Summary History.xlsx

PRE-HISTORIC ARCHITECTURAL CHARACTER

STRUCTURAL SYSTEM

NOTABLE STRUCTURE PLANS

WALLS

DOORS AND WINDOWS

ROOFS

CEILINGS COLUMNS

MATERIALS

ANIMAL SKIN, BONES, WOODEN FRAMES

WALL ORNAMENTS

ENTRANCE GATEWAY STRUCTURES

PERIODS STONE AGE NEOLITHIC

ROCK CAVES MENHIR-1 UPRIGHT STONE MEGALITH-LARGE STONES W/ SEVERAL #s DOLMEN-2 UPRIGHT STONE CROMLECH- 3 OR MORE UPRIGHT STONE STONEHEDGE - STONE CIRCLE YANG-SHA:HOUSE IN CHINA

PERIODS ARCHAID

TYPE OF TOMB: TUMULUS-BURIAL MOUNT TYPES OF DWELLING: HUT, TENT, IGLOO BRONZE AGE

HARAPPA:BRONZE AGE AT INDUS VALLEY IRAQI MUDHIF SUMATRAN HOUSE

IRON AGE

CHINA DYNASTIES: XIA, SHANG

MASTERY 1ST LARGEST GRP OF BLDGS

DECADENS

OTHERS

TEMPLES

TYPES

SPHINXS TYPES

OBELISK

AMENOPHIS III PTOLEMY III RAMESES I PTOLEMY II CRYPTOPORTECUS

EGYPTIAN SIMPICITY, MASSIVENESS, SOLIDITY AND MONUMENTALITY

COLUMNAR & TRABEATED POST AND LINTEL MASSIVE STONE SLABS PYRAMIDS ASSYMETRICAL

BATTERED WALLS, NO WINDOW

SQUARE HEADED

FLAT ROOF FOR PROCESSION

NONE FOR INTERIORS, MONUMENTS HT:6D, VEGETABLE CAPITALS

BRICKS

HEIROGLYPHICS FERTILITY: POTUSM PAPYRUSM PALM RESURRECTION: VISCARA ETERNITY: SCARAB

PYLON

TOMBS: MASTABA-USED BY PHAROAH SARCOFAGUS-THE COFFINE PARTS: SERDAB- INNER SECRET CHAMBER PERTICULUS-BURIAL SHAFT STELE- STONE SLAB OF PHAROAHs NAME CHAPEL FALSE & TRUE DOOR(THE TOMB) STEP PYRAMID OF DJOSER AR: IMHOTEP SLOPE PYRAMIDS (4FACE @ CARDINAL PTS) PYRAMIDS @ GIZA-1ST GRP OF PYRAMIDS LARGEST-SMALLEST P. CHEOPS(KHUFU) P. CHEFRE(KHAFRE)-W/ LIMESTONES ON TOP P. MYKERINOS(MENKAURA) BENT/BLUNT PYRAMIDS P. OF SENEFERU PARTS OF PYRAMID COMPLEX MORTUARY/VALLEY TEMPLE BLDG CAUSEWAY BOAT PITS QUEEN'S PYRAMID SATELLITE BURIAL GREAT PYRAMID

ROCK-CUT TOMBS(FOR NOBILITY) TEMPLE OF ABU-SIMBEL: 4SEATED COLLOSIAL STATUES OF RAMESES II CORRIDOR OF TOMBS VALLEY OF THE KINGS IN THEBES PARTS: PYLON-EGYPTIAN GATE HYPAETHRAL COURT/GREAT COURT HYPOSTYLE HALL-OPEN PILLARED HALL SANCTUARY-DEAN SECRET ROOM AVENUE OF SPHINXS TEMPLE OF AMMON, KARNAK-GRANDEST TEMPLE OF HATCHEPSUT-FUNERARY TEMPLE MAMMISSI TEMPLE- SHRINE FOR GODDESSES CULT-FOR WORSHIPING GOD(PRIEST ONLY) MORTUARY-FOR PHAROAHS ONLY MYTICAL CREATURE, APPROACH TO AVENUE HORUS/ANDRO SPHINX-HUMAN HEAD, LION BODY HERA SPHINX-HAWK HEAD, LION BODY CRIO SPHINX-RAM HEAD, LION BODY SQUARE PLAN, PYRAMIDAL SUMMIT, W/ HEIROGLYPHICS HT: 9D OR 10D MUNOMENTAL PILLAR EARLIEST OBELISK BY SENESERET II OBELISK OF TEMPLE OF THE SUN NOW AT ST.JOHN LATERAN ERECTED COLOSSI OF MEMON AR. OF GREAT SERAPIUM OF ALEXANDRIA GREAT HYPOSTYLE HALL OF KARNAK BUILDER OF FAMOUS LIGHT HOUSE COLLONADE PORTICO

