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Synchronicity 101
“ a coincidence in time, of two or more causally unrelated events which have the same or similar meaning ” – C.G.Jung
Why a Poem
Published In The
News–Gazette
Is the Focus
Of an
Extraordinary Coincidence in Time By C.E.Walker
A sudden celestial darkness overshadows an execution in May of 1994 to echo “The Seventh Sign”, a 1988 film on Bible prophecy. It also echoes the late actor, John Wayne, evoking a classifieds ad whose poetry would later inspire another… Its May 11th verse foresaw the future and inspired words unseen for 7 years to come. Its dual quatrains depict the execution of serial killer, John Wayne Gacy and a solar eclipse that both occurred the day before its May 11, 1994 publication. It wouldn’t be the last ad in the News–Gazette to place special significance on the 11th day of the month, while alluding to the fate of the mass murderers involved; however, it would be the last poem of its kind until 2001…
“This special poetry is part of an experiment in ‘morphic resonance’ that focuses on archetypal structure as well as the hypothesis that certain celestial events can dramatically enhance the effect, making it possible to predict future events that are part of a resulting serial-synchronicity.” - cew (Q)
On June 11, 2001 Oklahoma City bomber, Timothy McVeigh was executed during the 22nd anniversary of film actor, John Wayne’s death. On that same day a short poetic reference to this irony quietly appears in the News–Gazette: pg 2
2 Here as it appeared in the newspaper, the poem below continues a theme begun in 1990 and 1994 ads where “J” and “M” suggest martyrs of varying causes… In 1990 the M was encoded as a dedication to past and future heroes.
Though not exclusively linked to the name, ‘John’, the poem’s placement date implies that in a later series of events the subjects will again meet their fates on the 11th and 10th days of their respective months. The reasoning behind this poetic account of a karmic discharge will be made clear throughout these pages.
3 In a once only appearance, the poem is clearly visible on the lower left-hand corner of the page… While it might be viewed as somewhat quaint, it takes an even more bizarre, almost ‘Twilight Zone’ like turn as one considers its content in reference to past news headlines from May 10, 1994:
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5 The poem suggests that a “SCENARIO” relevant to the day’s current events is likely to reoccur in similar fashion, as implied by the final phrase, “at the 10th day between them the show must go on”, whose ultimate meaning is revealed at the end of this piece… Meanwhile, the previous two lines do also point out the brief period from April 28th (birthday of James Monroe, 5th U.S. President) until springtime ends on June 21st (the first day of summer, due to a yearly solstice).
May 10th and June 10th are the only number “10” dates that are in between James Monroe’s birthday and the first day of summer. Since the poem’s narrative does correlate with the May 10, 1994 eclipse scenario, as a past event it is clearly being used as a reference to archetypal patterns expected to reoccur during the nearest annular solar eclipse on June 10, 2002, only 364 days after the ad was placed. One thing that makes this so truly remarkable is how certain news items from the two dates match-up so closely, as both eclipses occur on the 10th day, where the first name and last initials are the same for both men cited in these oddly related deaths. This is verified by ‘USA Today’ on June 11th, one year after the poem predicts its highly profiled June 10, 2002 scenario:
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7 If not convinced that the poem from June / 2001 is clearly about both the 11th and the 10th day of the month, then bear in mind the fact that legendary film star, Marilyn Monroe was born on June 1st, 20 days before the first day of summer. Also the McVeigh scenario on June 11, 2001, 10 days in between them, would reoccur 3 months later on September 11th, as other mass murderers would lose their lives likewise, as a result of an horrific act aimed at the U.S. government and its policies. As for how this relates to the air tragedies of that day, those answers are found on the brief, but layered pages of an essay called, “Pseudo-Phiction Poetry: psalms of karmic justice”. The essay and the attached follow-up text make it quite clear that the creator of the ad was well aware of the inherent danger surrounding the 10th and 11th days of September 2001.
To learn more about this subject matter, and how such a poem /ad was created one can e-mail the author of “SCENARIO” at
[email protected]. This is the same address used to inquire about the essay, “Pseudo-Phiction Poetry: psalms of karmic justice”, which examines other such ads that seem to peer into the future… long before the advent of their given scenarios. The text also serves as a companion guide to the course, “Synchronicity 101”, offering studies in serial-synchronicity and how it relates to both science, and human spirituality.
This article is one of several writings, each based on classifieds that were placed with the sole purpose of leaving an encoded message regarding future appearances of a... phenomenon called, serial– synchronicity. In each case it is the first line or two Serial – Synchronicity: of the ad that offers a theme, any apparent link between hinting at name, time, or two or more consecutive events subject matter expected to reoccur as part of a that share a similar context or meaning formative process called, ‘archetypal resonance’. Here archetypes are defined as mythological or mathematical models and /or scenarios that exist as part of our collective unconscious; believed to be somehow rooted in primordial forms that predate humanity and perhaps the earth itself.
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Full Circle In the company of love we’ve often pondered and shared that mysterious byproduct of our despair, a hidden, as yet latent trait, artificially selected in the bowels of slave ships, yet repressed in women. It's perhaps why sudden changes in the songs of birds, even in the awesome heat of oft times deadly conditions, can summon strength via hints of rain in a looming storm, or perhaps why a clustering of trees might at any moment seem to dance only for us, conveying a moments breeze as confirmation to those spirits having long seen signs of clear purpose, a hint of meaning to be harvested as a reddish draped landscape echoes the past, yet rounds a day capped by a warm fire and again, the presence of love. cew (Q)