Coventry Carol For Brass Band

THE COVENTRY CAROL A Pageant of Shearmen and Tailors Trad. (c.1591)

Soprano Cornet in Eb

   



  

a1

Solo Cornets Bb

mp

Repiano

2nd Cornet

3rd Cornet

Flugelhorn

Solo Horn

1st Horn

2nd Horn

1st Baritone

2nd Baritone

1st Trombone

2nd Trombone

Bass Trombone

Euphonium

Bass in Eb

Bass in Bb

arr Geoff Colmer

h = 100 Tranquil

 



 





 

   





 





 

  

a2

  















  





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

 





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



 





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  



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  



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  



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



  





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







  















 





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

 



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  





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





  





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



  





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  





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

© 2011 G Colmer ([email protected]) second edition

2

  Sop.  8

  

 





  

     







  

  











 













 







Rep



















3 Crt







Flug.







1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass

Bass

Timp.

  

  













 

 







 

mp







 

 

 













 





   















  



































  





  







   













   



a2

mp

 

mp

mp



mp

mp

mp

 a1



mp







   















 

mp

 









mp

   

a2



mp



   

 

















mp







 

mp



 



 a1

 mp

















mp







mp

  

















mp

 



mp

 













 

mp



  





S. Hn.

   

 

a4

S Crts

2 Crt



mp

 

  

 

3 15 A   Sop. 











Rep















2 Crt

















3 Crt

















Flug.











S Crts

S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

 

Bass

Bass

     

     



muted

p

















































 







 





  

 







 





p



p

  

 Timp. 



 

 

p







  













  











  













  













  









  









p



 





















  



 

 

 

 





   









 





 

pp









pp







pp





  

 





















p



pp

p







p









 



   





   



       











p







p







p

p

Euph.



p



p



p

 

pp

   

    

4

  Sop.  22

S Crts

















     p

     



    

       

 

open



mf

Rep

















2 Crt

















3 Crt

















Flug.











S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

















p

















































p

p





mf





  

p









p

 

mf













mf

mf

mf













mf

















 























 







  









































  





























Bass





2 Tbn.

Bass







Euph.





1 Tbn.

B. Tbn.









p







  

 Timp. 









p



p









p

















mf



mf





mf

  

mp (sempre)

5 29 B   Sop. 

S Crts

Rep

2 Crt

3 Crt

 

















































mp



mp



mp

















 







 













 















  



































































2 Bar.















1 Tbn.



Flug.



S. Hn.



1. Hn.



2. Hn.



1 Bar.

















   







Euph.





Bass



2 Tbn.

B. Tbn.





Timp.

  











mp

mp

mp

Bass







 







 

















   



   







 













 

 p



p

  

 

















   



  





  







6

  Sop.  35

S Crts

Rep

2 Crt

3 Crt

 

 



 



 





































 



 











  









p

p

p

 







  









  























 

 









































































2 Bar.

















1 Tbn.



 



 

Flug.



S. Hn.



1. Hn.



2. Hn.



1 Bar.

2 Tbn.

  



 p

  p







 







  





















  













  





   

 

Euph.







Bass







B. Tbn.

Bass







p





   



 pp



 pp  

 

   

      

  







 

 







   





   



p

p

 

7

  Sop.  42

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass

Bass

Timp.

Cym.





 







 







 





















 























  





















  







mf





 





















mf



mf

 

 











 















 







 























  











 







 













mf



mf









mf













 













 







 





















 























  













   







 















  





 







   













   







  

mf







 

 

pp

 

mf

 





  

mf

mf









    



mf









mf









mf











 





mf







C

mf



mf





 mf



    



mf

  

mf















       



       



        

  



 

8

   Sop. 











48



S Crts





a2   

  

 

mp





 

Rep

















2 Crt

















3 Crt







 









Flug.

















S. Hn.



 



 





1. Hn.



2. Hn.



1 Bar.



2 Bar.



B. Tbn.

Timp.









 























































 



 

 

 





 



  f

Glock.





  



Bass



 



Euph.









