Two Argentinian Tangos By Villoldo For Violin & Viola

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Two Argentinian Tangos By Angel G. Villodo Arranged For Violin and Viola El Choclo Acorazado Rivadavia

El Choclo Tango Criollo Andante e = 120

Angel G. Villoldo

A mi amigo José L. Roncallo

                  $               

Violin

Viola as Bass

              

5                 

        

3

    

3

   

3

 

               3

  

                  10                          



3



        

 

Ø To Coda                      15

3

   

          20







 

  

    



    

3

 

   

      

  

      

      3

      

 

   

A                      

     

       



       

 

     

  

   

3



23 2.          1.                                         

B       

2

26

 



 



   



 

 



                                  3

     

3

                          

30

3

34       

  



 



  

 



 

 



            3

3

     

 

 

 



                                  3

     38



  

    40







 











3

 





         3

       

            

 



 







                     

D.$ al Coda ØCODA

Acorazado Rivadavia Angel G Villodo

                

Tango Argentino

     Violin                                 Viola as Bass         A 5   $                                                             e = 120

                             11

    

                         

          

Fine   17                                      pp                            22               



 

     

      

                  25

f

    mf













  



               

   

                          

2

29

mf

    

 

               33

     37

 

    

  



     



     

    

    

 

                      

      

   

                    



    

     

     

      

                             42        

    

 

    

  

  

    

47 D.$ al Fine                                   

  

                

                 

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