Preboard Answer Key.pdf

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT

1. Earliest form of human settlement. a. Leanto b. Rock caves c. Lascaux cave d. Huts 2. A traditional rendered stone dwelling in Apulia, southern Italy, in which square chambers are roofed with conical vaulted roofs. a. Clochan b. Wigwam c. Hogan d. Trullo 3. An American Indian dwelling, usually of round or oval shape, formed of poles overlaid with bark, rush mats, or animal skins. a. Clochan b. Wigwam c. Hogan d. Trullo 4. A Navaho Indian dwelling constructed usually of earth and logs and covered with mud and sod. a. Clochan b. Wigwam c. Hogan d. Trullo 5. A prehistoric monument consisting of an upright stone, usually standing alone but sometimes aligned with others in parallel rows. a. Megalith b. Obelisk c. Menhir d. Dolmen 6. Consisting of two or more large upright stones supporting a horizontal stone slab. a. Megalith b. Obelisk c. Menhir d. Trilithon 1

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7. Horizontal slab on top of a dolmen a. Pyramidion b. Capstone c. Finial d. Spire 8. A variation of the dolmen consisting of three standing stones, two on the sides and one at the back. a. Trabeated b. Trilithon c. Kilclooney d. Cove 9. A circular arrangement of megaliths enclosing a dolmen or burial mound. a. Trilithon b. Tumulus c. Stupa d. Cromlech 10. An artificial mound of earth or stone, especially over an ancient grave. a. Trilithon b. Barrow c. Stupa d. Cromlech 11. One of the world's oldest continuallyinhabited city located on a hilltop. a. Acropolis b. Jericho c. Catal huyuk d. Persepolis 12. One of the earliest Neolithic village built according to a preconceived plan. a. Khirokitia b. Jericho c. Goindol d. Catal Huyuk 13. Largest and most well-preserved Neolithic village. Consisted of rectangular flat-roofed houses packed together into a single architectural mass. a. Khirokitia b. Jericho c. Goindol

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT d. Catal Huyuk 14. Architecture characterized by monumental temples of sun-dried brick faced with burnt or glazed brick, often built upon the ruins of their predecessors. a. Mesopotamian b. Sumerian c. Babylonian d. Egyptian 15. Stepped structures constructed with outside staircases and a temple or shrine at the top for worshipping the gods of nature. a. Hanging Gardens b. Temple of Hatshepsut c. Pyramid of Zoser d. Ziggurat 16. The ziggurat’s __________ are oriented towards the cardinal points. a. Sides b. Corners c. Facades d. Sanctuaries 17. A temple dedicated to the moon god built by the Sumerian ruler, Ur Nammu. a. Tower of Babel b. Ziggurat of Ur c. Dur Sharrukin d. Abu Simbel Temple 18. As described in the Bible, this structure may have been built by King Nebuchadnezzar II to “rival heaven.” a. Tower of Babel b. Hanging Gardens c. Dur Sharrukin d. Pyramid of Khufu 19. Prime example of an Assyrian palace. a. Alhambra b. Palace at Knossos c. Dur Sharrukin d. Palace of Rameses II 20. The palace proper in an Assyrian palace. 2

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a. Apdana b. Khan c. Stela d. Seraglio 21. The private chamber in an Assyrian palace. a. Seraglio b. Lamin c. Khan d. Haram 22. The service chamber in an Assyrian palace. a. Serdab b. Haram c. Khan d. Stela 23. Architecture characterized by a synthesis of architectural elements of surrounding countries, such as Assyria, Egypt, and Ionian Greece. a. Sumerian b. Assyrian c. Minoan d. Persian 24. The capital city of the Persians constructed by King Darius. a. Polis b. Acropolis c. Persepolis d. Khorsabad 25. The great audience hall inside the palace complex at Persepolis. a. Throne Room b. Apadana c. Harem d. Serdab 26. Architecture characterized by massive masonry tombs and temples, the use of trabeated construction, and the decoration of battered walls with pictographic carvings in relief. a. Sumerian b. Assyrian c. Egyptian

