Textual Poachers

  • November 2019
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  • Words: 257
  • Pages: 10
Nick Engel IMS 390B

http://www.youtube.com/watch?v=rvDbVFB2iUE

 Crank

That (Soulja Boy) released by Soulja Boy on May 2, 2007  Video premiered on August 9, 2007  Music video featured

 Barney

& Fiends was created in 1987 and first premiered on PBS in 1992  The main audience of the television show is preschool children  Other main characters featured include Baby Bop, BJ, and Riff

 Barney

Crank That Soulja Boy was added to YouTube on October 10, 2007  As of today the video has been viewed over 1,500,000 times.  Other versions include SpongeBob, Dora the Explorer, and Alvin and the Chipmunks

 Sometimes,

images are borrowed from their original narrative context and made to tell fundamentally different stories  Constructing your own story  Response to mass media

 Benjamin

– Mechanical Reproduction -Experience of art is freed from place and ritual and instead brought under the gaze and control of a mass audience, leading to a shattering of the aura

 McLuhan

- Medium is the Massage -The form of a medium embeds itself in the message, creating a symbiotic relationship by which the medium influences how the message is perceived

 Sites

like YouTube’s impact on culture

 Matt

Welch/Jack Shafer - Media monotony -New technology, more competition

 Gilder

- Life After Television -Video business will resemble the book business

 Ferguson

-Slightly hyperactive male adolescent

 Sources  Textual Poaching Significance  Benjamin  Medium is the Massage  YouTube  Media Monotony  Life After Television  Ferguson

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