweet, and to F#m

.6 ^6 ^6 ^5 .5 rise in the world he A

.6 ^6 ^5 he was born,

.5 To

E

^5 ^5 ^6 .6 car − ried a hod.

.4 ^3 ^3 trot − ters shake,

^3

− y odd,

F#m

.6 Now

.6 .6 .6 .6 ^7 ^7 Tim had a sort of a

.4 Was

E

^5 ^5 .5 ^5 .5 "drop of the cray − thur"

F#m

^5 ev

D

.4 .4 ^3

A

.6 ^6 ^5 .5 .5 tip − pl’n way, with a

D

.6 ^6 ^5 .5 .5 work each day, He’d a E

.6 ^6 ^5 .5 Whirl the floor, your

.4 might

A

F#m

.6 .6 .6 ^7 ^7 help him on with his

.4 ^5 ^5 ^5 ^6 Dance to your part − ner,

.6 .6 ^6 ^5 .5 gent − le − man I − rish,

.4

^5 ^5

^6

A

^6

.6 .6 .6 .6 ^7 love of the whis − key F#m

.6

.4 .4 .4 .4 ^3 Whack fol the darn O,

− ’ry morn. E

A

.6

^6 ^5 .5

− n’t it the truth I told you, Lot’s of fun at

^5 ^5 ^6 .6 Fin − ne − gan’s wake

cho: Whack fol the darn O, dance to your partner, Whirl the floor, your trotters shake; Wasn’t it the truth I told you, Lots of fun at Finnegan’s wake! One mornin’ Tim was feelin’ full, His head was heavy which made him shake; He fell from the ladder and broke his skull, And they carried him home his corpse to wake. They rolled him up in a nice clean sheet, And laid him out upon the bed, A gallon of whiskey at his feet, And a barrel of porter at his head. (Chorus) His friends assembled at the wake, And Mrs. Finnegan called for lunch, First they brought in tay and cake, Then pipes, tobacco and whiskey punch. Biddy O’Brien began to bawl, "Such a nice clean corpse, did you ever see? "O Tim, mavourneen, why did you die?", Arragh, hold your gob said Paddy McGhee!

(Chorus)

Then Maggie O’Connor took up the job, "O Biddy," says she, "You’re wrong, I’m sure" Biddy she gave her a belt in the gob, And left her sprawlin’ on the floor. And then the war did soon engage, ’Twas woman to woman and man to man, Shillelagh law was all the rage, And a row and a ruction soon began. (Chorus) Then Mickey Maloney ducked his head, When a noggin of whiskey flew at him, It missed, and falling on the bed, The liquor scattered over Tim! The corpse revives! See how he raises!, Timothy rising from the bed, Says,"Whirl your whiskey around like blazes, Thanum an Dhul! Do you thunk I’m dead?"

(Chorus)

147

2009. Galway Bay E

B

E

4 4 .2 .3 If you

.4 e

.4

.4

.4

.4

.4

^3

.3

− ver go a − cross the sea to

.3 ^2 Ire − land,

.5 Then

.5 ^3 may − be

^3 .4 at the

^4 ^4 .4 [^1] clo − sing of the

.4 day;

B

.4 sit

.4 .4 .4 .4 .5 ^4 .4 and watch the moon rise o − ver

.2 .3 You will

A

^3 ^2 Cla − dagh,

[1] And

^3 [1] ^3 see the sun

.4 ^4 ^2 .4 ^3 go down on Gal − way

.3 bay.

Just to hear again the ripple of the trout stream, The women in the meadows making hay; And to sit beside a turf fire in the cabin, And watch the barefoot gossoons at their play For the breezes blowing o’er the sea to Ireland, Are perfumed by the heather as they blow; And the women in the uplands digging praties, Speak a language that the strangers do not know For the strangers tried top come and teach us their way, They scorned us just for being what we are; But they might as well go chasing after moonbeams, Or light a penny candle from a star And if there is going to be a life hereafter, And somehow I am sure there’s going to be, I shall ask my God to let me make my heaven, In that dear land across the Irish Sea If you ever go across the sea to Ireland, Then maybe at the closing of your day, You will sit and watch the moon rise over Cladagh, And see the sun go down on Galway Bay 2010. Gypsy Rover Whistling Gypsy E

B7

E

B7

E

B7

E

B7

E

B7

E

C#m

4 4 .2 .3 ^3 .4 ^3 Gyp − sy ro − ver come E

A

.4 .4 ^3 .3 [^3 charmed the heart of a

.3 [3 .3 .3 .3] .3 .3 ^3 .4 ^4 o − ver the hill. Down thru the val − ley so E

A

.4 ^3 .2 sha − dy. He

.3 .3 .3 .3 ^3 .4 ^4 .5 .4 .3 .3 ^3 whis − tled and he sang till the green woods rang And he

B

.3] .3 [^3 .3] dy. la

Chorus: Ah−de−do, ah−de−do−da−day, Ah−de−do, ah−de−da−ay He whistled and he sang ’til the greenwoods rang, And he won the heart of a lady . She left her father’s castle gates, She left her own fine lover She left her servants and her state, To follow the gypsy rover . Her father saddled up his fastest steed, And roamed the valleys all over Sought his daughter at great speed, And the whistling gypsy rover . He came at last to a mansion fine, Down by the river Claydee And there was music and there was wine, For the gypsy and his lady . "He is no gypsy, my father" she said, "But lord of these lands all over, And I shall stay ’til my dying day, With my whistling gypsy rover."

148

2011. The Holy Ground A

D#m

4 4 .3 ^3 Fare thee F#m

.4 well,

.5 .5 ^4 ^3 ^2 ly my love

A

.6 .6 ^6 ^5 ^5 Ho − ly Ground and the

^3

.3 ^3 nah, A

E

.5 .4 .3 ^3 .4 girls we love so

F#m

.4 thou

^5 .5 hope to

.4 .3 ^3 see the

F#m

.4 Ho

.5

^3 true,

.3 ^3 We’ − ll

.4 .5 .5 ^4 ^3 ^2 sail the salt seas SHOUTED

.5

^5 .5 .4 .3 ^3 hope to see the

.4 Ho

.5

^4 ^3 ^2

− ly gro − und on − ce

.5

^4 ^3 ^2

.3 dieu.

.5

^4

^3 ^2

− ly gro − und on − ce

.4 ^4 We are

.5 .5 ^5 ^6 ^6 bound a − way from the

F#m

.3 o

^3 .3 ^3 ver, and

.4 .5 we’ll re

Aho

.3 .3 .3 .3 .3 .3 ^3 more. FINE GIRL YOU ARE! You’re the

A

^6 ^5 .5 I live in

.5

− sand ti − mes a

A

A

.6 ^6 ^5 .5 still I live in

.6 still

.3 Di

.3 more.

Now when we’re out a−sailing and you are far behind Fine letters will I write to you with the secrets of my mind, The secrets of my mind, my girl, you’re the girl that I adore, And still I live in hope to see the Holy Ground once more Oh now the storm is raging and we are far from shore; The poor old ship she’s sinking fast and the riggings they are tore The night is dark and dreary, we can scarcely see the moon, But still I live in hope to see the Holy Ground once more It’s now the storm is over and we are safe on shore We’ll drink a toast to the Holy Ground and the girls that we adore We’ll drink strong ale and porter and we’ll make the taproom roar, And when our money is all spent we’ll go to sea once more

A

^5

^6

.6

− turn once more,

F#m

.4 .5 ^5 ^6 girl I do a

.5 And

A

.6

− dore,

.5 And

149

2012. I’ll Take You Home Again Kathleen D

Em

Ddim7

D

A7

D

Em

Ddim7

D

4 4 .2 I’ll

.4 .4 ^4 ^3 ^5 [^6] take you home a − gain Kath

A

E7

^3 first

.5

− leen,

A

.5 ^5 [^6] .4 ^3 you were my bon − ny

.4 A

.4

^3

[1] ^3 .4 ^3 o − cean wild and

− cross the

A7

.5 bride;

.5 The

Bm

^5 ro

^5 .4 .4 ^4 ^4 is sad when e’er you

.4 speak

A7

.4 And

D

.4 where

^3 [1] ^3 .4 ^3 your heart will feel no

.3 pain

.5 ^4

.4

^4 [^6]

.5 cheek,

− ses all have left your

^3 tears

^3 .4 ^3 .4 [^6] be − dim your lo − ving

.4 .4 ^4 ^3 ^5 [^6] where your heart has e − ver

.5 I

^6 ^5 .5 ^4 ^3 ^4 watched them fade a − way and

A7

Aho

D

.5 eye.

.5 I’ll

.4 take

.4 ^3 .3 [^3] .3 the fields are fresh and

Em

.4 ^4 ^3 ^5 [^6] you home a − gain, Kath

^6 ^5 I’ − ll

.5 take

.4 die,

Ddim7

D

^5 green.

.4 Since

D

G

.5 when

.5 been

A7

D7

.5 And

.2 To

D

E7

.4 voice

.3 wide.

.4 Your

D

.5

.4 To

− leen

A7

D

.4 ^3 .4 ^4 ^2 you to your home a

.3

− gain.

I know you love me, Kathleen, dear, Your heart was ever fond and true. I always feel when you are near, That life holds nothing, dear, but you. The smiles that once you gave to me, I scarcely ever see them now, Though many, many times I see, A dark’ning shadow on your brow. [Chorus.] To that dear home beyond the sea, My Kathleen shall again return. And when thy old friends welcome thee, Thy loving heart will cease to yearn. Where laughs the little silver stream, Beside your mother’s humble cot, And brightest rays of sunshine gleam, There all your grief will be forgot. 2013. I’ll Tell My Ma E

B7

E

B7

E

2 4 .3 I’ll

.2 .3 .4 ^4 tell my ma when

^4 ^4 .4 ^4 I get home. The

G#m

F#m

.5 .5 .5 .4 She is hand − some,

^4 ^4 ^4 ^3 she is pret − ty,

.4 ^3 ^3 .4 boys won’t leave the

E

^3 .3 .3 .4 girls a − lone. They

B

.4 .4 .4 .4 .3 she is the belle of

.2 .3 .4 ^4 ^4 ^4 .4 ^4 ^3 .3 .3 pulled my hair and stole my comb, but I get home.

E

^3 ^2 [^3 .3] Bel − fast cit − y.

A

.5 .5 .5 .4 She is cour − ting

E

^4 ^4 ^4 one two three

.4 .3 .3 .3 .3 .3 Ples won’t you who is he

Here she comes as white as snow, Rings on her fingers and bells on her toes Oh Johnny Murray he says she’ll die, If she doesn’t get the fellow with the roving eye Let the wind and rain and the hail blow high, And the snow come tumbling from the sky She’s as nice as apple pie, She’ll get her own boy by and by When she gets a lad of her own, She won’t tell her ma ’til she comes home Let the boys stay as they will, For it’s Albert Mooney she loves still. 2014. I Know Where I’m Going B

F#

B

C#m

F#

2 4 .3 .3 ^3 .4 I know where I’m

.3 .3 .2 go − ing. I

.4 .4 .4 ^4 know who’se go − ing

.4 ^3 with me.

.5 .5 .5 .5 I know who I

.5 .3 love and

.3 .3 the Lord

^3 .4 ^4 .4 knows who I’ll mar

^3 ^3

− ry.

150

2015. I’m a Rover Seldom Sober F#

B

G#m

B

F#

B

9 8 .3 .3 I’m a

.3 rov

.3 .2 .3 ^3 think − ing, How to

[3

.3

^3

^3

^3 so

− er, and sel − dom

.4 gain

.4 .4 ^3 ^3 my love’s com − pa

.3]

.3

.3

.3 rov

− ber, I’m a

.4

.4

.4

.4

^3

.5 .5 ^4 It’s when I’m

− er of high de − gree;

.4 drink

.5

.5

^3

^2

− ing I’m al − ways

.3

− ny.

Though the nicht be dark as dungeon, No’ a star to be seen above, I will be guided without a stumble, Into the airms o’ my ain true love. He steppit up to her bedroom window, Kneelin’ gently upon a stone; He rappit at her bedroom−window, "Darlin’ dear, do you lie alone?" She raised her heid on her snaw−white pillow, Wi’ her arms aboot her breast, "Wha’ is that at my bedroom window, Disturbin’ me at my lang night’s rest?" "It’s only me, your ain true lover, Open the door and let me in. For I hae come on a lang journey, And I’m near drenched to the skin." She opened the door wi’ the greatest pleasure, She opened the door and let him in, They baith shook hands and embraced each other, Until the mornin’ they lay as one. The cocks were crawin’, the birds were whistlin’, The burns they ran free abune the brae; "Remember, lass, I’m a ploughman laddie, And the fairmer I must obey." "Noo, my lass, I must gang and leave thee, And though the hills they are high above, I will climb thrm wi’ greater pleasure, Since I been in the airms o’ my love. 2016. The Irish Rover E

A#m

E

B

.7 ^7 .6 ^5 ^6 ^5 hun − dred and six, we set

.5 ^5 .5 .4 ^4 .4 out from the Coal Quay of

E

4 4 .5 .4 In the

.3 .4 ^4 .5 .6 ^7 year of our Lord, eigh − teen

A#m

^3 Cork,

E

.7 ^7 .6 ^6 ^6 ^5 car − go of bricks for the B

.5 ^5 ^4 .4 ^4 ^3 grand Ci − ty Hall in New

.5 .4 She had

.3 .4 ^4 .5 .6 ^7 sai − ling a − way with a

B

.3 York.

.5 .5 We’d an

E

^7 .7 ^7 ^6 .5 her, drove

.5 .4 We were

.6 .6 ^7 .7 ^7 .6 ^7 ^7 ^6 .5 .5 e − le − gant craft, she was rigged ’fore and aft, and D#m

.3 twen

.4

^4

.5

.6

^7

− ty three masts, and she

E

.7 stood

.6 ^7 .7 .6 how the trade winds

E

^7 .6 ^5 .4 ^3 sev − ’ral blasts, and they

.3 .4 .5 .6 called her the I

.7

− rish

There was Barney McGee from the banks of the Lee, There was Hogan from County Tyrone And a chap called McGurk who was scared stiff of work, And a chap from West Meade called Mellone There was Slugger O’Toole who was drunk as a rule, And fighting Bill Casey from Dover There was Dooley from Claire who was strong as a bear, And was skipper of the Irish Rover We had one million bales of old billy goats’ tails, We had two million buckets of stones We had three million sides of old blind horses hides, We had four million packets of bones We had five million hogs, we had six million dogs, And seven million barrels of porter We had eight million bags of the best Sligo rags, In the hold of the Irish Rover We had sailed seven years when the measles broke out, And the ship lost her way in a fog And the whole of the crew was reduced unto two, ’Twas myself and the captain’s old dog Then the ship struck a rock with a terrible shock, And then she heeled right over, Turned nine times around, and the poor dog was drowned− I’m the last of the Irish Rover

^7 Ro

.6

− ver.

151

2017. It’s a Long Way to Tipperary = 90

E

E7

4 4 .4 ^4 It’s a

− .5 ^5

.5 .5 long way

F#7

^6 to Tip − pe

.6

^7 ^5 sweet − est

^6 .6 girl I

.7 .6 ^7 .6 way to Tip − pe

E

^5

.5

It’s a

E

.6 ^5 long way

− .6 to

B7

− .4 ^4

It’s a

.6

^7

− .5 ^5 ^6 .6 .7 to Tip − pe − ra − ry,

.5 .5 long way

A

− ^5 ^6 .6 .7 Pic − ca − dil − ly!

.5 .5 Good − bye,

F#7

− ra − ry. But

E

− .4 ^4

.5 go;

E

^7 know!

A

− .7 ^7

.7

− ra − ray,

B7

A

B7

^8 ^5 Fare − well

.6 ^7 Lei − cester

B7

E

− .6 ^7

.7 Square!

To the

.7 .7 long, long

It’s a

E

− ^7 − rt’s right

.7 .6 my hea

−

D#7

− ^6 .6

.6 there!

−

2018. The Jug of Punch D

A

D

G

Em

^4 .4 on an

^5 ^4 ^3 .4 ^4 i − vy bunch, and the

3 4 .5 As

.5 ^4 .4 .4 ^3 I was sit − tin’ with

.3 .3 .3 ^2 .3 jug and spoon, on

D

^3 ^3 ^3 .3 ^3 one fine morn in the

.4 .4 .4 month of June,

Aho

.5 .5 ^5 ^5 .5 song he sang Was the

.4 ^3 .3 .5 ^4 Jug of Punch. Too − ra Em

.5 .5 .5 bir − die sat

^4 .4 on an

^5 ^4 ^3 .4 ^4 i − vy bunch, And the

F#m

.4 .4 .4 Loo − ra − loo, D

.5 .5 ^5 song he sang

^4 A

.4 ^3 too − ra

.3 .3 .3 loo − ra − loo,

G

^5 ^4 was the

.4 ^3 .3 Jug of Punch.

If I were sick, and very bad And were not able to go or stand, I would not think it at all amiss To pledge my shoes for a jug of punch (CHO & last two lines of verse) What more diversion can a man desire Than to sit him down by a snug turf fire, Upon his knee a pretty wench And upon his table a jug of punch (CHO & last two lines of verse) And when I’m dead and in my grave No costly tombstone will I have, I’ll dig a grave both wide and deep With a jug of punch at my head and feet (CHO & last two lines of verse)

^2 .3 Too − ra

.5 .5 .5 bir − die sat A

^3

D

^3 ^3

.3

^3

.4

.4

.4

− loo − ra − loo, too − ra − loo − ra − loo,

^4 A

152

2019. Leaving of Liverpool A

D

A

E

A

D

2 2 .3 ^3 Fare

.4 .5 well to

^4 .4 ^3 .3 you, my

A

.6 .6 ^5 own true

E

.5 .3 ^3 .4 .5 .5 .4 but I know that I’ll re E

.5 .3 ^3 love. I am

A

^3

.3

.4 go

− .5

.5 ^4 It’s not the

−

.3

^6 .6 So,

− turn some day.

.4 leav

^5 .5 .4 far a

E

−

^3

^7 .5 fare thee

− .4 .4 ^4 .4 ^3 .3 − ing of Li − ver − pool that grieves

.6

.4 .5 bound for

.4 ^3 .3 .6 .6 ^5 Cal i − for − ni − a

A

.5 ^6 ^7 .6 ^5 well my own true D

.3 ^3 I am

− way. D

A

^3 be.

.5

− ing

.5 .3 ^3 love, and when

.4 .5 .5 .5 I re − turn u

A

^5 me,

.5 but

.5

E

.3 ^3 my

.4 .5 .5 .4 dar − ling when I

.5 ^5 .5

− ni − ted we will A

^3 think

.3 of

−

.3 thee.

I’m bound off for California, By the way of stormy Cape Horn And I’m bound to write you a letter, love, When I am homeward bound [CHORUS] I have signed on a Yankee Clipper ship, Davy Crockett is her name And Burgess is the Captain of her, And they say she’s a floating Hell [CHORUS] I have shipped with Burgess once before, And I think I know him well If a man’s a seaman, he can get along, If not, then he’s sure in Hell [CHORUS] Farewell to lower Frederick Street, Ensign Terrace and Park Lane For I think it will be a long, long time, Before I see you again [CHORUS] Oh the sun is on the harbor, love, And I wish I could remain For I know it will be a long, long time, Till I see you again [CHORUS] 2020. Love is Teasin’ A

C#m

E7

E

^6 ^5

.5 ^4

D

A

C#m

3 4 .5

.6 ^6 .6

.3

.4 .5

^3

− .5

.5 [^6] .5

^6

^5 .5

E7

.5

.5 ^5 .5

.4

.4 .5 .5

E7

^4

Cho:

^3

−

.5 .5

.5

[^6]

.5

^6

^5

.5

^4

A

^2

^3

.6 ^6 .6

.3

.4 .5

1

.3

Love is a teasing and love is pleasing, And love is a treasure when first it’s new But as it grows older then love grows colder, And fades away like the morning dew

I left my Father, I left my Mother, I left my sisters & brothers too I left my friends and my kind relations, I left them all for to go with you. [Cho] Oh turn around love, your wheel of fortune, Oh turn around love and smile on me For surely there must be a place of torment, for that young girl who deceiv−ed me [Cho] Oh lads beware of your false true lovers, and never mind what the young girls say They’re like the stars on a summer’s morning, you think they’re near but they’re far away. [Cho]

^6 ^5

2

−

.5

.3

153

2021. Maggie May B

E

B

F#

4 4 .4 ^4

.5 .5 .5 .5 .4 .3 Now you jol − ly sail − ors,

B

.3 come

^4 ^4 ^4 ^4 − ^5 lis − ten to my tale,

^5 I’m

E

.5 .4 .3 .4 .5 was a damned young fool

.3 .3 in the

E

.5 .5 .5 .5 ^5 .5 sure you will have cause to

.4 pi

− ty

.5

^3 me,

.5 ^4 .4 ^3 first port home from

.3 sea.

B

^4 ^4 ^4 ^4 ^5 Port of Li − ver − pool,

^5 ^5 When I

.5 .5 ^6 ^5 called there on my

B

.6 ^5 ^5 ^5 ^5 Mag − gie Mag − gie May,

.6 .6 They have

B

.6 Oh,

F#

.6 .5 .5 .4 .5 ta − ken you a − way,

.5 .5 .5 To slave up

E

.5 .4 .3 .4 .5 .5 ^5 robbed so ma − ny sai − lors, And

.5 I

.5

^5

.5

.4

.5

− on Van Die − man’s cruel

^5

^5

^5

− lers, But you’ll

.5 .5 For you’ve

1 B

D#m

^4 ^4 ^4 ^4 ^5 dosed so ma − ny wha

^3 shore,

.5 .5 ^6 ^5 .5 ^4 .4 ^3 ne − ver cruise ’round Pe − ter street no

.3 more.

2 B

.6

.3

I was staying at the Home, from a voyage to Sierre Leone, And two−pound−ten a month was all my pay, As I jingled with my tin, I was easy taken in, By a little girl up there called Maggie May. [Cho] Oh. I’ll never forget the day when I first met Maggie May, She was standing on a corner at Canning Place, In a full−sized crin−o−line, like a frigate of the line, And as she saw I was a sailor I gave chase. [Cho] She gave me a saucy nod, and I, like a farmer’s clod, Let her take me line abreast in tow, And under all plain sail, we ran before the gale, And to the Crow’s Nest Tavern we did go. [Cho] Next morning when I woke, I found that I was broke, No shoes or shirt or trousers could I find, When I asked her where they were, she answers "My dear sir, They’re down in Lewis’ pawnshop number nine." [Cho] So to Lewis’ I did go, but no clothing could I find, And the policeman took that wicked girl away, And the judge he guilty found her, of robbing a homeward−bounder, And now she’s doing time in Botany Bay. [Cho] She was chained and sent away from Liverpool one day, The lads all cheered as she sailed down the bay, And every sailor lad, he only was too glad, They’d sent that old whore out to Botany Bay. [Cho] 2022. Maids When You’re Young E

G#m

E

.3 .3 .3 [^3 .3 .3] old man came court − ing me,

.4 .4 .4 ^3 ^2 .2 Hey do a dor − it

− −

6 8 .2 An

− y,

.2 An

.3 .3 .3 [^3 .3 .3] old man came court − ing me,

.4 ^3 .3 .5 .5 he be − ing young, An

C#m

.5 ^4 .4 ^4 .4 ^3 old man came court − ing me,

.4 ^3 .3 ^3 ^2 .2 All for to mar − ry me,

.3 .3 .3 [^3] ^4 ^3 Maids when you’re young ne − ver

^2 .2 ^2 .3 wed an old man.

For he’s got no faloodorum, fadidledo doorum, For he’s got no faloodoorum, fadidleday He’s got no faloorum, he’s lost his ding doorum, So maids when you’re young, never wed an old man Now when we went to the church, hey do a dority, When we went to the church, me being young When we went to the church, he left me in the lurch, Maids when you’re young, never wed an old man Now when we went to our bed, hey do a dority, Now when we went to our bed, me being young When we went to our bed, he neither done nor said, Maids when you’re young never wed an old man Now when he went to sleep, hey do a dority, Now when we went to sleep, me being young When we went to sleep, out of bed I did creep, Into the arms of a handsome young man And I found his falodoorum, fa didle dodoorum, I found his faloodoorum, fa didle all day I found his falodoorum and he got my dingdoorum, So maids when you’re young never wed an old man

154

2023. Mairi’s Wedding Aho D

Bm

D

Em

^3 .3 [^3] .3 Heel for heel and

.4 ^3 .4 .5 toe for toe;

D

2 4 [3 ^3 .3 ^3] Step we gai − ly

.3 ^3 .4 on we go,

verse

.5 O

Bm

.5

.5

^5

− ver hill − ways

.5 ^4 .4 up and down,

[3 Arm

^3 .3 ^3] in arm and

^3 .3 [^3] − All for Mair − i’s

.3 ^3 .4 on we go,

D

^3 .3 [^3] .3 Myr − tle green and

[3 wed

Em

.4 ^3 .4 brack − en brown,

.5 .5 .5 ^5 Past the sheil − ing

.5 ^4 .4 through the town,

.3]

− ding

D

^3 .3 [^3] − All for sake of

[3 Mair

.3]

− i.

Plenty herring, plenty meal, Plenty peat to fill her creel, Plenty bonny bairns as weel, That’s the toast for Mairi. [cho] Cheeks as bright as rowans are, Brighter far than any star, Fairest o’ them all by far, Is my darlin’ Mairi. [cho] 2024. The Minstrel Boy E

C#m

B

E

4 4 .2 The

.3 min

^3

^4

− strel boy

.4 ^3 .3 to the

.4 .5 .6 ^6 .6 war is gone, In the

C#m

.4 gir

.5

.6

^6

.6

− ded on, And his

^5 .5 .4 ^4 .5 .4 wild harp slu − ng b − e

B

^5 tra

^6

− ys

.6 thee,

B

^3

− hind

^5 .5 rank of

.4 ^4 .5 .4 de − ath you will

.3 sword,

.3 him,

C#m

.3 him.

.2 His

.3 fa

^3

^4

.4 ^3 .3

− ther’s swo − rd he ha

B

.6 ^6 ^5 ^6 .6 "Land of song!" said the

E

.6 One

^3 find

C#m

^6 ^5 .5 war − rior bard,

^1 "Tho’

^5 .4 .4 ^1 all the world be

C#m

^3 ^4 at lea

.4

^3 .3

− st, thy

.4 .5 .6 ^6 .6 rights shall guard, One

^5 faith

.5

− ful

The Minstrel fell! But the foeman’s steel, Could not bring that proud soul under; The harp he lov’d ne’er spoke again, For he tore its chords asunder; And said "No chains shall sully thee, Thou soul of love and brav’ry! Thy songs were made for the pure and free, They shall never sound in slavery!