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT d. Babylonian 27. A tomb made of mud brick, rectangular in plan with a flat roof and sloping sides, from which a shaft leads to underground burial and offering chambers. a. Temple b. Barrow c. Dromos d. Mastaba 28. The tombstone in a mastaba; where the ka is located. a. Mortuary temple b. Stela c. Serdab d. Seraglio 29. A temple type for offerings and worship of a deceased person, usually a deified king. a. Serdab b. Valley temple c. Cult temple d. Mortuary temple 30. A temple type or the worship of a deity. a. Serdab b. Valley temple c. Cult temple d. Mortuary temple 31. A human-headed sphinx. a. Androsphinx b. Hieracosphinx c. Criosphinx d. Anthrosphinx 32. A ram-headed sphinx. a. Androsphinx b. Hieracosphinx c. Criosphinx d. Anthrosphinx 33. A falcon-headed sphinx. a. Androsphinx b. Hieracosphinx c. Criosphinx d. Anthrosphinx 34. An Egyptian monolithic four-sided standing stone, tapering to a pyramidal 3

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cap, often inscribed with hieroglyphs and erected as a monument. a. Pyramid b. Pylon c. Obelisk d. Propylaea 35. A gateway guarding a sacred precinct in Egyptian architecture. a. Avenue of Sphinx b. Temenos c. Pylon d. Propylaea 36. A large hall having many columns in rows supporting a flat roof, and sometimes a clerestory. a. Kiosk b. Hypostyle Hall c. Apdana d. Arcade 37. A court wholly or partly open to the sky. a. Mammisi b. Kiosk c. Hypostyle Hall d. Hypaethral court 38. A small Egyptian side temple, kiosk or tent shrine to celebrate the place where the god of the main temple was born. a. Valley temple b. Mortuary temple c. Pylon temple d. Mammisi 39. A room or building in which the image of the Pharaoh or deity was revered. a. Mortuary temple b. Serdab c. Barque Temple d. Valley temple 40. A tomb hewn out of native rock, presenting only an architectural front with dark interior chambers. a. Mastaba b. Rock-cut tomb c. Tumulus d. Pyramid

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT 41. The facade, carved directly into the sandstone cliff, takes the form of a pylon and is dominated by four colossal seated figures of Ramses II. a. Temple of Queen Hatshepsut b. Temple of Luxor c. Temple of Amun Karnak d. Temple of Abu-Simbel 42. Used in ancient Egypt as a tomb to contain the burial chamber and the mummy of the pharaoh; A massive masonry structure having a rectangular base and four sloping sides meeting at an apex. a. Pyramid b. Mastaba c. Mortuary temple d. Sarcophagus 43. The first architect recorded in history. a. Imhotep b. Sneferu c. Ictinus d. Hippodamus 44. An early development of the mastaba, a pyramid-type whose sides are stepped with tiers. a. Ziggurat b. Bent Pyramid c. False Pyramid d. Stepped Pyramid 45. An pyramid-type in which each triangular planar surface changes direction as it approaches the top. a. False Pyramid b. True Pyramid c. Pyramid d. Stepped Pyramid 46. Prime example of a bent pyramid. a. Pyramid of Zoser b. Pyramid of Cheops c. Pyramid of Sneferu d. Pyramid of Khufu

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47. Connected to a mortuary temple via a causeway; used for preparing the Pharaoh for his final journey. a. Birth temple b. Valley temple c. Mortuary temple d. Kiosk 48. A covered ceremonial route or corridor leading from a valley temple to a mortuary temple at the foot of a pyramid. a. Hypostyle Hall b. Hypaethral court c. Ramp d. Pyramid causeway 49. Minoan Palace which contained residences, ceremonial rooms, workshops, and sanctuaries. a. Persepolis b. Dar-Sharrukin c. Knossos d. Palace of Sargon 50. Based the different proportions of their construction systems on mathematical ratios; completed with sophisticated optical corrections for perspective. a. Roman b. Greek c. Renaissance d. Classical Revival e. Palace of Sargon 51. Large stones without mortar on clay bedding; utilized during the Aegean Period in Greece. a. Battered walls b. Tapered walls c. Cyclopean Walls d. Opus walling. 52. A single-storey Greek dwelling with a central room and porticoed entrance. a. Domus b. Megaron c. Prostas d. Pastas

