6. Minimalism

Robert Rauschenberg: White Painting [seven panel], 1951

Yves Klein, "Monochrome IKB 3", 1960

MINIMALISM

Frank Stella, Tuxedo Junction, 1960

Ad Reinhardt: Abstract Painting, 1960-61

Barnett Newman

Marcel Duchamp: Readymade, 1915 Kazimir Malevich. Black Cross. 1920s

Ad Reinhardt (1907-1967)

Painting, 1954-58, 78 x 78 inches, Oil on canvas , National Gallery of Art, Australia

Sol LeWitt.

Lot 4, "Untitled," by Agnes Martin, oil, ink and wash on canvas, 12 inches square, circa 1961

BRICE MARDEN: D’après la Marquise de la Solana, 1969. Oil and wax on canvas, three panels, 77 5/8 x 117 3/8 inches overall. Solomon R. Guggenheim Museum

Goya, late 1700s ROBERT RYMAN: Surface Veil I, 1970. Oil and blue chalk on linen, 143 15/16 x 144 inches. Solomon R. Guggenheim Museum, Panza Collection

ROBERT MANGOLD:Circle In and Out of a Polygon 2, 1973. Acrylic and black pencil on canvas, 72 3/16 x 72 7/16 inches. Solomon R. Guggenheim Museum

ELLSWORTH KELLY: Dark Blue Curve, 1995. Oil on canvas, 46 x 190 inches. Solomon R. Guggenheim

CARL ANDRE: Trabum, 1977. Douglas fir, Nine units, 12 x 12 x 36 inches each; 36 x 36 x 36 inches overall. Solomon R. Guggenheim Museum

DAN FLAVIN: the nominal three (to William of Ockham), 1963. Fluorescent light fixtures with daylight lamps, each fixture: 6 feet; 72 x 212 1/2 x 5 inches overall. Solomon R. Guggenheim

Sol LeWitt: 49 Three-Part Variations on Three Different Kinds of Cubes 1967-71 Enamel on steel

Tony Smith The Keys to Given! 1965 bronze, edition 2/6 40.6 x 40.6 x 40.6 cm

DONALD JUDD: untitled, 1969/1982, Anodized aluminum, Walker Art Center

ROBERT MORRIS: Ring with Light, 1965-96 painted wood and fibreglass and fluorescent light, two units, each 24 inches (61 cm) high, 14 inches (35.6 cm) deep, overall diameter 97 inches (246.4 cm) Dallas Museum of Art

“Actual space is intrinsically more powerful and specific than paint on a flat surface.” Donald Judd

PHILIP KING, English, born in Tunis in 1934

RICHARD ARTSCHWAGER: Book III (Laocoón), 1981, Formica on wood, metallic handles, imitation leather cushion.122 x 71 x 104 cm.

FRANK STELLA Bandshell (Model), 1999, Fiberglass, 12' x 14'6" x 15'

DONALD JUDD: Untitled, 1968. Enamel on aluminum, 22 x 50 x 37 inches. Solomon R. Guggenheim Museum, Panza Collection ANTHONY CARO; Emma Dipper 1977 Painted steel object: 2130 x 1700 x 3200 mm sculpture

Robert Morris [American Minimalist, born in 1931]

'The sensation of these pieces was that they come above your ankles, as if you were wading in bricks. 'It was like stepping from water of one depth to water of another depth.' ANDRE

CARL ANDRE; Equivalent VIII 1966

Joseph Kosuth, One & Three Chairs, 1965. sculptural installation

Sol LeWitt CUBE STRUCTURES BASED ON FIVE MODULES, 1971-74, Painted wood.

PRE-MODERN SCULPTURE

Gian Lorenzo Bernini: Constantine, 1663-70

MODERN SCULPTURE Constantin Brâncuşi. Romanian. 1876-1957

The Cock, 1924

Adam and Eve, 1916–24 Caryatid II, 1914/26

LATE MODERN SCULPTURE 1960s

Robert Morris, installation, Green Gallery, New York, Dec. 1964 – Jan. 1965

SITE CONSTRUCTIONS

Robert Smithson: Partially Buried Woodshed, 1970

MARKED SITES Robert Smithson: Yucatan Mirror Displacements (1–9), 1969. Nine chromogenic-development slides.

Michael Heizer: Double Negative, 1969-70, Mormon Mesa, Overton Nevada, 50 feet deep; 1,500 feet long. (aerial photograph)

Christo & Jeanne-Claude: Running Fence, Sonoma and Marin Counties, California 1972-76

Richard Long

AXIOMATIC STRUCTURES

Robert Irwin (American, born 1928) 1º 2 º 3 º 4º, 1997 apertures cut into existing windows

Bruce Nauman: Green Light Corridor. 1971

Donald Judd. American 1928-1994

The Matter of Time, Guggenheim Bilbao, June, 2005 Richard Serra. American born 1939

Eva Hesse. German-born American. 1936-1970

Anti-Form Post-Minimalism Process art Bruce Nauman: Hand to Mouth, 1980

Robert Morris, Untitled, (Pink Felt) 1970. Felt, dimensions vary with installation. Solomon R. Guggenheim Museum, Panza Collection

Bruce Nauman, Green Light Corridor, 1970. Wallboard and fluorescent light fixtures with green lamps, dimensions variable, approximately 120 x 12 x 480 inches. Solomon R. Guggenheim Museum

Bruce Nauman, None Sing–Neon Sign, 1970. Ruby-red and cool-white neon, 13 x 24 1/4 x 1 1/2 inches overall. Edition 6/6. Solomon R. Guggenheim Museum,

Dan Flavin. American. 1933-1996

Andy Goldsworthy. British, born 1956

Knotweed Stalks Pushed into Lake Bottom, 1988

Richard Long, British, born 1945

A Line of Circles, site-specific: Milwaukee Art Museum, 2001