.4 ^4 .5 .4 hea − rt sha − ll

^3 praise

.3 thee.

−

155

2025. Molly Malone

3 4 .5 In

.6 Dub

.6

.6

.6 .6 .6 wheeled her wheel

.6 live,

.6 .7 ci − ty,

− lin’s fair

.6 .6 a − live

.6

.7

^7 .6 where the

^7

.6

^7 ^7 ^7 girls are so

^7

^7

^7

− bar − row through the streets wide and

.6 Oh!

.7

^7 .6 A

^7 live,

^7 ^7 a − live

^7 Oh!

^7 ^8 pret − ty,

.7 ^7 It was

.8 .7 .6 there that I

^7 ^8 .7 ^7 nar − row, Cry − ing

^8

.7 ^7 Cry − ing

.8 .7 .6 met my sweet

.8 .7 .6 "Coc − kles! and

.8 .7 Cock − les!

.6 and

^5 Mol

.8 .7 Mus − sels!

.8 .7 Mus − sels

.6 A

.6 a

^7

.6

^6

.5 She

− ly Ma − lone,

^7

.6 ^7

− live, a − live

^7

.6 ^7 a − live

− live,

.6 Oh!

.5 A

.6 Oh.

Version 2 in G

B7

.2

.3 .3

.3

.4

.3 .3 .3

.2

[2 .2 .2]

.2 .3

B7

E

B7

^3 ^4 ^3

.4 .5 ^4

^2 [^3] ^2

.3 .4 ^3

[3 .3] E

E

B7

E

F#m

^3 ^3 ^3

^3 ^4 ^3

.4 ^3 .3

.5 ^4 .4

.4 ^3 ^3

^3

[3 .3]

.3 .3 .3

.3 .4 .3

^3 ^3 ^3

.3 ^2 [^3]

^2 ^3 .2

.3 ^2 .3

.4 ^3 .3

.3 [3 ^3]

^3

[3 .3]

[2

.2 .3 .3

^3 .3 ^2

B7

B7

E

B7

E

B7

E

.4 .5 ^4

.4 .3 ^3

.3

.2

.4 .4 .4

.3 .4 ^3

.3 [3 .3]

[2

.3]

.3 .3 .3

.2 .2]

F#m

B7

E

B7

.4 .5 .4

^4 ^4 ^4

^4 ^5 ^3

.4 .5 ^4

.4 .5 ^4

.4 .3 ^3

.3

.3 .4 .3

^3 ^3 ^3

^3 ^4 .2

.3 .4 ^3

.3 .3 ^2

.3 [3 .3]

[2]

Now she was a fishmonger and sure twas no wonder, For so were her mother and father before And they each wheeled their barrows, Through streets broad and narrow Crying, "Cockles and mussels, alive, alive oh" She died of a faver and no one could save her, And that was the end of sweet Molly Malone Now her ghost wheels her barrow, Through streets broad and narrow Crying, "Cockles and mussels, alive, alive oh"

E

E

−

156

2026. The Mountains of Mourne D

Bm

A

D

6 8 [3 Oh,

.3] .4 Ma − ry,

.4 .4 ^3 .3 this Lon − don’s a

^3 .3 won − der

.3

Bm

.3] .4 .4 .4 ^3 .3 don’t plant po − ta − toes nor

.4 .3 So I

[^3 ^3]

[^3 .3 .3 .3] ^2 ^3 peo − ple there work − in’ from

A

D

^3 .3 .3 .3 [^3 ^3 bar − ley nor wheat, But there’s

^3 .3 .3 .3] ^2 ^3 gangs of them dig − ging for

A

D

.4 ^3 [1] ^3 [3 .3] dig − ging for gold. But for

.2 .4 .4 .4 ^3 .3 all that I found there I

D

^4 .4 ^3 .4 what I was told.

.3

− ful sight, with the

.2 .3 .4 .5 ^4 .4 just took a hand at this

^3 .3 .3 .3 [3 gold in the street. At

^3 .3 morn − in’

.3 to

.3 night.

G

.3] ^4 ^4 ^4 .5 ^4 least when I asked them that’s

^3 .3 ^2 .3 might as well be,

.3 [^3 Where the

F#m

^3 .3 .3 .3 ^3] ^2 moun − tains of Mou − rne sweep

^3 .3 .3 .3 down to the sea.

I believe that when writin’ a wish you expressed, As to how the fine lAdies of London are dressed Well if you believe me, when asked to a ball, They don’t wear no tops to their dresses at all Oh, I’ve seen them myself and you could not, in thrath, Say if they were bound for a ball, or a bath, Don’t be startin’ them fashions now, Mary Machree, Where the etc I’ve seen England’s king from the top of a bus, And I’ve never known him, but he means to know us And tho’ by the Saxon we once were oppressed, Still I cheered, God forgive me, I cheered with the rest And now that he’s visited Erin’s green shore, We’ll be much better friends than we’ve been heretofore When we’ve got all we want, we’re as quiet as can be, Where the etc You remember young Peter O’Loughlin of course, Well now he is here at the head of the Force I met him today, I was crossing the Strand, And he stopped the whole street with a wave of his hand And there we stood talking of days that are gone, While the whole population of London looked on; But for all these great powers, he’s wishful, like me, To be back where the dark Mourne sweeps down to the sea There’s beautiful girls here −−− Oh, never you mind −−−, With beautiful shapes nature never designed And lovely complexions all roses and cream, But O’Loughlin remarked with regard to the same That if at those roses you venture to sip, The colors might all come away on your lip So I’ll wait for the wild rose that’s waitin’ for me, Where the etc

[3 They

157

2027. The Old Orange Flute (tune is Villikins and his Dinah) B

D#m

6 8 .3 .3 In the

.3 .4 .5 .5 ^4 .4 coun − ty Ty − rone in the

^3 .3 ^3 .4 .3 .3 town of Dun − gan − non Where

.3 .4 .5 .6 .6 .6 ma − ny a ruc − kus me

^6

.5

^5 ^6

.5

.5

− self had a hand in Bob

B

.6 .6 .6 .6 .5 .4 Will − iam − son lived there, a

^4 .5 ^5 .5 ^4 wea − ver by trade, And

.4 all

.4 of

.4 .5 ^4 .4 us though him a

^3 .3 .3 .3 stout hear − ted blade.

In the county Tyrone, in the town of Dungannon, Where many a ruckus meself had a hand in Bob Williamson lived there, a weaver by trade, And all of us thought him a stout−hearted blade. On the twelfth of July as it yearly did come, Bob played on the flute to the sound of the drum You can talk of your fiddles, your harp or your lute, But there’s nothing could sound like the Old Orange Flute. But the treacherous scoundrel, he took us all in, For he married a Papish named Bridget McGinn Turned Papish himself and forsook the Old Cause, That gave us our freedom, religion and laws. And the boys in the county made such a stir on it, They forced Bob to flee to the province of Connaught; Took with him his wife and his fixins, to boot, And along with the rest went the Old Orange Flute. Each Sunday at mass, to atone for past deeds, Bob said Paters and Aves and counted his beads Till one Sunday morn, at the priest’s own require, Bob went for to play with the flutes in the choir. He went for to play with the flutes in the mass, But the instrument quivered and cried."O Alas!" And blow as he would, though he made a great noise, The flute would play only "The Protestant Boys". Bob jumped up and huffed, and was all in a flutter, He pitched the old flute in the best holy water; He thought that this charm would bring some other sound, When he tried it again, it played "Croppies Lie Down!" And for all he would finger and twiddle and blow, For to play Papish music, the flute would not go; "Kick the Pope" to "Boyne Water" was all it would sound, Not one Papish bleat in it could e’er be found. At a council of priests that was held the next day, They decided to banish the Old Flute away; They couldn’t knock heresy out of its head, So they bought Bob another to play in its stead. And the Old Flute was doomed, and its fate was pathetic, ’Twas fastened and burnt at the stake as heretic. As the flames rose around it, you could hear a strange noise, ’Twas the Old Flute still a−whistlin’ "The Protestant Boys".

158

2028. The Rare Oul’ Times Gb

Ebm

Gb

^5 .5 sto − ries,

.6 he

Ebm

Gb

Cb

.6 ^7 Are the

.6 .5 .5 .4 pas − sing tales and

^4 glo

Ebm

Gb

Gb

4 4 .3 .4 .5 .5 Raised on songs and

^7 .7 .6 ^5 − − roes of re − know − n,

Ebm

.5 town. Gb

.3 times.

.5 The

.6 ^7 .7 .6 hal − lowed halls and

Gb

^5 .5 .5 hou − ses, the

Bho

Ebm

.3 .4 .5 .5 Ring − a − round − a

^5 .5 Ro − sie,

.6 ^7 .7 .6 haun − ting chil − dren’s

Gb

.6 ^7 .7 .6 as the light de

^9 rhymes,

Ebm

^5

.6 .6 .5 .5 .4 That once was part of

.6

I courted Peggy Digman, As pretty as you please. A rage and child of Mary, from the rebel liberties I lost her to a student chap, With skin as back as coal When he took her off to Birmingham, She took away my soul. The years have made me bitter, The gargle dims me brain Cause Dublin keeps on changing, and Nothing seems the same. The Pillar and the Met have gone, The Royal long since pulled down As the grey unyielding concrete, Makes a city of my Town. Fare thee well sweet Anna Liffey, I can no longer stay And watch me new glass cages that, Spring up along me Ouay My mind’s too full of memories, Too old to hear new chimes l’m a part of what was Dublin, In the rare ould times.

^4 ^4 Dub − lin

Cb

.5

.5

.4

− clines, I re − mem − ber Dub − lin

My name it is Sean Dempsey, As Dublin as could be Born hard & late in Pimlico, In a house that ceased to be My trade I was a cooper, Lost out to redundancy Like my house that fell to progress, My trades a memory

.5

.5

Cb

Gb

.6 .6

.5

^4 ^4 Ci − ty

.5

^5

^6

− ries that once was Dub − lin Db

.5 .4 in the

^3 .4 ^3 rare ou − l’

Db

.5 .4 in the

^3 .4 ^3 rare ou − l’

Gb

.3 times.

159

2029. Reilly’s Daughter verse

G

D

D

Bm

[3 As

^3 ^3 .3] − I was sit − ting

.3 ^3 .4 by the fire,

.5 .5 .5 tal − king to

D

2 4

.5 .5 .5 .4 .5 like to mar − ry old

Bm

Ahorus D

^5 .5 .4 .3 Rei − ly’s daugh − ter,

[^3 ^3 ^3 .3] Gid − dy − I − Ay,

.4 .5 ol − d

^5 .5 .4 .3 Reil − ly’s daugh − ter

[^3 ^3 ^3 ^3 .3 .3] Sud − den − ly a thought came

.3 .3 ^3 .4 .2 in − to my head; I’d

Bm

.3 .3 ^3 .4 Gid − dy − I − Ay,

.5 .5 .5 .5 .4 .5 Gid − dy − I − Ay for the

D

^5 .5 .4 .3 one − eyed Reil − ly,

[^3 ^3 ^3 .3] Gid − dy − I Ay,

Bm

.3 .3 .3 (bang, bang, bang)

[3 .3 .3 .3] Play it on your

[^3] ^2 big bass

.3 drum

Reilly played on the big bass drum, Reilly had a mind for murder and slaughter Reilly had a bright red glittering eye, And he kept that eye on his lovely daughter. [cho] Her hair was black and her eyes were blue, The colonel and the major and the captain sought her The sergeant and the private and the drummer boy too, But they never had a chance with Reilly’s daughter. [cho] I got me a ring and a parson too, Got me a scratch in a married quarter Settled me down to a peaceful life, Happy as a king with Reilly’s daughter. [cho] Suddenly a footstep on the stairs, Who should it be but Reilly out for slaughter With two pistols in his hands, Looking for the man who had married his daughter. [cho] I caught old Reilly by the hair, Rammed his head in a pail of water Fired his pistols into the air, A damned sight quicker than I married his daughter. [cho] 2030. The Rising of the Moon F#m

E

F#m

E

F#m

.5 .4 ^3 ^2 lis − ten, And his

.4 ^3 ^2 [^3 ^3] eyes we − re all a −

2 4 [^3] ^2 Tell me,

.3 ^3 .4 ^5 tell me Sean O’

.5 .4 ^3 ^2 Far − rel, tell me

F#m

[^3] .4 ^5 glow. I bear

.4 ^3 ^2 [^3 ^3] why yo − u hur − ry

[^3 ^3] ^2 .3 ^3 .4 ^5 so, Hush a − bu − chall, hush and

C#m

^5 .5 ^6 ^5 or − ders from the

.5 .4 ^3 .4 cap − tain, Make ye

F#m

.5 .4 .5 ^6 rea − dy quick and

C#m

^5 .4 ^5 ^5 .5 ^6 ^5 soon, For the pikes must be to

^3] moon.

Out from many a mud−walled cabin, eyes were lookin’ through the night Many a manly heart was throbin’ for the blessed morning light A cry arose along the river, like some banshee’s mournful croon And a thousand pikes were flashing by the rising of the moon All along the shining river one black mass of men was seen And above them in the night wind floated our immortal green Death to every foe and traitor. Onward, strike the marching tune And hurrah me boys for freedom, it’s the rising of the moon Well they fought for dear old Ireland, and full bitter was their fate, Oh what glorious pride and sorrow fills the name of ninety−eight. But thank God e’en now are beating hearts in mankind’s burning noon, Who will follow in their footsteps, at the rising of the moon.

E

.5

F#m

.4

^3 ^2

− ge − ther At the

.4 ^3 .3 [^3 ^3 ri − si − ng of the

160

2031. The Rose of Tralee B

G

G#m

B

F#

3 4 .5 The

.5 ^5 .5 soft moon was

.7 ri

^7

.6

.6

B

G

.5 ^5 .5 strayed with my

.7 .7 ^7 fair as the

.7 ^7 .6 love to the

.6 ^4 ^5 pale crys − tal

D#

.6 ^6 ^5 rose of the

^1 .4 .7 sum − mer, But

^5 .5 ^5 moun − tain, The

.5 sun

^5 .5 was de

B

^5 .5 ^5 foun − tain, That

.7 .6 ^8 ’twas not her

G#m

.5 ^8 ^8 made me love

.5

.6

.5 ^8 ^8 stands in the

.6

.6

^6

.6

^7 .5 .5 sea, When I

− cli − ning be − neath the blue

G#m

B

.7 .6 ^5 beau − ti − ful

B

B

^5 .5 ^5 shi − ning, That

^5

G#m

G#m

G#m

^4

− sing a − bove the green

.5 .7 vale of

^7 Tra

.6

G#m

B

^5 .5 me. Ah,

.5 ^5 .5 no, ’twas the

.7 .7 ^7 .6 ^7 ^6 beau − ty a − lone that won

.6

^7

.7 .7 love − ly

− lee. She was

^8 and

G

.7 ^7 .6 truth in her

.6 ^4 ^5 eyes e − ver

B

.7 .6 ^5 Ma − ry, the

.5 .7 Rose of

^7 Tra

.6

− lee.

The cool shades of evening their mantles were spreading, And Mary, all smiling, stood listn’ng to me, When all through the valley her pale rays were shedding, When I won the heart of the Rose of Tralee. [cho] 2032. The Sash My Father Wore B

F#

F#

B

^3 .4 ^4 .4 ^3 bre − the − ren, All of

.3 .2 .3 ^3 ho − nour and of

4 4 .5 ^4 Su − re

.4 .2 .3 ^3 I’m an Ul − ster

.4 ^3 .3 .4 ^4 O − range − man Fro − m

.5 .5 ^4 .4 ^4 ^3 E − rin’s is − le I came,

^3 ^3 ^2 .2 ^2 To see my Bri − tish F#

.4 fame.

.5 ^4 And to

.4 .2 .3 ^3 tell them of my

.5 .5 ^4 .4 ^3 sash my f − a − ther

.4 fore

B

ahorus

.3 wore.

.5 ^4 It is

.4

.3

.4

^4

− fa − thers, wh − o

.5 .5 ^4 .4 ^4 fought in da − ys of

^3 yore,

^3 That

^3 ^2 .2 ^2 I might have the

B

^3 .4 ^4 .4 ^3 right to wear th − e

F#

.4 .2 .3 ^3 old, but it is

.4 beau

^3 .3

.4

^4

− ti − ful, And its

.5 .5 ^4 .4 ^4 co − lours the − y are

^3 fine,

^3 ^3 It was

^3 ^2 .2 ^2 worn at Der − ry,

B

^3 .4 ^4 .4 ^3 Au − ghe − rim, En − nis

^3 ^2 .2 ^2 on the Twelfth I

.3

F#

.2

.3

^3

− kil − len and the

^3 .4 ^4 .4 ^3 love to wear th − e

.4 Boyne;

.5 ^4 M− y

.5 .5 ^4 .4 ^3 sash my f − a − ther

.4 .2 .3 ^3 fa − ther wore it

.4 .4 ^3 .3 .4 ^4 as a youth i − n

.3 wore.

For those brave men who crossed the Boyne have not fought or died in vain Our Unity, Religion, Laws, and Freedom to maintain, If the call should come we’ll follow the drum, and cross that river once more That tomorrow’s Ulsterman may wear the sash my father wore! And when some day, across the sea to Antrim’s shore you come, We’ll welcome you in royal style, to the sound of flute and drum And Ulster’s hills shall echo still, from Rathlin to Dromore As we sing again the loyal strain of the sash my father wore!

.5 .5 ^4 .4 ^4 by − gone da − ys of

^3 yore,

^3 And

161

2033. Spanish Lady Dublin City D

F#m

4 4 .5 As

.5 .5 .5 ^5 ^6 I went out throu − gh

.6 Dub

.6

.6 .6 ^7 .7

− lin ci − ty At the

^8 ^7 .7 .6 hour of twelve o’

^5 .5 .5 .5 clock of the night,

.5 .5 .5 .5 ^6 ^6 Who should I see but a

D

.6 .6 Span − ish

.6 ^7 .7 l − a − dy

^8 ^8 ^7 .7 .6 Wash − ing her feet by

A

D

^7 .6 ^7 .5 am − b’ry coals. In

.7 .7 .8 .7 all my life I

^8 ^7 ^7 .7 Whack fol the toor

.6

^5

.5

− a − loor − a

^5 can

.5

^7 ^7 .6 .6 ^7 .7 ne − ver did see a

.5 lay;

.5

.7 .8 .8 .7 .7 First she washed them and

− dle light.

^8 ^7 .7 .6 maid so sweet a

.5 .5 .5 .5 Whack fol the toor

^5

.6

^5

.5

.5

^7 then

.5

.6 .6 ^7 she dried them,

.5

.5

.5

^5

.7 O

.7 .7 .8

.7

− ver a fore of

.6

.6 .6 ^7 .7

− bout the soles. Whack fol the toor − a − loor − a la − dd − y,

.6

− a − loor − a

.6 ^7 .7 la − dd − y,

^8 ^7 ^7 .7 Whack fol the toor

I stopped to look but the watchman passed, Says he, "Young fellow, the night is late Along with you home or I will wrestle you, Straight away through the Bridewell gate" I threw a look to the Spanish lady, Hot as the fire of ambry coals In all my life I never did see, a maid so sweet about the soles [cho] As I walked back through Dublin City, As the dawn of day was o’er Who should I see but the Spanish lady, When I was weary and footsore She had a heart so filled with loving, And her love she longed to share In all my life I never did see, a maid who had so much to spare [cho] Now she’s no mot for a puddle swaddy, With her ivory comb and her mantle so fine But she’d make a wife for the Provost Marshall, Drunk on brandy and claret wine I got a look from the Spanish lady, Hot as a fire of ambry coals In all my life I never did meet, a maid so sweet about the soles[cho] I’ve wandered north and I’ve wandered south, By Stoney Batter and Patrick’s Close Up and around by the Gloucester Diamond, And back by Napper Tandy’s house Old age has laid her hands upon me, Cold as a fire of ashy coals But where is the lonely Spanish lady, neat and sweet about the soles?[cho] As I was leaving Dublin City, On that morning sad of heart Lonely was I for the Spanish lady, Now that forever we must part But still I always will remember, All the hours we did enjoy But then she left me sad at parting, gone forever was my joy.[cho]

.6

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162

2034. Star of the County Down C#m

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As she onward sped I shook my head, And I gazed with a feeling quare, And I said, says I, to a passer−by, "Who’s the maid with the nut−brown hair?" Oh, he smiled at me, and with pride says he, "That’s the gem of Ireland’s crown, She’s young Rosie McCann from the banks of the Bann, She’s the Star of the County Down."

At the crossroads fair I’ll be surely there, And I’ll dress in my Sunday clothes And I’ll try sheep’s eyes, and deludhering lies, On the heart of the nut−brown Rose. No pipe I’ll smoke, no horse I’ll yoke, Though with rust my plow turns brown, Till a smiling bride by my own fireside, Sits the Star of the County Down.

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I’ve travelled a bit, but never was hit, Since my roving career began; But fair and square I surrendered there, To the charms of young Rose McCann. I’d a heart to let and no tenant yet, Did I meet with in shawl or gown, But in she went and I asked no rent, From the Star of the County Down.

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163

2035. The Town I Loved So Well E

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In the early morn the shirt factory horn Called the women from Creggan, the Moor and the Bog While the men on the dole played a mother’s role Fed the children and then walked the dog And when times got rough there was just about enough But they saw it through without complaining For deep inside was a burning pride In the town I loved so well. There was music there in the Derry air Like a language that we could all understand I remember the day when I earned my first pay When I played in a small pick−up band There I spent my youth and to tell you the truth I was sad to leave it all behind me There I learned about life and I found a wife In the town I loved so well: But when I returned oh my eyes how they burned To see how a town could be brought to its knees By the armoured cars and the bombed out bars And the gas that hangs on to every breeze Now the army’s installed by the old gasyard wall And the damned barbed wire gets higher and higher With their tanks and their guns Oh my God, what have they done To the town I loved so well. Now the music’s gone but they carry on For their spirit’s been bruised, never broken They will not forget but their hearts are set On tomorrow and peace once again Now what’s done is done and what’s won is won And what’s lost is lost and gone forever I can only pray for a bright brand new day For the town I Iove so well.

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164

2036. Waxies’ Dargle

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2037. When Irish Eyes are Smiling Ahorus

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There’s a tear in your eye, And I’m wondering why, For it never should be there at all. With such pow’r in your smile, Sure a stone you’d beguile, So there’s never a teardrop should fall. When your sweet lilting laughter’s, Like some fairy song, And your eyes twinkle bright as can be; You should laugh all the while And all other times smile, And now, smile a smile for me. Cho: When Irish eyes are smiling, Sure,’tis like the morn in Spring. In the lilt of Irish laughter, You can hear the angels sing. When Irish hearts are happy, All the world seems bright and gay. And when Irish eyes are smiling, Sure, they steal your heart away. For your smile is a part, Of the love in your heart, And it makes even sunshine more bright. Like the linnet’s sweet song, Crooning all the day long, Comes your laughter and light. For the springtime of life, Is the sweetest of all There is ne’er a real care or regret; And while springtime is ours Throughout all of youth’s hours, Let us smile each chance we get. [Cho]

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165

2038. When You and I Were Young, Maggie B

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A city so silent and lone, Maggie, Where the young and the gay and the best, In polished white mansions of stone, Maggie, Have each found a place of rest, Is built where the birds used to play, Maggie, And join in the songs that were sung; For we sang as gay as they, Maggie, When you and I were young.

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166

2039. Whiskey in the Jar (Kilgary Mountain) A

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As I was a−walkin’ ’round Kilgary Mountain, I met with Captain Pepper as his money he was countin’, I rattled my pistols and I drew forth my saber, Sayin’, "Stand and deliver, for I am the bold deceiver" Musha rig um du rum da, Whack fol the daddy o Whack fol the daddy o, There’s whiskey in the jar The shinin’ golden coins did look so bright and jolly, I took ’em with me home and I gave ’em to my Molly She promised and she vowed that she never would deceive me, But the devil’s in the women and they never can be easy When I was awakened between six and seven, The guards were all around me in numbers odd and even I flew to my pistols, but alas I was mistaken, For Molly’s drawn my pistols and a prisoner I was taken They put me into jail without judge or writin’, For robbing Colonel Pepper on Kilgary Mountain But they didn’t take my fists so I knocked the sentry down, And bid a fond farewell to the jail in Sligo town Now some take delight in fishin’ and in bowlin’, And others take delight in carriages a−rollin’ But I take delight in the juice of the barley, And courtin’ pretty girls in the morning so early

167

2040. Wild Colonial Boy B

E

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Come all my hearties, we’ll range the mountainside Together we will plunder, together we will ride We’ll scour along the valleys and gallop o’er the plains We’ll scorn to live in slavery, bowed down in iron chains In sixty−one this daring youth commenced his wild career With a heart that knew no danger, no foeman did he fear He held up the Beechworth mailcoach and he robbed Judge MacEvoy Who trembled and gave up his gold to the wild colonial boy One day as he was riding the mountainside along Alistening to the little birds their pleasant laughing song Three mounted troopers came in view − Kelly, Davis, and Fitzroy And thought that they would capture him, the wild colonial boy "Surrender now, Jack Doolan, you see there’s three to one Surrender now, Jack Doolan, you daring highwayman" He drew a pistol from his belt and spun it like a toy "I’ll fight, but I won’t surrender," said the wild colonial boy He fired at trooper Kelly and brought him to the ground And in return from Davis received a mortal wound All shattered through the jaws, he lay still firing at Fitzroy And that’s the way they captured him, the wild colonial boy

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168

2041. Wild Rover (No Nay Never) B

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I went to an ale−house I used to frequent And I told the landlady my money was spent I asked her for credit, she answered me "nay Such a custom as yours I could have any day." cho I took from my pocket ten sovereigns bright And the landlady’s eyes opened wide with delight She said "I have whiskey and wines of the best And the words that I spoke sure were only in jest." cho I’ll go home to my parents, confess what I’ve done And I’ll ask them to pardon their prodigal son And if they caress (forgive) me as ofttimes before Sure I never will play the wild rover no more cho

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169

2042. If You’re Irish come into the Parlour E

B

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In sweet Lim’rick Town, they say, Lived a chap named Patrick John MoIIoy. Once he sailed to U.S.A. His luck in foreign parts he thought he’d try. Now he’s made his name, and is a wealthy man, He put a bit away for a rainy day; So if you gaze upon The house of Patrick John, You’ll find a notice that goes on to say: Chorus:If you’re Irish come into the parlour, There’s a welcome there for you; If your name is Timothy or Pat, So long as you come from Ireland, There’s a welcome on the mat, If You come from the Mountains of Mourne, Or Killarney’s lakes so blue, We’ll sing you a song and we’ll make a fuss, Whoever you are you are one of us, If you’re Irish, this is the place for you! Patrick loved the girl he wed, But he could not stand his Ma−n−aw, Once with joy he turned quite red, When she got into trouble thro’ her jaw. Six police they had to take her to the Court, She was informed a month she would have to do, So Patrick quickly wrote Up to the Judge a note Explaining, "Sir, I’m much obliged to you!"

