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I
1
3
GUITAR METHOD
V
GUITAR"'METHOD byRalphAzMe'Sta
Mono-.:..i""°"'IC-.andmoni-od
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Contents
How to Use This Book ThóobookO.dM
"YO<J:JFlrstSolo"(l<>dpiayuiV.Eactioflhltt1nl)!inglOplay
lheoctualmusi<>l.....,npbtl ..1.,..l<>tuMlontb noo1-ryifin;ti&!ly)"<>ll11y ,...,.i to Ir'' sur1«1 ill an w>&rwndil>g of lah<,.anddw..tW,..,,.,(which..,,bolh.-.•ylOundcrmndand>tccleuly 6plain
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1r..~edournplctontheC!l) . F...>0tbo>yoocon""°""tolheloflorrightoH!<:lOcilller
-•ll>>mlj)iedrumbeat t o•fuUbondb>dlup)inotóJ'•lona:
'ihn:iughoutthe"l'loyioRClt<J<'do":ln o/rnorooln tr odu=lintl.,lormofC>er~·Wlllr~•'cho.rd
--·"'-º""""''ndoclUalJ""'T""jams. élch<:io(Slashr>:ote
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'""°·W<~Mtcofwhichlllrings..,ootbelligpbyro>1oll(iodia t<Win! diagrambyanX~O>'eun"""
::.:;'::;;:.m•when:it<Mbe"°'lie<Jond~sim~yb11"«<111nitin8" U.."Yoo r~-intSolo"-OJalso~byak:w~olbasic
informationthatwilllo.)'-Ouan>kip.i..adto"ln~d.."Bal
1'>1!..-n"wl>o"'ywanj(!lu«;dtopbJ>"i:llifll"l<no""'bypncbcinaO....,"'<J' simpl<..,al<>.lk»•~f<"lh.il-.in~o!<'lingcrir.g;..-...-.ii.,-11ir
11111,....,.. __ T,..._.., ........ ,. __ ., __ _ . . numbenloc>t<'dooatthooote11<..i,intlle~-"---
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A!fortechniquo,thc"/Vcanlo<•irood~.ju>luft>lookotMn'
Vl/l,lhevariou•C(IUDtrymuti<:.iati<>m,..,donyolhtr........,ni>lk!aturemuoi<. ondrw1l...,,_.~lll>ntn~e>J il>tisl<-\\'atchthen>e1Molyto ... howlhe gui>Mi•hekl.OOtolndsmdM~ Ron>cmberlhOU&h l h•t~.,..oumerou•-ofgullarlt'C!\niquc,oo
d>«kou11oaolpt>::1.,... lf)'<'.!d<>nlh...,otc>whatworiyw H»in~oaid1h>lhcffcw~ti?>-Whlh
fio-t;p..M•nybtgiiinineollyenown>llS:ly.,...,._,vcn,..,•f.,,-btdte«kh.,-dtt...tucholten,_,hsi.olwld~"'d
unO«ldea"'Oflhtyourfmgen..,,,..ding\y.
1bepicki>hcklbtlweentl>epick-himd.ll'hcnbokllni:thepick.,.,,.-lhealrio113-!hi.okol1h<m..tiorl.ilip betwttfllhepidt>nd!he.,.;nR,a>yOnd>~ - ~.ri;• im<>otttoakeyourlirn<.btp>ti
""'"'iu>!Jll!ttiagotvt
More Chords and Techniques The 87 Chord 0oceY'>"knowlhe67chord,l'OOcan"""i'll'iththeE7&l>dA7diordatholyoo INr...d"'Book!topbyabkieopr<>Cr
ol_et..,.,iornoOl't--.i0111!....ttuu<:honh..Thiapor!Õcua...ct.artiofw lheYeryfintJa•Tnujam~reoonlod,-lsll'OdlonlheCDlha!~
withtheBiwa,_T_/DrGoiU.•pook.osre.O\Moo.Jolyywdoo\llff
badcl11jjlnek10prandlearnlhis"'ttcioobuti1ma<.. ;1"'°"'fun
12-BarBlues
.-:.n
101 1 1
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o
1 1
o
o
1 UI
11 Ü I
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lO • MMeCliot'dsa•dTec.hiq11_•_ _ _ _ _ _ _ _ _ _ __
Another E7 and A7 Cbord Shape F0<•tittlecNillltofll>v«.fe<:1 ,....i.....,.i
Other ]amTrax Jams Based on the E7, A7, and 87 Cbords ·12-&r~ShW!l
~~::·Bt-.inE"
Moti
•r.st l2·BarBh>osinE"
12-&•BllU!l
"12-!larSoulhMwi1hS!opsO>F.""
