Petroglyphs On Dolmens And Bharata

PETROGLYPHS ON DOLMENS AND BHARATA The Hindu on September 20,2009 published the article Dolmen with petroglyph found near Villupuram im Tamilnadu. The big dolmen with four petroglyphs portray men with tridents and a wheel. Earlier dolmens were discovered in the Nilgiris (The Hindu ,May 24,2009) with fish pattern glyphs. What does these discoveries indicate? Does these glyphs carry any Harappan links? Let us begin with the number of glyphs itself. The four glyph words is an indication of pada(paada-four)-bhadra(pada-word,vacaspeech) = bhadra paada =bhadra vaaca(auspicious speech),bhadra vaasa (safe abode,palace). The warriors with tridents and weapons further indicate this. This is the principle of the svastika,the unicorn ,the cross etc. as indicated in A concise Dictionary of Indus Harappan Bharata. The fish is bhadra (bharata- praata –dawn).A paatra(vessel-praata) or cashaka(cup=ushas-dawn) can have the same implication.Pareta(dead) is praata. The pyramids(pramiita- dead body,prabhaata-praata-dawn) were built and the dead body of the sons of the sun(Pharaohs) were worshipped to perform solar worship by the same logic. Bharad-vaaja and Phara-oh has similar meanings of big house . The tomb is the abode of the great ka or soul(sol).The fish is the dead body of the sacrificial victim. Matsa(fish) is the masta(head) of the viirabhadra(vaara,niira- bhadra =water buffalo) signifying the preta(pareta-praata) or sacrificed victim. The fish on the cross further confirms this.Note the terms smasaana(matsa) indicating samaadhaana(peace-RIP) , mastaba (matsa) etc. The Sumerian symbol for dingir(god) is the crossed spears. Two crossed spears make the four feet of the svastika or the cross itself. Dingir is dinakara(the sun).Sumer is Tamil. Suula(trident) is suura(the sun).It is the figure of Ka(soul,sol). Naaka(arrow) is naga(the sun) and heaven. Ina (the sun) being yama (two) two trident or arrow symbols are shown crossed or separately to show the sun god.In the Kalibangan seal K-65 the crossed spears

indicate the same. Aayudha(weapon) is udaya(sunrise). Dvaya(two) is also udaya. Gift amounts are usually given as 101,501,1001 etc. to make a dvaya by the addition of one for the same reason. Since naga rise into naaka at praata the soul of the pareta goes into heaven at praata with him. Soul is the sol. Prakaasa (light-white) is raksha(salvation) , rakta(red,blood) and cakra(wheel) and Sakra(Indra) as already discussed in Bharata –the languge of the Harappans and A concise dictionary of Indus Harappan Bharata. During a sacrifice raksha is ensured by sprinkling the rakta of the victim on the participants or drinking it cf. the Passover blood sprinkling by Israel(Indra) in Egypt(Piscesfish),the Eucharist etc. The sprinkled holy water(bhadra-light) also has the same implication. Rakta raksha of the dead souls would be washed away by rains and hence permanent raksha was ensured by the red ochre (rakta)or white kaolin(rajata) paints on the dolmens.On the other hand the dead soul cannot come out of the grave because of the raksha (restraint) imposed on it by the rakta.This is the principle employed in applying red rakshas or amulets to perform bandhana(restraint) of ghosts. On the Mylaaduthurai stone celt also the inscription is in Bharata. All these finds belong to the period when the sons of Sumer (Tamil) after their sojourn in Harappa proceeded south and began settling in South India.During their stay in Harappa they mastered the language of the devas(gods ie. Bharata) and began using the Bharata worship and ritual systems also. Thus the stone celt ,the petroglyphs etc. reconfirm the fact that the Harappan Bharats spoke Bharata and the elite Dravidian people also learned and used it. Vijayabhaarati.