Design, Investigation & Culture: Lesson 06
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Expertise Multimedia/Web Design, Photography, Information Design and Human-Computer Interaction.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Lecturer Itamar Medeiros (Brazil) BA in Industrial Design; PgDip in Information Design; MSc In Design.
/31 DESIGN INVESTIGATION & CULTURE
welcome to DESIGN INVESTIGATION & CULTURE
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Students will learn about the main periods of western art, making corelations with CULTURAL ASPECTS of each corresponding historical period.
/31 DESIGN INVESTIGATION & CULTURE
LESSON 06: ART LECTURE learning outcome
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
A retrospect of the major periods of western art, particularly the avantgarde.
/31 DESIGN INVESTIGATION & CULTURE
LESSON 06: CULTURE LECTURE content
Works produced by such skill and imagination : his collection of modern art | an exhibition of Tibetan art | [as adj. ] an art critic.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power : the art of the Renaissance.
/31 DESIGN INVESTIGATION & CULTURE
ART noun
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Art, being a product of skill and imagination of those who produce it, reflects both the technology of its time, as well as the vision of the world of those who produce it.
/31 DESIGN INVESTIGATION & CULTURE
ART skill & imagination
But with the increasing use of machines in industry and daily life, artists sought new ways to interpret the dynamic changes taking place around them.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Up until the first decade of the 20th century, art whether drawing painting or sculpture was always essentially pictorial; based on themes and compositions representing real world ideas.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART abstraction
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Art was taken in many different directions by movements such as Fauvism, Cubism, Futurism, Dada and Die Brucke, as artists continually re-evaluated the role of art
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART the first years
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
An early 20th-century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones.
/31 DESIGN INVESTIGATION & CULTURE
CUBISM 1908-1912
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Cubism is essentially the fragmenting of three-dimensional forms into flat areas of pattern and color, overlapping and intertwining so that shapes and parts of the human anatomy are seen from the front and back at the same time.
/31 DESIGN INVESTIGATION & CULTURE
CUBISM 1908-1912
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The style was created by Picasso in tandem with his great friend Georges Braque, and at times, the works were so alike it was hard for each artist quickly to identify their own
/31 DESIGN INVESTIGATION & CULTURE
CUBISM 1908-1912
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
It drew inspiration from 2 sources: tribal art, especially that of Africa – primitive art - African tribal masks. The other influence was the work of Paul Cézanne - "Everything in nature takes its form from the sphere, the cone, and the cylinder."
/31 DESIGN INVESTIGATION & CULTURE
CUBISM innovations & achievements
It also inspired newer modes of art, such as Orphism and Futurism, and Even affected the formal structure of styles whose origins had predated cubism, such as expressionism.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Cubism had an impact on art in general that extended far beyond the existence of the painting style itself; it paved the way for other art revolutions, such as Dada and Surrealism.
/31 DESIGN INVESTIGATION & CULTURE
CUBISM innovations & achievements
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The view of the mind seen by the founder of psychoanalysis, Sigmund Freud, stipulated that the human psyche, far from being unified, was mixed with emotional conflicts and contradictions.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART the first years
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The discovery of X rays, physicist Albert Einstein's theory of relativity, and other technological innovations suggested that our visual experience no longer corresponded with science's view of the world.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART the first years
Hannah Hoch
John Heartfield
Raoul Hausmann
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The movement was founded in 1916 in Zurich, a neutral city in the middle of a war-torn Europe, by a group of exiles from countries on both sides of the conflict. Nihilistic protest against all aspects of Western culture, especially against militarism during and after World War I (1914-1918). The term dada is said to have been selected at random from a dictionary. This symbolized the movement as a whole, as the artists were attempting to protest war, greed and the corrupt powers that existed.
/31 DESIGN INVESTIGATION & CULTURE
DADA
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Art movements such as Suprematism, Neo-Plasticism, Productivists and Constructivism had their roots deeply imbedded in the material nature of the machine age.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART Suprematism, Neo-Plastiscism and Construtivism
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Although short lived as movements in art, their abandonment of the figurative in favour of an abstract approach to space and form greatly influenced the course that art, architecture and design were to take.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART Suprematism, Neo-Plastiscism and Construtivism
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The Russian abstract art movement developed by Kazimir Malevich c. 1915, characterized by simple geometric shapes and associated with ideas of spiritual purity.
