Production
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University of Adelaide
Production Documentation Your Name ________Peter Kelly__________________________
Date/s of Production ________26 June 2008___________________________
Song Title __________Helter Skelter______________________________________________
Format Sampling Rate __48Khz_________ Bit Depth _24___ Duration __2’20”__
Total Time Spent on Production __6___ Hours _____ Minutes
Notes/Issues/Commentary on Production (Maximum 200 words) Recorded live, all in the same room. As such could not use vocals due to too much spill. Vocalist recorded at home – his recordings feature some kind of artifacts and areen’t the best. They were very relaxed and just wanted to effectively rehearse so only recorded the song once. Lots of spill in all mics, but add to an overall live sound. The bass was the most problem, not particularly good playing and levels all over the place.
Track Information Example (Duplicate this table as necessary for each track) Track Instrument Performer Name # Production Techniques applied (EQ, dynamics processing, colouration etc, reasoning for application and reference to reading and lecture.) (Maximum 100 words per entry) 01 Bass Drum. Equalisation and gating. 02 Snare Drum Equalisation and gating. Reverb. 03 Hi Hats. Equalisation. 04 Lo Tom Equalisation, gating,reverb. Also trimmed unused audio sections 05 Hi Tom Equalisation, gating,reverb. Also trimmed unused audio sections 06 Overhead Bussed the pair to own channel for equalisation 07 Overhead Bussed the pair to own channel for equalisation 08 Overhead buss equalisation 09 Bass DI Version: 2 | Created: 26/6/08 | Saved: 26/6/08 | Printed: 26/6/08
University of Adelaide
10 11 12 13 14 15 16 17
Levels all over the place. Lots of compression. Equalisation. Compression. Also side chained compression to kick drum for more space. Bussed to track 10. Bass DI buss. Amplitude for more colour and overall effet in mix Guitar Equalisation. Reverb. Backing vocals Equalisation. Reverb. Also trimmed unused audio sections. Vocalls. Recorded on the night. Unused due to to much noise. Vocals. Recorded at home of vocalist. Euqalisation. Compression. Reverb. Trimmed unused audio sections. Drum reverb. Filled with snare, toms, and a bit of guitar Vocal reverb Lead and backing vocals. Also a bit of guitar. Master L3 Maximiser.
Version: 2 | Created: 26/6/08 | Saved: 26/6/08 | Printed: 26/6/08
Production Documentation Your Name ________Peter Kelly__________________________
Date/s of Production ________26 June 2008___________________________
Song Title __________Helter Skelter______________________________________________
Format Sampling Rate __48Khz_________ Bit Depth _24___ Duration __2’20”__
Total Time Spent on Production __6___ Hours _____ Minutes
Notes/Issues/Commentary on Production (Maximum 200 words) Recorded live, all in the same room. As such could not use vocals due to too much spill. Vocalist recorded at home – his recordings feature some kind of artifacts and areen’t the best. They were very relaxed and just wanted to effectively rehearse so only recorded the song once. Lots of spill in all mics, but add to an overall live sound. The bass was the most problem, not particularly good playing and levels all over the place.
Track Information Example (Duplicate this table as necessary for each track) Track Instrument Performer Name # Production Techniques applied (EQ, dynamics processing, colouration etc, reasoning for application and reference to reading and lecture.) (Maximum 100 words per entry) 01 Bass Drum. Equalisation and gating. 02 Snare Drum Equalisation and gating. Reverb. 03 Hi Hats. Equalisation. 04 Lo Tom Equalisation, gating,reverb. Also trimmed unused audio sections 05 Hi Tom Equalisation, gating,reverb. Also trimmed unused audio sections 06 Overhead Bussed the pair to own channel for equalisation 07 Overhead Bussed the pair to own channel for equalisation 08 Overhead buss equalisation 09 Bass DI Version: 2 | Created: 26/6/08 | Saved: 26/6/08 | Printed: 26/6/08
University of Adelaide
10 11 12 13 14 15 16 17
Levels all over the place. Lots of compression. Equalisation. Compression. Also side chained compression to kick drum for more space. Bussed to track 10. Bass DI buss. Amplitude for more colour and overall effet in mix Guitar Equalisation. Reverb. Backing vocals Equalisation. Reverb. Also trimmed unused audio sections. Vocalls. Recorded on the night. Unused due to to much noise. Vocals. Recorded at home of vocalist. Euqalisation. Compression. Reverb. Trimmed unused audio sections. Drum reverb. Filled with snare, toms, and a bit of guitar Vocal reverb Lead and backing vocals. Also a bit of guitar. Master L3 Maximiser.
Version: 2 | Created: 26/6/08 | Saved: 26/6/08 | Printed: 26/6/08
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