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1"e Ba/lad of Ron mui Coro M.,..1« ;n1ticn«1enmplc.thtEand"""'i"'chotd1m>Jbr>Ubotltutrds'lilllootclwiljinRthtb.oicprogn""""1.ln-n..Balladof }olwi'11<1Yol< o,• Jolml."'1nonu>«l •t..!ó<:r01 nom~.nthourth!"ffmqi<
neJa,,.TTtUC.ita•Mttlwd&x>i2 • 11
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PUrueExcuseMt TIIClast[-Jl
llliobook.lt-ori,&in.ally!ea!uredonlh<M1m1Blw>fo>•T>=flwC..olordiok
andwumoda-wilh!heiDdud
Trylo,,,....eitonovewilh!belkrorot!bedrumsand!be-.E-y110WODd thcnos)'OU~t!becboru..,.or<J'Cbolthi•iam.1rJ111bolltulina:lh<EW>
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Pltast Excuse Me with Diads YoucaoabouoelhyaotOl>
completdydillcn:ritrhythm!llrtf0<"f'leu<:F'.=.K..pU.n'lindtbot!heoumbontlw. ,__ne>dardootaticonotthead•indi
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ExC11M Mt with an Alternate Rhythm
-lef'•USeotroodrhythm?Wtlor"l'lo-hcuo< Mc.• Tbai)"OO'reoomf<>n.lil<withbolhrhythmporu,fo.lfrtt!oalttrn&tc~n
---iamwiththcliv
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14 • Mwe Chords and TuhiqMa
The G7 and C7 Oaords G'
CT
11 li louMeDon't Wellbel:oinr:lheoetwonewdlonlsoncl•W um jlOlttrtlthot'1""'~
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• Mo~
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Tu_ ••~iq"_"_ __
The Fmaj7 and G6 Chords When""pl>yth;.finlt--'ôonfm>joroewnth(Fm>,j7)nlt~ a G
ployU..{lf)!ionaloill~ootcforeacllofti-ch0tdo.lfyouf,odttte
rootooterooM6c.dttoplay,sirnply1r-..uctheotrinabytoochlflgôtwitllthe thwnbjometlQOizhto!O»plt!rom~
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11"'}a"'Trru: G11itarMttlwd&i!ll2 • 17
The
§ Chord
ThoG"°"'incltidedinthebottomofU.i•lormmakosll\'°avtryfuu.-itidi~
Vff'OionoftheCdlord.SWdytheoimilarityinthe~dthio~ch<m:lmd
theFnuj7dlordth.o1weuocdinthelasU-i>enllte......iopwill\theS
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iGirncow The D+ Chord
lnF.~(lh)d>o<-do.,._ illlemol<:dlOlorrna...,......,.,...,tlW"'°""'llmilartolhisrbJ'hmic~.
,,
li :;tti 11 o1 11
1
o o o 1 11 1
1 1 1
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The D6 Chord
Thc A+ and A6 Chords ThislormoftheMcbordttqllittorwlarrwrlint~d~llal""°" tho!;nttluto:Oltble>Mlbe-~Youwinprobablyh>Vpthefm·
ha<>dthumbóol'l'llbehlndthobadtfinl !inga"to?l>Yolllhreeno,..itllbe ..•cleonly.
StarlingUmkr "'Sbrlin
theA.A•.md),f,"'""""'tk~haltll"P")<.hord~AsJWplay
-.imaginctheintrot.o)olmt...n.oon"t"St..lineO.W."
~I' 1 i
e+3 Buause For a wtiíl
J!:ue#Wtoo~ includilljllhis-~~·wlbch1uru,..,..c1iont"°""""""builonA.
A•,>Ji,and>.7.(f!Dextenziouol!hepumu.etirom&1ic
-r 311.
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11L
f
The Dsus4 and Dsus2 Chords
-
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Playing the D, Dsus4, and Dsus2 Chords with Hammerons Wh
oecoMchonlshouldnotb<sirummod.lnd"óosination,...lf:~.
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n..in.;,,Wut1....,,11idionl<.ab<>•01"dof...,.,.,mcn•thato:nd•tol<.ito ~ mll;io>rcbord..-howrnoeioi..,.bolf.otephighe<.lbo"""'twobars...,..,.th<
lt'7chordleadil\ltothon:1
1°
1
22 • M~re Cltords a1td Ttthiqu..
The Gtº7 Chord ThisGMcb<>r
!hefourthpositiOll(t•,.•l'MahleherJ
The OJuntry Ge11tlema11 Dir«tlrom011rC...•"1Ju..r...1twc~w.,pecbg<. "lboCoun1ryG.nllemanº ioolimplosooa- thalleúllre1U..Gl"7chon1
r. . . ·}I
#41 D 441 o i 1
r·~ D 1
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o I~ D 1
1
1
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D
1 11 1
D1
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D1
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Altemating Bass Notes with Chords Eadiolthtmainchordain1""Cotin1ryGentl=an"ispby..iht<e!Mina" ~-pbywillleocbottl>e9ecll0<1h10baàtn11'1:C"""tryc...tl=w:i"
...... li,.s.lblllDS.Onoo,.._whd>--•·
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r·, : : : : :· : : : : : : Anticipating the Downbeat Aswtlear1>edin6ookl,ftlki,.N-vlM~ loa fan
1"'1"'°"ldpbythtóoombealchord«f>(lt<wiJ'_lnthooo
chord• ""'o
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A//~N11Jli "6
B= Notn wW1 O.o...U
Combining tbe Anticipated Downbeat with the Muted Strum
Moretha11Chords
=:= =:=
Bar Chords The Sixth.String-Root Bar Chord Fonn Yoorlir.tlullba•doonlísom1jorlorm...i.o..roo10.ontbellixtbOll'in1. A-•with .Omov.t>lan.11<>rdoarytlwiopeo
ct.ord,.,.OOyoomayba-..tolllllR•k:wadiu_o,.unWyoollo>dthebeol-y •oholdrourlmhand-Sran~d!'Op!Íl>j!thethumbt<>the=i...-oflbebackof
thc°"""""dholdJ")llrhaodtbew~y0u...,.,ldtomok••~fl dudLKe<.-pthe~f!~r(th<~yoorsOO>etobarwith)ulllnligh\ ..