NEAR EAST (IRAQ)BABYLONIAN-ASSYRIAN MASSIVENESS, MONUMENTALITY, GRANDEUR

(IRAN)PERSIAN OPEN, COLORFUL LIGHT AND AIRY MAGNIFICENCE

TRANCADED ARCH AND VAULTS

COLUMNAR AND THRABEATED

ROYAL PALACES, ZIGGURATS

PALACES

ARTIFICIAL PLATFORMS

WIDELY SPACED COLUMN PALACES

BATTLEMENTED CRESTING

COLORED BRICKS

WITH SCULPTURE MONSTERS

SQUARE HEADED W/ MONSTER PORTALS

FLAT EXTERNALLY, DOMES

TIMBER

NONE

NONE

NONE

LONG & SLENDER HT:12D, BULL, LION, TWIN COIN CAPITALS

SUN DRIED/KIN BER BRICKS

BRICKS(WALLS), TIMBER (ROOFS), STONES(COLUMNS)

CHISEL ALABASTER

ANIMALS, HUMAN, DEMI-GODS, COMBINATION OF HUMAN & ANIMALS WINGED BULLS POLYCHROME GLAZE BRICKS

ISTAR GATE

PROPYLAEA

TEMPLES: ELEVATED ON PLATFORM COZ OF CLIMATE PALACE OF SARGON PARTS: SERAGLIO/PALACE PROPER: KING RESIDENCE HAREN/PRIVATE CHAMBERS: FAMILY RESIDENCE KHAN: SERVICE CHAMBER PALACE OF NEBUCHADNEZZAR ZIGGURAT/HOLY MOUNTAIN(4CORNERS @ CARIDINAL PTS) TYPES: ARCHAIC-MOUNT FIRE ALTAR MULTI-STAGES-FIRE ALTAR W/ STEEP STEPS ASSYRIAN ZIGGURAT-W/ RAMP THAT GOES AROUND HANGING GARDEN OF BABYLONIAN BY KING NEBUCHADNEZZAR FOR HIS WIFE @ HIS PALACE

PERSEPOLIS-PALACE OF DARIUS PARTS: GREAT STAIRCASE PALACE OF XERXES HYPOSTYLE HALL OF XERXES 2ND PROPYLAEA SMALL PALACE PALACE OF DARIUS HYPOSTYLE HUNRED COLUMNS BY DARIUS

ISTAR GATE: GATE HOUSE TERA COTTA PIPE: SHAFTS FOR VENTILATION

GREEK SIMPLICITY, HARMONY, PURITY, PERFECTION OF PROPORTION, REFINEMENT DETAILS COLUMNAR AND THRABEATED

TEMPLES SYMMETRICAL, FRONT @ EAST

BLOCKS OF MARBLE W/O MORTAR

WALL FACING

W/ CORNICE @ TOP WALLS SQUARE HEADE W/ CORNICE

TIMBER, TRANSLUCENT @ NAOS PEDIMENT W/ ACROTERIA

LACUNARIA-COFFERED CEILING @ NAOS COLLONADE FOR SRTUCTURAL PURPOSE DORIC, IONIC, CORINTHIAN

TYPES OF VAULTS

MARBLE

ANTHEMION-HONEY SUCKLE MOULDING: PARABOLA, HYPERBOLA, ELLIPSE MARBLE MOSAIC

PROPYLAEA PALACE: PALACE OF KING MINOS TOMB-CUT OUT IN SLOPE OF MOUNTAIN PARTS OF TOMBS: THOLOS-CIRCULAR PLAN DROMOS-HALLWAY TO TOMB TEMENOS-UPPER CITY, ACROPOLIS, SACRED ENCLOSURE EX. ACROPOLIS IN ATHENS 2ND LARGEST GROUP OF BLDG

