Elegy For Brass Band

Élégie for brass Samarin's Greeting

Tchaikovsky arr Geoff Colmer

Andante non troppo

  Soprano Cornet in Eb  

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



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

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  



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  

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  

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  

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Solo Cornets Bb

Repiano

2nd Cornet

3rd Cornet

Flugelhorn

Solo Horn

1st Horn

2nd Horn

1st Baritone

2nd Baritone

1st Trombone

2nd Trombone

Bass Trombone

Euphonium

Bass in Eb

Bass in Bb

Cymbals



        



  

  



  



  



  







p



  











  



  



  



 





  











  

  



 

  



   

  

  





  







  



  

  





  

  

















p



p

mp

p

           a1

p

mp

 

 

a1



mp



a2













© 2009 G Colmer ([email protected])

  

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  

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  

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mf

 

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  

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mf

mf



 



  



mf







    p





 



  





mf

mf a2

p



  

mf

p





mf

  

mp





 



p





  



p

freely

mf

  

mp





  

p



  



mp



  

p

mp





    

mf

p

mp

  

 







p

mp



  



mp

  

  











   

soft beaters pp

 



 



  





mf



mf

mf

2

    11

Sop.

S Crts







  

A tempo



 a1     

molto cantabile



p

Rep



2 Crt



3 Crt



Flug.



   

1. Hn.

2. Hn.





 



 















 















 













   





          

       p



         

    

         

     

         

    

         

        

    

         



       

 

         

               p

 

       

               p

 

 



 



 















 















 





1 Tbn.



Bass Bb

  





Bass Eb

  

 

2 Bar.

Euph.

 







B. Tbn.

  





 

1 Bar.

2 Tbn.





p

S. Hn.



 

p

p

p





p



p

       







 



 













 



 













 



 

                                                                p p



 



  









p





 





 







 



 



 





p







3

   17

Sop.









  

    



 

mf

S Crts

Rep

2 Crt

3 Crt

     

  





  



  

    

   









mf





Muted











Muted











mp









Muted





mp

Flug.



mp



  





   

p

    

     











   

mf

  

     

    

    

     

1. Hn.

     

    

    

    

    

    

    





2. Hn.

     

    

    

   

    

    

    





1 Bar.



2 Bar.



1 Tbn.



S. Hn.

2 Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

  



    



 

mf









           mp

          









            mp

           









p

         

















 



 















                mp 













p





mf



mp

                        

  

   





 







 mp

 







   



mf



 





mp





 



  



4

    22

Sop.

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

 

               3





2. Hn.

 

a4



 

  

f













  

a1











 





  

   







mf

            

              

 

3

3

mf

3



mf





p







  

























 

  

 

  

   

  

 

  



 

  

f

 









p



p





mf

f

f

f

  

p

mf

3

1. Hn.

  

f



   

3



   

    

  



 

mp

  



f

1 Bar.



          



         



            mf

                        p

2 Bar.



          



         



            mf

                          p

1 Tbn.



2 Tbn.

B. Tbn.

Euph.







  



  

  



  

 







f











f





    

    Bass Bb   Bass Eb









 

 







 

 



mf

3





  

3



  

             

mf

 







   

  





  



p





 





f

 

mf

 mf



 

  

 



 

p

 

5

   27

Sop.

S Crts



        







 







 

mf

Rep

2 Crt

 

3 Crt



Flug.



S. Hn.

   

 



  

2. Hn.



 



  

molto cantabile



  

   



 





Open

 

    



 





Open



 









 







 





    

freely

                              



mf

1. Hn.

a2





p Open



       

B tempo

p

p

 

      

 



 



 

            

p

      

             p

      

1 Bar.



                             



 





2 Bar.



                         



 







 

mp

   



   



 





   



 







 



 



 

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

   

 

 

Open



Muted

Open

mp

  







        Bass Bb   Bass Eb

Muted





    



 

    

      





p

 



                       p  

p



 











6

   34

Sop.

S Crts



Rep



2 Crt



3 Crt



Flug.