?OMlblebotcurltbercmainingthltt~.oyou.,..,pl>ytbeOJlbarre
chord sh"IX' up>nd down thetr-.:1 (ayou ...;n in llri•""'t<=t<:i>o),tryto rctainlh•chmllsbapeinrourlwtd .. yourcle•<e~ontbe•~Tho .-iUhelpyoomo~qllldMitio.n1<>thenu:t.
Noti«lh>twhenw<:SKlordohwe•hthe,..ydowntotbtopon pooj~oolhat,....,.Jupwith•~edopenF.cb.ooi\Vhenp!ayin1thi• ~~oltheopenEchord,yoo~lfindilrn<><<,comlorlabletol
lu.ldthumbsliok>fumllyupfrom!hebo<:l;o!tbenoci<. Thio""•rcioesbo.,.. wheretopàceourflrstb&r"11>j>.Doo1-ryif1"'J"*"'!rouble..;thonyofl!Kse,
lfl<'Twillt.iko..,,,,.,timetomaster.
A Timeless Bar Chord Rifí Nalwelluoet!\iooamcW.-ol>OrdolcllOf'Yin•BninSrew/Jadttl·and~ui"250<6104."
Other Sixth·String-Root Bar..(,liord Shapes Chedri()'belweenU-mojor,tnioor,mi:lor~lh.and"""'11th
cbordshapooaedtheopon:ll'ari>1lo
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Mi'llOTBarBlues ·M;r.orflarBluc•"io1•>t~irogrn(K'CU...>.ooh1trina-n><>1minorbar-dtor
ohapeoxerci9<.
== ==== =·=:= Santana-Styk Blues
Th<1ixlh-Win~minor-lllbol'<:Jlo,"doh>p0tnttbolh ....:dh
Ue'saWoma11 Tll<:~,.,....thbar-<:bord"1ape(wlllltbe0\)(iollal""'"'lh"Ol<)i• ....itopbythisll
JtJ:== r::-:·i:-·:-:·: : H""'thelixtl...iring-l'OOllnajo• .. dmioorbar-forrno.,.....,..!-0pbytbelimW. dlo
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IV
V
VI
H
1 V
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1 1
11 1
rr===t1TI 11111 11 ff™1tttl
Beatlish Chords Th
wcre-.lbythe&atl01bar-dl0n!form•lf
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_ __ _ __ _ _n._efamTrax~ita':.!!_~~&~2..:..!_l llere,!befiftbctting-<<>01Nr-dit~in.....,.,.ipo.;OO..sto
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playthisrbythme;uitarp0rtwhkhioalipoltheba!tn[riio<. " ~ber toholdlheshapeof!bechonlwith yourlrdhanduJQUm.-~ewhe.olD09in.i!~frompOtition!Ooooition
E
D
E
D
32 • BarClwrds
Three Othl'r Fifth·String.Root Bar·Cllord Forms Hore,our--.!m>jor"o.r.cborddapei•..;,,itoproOT ocYtnlh.ldd~!hfillh-otr:io~-roolblr<1'onl~
Combining the Major and Minor Ftfth.String·Root Shapes
~~f ' r ~r 'm ITT3 ~111 1 1 li!1 11 1 1111 1 1 i [1! ll§OO Rollíng Stones-Styk Rhythm &lh"'1::lh-ldd!iltt>..irinK-tOOlchonlfonno-Wll\bi~forlhislloTii ng
Stoo .... otyierh)'thrn.J!you'...,not..,,..,wbichch.,..dform.,_...,.montn.,.,, doobiechedwholy<•ú.,abouttoplaywi!hwhar•.,.,neo.iolhe1abla!t1tt Am7
Dm7
48 0
1 ~7"
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Am7
0 ~ ' 11 CTB ' 0 ' 1
([]fl 11 Ili
1
l
•
2
•
Ili 1 1 1
3
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Pedal Tones AP.