−

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− CHRISTMAS CAROLS − Appear in alphabetical order

170

3000. Angels we have heard on high

.4 .4 .4 .5

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Angels we have heard on high, Sweetly singing o’er the plains And the mountains in reply, Echoing their joyous strains. Gloria.. cho: Gloria, In Excelsius Deo Shepherd why this jubilee, Why your joyous strains prolong What the gladsome tidings be, Which inspire your heavenly song? Come to Bethlehem and see, Him whose birth the angels sing Come adore on bended knee, Christ the Lord the newborn king See him in a manger laid, Whom the choirs of angels praise Mary, Joseph, lend your aid, While our hearts in love we raise 3001. Away in a Manger D

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Away in a manger, no crib for a bed, The Little Lord Jesus lay down His sweet head; The stars in the bright sky looked down where He lay, The little Lord Jesus asleep in the hay The cattle are lowing the baby awakes, But little Lord Jesus no crying He makes, I love you, Lord Jesus; look down from the sky, And stay by my side until morning is nigh Be near me Lord Jesus; I ask you to stay, Close by me forever and love me, I pray, Bless all the dear children in your tender care, And fit us for heaven to live with you there

.5 .5 ^5

^4 ^3 .4

171

3002. Deck the Halls AABA

4 4 .5 ^4 .4 ^3

.3 ^3 .4 .3

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^3 .4 ^4 ^3 .4 ^3

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^3 .4 ^4 ^3

.4 ^4 .5 ^3

.4 ^4 .5 ^5 ^6 .6

^6 ^5 .5

.5 ^4 .4 ^3

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Deck the halls with boughs of holly, Fa−la−la−la−la, la−la−la−la ’Tis the season to be jolly, Fa−la−la−la−la, la−la−la−la Don we now our gay apparel, Fa−la−la, la−la−la, la−la−la Troll the ancient Yuletide carol, Fa−la−la−la−la, la−la−la−la See the blazing Yule before us Strike the harp and join the chorus Follow me in merry measure While I tell of Yuletide treasure Fast away the old year passes Hail the new ye lads and lasses Sing we joyous all together Heedless of the wind and weather 3003. Ding Dong Merrily on High Ahorus

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Ding Dong merrily on high, In Heaven bells are ringing Ding dong merrily the sky, Is riven with angels singing Cho: Glo− − − −ria, Hosana in excelsis E’en so here below, below, Let steeple bells be swungen And io, io, io, By priest and people sungen: Cho Pray you, dutifully prime, Your matin chime, ye ringers; May you beautifully rime, Your evetime song, ye singers: Cho

^4 .4 ^3 .4 ^4 ^3

.4 ^3 .3 ^3 .4 .3

^3 .3 ^2 .3 ^3 ^2

172

3004. The First Noel Ahorus

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The first Noel, the angel did say, Was to certain poor shepherds in fields as they lay, In fields as they ,lay keeping their sheep, On a cold winter’s night hat was so deep Noel, Noel, Noel, Noel, Born is the King of Israel They looked up and saw a star, Shining in the east, beyond them far; And to the earth it gave great light, And so they continued both day and night Cho And by the light of that same star, Three wise men came from country far; To seek for a King was their intent, And to follow the star wherever it went Cho Now let us all with one accord, Sing praises to our heavenly Lord, Who brought forth Heaven and earth from naught, And with his blood mankind has bought Cho 3005. God Rest You Merry Gentlemen C#m

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God rest ye merry, gentlemen, let nothing you dismay Remember Christ our Saviour was born on Christmas Day To save us all from Satan’s pow’r when we were gone astray Cho: Oh, tidings of comfort and joy,comfort and joy Oh tidings of comfort and joy In Bethlehem in Jewry this blessed Babe was born, And laid within a manger upon this blessed morn The which His mother Mary did nothing take in scorn, Chorus From God our heav’nly Father, a blessed angel came And unto certain shepherds brought tidings of the same How that in Bethlehem was born the Son of God by name, Chorus

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3006. Good Christian Men Rejoice

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Good Christian men, rejoice With heart and soul and voice; Give ye heed to what we say: News! News! Jesus Christ is born today: Ox and ass before him bow And He is in the manger now Christ is born today!

Christ is born today!

Good Christian men, rejoice With heart and soul and voice; Now ye hear of endless bliss; Joy! Joy! Jesus Christ was born for this! He has oped the heav’nly door And man is blessed evermore Christ was born for this!

Christ was born for this!

Good Christian men, rejoice With heart and soul and voice; Now ye need not fear the grave; Peace! Peace!

Jesus Christ was born to save!

Calls you one and calls you all To gain his everlasting hall Christ was born to save!

Christ was born to save! 3007. Good King Wensleslas

AAB

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Good King Wenceslas looked out on the feast of Stephen, When the snow lay round about, deep and crisp and even Brightly shone the moon that night, though the frost was cruel, When a poor man came in sight, gathering winter fuel Hither page and stand by me if thou knowst it telling, Yonder peasant, who is he, where and what his dwelling? Sire, he lives a good league hence, underneath the mountain, Right against the forest fence, by Saint Agnes’ fountain Bring me flesh and bring me wine, bring me pinelogs hither, Thou and I will see him dine when we bear them thither Page and monarch forth they went, forth they went together, Through the rude winds wild lament, and the bitter weather Sire the night is darker now, and the wind blows stronger, Fails my heart I know now how, I can go no longer Mark my footsteps my good page, tread thou in them boldly, Thou shalt find the winter’s rage freeze thy blood less coldly In his master’s steps he trod where the snow lay dinted, Heat was in the very sod which the saint had printed Therefore Christian men be sure, wealth or rank possessing, Ye who now will bless the poor, shall yourselves find blessing

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3008. Hark! The Herald Angels Sing D

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Hark, the herald angels sing, Glory to the newborn King, Peace on earth and mercy mild, God and sinners reconciled"; Joyful, all the nations ,rise, Join the triumph of the skies; With the angelic host proclaim: ’Christ is born in Bethlehem" Hark, the herald angels sing, ’Glory to the new born King’ Christ, by highest heav’n adored, Christ, the ever−living Lord, Late in time behold Him come, Offspring of a virgins womb Veiled in flesh the Godhead see, Hail the incarnate Deity; Pleased as man with man to dwell, Jesus, our Emmanuel Hail the heav’n born Prince of Peace, Hail, the Sun of righteousness; Light and life to al! He brings, Ris’n with healing in His wings Mild He lays His glory by, Born that man no more may die; Born to raise the sons of earth, Born to give them second birth 3009. Holly and the Ivy Ahorus

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The holly and the ivy, When they are both full grown Of all the trees that are in the wood, The holly bears the crown Oh the rising of the sun, And the running of the deer The playing of the merry organ, Sweet singing all in the choir The holly bears a blossom, As white as the lily flower And Mary bore sweet Jesus Christ, To be our sweet Savior The holly bears a berry, As red as any blood And Mary bore sweet Jesus Christ, To do poor sinners good The holly bears a prickle, As sharp as any thorn And Mary bore sweet Jesus Christ, On Christmas day in the morn. [Rpt verse 1]

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175

3010. I’m Dreaming of a White Christmas

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I’m dreaming of a white Christmas , Just like the ones I used to know Where the treetops glisten and children listen , To hear sleighbells in the snow I’m dreaming of a white Christmas , With every Christmas card I write May your days be merry and bright , And may all your Christmases be white 3011. Jingle Bells D

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Dashing through the snow, in a one horse open sleigh, O’er the fields we go, laughing all the way, Bells on bobtail ring, making spirits bright, Oh what fun it is to sing a sleighing song tonight Jingle bells, jingle bells, jingle all the way, Oh, what fun it is to ride in a one horse open sleigh; Jingle bells, jingle bells, jingle all the way, Oh what fun it is to ride in a one horse open sleigh Aussie cho: Jingle bells, jingle bells, jingle all the way, Christmas in Australia on a scorching summer’s day, Oh, Jingle bells, jingle bells, Christmas time is beaut. Oh what fun it is to ride in a rusty Holden ute. Dashing through the bush in a rusty Holden ute. Kicking up the dust, esky in the boot. Kelpie by my side, singing Christmas songs, It’s summer time and I am in my singlet, shorts and thongs. Oh. Engine’s getting hot, we dodge the kangaroo, Swaggie climbs aboard, he is welcome too. All the family’s here, sitting by the pool, Christmas day the Aussie way, by the barbecue. Oh.. Come the afternoon, Grandpa has a doze, The kids and Uncle Bruce are swimming in their clothes. Time has come to go, we take a family snap, And pack the car and all shoot through before the washing up. Oh..

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176

3012. Joy to the World B

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Joy to he world! The Lord is come; Let earth receive her king; Let every heart prepare Him room, And heaven and nature sing, And heaven and nature sing, And heaven and heaven and nature sing Joy to the world The Saviour reigns; Let men Their song employ; While fields and floods rooks hills and plains Repeat the sounding joy, Repeat the sounding joy Repeat repeat he sounding joy He rules the earth with truth and grace, And makes the nation prove; The glories of His righteousness And wonders of His love, And wonders Of His love, And wonders wonders of His love 3013. Little Drummer Boy

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Come, they told me , Pa−rum−pa−pum−pum, "Our newborn king to see" , Pa−rum−pa−pum−pum, Our finest gifts we bring , Pa−rum−pa−pum−pum, To lay before the king, , Pa−rum−pa−pum−pum, Rum−pa−pum−pum, rum−pa−pum−pum, So to honour him, Pa−rum−pa−pum−pum, When we come "Little Baby, Pa−rum−pa−pum−pum, I am a poor boy too, Pa−rum−pa−pum−pum, I have no gift to bring, Pa−rum−pa−pum−pum, That’s fit to give our King! Pa−rum−pa−pum−pum, Rum−pa−pum−pum, rum−pa−pum−pum, Shall I play for You, Pa−rum−pa−pum−pum, On my drum?’ Mary nodded, Pa−rum−pa−pum−pum, The ox and lamb kept time, Pa−rum−pa−pum−pum, I played my drum for Him, Pa−rum−pa−pum−pum, I played my best for Him, Pa−rum−pa−pum−pum, Rum−pa−pum−pum, rum−pa−pum−pum, Then He smiled at me, Pa−rum−pa−pum−pum, Me and my drum!

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177

3014. O Come All Ye Faithful E

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O come all ye faithful! joyful and triumphant, O come ye, 0 come ye to Bethlehem Come and behold him, born the King Of angels, O come let us adore Him, O come let us adore Him, O come let us adore Him, Christ the Lord. Sing choirs of angels sing in exultation, Sing, all ye citizens of heaven above, Glory to God in the highest Yea Lord we greet thee born this happy morning Jesus to thee be glory given Word of the Father, now in flesh appearing, 3015. O Little Town of Bethlehem E

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:O little town of Bethlehem, How still we see thee lie; Above thy deep and dreamless sleep, The silent stars go by: Yet in the dark streets shineth, The everlasting Light The hopes and fears of all the years, Are met in thee tonight How silently, how silently, The wondrous gilt is given So God imparts to human hearts, The blessing of his heaven No ear may hear his coming; But in this world of sin, Where meek souls will receive him, still, The dear Christ enters in 3016. Once in Royal David’s City B7

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Once in Royal David’s city, Stood a lowly cattle shed, Where a mother laid her baby, In a manger for His bed Mary was hat mother mild; Jesus Christ her little child He came down to earth from heaven, Who is God and Lord of all, And His shelter was a stable, And His cradle was a stall; With the poor and mean and lowly, Lived on earth our Savior holy And our eyes at last shall see Him, Through His own redeeming love, For that child so dear and gentle, Is our Lord in heaven above, And He leads His children on, To the place where He is gone

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3017. On Christmas Night E

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Long time ago in Bethlehem so the holy bible say Mary’s boy child Jesus Christ was born on Christmas day Hark, now hear the angels sing, a new King born today, And man will live for evermore, because of Christmas day Trumpets sound and angels sing, listen to what they say, That man will live for evermore, because or Christmas day While Shepherds watched their flocks by right Them see a bright new shining star; They hear a choir sing the music seemed to come from afar Now Joseph and his wife Mary come to Bethlehem tat night, Them find no place to born the child, Not a single room was in sight By and by they find a little space in a stable all forlorn, And in a manger cold and dark Mary’s little boy was born Long time ago in Bethlehem so the holy bible say, Mary’s boy child Jesus Christ was born on Christmas day

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3019. Rudolf the Red Nosed Reindeer

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Rudolph the Red−Nosed Reindeer (reindeer) Had a very shiny nose (like a light bulb) And if you ever saw it (saw it) You would even say it glowed (like a stop light) All of the other reindeer (reindeer) Used to laugh and call him names (like Pinocchio) They never let poor Rudolph (Rudolph) Join in any reindeer games (like Monopoly) Then one foggy Christmas Eve, Santa came to say (Ho, ho, ho) Rudolph with your nose so bright Won’t you guide my sleigh tonight Then how the reindeer loved him (loved him) And they shouted out with glee (ha, ha, ha) Rudolph the red−nosed reindeer (reindeer) You’ll go down in history...(like George Washington) 3020. Silent Night A

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Silent night, holy night, all is calm, all is bright Round yon virgin, mother and child, Holy Infant so tender and mild, Sleep in heavenly peace, sleep in heavenly peace Silent night, holy night, Shepherds quake, at the sight Glories stream from heaven afar Heavenly hosts sing alleluia, Christ the Saviour is born, Christ the Saviour is born Silent night, holy night, Son of God Love’s pure light Radiant beams from thy holy face, With the dawn of redeeming grace, Jesus, Lord at Thy birth, Jesus, Lord at Thy birth

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180

3021. While Shepherds Watched Their Flocks by Night D

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Silent night, holy night, all is calm, all is bright Round yon virgin, mother and child, Holy Infant so tender and mild, Sleep in heavenly peace, sleep in heavenly peace Silent night, holy night, Shepherds quake, at the sight Glories stream from heaven afar Heavenly hosts sing alleluia, Christ the Saviour is born, Christ the Saviour is born Silent night, holy night, Son of God Love’s pure light Radiant beams from thy holy face, With the dawn of redeeming grace, Jesus, Lord at Thy birth, Jesus, Lord at Thy birth 3022. We Three Kings of Orient Are C#m

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We three kings of Orient are, bearing gifts we traverse afar Field and fountain, moor and mountain following yonder star O star of wonder, star of night, star with royal beauty bright Westward leading, still proceeding, guide us to thy perfect light Born a King on Bethlehem’s plain, Gold I bring to crown Him again King forever, ceasing never, over us all to reign Frankincense to offer have I, incense owns a Deity nigh Prayer and praising, all men raising, worship Him, God most High Myrrh is mine, its bitter perfume, breathes a life of gathering gloom Sorrowing, sighing, bleeding, dying; sealed in The stone cold tomb Glorious now behold Him arise, King and God and sacrifice Alleluia, Alleluia, earth to the heavens replies

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3023. We Wish You a Merry Christmas Ahorus

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We wish you a merry Christmas We wish you a merry Christmas We wish you a merry Christmas And a happy New Year We want some figgy pudding (3 times) And a cup of good cheer We won’t go until we get some (3 times) So bring it out here! We wish you a Merry Christmas (3 times) And a happy New Year

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AUSTRALIAN CAROLS

182

3024. Port Hedland Carol, A

Mr John Parker

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0001 ANOTHER FALL OF RAIN (John Neilson) The weather has been sultry for a fortnight now or more And the shearers have been driving might and main; For some have got the century who ne'er got it before But now we all are waiting for the rain cho: For the boss is getting rusty and the ringer's caving in His bandaged wrist is aching with the pain; And the second man I fear will make it hot for him Unless we have another fall of rain Now some had taken quarters and were keeping well in bunk When we shore the six-tooth wethers from the plain, And if the sheep get harder then a few more men will flunk Unless we get another fall of rain Some cockies come here shearing, they would fill a little book About this sad dry weather for the grain; But here is lunch a-coming. Make way for Dick the cook Old Dick is nigh as welcome as the rain But the sky is clouding over and the thunder's muttering loud And the clouds are sweeping westward o'er the plain And I see the lightning flashing 'round the edge of yon black cloud And I hear the gentle patter of the rain So lads, put up your stoppers and let us to the hut Where we'll gather 'round and have a friendly game; While some are playing music and some play ante up And some are gazing outward at the rain But now the rain is over, let the pressers spin the screw Let the teamsters back their wagons in again; We'll block the classer's table by the way we push them through For everything goes merry since the rain final chorus: And the boss he won't be rusty when his sheep they all are shore And the ringer's wrist won't ache much with the pain Of pocketing his cheque for a hundred quid or more And the second man will press him hard again

0001 THE OLD PALMER'S SONG

Oh, the wind is fair and free my boys, the wind is fair and free The steamer's course is North my boys,and the Palmer we will see The Palmer we will see my boys, and cooktown's muddy shore Where I'vebeen told there's lots of gold so stay down South no more Cho: So blow ye winds heigh-ho, a-digging we will go We'll stay no more down South my boys, so let the music play In spite of what I'm told, I'm off in search of gold And we'll make a push for a new gold rush, a thousand miles away

0001 RODDY MCCORLEY

(Words by Ethna Carberry; music traditional) O see the fleet-foot host of men, who march with faces drawn, From farmstead and from fishers' cot, along the banks of Ban; They come with vengeance in their eyes. Too late! Too late are they, For young Roddy McCorley goes to die on the bridge of Toome today Oh Ireland, Mother Ireland, you love them still the best The fearless brave who fighting fall upon your hapless breast, But never a one of all your dead more bravely fell in fray, Than he who marches to his fate on the bridge of Toome today Up the narrow street he stepped, so smiling, proud and young About the hemp-rope on his neck, the golden ringlets clung; There's ne'er a tear in his blue eyes, fearless and brave are they, As young Roddy McCorley goes to die on the bridge of Toome today When last this narrow street he trod, his shining pike in hand Behind him marched, in grim array, a earnest stalwart band To Antrim town! To Antrim town, he led them to the fray, But young Roddy McCorley goes to die on the bridge of Toome today The grey coat and its sash of green were brave and stainless then, A banner flashed beneath the sun over the marching men; The coat hath many a rent this noon, the sash is torn away, And Roddy McCorley goes to die on the bridge of Toome today Oh, how his pike flashed in the sun! Then found a foeman's heart, Through furious fight, and heavy odds he bore a true man's part And many a red-coat bit the dust before his keen pike-play, But Roddy McCorley goes to die on the bridge of Toome today There's never a one of all your dead more bravely died in fray Than he who marches to his fate in Toomebridge town today; True to the last! True to the last, he treads the upwards way, And young Roddy McCorley goes to die on the bridge of Toome today

Recorded by Kingston Trio, Clancys. Additional words from RG, overheard in the White Horse Tavern, NY in 1958

0001 MAGGIE MAY

Now you jolly sailor lads, come listen to my tale, I'm sure you will have cause to pity me, I was a damned young fool in the port of Liverpool, When I called there on my first port home from sea cho: Oh Maggie, Maggie May They have taken her away To slave upon Van Dieman's cruel shore Oh, you robbed so many whalers, and dosed so many sailors But you'll never cruise 'round Peter Street no more I was staying at the Home, from a voyage to Sierre Leone, And two-pound-ten a month was all my pay, As I jingled with my tin, I was easy taken in, By a little girl up there called Maggie May cho: Oh. I'll never forget the day when I first met Maggie May, She was standing on a corner at Canning Place, In a full-sized crin-o-line, like a frigate of the line, And as she saw I was a sailor I gave chase She gave me a saucy nod, and I, like a farmer's clod, Let her take me line abreast in tow, And under all plain sail, we ran before the gale And to the Crow's Nest Tavern we did go Next morning when I woke, I found that I was broke, No shoes or shirt or trousers could I find, When I asked her where they were, she answers "My dear sir, They're down in Lewis' pawnshop number nine." So to Lewis' I did go, but no clothing could I find, And the policeman took that wicked girl away, And the judge he guilty found her, of robbing a homeward-bounder, And now she's doing time in Botany Bay She was chained and sent away from Liverpool one day, The lads all cheered as she sailed down the bay, And every sailor lad, he only was too glad They'd sent that old whore out to Botany Bay

0002 LAZY HARRY'S

We started out from Roto when the sheds had all cut out And with whips and whips of rhino that we meant to push about With a three spot cheque between us and Sydney in our eye We camped at Lazy Harry's on the road to Gundagai Cho And we camped at Lazy Harry's on the road to Gundagai The road to Gundagai, not five miles to Gundagai Yes we camped at Lazy Harry's on the road to Gundagai We crossed the Murrumbidgee near old Yanko in a week We passed through old Narrandera and crossed the Burnett Creek And we never stopped at Wagga for we'd Sydney in our eye And we camped at Lazy Harry's on the road to Gundagai We through our flaming swags off, and marched in to the bar We ordered rum and raspberry, and a shilling each cigar The girl that served that poison, she winked at me so sly So we camped at Lazy Harry's on the road to Gundagai Well I've seen a lot of girls me boys, and I've drunk lots of beer I've met with some of both me lads, that left me feeling queer But for beer to knock you sideways, and girls to make you sigh You should camp at Lazy Harry's on the road to Gundagai In a week our spree was over and our cheque was all knocked down We shouldered our matildas, and headed out of town The girls stood us o nobbler, we sadly waved goodbye And we tramped from Lazy Harry's on the road to Gundagai Final cho And we tramped from Lazy Harry's on the road to Gundagai The road to Gundagai, not five miles to Gundagai And we tramped from Lazy Harry's on the road to Gundagai The pub was flooded by the Snowy mountain Scheme

0003 THE RAKES OF MALLOW Beauing, belleing, dancing, drinking, Breaking windows, cursing, sinking Ever raking, never thinking, Live the Rakes of Mallow; Spending faster than it comes, Beating waiters bailiffs, duns, Bacchus' true begotten sons, Live the Rakes of Mallow

One time naught but claret drinking, Then like politicians, thinking To raise the "sinking funds" when sinking Live the Rakes of Mallow

0007 DAVY NICK NACK

When at home, with da-da dying, Still for mellow water crying; But, where there's good claret plying Live the Rakes of Mallow Racking tenants, stewards teasing, Swiftly spending, slowly raising, Wishing to spend all their days in Raking as at Mallow

(Henry Clay Work) My grandfather's clock was too tall for the shelf So it stood ninety years on the floor It was taller by half than the old man himself But it weighed not a pennyweight more

Then to end this raking life, They get sober, take a wife, Ever after live in strife, And wish again for Mallow Also called Walls of Limerick, Mallow Fling Balls Up(Austr) British 18th Century tune, words by A.R.Body

0004 SPANISH LADY

Two other songs use tis tune, Galway City, and in NZ Shanty by the Way As I went down to Dublin city, At the hour of twelve at night, Who should I see but a Spanish lady, Washing her feet by candlelight First she washed them, then she dried them Over a fire of amber coal, In all my life I ne'er did see A maid so sweet about the soul CHORUS: Whack fol the toora, toora laddy Whack fol the foora loora lay As I came back through Dublin city At the hour of half past eight Who should I spy but the Spanish lady Brushing her hair in the broad daylight First she tossed it, then she brushed it, On her lap was a silver comb In all my life I ne'er did see A maid so fair since I did roam CHORUS As I went back through Dublin city As the sun began to set Who should I spy but the Spanish lady Catching a moth in a golden net When she saw me then she fled me Lifting her petticoat over her knee In all my life I ne'er did see A maid so shy as the Spanish lady CHORUS I've wandered north and I've wandered south Through Stonybatter and Patrick's Close Up and around the Gloucester Diamond And back by Napper Tandy's house Old age has laid her hand on me Cold as a fire of ashy coals In all my life I ne'er did see A maid so sweet as the Spanish lady CHORUS

0004 ROSE TREE Also called Portlaige, a Gaelic song

0007 ST ANTHONY'S Also called Pat Horgan's #1, Kerry #1, Glenside #1, St Anne's

0007 RATTLIN' BOG Hey ho, the rattlin' bog The bog down in the valley -o The rare bog, the rattlin' bog The bog down in the valley -o

Now in this bog there was a tree A rare tree, a rattlin' tree Tree in the bog and the bog down in the valley -o Now on this tree there was a limb A rare limb, a rattlin' limb Limb on the tree, tree in the bog, and the bog down in the valley -o Also called Mist on the Bog, Mist Down in the Valley.Children's song

?old children's song

0007 GRANDFATHER'S CLOCK

It was bought on the morn on the day that he was born It was always his treasure and pride But it stopped, short, never to go again When the old man died Ninety years without slumbering Tic toc tic toc His life's seconds numbering Tic toc tic toc It stopped, short, never to go again When the old man died In watching its pendulum swing to and fro Many hours he had spent when a boy And through childhood and manhood, the clock seemed to know And to share both his grief and his joy For it struck 24 when he entered at the door With a blooming and beautiful bride, But it stopped, short, never to go again When the old man died CHORUS My grandfather said that of those he could hire Not a servant so faithful he'd found, For it kept perfect time and it had one desire At the close of each day to be wound At it kept to its place, not a frown upon its face At its hands never hung by its side But it stopped, short, never to go again When the old man died CHORUS It rang an alarm in the still of the night, An alarm that for years had been dumb And we knew that his spirit was pluming for flight That his hour of departure had come Still the clock kept the time With a soft and muffled chime As we silently stood by his side But it stopped, short, never to go again When the old man died Before this song became popular, the floor standing clocks were known merely as tall clocks, and became known as grandfather clocks as a result of the singing of this song

0007 LOCH LOMOND

By Lady John Scott of Victorian times, about the retreat ofbonnie Prince Charlieto Scotland from England.One of his followers, about to be executed said to his sweethear By yon bonnie banks and by yon bonnie braes, Where the sun shines bright on Loch Lomond, Where me and my true love were ever won't to gae On the bonnie bonnie banks o' Loch Lomond O' ye'll tak the high road and I'll tak the low road, And I'll be in Scotland afore ye; But me and my true love will never meet again, On the bonnie bonnie banks o' loch Lomond Twas there that we parted in yon shady glen, On the steep steep side o' Ben Lomond, Where in deep purple hue, the Hieland hills we view, And the moon coming oot in the gloaming &c The wee birdies sing, and the wild flowers spring, And in sunshine the waters are sleeping, But the broken heart will ken nae second spring again,' Though the waefu' may cease fae their greeting &c