 

 

   





  



  







  





  





  

 

  





































       p

          











     

     



            

         

            



     

         

                   

         

            



2. Hn.

     

       

                    p

         

            



1 Bar.



S. Hn.

1. Hn.

2 Bar.



1 Tbn.



2 Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

  

 

 p

 

p

p

      

 





  

 























p

 





  

  

  































                                                                    p

 

  









a1





p







 









p



















 

 

 

 

 

 

7

   40

Sop.

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

    









1 Bar.



    





     





    





    





     

ff



3

ff



 3

ff



ff



3









3

 3



2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

S. D. B. D.

 







 



3

3

3 3                     



3             



3     



      





 

     

3          

  



ff





 

 



 







 



 



 

 3

ff



     ff

3

     3

 

 









  ff  



3

ff

 3

ff



3







  3

ff



3



3

ff





  3

ff



3

3

3

3



3

    

 

3

3

   



3









 



 3

 3





3





3

3

ff

3

 

3





3     

ff

Bass Bb





a2

Bass Eb



3     







ff

2. Hn.



a4      ff



      

ff

ff

1. Hn.



 

3

    





 

3

  







3





   



  3



3 3

 





 





 



3



3

3

3

3  3              





  





   



3







   



 



     3



     

3         

3

3

3







3

3





3

 







   



3

 3

     3

3 3





 

3

 



3



3

    





3

3 3               



       

  3

 





 







   



3

3

 3



 



8

   45

Sop.

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

   

    





      





    



    



 3

 3



 

 

3





3

   

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

S. D. B. D.







                  



3  3                  



3  3                  



3

3

   

   

 

 

 



 



 



 



3

3

3

3

3





    3

  

3



 

 



 



 







3

3

  

3

3

   

  3

    























3           



        



3            



 







     3

 

3



     3

3





      



3

 

 

 







3

3

 3

  3

   3

 

 

3





     3

 

 

 



 

 

mf

mf

 

  

 

  mf

  

 

3





    3

   

3





   

   

 

3

3

 3









3



  3

3



 

 3

 3









3 3





   

3

3

  



3



3

  

    3





   

3





3

   



3

   

3 3

3

mf



   





3

3

3 3

3

3

3

3

mf



 







3

  

mf







 





mf

3

 

mf 3





3

  









 



mf



 



mf



 3

3

mf

3

 



3

3

3

 



mf

mf 3





mf

  3



 

mf 3

3 3





  





mf

3





mf

3



              



3

1. Hn.





C

3

 3

3



9

    49

Sop.

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.



 



 



 



 

     3



Bass Eb

Bass Bb

S. D.

   



   





 

3 3





3





 



   

 



 



 







 



 f

 f 3



3







 







 f

 



   











 



 







3



f

 



3

f



   

3 3

f

 



           



3

 

    





3



   



   









 





3





   ff 3





3



   



 





3

  

3

  

3

  3

   







3

f

3



f







3



 f

3

  

f

 

3

  

3

3

 3

f

3



    

 

    

     



3



     

 







3

ff

 



 3

 

ff 3

 ff







      3

3

ff

3

  





3

  



3 3



  3

3



3 3

         3



3 3

3

3

3

ff

  3

3







3



 3

3

 3





3 3                    ff       3 3 3 3 3        

  3

3

ff

ff

3

3



 



 

3

3

3

3

3





3

           3





     



 

3 3



3

    



3

           3

 3

 3

3

3 3

3

 





3

    



3

3

3

3

f

3







3

3







ff

3 3



3





 



         



3





3

         3



3

3

3





 

ff

 



 

ff

 



3

f3



         

f

    

3 3

ff

 

            3

 

ff

3

 

3

3

3

f

    

ff

3

 

3

3

3

 

ff

3

           3

3

3

3 3

3

3

3

3



f

 

          





f

3

 



 



   

3

 









 

        

 





3 3

   

3





 

3

   



poco a poco piu animato

ff





 



mf

3

Euph.

   

3

3

ff

10

   

    



 



 

 

 





 

        

52

Sop.

rall.

 

S Crts



 

    



 



 

 

 





 



Rep



 

    



 



 

 

 





 

2 Crt



 



   







 



           

3 Crt



Flug.