Neil Young-style Rhythm Korcthcsix!IH!rinaOl""'Enotet.uoed•aplll mojor1*fo.-mtoplaydlisfuier-.!>dina;"""'°"ol .,..olthcl'eilY~
rhythmotlw,..pbyedinbooko.oc
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1ttrt4 1 1 1 1 1 1 li 1 i
H
led üp~li11-Style Rhythm Nowwe'llcom'oioebolhm>ioo>lld!htlowEprd>ltoo
The ~ Chord and the ~ Ornrd 'ThcxtwochoUn
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1lit }o:mTrw:.G~itorMtllwd&>o!2 •
~1 1° 1 0 1 7'1 0 1 ~
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Broken Chords House ofthe Rising Sun Thiotnditiomlfolbooa'inltime,..,abia"hillorEri<Bunlon..,..lbeAninlali ondis...,TilnownbJ"'*"YJr.rilari•t.whoprobabl:J!<&
llie 'C1 Chord and the 'U Cbord ~
l'm Go1111a úave You
llal>tl'mGon,..U:aw:You";oonocber!ndltic>o>.lf~lhatl<>rdswithoheredroots.U:d7.<:PP"lin~llú!oolll!bf
-.:c<>r<1;.,..._....,,,oliton!brir fil111.ibum. NO!>ce-ll>ethumbc:tnbeOJ>6on>.lf1n~iri"'nforthoFd>o
'o rm!nlho-P<>Oition
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The Open Am7, Open o4...wu, and E7sus4 ~9 Cbord 111-....,thoop<'OÃm 7 chordohapelo<noYcdup-111boleotep10~ - olcbordiolIJ~ E'/~ chOopethol il oirmlartothedimin;.i.cddtordawc nrlitt.B<
From tht &gi11ni11g
1
Dm ..._t al r.mc.--,Lal::c .llld l'>ln>cr'• "Frnmtho~·bruop
~-ol.lho~*""""1..,d~-- .... - . i -
byGreg~
The Guitar's Fourth Octave 'ibepoltOlesbetwttnfrgo0lDdl2lothc...,.,. .. lllCpaQ<:ta..,
bigher.
Th<9'-marl>0W>elr
played-ocr-lliEherSeehowlhe...,..pattoni<J/nolel(int!Us~thcfchromatic ..m.),canb< piayedoneoc:taYeh;al>erinthclZ-~2~fm1211K"·
(N.U:Notallll\IÍtaB
"-""""'Ylour-,jl;SlfO .. hia'h n yooan)
r '·
'r r 'r r
The Chromati.c Fretboard Diagram O.K.-.l>ln'll?M:bi.,p;cture!~.tt>eo,e ooteo•rmbcw,,.,familiar">Y<>U-00-li.tyounCJl!ll(.'f""-->Unetdto•......,at>d~thil.,.....tim<.Roman munoru...,,......i1y..,..itoil>dic:olohtsMfr~pooitlon.
Xll 12
'
Xl!I 13
F,.tHMbtrs lll(p.,.ccm,,.J
XIV 14
XV 15
XVI 16
XVII 17
XVlll 18
XIX 19
XX 2C)
XX! 21
XXII Z2
XXIU 23
XXIV 24
Basic Scale Theory S
0...>nyof!hinlri.oiraboutocaln•oflhem>jo<'°'le 1l>edjg;an0attytMJnote•within o acaleO.calledani•lnWi. Ai...., b<•teyoinam>jo.!ly...,yirurlheinte<<>l s
olthomajococalcweo..,)'.llU.mus'CO acalecanl>e)>l>rllowin~
~oaletr<'flTeO<:oe>lin~.OOdoubJ<..ocu•opal1ttn•tbatm;oy _,,,"'11cr.,,.rnoucompla.Doo~btfoo\ed,thitioonlybo<>o.o ..
thogi<en
«.i.noteo>ttplayedmottthanOOO!inddla',,.,.fo,hillhcr&ru!~ too.ai~)
Solo la: Please Excuse Me Ourl'inlb•d
~erililled ll1#oct~lpac-._,m.,,/a•TN2/KGoil<>T. Wellbrt
offinlhtkerofEmajor,llndyou11-lromoomcoflheloll<>wil1~oe>lrtand
teu11t.,.n m....ooio.lhat.,..,..uoe -lrombo
tuo/••,..,......disk.
E Minor Pentatonic Box Pattero M..,..,.....thisEotinor,,..,wonicocalepottttn.andpnth o!ricldOWDOJldaltttmto~
~·"""'"""""""~"' EBluesScale
1
A.pouetnprod"'°"'"thtF....,,,.=k.
li
~~~:,:~:\:·:::~::~:I'.~ :·: ·:::~;1: Slides A.r!OUlineth>tcont>«UlWnd,unpi<'ad~.Don<>I
re1ea.. weosureontbe>lrlnawhii."1.idifle.
Tilejam'I'raxGMitarMethodBooi2•45
Pleose Excuse Me Solo la Mode.-e•halllo i;-;_ fflJ
89
iJin JJJ
~/º
e·:::;: 1.i.o~""'*pitar"""dno"'"'"
~
= r::::: :·: : : =
r.····:·: :: :l :~; :;·;
=:::::.:: ::::::-:
Solo lb: Scales and Techniques E Box Pattern with .Mixed Major and Minor Third
No""' lllis..nationoo!hcminorpmWbo "iieOt)
rou .. U..nutoo<1\0moybep~.,_o aajordtoOI btreio«>pr-coentaie..b-'<>oepts,ondriff~llia<<::lllbeuKd
tollOloinltWlydiffier ... tJOOsicaloiW..tions.
Hammcrons and PuJloffs llloei.:1-i•~lill"""""""""""""'"""""'l«OO<>dtrot-hond ~.FintpbytheOp<11oot<,th..,ooundlhe..rondnoteby"l>ammMo._.