TEMPLES

THEATERS

PARTHENON- DORIC, PERIPTERAL, OCTASTYLE AR:ICTENUSM CALLICRATES/S:PEDIAS ERETHION-CARYATID PORCH IONIC, APTERAL, IRREGULAR PLAN TEMPLE OF ATHENA NIKE IONIC, AMPHI-PROSTYLE, TETRASTYLE AR: CALLICRATES TEMPLE OF ZEUS-2ND LARGEST, 3 NAOS DORIC, PSUEDO-PERIPTERAL, HEPTASTYLE COLUMNS:ATLAS & TELEMON AR: THERON TEMPLE OF APOLLO- AR:ICTINUS DORIC, IONIC, CORINTHIAN, PERIPTERAL, HEXASTYLE TEMPLE OF ARTEMIS-IONIC ORDER FEMALE TEMPLE, FOR ARTEMIS/DIANNA AR: DEINOCRATES/S:SCOPAS 7WONDERS OF THE WORLD 2/3 OF THE CIRCLE TYPES: ODEION-KINDRED TYPE PARTS: CAVEA-SEATS DIAZOMA-CROSS OVER AT CAVEA

TEMPLES

BASILICA THERMAE 1.MAIN BLDG

OTHER:

2.XYSTUS 3.OUTER RINGS OF APRTMNT

PUBLIC SPACES

TOMBS

ORCHESTRA- USED BY VIPs SKENE-SCENE BLDG EPISCENIUM-2 STOREY SKENE PARASCENIA-FOR WIDTH OF ORCHESTRA PROCENIUM-ROOFTED PART FOR ACTORS THEATER OF EPIDAUROS-MOST BEAUTIFUL THEATER THEATER OF DIONYSUS-30K CAPACITY AGORA-OPEN SPACE, PUBLIC MARKET STOA-COLLONADED SHELTER & SHRINES DOMOUS-ETRUSCAN HOUSE ASSEMBLY HALLS-FOR PUBLIC ASSEMBLY PRYTANEION-SENATE HOUSE@HILLSIDE BOULEUTERION-COUNCIL HOUSE STADIUM-FOOT RACE COURSE HIPPODROME-HORSE & CHARIOT RACING PALAESTRA-WRESTLING SCHOOL GYMNASIUM-PHYSICAL EXERCISE PALACE @ PODIUM EX. MAUSOLEUM OF HALICARNASSOS FOR KING MAUSOLOS BY WIFE ARTEMISIA 7WONDERS OF ANCIENT WORLD

THEATERS

PUBLIC SPACES

TOMBS

MONUMENTS

ROMAN HOUSE

OTHER

ROMAN

EARLY CHRISTIAN

VASTNESS, MAGNIFICENCE, OSTENTATION, ORNAMENTNESS

SIMPLICITY & MIXTURE TREATMENT IN DESIGN, COARSENESS IN EXECUTION

ARCH & VAULT

ARCUADED

TEMPLES, AMPHITHEATER, UTILITARIAN, BASILICA

BASILICA WITH BELL TOWER

BOLDNESS, VARIETY(FUNCTION)

RECTANGULAR SHAPE, FRONT @EAST

O.MIXTUM-ALTERNATING BRICKWORK O.INCERTUM-SMALL STONE O.RETICULATUM-NET-LIKE EFFECT O.QUADRATUM-REC.BLOCK W/ MORTAR O.VERMICULATUM-LIKE FORM, TRACK OF A WORM O.TESTACEUM-TRIANGULAR BRICK

FOLLOW ROMAN STRUCTURE

SQUARE HEADED DOORS, SEMI-CIRCULAR HEADED WINDOWS

SEMI-CIRCULAR ARCH, LINTEL

VAULTS & DOMES WAGON HEADED/BARREL-SEMICIRCULAR CROSS VAULT-INTERSECTION OF 2SEMICIRCULAR DOME/HEMISPHERICAL

TIMBER TRUSS, DOME, APSE & VAULTS

LACUNARIA-COFFERED CEILING

LACUNARIA-COFFERED CEILING

INTERNAL & EXTERNAL USE

FROM ROMAN BLDGs

POZZOLANA, LIMESTONE, BRICKS, MARBLE, TERRA-COTTA

TIMBER, RUINS FROM ROMANS

CONCRETE FACE, STONES MOULDING: CIRCLES ORNAMENT: ACANTHUS LEAF, MOSAIC FRESCOS, STATUES O.TESCALATUM-FOR, CEILING, VAULTS, DOMES, O.SPICATUM-FLOOR O.SECTILE-WALL