S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

3

 



3 3





3 3





3 3



Bass Bb

S. D. B. D. Cym.



3



 



3

3



3 3





3 3





3

3





   3

    



 



 

 

 





 

 

    



 



 

 

 





 

 

    



 



 

 

 





 

 

    



 



 

 

 





 



3

          

               

3 3 3  3           

               

3



 



 

3

3

 3

3 3



3



3 3















3

  3

3

3 3





3

3







3  3           

               

3

3

3

3

3 3 3  3              

 3           





3        

 3

3     

  

3

3

 

3

3 3



3

3



3        

3

3



3



3

             

3

  



          









3

3

 

         3 3                                     3

3

3 3 3 3                                     3 3 3 3 3         

mf







       

3

3

3 3

3        





3

           

    3

3

           

3

3

               

3

       

3 3                             

            3

3

      

                      

       

3

3



3 3

3

3



3 3

3

3

   

3

Bass Eb

3

3



3

Euph.



3

   

       

 



ff

   

ff

       



    

ff

11

   56

Sop.

S Crts

Rep

2 Crt

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb



 



 





 

 a1     

molto cantabile

 







 



 







  

 ff

 







 



 





   

 

 



   

 

 



   

 

 







1 Bar.



 







Flug.

2. Hn.









1. Hn.



     

   

  



B. D.



ff

ff

ff



 



 



ff

 ff

ff

 

ff

ff



 









 





 

p

              

         

     

               

         

      

              p

         

    



  





 





 



  







 

    





ff





 

p



  













 







 







  





ff

 

                                      p      

  







ff



  ff

     





ff







  

  

  





   

  

 

 

  

  

p







  

  









p

ff



p

 

 

  







   

  

        

S. D.

ff

D (Optional cut: letters D to E)  

  

 



3 Crt

S. Hn.

tempo



ff

     



 

ff

  

    

 

f



 

p



































12

   63

Sop.

S Crts

Rep

2 Crt

3 Crt

   



 



  







     





mf





  





  





  



  

    

  







mf





Muted

mp













Muted



Muted





mp













mp

Flug.





          

  





       p



    

     



           

        

    

     

                   

         

         

    

    



2. Hn.

     

                    p

         

      

    

    



1 Bar.















           mp

2 Bar.















            mp





S. Hn.

1. Hn.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass Eb

 



p

p

        







p

     



mf

        

























  

 

mp

                                                          p   mp              

    









p

























mp







mf



p

Bass Bb





 mp



      

13

Sop.

S Crts

Rep

2 Crt

3 Crt

Flug.

69    









1. Hn.

3

3



  



f





a4



  

 

 

  















  





 

















mf

   

  



 











mf

             

               3



3

3

mf

3



mf





 

   





  







 

















 

  

   

    

 

  

   

  

 

  



 

  

f

f

 mf

f

f

2. Hn.



f

mf

S. Hn.

              



   

   

 

f

1 Bar.



2 Bar.



1 Tbn.



2 Tbn.

B. Tbn.

Euph.

 

                     

                     





        



                      mf



         



                         mf







  



  

  



  

 







f











f

 

  







   

     Bass Bb  



  

 

mf

Bass Eb







 





 

 





 









 



mf

               3

mf









  

3



  





   

  





f

   mf 

mf

 

  

 



14

   74

Sop.

S Crts





 a1    

2 Crt

3 Crt

Flug.

S. Hn.

   

 



2. Hn.

 Open   



 



 

E tempo







mf



a1

molto cantabile

  

p





 



p

  



Open

 

    



 



Open



 







 





 

        



 



p



    mp

1. Hn.

      



p



 mp

p

Rep

Muted

  

Open

   







        



  

mf

 



 



p





mp





  



  



 

        

p

 

mp

                                                         p p

         

p

freely

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

  



 



mp

  

 



  



 



  



 



   



 

   



 

   



 

                                    p 











(open)



(open)



  

 

p

Euph.





    p  Bass Bb  

 











   

 

mp

  

Bass Eb



  

  



  

mp

   

 

molto cantabile

  

p

mp

B. Tbn.



            p

a2

 

p







15

   81

Sop.

S Crts

  

Rep



2 Crt



3 Crt



Flug.