O!l""Dotemdlhe-dfrd pó<.lledbo\!hc...,,.,d~it-•dedby"pluo!/iqoffw;,h
thelrel-handJinae
17tt/Q111Trw;G"il"rMtllwd&oli2•4 1
Various Bend, Release, and Pulloff Combinations Pby-klidsbypbJina:tbc~-.ond th
otri:n,e:(lo.....-.llh<middl<-ofthelr•l>"""lf1'0Dthebent:ilrlne-while rtkaoingthel>end , W'lbllhe~alpiltllishurd~ McMurt3hao n>i<ed major- ..... minor411"'9.l>cnds.
The Quarter-Tone Bend C9 and 89 Chords Thn•boocbordsarttbc-"""-'lallopeployed in - dift.reolpooitiono. Try.,.,;ngthlschordstiapeupthencd.pboOICooeac!l oflh
•
li
48 • 5-0/oJb;Sca/ualfdTuhUj""'
Pleast Excuse Me Solo 1 b
_
_
Solo lc: Patterns and Techniques E Box Pattern with Flat Fwe Notes and Mbred. Majorand Minor-Third Notes
~ "\f Ir li
":;;::: :::
Mixcd Major/ Minor Riff
r·==~~·:
5Q • S61olc:Potttnuo"'1.Tttbiq"n
Mixed Major/Minor Thirds Rüf in Four Locat.ions
Bends and the Bend-Release-Pulloff Combination Thcoo~lthe........,beodsyou'llcncounu:rlnSololc.H~th
bc
Various Slides llilentolhCktol>earthe""bdedille<e<><eoDith<--ioflhetoe
-~
Various Hammerons M- . ! in..,._miiodmojor.md minor-modonote.. M"""'re2 tewen!l'IUjoo-/minotthinlccmbinotiono.
Pulloffs
Double Stops/Hammeron Riffs
'"""''*"
~ase
Eu11se Me Solo 1c M
~
~
~""!::::::: :::::'·: r.""'. ::::·~: ::::
·=
=•=:[ ::· :=::: "'
~
M
~
ITT
'~~=:::::~:::: :
Chor'd Chart ÍOI' Pllase~e Me
---a-:.nJ ,.,;,,";.:..
o
Legend of Musical Symbols Ha•"'"""'
Ploylbeflnl..-l>Ol!ll&!ly, lh
=
hand!inle<. Donotll\lut
~~~boldioglbe-
/'tdlJJ/fPlt•lbefioldi1111downtbal"°"'
ootballbe-.1,kro>eroottconlOU!ld. You shouldalr<-adybe~thelo-....,..,with ODO!httfm.lwid~.
{ffod;;
F!oaerlbeio-<-io>dl<>le
....... lhc.....
ootocnWlylrdtM:~;.writtttiiotdl,..,.wha\lbe
?ildlof.lbebeo!not.lhouldbe.
Rcl<m<,o......,,.Mli: F'111Cttlbeiow
~-(inpor«l~)will_llnt_ roupõdi.lhe~.Me<~,,.lm:thrb
untillheorigi!lalpitdloounds.Ar•'"-comNdirecl!Jlfler•beod.DoOOlpicliou10 ....
SIW(toaddinilepiti::b)' 1'11,-thrfir>l:.-;lhen,wiU.:....rdc-,
.....,.. .,,,lhe ....... lil
=
u.u..~ ~
.... """'.notÍl>pore>-.-j'OUr-
lm-hmdq.,.wllilo~lbe~re
p;l_...,.,....tiand~.n...põdi.both llrinp'l'bileoltho-tim<~dinglbe..
-wllilil'•pitdlmatdletlll»toftho.-ootho
bicbe<-Olrini:
56 • [.qaodo/M,..;ca/Sp..bob l"...... la:k.JWpbylhoindicotedll<>lt,......,u,Jyond ~.....,....thestrin11b..t:mdloctb """'"'lhel'retboanlwithlho~-handrm,.i-,oo
thalthepitdtoftbe"°"'w.1ven dcJl!lyup ond
down.Anotherkindofl'ibntoitochitYodbir oimplrlhU:injrlholht-hand~from-lo sidell'hil<~theindicale
Triil:l'loylheíintoott.d>O<>lwnme
~:.r:::
Qoiu,,,_..u:
..
,_cai.iorthe
Tbcf"""".,_(orotcp)ís,•~oounda.balfc' o
half""11-Smallklh"'1•half5""'canbe ~lrJl>mdina".f""~tbeindialedDOI<.
!l>tn\>cfldlheminguntilthepitchriona""arttt tooe.Giw~·t11epitchoflhe"""'•littleb;t
hifber).
1
3
GUITAR METHOD
V
GUITAR"'METHOD byRalphAzMe'Sta
Mono-.:..i""°"'IC-.andmoni-od
.. - .. eorn.... x....ipnr... i-s.-tlp>on soloii>c.ond_thythm.......,.....p,._...,_.,,;o..1n on
....
._..
____
..... .._, ,,,,.,,,,
_____
,., .... ____ ,,,,..,.w. ,,. .,,....._,_,.,.m__ ,.,..._.... =--~'"==-"e'.;;:.:!
CDTmckListing l.T-
1.
J-TroaJ-·1~Bot.,..
.. E.Cn<>-
J_._,....._r.t.·(1"'"''"'_ .. _
'· '""'Rolloddlloo°""C...º(oo-
• J-Tt .. ~
·-r.~
...