 

  

mp







2 Tbn.





 























 



1 Tbn.

Bass

 



 













mp

mp





     





  

   





 mp

 

 













(opt.)     p





9

  Sop.  52

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass

Bass

Timp.



   

















 





















































  

























































mf a4



mf

mf



















 

mf

mf

mf

mf

mf



mf

 





 









        

   



 



















mf







 

 









 

rall......

mf

 



mf

 





    Glock.     





















 



 

 

 



 

 

mf

 



 

 

 

mf













  



a1

mf a2

mp



 

mf

























 

  

 

 

 



























mf

mf Cym.





 

 

 



  

  p  

p



10

D    Sop. 

Tempo primo

57

S Crts

Rep

2 Crt

3 Crt













f

  f

Flug.

S. Hn.

1. Hn.

2. Hn.

 

f



  f

   

f

  f

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.



f



f

f

  

Bass

Bass

  



f

f

f

   

  ff   Cym.  

Timp.

ff

 











 









marc.

legato

legato

legato





  





  





  































































legato

legato

legato



 









 

















































legato

f

Euph.



marc.

marc.

legato

f











 











f

f

f





legato

legato



 

 

















 

 

 

 

legato

























legato

11 59            Sop. 

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass

Bass

Timp.

               

        



























 



   



   

  











  

f





f

  

f



legato

















 

 

 

  





















f





f















  

  

f

 

 

 











f

f

 





 

mp







f

mp Cym.





f

  



f









f









f

f

  



3







  





 

3 3  3 3                                  3 3 3 3 3                   3 3

ff

ff

3

3

      

3







   

ff







   



  



 





   

legato

ff

 

ff

12

                Sop.   

 

                                

 

62

3

3

3

3

S Crts

Rep

2 Crt

3 Crt

Flug.

S. Hn.

1. Hn.

2. Hn.

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass

Bass

Timp.

  

      









f

                                  f







 



   

 



     





 

















    











    

mf

    

  



























    





    





    





    









 







 

f

        f

      

f



f





f

 



f



 

        

f

     

f

  f

 



f

f





 













  



f

3

3

mf Cym.

3

3

   

3

3

  



3 3 3          3                3           3

  

3





 





 

















ff

   

ff

13

           Sop. 

        

        

        

              

          

                  

           

   

       

        

  

     

66

S Crts

Rep





f



 

 

 

  

2 Crt



           

3 Crt



        

        

Flug.









S. Hn.



 

 





1. Hn.



 







2. Hn.



 



1 Bar.





2 Bar.



1 Tbn.



2 Tbn.



B. Tbn.

Euph.

Bass

   

     

                            

 









 

 



 











 

 

 











 





 











 





















 























 























 























 

 

   

 







 











 

  

 





















 

 

 

 

 

 

 

 













  



 

 

 



 











 Timp. 



Bass

  

 

  

 

f

f



f



  

14

    Sop.  ff    S Crts  70

ff

Rep

2 Crt

3 Crt

Flug.

S. Hn.

1. Hn.



 

ff

   ff     ff    



   ff

ff

1 Bar.

2 Bar.

1 Tbn.

2 Tbn.

B. Tbn.

Euph.

Bass

Bass

Timp.



ff



  

       

   





   





  





 

  

 



 







    

    

    

 

 

 

 

 

 

 

 





   

  



 

  





  

  

 



  



  



  





  

 













  

 



 











  

 



 











  











  

 

 









   

 

 

 ff      



 

     

     

 

         



     



  

 

   

   

  

ff

ff









 



 

 

ff Cym.

  







 







  





 

ff

ff





    ff    



 



ff

  







  

 

   

ff







ff





    ff

2. Hn.

poco rit.











  





  





  

  

     





 

   













  





  

 

   



           



   

Soprano Cornet in Eb

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591)



h = 100 Tranquil

   29

 42





B 



arr Geoff Colmer



A

C





 











 

 



mf 48



  





 

 

 



rall......





mf

D Tempo primomarc.      



57

 









  

f

         

59

63



 













3

  

3

3

3

3

        

f

          



3

ff 3

67

70



                         

 



poco   rit.