  

 

   



   



  







  





  



  















































p

     







 

 

p

     

        

        

    

             

        

     

     

         

         

    

             

         

      

2. Hn.

     

         

       

    

               p

         

    

1 Bar.



2 Bar.



S. Hn.

1. Hn.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass Eb

Bass Bb

p

p





























  

  





























  



 

  

  





  



  



  

 

                                                                         

 

  















p















 



























 

 

16

   87

Sop.

S Crts

Rep

2 Crt

3 Crt

Flug.

   



  

mf

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

p

p







    

Bass Eb

Bass Bb

B. D. Cym.



   









p

f





p

f

p

f





     

p

f

           



mf

     

     

f

mf

                     p









p

f

 

 





  mf



 

   



  



 

       mf     

 



    

mf











       













p









 





    













   

   

p





pp

 



 



 



 



 



 



 



 



 



 



 

 



 



 



 



 



 



 



 



 

   

 

mf

mf

mf



mf



 

mf

 

mf

 

p

 



mf

 



 



mf

   

   

f

mf

  



f

         

 f



f



 

 

  p

f

f

 

 

mf







mf

f





 

mf

f

p



 

 

                 p  p



 

f



 



mf



f

p

 p

 



p

p











molto rit.

mf

f

mf

p

 





               

 

f





mf



     

mf S. D.

p



 

f

     

mf

Euph.









mf

B. Tbn.









       



 



mf

S. Hn.





  

    

 

    p



a1



    5    

p





 

       mf   



 

  

mf

mf





 

mf

   pp



 mp



   

17

Sop.

S Crts

F tempo 94    

Rep



2 Crt



3 Crt



Flug.



S. Hn.



 a2





 

p

   

2 Bar.

























          

            

            

            

            

            

         

           

         

           pp

            

            

            



           

           

           

           

 



Bass Bb

   

          

2 Tbn.

Bass Eb

 

         



Euph.



              

1 Tbn.

B. Tbn.

 

pp

1 Bar.





pp

2. Hn.

   





pp

1. Hn.

 



 

pp































 



a2







p

   pp











pp



 

 

 

 

 

 

   

     

 

  

 

  

 

   

18









 













 













 













 













 







   98

Sop.

S Crts



Rep



2 Crt



3 Crt



Flug.



S. Hn.

1. Hn.

2. Hn.





 



 

   







 



 

   







 



           

   







 





   







 







pp

   



   



 

   

pp

 



 

  













  

 



 

  

 





  

 



 p

mp

p

pp

Cym.

mp





1 Tbn.

Bass Bb

 

   



Bass Eb





2 Bar.

Euph.

p



   



B. Tbn.





            

1 Bar.

2 Tbn.



  

 

mp

   



   







   







   



 pp

mp

p





 









 



 

mp





 

mp





  







 

Soprano Cornet in Eb

Élégie for brass Tchaikovsky



Andante non troppo

  

   

20

    

    





 

A

arr Geoff Colmer



tempo

           

   

  

23





  

3

3

mf

B

 



tempo

f

 

42

 

47

      ff

C





     



     

tempo

rall.





      



 





 



        ff

       



    

poco a poco piu animato

mf

52

55



 



  

© 2009 G Colmer ([email protected])

       

D



2

Soprano Cornet in Eb

  

        

68



                  



 

72

E

 

   

89

p

 















tempo



( )





f

tempo



 mf



 

92

F  

f

  Open   



Muted

  

mp

79

94

3

3

mf









Solo Cornets Bb

Élégie for brass Tchaikovsky



Andante non troppo



12

arr Geoff Colmer





A tempo  a1     molto cantabile        p

  

16

  

     

20





  

a4

f

mf

28







 

  

  

  

a4    

  

     

36

40

44

ff

    

B p

tempo a2

   

 





  

  

  



  

  

    

   

a1

   

p



      

mf

           

molto cantabile

    

  

  



  

 





     

 



 





   

 



  



© 2009 G Colmer ([email protected])



2

Solo Cornets Bb 48

 52

C  

      

      

mf



    

 



poco a poco piu animato

       f



               ff D a1 59 molto cantabile                 tempo

    

p

63





  



  





            

67

    

        

 

E

mf

83

 87

 91

  mf



 

  

  





 

   





 

  



F

tempo





  



 

   

a1

p

      



a2

 

  



p

  

  

    

p

molto rit.