·--~U"'_.,.,,.l
7."-E><.-M<ºM«--(71hl"~ .. ... IOºAl-!l><SC>lrw>:I'"
l:t 11oollH"""
"· ......... ._.
,.17. ..,,.,_..,""""a-o. .,.,....lb.U, ,_,...tl>o..2a... _ _ _ ... n..il9.ºl.orlr>tmº(oo..,....,
:ro.n..1".-..-...is.-1p,,,?)a....i
li. ).olTr»,_-r...c-,...-· ,..~,..,.--°"""' Z ' I . - ... . . . -... i<. '-""-....~- ........... -
a.
n..~
....... -a...dfwol
t>Ar-ltu~l
'9.·>1-""'"""'' :it1.·--.,,.,...-·
:l:!-Tu.tbtt"
......
~·
llTh
'1.C-thcM ......... -~Sb.,.
!ll.·--.-.......--s.,o.Jllo,llua•
J!l.º!<
"1º!.od- -Sll'o-· ... ·1 .._
..... ~ ....
s..·
n·-rmr-w..v..· ...
·rr-thc~S>ipToSoloh
·~·,,.--.,.,..,_,.,
!\.------e--.. '"-Solou:·ri.-i:..- ......
,_11"nl,_
52. Sololl<"l"-f=vot""º 53. .,....,,_,_,_,_ _ ,_~..,,...!Mlml>bioo-nd"'-11õolN~
____
M-Y.....I,,,_,._..,.
""- """"".... l,,,_~N-Wliot·-~
... - - .... - - . l ' l o l l o l f C - . -
.... _...
""''
Q.5olol<º-Eioc.-\ltº .__.. ,._.,...._._
....
Contents
How to Use This Book ThóobookO.dM
"YO<J:JFlrstSolo"(l<>dpiayuiV.Eactioflh
lheoctualmusi<>l.....,npbtl ..1.,..l<>tuMlontb
..._no.._
1r..~edournplctontheC!l) . F...>
-•ll>
'ihn:iughoutthe"l'loyioRClt<J<'do":l
--·"'-º""""''ndoclUalJ""'T""jams. élch<:i
v.ru.,.J,"shoo\dbethoo2h1oh.. ...,.,..1c-...T>k<:)'OUrtin>etor
• \\'hich!ln_,..niu rel="nofollow">Íllg'
'""°·W<~Mtcofwhichlllrings..,ootbelligpbyro>1oll(iodia t
::.:;'::;;:.m•when:it<Mbe"°'lie<Jond~sim~yb11"«<111nitin8" U.."Yoo r~-intSolo"-OJalso~byak:w~olbasic
informationthatwill
1'>1!..-n"wl>o"'ywanj(!lu«;dtopbJ>"i:llifll"l<no""'bypncbcinaO....,"'<J' simpl<..,al<>.lk»•~f<"lh.il-.in~o!<'lingcrir.g;..-...-.ii.,-11ir
11111,....,.. __ T,..._.., ........ ,. __ ., __ _ . . numbenloc>t<'dooatthooote11<..i,intlle~-"---
__ __ __
t...10-•dor-·~~intbtilr.<á~-'T..._,."
....,. _ _ _..._
______ ,_.. ........ -1...__ ..
A!fortechniquo,thc"/Vcanlo
Vl/l,lhevariou•C(IUDtrymuti<:.iati<>m,..,donyolhtr........,ni>lk!aturemuoi<. ondrw1l...,,_.~lll>ntn~e>J il>tisl<-\\'atchthen>e1Molyto ... howlhe gui>Mi•hekl.OOtol
d>«kou11oaolpt>::1.,... lf)'<'.!d<>nlh...,otc>
fio-t;p..M•nybtgiiinineollyenown>llS:ly.,...,._,vcn,..,•f.,,-btdte
un
1bepicki>hcklbtlweentl>
""'"'iu>!Jll!ttiagotvt
More Chords and Techniques The 87 Chord 0oceY'>"knowlhe67chord,l'OOcan"""i'll'iththeE7&l>dA7diordatholyoo INr...d"'Book!topbyabkieopr<>Cr
ol_et..,.,iornoOl't--.i0111!....ttuu<:honh..Thiapor!Õcua...ct.artiofw lheYeryfintJa•Tnujam~reoonlod,-lsll'OdlonlheCDlha!~
withtheBiwa,_T_/DrGoiU.•pook.osre.O\Moo.Jolyywdoo\llff
badcl11jjlnek10pra
12-BarBlues
.-:.n
101 1 1
;irt•" 01
DM
1 1
:§
•'
1 817
1
..""'""
