Mmm
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ng kaibigang Babae at landscapes
A typical Filipina country woman as portrayed by Amorsolo. Ang isang tipikal na Filipina bansa babae bilang portrayed by Amorsolo. This painting also demonstrates his characteristic backlighting technique. Painting na ito rin ay nagpapakita ng kanyang katangian backlighting pamamaraan. Amorsolo is best known for his illuminated landscapes, [ 5 ] which often portrayed traditional Filipino customs, culture, fiestas and occupations. Amorsolo ay pinaka-kilala para sa kanyang iluminado landscapes, [5] na kung saan madalas portrayed tradisyonal na Filipino sa mga kaugalian, kultura, fiestas at trabaho. His pastoral works presented "an imagined sense of nationhood in counterpoint to American colonial rule" and were important to the formation of Filipino national identity. [ 1 ] Ang kanyang pastoral gumagana iniharap "isang imagined kamalayan ng pagkabansa sa kontrapunkta sa American kolonyal tuntunin" at ang mahalaga sa pagbubuo ng mga Filipino ng pambansang pagkakakilanlan. [1] Amorsolo was educated in the classical tradition and aimed "to achieve his Philippine version of the Greek ideal for the human form." [ 11 ] In his paintings of Filipina women , Amorsolo rejected Western ideals of beauty in favor of Filipino ideals [ 12 ] and was fond of basing the faces of his subjects on members of his family. [ 9 ] He said that the women he painted should have Amorsolo ay tinuturuan sa classical tradisyon at naglalayong "upang makamit ang kanyang Philippine version ng Griyego ideal para sa mga tao na form." [11] Sa kanyang mga kuwadro na gawa ng mga kababaihan na Filipina, Amorsolo tinanggihan Western ideals ng kagandahan sa pabor ng mga Filipino ideals [12] at ay mahilig basing ang mukha ng kanyang mga paksa sa mga miyembro ng kanyang pamilya. [9] Sinabi niya na ang mga kababaihang ipininta niya ay kailangang magkaroon ng "a rounded face, not of the oval type often presented to us in newspapers and magazine illustrations. The eyes should be exceptionally lively, not the dreamy, sleepy type that characterizes the Mongolian. The nose should be of the blunt form but firm and strongly marked. ... So the ideal Filipina beauty should not necessarily be white complexioned, nor of the dark brown color of the typical Malayan, but of the clear skin or fresh colored type which we often witness when we met a blushing girl." [ 12 ] "isang bilugan na mukha, hindi ng mga uri ng hugis-itlog madalas na iniharap sa amin sa mga pahayagan at magasin illustrations. Ang mga mata ay dapat iba masaya, hindi ang sagana sa panaginip,
nakapag-aantok uri na characterizes ang Mongolian. Ang ilong ay dapat ng mapurol na form ngunit matatag at malakas naka-marka. ... Kaya ang ideal na kagandahan Filipina ay hindi dapat nangangahulugang puti complexioned, o ang paglago ng maitim na kayumanggi ang kulay ng karaniwang Malay, subalit ng malinaw na balat o sariwang uri ng kulay na kung saan ang madalas naming masaksihan kapag nagkakilala tayo ng isang blushing girl. "[ 12] Amorsolo used natural light in his paintings and developed the backlighting technique, which became his artistic trademark and his greatest contribution to Philippine painting. [2] [3] [4] In a typical Amorsolo painting, figures are outlined against a characteristic glow, and intense light on one part of the canvas highlights nearby details. [ 3 ] Philippine sunlight was a constant feature of Amorsolo's work; he is believed to have painted only one rainy-day scene. [ 3 ] Amorsolo ginamit likas na liwanag sa kanyang mga kuwadro at nakabuo ng backlighting pamamaraan, na naging kanyang mang trademark at ang kanyang mga pinakamalaking kontribusyon sa Philippine painting. [2] [3] [4] Sa isang tipikal na painting Amorsolo, mga numero ay nakabalangkas sa laban sa isang katangian mamula, at matinding liwanag sa isang bahagi ng tolda malapit na nagha-highlight sa mga detalye. [3] Philippine sikat ng araw ay isang hindi nagbabagong katangian ng Amorsolo's gawain; siya ay naniniwala na ipininta lamang ng isang tag-araw na tanawin. [3]