MOULDINGS: GLASS MOSAICS FROM BIBLE

TRIUMPAL ARCH

NOT MENTIONED

CIRCULAR/POLYGONAL & RECTANGULAR SHORTER IN PLAN, FRONT @ SOUTH PARTS: ENTRANCE STEP COLUMNS @ PSEUDO-PERIPTERAL PODIUM-BASE PORCH CELLA-LOCATION OF STATUE PANTHEON-S.MARIA ROTUNDA RECTANGULAR PORCH, CIRCULAR BODY OCULUS, DOORWAY-ONLY ACCESS OF LIGHT MAISON CAREE, NIME-MOST PRESERVED TEMPLE SYMBOL OF RICHMOND VIRGINIA(T.JEFFERSON) TEMPLE OF VESTA-MOST SACRED SHRINE IN ROME AR: APOLLO OF DAMASCUS HALL OF JUSTICE, COMMERCIAL EXCHANGE TRAJANs BASILICA-BY APOLLODORUS OF DAMASCUS PALATIAL PUBLIC BATH 3 MAIN AREAS: TEPIDARIUM:WARM LOUNGE SUDATORIUM: HOTTEST ROOM CALIDARIUM: HOT RM W/ HOT WATER BATH FRIGIDARIUM:COOLING RM APODYTERIA:DRESSING RM UNCTUARIA: OILS & PERFUMES PALAESTRA: GYMNASIUM/P.EXERCISE LARGE OPEN SPACE, LANSCAPED LECTURE RM, EXEDRA, COLLONADE, RESEVOIR

BASILICAN CHURCHES BASILICA OF SAN CLEMENTE, ROME TORCELLO CATHEDRAL STA, SABINA, ROME ST. APOLLINAIRE CHURCH OF HOLY SEPULCHER, JERUSALEM BY HELENA, CONSTANTINOPLE I MOTHER

1/2 OF THE CIRCLE PARTS: CAVEA-SEATS PRAECINTIO-CROSS OVER AT CAVEA ORCHESTRA SKENE EX.THEATER OF POMPEY AMPHITHEATER-GLADIATORS CONTEST COLESSEUM-FLAVIAN AMPHITHEATER AR:VESPASIAN CIRCUS-HORSE & CHARIOT RACING PARTS: SPINA-DIVIDER WALL CARCERES-HORSE CAR PARKING TYPES: COEMETERIA/SUBTERRANEAN VAULT 2TYPES:COLUMBARIA-ASHES @ WALL LOCULI-ENTIRE BODY @ WALL MONUMENTAL TOMBS-QUADRANGULAR PODIUM PYRAMIAL TOMBS TEMPLE-SHAPED TOMBS SCULPTURES MEMORIALS CENOTAPH-MEMORIAL MONUMENTS ROSTRAL COLUMN-VICTORIOUS IN NAVAL CAMPAIGN TRIUMPHAL ARCH-ARC OF TRAJAN PILLARS OF VICTORY-VICTORIOUS GENERAL INSULAE-TENEMENT BLDG VILLA-CONTRY HOUSE DOMUS-PRIVATE HOUSE AQUEDUCTS-FOR WATER SUPPLY FOUNTAIN TYPES: LOCUS-LARGE WATER BASIN SALIENTES-W/ SPROUTING JET

ISLAMIC

BYZANTINE

SECULAR & RELIGIOUS TYPE

SIMPLICITY IN EXTERNAL RICHNESS INTERNAL

SEMICIRCULAR ARCH

DOMICAL & CLASSICAL COLUMNAR STYLE, SHORT & TALL

MOSQUE, TOMBS, PALACE, FORT

CHURCHES, BAPTISTRIES

FOUR-IWAN PLAN: 3SUB HALL, 1FRONTS MECCA

GREEK CROSS, NO ENTRANCE PORCH FRONT @ WEST

MIHRAB/PRAYER NICHE-INDICATING DIRECTION TO MECCA

BRICK FACING, MOSAIC INTERNALLY

????

SEMI-CIRCULAR ARCHES

DOMES, CUPOLA FLAT ROOF @ PRAYER HALLS

DOMES

????