 

molto cantabile

       



  



mf

96

tempo a1

p



  

   

f







a4

mf

75

  



ff

       

       

55 rall.

    





f

     





Repiano

Élégie for brass Tchaikovsky

Andante non troppo





















arr Geoff Colmer





Cue: Flug

Cue: Flug

8

 15

 20









 



Muted

 





 



 





mp





 Open      



  













B



tempo





  



 

 









p



tempo





Cue: Flug

  

    ff

 

 

Cue: Flug





  









   

46

 

 



  

42





mf

29

36

 







    

A







 

     

© 2009 G Colmer ([email protected])

 

  

 

   



 





 

2

Repiano 48

 52

C  

      

      

mf



    

 





tempo

         D 59      64





   

   



 



  

Muted





    

87



Open



  





Cue: Flug





 

   

Cue: Flug



ff

 

    

  











 

E





   

   

  

91

















 





   









 

molto rit.







tempo

F





p

f







tempo

mf 99







 

p

77







    

       



ff



mf



f

mp

72

82

      

       

55 rall.



poco a poco piu animato

Cue: Flug















 











2nd Cornet

Élégie for brass Tchaikovsky



Andante non troppo



  12

 20

A  

arr Geoff Colmer





tempo

Muted

 



 







 

mp 27

 40

B 

   

Open

  32



 





 3      



3

     43

   

50

3





p



 







    



    



    



3

   

ff









tempo



46





mf



 



3

   3

C

3

3

               

mf 3

3

3

3

3

3

3

3

poco a poco piu animato

           f

3

3

3

3

ff

3

© 2009 G Colmer ([email protected])

3

3

3

2

2nd Cornet

           

52

3

54

3

3



            3

58







       



D   

3

rall.

3



3



 





tempo

 





3

   



Muted

 

 

mp

73

3

3



   

 

 

ff

mf

   

Open



 



p

78





  

89

92



94





F 

 









p

f

E





tempo







mf

 







3rd Cornet

Élégie for brass Tchaikovsky arr Geoff Colmer

Andante non troppo

 12

 20



A 

 Muted  mp

 32

 40





B 

 46











 Open



 





   







mf







p

 





tempo

© 2009 G Colmer ([email protected])

 ff

43



tempo

 27



 

3

    3

    3

    

 









3



3

    3

     

C



mf

3











3



    







3

3

    3



3

   



3



3



3



3

   

2

3rd Cornet

  

poco a poco piu animato

50

f





52



3

3





3





3



 ff

3





3





3





3



           3

 

54

58



3





3



3

  

 Muted  

3

rall.

       

3



3



tempo



3

  

 ff

3

   



D

 



3

68

mp

75



80



92













 Open









Etempo 

   











F





p

 



mf



 









p





mf

f







Flugelhorn

Élégie for brass Samarin's Greeting

Tchaikovsky



Andante non troppo

  7







A 

 p



    

     

40



 

mf





B



tempo



    

46

3









 

    



p





  

   





mf

                  p



       3

    



p



mf

f

3

3



3

ff





3                 

        

43



  

    

freely

                    p



22





mf

tempo

 



 



    







mp

19

31



p

 

12



arr Geoff Colmer

 

3

3    





        3

 

C                           3

mf

© 2009 G Colmer ([email protected])

2

Flugelhorn

 

poco a poco piu animato

50

   

 

f

ff

        

53

  

   

56 tempo

60



   



       



   





                  p



                

      

  



72





f

80



E 









mf



tempo

            

mf



 

mf



 



         



  



       

 p

molto rit.





     

F

tempo

p





 











p







mp

 





f

mf



3

3

p

  

100

    



p

   



 



mf

87

91

        

67

 



rall.



ff

D 

   

 





 

Solo Horn

Élégie for brass Samarin's Greeting Tchaikovsky

Andante non troppo

  







arr Geoff Colmer









p

mp

  

6





















mf

  

  

11

A

             tempo

p

 

15

  



p

 

19

    

     



       

                    

    

     

                  3

3

mf

    

23



f

                 f

          

29

p

B tempo          

32

p

 

freely

    

mp

           

         



mf



    

© 2009 G Colmer ([email protected])



     

    



2

Solo Horn

    

    

     

  

36

p

39

 

    

   3



    

    



     

3



    

 

         

 

3

ff

42

    





    

3

3

            

45

3

C   

48

      

     

 



          

55

rall.