0008 SCOTLAND THE BRAVE Pipe march used in Australia for the Gay Gordons Hark where the night is falling hark hear the pipes a calling

Loudly and proudly calling down thru the glen There where the hills are sleeping Now feel the blood a leaping High as the spirits of the old highland men Towering in gallant fame Scotland my mountain hame High may your proud standards gloriously wave Land of my high endeavor Land of the shining river Land of my heart forever, Scotland the Brave High in the misty mountains Out by the purple highlands Brave are the hearts that beat beneath Scottish skies Wild are the winds to meet you Staunch are the friends that greet you Kind as the love that shines from fair maidens eyes

0009 ROSIN THE BEAU

Also called The Gentle Maiden (from the song which uses the same tune), Rosin' the Bow. Used for the dance, the Catalpa Relates the rescue of six Fenians in Fremantle in 1875 I've traveled all over this world And now to another I go And I know that good quarters are waiting To welcome old Rosin the Beau To welcome old Rosin the Beau To welcome old Rosin the Beau And I know that good quarters are waiting To welcome old Rosin the Beau When I'm dead and laid out on the counter A voice you will hear from below Saying "Send down a hogshead of whiskey To drink with old Rosin the Beau" To drink with old Rosin the Beau" To drink with old Rosin the Beau" Saying "Send down a hogshead of whiskey To drink with old Rosin the Beau" Then get a half dozen stout fellows And stack them all up in a row Let them drink out of half gallon bottles To the memory of Rosin the Beau To the memory of Rosin the Beau To the memory of Rosin the Beau Let them drink out of half gallon bottles To the memory of Rosin the Beau Then get this half dozen stout fellows And let them all stagger and go And dig a great hole in the meadow And in it put Rosin the Beau And in it put Rosin the Beau And in it put Rosin the Beau And dig a great hole in the meadow And in it put Rosin the Beau Then get ye a couple of bottles Put one at me head and me toe With a diamond ring scratch upon them The name of old Rosin the Beau The name of old Rosin the Beau The name of old Rosin the Beau With a diamond ring scratch upon them The name of old Rosin the Beau I've only this one consolation As out of this world I go I know that the next generation Will resemble old Rosin the Beau Will resemble old Rosin the Beau Will resemble old Rosin the Beau I know that the next generation Will resemble old Rosin the Beau I fear that old tyrant approaching That cruel remorseless old foe And I lift up me glass in his honor Take a drink with old Rosin the Beau Take a drink with old Rosin the Beau Take a drink with old Rosin the Beau And I lift up me glass in his honor Take a drink with old Rosin the Beau Recorded by Tommy Makem on "The Best of the Clancy Bros. And Tommy Makem

0010 DINGLE REGATTA The regatta was held in Dingle Harbour, Ireland

0010 THE BLAYDON RACES (Geordie Ridley) I went to Blaydon Races Twas on the ninth of June Eighteen Hundred and Sixty Two On a summer's afternoon I took the bus from Balmbras And she was heavy laden Away we went along Collingwood Street That's on the Road to Blaydon

Oh me lads, you should've seen us gannin Passing the folks along the road And all of them were starin' All the lads and lasses there They all had smilin' faces Gannin along the Scotswood Road To see the Blaydon Races We flew past Armstrong's factory And up by the Robin Adair But gannin ower the Railway Bridge The bus wheel flew off there The lasses lost their crinolenes And veils that hide their faces I got two black eyes and a broken nose In gannin to Blaydon Races Oh me lads.. Now when we got the wheel back on Away we went again But them that had their noses broke They went back ower hyem Some went to the dispensary And some to Doctor Gibbses And some to the infirmary To mend their broken ribses Oh me lads.. We flew across the Tyne Bridge And came to Blaydon Toon The barman he was calling then They called him Jackie Broon I saw him talking to some chaps And them he was persuadin' To gan and see Geordie Ridley's show At the Mechanics' Hall in Blaydon Oh me lads.. Now when we got to Paradise There were bonny games begun There were four and twenty on the bus And how we danced and sung They called on me to sing a song So I sang 'em 'Paddy Fagan' I danced a jig and I swung me twig The day I went to Blaydon Oh me lads.. The rain it poured down all the day And made the ground quite muddy Coffee Johnny had a white hat on Shouted 'Wee stole the cuddy?' There were spice stalls and monkey shows And old wives selling ciders And the chap on the ha'penny roundabout Saying 'Any more lads for riders?' Oh me lads... (to fade) note: a famous Geordie song

0013 MUCKIN GEORDIE'S BYRE Music hall bawdy song from Scottish Lowlands

0013 HAYMAKER'S Also called Harvest Time A longways dance going back to at least the 17th Century

0013 THE OYSTER GIRL As I walked up Manchester Street, A pretty little oyster girl I happened for to meet, And into her basket so neatly I did peep To see if she had gotten any oysters

cho: "O, it's oysters, oysters, oysters," quo' she, "If you wanl any oysters, buy them a' frae me, It's four for a penny, but five I'll gie to thee, If you deal in my basket o' oysters." "We'll go down to yon tavern, yon tavern, quo' she, "And we'll get a bottle, it's one, two or three, "And then to the dance hall an hour, two or three," Where she laid down her basket o'oysters We danced till my noddle was all in a clew, Then out of my pocket my treasure she drew, And downstairs like lightning this oyster girl flew And left me her basket o'oysters "O, it's landlord, landlord, landlord," quo' he, "Did you see the little oyster girl was dancing with me? She has rifled my pockets and stolen my money And left me a basket o' oysters." This tune also has a 'C' part

0017 DASHING WHITE SERGEANT by Henry Bishop in 1826. Used in Scottish Country Dance

0017 DONKEY RIDING English sea shanty Were you ever in Quebec Stowin' timber on the deck? Where there's a king with a golden crown (where ye'd break yer bleedin' neck) Riding on a donkey! cho: Way O and away we go Were you ever off the Horn Where it's always fine and warm? Where's there's a lion and a unicorn Riding on a donkey Note: Reportedly, "Donkey" refers to a donkey engine, used for loading and unloading cargo. A variation on Hieland Laddie, which often has interchangeable verses. Also see HIELANLD. David Johnson states the donkeywas the sewing machine operated by ratings on board

0018 I'LL TELL ME MA I'll tell me ma when I get home The boys won't leave the girls alone They pull my hair, they steal my comb But that's all right till I get home

She is handsome, she is pretty She is the belle of Belfast city She is courting one, two, three Hey, won't you tell me, who is he? Albert Mooney says he loves her All the boys are fighting for her Knock at the door and ring the bell Hey, my true love, are you well Out she comes as white as snow Rings on her fingers, bells on her toes Our Jenny Murry says she'll die If she doesn't get the fellow with the roving eye Let the wind and the rain and the hail go high Let the wind and the rain and the hail go high Snow come tumbling from the sky She's as nice as apple pie She'll get a fellow by and by When she gets a lad of her own She won't tell her ma when she gets home Let them all come as they will It's Albert Mooney she loves still Recorded by Clancys traditional. arranged by Jacqui and Bridie

0021 ASHOKAN FAREWELL (Words Grian McGregor; tune Jay Ungar) The sun is sinking low in the sky above Ashokan, The pines and the willows know soon we will part There's a whisper in the wind of promises unspoken, And a love that will always remain in my heart

My thoughts will return to the sound of your laughter, The magic of moving as one And a time we'll remember long ever after The moonlight and music and dancing are done Will we climb the hills once more? Will we walk the woods together? Will I feel you holding me close once again?

Will every song we've sung stay with us forever? Will you dance in my dreams or my arms until then? Under the moon the mountains lie sleeping, Over the lake the stars shine They wonder if you and I will be keeping, The magic and music, or leave them behind recorded by Priscilla Herdman on "Forever & Always" on Flying Fish records. Relates to a Folk Festival: contemporaty Note: One of two lyrics that Mr. Ungar has authorized. RG

0021 ASHOKAN FAREWELL (ANOTHER) May the one that you love Be your lover for ever, And constancy bind you Through all of the years; May all of your hopes Be for one world together And all of your visions Unclouded by tears

CHORUS: May the world be one home, One song without sorrow, Where all that you wish will be; And may her song hold Your peaceful tomorrow; And in your tomorrow One moment for me Let all men of faith Break bread with each other; Let no man deny the faith Other men find; Let each man be just And have trust in his brother, To live not for one But for all of mankind To live with the Earth Without fear of her forces, Or those made by man In the blindness of greed; To live in one world And to share her resources; Where many have plenty Let none die of need Let all men by peace And by reason be guided; Let home be to no man A prison of birth; May no man draw lines That leave all men divided, The wold's only homeland Be all of the Earth By: Les Barker, published in "Borzoi Ballet"

0022 THE LEAVING OF LIVERPOOL Farewell to you, my own true love; I am going far away I am bound for California, But I know that I'll return someday CHORUS So fare thee well, my own true love, And when I return, united we will be It's not the leaving of Liverpool that grieves me, But, my darling, when I think of thee I have shipped on a Yankee sailing ship; Davy Crockett is her name And Burgess is the captain of her, And they say she is a floating hell CHORUS Oh, the sun is on the harbour, love, And I wish I could remain, For I know it will be some long time Before I see you again CHORUS

0024 THERE IS A TAVERN IN THE TOWN There is a tavern in the town, in the town, in the town, And there my true love sits him down, sitg him down, And drinks his wine as ~ never thinks of me Fare-thee-well for I must leave thee, Do not let this parting grieve thee, And remember that the best of friends must part, must part, Adieu, Adieu, kind friends Adieu, Adieu, I can no longer stay with you, stay with you,

I'll hang my heart on the weeping willow tree, And may the world go well with thee

From the two in the pole to the one in the lead A billy for each holds a comfortable feed

0024 PACK UP YOUR TROUBLES

Then the fire I make and the water I get And corned beef and damper, in order, I set But I don't touch the grub, though so hungry I be I wait till it's ready - the billy of tea

Pack up your troubles in your old kit bag and smile, smile, smile, While you've a lucifer to light your fag, smile boys thats the style, What's the use of worrying, it never was worth while, So, pack up your troubles in your old kit bag, and smile, smile, smile

0024 DON'T DILLY DALLY ON THE WAY My old man siad follow the van, but don't dilly dally on the way, Off went the cart with me home packed in it, I walked behind with me old cock linet But I dillied and dallied, Dallied and dillied, lost the van and don't know where to to roam, I stopped on the way to have the old half quartern, and I can't find my way home

0026 RULE BRITANNIA

Rule Britannia, Britannia rules the way, Britians never', never, never will be slaves

0026 LOVELY BUNCH OF COCONUTS I've got a lovely bunch of coconuts, there they are all standing in a ro'4, Big ones, small ones, some as big as your head, Give them a flick, a twist of the wrist, thats what the showman said I've got a lovely bunch of coconuts, every ball you throw will make you rich, There stands my wife, the idol of my life, Singing a roll a roll a ball a penny a pitch Roll a roll a ball a penny a pitch, Roll a roll a ball a penny a pitch, Roll a roll a ball, Roll a roll a ball, Singing roll a roll a ball a penny a pitch

0026 SHIP AHOY!

All the nice girls love a sailor, All the nice girls love a tar, For there's something about a sailor, Well you know what sailors are Bright and breezy, free and easy, He's the ladies' pride and joy, Falls in love with Kate and Jane, Then he's off to sea again, Ship Ahoy!, Ship Ahoy

0029 YOU ARE MY SUNSHINE You are my sunshine, my only sunshine, you make me happy when skies are grey, You'll never know dear, how much I love you, Please don't take my sunshine away The other night dear, as I lay sleeping1 I dreamt that you were by my side When I awoke dear, I was mistaken, So I held my head and cried

0030 IF YOU KNEW SUSIE

If you knew Susie, like I know Susie, Oh! Oh! Oh! what a gal, There's none so classy as that fair lassy, Oh! Oh! Holy Moses, what a chassis We went riding, she wouldn't talk, Back from Yonker, I'm the one who had to walk, If you knew Susie, like I know Susie, Oh! Oh! what a gal

SOUTH WIND South wind of the gentle rain, you banish winter weather Bring salmon to the pool again, the bees among the heather If northward now you mean to blow, as you rustle soft above me God speed be with you as you go and a kiss for those that love me From south I come with velvet breeze, my word all nature blesses, I melt the snow and strew the leaves with flowers and warm caresses; I'll help you to dispel your woes, with joy I'll take your greeting And bear it to your loved Mayo upon my wings so fleeting Ny Connaught, famed for wine and play, so leal, so gay, so loving Here's my fond kiss I send today borne on the wind in its roving Those Munster folk are good and kind, right royally they treat me But this land I'd gladly leave behind, with your Connaught pipes to greet me Recorded by Archie Fisher. He credits it to Donal O'Sullivan. Redpath, who also recorded it, calls it trad. SD, BW

0035 ENDEARING YOUNG CHARMS Believe me if all those endearing young charms I gave oh so fondly today Were to change by tomorrow and fleet in my arms Like fairy gifts fading away Thou wouldst still be adored As this moment thou art And around each ruin each wish of my heart Would entwine itself verdantly still It is not while beauty and youth are thine own And thy cheeks unprofaned by a tear That the fervor and faith of a soul can be known To which time will but make thee more dear Oh the heart that has truly loved never forgets But as truly loves on to the close As the sunflower turns on her god when he sets The same look that she gave when he rose Adapted from an 1808 tune,'My lodgings in the Cold Cold ground' by Thomas Moore,

0037 AFTER THE BALL COMPOSER:(Charles K. Harris) A little maiden climbed an old man's knee Begged for a story, "Do, uncle, please!" Why are you single? Why live alone? Have you no babies? Have you no home?" "I had a sweetheart, years, years ago Where she is now, pet, you will soon know List to the story, I'll tell it allI believ'd her faithless, after the ball."

0031 ROLL OUT THE BARREL

cho: After the ball is over, After the break of morn, After the dancers' leaving After the stars are gone; Many a heart is aching If you could read them all Many the hopes that have vanished After the ball

0032 BILLY OF TEA

Bright lights were flashing in the grand ballroom Softly the music playing sweet tunes; There came my sweetheart, my love, my own, "I wish some water, leave me alone."

Roll out the Barrel, We'll have a barrel of fun, Roll out the Barrel, We've got the blues on the run, Zing-boom -to-rar-rel, Ring out a song of good cheer, Now's the time to roll the barrel, cause the gangs all here

Cho

You can talk of your whisky, talk of your beer There's something much nicer that's waiting us her It sits on the fire, beneath the gum tree There's nothing much nicer than a billy of tea

So fill up your tumbler as high as you can And don't you dare tell me its not the best plan You can let all your beer and your spirits go free I'll stick to my darling old billy of tea I rise in the morning as soon as it's light And go to the nosebag to see it's alright That the ants on the sugar no morgage have got And straight away sling my old black billy pot And while it is boiling the horses I seek And follow them down as far as the creek I take off their hobbles and let them run free Then haste to tuck into my billy of tea And at night when I camp, if the day has been warm I give to my horses their tucker of corn

When I returned, dear, there stood a man Kissing my sweetheart, as lovers can Down fell the glass, pet, broken, that's all Just as my heart was, after the ball Long years have passed, child, I've never wed True to my lost love, though she is dead She tried to tell me, tried to explain I would not listen, pleadings were vain One day a letter came from that man, He was her brother, the letter ran; That's why I'm lonely, no home at all I broke her heart, pet, after the ball

0037 WHEN I GROW TOO OLD TO DREAM We have been gay, going our way Life has been beautiful, we have been young After you've gone, life will go on

Like an old song we have sung When I grow too old to dream I'll have you to remember When I grow too old to dream Your love will live in my heart So, kiss me my sweet And so let us part And when I grow too old to dream That kiss will live in my heart And when I grow too old to dream Your love will live in my heart - words by Oscar Hammerstein II, music by Sigmund Romberg

0037 LET ME CALL YOU SWEETHEART Let me call you sweetheart, I'm in love with you Let me hear you whisper that you love me too Keep the lovelight glowing in your eyes so true Let me call you sweetheart, I'm in love with you (c) Harold Rossiter Music Co

0038 PLAISIR D'AMOUR The joys of love are but a moment long The pain of love endures the whole life long Your eyes kissed mine, I saw the love in them shine You brought me heaven right there when your eyes kissed mine My love loves me, a world of wonder I see A rainbow shines thru my window; my love loves me And now he's gone like a dream that fades in the dawn But the words stay locked in my heartstrings; my love loves me Plaisir d'amour ne dure qu'on moment Chagrin d'amour dure toute la vie J'ai toute quitte pour l'ingrate Sylvie Elle me quit et me prend un autre amour Tant qur cette eau coutera doucement Vera a ruisseau qui bord la prairie Je t'amerai, me repetait Sylvie Mais l'eau coute encore elle a change portant recorded by Joan Baez

0038 PLAISIR D'AMOUR The joys of love are but a moment long The pain of love endures the whole life long Your eyes kissed mine, I saw the love in them shine You brought me heaven right there when your eyes kissed mine My love loves me, a world of wonder I see A rainbow shines thru my window; my love loves me And now he's gone like a dream that fades in the dawn But the words stay locked in my heartstrings; my love loves me Plaisir d'amour ne dure qu'on moment Chagrin d'amour dure toute la vie J'ai toute quitte pour l'ingrate Sylvie Elle me quit et me prend un autre amour Tant qur cette eau coutera doucement Vera a ruisseau qui bord la prairie Je t'amerai, me repetait Sylvie Mais l'eau coute encore elle a change portant recorded by Joan Baez

0039 THE SKYE BOAT SONG Speed bonnie boat like a bird on the wing, Onward, the sailors cry Carry the lad that's born to be king over the sea to Skye Loud the winds howl, loud the waves roar, Thunderclaps rend the air, Baffled, our foes stand by the shore, Follow they will not dare Chorus: Speed bonnie boat like a bird etc Though the waves leap, soft shall ye sleep, Ocean's a royal bed Rock'd in the deep Flora will keep watch o'er your weary head Chorus: Speed bonnie boat like a bird etc Burned are our homes, exile and death, Scattered the loyal man Yet ere the sword, cool in the sheath, Charlie will come again Chorus: Speed bonnie boat like a bird etc (The Skye Boat Song) Commemorating his escape from these shores when Flora Macdonald took Bonnie Prince Charlie, disguised as a serving. maid, from Uist to Skye in a small boat. Flora is buried at Kilmuir on Skye. Prince Charlie near

Rome where he was born

0041 TENNESSEE WALTZ I was dancing with my darling to the Tennessee Waltz, When an old friend I happened to see Introduced him to my loved one, And while they were waltzing, My friend stole my sweetheart from me I remember the night and the Tennessee Waltz Now I know just how much I have lost Yes, I lost my little darlin' The night they were playin' That beautiful Tennessee Waltz

0042 SWEET ROSY O'GRADY (MAUDE NUGENT) Down around the corner of the street where I reside, There lives the cutest little girl that I have ever spied Her name is Rose O' Grady and I don't mind telling you That she's the sweetest little rose this garden ever grew cho: Sweet Rosie O' Grady, My dear little Rose She's my steady lady, Most ev 'ryone knows; And when we are married, How happy we'll be; I love Sweet Rosie O' Grady and Rosie O' Grady loves me I never shall forget the day she promised to be mine As we sat telling love-tales in the goldedn summertime 'Twas on her finger then I placd a small engagement ring While in the trees, the little birds, this song they seemed to sing: COMPOSER:Copyright 1896 SOURCE:Digitrad

0048 I BELONG TO GLASGOW I've been wi' a couple o' cronies, One or two pals o' my ain; We went in a hotel, and we did very well, And then we came out once again; Then we went into anither, And that is the reason I'm fu'; We had six deoch-an-doruses, then sang a chorus, Just listen, I'll sing it to you: I belong to Glasgow, Dear old Glasgow town; But what's the matter wi' Glasgow, For it's goin' roun' and roun'! I'm only a common old working chap, As anyone here can see, But when I get a couple o' drinks on a Saturday, Glasgow belongs to me! There's nothing in keeping your money, And saving a shilling or two; If you've nothing to spend, then you've nothing to lend, Why that's all the better for you; There no harm in taking a drappie, It ends all your trouble and strife; It gives ye the feeling that when you get home, You don't give a hang for the wife! CHO:

I belong to Glasgow, etc

0049 DOWN AT THE OLD BULL 'N' BUSH Come, Come, Come.,: and make eyes at me, down at the old Bull'n'Bush, Come, Come, Come, drink some port wine with me, Down at the old Bull'n'Bush Hear the little German band, tra-la-la-la-la-la-la, Just let me hold your hand dear, Do, do, come and have a drink or two, Down at the old Bull'n'Bush

0069 EDELWEISS

(Richard Rogers, Oscar Hammerstein Jr.)Copyright Richard Rogers, Oscar Hammerstein Jr. Source: Digitrad Edelweiss, Edelweiss, every morning you greet me, small and white, clean and bright, you look happy to meet me Blossom of snow, may you bloom and grow, bloom and grow forever Edelweiss, Edelweiss, bless my homeland forever Many times, people ask me for the ""real"" version in German I haven't seen a German translation that totally satisfies me, but here's one: Edelweiss, Edelweiss, Jeden Morgen mich gruessen Klein und weiss, rein und weiss, Du siehst mir aus so froehlich

Blume von weiss wie du wachs und blum, Wachs und blum fuer ewig Edelweiss, Edelweiss, Meine Heimat gesegnet

0070 WHEN IRISH EYES ARE SMILING When Irish eyes are smiling Sure it's like a morning spring In the lilt of Irish laughter, You can hear the angels sing When Irish hearts are happy, All the world seems bright and gay And when Irish eyes are smiling, Sure, they steal your heart away

0087 AMAZING GRACE Amazing grace how sweet the sound that saved a wretch like me I once was lost but now I'm found was blind but now I see 'Twas grace that taught my heart to fear and grace my fear relieved How precious did that grace appear The hour I first believed Through many dangers, toils and snares We have already come 'Twas grace that brought us safe thus far and grace will lead us home When we've been there ten thousand years Bright shining as the sun We've no less days to sing God's praise than when we first begun (Amazing Grace) The music of this song is an old pipe tune to which modern Words have given new impetus. !t is easy to imagine the joyful return of battle. worn warriors to the skirl of the pipes.

0106 CLICK GO THE SHEARS cho: Click go the shears, boys, click, click, click, Wide is his blow and his hands move quick, The ringer looks around as he's beaten by a blow And curses the old swagger with the blue-bellied Joe Out on the boards the old shearer stands, Clasping his shears in his thin bony hands, Fixed is his eyes on a blue-bellied Joe Glory, if he gets her, won't he make the ringer go! The tar boy is there, and he's in great demand With his blackened tar-pot in his tarry hand: He sees one old sheep with a cut upon its back This is what he's waiting for, it's "Tar here, Jack!"

Manifold's Penguin Australian Song Book

0116 BROWN JUG POLKA Also called Little Brown Jug (which is the name of the popular song), Heel and Toe Polka

0015, 106

WALTZING MATILDA

(Banjo Patterson) Once a jolly swagman sat beside the billabong, Under the shade of a coulibah tree, And he sang as he sat and waited by the billabong You'll come a waltzing matilda with me Waltzing matilda, waltzing matilda You'll come a waltzing matilda with me And he sang as he sat and waited by the billabong You'll come a waltzing matilda with me Down came a jumbuck to drink beside the billabong Up jumped the swagman and seized him with glee And he sang as he tucked jumbuck in his tuckerbag Down came the stockman, riding on his thoroughbred, Down came the troopers, one, two, three "Where's the jolly jumbuck you've got in your tuckerbag? Up jumped the swagman and plunged into the billabong, And he sang as he tucked jumbuck in his tuckerbag Down came the stockman, riding on his thoroughbred, Down came the troopers, one, two, three "Where's the jolly jumbuck you've got in your tuckerbag? Up jumped the swagman and plunged into the billabong, "You'll never catch me alive," cried he And his ghost may be heard as you ride beside the billabong, Nineteenth century Australian bush song

0134 WHAT SHALL WE DO WITH THE DRUNKEN SAILOR CHO : WAY HAY AND UP SHE RISES WAY HAY AND UP SHE RISES (PATENT BLOCKS O ' DIFF 'RENT SIZES) WAY HAY AND UP SHE RISES EARL-EYE IN THE MORNING

WHAT SHALL WE DO WITH A DRUNKEN SAILOR (3X) EARL-EYE IN THE MORNING !

The tune is Ring the Bell Watchman, written by HC Work (1832-1884). Words here are an Australian parody

PUT HIM IN A LONG -BOAT TILL HE'S SOBER

0106 DROVER'S DREAM

T RICE HIM UP IN A RUNNIN' BOWLINE.

One night when travelling sheep, my companions lay asleep There was not a star to illuminate the sky I was dreaming, I suppose, for my eyes were nearly closed When a very strange procession passed me by

T IE HIM TO THE TASFFRAIL WHEN SHE'S YARD-ARM UNDER. PUT HIM IN THE SCUPPERS WITH A HOSE-PIPE ON HIM. T AKE 'IM AND SHAKE 'IM AND TRY AN' WAKE 'IM.

First there came a kangaroo, with his swag of blankets blue A dingo ran beside him for a mate They were travelling mighty fast, and they shouted as they passed "We'll have to jog along, it's getting late'" The pelican and the crane, they came in from off the plain To amuse the company with a Highland Fling The dear old bandicoot played a tune upon his flute And the native bears sat round them in a ring The drongo and the crow sang us songs of long ago While the frill-necked lizard listened with a smile And the emu standing near with his claw up to his ear Said, "Funniest thing I've heard for quite a while'" The frogs from out the swamp, where the atmosphere is damp Came bounding in and sat upon the stones They each unrolled their swags and produced from out their bags The violin, the banjo and the bones The goanna and the snake, and the adder wide awake With the alligator danced "The Soldier's Joy" In the spreading silky oak the jackass cracked a joke And the magpie sang "The Wild Colonial Boy" Some brolgas darted out from the tea-tree all about And performed a set of Lancers very well Then the parrot green and blue gave the orchestra its cue To strike up "The Old Log Cabin in the Dell." I was dreaming, I suppose, of these entertaining shows But it never crossed my mind I was asleep Till the Boss beneath the cart woke me up with such a start Yelling, "Dreamy, where the hell are all the sheep?" Notes There are many variants of this very popular song which has been collected form Darwin in the north down to Victoria. This version was printed in John

KEEP HIM THERE AND MAKE 'IM BALE 'ER.