         

 



 

ff © 2011 G Colmer ([email protected]) second edition

         



  

Solo Cornets Bb

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer

ha1 = 100 Tranquil

  

mp

7

 

13

  

   a2

 

  

20

     

26

B 

29





 

 



 





   

 



  



 

 

 



 



A



 

    





muted





 



a4

    

    

p

   

 © 2011 G Colmer ([email protected]) second edition



     



 







  mf

p



 

   



open

2

Solo Cornets Bb

C  

43





 







 

  

 



 



 

mf

a2   

49

 

 

mp

rall......

  

55

60







 



D



Tempo primo

marc.           f

 ff

3

3                                  3

3

3

     

 

71

3

 

67



poco rit.



mf

3



 

  

      



 

 

  

 

 

f

3

 



            

3

3

62

 

a4

3  3                                         3 3 3 3

   

 

 

                       ff







 



  

Repiano

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591)

 

13

 

B   

29





arr Geoff Colmer



h = 100 Tranquil





mp























A

 



 





mp



  









C

35

38



42



48

 











p







mf







 





























  





rall......



mf





© 2011 G Colmer ([email protected]) second edition









2

Repiano

D  

Tempo primo

57

f







marc.





 



               

59

 ff





                      3 3 3

3 3                 3           

65



68



70



ff

  

3

3

        

62

3



f

        

        

        

  

  

  

  

 

poco rit.











  

 

  





  

  

2nd Cornet

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591)

  A 

15

arr Geoff Colmer



h = 100 Tranquil





B 

mp

  



  



34







  

48

 

 









     









C 

mf













 







 



mf

D Tempo primo   











legato

59

 







 

f

65

          68

      

70

    ff



      poco rit.

 

 

 

 







   













57

f



p

38

42





 

 

mp











rall......



 



                      f

           

                  

     

     

 

  

         

© 2011 G Colmer ([email protected]) second edition



          

3rd Cornet

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591)

  A 

15

arr Geoff Colmer



h = 100 Tranquil



mp



B 







 









mp

34

 



42

 



 C

   mf

48

  





D Tempo primo   

























 







 

rall......

  mf









 



  



 

 

 

 







p

38

 



 

 



57

f

legato

59

 







f



















 



65

          f

        

        

  

  

68

   

  

   

poco rit.

70

ff



 

 

 

 

  

      

© 2011 G Colmer ([email protected]) second edition



   

   

Flugelhorn

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

 

 mp



A 

15













 









  



p

26

 

42









mf

C









p



B







 







 

 



mf 48



 





 

 

rall......



 



mf

D Tempo primo   

57

f



legato

59

 



 





  

70

 



     







f

    





poco rit.





f

 





65

 







 

  

ff © 2011 G Colmer ([email protected]) second edition



 

 

  

   

Solo Horn

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

   14

 22

 29

 42

 48

 54

 59









A













  



























p





  





mf



B  

C



  

  

 

 



mf



 







 







rall......





mf

 





D Tempo primo     f



 







 





mp







  ff

 

  

 

 







      





f

     





poco rit.



 



legato

f

   

mp



p

65

70



 



 

  

© 2011 G Colmer ([email protected]) second edition



 

 



     

1st Horn

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

   15

 26





mp



A 





     















p

 48















  

p

 

42











B





  



mf

C 



















mf









 

 

rall......

 

 





mf

D Tempo primo    

57

f

  

59

  

65

  

70

ff

legato























       



f

 



 

f

 

     





poco rit.



 



 

  

© 2011 G Colmer ([email protected]) second edition



 







     

2nd Horn

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

  



  

 26



A 





















  









B







p







p

  42



mp

mp 15







mf

C



  



mf

   

 



 

 



rall......

 

mf

D Tempo primo    

 





48

 



 







57

f

  

legato

59

  

























       

f



f

65

  





poco rit.