  

 

59

 

63

 



     

D

        

poco a poco piu animato

        f

       

tempo



   

            

p



  

p

       

    

 

3

3

mf

52



    

 ff

        ff

       

   



                    

    

     

Solo Horn

 



  



67

  

     

3                3

mf

71

f

  

76

f

   

mf

mp

E tempo                           p

 

     

    

 

         

89

 



    

86

           

                

     

83

3

  

    

  

     

p

mf







f

 



p

  

    

  

     





 

molto rit.



mf

 

 

93

F tempo                                         

94

pp

                  

98



 



1st Horn

Élégie for brass Samarin's Greeting Tchaikovsky

Andante non troppo

  



mp

 

6

















arr Geoff Colmer



 p













mf

  

 

11

A p

tempo

       

    

    

      

    

                                          

15

p

    

19

 

24

f

 

29

    

 

  

           







 



 





  









     



Cue: S Hrn















 



 

B tempo                                           

32

p

© 2009 G Colmer ([email protected])

2

1st Horn

    

    

    

  

36

p

39



 3      

 

rall.



 



      

 

59

  

D

 

         

 





        3



3

    

       

       

       

tempo

   



       

p

 ff

    

    

 

       

f

       



3

poco a poco piu animato

mf

     

    

  

  3

    

        

52

55





 3           

C   

     3

45

48

    

3

ff

42

  

 

ff

           

       

    

                                         

63

p

     

67

    

 

  







1st Horn

 

72

 

 



 







3



 

f

 

76

mp

   

 



E tempo                           p

                                          

83

p

    

87

mf

 

90

f

     

 



  

p

 

     

molto rit.



      

 

F tempo               pp

mf

                                

95

 

100



 

   



2nd Horn

Élégie for brass Samarin's Greeting Tchaikovsky

Andante non troppo

  





mp

 

7





A tempo      p

     

15

   



 

B

 

     p

    

    

  







p

 

3



  







  

   

    

 

    

    

    



    

            

   

   



f

tempo

     

42



                                            p

36

39



  

                    





mf

19

31

 p



     

12







arr Geoff Colmer

   

  3

ff

    

  

    3



   





  3

    



© 2009 G Colmer ([email protected])

    

   

    

     3



   

2

2nd Horn

 

45

       3

C   

48

      mf

       

rall.

 

 

59

    

63

 



52

55

  

      D       p

   

 



       

tempo

     

     p

    

f

    

     p

    

 

90

f



   p

 

molto rit.

       mf



            

96

 

100



     



ff

 

ff

           

     

    





      mf



      

    

 

87



 

   

3

poco a poco piu animato

   



    

   



       

                  

83



f

67

77



3



    

    

    

             

    

 

    

 



 mp

E tempo                               p           F    pp

     

   

 

      

tempo  

                      

         





    



   



1st Baritone

Élégie for brass Tchaikovsky

Andante non troppo















arr Geoff Colmer





p

mp

  

6

11





















mf



 



 A 



tempo

            

21

           mp

          

          



                                                           mf p

24

    

29

40





3



ff



     



    



3



     3

  50



3

 



3

3

46



        



p

     

43

tempo  B  

  



poco a poco piu animato

C 3

mf



3



 

     3



3



    



3

       3



          3

3

3

3

3

                                 f

3

3

3

3

3

ff

© 2009 G Colmer ([email protected])

3

3

2

1st Baritone



52

3

                                 3

3

3

3

3

                     

54

58



rall.

3

tempo



3

 

  



   



D

3

3

   



   

ff

                        mp

ff

                                               mf

70

  

74

p

          

       

          



     freely

 

77

           



    



p

80

 92



E tempo  

  

molto rit.