GIVE 'IM A DOSE OF SALT AND WATER. GIVE 'IM A TASTE OF THE BOSUN'S ROPE -END. STICK ON 'IS BACK A MUSTARD PLASTER. SOAK 'IM IN OIL TILL HE SPROUTS A FLIPPER. SHAVE HIS BELLY WITH A RUSTY RAZOR. PUT HIM IN THE GUARD ROOM TILL HE GETS SOBER. NOTE: STAMP-AND-GO SHANTY

0139 BATTLE OF JERICHO CHO : J OSHUA FOUGHT THE BATTLE OF JERICHO J ERICHO, J ERICHO, J OSHUA FOUGHT THE BATTLE OF J ERICHO , AND THE WALLS COME TUMBLIN' DOWN.

YOU MAY TALK ABOUT YO UR KINGS OFGIDEON, YOU MAY TALK ABOUT YO UR MEN OF SAUL, BUT THERE 'S NONE LIKE GOOD OLD J OSHUA AT THE BATTLE OFJ ERICHO . C HORUS R IGHT UP TO THE WALLS OF J ERICHO T HEY MARCHED WITH SPEAR IN HAND, GO BLOW THEM RAM HORNS, J OSHUA CRIED C AUSE THE BATTLE IS IN MY HAND. C HORUS T HEN THE LAMB, RAM, SHEEP HORNS BEGIN TO BLOW AND THE TRUMPETS BEGIN TO SOUND J OSHUA'S TOLD THE CHILDREN TO SHOUT THAT MORNIN' AND THE WALLS COME TUMBLIN' DOWN. C HORUS

0140 NO HIDING PLACE DOWN THERE There's no hiding place down here There's no hiding place down here Oh I ran to the rock to hide my face The rock cried out, ""No hiding place"" No hiding place down here. The rock cried out, ""I'm burning, too."" [2x] Oh the rock cried out, ""I'm burning, too I want to go to Heaven the same as you."" There's no hiding place down here. Sinner man he stumbled and he fell [2x] Oh, the sinner man stumbled and he fell Wanted to go to Heaven but he had to go to ... Well, There's no hiding place down here. From the Folksinger's Wordbook: `640 Cindy You ought to see my Cindy She lives away down south She's so sweet that honeybees Swarm about her mouth. cho: Get along home, Cindy Cindy Get along home. Get along home, Cindy Cindy I'll marry you some day. (I'm a-gonna leave you now) Cindy in the summertime Cindy in the fall If I can't hav e Cindy all the time Have no one at all. Cindy is a pretty girl Cindy is a peach; Threw her arms around my neck Hung on like a leach. Cindy got religion, Tell you what she done: Walked up to the minister Chawed her chewin' gum. Cindy got religion, She had it once before When she heered my old banjo She's the first one on the floor. Cindy got religion She really went to town; Got so full of glory, Lord, Shook her stockin's down. If I had a pretty gal I'd put her on a shelf; Ev'ry time she smiled at me, I'd jump right up myself. Cindy had one blue eye She also had one brown One eye looked in the country The other one looked in town Wish I was an apple Hangin on a tree An' every time my Cindy passed She'd take a bite o' me Wish I had a needle and thread Wish that I could sew I'd sew that gal to my coat tails And down the road we'd go alt chorus: Git along home, Cindy Git along home to stay Git along home, Cindy One more night 'n' day alt cho: It's kiss me, gal Kiss me once again. Oh, it's kiss me, gal All night long. Note: a typical banjo tune structure: good tune, good chorus and a bunch of floaters. RG

0265 LILLIBURLERO

K:CHo brother Teague, dost hear de deeree? Lilli burlero, bullen a la Dat we shall have a new deputie,

Lilli burlero, bullen a la cho: Lero, lero, lilli burlero, Lilli burlero, bullen a la Lero lero, lero lero, Lilli burlero, bullen a la Ho, by my Soul, it is a Talbot; And he will cut all de English throat, Though by my soul, de English do prate, De law's on dere side and de divil knows what, But if Dispense do come from de Pope, We'll hang Magna Carta and demselves on a rope. And de good Talbot is now made a Lord, And with his brave lads he's coming aboard Who all In France have taken a swear, Dat day will have no Protestant heir O but why does he stay behind? Ho, by my soul, 'tis a Protestant wind, Now that Tyrconnel is come ashore, And we shall have Commissions galore And he dat will not go to de Mass, Shall be turned out and look like an ass, Now, now de hereticks all will go down, By Christ and St. Patrick's the nation's our own Dere was an old prophecy found in a bog, Dat our land would be ruled by an ass and a dog So now dis old prophecy's coming to pass, For James is de dog and Tyrconnel's de ass Note: This immensely catchy tune first turned up in 1641 in Ulster. In 1688, King James II designated Colonel Richard Talbot, a Catholic, as Earl of Tyrconnel and sent him to Ireland as Lord Lieutenant. This enraged the English and Irish Protestants, who took up this song-"For James is de dog and Tyrconnel's de ass"-as their protest. It's been claimed that this tune "whistled James from the throne of England." A nice, if apocryphal, line. RG Tune also called "The Protestant Boys"

0279 DROPS OF BRANDY

Popular in Nelson's navy, it is the tune used for several Australian songs by Charles Thatcher around 1860

0287 QUAKER'S WIFE

Also called Merrily Danced (or Kissed) the Quaker's Wife The Quaker's wife sat doun to bake Wi a' her bairns aboot her; She baked them every yin a cake, And the miller he wants his mouter Sugar and spice and a' things nice And a' things verra guid in it, And then the miller sat doun to play A tune upon the spinet Merrily danced the Quaker's wife, And merrily danced the Quaker Merrily danced the Quaker's wife, And merrily danced the Quaker NAE (1932), 20 [= Montgomerie SNR (1946), 94 (no. 115)], + music; ODNR 358 (no. 432). Halliwell NRE (1842), 143 (no. cclxvi) (= st. 1); Rymour Club Miscellany II (1912- 19), 135: The Quaker's wife sat doon to bake, Wi' a' her bairns aboot her; And ilk yin got a farl cake, And that was the miller's mooter.Chambers Scottish Songs (1829), 668, from the Mansfield (St Clair) MS. of c. 1780 [not in Miller's ed., 1935]: The quaker's wife sat down to bake,/ And a' her bairns about her;/ Ilk ane got their quarter cake,/ The millergot his mou'ter./ Merrily, merrily, merrily, merrily,/Merrily danced the quaker's wife,/ And merrily danced the quakers."The Baker's Wife" is in Mason, Nursery Rhymes and Country Songs, 1877, and 2nd ed., 1908-9.With 2.1 cf. the ingredients of little girls, in the Englishrhyme (ODNR 100, no. 76), first found in Halliwell, 1844.The tune is in Dick, Songs [1903] 39; and note, 364. Previously in Gillespie MS. (1768), no. 213; Bremner, Reels (1759), 53; Oswald, Pocket Companion for the Guittar (c.1755) [So merrily danc'd the Quaker] Words to tune are legion: Nine Inch Will Please a Lady (in MMC), Thine am I, my Faithful Fair (Burns), The Maid of Arran (Watt), MacPherson the Drover, The Reformer, etc. In the present collection, see "Whaur are ye gaun, my bonny wee lass?"

0288 TURKEY IN THE STRAW As I was a-gwine down the road, Tired team and a heavy load, Crack my whip and the leader sprung, l seys day -day to the wagon tongue Turkey in the straw, turkey in the hay, Turkey in the straw, turkey in the hay

Roll 'em up and twist 'em up a high tuckahaw And twist 'em up a tune called Turkey in the Straw Went out to milk, and I didn't know how, I milked the goat instead of the cow A monkey sittin' on a pile of straw, A-winkin' at his mother-in-law Met Mr. Catfish comin' down stream Says Mr. Catfish, "What does you mean?" Caught Mr. Catfish by the snout, And turned Mr. Catfish wrong side out Came to a river and I couldn't get across, Paid five dollars for a blind old hoss; Wouldn't go ahead, nor he wouldn't stand still, So he went up and down like an old saw mill As I came down the new cut road, Met Mr. Bullfrog, met Miss Toad And every time Miss Toad would sing, Old Bullfrog cut a pigeon wing Oh I jumped in the seat and I gave a little yell The horses ran away, broke the wagon all to hell Sugar in the gourd and honey in the horn I never been so happy since the day I was born Originally British, this tune was adopted by the US when published there as a song by this name in 1861

0305 DAISY, DAISY

Daisy, Daisy, give me your answer do, I'm half crazy oh! for the love of you It won't be a horseless carriage, I can't afford a marriage, But you'll look sweet upon the seat of a bicycle built for two

0305 IF YOU'RE IRISH COME INTO THE PARLOR In sweet Lim'rick Town, they say, Lived a chap named Patrick John MoIIoy Once he sailed to U.S.A His luck in foreign parts he thought he'd try Now he's made his name, and is a wealthy man, He put a bit away for a rainy day; So if you gaze upon The house of Patrick John, You'll find a notice that goes on to say:

Chorus: If you're Irish come into the parlour, There's a welcome there for you; If your name is Timothy or Pat, So long as you come from Ireland, There's a welcome on the mat, If You come from the Mountains of Mourne, Or Killarney's lakes so blue, We'll sing you a song and we'll make a fuss, Whoever you are you are one of us, If you're Irish, this is the place for you! Patrick loved the girl he wed, But he could not stand his Ma-n-aw, Once with joy he turned quite red, When she got into trouble thro' her jaw Six police they had to take her to the Court, She was informed a month she would have to do, So Patrick quickly wrote Up to the Judge a note Explaining, "Sir, I'm much obliged to you!"

0305 OH JOHNNY, OH JOHNNY, OH!

Oh, Johnny! Oh, Johnny! How you can love! Oh, Johnny! Oh, Johnny! Heavens above! You make my sad heart jump with joy, And when you're near I just Can't sit still a minute I'm so, Oh, Johnny! Oh, Johnny! Please tell me dear What makes me love you so? You're not handsom, it's true, But whan I look at you, I just, Oh, Johnny! Oh, Johnny! Oh! From: Gloria "Montcomags" <[email protected]>Orrin Tucker Words by Ed Rose and music by Abe Olman An ASCAP top seller in 1917 and in the 1940s with revivals by the Andrew Sisters and Glenn Miller Introduced by Henry Lewis as a novelty in "Follow Me" (1917) and quickly adopted by Nora Bayes and Sophie Tucker

0305 WHEN THE RED, RED ROBIN When the red red robin comes bob bob bobbin along along There'll be no more sobbin when he starts throbbin his own sweet song Wake up wake up you sleepy head Get up Getup get out of bed Cheer up cheer up the sun is red Live love laugh and be happy What if I've been blue now I'm walkin thru fields of flowers The rain may glisten but still I listen for hours and hours I'm just a kid again doing what I did again singin a song When the red red robin comes bobbin bobbin along

0305 FORTY TWO POUND FLOAT Also called Forty pound cheque/note etc

0305 THE RAKES OF MALLOW Beauing, belleing, dancing, drinking, Breaking windows, cursing, sinking Ever raking, never thinking, Live the Rakes of Mallow; Spending faster than it comes, Beating waiters bailiffs, duns, Bac chus' true begotten sons, Live the Rakes of Mallow One time naught but claret drinking, Then like politicians, thinking To raise the "sinking funds" when sinking Live the Rakes of Mallow When at home, with da-da dying, Still for mellow water crying; But, where there's good claret plying Live the Rakes of Mallow Racking tenants, stewards teasing, Swiftly spending, slowly raising, Wishing to spend all their days in Raking as at Mallow Then to end this raking life, They get sober, take a wife, Ever after live in strife, And wish again for Mallow Also called Walls of Limerick, Mallow Fling Balls Up(Austr) British 18th Century tune, words by A.R.Body

0305 BOBBIE SHAFTO(E) Northumbria children's song Bobby Shaftoe's gone to sea, Siller buckles on his knee, He'll come back and marry me, Bonnie Bobbie Shafto Bobbie Shafto's fat and fair, Combing down his yellow hair; He's my love for evermair, Bonnie Bobby Shafto Nicht at Eenie (1932), 12, with music; Montgomerie SNR (1946), 90 (no. 112). This is a Northern song, shared by both sides of the border; but originally English. See ODNR 90; Cuthbert Sharp, Bishoprick Garland (1834), [54], and tune, [85], from Topliff; Tyneside Songs (1891), 2; Bell RNB (1812), 283. [With music in Bruce & Stokoe (1882), 115]: Bobby Shaftoe's gone to sea, With silver buckles on his knee; He'll come back and marry me, Bonny Bobby Shaftoe Bobby Shaftoe's bright and fair, Combing down his yellow hair, He's ma' ain for ever mair, Bonny Bobby Shaftoe Bobby Shaftoe's getten a bairn, For to dandle in his airm; In his airm, and on his knee, Bobby Shaftoe loves me

0305 RED APPLE JUICE Well I ain't got no use for your red apple juice. Ain't got no honey baby now. Ain't got no honey baby now. Ain't got no use for your red rocking chair Ain't got no honey baby there. (2X) It's who'll rock the cradle, and who'll sing a song, And it's who'll be your honey when I'm gone? (2X)

Done all I do to try to live with you, Send you back to your mama next payday (2X) Recorded by the GPs From Hally Wood

0305 PUTTING ON THE STYLE Young man in a carriage, driving like he's mad With a team of horses, he's borrowed from his dad He cracks his whip so lively, just to see his lady's smile But she knows he's only putting on the style

0369 MANCHESTER GALOP Also called Murray River, Bocca Schottische The tune for the dance of this name

0379 THE BRITISH GRENADIERS Some talk of Alexander, and some of Hercules Of Hector and Lysander, and such great names as these But of all the world's great heroes, there's none that can compare With a tow, row, row, row, row, row, to the British Grenadier (last 2 lines of each verse can be repeated as chorus.)

Putting on the agony, putting on the style That's what all the young folks are doing all the while And as I look around me, I'm very apt to smile To see so many people putting on the style

Those heroes of antiquity ne'er saw a cannon ball Or knew the force of poweder to slay their foes withal But our brave boys do know it, and banish all their fears, Sing tow, row, row, row, row, row, for the British Grenadier

Sweet sixteen, she goes to church, just to see the boys She laughs and she giggles at every little noise She turns this way a little, she turns that way a while But everybody knows she's only putting on the style

Whene'er we are commanded to storm the palisades Our leaders march with fusees, and we with hand grenades We throw them from the glacis, about the enemies' ears Sing tow, row, row, row, row, row, the British Grenadiers

Young man in a restaurant smokes a dirty pipe Looking like a pumpkin that's only halfway ripe Smoking, drinking, chewing, and thinking all the way There is nothing equal to putting on the style

And when the siege is over, we to the town repair The townsmen cry, "Hurra, boys, here comes a Grenadier! Here come the Grenadiers, my boys, who know no doubts or fears! Then sing tow, row, row, row, row, row, the British Grenadiers

Preacher in the pulpit shouting with all his might Glory Hallelujah, puts the people in a fright You might think that Satan's coming up the aisle But it's only preacher putting on the style

Then let us fill a bumper, and drink a health to those Who carry caps and pouches, and wear the louped clothes May they and their commanders live happy all their years With a tow, row, row, row, row, row, for the British Grenadiers From Popular Music of the Olden Times, ChappellNote: Chappelle thought it's Elizabethan, but he wasn't sure. It was popular at least in the early 18th Century. RGEnglish

Young man just back from college makes a big display With a great big jawbreak that he can hardly say It can't be found in Webster, and won't be for a while But everybody knows he's only putting on the style Doctor comes to see you, just to hold your hand Feeds you pills and medicines and tells you you'll feel grand And all the times he's talking, he wears a great big smile Thinks he'll make a lot of money putting on the style sung by Chad Mitchell Trio

0317 JOHN BROWN'S BODY John Brown's body lies a-molderin' in the grave (3x) But his soul goes marching on Glory, glory hallelujah (3x) His soul goes marching on He captured Harper's Ferry with his nineteen men so true He frightened old Virginia 'til she trembled through and through They hanged him for a traitor, themselves the traitor's crew His soul goes marching on The stars above in Heaven are a-lookin' kindly down (3x) On the grave of old John Brown He's gone to be a soldier in the army of the Lord (3x) His soul goes marching on

0024, 305 IT'S A LONG, LONG WAY TO TIPPERARY Up to mighty London came an Irishman one day, As the streets are paved with gold, sure ev'ryone was gay; Singing songs of Piccadilly, Strand and Leicester Square, Till Paddy got excited, then he shouted to them there:

Chorus:"lt's a long way to Tipperary, It's a long way to go; It's a long way to Tipperary, To the sweetest girl I know! Good-ye, Piccadilly! Farewell, Leicester Square! It's a long, long way to Tipperary, But my heart's right there! " Paddy wrote a letter to his Irish Molly O, Saying, "Should you not receive it, Write and let me know! If I make mistakes in spelling, Molly dear," said he " Remember it's the pen that's bad, Don't lay the blame on me." Molly wrote a neat reply to Irish Paddy O Saying. "Mike Mahoney wants to marry me, and so Leave the Strand and Piccadilly, or you'll be to blame For love has fairly drove me silly, hoping you're the same!" Chorus

0381 MEN OF HARLECH

Men of Harlech in the hollow, do you hear like rushing billow Wave on wave that surging fellow battle's distant sound 'Tis the tramp of Saxon foemen, Saxon spearmen, Saxon bowmen Be they knights or hinds or yeomen, they shall bite the ground Loose the folds asunder, flag we conquer under The placid sky, now calm on high shall launch its bolts of thunder Onward, 'tis our country needs us, he is bravest, he who leads us Honor's self now proudly heeds us: Freedom, God, and Right Rocky steeps and passes narrow flash with spear and flight of arrow Who would think of death or sorrow? Death is glory now Hurl the reeling horsemen over, let the earth dead foemen cover Fate of friend or wife or lover trembles on a blow Strands of life are riven, blow for blow is given In deadly lock or battle shock, and mercy shrieks to Heaven Men of Harlech, young or hoary would you win a name in story Strike for home, for life, for glory. Freedom, God, and Right Welsh

0402 WEARING OF THE GREEN "O Paddy dear, and did ye hear the news that's goin' round? The shamrock is by law forbid to grow on Irish ground! No more Saint Patrick's Day we'll keep, his color can't be seen For there's a cruel law ag'in the Wearin' o' the Green."

I met with Napper Tandy, and he took me by the hand, And he said, "How's poor ould Ireland, and how does she stand?" "She's the most distressful country that ever yet was seen, For they're hanging men and women there for the Wearin' o' the Green." "So if the color we must wear be England's cruel red Let it remind us of the blood that Irishmen have shed; And pull the shamrock from your hat, and throw it on the sod But never fear, 'twill take root there, though underfoot 'tis trod When laws can stop the blades of grass from growin' as they grow And when the leaves in summer-time their color dare not show, Then I will change the color too I wear in my caubeen; But till that day, please God, I'll stick to the Wearin' o' the Green." Irish

0469 RED RIVER VALLEY From this valley they say you are going We will miss your bright eyes and sweet smile For they say you are taking the sunshine That has brightened our path for a while Come and sit by my side if you love me Do not hasten to bid me adieu But remember the Red River Valley And the cowboy who loved you so true Won't you think of the valley you're leaving Oh how lonely, how sad it will be? Oh think of the fond heart you're breaking

And the grief you are causing to me As you go to your home by the ocean May you never forget those sweet hours That we spent in the Red River Valley And the love we exchanged mid the flowers

Sure as heaven's above We were meant for each other Yo have to hold and to love,

by James Kerrigen in 1896

You, you, you, There's no one like you, you, you, You could make my dreams come true

0482 BANANA BOAT SONG

0490 OVER THE RAINBOW

Hey Mr.Tally man, tally me banana Daylight come and I wanna go home" Daylight come and me want go home Chop banana til the morning come Daylight come.. Day-o, day -o Daylight come.. Day-o, day -o A beautiful bunch of ripe banana, Daylight come.. Hide the deadly black tarantula, Daylight come.. Day-o...etc Come mister tally man, tally me banana, Daylight come.. Come mister.. Daylingt come.. I pack up all me things and I go to sea, Daylight come.. Then all these banana see the last of me Daylight come.. Day-o...etc Come mr. tallyman..." note: this is, more or less, the version sung by Harry Bellafonte. There's another one, song by the Tarriers; both were lifted from a Library of Congress field recording (the Tarriers version combines two songs) RG

0484 JAMAICA FAREWELL (Lord Burgess)Down the way where the nights are gay And the sun shines gaily on the mountain top I took a trip on a sailing ship And when I reached Jamaica I made a stop But I'm sad to say, I'm on my way Won't be back for many a day My heart is down, My head is turning around I had to leave a little girl in Kingston town Down at the market you can hear Ladies cry out while on their heads they bear Akee, rice, salt fish are nice And the rum is fine any time of year Sounds of laughter everywhere And the dancing girls sway to and fro I must declare my heart is there Though I've been from Maine to Mexico Recorded by Belafonte copyright Lord Burgess

0486 BLUE MOON

Blue Moon, you saw me standing alone Without a dream in my heart Without a love of my own Blue Moon, you knew just what I was there for You heard me saying a prayer for Someone I really could care for And then there suddenly appeared before me The only one my arms will ever hold I heard somebody whisper, "Please adore me" And when I looked, the moon had turned to gold Blue Moon, now I'm no longer alone Without a dream in my heart Without a love of my own The Marcels - words by Lorenz Hart, music by Richard Rodgers YOU! YOU! YOU! (c) Zodiac Music Corp You, you, you, I'm in love with you, you, you, I could be so true true true, To someone like you, you, you Do do do do what you ought to do, Take me in your arms please do Let me cling to you you you We were meant for each other

Someplace where there isn't any trouble.. ...do you suppose there is such a place, Toto? There must be. It's not a place you can get to by a boat or a train It's far, far away.. Behind the moon Beyond the rain Somewhere, over the rainbow, way up high, There's a land that I heard of once in a lullaby Somewhere, over the rainbow, skies are blue, And the dreams that you dare to dream really do come true Someday I'll wish upon a star And wake up where the clouds are far behind me Where troubles melt like lemon drops Away above the chimney tops That's where you'll find me Somewhere over the rainbow, bluebirds fly, Birds fly over the rainbow, Why then, oh why can't I? If happy little bluebirds fly Beyond the rainbow, Why oh why can't I? Reprise Cut from the Movie (Judy sang this reprise in the witch's castle) Someday I'll wake and rub my eyes, and in that land beyond the skies you'll find me I'll be a laughing daffodil and leave the silly cares that fill my mind behind me If happy little bluebirds fly Beyond the rainbow, Why oh why can't I? Complete Lyrics from the Original Sheet Music When all the world is a hopeless jumble and the raindrops tumble all around, Heaven opens a magic lane When all the clouds darken up the skyway, there's a rainbow highway to be found, Leading from your window pane To a place behind the sun, Just a step beyond the rain Somewhere over the rainbow way up high, There's a land that I heard of once in a lullaby, Somewhere over the rainbow skies are blue, And the dreams that you dare to dream really do come true Someday I'll wish upon a star and wake up where the clouds are far behind me, Where troubles melt like lemon drops, away, above the chimney tops, that's where you'll find me Somewhere over the rainbow bluebirds fly Birds fly over the rainbow, why then, oh why can't I? If happy little bluebirds fly beyond the rainbow, why oh why can't I? Judy Garland - as performed by Judy Garland in The Wizard of Oz, 1939 (pre-recorded October 7, 1938)- music by Harold Arlen, lyrics by E.Y. "Yip" Harburg

0497 DOWN BY THE RIVERSIDE Well I met my little bright-eyed doll, down by the riverside (3X) Well I met my little bright-eyed doll, down by the riverside She said have patience little man, I know you'll understand, I hardly know your name Well maybe some sweet day, if I can have my way, Your name and mine will be the same

0498 BABY FACE Baby face, you've got the cutest little baby face, There's not another one could take your place, Baby face, My poor heart is jumping, you sure have started something, Baby Face, I'm up in heaven when I'm in your fond embrace, I didn't need a shove, cause I just fell in love, with your little Baby Face

0499 BYE BYE BLACKBIRD

Pack.up all my cares and woe, here I go, singing low "Bye, Bye Blackbird" Where somebody waits for me, Sugars sweet, so is she, Bye, Bye Blackbird" No one here can lov e and understand me, Oh! what hard luck stories they all han4 me Make my bed and light the light, I'll arrive late to-night, Blackbird, Bye Bye

0512 THE PARTING GLASS Oh all the money that e're I spent, I spent it in good company And all the harm that e're I've done alas it was to none but me And all I've done for want of wit To memory now I can't recall So fill to me the parting glass, Goodnight and joy be with you all, Oh all the comrades that e're I had Are sorry now I'm going away And all the sweethearts that e're I had Would wish me one more day to stay But since it falls unto my lot That I should rise and you should not I'll gently rise and I'll softly call Goodnight and joy be with you all If I had money enough to spend, And leisure time to sit awhile There is a fair maid in this town, That sorely has my heart beguiled Her rosey cheeks and ruby lips, I own she has my heart in thrall Then fill me with the parting glass, Good night and joy be with you all The words to this song were provided to me by John J. Hillyer (JJHFFaol.com) and by Brian Reilly of the Reilly Clan (ClanReillyaol.com) that sings in the New Haven, CT area This is a slow sweet song usually sund at the end of the night

0518 ONWARD CHRISTIAN SOLDIERS (Sabine Baring-Gould and Arthur Sullivan) Onward Christian soldiers marching as to war With the cross of Jesus going on before Christ, the royal master leads against the foe Forward into battle, see His banners go,

cho: Onward Christian soldiers marching as to war With the cross of Jesus going on before Like a mighty army, moves the Church of God Brothers, we are treading where the Saints have trod; We are not divided, all one body we, One in hope and doctrine, one in charity Crowns and thrones may perish, kingdoms rise and wane But the Church of Jesus constant will remain, Gates of Hell can never 'gainst the Church prevail We have Christ's own promise, and that can never fail Onward then, ye people, join our happy throng Blend with ours your voices in the triumph song Glory, laud and honor unto Christ the King This, through countless ages, men and angels sing Note: Yes, that's the same Arthur Sullivan as in Gilbert & RG hymn

0519 THE BAND PLAYED WALTZING MATILDA And how well I remember that terrible day, How our blood stained the sand and the water And of how in that hell that they called Suvla Bay We were butchered like lambs at the slaughter

Johnny Turk, he was ready, he primed himself well He showered us with bullets, and he rained us with shells, And in five minutes flat, he'd blown us all to hell, Nearly blew us back home to Australia And those that were left, well we tried to survive In that mad world of blood, death and fire And for ten weary weeks I kept myself alive Though around me the corpses piled higher Then a big Turkish shell knocked me ass over head And when I awoke in me hospital bed And saw what it had done, well I wished I was dead Never knew there were worse things than dying

So they gathered the crippled, the wounded, and maimed, And they shipped us back home to Australia The legless, the armless, the blind and insane, Those proud wounded heroes of Suvla And when our ship pulled into Circular Quay I looked at the place where me legs used to be And I thank Christ there was no body waiting for me To grieve, to mourn and to pity So now every April I sit on me porch And I watch the parade pass before me And I see my old comrades, how proudly they march Reviving old dreams and past glory, And the old men march slowly, all bone stiff and sore They're tired old heroes from a forgotten war And the young people ask "What are they marching for?" And I ask myself the same question Waltzing Matilda, Waltzing Matilda Who'll come a-Waltzing Matilda with me? And their ghosts may be heard as they march by the billibong Who'll come a-Waltzing Matilda with me? Copyright Larrikin Music, Ltd. Eric Bogle (Digitrad)

0521 ADVANCE AUSTRALIA FAIR Australians all, let us rejoice, For we are young and free, We've golden soil and wealth for toil, Our home is girt by sea; Our land abounds in nature's gifts, Of beauty rich and rare; In his t'ry's page, let ev'ry stage, Advance Australia fair, In joyful strains then let us sing, Advance Australia fair

0525 KNEES UP MOTHER BROWN

Knees up Mother Brown, knees up Mother Brown, Under the table you must go, ei ie, ei ie, ei ie, Oh! If I catch you bending, I'll saw your legs right off, Knees up Mother Brown, don't get the breeze up, Knees up Mother Brown

0532 THE MINSTREL BOY (Thomas Moore (1779-1852))Air "the Moreen" Ancient Irish Air recorded by Clancy Bros on songs of Rebellion The minstrel boy to the war is gone, In the ranks of death you'll find him; His father's sword he hath girded on, And his wild harp slung behind him; "Land of Song!" cried the warrior bard, (Should) "Tho' all the world betrays thee, One sword, at least, thy rights shall guard, One faithful harp shall praise thee!" The Minstrel fell! But the foeman's steel Could not bring that proud soul under; The harp he lov'd ne'er spoke again, For he tore its chords asunder; And said "No chains shall sully thee, Thou soul of love and brav'ry! Thy songs were made for the pure and free They shall never sound in slavery!