NONE

NUMEROUS COLUMNS

CUBIFORM TYPE W/ DESSERRET

????

BRICKS FOR WALLS, DOMES

ISLAMIC GEOMETRIC PATTERS, FOLIAGE BASED ARABESQUE ISLAMIC CALLIGRAPHY GIRIH-COMPLEX MOSAIC PATTERN

MOULDING: NONE ORNAMENT: GLASS MOSAIC, PEACOCK-IMMORTAL LIFE CHI RHO-MONOGRAMS OF CHRIST ENDLESS KNOT-ETERNITY PICTORIAL ARRANGEMENT DOME:HEAD&SHOULDER OF CHRIST PENDENTIVES:4 EVANGELIST APSE: VIRGIN & CHILD WALLS:SAINTS, MARTIRS, LIFE OF CHRIST

PISHTAQ

NONE

PARTS OF MOSQUE: MINARET/TOWER-TORCH-LIT WATCHTOWER MAIN PRAYER HALL IWANS-TO INTERMEDIATE BTWN PAVILIONS MOCARABE & MUQARNAS-SPACE-ENCLOSING SYSTEM CENTRAL FOUNTAINS-FOR ABLUTION GARDENS

S. SOPHIA, CONSTANTINOPLE AR:ANTHEMIUIS OF TRALLES AND ISIDORUS OD MILETUS ST. MARKs BASILICA, VENICE ST. BASIL, MOSCOW -8 BULB-LIKE DOMES CHURCH OF APOSTLES, ATHENS

GREAT MOSQUE OF DAMASCUS GREAT MOSQUE OF KAIROUAN, TUNISIA-4MINARETS DOME OF THE ROCK,JERUSALEM -W/CIRCULAR GOLD DOME GREAT MOSQUE OF SAMARRA, IRAQ TAJ MAHAL-AR.STYLE:MUGHUL STYLE

ROMANESQUE ITALY, FRANCE, GEMANY SOBER AND DIGNIFIED

ROMAN STYLE - ROMAN ARCH

CHURCHES, CASTLES, BAPTISTRY LATIN CROSS PLAN FRONT @ WEST BUTTRESS (PILASTER STRIP)

DOOR&WINDOW JAMBS WITH RECEEDING MOLDED PLANES WINDOW: ROSE WINDOW @ WEST

RIBBED & PANELLED VAULTING W/ SLOPING TIMBER QUADRIPARTITE VAULT-4 RIBS SEXPARTITE VAULT-6 RIBS

VAULTS LOWER, CLOSELY TO EACH OTHER CIRCULAR OF STUMPY PROPORTIONS

STONE, TIMBER, BRICKS FOR GERMANY

MOULDINGS: CARVINGS ORNAMENTS:GROTESQUE FORM FRESCO-VEGs & ANIMALS IN BIBLE

ENGLISH

NONE ITALY 3RD LARGEST PISA CATHEDRAL-FINEST EXAMPLE GRP. OF BLDGS LEANING TOWER OF PISA-CAMPANILLE BAPTISTERY-AR:DOITI SALVI

ENGLISH

S.MICHELE, LUCCA-ECORATIVE ARCHES SAN ZENO MAGGIORE-ROSE WINDOW -SIMPLE FAÇADE, PROJECTING PORCH PISTOIA CATHEDDRAL-MUISE ART FRANCE

ABBEY OF ST.DENNIS-START OF GOTHIC ARCHITECTURE ABBEY -AUX-HOMER-9SPIERS BY WILLIAM CONQUEROR NOTRE DAME DU PORT-CONICAL DOMES S. MADELEINE-1ST CROSS VAULT IN FRANCE

GERMANY

MAINZ CATHEDRAL-SIDE OPENINGS ONLY SPEYER CATHEDRAL-LARGEST ROMANESQUE CHURCH WORMS CATHEDRAL-HAS APSE ON BOTH ENDS AIX-LA-CHAPELLE-CORONATION CHURCH OF EMPEROR BY CHARLEMAGNE ST.KUNIBERT-YOUNGEST ROMANESQUE CHURCH TRIER CATHEDRAL-UNESCO WORLD HERITAGE CASTLES DEFENSIVE STRUCTURE, SYMBOL OF MIDDLE AGE OTHER NAMES ALCAZAR @ MOORISH CHATEAU FORT @ FRANCE SHIRO @ JAPAN BURG @ GERMANY CELTIC COUNTRIES: CAER/CASTELL @ WEISH CAISEN @ IRISH