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT 53. An entrance corridor or ceremonial passageway leading to a domed Greek tomb. a. Tholos b. Pronaos c. Dromos d. Atreus 54. Entrance gate to the citadel palace of Agamemnon. a. Ishtar Gate b. The Lion Gate c. Pylon d. Propylaea 55. The slight vertical convex curvature in the length of a column shaft to give it the appearance of straightness under load. a. Trabeation b. Entasis c. Trompe l’oeil d. Bending 56. Period in Greek civilization characterized by the diversion from religious building types and construction of civic structures. a. Minoan b. Aegean c. Hellenic d. Hellenistic 57. Greek temples faced _______. a. North b. South c. East d. West 58. A Greek city stronghold or fortress constructed on higher ground than surrounding urban fabric. a. Citadel b. Polis c. Acropolis d. Persepolis 59. The sacred area or enclosure surrounding a classical Greek temple. a. Stoa b. Agora 5

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c. Citadel d. Temenos 60. A Greek monumental gateway to a sacred enclosure, fortification, town or square. a. Pylon b. Propylaea c. Temenos d. Pronaos 61. One of the designers of Parthenon. a. Senmut b. Phidias c. Ictinus d. Theodorus 62. An enclosed room or open space at the rear of a Greek temple, often used as a treasury. a. Cella b. Pronaos c. Opisthodomos d. Naos

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64 65 66

Figure 1 63. Refer to Figure 1. Identify the part. a. Acroterion b. Tympanum c. Finial d. Antefix 64. Refer to Figure 1. Identify the part. a. Typanum

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT b. Frieze c. Architrave d. Pediment 65. Refer to Figure 1. Identify the part. a. Typanum b. Frieze c. Architrave d. Pediment 66. Refer to Figure 1. Identify the part. a. Stereobate b. Stylobate c. Crepidoma d. Euthynteria 67. The columns at the corners of the Parthenon angle__________ and are __________ than the others. a. inwards - thicker b. outwards - thinner c. outwards - thicker d. inwards - thinner 68. The column flutes of the Parthenon __________ toward the top. a. widen b. become smaller c. deepen d. become bigger 69. Greek temple having no colonnade along the sides. a. Pseudoperipteral b. In antis c. Distyle d. Apteral 70. A colonnade running along the long side of a Greek peristyle temple. a. Anta b. Pteroma c. Pteron d. Portico 71. 7 columns at the front of a Greek temple. a. Enneastyle b. Heptasyle c. Hexastyle d. Dodecastyle 6

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72. A Greek temple with rows of columns and a portico at each end but not along the sides. a. Pseudoperipteral b. Amphi-antis c. Amphiprostyle d. Prostyle 73. A portico which has two columns between the antae, or side wall extensions or pilasters. a. In-antis b. Distyle in-antis c. Amphi-antis d. Double anta 74. Double line of columns surround the naos but inner columns are attached to it. a. Pseudo-peripteral b. Pseudo-dipteral c. Peripteral d. Amphiprostyle 75. The spacing of rowed columns in classical architecture at a distance of two and a quarter column diameters. a. Pycnostyle b. Eustyle c. Systyle d. Diastyle 76. Pycnostyle is the spacing of rowed columns at a distance of _____ column diameters. a. 1.00 b. 1.25 c. 1.50 d. 2.25