o
1 1
o
o
1 UI
11 Ü I
1
L@
lO • MMeCliot'dsa•dTec.hiq11_•_ _ _ _ _ _ _ _ _ _ __
Another E7 and A7 Cbord Shape F0<•tittlecNillltofll>v«.fe
Other ]amTrax Jams Based on the E7, A7, and 87 Cbords ·12-&r~ShW!l
~~::·Bt-.inE"
Moti
•r.st l2·BarBh>osinE"
12-&•BllU!l
"12-!larSoulh
li!>&.Bhu•
·B
5!=
"CudyAwl!Coupt• "llA ' • lloo~inf"
"MyMuddyW,i.,"• "KocbbilyTruth"
Mo"BI""'
~.,,
1"e Ba/lad of Ron mui Coro M.,..1« ;n1ticn«1enmplc.thtEand"""'i"'chotd1m>Jbr>Ubotltut
neJa,,.TTtUC.ita•Mttlwd&x>i2 • 11
~·87
:r 1 rrn ttn
rrn ttn rrn ttn mL.1 E
PUrueExcuseMt TIIClast[-Jl
llliobook.lt-ori,&in.ally!ea!uredonlh<M1m1Blw>fo>•T>=flwC..olordiok
andwumod
Trylo,,,....eitonovewilh!belkrorot!bedrumsand!be-.E-y110WODd thcnos)'OU~t!becboru..,.or<J'Cbolthi•iam.1rJ111bolltulina:lh<EW>
Amojorchor
"'""''""'""'"'(dmeu-0>Book!l.A1to. 1nocnnlifllil-f""leel""'llle
....
9'ro0Jlb
1
l'
F.7
11
rr
an
1 2 . J+
A7
1r 1
4
E1
CfIJ
1r
r
CfIJ
1 1
CfIJ
1
1.·6
~''•B7
r r CfIJ r cm r UIJr oo .A7
1
'· -ri#· ;7,
IE:7
1
1
117
1
1
1
r
:!I
Pltast Excuse Me with Diads Youcaoabouoelh
completdydillcn:ritrhythm!llrtf0<"f'leu<:F'.=
youohoulduoo.H0<...
.,,\mpo<1a11 1tip:Dono1me-~on~
~~~~~~wtirnrou..,;!dil< rel="nofollow">)")Urlhif
::~: ff"1'r1nnn ni; 1
1 d
~ase
ª
1 1 1 1 1
1,
1 1 1
ExC11M Mt with an Alternate Rhythm
-lef'•US
---iamwiththcliv
&2J
14 • Mwe Chords and TuhiqMa
The G7 and C7 Oaords G'
CT
11 li louMeDon't Wellbel:oinr:lheoetwonewdlonlsoncl•W um jlOlttrtlthot'1""'~
.......
looa:11>-Wioi •r-!Plar•
.-i.n G'
CT
~l"ll"ll"l
"!l
Y l"ll"ll"I Y
Y l"l
11 0 1 11 O O1 l
2
3
••
l
2
·(3)·
~' r' r 0 i r 0 0 r
1
r
4<1<.
r
0
r
1L L
1 0 1 1r 1 L
o oõ o ~· [ ! µ:p 1r 1 o r 1 1 u r r 1
f
r '
r
1
r 1r
1
r
1
r 1r _ :_
1
16
• Mo~
Chorih a11d
Tu_ ••~iq"_"_ __
The Fmaj7 and G6 Chords When""pl>yth;.finlt--'ôonfm>joroewnth(Fm>,j7)
ployU..{lf)!ionaloill~ootcforeacllofti-ch0tdo.lfyouf,odttte
rootooterooM6c.dttoplay,sirnply1r-..uctheotrinabytoochlflgôtwitllthe thwnbjometlQOizhto!O»plt!rom~
Nightmares Now""llut0
g:p ! ! g::p :m an
11 1
r r
~~
~ 9IlJ
1r
,
r ,
cm , cm cm r
r ,
·---+ll
Al/alongtheStairway Do ytlorem<mbe
cho
Am
~II 0 1 1 PO'ft 1 0 1 11 Cf:!14w===t 1
11"'}a"'Trru: G11itarMttlwd&i!ll2 • 17
The
§ Chord
ThoG"°"'incltidedinthebottomofU.i•lormmakosll\'°avtryfuu.-itidi~
Vff'OionoftheCdlord.SWdytheoimilarityinthe~dthio~ch<m:lmd
theFnuj7dlordth.o1weuocdinthelas
•
mdFmaj7chordttocre""'the"""ll''
''
'l"I'
~
1
l"I ~ I", l"I V
~ l"I
c::o c::o c::o m 'Eo c::o c:o w l"I V l"I
1
'
•
2
• • 3 . •_(')•.
'
coco~
iGirncow The D+ Chord
lnF.
,,
li :;tti 11 o1 11
1
o o o 1 11 1
1 1 1
1
The D6 Chord
Thc A+ and A6 Chords ThislormoftheMcbordttqllittorwlarrwrlint~d~llal""°" tho!;nttluto:Oltble>Mlbe-~Youwinprobablyh>V
ha<>dthumbóol'l'llbehlndthobad
StarlingUmkr "'Sbrlin
theA.A•.md),f,"'""""'tk~haltll"P")<.hord~AsJWplay
-.imaginctheintrot.o)olmt...n.oon"t"St..lineO.W."
~I' 1 i
e+3 Buause For a wtiíl
J!:ue#W
A•,>Ji,and>.7.(f!Dextenziouol!hepumu.etirom&1ic
-r 311.
":!'
1
1
1
A
~
~
M
1r 1 o 1 11 r o r 11 1 o 1 11 u 1
o
i1o1
101 11 0IPHfF
,y· "!'/
11o1 1 1 o 1 1 1o 1 11 1 o
~ 11 ( 1 O 1 11° 1 O1 11 1 000
11L
f
The Dsus4 and Dsus2 Chords
-
lbo°""'4:mdDs1112dionh.,.,olt«iu>«l!OMk!cdoortolhcotandardopenD
1
Playing the D, Dsus4, and Dsus2 Chords with Hammerons Wh
oecoMchonlshouldnotb<sirummod.lnd"óosination,...