FRANCE

BELGIUM

TYPES

ELEMENTS

PARTS

CAISTEAL @ SCOTS GAELIC MOTTE & BAILEY-SURROUNDED BY FENCE STONE KEEP-THE RESIDENCE OF KING OR LORD RECTANGULAR KEEP-DUNGEON ROUND KEEP/JULIT-TYPICAL CASTLE CONCENTRIC/MULTIPLE-2 OR MORE CURTAIN WALLS INNERWALLS, GATEHOUSE,TOWERS ARE HIGHER QUADRANGULAR-CENTER COURTYARD SUR. BY BLDGS HALL-LIVING QUARTERS KITCHEN-CENTRL HEART, FOR SIMULTANEOUS COOKING PRIVATE QUARTER-GREAT CHAMBER @ ONE END GARDE-ROBE- TOILET DRAWBRIDGE-WOODEN BRIDGE TO CASTLE MOAT-TRENCH WITH WATER GATEHOUSE-MAIN PORTL ENTRY, WITH:MURDER AND PORTICULUS BAILEY/WAR-QENCLOSED COURTYARD DUNGEON-FOR REFUGE BASE DURING SEIGE RAMPART- EARTHEN PART SURROUNDING CASTLE TALUS/GLACIS-ENCLOSING DEFENSIVE WALL CRENALLATIONS-TOP OF THE CURTAIN WALL MERLOWS-UPSTANDINGG PART OF EMBATTED BTWN 2 CRENIES TOWERS-DIFFERENT TO MINING& TO DEFLECT MISSILES

NETHERLANDS ITALY

VENICE

SPAIN

UNIVERSITY

GOTHIC LOFTY & ASPIRING QUALITY STRUCTURALL HINESTY ECONOMY (IN USE OF MATERIALS) ARCUATED W/ POINTED ARCH

TOWERS CROWNED W/ SPIRES LATIN CROSS FRONT @ WEST CONSTRUCTED ON RUBBLE MASONRY

WINDOWS W/ STAINED GLASS STONES TRACERY W/ FOILS & CUPLINGS TRACERY-BRANCHLIKE ORNAMENT @ UPPER WINDOW PLATE: PIERCED SLABS OF STONES ON EDGE RETICULATED: NETLIKE ARRAGEMENT GEOMETRIC:PATTERN OF GEOMETRIC SHAPES CURVILINNEAR:IRREGULAR, BOLDLY CURV FORMS TIMBER OR LEAD ROOFING FOR COVERING TYPES:TRUSSED RAFTER ROOF, BEAM ROOF, HAMMER BEAM ROOF, AISLE ROOF VAULTS @ NAÏVE & AISLES QUADRIPARTITE, SEXPARTITE, RIBBED VAULT, FAN VAULT GARGOYLE:GROTESQUE CARVED FIGURE AS A SPOUT FLECHE:SLENDER SPIRE ABOVE THE ROOF

VAULTS PIERS ARE COMBINED W/ SHAFTS

STONES FOR WALLS & VAULTS

USED TO ENRICHED THE SIES OF OPENINGS FOILS:TREFOILS,QUATREFOIL, CINQUEFOIL, MULTI-FOIL STAINED GLASS BOWTEL, POINTED BOWTELL, BRACKET, WAVE, KEEL, KEEL, SCROLL, CASEMENT, HOOD/DRIPSTONE MOULDINGS: BILLET, NAIL HEAD, CHEVRON DOUBLE CONE, EMBATTED SANDWICH, CABLE ROMSEY