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT

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78 79

Figure2 77. Refer to Figure 2. Identify the part. a. Regula b. Mutule c. Gutta d. Taenia 78. Refer to Figure 2. Identify the part. a. Regula b. Mutule c. Gutta d. Taenia 79. Refer to Figure 2. Identify the part. a. Frieze b. Entablature c. Lintel d. Architrave 80. The Greek entablature is composed of: a. Frieze, architrave and cornice b. Architrave and cornice c. Frieze, architrave and pediment d. Architrave and pediment 81. One of a series of plain or carved rectangular panels lining a Doric frieze, separated by triglyphs. a. Mutule b. Metopes 7

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c. Regula d. Glyph 82. Surface decoration of longitudinal concave grooves for classical columns. a. Arris b. Fluting c. Dentils d. Triglyphs 83. The height of an Ionic Order column shaft is ____ times the column base diameter. a. 7 b. 8 c. 9 d. 10 84. Developed the corinthian capital. a. Phidias b. Callimachus c. Ictinus d. Callicrates 85. The first attempt to use the Corinthian order can be seen in the: a. Temple of Athena Nike b. Erechtheion c. Temple of Apollo Epicurius d. Temple of Olympian Zeus 86. Square tapered column capped with the carved head. a. Pedestal b. Kore c. Herm d. Androsphinx 87. Placed an emphasis on monumental public buildings; The invention and development of concrete led to a system of vaulting, which demonstrated their sophisticated engineering skills. a. Modern Architecture b. Byzantine c. Roman d. Romanesque 88. Senate house; A public town hall for the citizens of ancient Greece. a. Curia

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT b. Agora c. Bouleuterion d. Prytaneion 89. Classical Order with a capital having both volutes and acanthus leaves, a base and an entablature with dentils. a. Tuscan b. Ionic c. Corinthian d. Composite 90. A barrel vault having a circular plan in the shape of a ring. a. Groin b. Conical c. Annular d. Rampant 91. Roman building type used as a meeting place, courthouse, marketplace, and lecture hall. a. Forum b. Basilica c. Curia d. Thermae 92. Long U-shaped or enclosed arena for chariot and horse racing of the Romans. a. Circus b. Hippodrome c. Gymnasion d. Palaestra 93. Shop in a Roman house. a. Oecus b. Triclinium c. Cubicula d. Taberna 94. He wrote De architectura (On Architecture), known today as the “Ten Books on Architecture.” a. da Vignola b. Alberti c. Palladio d. Vitruvius 95. A bridge or other structure designed to convey fresh water. a. Cloaca Maxima 8

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b. Pons c. Fontana d. Aqueduct 96. Dry sweating room in a Roman bath. a. Laconicum b. Sudatorium c. Balneum d. Apodyterium 97. System of flues on the floor or walls of Roman baths that provided central heating. a. Exedrae b. Taberna c. Hypocaust d. Xystus 98. Roman open space, rectangular in shape, enclosed by different institutional and public buildings, serving as the city's marketplace and centre of public business. a. Agora b. Forum Romanum c. Imperial Forum d. Roman Court 99. Swimming pool in a Roman bath. a. Exedrae b. Xystus c. Schola d. Natatio 100. A classical arena for gladiatorial contests. a. Theatre b. Palaestra c. Amphitheater d. Hippodrome 101. Early Christian basilica faced ________. a. North b. South c. East d. West 102. Roman basilica form was adopted as the ground plan for most

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT churches: rectangular plan and a nave with two side aisles. a. Early Christian b. Romanesque c. Byzantine d. Gothic 103. An early Christian church, characterized by a long, rectangular plan, and a high colonnaded nave lit by a clerestory. a. House-church b. Basilica c. Cathedral d. Temple 104. A portico or vestibule before the nave of a basilica; area for the penitents. a. Ambulatory b. Atrium c. Cantharus d. Narthex 105. An ornamental canopy of or representing fabric over a Christian altar. a. Ambo b. Cancelli c. Baldacchino d. Dosseret 106. Circular or polygonal plans for churches; domes carried on pendentives, and the extensive use of rich frescoes, and colored glass mosaics. a. Early Christian b. Romanesque c. Byzantine d. Gothic 107. A thickened abacus or supplementary capital set above a column capital to receive the thrust of an arch. a. Pulvin b. Springer c. Capital 9