0602 I N EVER WILL MARRY

SOURCE: Bob Pfeffer [Laws #K17] SOURCE'S SOURCE: The Weavers D A7 D7 G One morning I rambled down by the sea shore G D A7 D The wind it did whistle and the waters did roar I heard some fair maiden give a pitiful cry It sounded so lonesome, it swept off on high CHORUS: I never will marry, I'll be no man's wife I expect to live single all the days of my life The shells in the ocean shall be my death-bed While the fish in deep water swim over my head She cast her fair body in the water so deep And closed her pretty blue eyes forever to sleep NOTE: Texas Gladden recorded this first, I think, on a Stinson 78. She sang it as 2-line couplets, with no formal chorus, and had two extra couplets (after "It sounded so lonesome etc." Said William to Molly, "If you will agree To give your consent love, to marrying me." "My mind is to marry, and never to part For the first time I saw you, you won my heart."

DT #405 Laws K17

0603 SHADY GROVE Z:Southern banjo Shady Grove Shady grove my little love Shady grove I say Shady grove my little love Bound for shady grove Wish I was in shady grove Sittin in a rockin chair And if those blues would bother me I'd rock away from there Had a banjo made of gold Every string would shine The only song that it would play Wish that girl was mine When I was in shady grove Heard them pretty birds sing The next time I go to shady grove Take along a diamond ring When you go to catch a fish Fish with a hook and line When you go to court a girl Never look behind When I was a little boy All I wanted was a knife Now I am a great big boy I'm lookin for a wife

0608 JACOB'S LADDER l. We are climbing Jacob's ladder (3x) Soldiers of the cross (brothers, sisters all) 2. Every round goes higher,higher 3. Sinners do you love your Jesus? 4. If you love him, why not serve him? 5. Rise, shine, give God the glory. 6. We are climbing higher, higher New chorus by Pete Seeger, In Allen (et al) Slave Songs of the US, l867, Pilgrims Hymnal, Friends Hymnal, and other sources. WS note: In the 1930's this was used as a union rallying song, with the chorus, "Workers of the South" From "Rise up singing" ed. Peter Blood-Patterson:

0609 FATHOM THE BOWL From France we do get brandy, from Jamaica it's rum, Sweet oranges and lemons from Portugal come; But stout, ale and cider are England's control, Bring me the punch ladle, we'll fathom the bowl. cho: Fathom the bowl, fathom the bowl, Bring me the punch ladle, we'll fathom the bowl. My father he do lie in the depths of the sea, No stone for his head, but no matter to he; There's a clear crystal fountain near England do roll Bring me etc. cho: My wife she do disturb me as I lay at my ease, She'll do as she will and she'll say as she please; My wife is the devil, she's black as the coal, Bring me etc. recorded by Cliff Haslam on Clockwinder

0613 LONG BLACK VEIL (Danny Dill and Marijon Wilkin) C Ten years ago on a cold dark night G7 F C Someone was killed 'neath the town hall light C The people who saw they all agreed G7 F C That the slayer who ran looked a lot like me F C F C She walks these hills in a long black veil F C F C Visits my grave when the night winds wail

C Nobody knows, nobody sees F G7 C Nobody knows but me The judge said, "son, what is your alibi? If you were somewhere's else, then you won't have to die" I said not a word, though it meant my life For I'd been in the arms of my best friend's wife The scaffold is high and eternity near She stands in the crowd and she sheds not a tear But sometimes at night when the cold winds moan In a long black veil she cries o'er my bones Copyright Cedarwood Publishing Co., Inc. recorded by Joan Baez on One day at a

0616 THE FOGGY DEW (R EVOLUTIONARY) F. P. O'Neill 'Twas down the glen one Easter morn To a city fair rode I. When Ireland's line of marching men In squadrons passed me by. No pipe did hum, no battle drum Did sound its dread tattoo But the Angelus bell o'er the Liffey's swell Rang out in the foggy dew. Right proudly high over Dublin town They hung out a flag of war. 'Twas better to die 'neath an Irish sky Than at Suvla or Sud el Bar. And from the plains of Royal Meath Strong men came hurrying through; While Brittania's sons with their long-range guns Sailed in from the foggy dew. 'Twas England bade our wild geese go That small nations might be free. Their lonely graves are by Suvla's waves On the fringe of the grey North Sea. But had they died by Pearse's side Or fought with Valera true, Their graves we'd keep where the Fenians sleep 'Neath the hills of the foggy dew. The bravest fell, and the solemn bell Rang mournfully and clear For those who died that Eas tertide In the springing of the year. And the world did gaze in deep amaze At those fearless men and true Who bore the fight that freedom's light Might shine through the foggy dew. Note: from the Easter Uprising of 1916

0620 MARY HAMILTON Word is to the kitchen gone And word is to the hall, And word is up to Madam the Queen And that's the worst of all, That Mary Hamilton's born a babe to the highest Stuart of all "Arise, arise, Mary Hamilton, Arise and tell to me, What thou hast done with thy wee babe I saw and heard weep by thee?" "I put him in a tiny boat, And cast him out to sea, That he might sink or he might swim, But he'd never come back to me." "Arise, arise, Mary Hamilton, Arise and come with me; There is a wedding in Glasgow town This night we'll go and see." She put not on her robes of black, Nor her robes of brown, But she put on robes of white, To ride into Glasgow town. And as she rode into Glasgow town, The city for to see, The bailiff's wife and the provost's wife Cried, "Ach, and alas for thee." "Ah, you need not weep for me," she cried "You need not weep for me; For had I not slain my own wee babe This death I would not dee."

"Ah, little did my mother think When first she cradled me, The lands I was to travel in And the death I was to dee." Then by and come the King himself, Looked up with a pitiful eye, "Come down, come down, Mary Hamilton, Tonight you'll dine with me." "Ah, hold your tongue, my sovereign liege, And let your folly be; For if you'd a mind to save my life You'd never have shamed me here." "Cast off, cast off my gown," she cried, "But let my petticoat be, And tie a napkin 'round my face; The gallows I would not see." "Last night I washed the Queen's feet, And put the gold on her hair, And the only reward I find for this, The gallows to be my share." "Last night there were four Marys, Tonight there'll be but three, There was Mary Beaton, and Mary Seaton, And Mary Carmichael, and me." The ballad tale told here bears resemblance to two distinct historical occurences: one relating to a 16th century incident in the court of Mary Queen of Scots, and the other to an affair in the court of Russia's Czar Peter in the 18th century. At his late date, however, oral traditrion has altered the story too greatly to pinpoint the exact incident on which the valland might have been based. The long circumstantial version given there does not have much currency today among traditional singers; all that usually remains is a lyric lament in which Mary Hamilton makes a farewell speech without any explanation of why she is being punished. Printed in "British Ballads & Folk Songs" from the Joan Baez songbook. Child #173

0621 DONA DONA (Original Yiddish words by Aaron Zeitlin and Shalom Secunda; English translation by Arthur Kevess and Teddi Schwartz) On a wagon bound for market There's a calf with a mournful eye. High above him there's a swallow Winging swiftly through the sky. How the winds are laughing They laugh with all their might Laugh and laugh the whole day through And half the summer's night. Dona dona dona dona Dona dona dona down Dona dona dona dona Dona dona dona down "Stop complaining," said the farmer, "Who told you a calf to be" Why don't you have wings to fly away Like the swallow so proud and free?" Calves are easily bound and slaughtered Never knowing the reason why. But whoever treasures freedom, Like the swallow must learn to fly sung by Joan Baez and Chad Mitchell

0622 CUCKOO SHE'S A PRETTY BIRD The cuckoo she's a pretty bird She sings as she flies She brings us glad tidings And tells us no lies She sucks all sweet flowers To make her voice clear She never sings cuckoo Till summer is near She flies the hills over She flies the world about She flies back to the mountain She mourns for her love The cuckoo she's a pretty bird She sings as she flies She brings us glad tidings And tells us no lies

0623 THERE BUT FOR FORTUNE ( Phil Ochs)

Show me a prison, show me a jail Show me a prison man whose face is growing pale And I'll show you a young man with so many reasons why And there, but for fortune, go you or I Show me an alley, show me a train Show me a hobo who sleeps out in the rain And I'll show you a young man with so many reasons why And there, but for fortune, go you or I Show me the whiskey stains on the floor Show me a drunken man as he stumbles out the door And I'll show you a young man with so many reasons why And there, but for fortune, go you or I Show me a country where the bombs had to fall Show me the ruins of the buildings once so tall And I'll show you a young land with so many reasons why And there, but for fortune, go you or I Recorded by Baez - No.5 Copyright Appleseed Music, Inc. play.exe BUTFORTU SOF

0624 COPPER KETTLE (Frank Beddoe)

Get you a copper kettle Get you a copper coil Fill it with new made cornmash And never more you'll toil You'll just lay there by the juniper While the moon is bright Watch the jugs a filling In the pale moon light Build your fire with hickory Hickory, ash, and oak Don't use no green or rotten wood They'll catch you by the smoke My daddy, he made whiskey And my granddaddy did too We ain't paid no whiskey tax Since seventeen ninety two Written in 1953 for a folk opera, "Go Lightly, Stranger" Copyright TRO Recorded by Baez RG

0626 ALL MY TRIALS, LORD Hush little baby, don't you cry You know your mama was born to die All my trials, Lord, soon be over Too late, my brothers Too late, but never mind All my trials, Lord, soon be over If religion were a thing that money could buy The rich would live and the poor would die All my trials, Lord, soon be over I've got a little book that was given to me And every page spells liberty All my trials, Lord, soon be over There is a tree in Paradise And the pilgrims call it the Tree of Life All my trials, Lord, soon be over recorded by Joan Baez

0627 PICK A BALE OF COTTON Jump down, turn around to pick a bale of cotton Jump down, turn around to pick a bale a day.* cho: Oh Lordy, pick a bale of cotton, Oh Lordy, pick a bale a day. That nigger from Shiloh can pick a bale of cotton That nigger from Shiloh can pick a day. Me and my gal can pick etc. Me and my wife etc. Me and my buddy etc. Me and my poppa etc. Takes a might big man to etc. NOT E: A bale of cotton weighs about a quarter of a ton. Nobody ever picked

a bale in a day. An astounding number of folkies sing "pick a bale of hay". That's not bragging; it's just silly. You don't pick hay.

"Good-by, Mr. Farmer; I'll see you again next June."

Willie Moore was a King, his age twenty -one Courted a maiden fair; Her eyes were like two diamonds bright Raven black was her hair, hmmm hmmm hmmm... He courted her both day and night, To marry him she did agree, But when they went to get her parents' consent, They said, "This could never be," hmmm, hmmm, hmmm...

De Farmer took de Boll Weevil An' buried him in hot san'; De Boll Weevil say to de Farmer "I'll stan' it like a man" Den de Farmer took de Boll Weevil An' lef' him on de ice; Says de Boll Weevil to de Farmer, "Dis is mighty cool an' nice."

"I love Willie Moore," sweet Annie replied, "Better than I love my life, And l would rather die than weep here and cry, Never to be his wife," hmmm, hmmm, hmmm... That very same night sweet Anne disappeared, They searched the country 'round In a little stream by the cabin door, The body of sweet Annie was found' hmmm, hmmm, hmm

Mr. Farmer took little Weevil And put him in Paris Green; "Thank you, Mr. Farmer, It's the best I ever seen." Den de Farmer say to de Merchan "We's in an awful fix; De Boll Weevil's et all de cotton up An' lef' us only sticks."

Sweet Annie's parents they live all alone, One mourns, the other cries, ln a little green mound in front of their door The body of sweet Annie now lies. Willie Moore scarce spoke that anyone knew, Soon from his friends did part; And the last heard of him was he's on Montreal Where he died of a broken heart.

Den de Merchant say to de Farmer, "Whut do you tink o' dat ? Ef you kin kill de Boll Weevil I'll give you a bran-new Stetson hat" Oh, de Farmer say to de Merchant, "I ain't made but only one bale, An' befo' I bring yo' dat one I'll fight an' go to jail"

Recorded by Baez play.exe WILLMOOR RG

De Sharpshooter say to de Boll Weevil, "What you doin' in dis square? " An' the Boll Weevil say to de Sharpshooter, "I'se makin' my home in here."

0627 PICK A BALE OF COTTON

Oh de Boll Weevil say to the Dutchman, "Jes' poison me ef yo' dare, An' when yo' come to make yo' crop I'll punch out every square"

Jump down, turn around to pick a bale of cotton Jump down, turn around to pick a bale a day.* cho: Oh Lordy, pick a bale of cotton, Oh Lordy, pick a bale a day. That nigger from Shiloh can pick a bale of cotton That nigger from Shiloh can pick a day. Me and my gal can pick etc. Me and my wife etc. Me and my buddy etc. Me and my poppa etc. Takes a might big man to etc. NOTE: A bale of cotton weighs about a quarter of a ton. Nobody ever picked a bale in a day. An astounding number of folkies sing "pick a bale of hay". That's not bragging; it's just silly. You don't pick hay. RG

0628 THE BOLL WEEVIL [Laws #I17]

Oh, have you heard de lates', Dc lates' of de songs? It's about dem little Boll Weevils, Dey's picked up bofe feet an' gone A-lookin' for a home, Jes a-lookin' for a home. De Boll Weevil is a little bug F'um Mexico, dey say, He come to try dis Texas soil En thought he better stay, De nigger say to de Boll Weevil "Whut makes yo' head so red?" "I's been wanderin de whole worl' ovah Till it's a wonder I ain't dead First time I saw Mr. Boll Weevil, He wuz on de western plain; Next time I saw him, He wuz ridin' on a Memphis train De nex' time I saw him, He was runnin' a spinnin' wheel; De nex' time I saw him, He was ridin' in an automobile De fus' time I saw de Boll Weevil He wuz settin' on de square, The nex' time I saw de Boll Weevil He had all his family dere Then the Farmer got angry, Sent him up in a balloon;

De Boll Weevil say to de Farmer, "You better lemme alone, I've et up all yo' cotton An' now I'll begin on de co'n" Boll Weevil say to de Doctor, "Better po' out all yo' pills, When I git through wid de Farmer, He cain't pay no doctor's bills." Boll Weevil say to de Preacher, "You better close yo' chu'ch do', When I git through wid de Farmer, He cain't pay de Preacher no mo'" De Merchant got half de cotton, De Boll Weevil got de res' Didn't leave de nigger's wife But one old cotton dress. (And it's full of holes, etc.) Rubber-tired buggy, Decorated hack, Took dem Boll Weevils to de graveyard, An' ain't goin' bring 'em back. Ef anybody axes you Who wuz it writ dis song, Tell 'em 'twuz a dark-skinned nigger Wid a pair o' blue duckins on, A-lookin' for a home etc. From American Ballads and Folk Songs, Lomax Note: Use a bit of imagination in adapting the chorus to the verses.."It'll be my home", or "Ain't got no home" etc. DT #664 Laws I17

0629 THE HAPPY WANDERER I love to wander by the stream That dances in the sun So joyously it calls to me, Come join my happy song.

I wave my hat to all I meet And they wave back to me. The bluebird calls so loud and sweet From every greenwood tree. High overhead the skylarks wing, They never rest at home, But just like me they love to sing

As o'er the world we roam. Oh, may I go a-wandering Until the day I die Oh, may I always laugh and sing Beneath God's clear blue sky!

0631 ON TOP OF OLD SMOKY On top of old Smoky, all covered with snow I lost my true lover from courting too slow

Thought he oughter jine he daughter, Now he's with his Clementine. CHORUS In my dreams she still doth haunt me, Robed in garments soaked in brine; Though in life I used to hug her, Now she's dead, I draw the line. -----------------------------------------------------------------

Though courting's a pleasure and parting is grief A false-hearted lover is worse than a thief

A remarkable ballad developed in San Francisco toward the end of the nineteeth century. It became a favorite college song during the Reconstruction period.

For a thief will just rob you and take what you have But a false-hearted lover will lead you to the grave

Additional verses (Boy Scouts and others)RG

The grave will decay you and turn you to dust Not one boy in a thousand a poor girl can trust He'll hug you and kiss you and tell you more lies Than cross-ties on a railroad or stars in the skies Recorded by Ives

0632 COMING 'ROUND THE MOUNTAIN She'll be coming 'round the mountain when she comes, when she comes She'll be coming 'round the mountain when she comes She'll be coming 'round the mountain, She'll be coming 'round the mountain She'll be coming 'round the mountain when she comes. She'll be huffin' and a-puffin'... Oh, we'll all come out to meet her ... We will kill the old red rooster... She'll be wearing pink pajamas... (plus some bawdy ones) Everybody asks her, did she come. Everybody asks her, did she come. They wouldn't have to mention If they only paid attention. Everybody asks her, did she come. She's got a lovely titillating smile. She's got a lovely titillating smile. She's got a lovely titi-, She's got a lovely titi-, She's got a lovely titillating smile. She's got a lovely bottom set of teeth. She's got a lovely bottom set of teeth. She's got a lovely bottom. She's got a lovely bottom. She's got a lovely bottom set of teeth.

In a churchyard, 'neath a gravestone Where the myrtle doth entwine. There are posies, and some roses Fertilized by Clementine. How I missed her, how I missed her How I missed my Clementine! Till I kissed her little sister And forgot my Clementine. All you Boy Scouts, take fair warning From this dreadful tale of mine. Artificial respiration Would have saved my Clementine. Recorded by the Weavers

0636 MICHAEL , R OW THE BOAT ASHORE Michael, row the boat ashore, Hallelujah, Michael, row the boat ashore, Hallelujah. Sister help to trim the sail, Hallelujah, Sister help to trim the sail, Hallelujah. The river is deep and the river is wide, Hallelujah, Milk and honey on the other side, Hallelujah. Jordan's river is chilly and cold, Hallelujah, Chills the body but not the soul, Hallelujah.

0637 DOWN IN THE VALLEY Down in the valley, the valley so low Hang your head over, hear the wind blow Hear the wind blow, dear, hear the wind blow Hang your head over, hear the wind blow Writing this letter, containing three lines Answer my question, will you be mine? Will you be mine, dear, will you be mine? Answer my question, will you be min?

Note: probably originally about a new railroad line; it's a good enough zipper-type song to have been preempted by kids and camps, and have verses like "pink pajamas" incorporated.

Write me a letter, send it by mail Send it in care of the Birmingham jail, Birmingham jail, dear, Birmingham jail Send it in care of the Birmingham jail

0633 CLEMENTINE

Roses love sunshine, violets love dew Angels in Heav en know I love you Know I love you, dear, know I love you Angels in Heaven Know I love you

In a cavern, in a canyon, Excavating for a mine, Dwelt a miner, forty -niner And his daughter Clementine. Oh my darling, oh my darling Oh my darling, Clementine Thou art lost and gone forever, Dreadful sorry, Clementine. Light she was and like a fairy, And her shoes were number nine, Herring boxes without topses Sandals were for Clementine CHORUS Drove she ducklings to the water Every morning just at nine, Hit her foot against a splinter Fell into the foaming brine. CHORUS Ruby lips above the water, Blowing bubbles soft and fine, But alas, I was no swimmer, So I lost my Clementine. CHORUS Then the miner, forty -niner Soon began to peak and pine,

0642 MIDNIGHT SPECIAL Leadbelly

Well you wake up in the morning. Hear the ding dong ring, You go a-marching to the table, See the same damn thing; Well, it's on a one table, Knife, a fork and a pan, And if you say anything about it, You're in trouble with the man. cho: Let the midnight special Shine her light on me; Let the midnight special Shine her ever-loving light on me. If you ever go to Houston. You better walk right; You better not stagger, You better not fight; Sheriff Benson will arrest you, He'll carry you down, And if the jury finds you guilty, Penitentiary bound. Yonder come little Rosie,

How in the world do you know, l can tell her by her apron, And the dress she wore. Umbrella on her shoulder, Piece of paper in her hand, She goes a-marching to the captain, Says, "I want my man." "I don' believe that Rosie loves me" "Well tell me why" She ain't been to see me Since las' July. She brought me little coffee She brought me little tea Brought me damn near ever'thing But the jailhouse key. Yonder comes Doctor Adams "How in the world do you know?" Well he gave me a tablet The day befo' There ain't no doctor In all the lan' Can cure the fever Of a convict man.

0642 MIDNIGHT SPECIAL Leadbelly Well you wake up in the morning. Hear the ding dong ring, You go a-marching to the table, See the same damn thing; Well, it's on a one table, Knife, a fork and a pan, And if you say anything about it, You're in trouble with the man. cho: Let the midnight special Shine her light on me; Let the midnight special Shine her ever-loving light on me. If you ever go to Houston. You better walk right; You better not stagger, You better not fight; Sheriff Benson will arrest you, He'll carry you down, And if the jury finds you guilty, Penitentiary bound. Yonder come little Rosie, How in the world do you know, l can tell her by her apron,And the dress she wore. Umbrella on her shoulder, Piece of paper in her hand, She goes a-marching to the captain, Says, "I want my man." "I don' believe that Rosie loves me" "Well tell me why" She ain't been to see me Since las' July. She brought me little coffee She brought me little tea Brought me damn near ever'thing But the jailhouse key. Yonder comes Doctor Adams "How in the world do you know?" Well he gave me a tablet The day befo' There ain't no doctor In all the lan' Can cure the fever Of a convict man.