  

Cue: 1st Trom

97



100





F



Cue: 1st Trom









p

f











mf

                                       pp tempo

            





             



    





2nd Baritone

Élégie for brass Tchaikovsky



arr Geoff Colmer

Andante nontroppo

  8

p



  20





















 A  









tempo

mf



            mp

           

           

                                          mf p

23

           

27

30

 41

 

3



3

C 

3





     

48

tempo



  mf



      3





     3

            3

3

3

   



  3

ff

  45

B

 



           

 







  3

3

3

    

 

 



                3

© 2009 G Colmer ([email protected])

3

3

3

2

2nd Baritone

50



poco a poco piu animato

3

                                 3

3

3

3

3

f

52

3

3

ff



3

                                 3

3

3

3

3

                      rall.

54

58



3

 

tempo

3

  

   



D

3

   



ff

3

   



                        mp

ff

                                              mf

70

            p

74

      

77

  

90

95



100



        

E

 



           



tempo



mf

 



molto rit.





Cue: 2nd Trom

 

F tempo             pp

                                      

  Cue: 2nd Trom

  p

 

f









 



    



1st Trombone

Élégie for brass Tchaikovsky



Andante non troppo



   









A 















tempo





 Muted 



    

   

mp

  

       

  

39



 

p

  3

                





   3

       



   



 

3

3



  3

  





3



   

tempo

p



ff

B

 

   p

f

Open

35

50



p

46

 





          

mf

43





mf

               





p

19

28



mp

7

12

arr Geoff Colmer

 

   

 

3

    

   3

 

 

C

                 mf3

3

3

3

3

3

3

3

poco a poco piu animato

           f 3

3

3

3

ff

3

© 2009 G Colmer ([email protected])

3

3

3

2

1st Trombone

             

52

3

3

3



54

3

           

58



 

    



  

  

 87



 (open)  mp

  mf

 

91

p



   



  p





 

     



E

tempo

   

p



    

 



  



      



F

tempo

p

   

molto rit.

 



    

  

  











mp



  

f





    

pp



      

molto cantabile

p





   

f

mf

100





         





mf

83



D





      





3

p

68

76



3

ff



63



3

  

3

tempo



rall.

3

3

 







2nd Trombone

Élégie for brass Tchaikovsky



Andante non troppo



  

 19



A 





tempo

 p





















 

 





        







 



Cue: 1st trom



       

 Muted   

    







ff

 3           

43



3

    

 

     f

   

3



    

Open

mp

46





mf

28

40



mp

7

12

arr Geoff Colmer

 



3

     

3



 









C



      

B



tempo

    







3

3

 





3 3 3 3 3 3 3 3                     3

mf

© 2009 G Colmer ([email protected])

2

2nd Trombone

 

poco a poco piu animato

50

3



3



f



52





3







3



3





ff

3





3





3



           3

3

3

            

54

3

58

 63

 68

 76

3

rall.





3



3







D

    

   

3

tempo



3

 

3



Cue: 1st Trom





 

ff



 



 





   













   

(open)

 

   











 

 



E

tempo









      

f



   



mp

   

87



p

mf

91



 

mf

100



   p

 







 

 

F

tempo

p





    



pp





f

molto rit.







mp

 







Bass Trombone

Élégie for brass Tchaikovsky arr Geoff Colmer

Andante non troppo

 









mp

p









7



A 

12

















 



mf



tempo











mp

















23



   

mf

   

   

   

p

29

     40



ff

43





3

    

3

    

3         

46



  

  

C

   



tempo





3

 

3

3

B

 





   

    



3

3



 







3

                 

   mf

3

3

3

3

3

3

3

poco a poco piu animato

50

          3    3                    f

3

3

ff

3

© 2009 G Colmer ([email protected])

3

3

3

2

Bass Trombone

52

                                  3

3

3

3

3

rall.

54



D







  







3

58

3

3

tempo

             3

3

   

mp









   

   

   

   

71



   

   

   

mf

   

p

77

    



E

 



tempo



87

  







mf





p

molto rit.

91



mf



 

   

  p

 

F

tempo

 



   

pp



 mp





f



 







p

100









Euphonium

Élégie for brass Tchaikovsky arr Geoff Colmer



Andante non troppo









a1



 



p

  

6

  

11











  





a2 p

mp













mf

  

A

                                  p tempo

                                                      p

15

  

19

21



 

 

     

mf

24



  

 

  







 

   

   

 



 







mp



             3

3

mf

  

f

© 2009 G Colmer ([email protected])



 

2

Euphonium

B tempo                                                   p

32

             p

36





            

39

      

42

            3   

3

        







ff (sub.)