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d. Herma 108. Byzantine Church with a Greek cross plan. a. Basilica di San Vitale b. San Clemente c. Saint Mark’s Basilica d. Hagia Sophia 109. A curved segmental surface or construction for joining the round base of a masonry dome or opening to a square structure beneath. a. Squinch b. Voussoir c. Pendentive d. Keystone 110. Heavy articulated masonry construction with narrow openings, round arches, barrel vaults, and sparse ornament; churches gradually changed to cross-shaped plans. a. Early Christian b. Romanesque c. Byzantine d. Gothic 111. Progressive lightening and heightening of structure; use of the flying buttress, pointed arch and ribbed vault; richly decorated fenestrations. a. Modern Architecture b. Renaissance c. Byzantine d. Gothic 112. A stone support designed to take the lateral thrust of a roof, vault, or wall. a. Pinnacle b. Flying buttress c. Buttress pier d. Amortizement 113. A horizontal rib marking the crown of a vaulting compartment. a. Lierne b. Diagonal rib c. Ridge rib d. Tierceron

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT 114. An ornamental, knob-like projection at the intersection of ogives. a. Keystone b. Boss c. Antefix d. Moulding 115. A phase in English Gothic characterized by use of a lacework of vertical glazing bars, fine intricate stonework, and elaborate fan vaults. a. Lancastrian b. Edwardian c. Geometrical d. Lancet 116. A phase in French Gothic characterized by pointed arches and geometric traceried windows. a. Perpendicular b. A lancette c. Curvilinear d. Rayonnant 117. Developed during the rebirth of classical art and learning in Europe; initially characterized by the use of the classical orders, round arches, and symmetrical proportions. a. Modern Architecture b. Renaissance c. Byzantine d. Gothic 118. Renaissance architect who wrote “The Four Books of Architecture.” a. da Vignola b. Vitruvius c. Alberti d. Palladio 119. Designed the dome of the Florence cathedral. a. Benini b. Michelangelo c. Brunelleschi d. Alberti 120. Author of "The Five Orders of Architecture." 10

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a. b. c. d.

da Vignola Vitruvius Alberti Palladio 121. He wrote the book, "De Re Aedificatoria.” a. da Vignola b. Vitruvius c. Alberti d. Palladio 122. An approach to urban planning characterized by monumentally placed buildings, grand promenades, spacious plazas, and classical sculpture. a. Broadacre City b. Forum Romanum c. Garden Cities d. City Beautiful Movement 123. Considered as the world’s first skyscraper. a. Heacock Building b. Home Insurance Building c. Sullivan Center d. Picache Building 124. His greatest contribution to the skyscraper was the organizing of its identical, stacked floors to express a strong visual identity. a. Mies van der Rohe b. Philip Johnson c. Louis Sullivan d. Richard Rogers 125. Promotes harmony between human habitation and the natural world; materials, motifs, and basic ordering principles based on nature. a. Green Architecture b. Art Nouveau c. Romanticism d. Organic Architecture 126. Architecture based on geometric motifs, streamlined and curvilinear forms, and sharply defined outlines. a. Style Moderne

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT b. Style Ogivale c. Art Nouveau d. Stile Liberty 127. Architect, Chrysler Building in New York. a. William Le Baron Jenney b. Louis Sullivan c. William van Alen d. Victor Horta 128. Art Nouveau in Austria. a. Jugendstil b. Sezession c. Modernismo d. Style Moderne 129. Architectural style characterized by the use of black and white with the primary colors rectangular forms, and asymmetry. a. Style Moderne b. The Style c. Cubism d. Expressionism 130. Functional architecture devoid of regional characteristics. a. Modern b. Constructivism c. International Style d. Postmodern 131. “Architectural form should reflect a building’s social purpose.” a. Eero Saarinen b. Louis Kahn c. Alvar Aalto d. Mies van der Rohe 132. “Less is a bore.” a. Louis Sullivan b. Louis Kahn c. Robert Venturi d. Mies van der Rohe 133. Used to describe massive modern architecture built of reinforced concrete, with the concrete’s rough, abrasive surfaces left exposed. a. International Style 11

