Garrido.e.de Furia Y Melancolía

al Terceto de Guitarras de México

...de furia y melancolía 2014 Eduardo Garrido (1975*)

Reflexivo ( q = 50)

I

  

 



II



   mp





  

(tasto)                                         (pont.)

6a en DO

(vib.)

(pont.)

p (l.v.)

pp

p

 III   

non accentuatto, eguale sempre



(vib.)



   



mp

4

  

  





 

   



 





   

(tasto) (pont.) (tasto)                                              

f sub.



(pont.)

pp sub.

p



   



 

pp sub.



    

               mf

       

  

 



XII

 







  

f sub.

              

7

  

(tasto)





XII

 

    



        

deciso, ma dolce

3



 3

2





               

               ss gli

 

    

.

 

 

   

  

   



 



XII



10

sfz

       

13

Con anima ( e = q )

  









    





   

 

XII

  



  

(2)

ritmico e vigoroso

      

         

(1)

  

          (pont.)

      

                          (pizz.)

(pont.)

   

  

     

XIX

 

 



   

    

(rasg.)

20

  

                                                                                          ff   glis Tambora s.        sfz 

     

(3)

      

   

 

   

     

    

(rasg.)

   

     

         

 

           ff

 

  

          ff

(1) Mano izquierda sola - Martellato / (2) Percusiones contrastantes a elegir / (3) Restallar la cuerda contra el diapasón - Pizz. "alla Bartok"

Tambora

  

 



 



     

  

  

  

ff sub. (rasg.)

                           ff sub.

f sub.

 

  

mf

                            f sub.

    

f

        

        

lirico e malinconico

     

 

XIX



mp



 

    

                  

30

 

    

lirico e malinconico

      

mf

 

f sub.

        XII    

26

 

                

Meno mosso, rubato ( q = 80)

  

   





               



     

(rasg.)

23

3

   

      

                

         

      



 

brillante e un po' come una improvisazione





          colla parte







       

        

   

4

   33

 Poco piu mosso XII                  



XII     

 

    XV  

XIII

poco vib.

pp

p

poco rit.

 

(Lontano)

poco rit.

 



 

   

(pizz.)



 

       pp

p

poco rit.

                         

(pont.)

         pp

p

poco rit.

 

(tasto)

poco rit.

de  a  y Final

38

   









  

(tasto)

p

 

(pont.)

                     p

(l.v.)

rit.

  







      XVI

  p

pp

rit.