3

         



3

3

  3        

45

    



          

3

        







 

3

48

C 

                 3

3

3

3

mf

50



poco a poco piu animato

                3

3

3

3

3

                                 3

3

3

3

f

52



3

3

3

ff

3

                                 3

3

3

3

rall.                      

54

3

3

3

tempo



3

   

3

 ff

   

Euphonium

58





D                                        p





3

                                                     p

63



  

67

          

   



     



   



mf

mp



3 3                            

71



mf 76



f



   

  

mp

E

 



                        p tempo

a2

                                                   

82

                        mf

         p 

86

90



  f





F tempo    

94

100







Cue: B Trom





mf









a2

      













   

 

p

  5    

molto rit.

p

p







a1

       



     



Bass in Eb

Élégie for brass Tchaikovsky arr Geoff Colmer

Andante non troppo

  

a2

a1













p

mp

 

 

7



A  















mf

tempo

12





Cue: Bb bass

 









 



 







 



 









 





16





p

   





















20





 

mp

      



 



 



 



 



 



 

24

  

mf

       

  

p

29

    

39



 

a2

ff

 3        

3

 



 



3

B

     

  



tempo

3



3



    

C

3

 

  

  

    a1

p

43

46

  

mf



3

    

 3







   



                               3

  



3

3

3

© 2009 G Colmer ([email protected])

3

3

3

3

2

Bass in Eb

 

50



f

 

52

 

54



3



3

  

poco a poco piu animato



3

  

3

  



3

  

3





3

ff

  

3

 

  



    3

3

tempo

3



3

3

                       rall.       

3



3

                    3



  

 D 

58

 





3

    

3

ff



    

  







p

68

     mp

  

  

  

  

  

     

  

  

mf

73





 



  p

       



 

 

77

   

87









 p 

mf

 

 

E tempo



 p

91





 

100











Cue: B Trom





 

   

F

f













  mp





 pp 









tempo





96





 

         

molto rit.



  



p

mf

 

 

   



 









 



Bass in Bb

Élégie for brass Tchaikovsky

 10



Andante non troppo 

 





A

  



   







 





tempo

p



 



  

37

41

 45

 48

 







   



 







3

    



3

3

   

3

  f

3





3

3











mf







 



















3

 

 

3







    

p



3



ff





3

 3

   

 



 

                3

3

poco a poco piu animato





mf

                

50

 



tempo



3

C 



mf

 



                        p

 3







B



 





       mp  

31



p

p

15

19

arr Geoff Colmer



3





© 2009 G Colmer ([email protected])



3

3



3







2

Bass in Bb

51



3            3 3           3

       3          

  ff    53       55 rall.           59  D     

tempo

 

 67

 76



  



  





mp

   



    mf



87

91



   mf 96

 100



 







p





mp





 p





 





































mf



  

mp















f

tempo

F











  



 





  











pp







 



E tempo                  p

molto rit.



3

 





    



 

   



83





             3          3

ff



p

63

3 3                    3 3                             3

3

 



  



    







 



Percussion

Élégie for brass

Cymbals Side drum Bass drum

Tchaikovsky arr Geoff Colmer

Andante non troppo









Cymb



Atempo



 tempo





BD

3

48

 





3

     ff

 





    







 



3

       

 

3

         

 

3

       

 

  

3

       





mf

3

          3

45



 SD



32

42



soft beaters pp

10

B 



       

 

 

C 3 3 3 3 3 3 3 3 SD            mf

poco a poco piu animato 50

3

3

3

3

3

3

  f  3    3                          ff

3

3

3

3

3

3

3

3

                            (ff) 52







BD

 mf

© 2009 G Colmer ([email protected])

 V.S.

2

Percussion

            

rall.





3

54

3

 

 ff

 

  

  





 

E

tempo





79



   

 

SD pp



 













BD f



F

 

   











mf



molto rit.













mf



tempo

  pp





Cymb

  pp





 

mp

99







Cymb





D



f





ff

 



93





Cymb

f

89

   ff

SD

58

tempo

 

