Power Point Annibale Carracci
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Calvin Tichenor (leader) Xavi Vicente Xavi Vela Berta Romeu
Title: The Flight into Egypt Author: Annibale Carracci Year: 1604 Material: Oil colors and canvas Size: 122 × 230 cm Location: Galleria Doria Pamphilj
It was painted in Italian Baroque era Cardinal Pietro Aldobrandini requested this painting for the family chapel for the palace in Rome (Palazzo Doria Pamphilj) It formes part of six paintings in six lunettes It was considered a veduta which is a highly detailed, huge painting of a landscape. In this case from Italy. We can see the effect of a balanced, fantastic beauty, with a perfect sentimental fusion between the holy
Painted in theItalian Baroque era It‘s a religious and mithological theme It shows Saint Peter in the moment he meets Christ, while he was fleeing Rome. The painting got his name cause of the myth it represents, cause Saint Peter asks Christ Domine, quo vadis? ("Lord, where are you going?“)
Title: Domine, quo vadis? Author: Annibale Carracci Year: 1603 Material: Oil and a panel Size:77 × 56 cm Location: National Gallery, London
Title: Assumption of Title: Assumption the Virgin of the Virgin Author: Annibale Author: Annibale Carracci Carracci Year: 1600-1601 Year: 1590 Size: 245 × 155 cm Size: 245 × 155 Material: Oil on cm canvas Material: Oil on Location: Santa canvas Maria del Popolo, Location:Museo THE SECOND PAINTING Rome Chapel of del Prado, Madrid • Situated in the Cerasi • Carracci competed with the the church of Santa Maria del major artists of the day for Popolo of Rome the decoration of Santa Maria • It was a less satisfactory del Popolo. arrangement • The Virgin awkwardly rises • That’s why he did Two through a cramped crowd of Painting from the same apostles, levitated by half-a dozen theme, to win. cherubim • In the end his picture was • The Virgin glows with light situated over the main altar.
Painted in the Italian Baroque era It’s connected to the contemporary Butcher's Shop Popularesque style It shows the everyday life subjects Capability to adapt his style, making it lower and grotesque In the academic works he usually used a more classicist composure with the same easiness
Title: The Beaneater Author: Annibale Carracci Year: 1580-1590 Size: 57 × 68 cm Material: Oil paintings and canvas Location: Galleria Colonna, Rome
Title: The Flight into Egypt Author: Annibale Carracci Year: 1604 Material: Oil colors and canvas Size: 122 × 230 cm Location: Galleria Doria Pamphilj
It was painted in Italian Baroque era Cardinal Pietro Aldobrandini requested this painting for the family chapel for the palace in Rome (Palazzo Doria Pamphilj) It formes part of six paintings in six lunettes It was considered a veduta which is a highly detailed, huge painting of a landscape. In this case from Italy. We can see the effect of a balanced, fantastic beauty, with a perfect sentimental fusion between the holy
Painted in theItalian Baroque era It‘s a religious and mithological theme It shows Saint Peter in the moment he meets Christ, while he was fleeing Rome. The painting got his name cause of the myth it represents, cause Saint Peter asks Christ Domine, quo vadis? ("Lord, where are you going?“)
Title: Domine, quo vadis? Author: Annibale Carracci Year: 1603 Material: Oil and a panel Size:77 × 56 cm Location: National Gallery, London
Title: Assumption of Title: Assumption the Virgin of the Virgin Author: Annibale Author: Annibale Carracci Carracci Year: 1600-1601 Year: 1590 Size: 245 × 155 cm Size: 245 × 155 Material: Oil on cm canvas Material: Oil on Location: Santa canvas Maria del Popolo, Location:Museo THE SECOND PAINTING Rome Chapel of del Prado, Madrid • Situated in the Cerasi • Carracci competed with the the church of Santa Maria del major artists of the day for Popolo of Rome the decoration of Santa Maria • It was a less satisfactory del Popolo. arrangement • The Virgin awkwardly rises • That’s why he did Two through a cramped crowd of Painting from the same apostles, levitated by half-a dozen theme, to win. cherubim • In the end his picture was • The Virgin glows with light situated over the main altar.
Painted in the Italian Baroque era It’s connected to the contemporary Butcher's Shop Popularesque style It shows the everyday life subjects Capability to adapt his style, making it lower and grotesque In the academic works he usually used a more classicist composure with the same easiness
Title: The Beaneater Author: Annibale Carracci Year: 1580-1590 Size: 57 × 68 cm Material: Oil paintings and canvas Location: Galleria Colonna, Rome
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