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b. Postmodern c. Brutalism d. Deconstructive 134. His architecture often has a childlike, cartoonish quality, shown to exaggerated effect. a. James Stirling b. Michael Graves c. Richard Meier d. Antoni Gaudi 135. Architect of the Millenium Dome in London. a. Richard Rogers b. Renzo Piano c. Norman Foster d. Daniel Libeskind 136. Architect of the HSBC Building in Hong Kong. a. Richard Rogers b. Renzo Piano c. Norman Foster d. Daniel Libeskind 137. Architect of the tallest skyscraper in the western hemisphere. a. Richard Rogers b. Renzo Piano c. Norman Foster d. Daniel Libeskind 138. Architect of the cultural acropolis of six building situated above a Los Angeles freeway. a. Renzo Piano b. Norman Foster c. Richard Meier d. Daniel Libeskind 139. Proposed the principle of dividing clustered towers into “served” and “servant” spaces. a. Eero Saarinen b. Louis Sullivan c. James Stirling d. Louis Kahn 140. Architectural style which is characterized by the synthesis of

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT technology, craft, and design aesthetics, and emphasis on functional design. a. Arts and Crafts Movement b. International Style c. Bauhaus d. De Stijl 141. Architectural style based on the return to craftsmanship and the integration of art, design, and architecture; characterized by fluid, undulating motifs, often derived from natural forms. a. Arts and Crafts Movement b. New Art c. Bauhaus d. De Stijl 142. Large underground or partly underground chamber used by the men in India for religious ceremonies or councils. a. Pallava b. Dravidian c. Kiva d. Vedika 143. A Buddhist memorial mound to enshrine a relic of Buddha. a. Dagoba b. Vedika c. Chattri d. Gompa 144. Buddhist shrine carved out of solid rock on a hillside; form of an aisled basilica with a stupa at one end. a. Vihara b. Gompa c. Chaitya d. Wat 145. Railing enclosing a chorten. a. Vedika b. Dagoba c. Gompa d. Chaitya 146. Elaborately carved, ceremonial gateway in Indian Buddhist and Hindu 12

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architecture with two or three lintels between two posts. a. Torii b. Dagoba c. Pailou d. Torana 147. The sanctuary of a Hindu temple in which a deity is enshrined. a. Mandir b. Vimana c. Vihara d. Rath 148. Large, porch-like hall and used for religious dancing and music in a Hindu Mandira a. Gopuram b. Amalaka c. Sikhara d. Mandapa 149. In a mandira, a tower usually tapered convexly and capped by an amalaka. a. Chattri b. Gopuram c. Sikhara d. Wat 150. Blended traditions from India and Islam. a. Saracenic b. Mughal c. Dravidian d. Pallava 151. A platform for a mosque situated at the end of a walled garden divided by canals. a. Mandala b. Rupadhatu c. Chahar bagh d. Arupadhatu 152. In Buddhism, it is the geometric symbol of the universe. a. Kamadhatu b. Rupadhatu c. Mandala