/31 DESIGN INVESTIGATION & CULTURE
SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Kasimir Malevich's art and his Suprematist manifesto are amongst the most vital artistic developments of this century. Most of his paintings are limited to geometric shapes and a narrow range of colors, but the pinnacle of his Suprematism was his White on White series.
/31 DESIGN INVESTIGATION & CULTURE
SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich claimed to have reached the summit of abstract art by denying objective representation.
/31 DESIGN INVESTIGATION & CULTURE
SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Black Square [1913] 1923-29; Oil on canvas, 106.2 x 106.5 cm State Russian Museum, St. Petersburg
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Black Square and Red Square 1915; Oil on canvas, 71.4 x 44.4 cm The Museum of Modern Art, New York
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Suprematist Painting: Aeroplane Flying 1915; Oil on canvas, 57.3 x 48.3 cm The Museum of Modern Art, New York
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Supremus No. 56 1916; Oil on canvas, 80.5 x 71 cm State Russian Museum, St. Petersburg
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Suprematism (Supremus No. 58) 1916; Oil on canvas, 79.5 x 70.5 cm (31 1/4 x 27 3/4 in); State Russian Museum, St. Petersburg
DESIGN INVESTIGATION & CULTURE
/31
Famous German school of design that had influence on modern architecture, the industrial and graphic arts, and theater design.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Founded by the architect Walter Gropius in Weimar.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS 1919, Germany
Bauhaus is a German expression that literally means house for building. The Bauhaus school was founded to rebuild the country after a devastating war and also form a new social order.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The Bauhaus was based on the fact that art should meet the needs of society and that no distinction should be made between fine arts and practical crafts.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS 1919, Germany
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The practical innovations developed by the Bauhaus have profoundly effected designs favored by industry as shown by the desks and chairs that fill offices, lobbies, and lounges across the world.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS Innovation & Achievements
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The effects of the Bauhaus stretches beyond our furniture and light fixtures, into the realms of architecture, theater, and typography, where the designs and style of the Bauhaus are still spoken of today.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS Innovation & Achievements
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Lecturer Itamar Medeiros (Brazil) BA in Industrial Design; PgDip in Information Design; MSc In Design.
/31 DESIGN INVESTIGATION & CULTURE
welcome to DESIGN INVESTIGATION & CULTURE
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Students will learn about the main periods of western art, making corelations with CULTURAL ASPECTS of each corresponding historical period.
/31 DESIGN INVESTIGATION & CULTURE
LESSON 06: ART LECTURE learning outcome
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
A retrospect of the major periods of western art, particularly the avantgarde.
/31 DESIGN INVESTIGATION & CULTURE
LESSON 06: CULTURE LECTURE content
Works produced by such skill and imagination : his collection of modern art | an exhibition of Tibetan art | [as adj. ] an art critic.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power : the art of the Renaissance.
/31 DESIGN INVESTIGATION & CULTURE
ART noun
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Art, being a product of skill and imagination of those who produce it, reflects both the technology of its time, as well as the vision of the world of those who produce it.
/31 DESIGN INVESTIGATION & CULTURE
ART skill & imagination
But with the increasing use of machines in industry and daily life, artists sought new ways to interpret the dynamic changes taking place around them.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Up until the first decade of the 20th century, art whether drawing painting or sculpture was always essentially pictorial; based on themes and compositions representing real world ideas.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART abstraction
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Art was taken in many different directions by movements such as Fauvism, Cubism, Futurism, Dada and Die Brucke, as artists continually re-evaluated the role of art
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART the first years
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
An early 20th-century school of painting and sculpture in which the subject matter is portrayed by geometric forms without realistic detail, stressing abstract form at the expense of other pictorial elements largely by use of intersecting often transparent cubes and cones.
/31 DESIGN INVESTIGATION & CULTURE
CUBISM 1908-1912
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Cubism is essentially the fragmenting of three-dimensional forms into flat areas of pattern and color, overlapping and intertwining so that shapes and parts of the human anatomy are seen from the front and back at the same time.
/31 DESIGN INVESTIGATION & CULTURE
CUBISM 1908-1912
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The style was created by Picasso in tandem with his great friend Georges Braque, and at times, the works were so alike it was hard for each artist quickly to identify their own
/31 DESIGN INVESTIGATION & CULTURE
CUBISM 1908-1912
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
It drew inspiration from 2 sources: tribal art, especially that of Africa – primitive art - African tribal masks. The other influence was the work of Paul Cézanne - "Everything in nature takes its form from the sphere, the cone, and the cylinder."