NONE PARTS OF GOTHIC CATHEDRAL: NAÏVE, TRIFORIUM, CLERESTORY, BUTTRESS CANTERBURY CATHEDRAL-1ST ENGLISH NORMAN CHURCH SALISBURY CATHEDRAL-ENGLISH GOTHIC CATHEDRAL W/ TALLEST SPIRE. HT:404FT. WINCHESTER CATHEDRAL-LONGEST GOTHIC CHURCH. 560FT YORK CATHEDRAL-LARGEST ENGLICH GOTHIC CATHEDRAL WESTMINSTER ABBEY-LARGEST BENEDICTINE FOUNDATIONS: GROUP OF MONASTERY, CHURCH & ROYAL PALACE CORONATION CHURCH OF ENGLAND BURIAL PLACE FOR KINGS & HONORED DEADS 102FT HIGH NAÏVE VAULT-HIGHEST VAULT IN ENGLAND CHAPEL OF HENRY VII BY ROBERT VERTUE DURHAM CATHEDRAL-FINEST EXAMPLE OF NORMAN ARCH FOUNTAINS ABBEY, YORKSHIRE-1ST CISTERIAN MONASTERY IN ENGLAND TOWER OF LONDON-BY BISHOP GUNDULF FOR WILLIAM I HEMPTON COURT PALACE-MOST REMARKABLE RESIDENCE IN ENGLAND BY CARDINAL WOLSEY AMIENS CATHEDRAL-BY ROBERT DE LUZARCH NOTED FOR CARVED WOODWORK AT CHOIR STALLS RHEIMS CATHEDRAL-DOORWAYS CARVED W/ 500 STATUES NOTRE DAME-BY BISHOP MAURICE DE SULLY OLDEST FRENCH GOTHIC CATHEDRAL CHARTRES CATHEDRAL-STAINED GLASS OF ITS 130 WINDOWS LE SAINTE CHAPEL(HOLY CHAPEL-BUILD TO HOUSE RELICS OF CHRIST BEAUVALS CATHEDRAL-LOFTIEST VAULT IN EUROPE 7 WONDERS OF MEDIEVAL FRANCE ANTWERP CATHEDRAL-MOST IMPRESSIVE W/ ONE IMMENSE

TOWER W/ SPIRE. HT:400FT BEFFROI, BURGES-352FT. LANDMARK OF INDEPENDENCE CLOTH HALL, YPRES-MOST FAMOUS COMMERCIAL BLDG. ST.MARTINs CATHEDRAL-HIGHEST CHURCH TOWER IN NEATHERLAND MILAN CATHEDRAL-BY HEINRICH VON GMUNDEN 2ND LARGEST GOTHIC CHURCH ORVIETO CATHEDRAL-W/ PEDIMENT & SEMI-CIRCULAR DOOR MOORISH INTERIOR PALERMO CATHEDRAL-HIGH BREED ARCH, MOORISH INT. S.CROCE, FLORENCE/ WESTMINSTER ABBEY OF ITALY -BY ARNOLFO DI CAMBIO LARGEST CHURCHES IN EUROPE & CONTAINS MONUMENTS OF ITALY SIENNA CATHEDRAL-NOTABLE FOR STROPED MARBLES IN WALL, PIERS, AND CAMPANILLE C D'ORO, VENICE-FAMOUS PLATIAL HOME OF MERCHANTS PRINCES DOGE'S PALACE-BY GIOVANNI & BARTOLOME GRANDEST EFFORT IN CIVIC ARCHITECTURE SEVILLE CATHEDRAL-LARGEST GOTHIC CATHEDRAL IN EUROPE 3RD LARGEST CHURCH IN THE WORLD 1987 UNESCO WORL HERITAGE SITE BURIAL PLACE OF CHRISTOPHER COLUMBUS BARCELONA CATHEDRAL-ICONIC CATHEDRAL BURGOS CATHEDRAL-FOR ITS VAST SIZE & UNIQUE ARCHITECTURE TOLEDO CATHEDRAL-BUILT OVER A MOSQUE SALAMANCA CATHEDRAL-HIGH BREED-RENAISSANCE DOME OXFORD UNIVERSITY-GROUP OF SCHOLARS FOR UNIV. OF PARIS CAMBRIDGE UNIVERSITY-ESTABLISHED DUE TO MIGRATION OF OXFORD UNIVERSITY SCHOLARS

RENAISSANCE "RE-BIRTH OF THE CLASSIC" DIGNITY & FORMALITY ACHIEVED THROUGH SYMMETRY

TRABEATED & ARCUATED W/ SEMICIRCULAR ARCHES

SYMMETRICAL DOME AS PREDOMINANT FEATURE RUSTICATION ON LOWER PART OF WALL BOLDLY PROJECTING CORNICES & MOLDED STRING COURSES AT UPPER PART OF THE WALL