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT d. Mandira 153. Buddhist temple, square or polygonal in plan, with roofs projecting from each storey; erected as a memorial or to hold relics. a. Pagoda b. Stupa c. Pailou d. Torii 154. Inside the Forbidden City, the residence of the son of heaven and the conceptual center of the empire. a. Diwan-i-Kas b. Diwan-i-Am c. Palace of Heavenly Purity d. Hall of Supreme Harmony 155. Arranging architectural elements so that they are in harmony with nature. a. Yin Yang b. Jian c. Feng Shui d. Dougong 156. Style of Shinto shrine characterized by rectangular plan raised on posts, surrounded by a railed veranda, with a free-standing post at each gable end. a. Naiku b. Tokonoma c. Shimmei zukuri d. Zashikin 157. Golden Hall in a Japanese Buddhist temple; sanctuary where the main image of worship is kept. a. Kodo b. Kondo c. Chumon d. Sorin 158. A type of residential Japanese architecture which features the proportioning system of using tatami mats. a. Shoji b. Shimmei zukuri 13

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c. Shoin d. Zashiki 159. Main room in a Japanese house for receiving guests. a. Shoji b. Shimmei zukuri c. Shoin d. Zashiki 160. Venue for a Japanese tea ceremony, with an adjacent garden to it. a. Roji b. Zashiki c. Shoin d. Chashitsu 161. “Stalactite” decoration of iciclelike elements hanging from the ceiling. a. Ka’ba b. Arabesque c. Muqarnas d. Iwan 162. Pulpit from which the imam delivers his sermons. a. Minaret b. Qibla c. Ivan d. Mimbar 163. Fountain for washing before prayers in a mosque. a. Cantharus b. Meda c. Iwan d. Liwanat 164. A Friday mosque having a sahn (central courtyard of a mosque) for large congregations. a. Ulu Jami b. Jami Masjid c. Musjid d. Madrasa 165. A wall in a mosque in which the mihrab (niche or decorative panel) is set, oriented to Mecca. a. Minaret b. Muezzin

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT c. Ka’ba d. Qiblah 166. Main section of a Binuron. a. Hawong b. Xassaran c. Tamuyon d. Sipi 167. Traditional Kalinga house. a. Fale b. Ato c. Finaryon d. Binangiyan 168. Kankanai dwelling for the poor. a. Apa b. Abong c. Katyufong d. Allao 169. A Badjao boat-house which has outriggers, is roofed, and walled in on all sides by wooden boards. a. Dapang b. Lepa c. Vinta d. Djenging 170. An elaborately ornamented altar screen. a. Sacristia b. Tribunas c. Sagrario d. Reredo 171. Where the priest and his assistants put on their robes before the mass. a. Sacristia b. Tribunas c. Sagrario d. Reredo 172. First church to be built in Luzon; Only structure in Intramuros to survive WWII. a. The Church of the Immaculate Conception of San Agustín b. Sto. Tomas de Villanueva Church 14

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c. Church of Nuestra Señora de la Asunción d. Church of Sta. Catalina de Alexandria 173. It is the finest surviving example of 'Fortress Baroque'. a. The Church of the Immaculate Conception of San Agustín b. Sto. Tomas de Villanueva Church c. Church of Nuestra Señora de la Asunción d. Church of Sta. Catalina de Alexandria 174. Most outstanding example in the Philippines of 'Earthquake Baroque'. a. Saint Augustine Church b. Sto. Tomas de Villanueva Church c. Church of Nuestra Señora de la Asunción d. Church of Sta. Catalina de Alexandria 175. As a seat of colonial governance, it housed several administrative offices and archives. a. Municipio b. Aduana c. Casa de Cabildo d. Real Audiencia 176. Interior overhanging veranda; most immediate room from the stairs. a. Galeria volada b. Callado c. Caida d. Entresuelo 177. Water cistern in a bahay na bato. a. Balon b. Batalan c. Aljibe d. Azotea 178. Familiar local architecture icons from Hispanized colonial structures overlaid with a neoclassical massing.

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT a. b. c. d.

