Paradiso

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Paradiso

After an initial ascension (Canto I), Beatrice guides Dante through the nine celestial spheres of Heaven. These are concentric and spherical, similar to Aristotelian and Ptolemaic cosmology. Dante admits that the vision of heaven he receives is the one that his human eyes permit him to see. Thus, the vision of heaven found in the Cantos is Dante's own personal vision, ambiguous in its true construction. The addition of a moral dimension means that a soul that has reached Paradise stops at the level applicable to it. Souls are allotted to the point of heaven that fits with their human ability to love God. Thus, there is a heavenly hierarchy. All parts of heaven are accessible to the heavenly soul. That is to say all experience God but there is a hierarchy in the sense that some souls are more spiritually developed than others. This is not determined by time or learning as such but by their proximity to God (how much they allow themselves to experience Him above other things). It must be remembered in Dante's schema that all souls in Heaven are on some level always in contact with God.

While the structures of the Inferno and Purgatorio were based around different classifications of sin, the structure of the Paradiso is based on the four cardinal virtues and the three theological virtues.

The nine spheres are: •

First Sphere. The sphere of the Moon is that of souls who abandoned their vows, and so were deficient in the virtue of fortitude (Cantos II through V). Dante meets Piccarda, sister of Dante's friend Forese Donati, who died shortly after being forcibly removed from her convent. Beatrice discourses on the freedom of the will, and the inviolability of sacred vows.



Second Sphere. The sphere of Mercury is that of souls who did good out of a desire for fame, but who, being ambitious, were deficient in the virtue of justice (Cantos V through VII). Justinian recounts the history of the Roman Empire. Beatrice explains to Dante the atonement of Christ for the sins of humanity.



Third Sphere. The sphere of Venus is that of souls who did good out of love, but were deficient in the virtue of temperance (Cantos VIII and IX). Dante meets Charles Martel of Anjou, who decries those who adopt inappropriate vocations, and Cunizza da Romano. Folquet de Marseilles points out Rahab, the brightest soul among those of this sphere, and condemns the city of Florence for producing that "cursed flower" (the florin) which is responsible for the corruption of the Church.



Fourth Sphere. The sphere of the Sun is that of souls of the wise, who embody prudence (Cantos X through XIV). Dante is addressed by St. Thomas Aquinas, who recounts the life of St. Francis of Assisi and laments the corruption of his own Dominican Order. Dante is then met by St. Bonaventure, a Franciscan, who recounts the life of St. Dominic, and laments the corruption of the Franciscan Order. The two orders were not always friendly on earth, and having members of one order praising the founder of the other shows the love present in Heaven. Dante arranges the wise into two rings of twelve; his choices of who to include give his assessment of the significant philosophers of medieval times. Finally, Aquinas introduces King Solomon, who answers Dante's question about the doctrine of the resurrection of the body.



Fifth Sphere. The sphere of Mars is that of souls who fought for Christianity, and who embody fortitude (Cantos XIV through XVIII). The souls in this sphere form an enormous cross. Dante speaks with the soul of his ancestor Cacciaguida, who praises the former virtues of the residents of Florence, recounts the rise and fall of Florentine families and foretells Dante's exile from Florence, before finally introducing some notable warrior souls (among them Joshua, Roland, Charlemagne, and Godfrey of Bouillon).



Sixth Sphere. The sphere of Jupiter is that of souls who personified justice, something of great concern to Dante (Cantos XVIII through XX). The souls here spell out the Latin for "Love justice, ye that judge the earth," and then arrange themselves into the shape of an imperial eagle. Present here are David, Hezekiah, Trajan (converted to Christianity according to a medieval legend), Constantine, William II of Sicily, and (Dante is amazed at this) Rhipeus the Trojan, saved by the mercy of God.



Seventh Sphere. The sphere of Saturn is that of the contemplatives, who embody temperance (Cantos XXI and XXII). Dante here meets Peter Damian, and discusses with him monasticism, the doctrine of predestination, and the sad state of the Church. Beatrice, who represents theology, becomes increasingly lovely here, indicating the contemplative's closer insight into the truth of God.



Eighth Sphere. The sphere of fixed stars is the sphere of the Church Triumphant (Cantos XXII through XXVII). Here, Dante sees visions of Christ and of the Virgin Mary. He is tested on faith by Saint Peter, hope by Saint James, and love by Saint John the Evangelist. Dante justifies his medieval belief in astrology, that the power of the constellations is drawn from God.



Ninth Sphere. The Primum Mobile ("first moved" sphere) is the abode of angels (Cantos XXVII through XXIX). Dante sees God as a point of light surrounded by nine rings of angels, and is told about the creation of the universe.

From the Primum Mobile, Dante ascends to a region beyond physical existence, called the Empyrean (Cantos XXX through XXXIII). Here the souls of all the believers form

the petals of an enormous rose. Beatrice leaves Dante with Saint Bernard, because theology has here reached its limits. Saint Bernard prays to Mary on behalf of Dante. Finally, Dante comes face-to-face with God Himself, and is granted understanding of the Divine and of human nature. His vision is improved beyond that of human comprehension. God appears as three equally large circles within each other representing the Father, the Son and the Holy Spirit with the essence of each part of God, separate yet one. The book ends with Dante trying to understand how the circles fit together, how the Son is separate yet one with the Father but as Dante put it "that was not a flight for my wings" and the vision of God becomes equally inimitable and inexplicable that no word or intellectual exercise can come close to explaining what he saw. Dante's soul, through God's absolute love, experiences a unification with itself and all things "but already my desire and my will were being turned like a wheel, all at one speed by the Love that turns the sun and all the other stars". Following the Ptolemaic astronomy of his time Dante conceived of the earth as stationary and central in the universe, with the sun and moon and the five visible planets revolving about it at various speeds. Each of these seven heavenly bodies has its own sphere, or "heaven"; beyond them is the sphere of the fixed stars, and beyond that the ninth and last of the material heavens, called the Crystalline because it is transparent and invisible, or the Primum Mobile because from it in infinite speed the other lower heavens take their slower motions. These nine spheres are severally moved and controlled by the nine orders of the angels, and all the spheres and the heavenly bodies in them have certain spiritual significances and certain influences on human life and character. As Dante passes upward with Beatrice the souls of the blessed appear to them in the successive heavens according to their corresponding predominant character in their earthly lives. Beyond the nine material spheres is the Empyrean, outside of time and space, the heaven of God's immediate presence and the only real home of the angels and the redeemed, whose blessedness consists in their eternal vision of Him. The System of Dante's Paradise The Ten Heavens 10. The Empyrean: the Holy Trinity, the Virgin, the Angels and the Saints 9. The Crystalline, or Primum Mobile: the Angelic Orders 8. The Fixed Stars: the Church Triumphant 7. Saturn: Temperance; Contemplatives 6. Jupiter: Justice; Rulers 5. Mars: Courage; Warriors 4. The Sun: Wisdom;Theologians 3. Venus: Love marred by wantonness 2. Mercury: Service marred by ambition 1. The Moon: Faithfulness marred by inconstancy

http://www.cummingsstudyguides.net/Guides2/DivineCom.html#Themes

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