Open Letter To Mark Sample

An Open Letter to Mark Sample, We appreciate your recent remarks concerning a review essay about David Foster Wallace, one that appeared in late 2004 in the pages of Modernism/Modernity and was assigned to one Jay Murray Siskind, also the name of a character in Don DeLillo’s novel White Noise. It is saddening indeed to see the review being cited with po-faced earnestness, and surely you are right that this turns “a fun fake review into something much more telling about the state of academia.” All too plainly, the time has come to set the record straight. As the journal’s book review editors at the time, we were at first disconcerted to receive an email from Jay Murray Siskind. Our suspicions were heightened when we noted that his email address read “blacksmith.edu,” rather than the better known College-on-the-Hill, where Murray was last seen working. But research soon revealed that his change in academic affiliation was the result of a bitter tenure decision fight, in which Alfonse Stompanato had played an especially unsavoury role. Still, Murray’s homepage is available to anyone who wishes to imagine it. And his competence in popular culture is amply documented by his essays in publications such as the American Transvestite and Ufology, not to mention Brüno. Who were we to reject the offer of a review from a respected and even popular colleague? Who but a fictional character could be better qualified to review . . . well, new fiction? Isn’t that the very essence of peer reviewing? It should also have come as no surprise to anyone that Jay Murray Siskind’s writing should have sounded like Jay Murray Siskind’s writing, in much the same way we might expect that the writing of Pierre Menard, author of the Quijote, to sound much like Don Quijote. Of course we took seriously our role as editors. We toned down a fawning reference (“the most important study since Das Kapital”) to the book that Murray co-authored with J.A.K. Gladney, Adolph and Elvis: Two Twentieth-Century Men and Their Mothers. We also removed a plainly vengeful mention of Alphonse Stompanato’s book, Crunching Granola: The Semiotics of the Cereal Box (“drivel that positively drivels”). But apart from that, the essay stands as Murray wrote it--perhaps the impish product of an impish mood that relieved the tedium of editing the turgid, academic prose that appears in Ufology, where he serves on the Advisory Board. Yes, we agree that further investigation is urgently required to clarify the entire affair. Perhaps help can be sought from Daniel Quinn, the noted employee of the Auster Detective Agency. If so, he should get to work, or Max Work, immediately. If not, the affair will remain shrouded in a cloud of unknowing. Finally, in one of the posts to your piece, you highlighted “the fact that Modernism/Modernity doesn’t concern itself with someone like Wallace.” Alas, M/M was the first academic journal anywhere to publish an extended tribute to Wallace after his untimely death, which included pieces by Dave Eggers, Michael North, and Marshall Boswell. (See Modernism/Modernity 16.1, January 2009: 1-24.) The alleged rupture between modernism and postmodernism is one urged only by the simple-, not to be confused with the Sample-, minded. Sincerely yours, Lawrence Rainey, Editor of Modernism/Modernity Nicole Devarenne, former Managing Editor of Modernism/Modernity