70

ff





 

 

 











  

 



  

 

© 2011 G Colmer ([email protected]) second edition



     

1st Baritone

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

 



















mp



A 

15











  

p

26

 











p

42



mf

C 







B















 

 



mf

 

48



 



 

 



 





rall......





mf

D Tempo primo     



 

57











f

59





64

 70





  

     

f

  

     







poco rit.















f

legato





  







  



ff © 2011 G Colmer ([email protected]) second edition





 

   

  

2nd Baritone

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) h = 100 Tranquil

 

arr Geoff Colmer

















mp



A 

15













  



p

26

 

42





p









mf

C







B

  

 









 







mf

48

 









 

 

rall......



mf

D Tempo primo   

 

 



57

f







legato

59























f





 

f

65

     









poco rit.

70

  



 







 







  

ff

© 2011 G Colmer ([email protected]) second edition









  





  

1st Trombone

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

 



   

mp

A  







  mp



15

 













 







p

pp



22

 

B   











29



















 

 



 





mp

35

  











p

38

  

42

































 

 

C 



 





mf © 2011 G Colmer ([email protected]) second edition



2

1st Trombone

48







  

















mp

rall......

53

 

 

 

 



 







mf

D Tempo primo   

57

f

legato

59

 

65





  

























 

f



poco rit.

  











f

70

ff









 









  













  

 

2nd Trombone

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

 

   



mp

A  

15

p

 

 

B  







22





mp







  



  



35

  

47

 





 













pp



 







 

 









mp







   











p

38

42





29













C 

mf































© 2011 G Colmer ([email protected]) second edition







 





2

2nd Trombone



54

 









rall......









mf

D Tempo primo   

57

f

59



legato





     

   ff

















f

65

70

















poco rit.



 

f







 















  







  



  

Bass Trombone

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer

h = 100 Tranquil

  

A   



   



mp







p

 



















mp

15







pp

22

  

B    





















29

mp





35

    



 



p



 



























     







 

C

42

   





 

   



mf



48

         Tempo primo 57 D     f



  







rall......

   

  

  

mf

65

  

legato













    





 

   





 



f



poco rit.

ff



f

70

   









59

  





   

 



  

© 2011 G Colmer ([email protected]) second edition

 

 



     

Euphonium

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer



h = 100 Tranquil

 

A  

a1



a2

 



mp

   





 



   



 

15

 









p

21

 







 p

  

















B 











p

 



pp

26

 



mf

C

42

 













mf



 









 

 

47

      





   

mp



51

  

     

  





 

 



rall...... 

 



mf

D Tempo primo     

57



 













  







f

59







  

     

f

  





f

legato

65

 

      





poco rit.

70

  



 









  



  

ff

© 2011 G Colmer ([email protected]) second edition









  

 

   

Bass in Eb

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591)

  

 a1  

   

A      



11

mp

a2







15

 



 

 

B



 





p

33



  

42

mf



  







 p









   









pp



  

 p



C



    



   

  38





 

   







 

p 26

arr Geoff Colmer



h = 100 Tranquil



 mf





 







46



       







© 2011 G Colmer ([email protected]) second edition

 

 







2

Bass in Eb

  

rall......

51

       mp

 

D Tempo primo       f legato

  mf







  

 

57

   

 

 

 

59

63



  

70



   ff

 

 

f



 

 

 

 

 

 

 

f



 

    

 

 

   

 

 

 

poco rit.

 

 





 

   

 

Bass in Bb

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591)



 





mp 20

    29 B     

p

 pp

 

42





C 



mf

  









  

  







       54





 

 

 









 p

  

 



 

 







47





mf





  

 



  

p

 p



37

 











   



 







arr Geoff Colmer



A

h = 100 Tranquil

a1

 mp

rall......



a2







mf

D Tempo primo   

 

57

f







legato



  

59

 







63

  







poco rit.





  









 

© 2011 G Colmer ([email protected]) second edition

 





f

70

  ff 



f













    

  

Perc

THE COVENTRY CAROL A Pageant of Shearmen and Tailors

Trad. (c.1591) arr Geoff Colmer

h = 100 Tranquil

 





A    









pp

B  

29



42

 



 cymbs  pp  48

  f





  





p

     mf    









mf







 

cymbs

p

           ff mf          



     (optional glock)

   ff    

ff



poco rit.



          

  mp   



ff

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© 2011 G Colmer ([email protected]) second edition

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