0646 FAREWELL ANGELINA (Bob Dylan)

Farewell Angelina the bells off the crowd I've being stolen by bandits, I must follow the sun The triangle tingles and the trumpets play slow Farewell Angelina, the sky's on fire, and I must go There's no need anger, there's no need for blame There's nothing to prove, everything still the same Just the table standing empty by the edge of the sea Means farewell Angelina, the sky is falling, and I must leave

The chuck and the queen had forsake the cordial Fifty two gypsies now file passed the guards In the space where the due sand the ace runs ran wild Farewell Angelina, the sky is falling, I'll see you in a while See the croadside pirates sid curchteen the sun Shooding tin can with a sword of shack gun And the neighbours they clap and they cheer with each blast But farewell Angelina, the sky's changing colour, and I must leave fast King-Kong lead louds on the roof top they dance Valentino type tangos while they make upman's hands Shut the eyes of the dead knock to embarass anyone But farewell Angelina, the sky's embarassed, than I must be gone The machine guns are roaring and the puppet she wracks And fing nails tomb on's to the hands of the clocks Call me any name you like I will never deny it But farewell Angelina, the sky's erupting, I must go where it's quiet Copyright Bob Dylan. Recorded by Dylan, Baez

2001 BLACK VELVET BAND In a neat little town they call Belfast An apprentice boy I was bound And many's the happy hour I have spent in that neat little town But bad misfortune o'ertook me And caused me to stray from the land Far away from my friends and relations, Betrayed by the black velvet band Oh, one evening late as I rambled Not meaning to go very far, When I met with a gay young deceiver She was plyin' her trade in a bar Oh, her eyes they shone like the diamonds And I thought her the pride of the land And her hair hung over her shoulders Tied up with a black velvet band Oh, one evening a flashman, a watchman She happened to meet on the sly I could tell that her mind it was altered By the roll of her roving dark eye Oh, that watch she took from his pocket She slipped it right into my hand Then she gave me in charge to the policeman Bad luck to the black velvet band Now before the Lord Mayor I was taken My guilt they proved quite plain And he said if I was not mistaken I should have to cross the salt main Now its sixteen long years have they gave me To plough upon Van Dieman's land Far away from my friends and relations A curse on the black velvet band So come all ye jolly young fellows, I'll have ye take warning from me Whenever you're out on the liquor, Beware of them pretty colleens They'll treat you to whiskey and porter, Till you are not able to stand; And the very next thing that you know, my lads, You'll end up in Van Dieman's land recorded by Clancys Irish

2002 THE CROPPY BOY It was early, early in the spring The birds did whistle and sweetly sing, Changing their notes from tree to tree And the song they sang was Old Ireland free It was early early in the night,The yeoman cavalry gave me a fright; The yeoman cavalry was my downfall And I was taken by Lord Cornwall 'Twas in the guard-house where I was laid, And in a parlour where I was tried; My sentence passed and my courage low When to Dungannon I was forced to go As I was passing my father's door My brother William stood at the door; My aged father stood at the door And my tender mother her hair she tore As I was going up Wexford Street My own first cousin I chanced to meet; My own first cousin did me betray

And for one bare guinea swore my life away

And the skipper's below making tea for the crew

As I was walking up Wexford Hill Who could blame me to cry my fill? I looked behind, and I looked before But my aged mother I shall see no more

And when you're in dock and the long trip is thru There's pubs and there's clubs, and there's lassies there too Now the girls are all pretty and the beer is all free And there's bottles of rum hanging from every tree

And as I mounted the platform high My aged father was standing by; My aged father did me deny And the name he gave me was the Croppy Boy

I don't want a harp or a halo, not me Just give me a breeze and a good rolling sea And I'll play me old squeeze box as we sail along When the wind's in the rigging to sing me this song

It was in Dungannon this young man died And in Dungannon his body lies And you good people that do pass by Oh shed a tear for the Croppy Boy Recorded by Patrick Galvin, Clancys Irish

2002 DANNY BOY Oh, Danny Boy, the pipes... the pipes are calling, From glen to glen and down the mountain side The summer's is gone and all the leaves are falling, It's you, it's you must go and I must bide But come ye back, when summer's in the meadow, and all the valley's hushed and white with snow It's I'll be here in sunshine or in shadow, Oh, Danny Boy, Oh, Danny Boy, I love you so! But when ye come, and all the flowers are dying If I be dead, as dead I well may be Then come and find the place where I am lying, And kneel and say an Ave there for me And I shall hear, though soft your tread above me, And all my grave will warmer, sweeter be And you shall bend, and tell me that you love me, And I shall rest in peace until you come to me The last two verses were supplied to me by Nigel Shardlow (nigelmarketing.co.uk) and Edward E. Mueller (genemuelservtech.com). Ms. E. H. Rodney ("nursableepix.net"epix.net) informed me that her "great grandama" gave her different words to this song. 3rd line changed from "summer's rose" to "summer's gone". last 2 lines changed from "and you will bend" to "and you shall bend". and "I shall sleep in peace" to "I shall rest in peace". Since Ms. Rodney is 71 (as of Oct 29, 1996), I shall bow to her wisdom and experience

2004 DIRTY OLD TOWN (c) Stormking Music recorded by Clancy Brothers Flowers in Valle Ewan MacColl Freeborn Man, and Ian Campbell I found my love 'neath the gasworks croft falls Dreamed a dream by the old canal Kissed my girl by the factory wall Dirty old town, dirty old town Clouds are drifting across the moon Cats are prowling on their beat Springs a girl in the streets at night Dirty old town, dirty old town Heard a siren from the dock Saw a train set the night on fire Smelled the spring on the smoky wind Dirty old town, dirty old town I'm going to take a good sharp ax Shining steel tempered in the fire We'll chop you down like an old dead tree Dirty old town, dirty old town

2006 FIDDLER'S GREEN

Copyright 1970 for the world, march music Ltd COMPOSER:(John Connelly) As I roved by the dockside on evening so rare To view the still waters and take the salt air I heard an old fisherman singing this song O take me away boys my time is not long Dress me up in me oilskin and jumper No more on the docks I'll be seen Just tell me old shipmates I'm taking a trip, mates And I'll see them someday in Fiddler's Green Now Fiddler's Green is a place I've heard tell Where fishermen go when they don't go to Hell Where the weather is fair and the dolphins do play And the cold coast of Greenland is far, far away The sky's always clear and there's never a gale And the fish jump on board with a flip of their tail You can lie at your leisure, there's no work to do

2007 FIELDS OF ATHENRY COMPOSER:recorded by the Bards By a lonely prison wall, I heard a young girl calling "Michael, they have taken you away, For you stole Travalient's(?) corn, So the young might see the morn Now a prison ship lies waiting in the bay." Low lie the fields of Athenry Where once we watched the small free birds fly Our love was on the wing We had dreams and songs to sing It's so lonely round the fields of Athenry By a lonely prison wall, I heard a young man calling "Nothing matters, Mary, when you're free Against the famine and the crown, I rebelled, they cut me down Now you must raise our child with dignity." By a lonely harbor wall, she watched the last star fall As the prison ship sailed out against the sky For she lived to hope and pray for her love in Botany Bay It's so lonely round the fields of Athenry

2009 GALWAY BAY

COMPOSER:(Arthur Colahan) If you ever go across the sea to Ireland, Then maybe at the closing of your day, You will sit and watch the moon rise over Cladagh And see the sun go down on Galway Bay Just to hear again the ripple of the trout stream, The women in the meadows making hay; And to sit beside a turf fire in the cabin And watch the barefoot gossoons at their play For the breezes blowing o'er the sea to Ireland, Are perfumed by the heather as they blow; And the women in the uplands digging praties, Speak a language that the strangers do not know For the strangers tried top come and teach us their way They scorned us just for being what we are; But they might as well go chasing after moonbeams Or light a penny candle from a star And if there is going to be a life hereafter, And somehow I am sure there's going to be, I shall ask my God to let me make my heaven In that dear land across the Irish Sea If you ever go across the sea to Ireland, Then maybe at the closing of your day, You will sit and watch the moon rise over Cladagh And see the sun go down on Galway Bay

2010 GYPSY ROVER

From the singing of the Clancy Brothers, and is a variation of a Child ballad

. The gypsy rover came over the hill Down through the valley so shady, He whistled and he sang 'til the greenwoods rang, And he won the heart of a lady Chorus: Ah-de-do, ah-de-do-da-day, Ah-de-do, ah-de-da-ay He whistled and he sang 'til the greenwoods rang, And he won the heart of a lady . She left her father's castle gates She left her own fine lover She left her servants and her state To follow the gypsy rover . Her father saddled up his fastest steed And roamed the valleys all over Sought his daughter at great speed And the whistling gypsy rover . He came at last to a mansion fine,

Down by the river Claydee And there was music and there was wine, For the gypsy and his lady . "He is no gypsy, my father" she said "But lord of these lands all over, And I shall stay 'til my dying day With my whistling gypsy rover."

2011 THE HOLY GROUND Fare thee well, my lovely Dinah, a thousand times adieu We are bound away from the Holy Ground and the girls we love so true We'll sail the salt seas over and we'll return once more, And still I live in hope to see the Holy Ground once more (Shouted) Fine girl you are! (Sung) You're the girl that I adore, And still I live in hope to see the Holy Ground once more Now when we're out a-sailing and you are far behind Fine letters will I write to you with the secrets of my mind, The secrets of my mind, my girl, you're the girl that I adore, And still I live in hope to see the Holy Ground once more Oh now the storm is raging and we are far from shore; The poor old ship she's sinking fast and the riggings they are tore The night is dark and dreary, we can scarcely see the moon, But still I live in hope to see the Holy Ground once more It's now the storm is over and we are safe on shore We'll drink a toast to the Holy Ground and the girls that we adore We'll drink strong ale and porter and we'll make the taproom roar, And when our money is all spent we'll go to sea once more Note: Irish variation of Swansea Town From Oxford Book of Sea Songs, Palmer Recorded by Clancys

2012 I'LL TAKE YOU HOME AGAIN, KATHLEEN I'll take you home again, Kathleen, Across the ocean wild and wide To where your heart has ever been Since first you were my bonny bride The roses all have left your cheek; I've watched them fade away and die Your voice is sad when e'er you speak And tears be-dim your loving eyes Oh, I will take you back, Kathleen, To where your heart will feel no pain And when the fields are fresh and green I'll take you to your home again

2015 I'M A ROVER AND SELDOM SOBER cho: I'm a a rover and seldom sober I'm a rover, o' high degree; And when I'm drinking, I'm always thinking How to gain my love's company Though the nicht be dark as dungeon No' a star to be seen above, I will be guided without a stumble Into the airms o' my ain true love He steppit up to her bedroom window, Kneelin' gently upon a stone; He rappit at her bedroom -window "Darlin' dear, do you lie alone?" She raised her heid on her snaw -white pillow Wi' her arms aboot her breast, "Wha' is that at my bedroom window Disturbin' me at my lang night's rest?" "It's only me, your ain true lover, Open the door and let me in For I hae come on a lang journey, And I'm near drenched to the skin." She opened the door wi' the greatest pleasure, She opened the door and let him in, They baith shook hands and embraced each other Until the mornin' they lay as one The cocks were crawin', the birds were whistlin' The burns they ran free abune the brae; "Remember, lass, I'm a ploughman laddie And the fairmer I must obey." "Noo, my lass, I must gang and leave thee And though the hills they are high above,

I will climb thrm wi' greater pleasure Since I been in the airms o' my love From MacColl, Folksongs and Ballads of Scotland Recorded by Redpath, Boys of the Lough Scots

2016 THE IRISH ROVER In the year of our Lord, eighteen hundred and six We set sail from the fair Cobh of Cork We were bound far away with a cargo of bricks For the fine city hall of New York In a very fine craft, she was rigged fore-and-aft And oh, how the wild winds drove her She had twenty -three masts and withstood several blasts And we called her the Irish Rover There was Barney McGee from the banks of the Lee, There was Hogan from County Tyrone And a chap called McGurk who was scared stiff of work And a chap from West Meade called Mellone There was Slugger O'Toole who was drunk as a rule And fighting Bill Casey from Dover There was Dooley from Claire who was strong as a bear We had one million bales of old billy goats' tails, We had two million buckets of stones We had three million sides of old blind horses hides, We had four million packets of bones We had five million hogs, we had six million dogs, And seven million barrels of porter We had eight million bags of the best Sligo rags In the hold of the Irish Rover We had sailed seven years when the measles broke out And the ship lost her way in a fog And the whole of the crew was reduced unto two, 'Twas myself and the captain's old dog Then the ship struck a rock with a terrible shock And then she heeled right over, Turned nine times around, and the poor dog was drownedI'm the last of the Irish Rover

2018 JUG OF PUNCH 'Twas early, early, in the month of June I was sitting with my glass and spoonA small bird sat on an ivy bunch And the song he sang was a jug of punch CHO: Toor-a-loora-la, toor-a-loora-lie Toor-a-loora-la, toor-a-loora-lie (repeat last two lines of verse) If I were sick, and very bad And were not able to go or stand, I would not think it at all amiss To pledge my shoes for a jug of punch CHO: What more diversion can a man desire Than to sit him down by a snug turf fire, Upon his knee a pretty wench And upon his table a jug of punch CHO: And when I'm dead and in my grave No costly tombstone will I have, I'll dig a grave both wide and deep With a jug of punch at my head and feet Recorded by Clancys, Galvin Irish

2020 LOVE IS TEASIN' Cho: Oh, loveis teasing and love is pleasin' But as love grows older sure love grows colder I wish, I wish, I wish in vain I wish I was a maid again But maid again I ne'er can be Till apples grow on an ivy tree But the sweetwest apple is the soonest rotten And the hottest love is the soonest cold But what can't be cured, love, has to be endured , love, So now I'm bound for Amerikay Repeat Chorus Traditional. Taken from Soodlum's LES BICYCLETTES DE BELSIZE Turning and turning the world goes on We can't change it my friend

Let us go riding now Through the days, together to the end Les Bicyclettes de Belsize, Carry us side by side, And hand in handwe will ride Over belsize Turn your magical eyes - Round and around Looking at all we found Carry us through the skies Les Bicyclettes de Belsize

2025 COCKLES AND MUSSELS (MOLLY MALONE) In Dublin's Fair City, where the girls are so pretty, 'Twas there I first met MY sweet Molly Malone She drove a wheel-barrow thro' streets broad and narrow, Crying "COCKLES AND MUSSELS, a-live, a-live-o!" A-live, alive-o! A-live, a-live-o! Crying "COCKLES AND MUSSELS, a-live, a-live-o!"

She was a fishing-monger, and that was no wonder, For so was her father and mother before They drove their wheel-barrows thro' streets broad and narrow, Crying "COCKLES AND MUSSELS, a-live, a-live-o" She died of the fever, and nothing could save her, And that was the endof sweet Molly Malone But her ghost drives a barrow thro' streets broad and narrow, Crying "COCKLES AND MUSSELS, a-live, a-live-o" The correct words to this song were provided to me by Tom Conway tjconwaycomnet.ca)

2026 MOUNTAINS OF MOURNE (Words by Percy French, ca 1900. Melody trad.) Oh Mary, this London's a wonderful sight, With people here working by day and by night They don't sow potatoes nor barley nor wheat But there's gangs of them diggin' for gold in the street

At least, when I asked them that's what I was told So I just took a hand at this diggin' for gold; But for all that I've found there, I might as well be Where the Mountains of Mourne sweep down to the sea I believe that when writin' a wish you expressed As to how the fine lAdies of London are dressed Well if you believe me, when asked to a ball They don't wear no tops to their dresses at all Oh, I've seen them myself and you could not, in thrath Say if they were bound for a ball, or a bath, Don't be startin' them fashions now, Mary Machree, Where the etc I've seen England's king from the top of a bus And I've never known him, but he means to know us And tho' by the Saxon we once were oppressed, Still I cheered, God forgive me, I cheered with the rest And now that he's visited Erin's green shore We'll be much better friends than we've been heretofore When we've got all we want, we're as quiet as can be Where the etc You remember young Peter O'Loughlin of course Well now he is here at the head of the Force I met him today, I was crossing the Strand And he stopped the whole street with a wave of his hand And there we stood talking of days that are gone While the whole population of London looked on; But for all these great powers, he's wishful, like me To be back where the dark Mourne sweeps down to the sea There's beautiful girls here --- Oh, never you mind --With beautiful shapes nature never designed And lovely complexions all roses and cream, But O'Loughlin remarked with regard to the same That if at those roses you venture to sip The colors might all come away on your lip So I'll wait for the wild rose that's waitin' for me Where the etc recorded by Kendall Morse

2035 THE TOWN I LOVED SO WELL (Phil Coulter) (c) Mews MusicRec by The Dubliners In my memory I will always see The town that I have loved so well

Where our school played ball by the gasyard well And we laughed through the smoke and smell Going home in the rain running up a dark lane Pest the jail and down beside the fountain Those were happy days in so many many ways In the town I loved so well In the early morn the shirt factory horn Called the women from Creggan, the Moor and the Bog While the men on the dole played a mothering role Fed the children and then waled the dog And when times got rough there was just about enough But we saw it through without complaining For deep inside was a burning pride In the town I loved so well There was music there in the Derry air Like a language that we could all understand I remember the day when I earned my first pay When I played in a small guitar band There I spent my youth and to tell you the truth I was sad to leave it all behind me There I learned about life and I found me a wife In the town I loved so well: But when I returned oh my eyes how they burned To see how a town could be brought to it's knees By the armoured cars and the bombed out bars And the gas that hangs on to everything Now the army's installed by the gasyard wall And their barbed wire gets higher and higher With their tanks and their guns Oh my God, what have they done To the town I loved so well Though the music has gone and though we must carry on Our spirit's been bruised but never broken We must never forget that our hearts are still set On tomorrow and peace once again Now what's done is done and what's won is won And what's lost is lost and gone forever I can only pray for a bright brand new day For the town I Ioved so well

2041 WILD ROVER (NO NAY NEVER) I've been a wild rover for many a year And I spent all my money on whiskey and beer, And now I'm returning with gold in great store And I never will play the wild rover no more cho: And it's no, nay, never, No nay never no more, Will I play the wild rover No never no more I went to an ale-house I used to frequent And I told the landlady my money was spent I asked her for credit, she answered me "nay Such a custom as yours I could have any day." cho: I took from my pocket ten sovereigns bright And the landlady's eyes opened wide with delight She said "I have whiskey and wines of the best And the words that I spoke sure were only in jest." cho: I'll go home to my parents, confess what I've done And I'll ask them to pardon their prodigal son And if they caress (forgive) me as ofttimes before Sure I never will play the wild rover no more cho: sung by Clancy Brothers

2043 SEVEN DRUNKEN NIGHTS

As I went home on Monday night, as drunk as drunk could be I saw a horse outside the door, where my old horse should be I called my wife and I said to her: Will you kindly tell to me, Who owns that horse outside the door, where my old horse should be? Oh, you're drunk, you're drunk you silly old fool, and still you cannot see. That's a lovely sow that my mother sent to me Well, it's many a day I've traveled, a hundred miles or more, but a saddle on a sow, sure, I never saw before As I went home on Tuesday night, as drunk as drunk could be I saw a coat behind the door, where my old coat should be I called my wife and I said to her: Will you kindly tell to me, who owns that coat behind the door, where my old coat should be? Oh, you're drunk, you're drunk you silly old fool, and still you cannot see.

That's a woolen blanket that my mother sent to me Well, it's many a day I've traveled, a hundred miles or more, but buttons on a blanket, sure, I never saw before As I went home on Wednesday night, as drunk as drunk could be I saw a pipe upon the chair, where my old pipe should be I called my wife and I said to her: Will you kindly tell to me, who owns that pipe upon the chair where my old pipe should be Oh, you're drunk, you're drunk you silly old fool, and still you cannot see. That's a lovely tin-whistle, that my mother sent to me Well, it's many a day I've traveled, a hundred miles or more, but tobacco in a tin-whistle, sure, I never saw before As I came home on Thursday nigh, as drunk as drunk could be I saw two boots beside the bed, where my old boots should be I called my wife and I said to her: Will you kindly tell to me, who owns them boots beside the bed where my old boots should be Oh, you're drunk, you're drunk you silly old fool, and still you cannot see. They're two lovely flower pots my mother sent to me Well, it's many a day I've traveled, a hundred miles or more, but laces in flower pots I never saw before As I came home on Friday night, as drunk as drunk could be I saw a head upon the bed, where my old head should be I called my wife and I said to her: Will you kindly tell to me, who owns that head upon the bed, where my old head should be Oh, you're drunk, you're drunk you silly old fool, and still you cannot see. That's a baby boy, that my mother sent to me Well, it's many a day I've traveled, a hundred miles or more, but a baby boy with his whiskers on, sure, I never saw before As I came home on a Saturday night, as drunk as drunk could be I spied two hands upon her breasts, where my old hands should be I called to my wife and I said to her: Will you kindly tell to me, Who's hands are these upon your breasts, where my old hands should be? Oh, you're drunk, you're drunk, you silly old fool, and still you cannot see 'Tis nothing but a Living Bra Jane Russell gave to me Well, it's many a day I've travelled a hundred miles or more, but fingernails on a Living Bra, I never saw before Now when I came home on Sunday night, a little after threeI saw a man running out the door with his pants about his knee So I called to my wife and I said to her: would you kindly tell to me, who was that man running out the door with his pants about his knee?

The little Lord Jesus asleep in the hay The cattle are lowing the baby awakes, But little Lord Jesus no crying He makes, I love you, Lord Jesus; look down from the sky And stay by my side until morning is nigh Be near me Lord Jesus; I ask you to stay, Close by me forever and love me, I pray, Bless all the dear children in your tender care,And fit us for heaven to live with you there

3002 DECK THE HALLS Deck the halls with boughs of holly Fa-la-la-la-la, la-la-la-la 'Tis the season to be jolly Fa-la-la-la-la, la-la-la-la Don we now our gay apparel Fa-la-la, la-la-la, la-la-la Troll the ancient Yuletide carol Fa-la-la-la-la, la-la-la-la See the blazing Yule before us Strike the harp and join the chorus Follow me in merry measure While I tell of Yuletide treasure Fast away the old year passes Hail the new ye lads and lasses Sing we joyous all together Heedless of the wind and weather

3003 DING DONG MERRILY ON HIGH Ding Dong merrily on high In Heaven bells are ringing Ding dong merrily the sky Is riven with angels singing Cho:Glo- - - -ria, E'en so here below, below Let steeple bells be swungen And io, io, io By priest and people sungen: Chorus

Oh you're drunk, you're drunk, you silly old fool, and still you cannot see, Twas nothing but the tax collector the Queen sent to me Well, it's many a day I've travelled, a hundred miles or more, But an Englishman that could last 'till three I never saw before Here's an alternative, a bit naughtier version of the Sunday verse. You may fill in the blanks: As I came home on Sunday night, as drunk as drunk could be I saw a inside my wife, where my old should be I called my wife and I said to her: Would ya kindly tell to me, who owns that outside the., where my old should be?

Pray you, dutifully prime Your matin chime, ye ringers; May you beautifully rime Your evetime song, ye singers: Chorus

Ah sure, you're drunk, you're drunk you silly old fool, and still you cannot see That's just the lovely English man that me ma she sent to me Well, tis' many a night I've traveled, a hundred miles or more, but a English man who could could stay up past three, sure, I've never seen before

Noel, Noel, Noel, Noel, Born is the King of Israel

3000 ANGELS WE HAVE HEARD ON HIGH

3004 THE FIRST NOEL

The first Noel, the angel did say, Was to certain poor shepherds in fields as they lay, In fields as they ,lay keeping their sheep On a cold winter's night hat was so deep

They look ed up and saw a star, Shining in the east, beyond them far; And to the earth it gave great light, And so they continued both day and night

Angels we have heard on high, Sweetly singing o'er the plains And the mountains in reply Echoing their joyous strains. Gloria..

And by the light of that same star Three wise men came from country far; To seek for a King was their intent, And to follow the star wherever it went

cho: Gloria, In Excelsius Deo

Now let us all with one accord, Sing praises to our heavenly Lord, Who brought forth Heaven and earth from naught, And with his blood mankind has bought

Shepherd why this jubilee, Why your joyous strains prolong What the gladsome tidings be, Which inspire your heavenly song? Come to Bethlehem and see, Him whose birth the angels sing Come adore on bended knee, Christ the Lord the newborn king See him in a manger laid, Whom the choirs of angels praise Mary, Jos eph, lend your aid, While our hearts in love we raise

3001 AWAY IN A MANGER Away in a manger, no crib for a bed, The Little Lord Jesus lay down His sweet head; The stars in the bright sky looked down where He lay,

3005 GOD REST YE MERRY, GENTLEMEN God rest ye merry, gentlemen, let nothing you dismay Remember Christ our Saviour was born on Christmas Day To save us all from Satan's pow'r when we were gone astray Cho: Oh, tidings of comfort and joy,comfort and joy Oh tidings of comfort and joy In Bethlehem in Jewry this blessed Babe was born, And laid within a manger upon this blessed morn The which His mother Mary did nothing take in scorn, Chorus From God our heav'nly Father, a blessed angel came And unto certain shepherds brought tidings of the same How that in Bethlehem was born the Son of God by name, Chorus

3006 GOOD CHRISTIAN MEN, REJOICE (John Mason Neale, 18xx) Good Christian men, rejoice With heart and soul and voice; Give ye heed to what we say: News! News! Jesus Christ is born today: Ox and ass before him bow And He is in the manger now Christ is born today! Christ is born today! Good Christian men, rejoice With heart and soul and voice; Now ye hear of endless bliss; Joy! Joy! Jesus Christ was born for this! He has oped the heav'nly door And man is blessed evermore Christ was born for this! Christ was born for this! Good Christian men, rejoice With heart and soul and voice; Now ye need not fear the grave; Peace! Peace! Jesus Christ was born to save! Calls you one and calls you all To gain his everlasting hall Christ was born to save! Christ was born to save!

3007 GOOD KING WENCESLAS Good King Wenceslas looked out on the feast of Stephen When the snow lay round about, deep and crisp and even Brightly shone the moon that night, though the frost was cruel, When a poor man came in sight, gathering winter fuel Hither page and stand by me if thou knowst it telling Yonder peasant, who is he, where and what his dwelling? Sire, he lives a good league hence, underneath the mountain, Right against the forest fence, by Saint Agnes' fountain Bring me flesh and bring me wine, bring me pinelogs hither Thou and I will see him dine when we bear them thither Page and monarch forth they went, forth they went together Through the rude winds wild lament, and the bitter weather Sire the night is darker now, and the wind blows stronger Fails my heart I know now how, I can go no longer Mark my footsteps my good page, tread thou in them boldly Thou shalt find the winter's rage freeze thy blood less coldly In his master's steps he trod where the snow lay dinted Heat was in the very sod which the saint had printed Therefore Christian men be sure, wealth or rank possessing, Ye who now will bless the poor, shall yourselves find blessing

3008 HARK THE HERALD ANGELS Hark, the herald angels sing, Glory to the newborn King, Peace on earth and mercy mild, God and sinners reconciled"; Joyful, all the nations ,rise Join the triumph of the skies; With the angelic host proclaim: 'Christ is born in Bethlehem" Hark, the herald angels sing, 'Glory to the new born King' Christ, by highest heav'n adored, Christ, the ever-living Lord, Late in time behold Him come, Offspring of a virgins womb Veiled in flesh the Godhead see, Hail the incarnate Deity; Pleased as man with man to dwell, Jesus, our Emmanuel Hail the heav'n born Prince of Peace, Hail, the Sun of righteousness; Light and life to al! He brings, Ris'n with healing in His wings Mild He lays His glory by, Born that man no more may die;

Born to raise the sons of earth, Born to give them second birth

3009 HOLLY AND THE IVY The holly and the ivy When they are both full grown Of all the trees that are in the wo The holly bears the crown Oh the rising of the sun And the running of the deer The playing of the merry organ Sweet singing all in the choir The holly bears a blossom As white as the lily flower And Mary bore sweet Jesus Christ To be our sweet Savior The holly bears a berry As red as any blood And Mary bore sweet Jesus Christ To do poor sinners good The holly bears a prickle As sharp as any thorn And Mary bore sweet Jesus Christ On Christmas day in the morn The holly and the ivy When they are both full grown Of all the trees that are in the wood The holly bears the crown

3010 WHITE CHRISTMAS By Irving Berlin

I'm dreaming of a white Christmas Just like the ones I used to know Where the treetops glisten and children listen To hear sleighbells in the snow I'm dreaming of a white Christmas With every Christmas card I write May your days be merry and bright And may all your Christmases be white

3011 JINGLE BELLS

Dashing through the snow, in a one horse open sleigh, O'er the fields we go, laughing all the way, Bells on bobtail ring, making spirits bright, Oh what fun it is to sing a sleighing song tonight Jingle bells, jingle bells, jingle all the way, Oh, what fun it is to ride in a one horse open sleigh; Jingle bells, jingle bells, jingle all the way, Oh what fun it is to ride in a one horse open sleigh

3012 JOY TO THE WORLD Joy to he world! The Lord is come; Let earth receive her king; Let every heart prepare Him room, And heaven and nature sing, And heaven and nature sing, And heaven and heaven and nature sing

Joy to the world The Saviour reigns; Let men Their song employ; While fields and floods rooks hills and plains Repeat the sounding joy, Repeat the sounding joy Repeat repeat he sounding joy He rules the earth with truth and grace, And makes the nation prove; The glories of His righteousness And wonders of His love And wonders Of His love, And wonders wonders of His love

3013 LITTLE DRUMMER BOY Come, they told me , Pa-rum -pa-pum -pum, "Our newborn king to see" , Pa-rum-pa-pum -pum, Our finest gifts we bring , Pa-rum -pa-pum -pum, To lay before the king, , Pa-rum-pa-pum -pum , Rum -pa-pum -pum, rum -pa-pum-pum, So to honour him, Pa-rum -pa-pum-pum, When we come "Little Baby, Pa-rum-pa-pum -pum,

I am a poor boy too, Pa-rum -pa-pum-pum, I have no gift to bring, Pa-rum -pa-pum -pum, That's fit to give our King! Pa-rum-pa-pum -pum, Rum -pa-pum -pum, rum -pa-pum-pum, Shall I play for You, Pa-rum -pa-pum-pum, On my drum?'

