String Trio #5 - Cello Part

Tetra-Mnemosyne V

Violoncello

Allegro pesante h.=50

 



by Jeffrey Harrington

for String Trio



   

     

ff

      ff

6





                        ff

10





        

ff

13 sempre f

 



      ff

17

 20



           f

ff

                             q. = q. q. = 100

       

       

 

              

      

 

          

22

                   

  

piu f

   meno f

24



rit.

                                      f q. = 80

27

   

               maestoso 

30

         

 



     

        

mf

© 1999 Jeffrey Harrington, All Rights Reserved

V.S.

2

Violoncello 33

                  

36



                   piu f

39

                piu f

      









42

                       45                               f 48                                f decresc. mp 51

 54

 57



     piu marcato                                    f ff piu moto

  

  

                         poco cresc.

       

59

 



         

sfp

             

sempre piu f

mf

                  sfp

61

     sf

                           meno f  f

3

Violoncello 64

 66



   

                  

f

  

   

 

 



  

 

        

     

 

68

                               

70



   piu f

                                   

73

             

             



f

f

76

                                  mp

79

  

    

  



    



     sf

    

q = q = 61 molto pesante

82

 



                       meno f

  

f

85

  

 

87

 

  

 

  

                     

 

 

 

 

             

mf 89



       f

     

            



4

Violoncello 91







                                  sempre f

95

                               piu f

98

                               piu f

101

                                              104                             

p

                                           

107

110

                                                      

113

pp

                       

115

poco accel.

poco a poco crescendo

119

               



      



mp

               

Violoncello 121

           

125









q = 114

5

                  f

pocogiocoso                                         meno f

                                mf

130

134





3 3  3     3  3     3                       3

q = q. 137 q. = 114

3

                                  f

140

                                      

143



                             sempre piu f

146

 149



                                                             

                   

151

ff

  

          V.S.

6

      154      

Violoncello



                     f

157

            

            



piu sostenuto

160

          sf



        p



       

sfz

163

 

                              

piu sostenuto                        

166

f

         

p

169



 

cresc.

           





  

   

  

171 rit. poco pesante

                                ff

q. = 80

174

                             

176

                             piu f

178

                                 

7

Violoncello 181

                

       

183

                            

186

                             

189

                 q. = q 191 q = 803

         

3

3       3       3          3            3

3

194

3

3

3

    3              3 3

     199



 

201

 



    

ff

197





 

  

204

    

3

        

                         

 

3



 



 

 

      

 

  

     

 

 

 

 

accel.

         

                           V.S.

8

Violoncello

q=108                               

206

208

            

marcato

         

          meno f

sfz

211



  



rit.

3

3

3

f

q=91 accel.

214

       



         

 

q=121

217



3

                              meno f

f



         

 

  



f



         

   

 

 

  



221

 

 

         

 



  



   

225



          

  

f

228

  

                                



 

ff



f

f

maestoso

 

236



f



f

231

                  

 

 

 



   

    

 







 







    

    

 

 

 

9

Violoncello 241

     

 

246





 

     

 





255

 

   

  

 

      

259

 

 

  

 





   

 

      

 

 

270





   

 

275

 279



  

 

mp poco agitato



 

     











 

  





 

    maestoso







poco f

 



 

f





mf molto furioso

       

   

 





 

 

        



   

 

    

          

cresc.

       









263

266





 

   

 









 

poco a poco decresc. 251



    

 

 

   



  

3 3 3 3  3                         3

3

3

poco a poco agitato 3

3

3 3  3 3 3 3 3       3                              3

3

V.S.

10

Violoncello

282



3



3

3

3

3

               

  3     3  

285

 

3

q=q. q.=121 287

3



3



3

3

3

3

            

          

3

3

3

3

3

  

                             piu f

289

 292



                                                                            

                             

295

                            

297

299



                            

302

                                 

305

          

 



             poco a poco pesante

11

Violoncello 307

          

                         

310

                   

313

poco a poco agitato

       

319

                

322

 325



      cresc.







  

  



  

328

           

         

           

      

           

316



     







       

sempre piu f

            

                



        

maestoso e pesante

                       ff

331

                          

334

   



   

  





                

V.S.

12

Violoncello

337

 340



                                  

343

   

       



       

         



    

         

poco a poco cresc. e pesante 346

                  

         

349



         

                     

352

                           ff

355

           

         

        

358



  sfz

      sfz

  sfz

      sfz

  sfz

       sfz sfz

  

  

fff

360



                     

            sffz  sffz  sffz  sffz sffz