/31 DESIGN INVESTIGATION & CULTURE
CUBISM innovations & achievements
It also inspired newer modes of art, such as Orphism and Futurism, and Even affected the formal structure of styles whose origins had predated cubism, such as expressionism.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Cubism had an impact on art in general that extended far beyond the existence of the painting style itself; it paved the way for other art revolutions, such as Dada and Surrealism.
/31 DESIGN INVESTIGATION & CULTURE
CUBISM innovations & achievements
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The view of the mind seen by the founder of psychoanalysis, Sigmund Freud, stipulated that the human psyche, far from being unified, was mixed with emotional conflicts and contradictions.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART the first years
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The discovery of X rays, physicist Albert Einstein's theory of relativity, and other technological innovations suggested that our visual experience no longer corresponded with science's view of the world.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART the first years
Hannah Hoch
John Heartfield
Raoul Hausmann
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The movement was founded in 1916 in Zurich, a neutral city in the middle of a war-torn Europe, by a group of exiles from countries on both sides of the conflict. Nihilistic protest against all aspects of Western culture, especially against militarism during and after World War I (1914-1918). The term dada is said to have been selected at random from a dictionary. This symbolized the movement as a whole, as the artists were attempting to protest war, greed and the corrupt powers that existed.
/31 DESIGN INVESTIGATION & CULTURE
DADA
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Art movements such as Suprematism, Neo-Plasticism, Productivists and Constructivism had their roots deeply imbedded in the material nature of the machine age.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART Suprematism, Neo-Plastiscism and Construtivism
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Although short lived as movements in art, their abandonment of the figurative in favour of an abstract approach to space and form greatly influenced the course that art, architecture and design were to take.
/31 DESIGN INVESTIGATION & CULTURE
MODERN ART Suprematism, Neo-Plastiscism and Construtivism
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The Russian abstract art movement developed by Kazimir Malevich c. 1915, characterized by simple geometric shapes and associated with ideas of spiritual purity.
/31 DESIGN INVESTIGATION & CULTURE
SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Kasimir Malevich's art and his Suprematist manifesto are amongst the most vital artistic developments of this century. Most of his paintings are limited to geometric shapes and a narrow range of colors, but the pinnacle of his Suprematism was his White on White series.
/31 DESIGN INVESTIGATION & CULTURE
SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich claimed to have reached the summit of abstract art by denying objective representation.
/31 DESIGN INVESTIGATION & CULTURE
SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Black Square [1913] 1923-29; Oil on canvas, 106.2 x 106.5 cm State Russian Museum, St. Petersburg
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Black Square and Red Square 1915; Oil on canvas, 71.4 x 44.4 cm The Museum of Modern Art, New York
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Suprematist Painting: Aeroplane Flying 1915; Oil on canvas, 57.3 x 48.3 cm The Museum of Modern Art, New York
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Supremus No. 56 1916; Oil on canvas, 80.5 x 71 cm State Russian Museum, St. Petersburg
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Malevich Suprematism (Supremus No. 58) 1916; Oil on canvas, 79.5 x 70.5 cm (31 1/4 x 27 3/4 in); State Russian Museum, St. Petersburg
DESIGN INVESTIGATION & CULTURE
/31
Famous German school of design that had influence on modern architecture, the industrial and graphic arts, and theater design.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
Founded by the architect Walter Gropius in Weimar.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS 1919, Germany
Bauhaus is a German expression that literally means house for building. The Bauhaus school was founded to rebuild the country after a devastating war and also form a new social order.
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The Bauhaus was based on the fact that art should meet the needs of society and that no distinction should be made between fine arts and practical crafts.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS 1919, Germany
DESIGN INVESTIGATION & CULTURE
/31
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The practical innovations developed by the Bauhaus have profoundly effected designs favored by industry as shown by the desks and chairs that fill offices, lobbies, and lounges across the world.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS Innovation & Achievements
LESSON 06: BAUHAUS, CUBISM & SUPREMATISM
The effects of the Bauhaus stretches beyond our furniture and light fixtures, into the realms of architecture, theater, and typography, where the designs and style of the Bauhaus are still spoken of today.
/31 DESIGN INVESTIGATION & CULTURE
BAUHAUS Innovation & Achievements
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