[free-scores.com]_lauro-antonio-natalia-valse-criollo-81683.pdf

Felix Rodriguez Arranger, Composer, Interpreter, Publisher, Teacher Porto Rico About the artist I have been involved with the classical guitar for 45 years and since 1976 have been actively performing, arranging and recording. Some of my most influential teachers (masters) have been Alirio Diaz, Michael Lorimer and Juan Sorroche, among others. I still have the same passion for music as when I started and I love to share thr results of my dedication. Qualification: Master Artist page : www.free-scores.com/Download-PDF-Sheet-Music-felixrodriguezguitar.htm About the piece Title: Composer: Arranger: Copyright: Publisher: Instrumentation: Style: Comment:

Natalia (Valse Criollo) [Venezuelan Waltz] Lauro, Antonio Rodriguez, Felix Copyright © Felix Rodriguez Rodriguez, Felix Guitar solo (standard notation) Latin This is one of the most famous classical guitar pieces from Latin America. Natalia is the name of the composer's daughter but it's also known as "Valse Criollo" or Venezuelan Waltz # 3.

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First added the : 2015-10-07

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Natalia

Valse Venezolano (1968) Revisión y digitación por Félix Rodríguez

Antonio Lauro (1917 - 1986)

Allegro rítmico Arm.12

2

Guitarra

2 3  2 1 0 4  4  3 1 0 3 0 1 0 6    0  1 0   1 0 4 1 0        4 8  0  0   2   2 

4 2

5



 

3

5

Arm.12 4

2

  1 0 3 0 1 0 6  1 0     8        4



 

2

CVII

2

2

2

CVII  CV  CVI    4      3 3 0   2 4 4 3    3      2 4  0    3 2    2        1   

9

13

4    1

2

3

5



2 4

  1 0   1 0 0 0 0    2

4

3

2 0

 1  2 





4

2

 1 2

CVII

CVII  CV  CVI    4      3 3 0   2 4 4 3    3      2 4  0    3 2    2      1    

3

  CVII  CV  CII      1 0  4 0 1 0 6   4   13   241   3   4    2  4    4 3   8      13 4 3         0 0  2    3 2 5     5    6  

17

 CIII  CII      3  4 2 1 2 4 2 6  2 43     4  3       001   30    21  43 8   4  0 0 2   2  0 2   0    4  00    0 2          

21

2

2

3

Copyright (c) 1968 by Antonio Lauro. This edition (c) & (P) 1991 by Felix Rodriguez. Not for sale, All Rights Reserved.

½CX

CVII 25

 3 1 0 0 1 0   4 00       0   3  4    4   1    3 2  0 

29

  2 

 3   4   2       0   0 0  3

   1 0 2 0 1 0         2

CII

  4    4       3 

4

poco meno mosso 33

   3   2      0  4

  4     0 0  3  1 5 4

 0     0 0 2   1 

CIV

CII  4  2  2 4        3     

2

 4     3  1  4  5 CVII

 4  4  2 3 1              1 2      3 0  4

37

2 4

CVII

2

3

6      3      3 4 2 1 3 0  2 82  1 4   5

CIV 41

 1 0 2 0 1 3 0 1 4       0   1  2  

CII CIV   4  3   4 4      2   2   2 6   8      2 3   3     

CIX

 ½CV  4   3  4    4   3      6       43    2  1  2 86   2     43   2   1  2 86  8    2 3 0  0   3

46

4

50

54



  4   3 0   6 4    4 3 3 3  6 4  8  1  0   1  0  4   2     0  2 8     2 0  0 4  2 0   2 1 1   1 2  2  1 1  al Coda 1.  2.  3.  4 4 Tempo I D.S. al Coda 1  4  3  11    0 1 0 0  1 0 1 0 0      2                       6  Copyright (c) 1968 by Antonio Lauro. This edition (c) & (P) 1991 by Felix Rodriguez. Not for sale, All Rights Reserved.

3