Arquitectura Mestiza Colonial Revival Mission Neoclassic Tropical Hybrid 179. A type of dwelling which combines tropical features of vernacular buildings with hygienic structural principles and modern materials. a. Bahay na bato b. Bahay kubo c. Tsalet d. Rakuh 180. A homesite project which aims to provide the workingmen and permanent employees with homes at reasonable cost. a. Sanitary Barrio b. Barrio Obrero c. Constitution Hills d. Suburbia 181. Designed and developed the mass-fabrication of low-cost bungalow units (Kamuning Housing Projects and Projects 1 - 8 and 16). a. NHC b. PHC c. NHA d. PHHC 182. Masonry that is perforated, pierced, or lattice-like; functioned mainly as diffusers of light and doubled as exterior decorative meshes. a. Pierced screen b. Folded plate c. Brise soleil d. Sun breakers 183. Roof structure that is formed by joining flat, thin slabs along their edges. a. Pierced screen b. Folded plate c. Brise soleil d. Sun breakers 184. Architect of the first skyscraper in the Philippines. 15

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a. b. c. d.

Juan Nakpil Andres Luna de San Pedro Angel Nakpil Luis Ma. Araneta 185. Developer of exclusive suburban villages; aimed to transform Makati into the most modern community in the country. a. Ortigas Corporation b. PhilAM Life Homes c. Ayala y Compania d. Araneta y Compania 186. A nostalgic attempt to recreate a style from the past. “Folk architecture” and the bahay kubo became architectural archetypes. a. Regional Tropicalism b. Neo-vernacular c. Colonial Revival Mission d. Neoclassicism 187. Architect who designed the first building to rise along Ortigas Avenue. a. Jose Zaragoza b. Cesar Concio c. Angel Nakpil d. Cresenciano de Castro 188. He designed the salakot-inspired Philippine Pavilion for the 1964 New York’s Fair. a. Leandro Locsin b. Otillio Arellano c. Juan Arellano d. Francisco Mañosa 189. Arena-type, 10,000-seat theater constructed within 77 days; intended venue for the 1974 Ms. Universe Pageant. a. Tanghalang Francisco Balagtas b. Tanghalang Pambansa c. Manila Film Center d. CCP Main Building 190. Architect who designed the “passively cooled house.” a. Bobby Mañosa

[PRE-BOARD: HISTORY OF ARCHITECTURE] JPT b. Leandro Locsin c. Alfredo Luz d. Geronimo Manahan 191. Imelda’s idea of a model community plan, a self-reliant and selfsufficient settlement designed for 50100 families in a two-and-a-half hectare area. a. PhilAm Life Homes b. BLISS c. Constitution Hills d. Heroes Hill 192. First Filipino architect with an academic degree from abroad; first pensionado. a. Tomas Mapua b. Carlos Baretto c. Juan Nakpil d. Antonio Toledo 193. Collaborated with Arquitectonica in the design of the Pacific Plaza Tower in Taguig City. a. GF & Partners b. W.V. Coscolluela & Associates c. Recio + Casas Architects d. Robert Carag Ong and Associates 194. Designed the tallest office building in the Philippines a. Arquitectonika b. RTKL and Associates c. KPF d. SOM 195. AOR of the GT International Tower in Makati City. a. GF & Partners b. W.V. Coscolluela & Associates c. Recio + Casas Architects d. Robert Carag Ong and Associates 196. Designed the RCBC Plaza (Yuchengco Tower) in Makati, in collaboration with SOM. a. GF & Partners 16

History of Architecture| DPA

b. W.V. Coscolluela & Associates c. Recio + Casas Architects d. Robert Carag Ong and Associates 197. Architect of the Manila Film Center. a. Leandro Locsin b. Francisco Mañosa c. Froilan Hong d. Geronimo Manahan 198. International partner for the design of the Essensa Towers in Taguig, Metro Manila. a. Michael Graves b. IM Pei c. SOM d. KPF 199. Architect of the DLSU-CSB School of Fine Arts and Design in Manila. a. Gines Rivera b. Eduardo Calma c. Gabriel Formoso d. Francisco Fajardo 200. International partner for the design of the World Trade Exchange in Binondo, Manila. a. Michael Graves b. IM Pei c. SOM d. KPF