A typical Filipina country woman as portrayed by Amorsolo. Ang isang tipikal na Filipina bansa babae bilang portrayed by Amorsolo. This painting also demonstrates his characteristic backlighting technique. Painting na ito rin ay nagpapakita ng kanyang katangian backlighting pamamaraan. Amorsolo is best known for his illuminated landscapes, [ 5 ] which often portrayed traditional Filipino customs, culture, fiestas and occupations. Amorsolo ay pinaka-kilala para sa kanyang iluminado landscapes, [5] na kung saan madalas portrayed tradisyonal na Filipino sa mga kaugalian, kultura, fiestas at trabaho. His pastoral works presented "an imagined sense of nationhood in counterpoint to American colonial rule" and were important to the formation of Filipino national identity. [ 1 ] Ang kanyang pastoral gumagana iniharap "isang imagined kamalayan ng pagkabansa sa kontrapunkta sa American kolonyal tuntunin" at ang mahalaga sa pagbubuo ng mga Filipino ng pambansang pagkakakilanlan. [1] Amorsolo was educated in the classical tradition and aimed "to achieve his Philippine version of the Greek ideal for the human form." [ 11 ] In his paintings of Filipina women , Amorsolo rejected Western ideals of beauty in favor of Filipino ideals [ 12 ] and was fond of basing the faces of his subjects on members of his family. [ 9 ] He said that the women he painted should have Amorsolo ay tinuturuan sa classical tradisyon at naglalayong "upang makamit ang kanyang Philippine version ng Griyego ideal para sa mga tao na form." [11] Sa kanyang mga kuwadro na gawa ng mga kababaihan na Filipina, Amorsolo tinanggihan Western ideals ng kagandahan sa pabor ng mga Filipino ideals [12] at ay mahilig basing ang mukha ng kanyang mga paksa sa mga miyembro ng kanyang pamilya. [9] Sinabi niya na ang mga kababaihang ipininta niya ay kailangang magkaroon ng "a rounded face, not of the oval type often presented to us in newspapers and magazine illustrations. The eyes should be exceptionally lively, not the dreamy, sleepy type that characterizes the Mongolian. The nose should be of the blunt form but firm and strongly marked. ... So the ideal Filipina beauty should not necessarily be white complexioned, nor of the dark brown color of the typical Malayan, but of the clear skin or fresh colored type which we often witness when we met a blushing girl." [ 12 ] "isang bilugan na mukha, hindi ng mga uri ng hugis-itlog madalas na iniharap sa amin sa mga pahayagan at magasin illustrations. Ang mga mata ay dapat iba masaya, hindi ang sagana sa panaginip,
nakapag-aantok uri na characterizes ang Mongolian. Ang ilong ay dapat ng mapurol na form ngunit matatag at malakas naka-marka. ... Kaya ang ideal na kagandahan Filipina ay hindi dapat nangangahulugang puti complexioned, o ang paglago ng maitim na kayumanggi ang kulay ng karaniwang Malay, subalit ng malinaw na balat o sariwang uri ng kulay na kung saan ang madalas naming masaksihan kapag nagkakilala tayo ng isang blushing girl. "[ 12] Amorsolo used natural light in his paintings and developed the backlighting technique, which became his artistic trademark and his greatest contribution to Philippine painting. [2] [3] [4] In a typical Amorsolo painting, figures are outlined against a characteristic glow, and intense light on one part of the canvas highlights nearby details. [ 3 ] Philippine sunlight was a constant feature of Amorsolo's work; he is believed to have painted only one rainy-day scene. [ 3 ] Amorsolo ginamit likas na liwanag sa kanyang mga kuwadro at nakabuo ng backlighting pamamaraan, na naging kanyang mang trademark at ang kanyang mga pinakamalaking kontribusyon sa Philippine painting. [2] [3] [4] Sa isang tipikal na painting Amorsolo, mga numero ay nakabalangkas sa laban sa isang katangian mamula, at matinding liwanag sa isang bahagi ng tolda malapit na nagha-highlight sa mga detalye. [3] Philippine sikat ng araw ay isang hindi nagbabagong katangian ng Amorsolo's gawain; siya ay naniniwala na ipininta lamang ng isang tag-araw na tanawin. [3]