And in a manger cold and dark Mary's little boy was born Long time ago in Bethlehem so the holy bible say, Mary's boy child Jesus Christ was born on Christmas day

Mary nodded, Pa-rum-pa-pum -pum, The ox and lamb kept time, Pa-rum-pa-pum -pum, I played my drum for Him, Pa-rum -pa-pum -pum, I played my best for Him, Pa-rum -pa-pum -pum, Rum -pa-pum -pum, rum -pa-pum-pum, Then He smiled at me, Pa-rum -pa-pum-pum, Me and my drum!

Rudolph the Red-Nosed Reindeer (reindeer) Had a very shiny nose (like a light bulb) And if you ever saw it (saw it) You would even say it glowed (like a stop light)

3014 COME ALL YE FAITHFUL O come all ye faithful! joyful and triumphant, O come ye, 0 come ye to Bethlehem Come and behold him, born the King Of angels, O come let us adore Him, O come let us adore Him, O come let us adore Him, Christ the Lord Sing choirs of angels sing in exultation, Sing, all ye citizens of heaven above, Glory to God in the highest Yea Lord we greet thee born this happy morning Jesus to thee be glory given Word of the Father, now in flesh appearing,

3015 LITTLE TOWN OF BETHLEHEM O little town of Bethlehem, How still we see thee lie; Above thy deep and dreamless sleep The silent stars go by: Yet in the dark streets shineth The everlasting Light The hopes and fears of all the years Are met in thee tonight How silently, how silently The wondrous gilt is given So God imparts to human hearts The blessing of his heaven No ear may hear his coming; But in this world of sin, Where meek souls will receive him, still The dear Christ enters in ROYAL DAVID'S CITY Once in Royal David's city Stood a lowly cattle shed, Where a mother laid her baby, In a manger for His bed Mary was hat mother mild; Jesus Christ her little child He came down to earth from heaven Who is God and Lord of all, And His shelter was a stable, And His cradle was a stall; With the poor and mean and lowly, Lived on earth our Savior holy And our eyes at last shall see Him, Through His own redeeming love, For that child so dear and gentle Is our Lord in heaven above, And He leads His children on To the place where He is gone

3018 MARY'S BOY CHILD Long time ago in Bethlehem so the holy bible say Mary's boy child Jesus Christ was born on Christmas day Hark, now hear the angels sing, a new King born today, And man will live for evermore, because of Christmas day Trumpets sound and angels sing, listen to what they say, That man will live for evermore, because or Christmas day While Shepherds watched their flocks by right Them see a bright new shining star; They hear a choir sing the music seemed to come from afar Now Joseph and his wife Mary come to Bethlehem tat night, Them find no place to born the child, Not a single room was in sight By and by they find a little space in a stable all forlorn,

3019 RUDOLPH THE RED-NOSED REINDEER

All of the other reindeer (reindeer) Used to laugh and call him names (like Pinocchio) They never let poor Rudolph (Rudolph) Join in any reindeer games (like Monopoly) Then one foggy Christmas Eve, Santa came to say (Ho, ho, ho) Rudolph with your nose so bright Won't you guide my sleigh tonight Then how the reindeer loved him (loved him) And they shouted out with glee (ha, ha, ha) Rudolph the red-nosed reindeer (reindeer) You'll go down in history...(like George Washington) `3020

SILENT NIGHT Good

3020 CHRISTIANS ALL REJOICE, Silent night, holy night, all is calm, all is bright Round yon virgin, mother and child, Holy Infant so tender and mild, Sleep in heavenly peace, sleep in heavenly peace Silent night, holy night, Shepherds quake, at the sight Glories stream from heaven afar Heavenly hosts sing alleluia, Christ the Saviour is born, Christ the Saviour is born Silent night, holy night, Son of God Love's pure light Radiant beams from thy holy face, With the dawn of redeeming grace, Jesus, Lord at Thy birth, Jesus, Lord at Thy birth

3021 WHILE SHEPHERDS WATCHED While shepherds watched their flocks by night All seated on the ground The angel of the Lord came down And glory shone around 'Fear not,' said he: for mighty dread Had seized their troubled mind; 'Glad tidings of great joy I bring To you and all mankind 'To you in David's town this day Is born of David's line A Saviour, who is Christ the Lord; And this shall be the sign: 'The heavenly Babe you there shall find To human view displayed, All meanly wrapped in swathing bands, And in a manger laid.' Thus spake the seraph; and forthwith Appeared a shining throng Of angels praising God, who thus Addressed their joyful song 'All glory be to God on high, And to the earth be peace; Good will henceforth from heaven to mei Begin and never cease

3022 WE THREE KINGS OF ORIENT ARE We three kings of Orient are, bearing gifts we traverse afar Field and fountain, moor and mountain following yonder star O star of wonder, star of night, star with royal beauty bright Westward leading, still proceeding, guide us to thy perfect light Born a King on Bethlehem's plain, Gold I bring to crow n Him again King forever, ceasing never, over us all to reign Frankincense to offer have I, incense owns a Deity nigh Prayer and praising, all men raising, worship Him, God most High Myrrh is mine, its bitter perfume, breathes a life of gathering gloom Sorrowing, sighing, bleeding, dying; sealed in The stone cold tomb Glorious now behold Him arise, King and God and sacrifice Alleluia, Alleluia, earth to the heavens replies

3023 WE WISH YOU A MERRY CHRISTMAS We wish you a merry Christmas We wish you a merry Christmas We wish you a merry Christmas And a happy New Year

We want some figgy pudding (3 times) And a cup of good cheer We won't go until we get some (3 times) So bring it out here! We wish you a Merry Christmas (3 times) And a happy New Year DAY TRIP TO BANGOR (Debbie Cook) As sung by Fiddler's Dram Chorus:Didn't we have a lovely time The day we went to Bangor A beautiful day, we had lunch on the way And all for under a pound, you know That on the way back I cuddled with Jack And we opened a bottle of cider Singing a few of our favourite songs As the wheels went around Do you recall the thrill of it all As we walked along the seafront Then on the sand we heard a brass band That made a tiddly tum ta ra ra Elsie and me had one cup of tea Then we took a paddling boat out Thrashing away as we sailed round the bay As the wheels went around Wasn't it nice eating chocolate ice As we strolled around the fun fair Then we ate eels on the big Paris wheel As we sailed about the ground but then We had to be quick 'cause Elsie fell sick And we had to find somewhere to take her I said to her lad, what made her feel bad Was the wheel going around Can't you still hear the noise on the pier As we took a breath of sea air Having a go at every side show We passed along the way, we had Our fortunes told, when it turned a bit cold And a go on the tombola It was such a surprise 'cause I won a prize When the wheel went around Elsie and me, we finished our tea And we said good bye to the seaside Jumped on the bus, closer to us Oh isn't it a shame to go Wouldn't it be grand to have cash on demand And to live like this for always Oh it makes me feel ill when I think of the mill And the wheels going around

3028 THE CHERRY TREE CAROL When Joseph was an old man, an old man was he, He married Virgin Mary, the queen of Galilee, He married Virgin Mary, the queen of Galilee. Joseph and Mary walked through an orchard green, There were berries and cherries as thick as might be seen There were berries and cherries as thick as might be seen And Mary spoke to Joseph, so meek and so mild, "Joseph gather me some cherries, for I am with child, Joseph gather me some cherries, for I am with child." And Joseph flew in anger, in anger flew he, "Let the father of the baby gather cherries for thee, Let the father of the baby gather cherries for thee." Then up spoke the baby Jesus from in Mary's womb, "Bend down the tallest tree that my mother might have some, Bend down the tallest tree that my mother might have some." And bent down the tallest branch, 'till it touched Mary's hand, Cried she, "Oh look thou Joseph I have cherries by command," Cried she, "Oh look thou Joseph I have cherries by command." ---------------------------------------------------------------Child #54 This is one of the most popular of English religious folk ballads. Its tale derives from the Pseudo-Matthew gospel, and in medieval times was frequently dramatized in folk plays and

mystery pageants including, among others, those performed by the Grey Friars in Coventry. Fuller versions of the ballad sometimes contain predictions of Jesus' birth, death, and resurrection. From "British Ballads and Folk Songs from the Joan Baez Songbook." DC

INDEX Advance Australia Fair............................ 117, 118 African Swallow ............................................ 66 After the Ball................................................ 23 Alexander's Ragtime Band............................... 84 All For My Grog............................................142 All my trials.................................................135 Alnwick Castle.............................................. 30 And the Band Played Waltzing Matilda..............117 Andrew's Polka............................................. 44 Angels we have heard on high.........................170 Anniversary Waltz ........................................115 Another Fall of Rain......................................... 1 Are You Lonesome Tonight?............................ 27 Arrivaderci Roma.........................................102 Ash Grove..................................................129 Ashokan Farewell. ......................................... 21 Athol Highlanders.......................................... 54 Auld Lang Syne...........................................115 Away in a Manger.........................................170 Baby Face.................................................110 Ballade Irlandaise.........................................124 Banana boat Song........................................105 Barren Rocks of Aden.................................... 79 Barrett's Half Century ..................................... 55 Basil Cosgrove's ........................................... 97 Battle Hymn of the Republic............................. 98 Battle of Jerico.............................................137 Beer Barrel Polka.......................................... 18 Belfast Almanac ............................................ 56 Berkshire Tragedy ........................................129 Billy of Tea................................................... 19 Black Velvet Band........................................142 Blarney Pilgrim ............................................. 50 Blaydon Races ............................................... 7 Blind Mary ..................................................121 Blue Moon..................................................106 Bluebell Polka............................................... 43 Bobby Shaftoe........................................... 7, 73 Bodmin Riding March..................................... 14 Boll Weevil. .................................................135 Bonnie Kate................................................. 12 BONNY BREAST KNOT ................................. 79 Bonny Doon................................................. 19 Botany Bay .................................................. 28 Boulavogue.................................................. 28 Boy's Lament for His Dragan............................ 87 Bride's Favorite............................................. 57 Brighton Camp.............................................. 45 British Grenadiers.......................................... 79 Bye Bye Blackbird........................................110 Caddam Wood............................................. 71 Calypso Carol. .............................................184 Can Can..................................................... 68 Can Can..................................................... 69 Careless Love.............................................. 72 Carneval di Venezia......................................104 Carolan's Concerto.......................................120 Carolan's draught.........................................119 Catalpa......................................................... 6 CHAIN DOUBLE QUADRILLE.......................... 67 Charles Lynch.............................................. 24 Chase me Charlie in G................................... 78 Cherry Tree Carol. ........................................185 Chicken dance.............................................113 Christmas Day .............................................184 Church St...................................................... 4 Cindy.........................................................138 Clare Jig....................................................... 7 Clare Jig..................................................... 73 Clementine.................................................136 Click Go the Shears.............................. 11, 34,96 Cock O' the North in D.................................... 78 Cock o' the North........................................... 59 Cock of the North in G.................................... 78 Coconut woman...........................................105 Colleen....................................................... 59 Colleen......................................................... 8 COLONIALS QUADRILLE............................... 68 Columbus's Sword......................................... 71 Coming in on a Wing...................................... 72 Coming 'Round the Mountain..........................136 Copper Kettle..............................................134 Corn Rigs .................................................... 64 Cornish Floral Dance...................................... 80

Cosgrove's Schottiche.................................... 97 Cruising Down the River in G........................... 25 Cruising Down the River.................................. 26 Cuckoo is a Pretty Bird..................................133 Cuckoo Waltz............................................... 24 CUMBERLAND REEL.................................... 53 Cumberland Reel.......................................... 53 Cunnamulla Stocking Jig................................. 56 Daisy Daisy in F........................................... 26 Daisy Daisy in G........................................... 25 Danny Boy ..................................................143 Darling Clementine.......................................100 Dashing White Sergeant ................................. 12 Davy Nicknack................................................ 5 Day Trip to Bangor........................................139 Deck the Halls .............................................171 Dennis Murphys.............................................. 5 Devil Among the Taylors ................................. 56 Dicey Reilly.................................................143 Didn't He Ramble.......................................... 72 Ding Dong Merrily on High..............................171 Dingle Regatta................................................ 7 Dirty Old Town.............................................144 Do You Hear the People Sing?......................... 88 Donkey Riding.............................................. 12 Donna Donna..............................................133 D'Oro Waltz ................................................. 31 Dorset Four Hand Reels.................................. 70 Dorsetshire Hornpipe..................................... 93 Down at the Old Bull and Bush......................... 27 Down By The Riverside..................................110 Down by the Sally Gardens.............................144 Down in the Valley ........................................137 Drops of Brandy ............................................ 60 Drover's Dream............................................. 11 Drovers Dream ............................................. 34 Drowsy Maggie............................................. 63 Drunken Sailor.............................................132 Early in the Morning...................................... 87 Early One Morning........................................132 Edelweiss.................................................... 32 Endearing Young Charms................................ 20 Euabalong Ball............................................. 28 F airy dance................................................125 Father O'Flynn.............................................. 13 Father's Polka.............................................. 44 Fathom The Bowl.........................................130 Fiddler's Green............................................145 Fields of Athenry ..........................................145 Fiery Clock Fyece............................................ 6 Finnegan's Wake..........................................146 First Noel. ...................................................172 Flossy O'Toole.............................................. 33 Flowers of Edinburgh..................................... 74 Flying Pieman.......................................... 47, 48 Foggy Dew .................................................131 Foggy Foggy Dew ........................................132 For He's a Jolly Good Fellow ...........................115 For Ireland I'd not tell her Name.......................122 Forty Pound Float............................................ 2 Four Sister's................................................. 41 Foxhunter.................................................... 60 Galway Bay................................................147 Garryowen................................................... 47 German Waltz 1............................................ 30 Girl I Left Behind Me................................. 45, 77 Girl With the Blue Dress on............................ 4, 8 Glory Shines ................................................ 73 Go to the Devil and Shake Yourself................... 57 God Defend New Zealand..............................118 God Rest You Merry Gentlemen......................172 God Save the King........................................118 Good Christian Men Rejoice............................173 Good King Wensleslas ..................................173 Goodnight Sweetheart.................................... 42 Grand Old Duke of York.................................. 85 Grandfathers Clock.......................................... 5 Great Storm is Over......................................134 Gypsy Rover...............................................147 Hackett's Schottiche...................................... 97 Happy Birthday ............................................116 Happy Wanderer..........................................135 Hark! The Herald Angels Sing.........................174

Harper's Frolick............................................. 12 Harvest Moon Schottische............................... 96 Haste to the Wedding..................................... 49 Haymaker's.................................................... 9 HEDLAND SCRATCH BAND SETS..................... 1 Heel and Toe Polka....................................... 13 Herb's Jig.................................................... 47 Hogmanay ................................................... 51 Hokey Pokey ...............................................114 Holly and the Ivy..........................................174 Holy Ground................................................148 Home On The Range....................................100 Homecoming................................................ 33 House of ther Rising Sun................................. 99 Hull's Victory ................................................ 76 Hundred Pipers........................................ 78, 83 I Belong to Glasgow....................................... 27 I Know Where I'm Going................................149 I Never Will Marry.........................................128 I Still Call Australia Home...............................117 If You Knew Susie......................................... 18 If You're Irish Come into the Parlour.............16, 169 I'll Take You Home Again Kathleen...................149 I'll Tell My Ma............................................... 13 I'll Tell My Ma..............................................149 I'm a Rover Seldom Sober..............................150 I'm Dreaming of a White Christmas ...................175 Irish Rover..................................................150 Irish Stew .................................................... 46 Irish Washerwoman....................................... 13 Island in the Sun..........................................105 It's a Long Way to Tipparary.......................15, 151 I've Got A Lovely Bunch of Cocoanuts................ 17 Jack Broke Da Prison Door............................. 65 Jacob's Ladder............................................129 Jamaica Farewell.........................................105 Jambalaya................................................... 99 Jenny Lind polkas.......................................... 44 Jingle Bells .................................................175 Jockey to the Fair.......................................... 58 John Brown's Body ..................................73, 136 John of Paris................................................ 58 John Peel.................................................... 86 Joy to the World...........................................176 Jug of Punch...............................................151 Keel Row.................................................... 75 Kelly the Boy From Killanne ............................. 81 Kelvin Grove...............................................123 Kesh Jig...................................................... 48 Kesh.......................................................... 49 Kilgary Mountain..........................................166 King of the Fairies ........................................125 Kumbaya....................................................130 L a Cucaracha.............................................103 La Russe..................................................... 75 La Va......................................................... 95 Lament on the Death of Rev. Archie Beaton........122 Last Night I Had the Strangest Dream ...............116 Lazy Harry's................................................... 2 Leaving of Liverpool.................................14, 152 Lest We Forget............................................116 Let Me Call You Sweetheart. ............................ 23 Levi Jackson...............................................101 Liberty Bell. .................................................. 55 Life is All Chequered...................................... 46 Life on the Ocean Wave.................................. 59 Lilliburlero.................................................... 59 Lincolnshire Poacher........................................ 8 Little Brown Jug............................................ 44 Little Drummer Boy .......................................176 Loch Lomond................................................. 5 Londonderry Air...........................................143 Long Black Veil............................................131 Long Long Trail. ...........................................130 Lord of the Dance.......................................... 86 Louisburg ...................................................... 9 Love is a Beautiful Song.................................. 27 Love is Teasin'. ............................................152 Loveliest Night of the Year............................... 26 M acPherson's Lament..................................126 Maggie May ................................................153 Maids When You're Young.............................153 Mairi's Wedding...........................................154

Mama Don't Allow.......................................... 72 Manchester Galop ......................................... 77 Manchester hornpipe...................................... 94 Marble Halls................................................108 March of the King of Laoise............................. 86 Margaret's waltz ............................................ 24 Marie's Wedding........................................... 73 Marino Waltz...............................................124 Mary Hamilton.............................................133 Mary's Boy Child ..........................................178 McNamara's Band......................................... 16 Men of Harlech............................................. 79 Merrily Kiss the Quaker.............................. 50, 61 Merry Blacksmith........................................... 63 Mexican Hat dance.......................................113 Michael Row the Boat Ashore..........................137 Midnight Special. ..........................................138 Milord........................................................140 Minstrel Boy ......................................... 122, 154 Minuet from Berenice....................................141 Miss Kate Rusby ..........................................127 MODERN DANCE........................................109 Molly Malone...............................................155 Monk's March............................................... 86 Moreton Bay ................................................ 28 Mountains of Mourne.....................................156 Mr Hitler...................................................... 82 Mrs Grace Bowie........................................... 51 Muckin' ......................................................... 9 Mudgee Schottiche........................................ 41 Mudgee Schottische....................................... 96 Munster Cloak .............................................. 33 My Old Man................................................. 15 No Hiding Place Down There..........................137 No Nay Never..............................................168 No title........................................................ 69 O Come All Ye Faithful .................................177 O Little Town of Bethlehem.............................177 O Sole Mio..................................................104 O Suzannah................................................. 98 O'Brien's Jig................................................. 57 Oh Dear What Can the Matter Be?.................... 58 Oh Johnny Oh Johnny Oh! .............................111 Oh You Beautiful Doll....................................111 Old Joe Clark ............................................... 98 Old Legacy .................................................... 7 Old Orange Flute..........................................157 Old Palmer's Song........................................... 1 On Christmas Night.......................................178 On Top of Old Smoky....................................136 Once in Royal David's City..............................177 Onward Christian Soldiers..............................116 Orotaba Waltz .............................................. 29 Our God our help in Ages Past........................116 Over The Rainbow........................................107 Oyster Girl..................................................... 9 Pack up your Troubles................................... 15 Perfect Cure................................................... 6 Pick a Bale of Cotton.....................................135 Pinch of Snuff............................................... 62 Pine Tree Flat Barn Dance.............................. 97 Pirate Chorus ............................................... 89 Plaisir d'Amour............................................. 24 Planxty George Brabazon...............................119 Planxty Hewlett............................................119 Planxty Irwin................................................ 20 Pokare Kare Ana..........................................130 Port Hedland Carol.......................................182 Portsmouth.................................................. 79 Princess Royal. ............................................. 77 Put your Little Foot......................................... 95 Puttin' On the Style.......................................138 Quartermaster's Stores.................................. 17

Rachel Rae................................................125

Raglan Road................................................ 81 Rakes Mallow ............................................... 12 Rakes of Mallow.............................................. 2 Rare Oul' Times...........................................158 Rattlin' Bog .................................................... 5 Red River Valley ................................... 100, 136 Red Wing.................................................... 68 Reedy River................................................123 Reel De Montreal.......................................... 76 Reilly's Daughter..........................................159

Repasz....................................................... 85 Resting Chair..............................................126 Rickett's hornpipe.......................................... 94 Ride a Cock horse to Banbury Cross.................. 58 Rights of Man............................................... 94 Rising of the Moon........................................159 Roaring Jelly ................................................ 55 Robbie Hobkirk's........................................... 44 Rock around the Clock..................................113 Rocky Road To Dublin.................................... 60 Roddy McCorley......................................... 1, 81 Roisin Dubh with ornamentation.......................127 Roisin Dubh................................................127 Roll out the Barrel. ......................................... 18 Rose of Aranmore......................................... 19 Rose of Tralee.............................................160 Rose Tree..................................................... 3 Roxburgh Castle........................................... 90 Rudolf the Red Nosed Reindeer.......................179 Rum Rebellion.............................................. 47 Saddle the Pony ...................................... 46, 49 Sail Away Ladies..........................................137 Sailor.........................................................106 Sally Gardens............................................... 64 Sally Sloane's .............................................. 95 Santa Lucia.................................................103 Sash My Father Wore....................................160 Scarborough Fair.........................................128 Scarterglen.................................................. 67 Scotland the Brave.......................................... 6 Scottish Wood .............................................. 33 SET DANCE: EVENING THREE STEP.............. 55 SET DANCE: VIRGINIA REEL......................... 73 Seventy Ninth Highlander's farewell to Gibraltar.... 82 Seventy Six Trombones .................................. 83 Shady Grove...............................................128 Shandon Bells .............................................. 46 Ship Ahoy.................................................... 17 Shoals of Herring.........................................128 Si Beg Si Mor ..............................................125 Silent Night.................................................179 Silv er Spear................................................. 76 Silver Threads Among the Gold.......................107 Smash Windows........................................... 49 Soldier's Joy................................................. 74 South Wind.................................................. 20 Spanish Lady .......................................... 3, 161 Spanish Waltz .............................................. 30 Speed the plough.......................................... 66 Spey in Spate............................................... 65 St Anne's Reel. ............................................. 62 St Anthony ..................................................... 5 St Mary's....................................................... 4 Star of the County Down................................162 Stars up above............................................123 Staten Island................................................ 74 Steam Boat.................................................. 90 Strangers in the Night....................................107 Streets of London.........................................139 STRIP THE WILLOW..................................... 54 Susanna Suzanna......................................... 98 Swallow's Nest............................................. 49 Sweet Jenny Jones.......................................131 Sweet Rosie O' Grady in D.............................. 25 Sweet Rosie O' Grady .................................... 26 T empest................................................... 4, 8 Tennessee waltz........................................... 25 THADY THOU GANDER................................. 49 That Big Rock Candy Mountain........................101 That's Amore...............................................102 There But For Fortune...................................134 There's a Tavern in the Town........................... 15 Three Drovers .............................................183 Tie a Yellow Ribbon......................................139 Tobin's Favourite........................................... 56 Today ......................................................... 32 Tom Blackman's............................................ 19 Tom Dooley ................................................101 Too Young..................................................106 Toss the Feathers......................................... 75 Town I Loved So Well. ...................................163 Traveller...................................................... 65 Trip to Bavaria.............................................. 71 Tripping Upstairs........................................... 48 Turkey in the Straw ........................................ 62 Twist.........................................................113

VARSOVIENNA........................................... 95 Villikins and his Dinah....................................157 VIRGINIA REEL............................................ 72 Walkin' My Baby Back Home..........................112 Walter Bulwer#2............................................ 70 Walter Bulwer's Polkas ................................... 43 Waltz for Mr & Mrs Lysons............................... 31 Waltzing Matilda Buderim................................ 11 Waltzing Matilda Cowra.................................. 11 Waltzing Matilda............................................ 34 Wangaratta waltz .......................................... 31 WASHINGTON POST.................................... 55 Waves of Tory ............................................ 2, 3 Waxies' Dargle............................................164 We Shall Not Be Moved.................................. 72 We Three Kings of Orient Are..........................180 We Wish You a Merry Christmas......................181 Wearing of the Green..................................... 87 Welsh Rabbit. ..............................................123 When I Grow Too Old To dream ....................... 23 When Irish Eyes are Smiling......................32, 164 When the Red Red Robin...............................111 When the Saints............................................ 99 When You and I Were Young Maggie................165 Where Have All the Flowers Gone?................... 99 While Shepherds Watched Their Flocks.............180 Whiskey in the Jar ........................................166 White Cliffs of Dover...................................... 42 Wild Colonial Boy ....................................28, 167 Wild Rover..................................................168 Willafjord..................................................... 63 WILLOW TREE............................................. 50 Wiltshire Six Hand Reel.................................. 70 Wind That Shakes the Barley ........................... 66 Winster Gallop.................................... 53, 70, 77 Winster Processional. ..................................... 83 Wish Me Luck as you Wave Me Goodbye........... 42 With a Shillelagh Under My Arm........................ 16 Woodcutter's Jig............................................ 10 Worried Man Blues .......................................100 Yankee Doodle............................................ 98 Yarmouth Reel. ............................................. 67 Yellow Rose Of Texas...................................100 You Are My Sunshine..................................... 17 You! You! You! ............................................106