"
~ 1"11"11"1
..
.. .
IEIJ tIJ ELO E±J 1
2.
3
1'11• /amT.ax GMilarMttlwd &ok 2 • 21
LuckyMa11 E,,.,,....,,.,Ul<eood~~ "LudcyMm"is•~oonatoplayOt1lhc:acou!li<
=~~~,..jostll:ai-n«lwithth
'cm co an CD q:q ... an @Ul 1
l
11
Cm CD fan EO Cco ia
n..in.;,,Wut1....,,11idionl<.ab<>•
lt'7chordleadil\ltoth
1°
1
22 • M~re Cltords a1td Ttthiqu..
The Gtº7 Chord ThisGMcb<>r
!hefourthpositiOll(t•,.•l'MahleherJ
The OJuntry Ge11tlema11 Dir«tlrom011rC...•"1Ju..r...1twc~w.,pecbg<. "lboCoun1ryG.nllemanº ioolimplosooa- thalleúllre1U..Gl"7chon1
r. . . ·}I
#41 D 441 o i 1
r·~ D 1
-~··"1 o o 1
1
o I~ D 1
1
1
D'fl
1 1
o
1
1 1
D
1 11 1
D1
o
1
1 1
D
1 11 1
D
i
D1
1 1
D1
li
o1
1 1
1 1
1 11
1
IG1
1
u1
1 1
o
li
1
1
Altemating Bass Notes with Chords Eadiolthtmainchordain1""Cotin1ryGentl=an"ispby..iht<e!Mina" ~-pbywillleocbottl>e9ecll0<1h10baàtn11'1:C"""tryc...tl=w:i"
...... li,.s.lblllDS.Onoo,.._whd>--•·
pby~IOoilll!thisrhJtluN<:ttthniqu<.
~·
"
'
~ ; ;~ '
q : ; : : ::: ;
;
; : :
r·, : : : : :· : : : : : : Anticipating the Downbeat Aswtlear1>edin6ookl,ftlki,.N-vlM~ loa fan
1"'1"'°"ldpbythtóoombealchord«f>(lt<wiJ'_lnthooo
chord• ""'o
~I
' µ9 1
i
3
a
•
(1
G •
2)
•
i ~ o· e •
G
n .
G 1 2!I •
a .
24 •
A//~N11Jli "6
B= Notn wW1 O.o...U
Combining tbe Anticipated Downbeat with the Muted Strum
Moretha11Chords
=:= =:=
Bar Chords The Sixth.String-Root Bar Chord Fonn Yoorlir.tlullba•doonlísom1jorlorm...i.o..roo10.ontbellixtbOll'in1. A-•with .Omov.t>l
ct.ord,.,.OOyoomayba-..tolllllR•k:wadiu_o,.unWyoollo>dthebeol-y •oholdrourlmhand-Sran~d!'Op!Íl>j!thethumbt<>the=i...-oflbebackof
thc°"""""dholdJ")llrhaodtbew~y0u...,.,ldtomok••~fl
?OMlblebotcurltbercmainingthltt~.oyou.,..,pl>ytbeOJlbarre
chord sh"IX' up>nd down thetr-.:1 (ayou ...;n in llri•""'t<=t<:i>o),tryto rctainlh•chmllsbapeinrourlwtd .. yourcle•<e~ontbe•~Tho .-iUhelpyoomo~qllld
Noti«lh>twhenw<:SKl
lu.ldthumbsliok>fumllyupfrom!hebo<:l;o!tbenoci<. Thio""•rcioesbo.,.. wheretopàceourflrstb&r"11>j>
lfl<'Twillt.iko..,,,,.,timetomaster.
A Timeless Bar Chord Rifí Nalwelluoet!\iooamcW.-ol>Or
Other Sixth·String-Root Bar..(,liord Shapes Ched
cbordshapooaedtheop
Êl ím·dtJÊ~ ~l;
Mi'llOTBarBlues ·M;r.orflarBluc•"io1•>t~irogrn(K'CU...>.ooh1trina-n><>1minorbar-dtor
ohapeoxerci9<.
== ==== =·=:= Santana-Styk Blues
Th<1ixlh-Win~minor-lllbol'<:Jlo,"doh>p0tn
Ue'saWoma11 Tll<:~,.,....thbar-<:bord"1ape(wlllltbe0\)(iollal""'"'lh"Ol<)i• ....itopbythisll
JtJ:== r::-:·i:-·:-:·: : H""'thelixtl...iring-l'OOllnajo• .. dmioorbar-forrno.,.....,..!-0pbytbelimW. dlo
~E
F-
Fim
G: ,..
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XV 15
XVI 16
XVII 17
XVlll 18
XIX 19
XX 2C)
XX! 21
XXII Z2
XXIU 23
XXIV 24
Basic Scale Theory S
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rou .. U..nuto
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Mixed Major/Minor Thirds Rüf in Four Locat.ions
Bends and the Bend-Release-Pulloff Combination Thcoo~lthe........,beodsyou'llcncounu:rlnSololc.H~th
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