SEMI-CIRCULAR ARHED INTERNALLY & EXTERNALLY

ROMAN BARREL & CROSS VAULT DOMES RAISE ON DRUMS

VAULTS CLASSICAL ORDER STANDARDIZED BY RENAISSANCE ARCHITEC: PALLADIO, VIGNOLA, SCAMOZZI, CHAMBERS

MOULDING: ROMAN MOULING ELEMENTS ORNAMENTS:CLASSICAL MYTHOLOGY & PAGAN SUBJECTS FRESCO PAINTINGS FOR WALLS & CEILINGS SGRAFFITO- TECHNIQUE ON WALL DÉCOR

NONE FLORENCE CATHEDRAL (S.MARIA DEL FIORE) BY ARNOLFO DI CAMBIO DOME ADDED BY BRUNELLESCHI CAMPANILLE & BAPTISTRY BY GIOTTO ST.PETERs BASILICA, ROME BRAMANTE-GREEK CROSS PLAN GUILIANO DA SANGALLO-SUPERVISED BRAMANTE FRA GIACONDO-CONTINUE SANGALLOs WORK RAPHAEL-PROPOSED LATIN CROSS BALDASSARE PERUZZI-GREEK CROSS PLAN ANTONIO DA SANGALLO-ALTERED PLAN W/ EXTENDE VESTIBULE LOFTY CAMPANILE, ELABORATED CENTRAL DOME MICHAELANGELO-GREEK CROSS PLAN, REDESIGNED SURROUNDING CHPELS&APSE, CENTRAL DOME GIACOMO DELLA PORTA-COMPLETED MICHAELANGELOs DOME DOMENICO FONTANA-SUPERVISE CONTRUCTION OF DOME VIGNOLA-ADDED SIDE CUPOLAS CARLO MADERNA-LENGTHEN NAÏVE TO FORM LATIN CROSS BERNINI-ERECTED ENTRANCE PIAZZA W/ 284 IONIC COLUMNS JACOBEAN ARCHITECTURE ELIZABETHAN HOUSE, PARTS: GRAND HALL/ HALL OF STATE-CENTRE GRAND STAIRCASE-FORMS DIGNIFIED APPROACH TO RMs ABOVE LONG GALLERY-MOST STIKING FEATURE. RUNS THE WHOLE LENGTH OF UPPER FLOORS CONNECTED W/ WINGS TO CENTRAL HALL WITHDRAWING ROOM/SOLAR-ROOM/APARTMENT ON UPPER FLR

BAROQUE

SOLOMONICA COLUMN- TWISTED COLUMN

HUGE NAVY SCROLLS STATUES IN ACUTE CURVES & POSITIONS CURVED & OPEN PEDIMENT -OPEN PEDIMENT -SCROLLED PEDIMENT -SWAN NECKED PEDIMENT

ROCOCO ARCHITECTURE FRENCH VERSION OF BAROQUE MORE STYLE OF DECORATION THAN ARCHITECTURE -COMBINATION OF SCROLLS, CUPIDS, CARTOUCHES -SWIRLING LINES (INTERIOE, EXTERIOR)

18TH-19 CENTURY - REVIVAL

20TH CENTURY- MODERN

1760-1840 GOTHIC REVIVAL NEOCLASSICAL ARCHITECTURE FEDERAL STYLE (1780-1830) JEFFERSONIAN ARCHITECTURE (1790-1830 VIRGINIA) ITALIANATE ARCHITECTURE (1850-1880) EARLY NATIONAL & ROMANTIC STYLE GREEK REVIVAL (1820-1850) RENAISSANCE REVIVL (1840-1915) VICTORIAN STYLE SECOND EMPIRE (MANSARD) 1860-1885 STICK STYLE (1860-1890) QUEEN ANNE (1880-1910) FOLK VICTORIAN (1880-1910) ROMANESQUE REVIVAL (1840-1850) GOTHIC PREDECESSORS W/ ROMAN FORMS RICHARDSONIAN ROMANESQUE PERIOD STYLES COLONIAL REVIVAL (1876-1955) BEAUX-ARTS (1885-1925) TUDOR REVIVAL (1910-1940)

MODERN STYLES ARTS & CRAFTS (1905-1930) BUNGALOW PRAIRIE MISSION FOURSQUARE WESTERN STICK PUEBLO ART MODERNE (1930-1945) ART DECO (1925-1940) INTERNATIONAL STYLE (1950-1980)