Bach Two-part Inventions For Violin & Viola

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Duets Arranged for Violin and Viola

J S Bach 15 Two Part Inventions (BWV 772-786)

Arranged by John Harvey

Two Part Invention No 1

               

        

q=90

Violin

Viola as Bass

   



J S Bach



        

3                                 

                                    6



           

          



      

                          

   

          

9

    







11

   















      



  





 





















 









2

    

                               12











14                   

           







       

       



 

16







  

       

      

19       

   





















                  21











    











   

  

Two Part Invention No 2

Violin

Viola as Bass

q=90                                 

    



3         

        

J S Bach

  

  

 



                             





                              5



         7

    



                            





9                                                

       11



  

   

  



  

                              

2

    

                                                      13

15              

   





  

 

  

                            

17                                                          

     

                                         



                



19



21

    

                           



                                                   23

25                

   



        

            



 

 

 



Two Part Invention No 3

J S Bach

                               q. = 60

Violin

Viola as Bass

     



 

              

8                              

        

                       

15              

   

            

                      

          22

  





  

               

          26

   

  









        

       





       

    



2

31

                      

                                  38          

     

            

              

           45

    



   











  



         

56

   



 





 





                 

52          

  





          



 





     

        

              



   

Two Part Invention No 4

Violin

Viola as Bass

                  

    



J S Bach

           

         



              7

    

  

      

  

14





   

            



       





                                 21

                 

                   25

  





     

                          















     

2

                            29

   







33                           



 











37                            

    



 

                            

44                

  











       48

     















    

           

                   

            



Two Part Invention No 5

     Violin      q=90

Viola as Bass

     3



   





 

   





J S Bach



   

















                                    5                                                         

7                                                          

     9



  







 













                        11

    

                           13                                                            

2

15                                                            

     17



  



 



     



                                  

19                                                      22                                                           25                                                                    

     28





 















                        30

      

  



                                    

Violin

Viola as Bass

  

Two Part Invention No 6

                 

q. = 40

                  

         7





13      







  



     

                

                

   

J S Bach

 

  

   

 











  

      



  





17                                             21     

       

                                       

  

27                                    

          

  

 



 



2

32                          

  





  



 

   

                38

  





43     



   



  

 

 

  





 

 

      

  

            

                 

56    

  



   

50          

  

 



 

  

  



 

  

  

                        

  







   





     

     





60                                               

Two Part Invention No 7

           

       Violin   q=80

Viola as Bass



 



 

       

J S Bach



      

 3                                             

 





         

      

6                  

            





        

9                  

            12

               

       

       

              







    









                    

  

2

14





















      

                                                   16

  



   

   

18



 

       

                              20











 





   











 



                                 22



 





  

  

 

            

J S Bach Two Part Invention No 8                Violin           Viola as Bass

   

  

     



4                           

         7

              

                    

    

          



10

      



      

                                       

14                                      

 

    18

               

               













     

                                   

2

                                     21

       

  

        

     

24

  

                 

                                                27

                                                      30

  



      









         

           

32

 



 















          

  









Two Part Invention No 9

            q=80

Violin

Viola as Bass

   



J S Bach

       



                                     

                       4

     

               

   





7                                                         10           

  

    

   





                                                  13

            15







    

  



                       

  

 



      

                               

2

                         

   

18

          

        

           

         

21

                

                    24          





             

       27

    



30

      



 







 

                  



    

  



                      

32                  

 



          

     

         



  

  

 

                

  

Two Part Invention No 10

J S Bach

                         Violin      q. = 96

Viola as Bass



  

            



                       4

                                          8

   



   

     

    



    



     





12            

        

  

      

    14





      

       

           

   







  

        

17                              

2

    

    20











  

   







      



                                                                      24



 







    

28           

        

          

        

                                                30

Two Part Invention No 11

J S Bach

                                  q=80

Violin

Viola as Bass

               

    

       3





 

     

 

     

                                   5    

                          

       



         

7

   













     







  

  

                              

    



9

     10    







       

 



 

  







  









                 

                



       



2

         12

   





       

                 

14                            





 





 

         

     

              

   





16









  



                                                           18

       

               

20                                

    

   

 

  

 



                                               22

   Violin   

Two Part Invention No 12

q. = 56

Viola as Bass

 



 



J S Bach

                             

2                                           

         

 

  

  



4                                                                             6    

 



 



               



 

 

     







7                                               

                                                                        8

10                                                  

2

   12



 













           

                       

13                       

  

 

                                       15                

   











 



 

           

16                                       

      

        

                

18                                                    20                                  

         

  



 

Two Part Invention No 13

Violin

Viola as Bass

              

     

J S Bach

  

                     

                          3

                                  6











 

 

       8

  







10     

 



    12

 







      









 

     

   











 











  

       

        

                



        

       





        

     









  

2

14                







 

  



               16

 



 

  

    18



 

 





  

        

 

  



             

    





    



                             

                                                      20

 

                                       22

 

24                                           

Two Part Invention No 14 J S Bach q=60                                    Violin      Viola as Bass

   3





  

     5

      

 



7

 





             





  

 

 

   



   

  





              



  



      



  

 



             

               



  





 

  



  



                                                      9

   



  



 



 

               

2

                         11

   



    13





 

   

    



 









  





  

  





                    

  



                    

                                     15

    

                                                17                          

   

                                            19



        

      



 

 





Two Part Invention No 15

J S Bach

                            q=90

Violin

Viola as Bass

      

                           

                             4

  



   





6









   









     





       





                     











     

8                                   

   

















10                    

   





















 





 









  

2

                                         12

                                 15







                     

            















 

17                     

   









             





 















19





   

      



21

   

  









     

   









  

    

 

 

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