NEUROURBANISM DE BEATA URBIS, urban places for thinking.
Marco Frascari Azrieli School of Architecture and Urbanism October 15,2008
An urban body can be built, explained and inhabited only through the vagueness storytelling.
Saul Steinberg Archite1o
Bauplan bauhouse
Cunningly speaking, these measures should be oJen sold as emergency acKons to tackle global warming or other official worrisome problems.
Changing the way we conceive and use public space can change the way we move, the way we treat other people and ulKmately the way we feel.
A neologism Neuro‐urbanism • With the amazing breakthroughs taking place in the neurological and cogniKve sciences, we are on verge of a vital revoluKon in a number of related fields, such as urbanism, architecture, linguisKcs, educaKonal theory, medicine, philosophy, and the arts. • A very large body of neurological invesKgaKon over the last forty years has clearly delineated a unified biological theory of mind and body. • The neurologist Semir Zeki has called for the creaKon of a neuroaestheKcs and John Onians, who has recently published a book enKtled Neuroarthistory.
The applicaKon of the rules of modern urbanism has generated an incredible number of places for urban existence. There places for buying, selling, banking, cooking, eaKng, sleeping, washings, playing, working, pracKcing sports, learning, and so on. However, only a few of these places have “thinking” as the dominant dedicaKon.
In many urban bodies, the devising and nurturing of urban happiness has been prevented by the fusion of fashionable elaKons with financial graKficaKon. This fusion has changed the thought process of many architects and urbanists: they do not think anymore within the body of the city, but merely think about the body of the city.
What are hints and clues of the neural paZerns of cogniKve percepKon and thoughts detectable in architectural drawings and theoreKcal wriKng and the corresponding manifestaKon in architectural and urban elements?
the art of urban joy • We are learning a new way of sharing the city. • Look at what happens on a crowded sidewalk; everyone must be aware or we smash into each other. We must choreograph our movements. The result is a kind of dance.
Within the overwhelming amnesia generated by the project of modernity, too many urbanists and architects have forgot that ciKes can become engines not just of economic growth, but also of happiness.
Then the quesKon is: could we figure out a way to enhance the power of one's well‐being and consciousness by conceiving a proper architecture for an urban environment?
Francesco Patrizi (in Italian) and Frane Petrić (in CroaKan) signed his name as Francesco PatriKo.
La Ci1a' felice.
Venice : Griffio, 1553.
Ferrara Palazzo di Schifanoia
The name "Schifanoia" is thought to originate from "schifar la noia" meaning literally to ”scorn boredom"
Register of Bologna Drapers's Guild, Bologna, follower of Niccolo da Bologna, c.1411
:
MY URBAN HOPE •
I hopes to challenge the theoreKcal scenes of architecture and urbanism that during the last forty years have disregarded consciousness embodiment and econiches embedment with a consequent unforgivable loss of the merging of the art of living well, building well and thinking well. In the overwhelming amnesia generated by the project of modernity, too many urbanists and architects have forgot that ciKes can become engines not just of economic growth, but also of happiness.
The Sensorium and the urban form