Como-uma-onda-lulus-santos.pdf

Como uma Onda "Como uma Onda (Zen-Surfismo)" é uma canção Brasileira gravada por Lulu Santos em 1983, composta pelo próprio Lulu Santos e pelo Jornalista e Escritor Nelson Motta para a trilha sonora do filme Garota Dourada, de Antônio Calmon. Foi incluída no álbum O Ritmo do Momento, de 1983. A canção obteve bastante sucesso em todo o país no início da década de 1980, e continua a ser executada nos shows do cantor.[1] Segundo Nelson Motta, que considera a canção um "bolero moderno", a letra teria sido inspirada por Jorge Luis Borges e pelo livro A Arte Cavalheiresca do Arqueiro Zen, do filósofo alemão Eugen Herrigel, e refletiu a contradição pessoal vivida pelo compositor na época, dividido entre a filosofia zen e os excessos das drogas no Rio de Janeiro da época (onde o próprio Motta era proprietário de uma importante casa noturna, Noites Cariocas, localizada no Pão de Açúcar).[2]

Fonte :

Origem: Wikipédia, a enciclopédia livre.

COMO UMA ONDA

   Fluta      Clarinet in Bb     Clarinet in Bb2    Soprano Saxophone     Soprano Saxophone2     Alto Saxophone     Alto Saxophone2     Tenor Saxophone     Tenor Saxophone2        Trumpet in Bb     Trumpet in Bb2    Trumpet Bb Solo  

Lulu Santos

q = 117 Ent. Bongo

Trombone Trombone2

Euphonium Bb Bass Bb Percussion

 

 

             

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

















p



   mf    mf

  

   

p



p





p

 

p







p



  





mf

  

   3 3 6 f             

   



     



   

p



      

p



           

p



   

     

 

   

       

       

   

2

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  3

  









    







 

 

    

    





    





   

     

     

  

    



        

 

    

      

  





 

    

          

Tbn.

Perc.

    





 



        



Tbn.

Bass Bb





          



Euph.







    





                

                

      

 

  

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  6

Tbn.



Tbn.



Euph.

Bass Bb Perc.

         









    



 

   

     

   





 

         



   





   

   

   





   





       





   

  

         

   







   





      

   

   





       

         

      



    

 

     

3



               



      





   





                   

  

    

       

         

    

4

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  9

 

  

    mf     mf     mf     mf    p    mf

p





mf





mf

 

Tbn. Tbn.





Perc.

  





Bass Bb

 





Euph.

      

 



   p   p 

mf





       

 

             

 

        

       

     

              

   3  

      

           

        

        f    



p              



  

                         

  





  

           







          



           

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  12

Tbn.



Tbn.



Euph.

Bass Bb Perc.

                                            

    



   

  



     

 

    

     

 

  3  

               

 



     











f

        

5

     

    

        



  

                                                       



        





             

             

p



    

  

        

        

6

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  15



Tbn. Tbn. Euph.

Bass Bb Perc.



     

  



 f

 

f



 

f

  

   





  





3





 



3

3











3





 



p

  

 

 f

                    



p



 





  





3

 



3

f

   

f

3



    3      

 

   

 





3





  3                  

   Fl.    Cl.    Cl.    S. Sax.    S. Sax.     A. Sax.     A. Sax.    T. Sax.    T. Sax.      Tpt    Tpt    Tpt  17

                    

     

   

       mf   mf 

   

 



     



      

3





3



 

mf

   



      

   

   

 

      

            

   p  

p

   

 

mf

      

     

        

     

 

 



mf

     Tbn.         Tbn.           Euph.         Bass Bb      Perc.        

 

7



       

    

   

     

            

8

19    Fl.     Cl.     Cl.     S. Sax.     S. Sax.     A. Sax.     A. Sax.    T. Sax.    T. Sax.      Tpt      Tpt    Tpt     Tbn.     Tbn.       Euph.

Bass Bb Perc.



   

   

             



    

      

          



   



                  3  







 



   

  

 

 

3

     

 

3





3





       

 



  

3

 









                

              

    





                         

         



3

         

 



   

            

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  21

Tbn.



   

         

 



         



        

   

 

       



  

p







  

       

             

   

 



 3  









     

 

        3  

    Tbn.          Euph.       Bass Bb        Perc.        





9





 



 

                                 

   



 



 



 

  



                    mf     mf      

                   

10

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  24

Tbn.



Tbn.



Euph.

Bass Bb Perc.

 

  













 



   

f f

 

         

  

 f                                     



f



f

 

   

 

 

          

f







f

               

 

  f       f      



 

  f    f    

        f                

      f       f          

   

 

                

26    Fl.    Cl.  mf   Cl.   mf    S. Sax.  mf    S. Sax.   mf    A. Sax.    p    A. Sax.  p   T. Sax.  mf    T. Sax.   p     Tpt  p    Tpt  p     Tpt 

Euph.

Bass Bb Perc.

     



  

      

              

    3





 



mf



 p      



   



mf

   

 

        



3

        

         

   

  

    

 

 

  

         



 

    3 

3

          

 



      

   



   

 





  









 

 



   



 



         f    

Tbn. Tbn.

  

11



         I        

 

   

      



12

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  28

Tbn.



Tbn.



Euph.

Bass Bb Perc.





  



         

      

 

    







       

      3



      

3

  



  



  

   

            

 

     

         

f



   

      



      



3







 



 

      

f



   f                        



  

 

    

   

      

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  30

             

    

Tbn. Tbn.





Perc.

   



 

   

   

   

  3

 

   

         

 3



 

   





 

  



 

 

                 

   

3





  







   









p

 p      

     

 



        





Bass Bb

 







Euph.



     

13





 

         

     





3



 

    

14

32             Fl.     Cl.     Cl.     S. Sax.     S. Sax.     A. Sax.     A. Sax.       T. Sax.     T. Sax.      Tpt      Tpt  3               Tpt      Tbn.     Tbn.          

Euph.

Bass Bb Perc.

               



  

       





            



        

         

 

     p

p



 

f f f

          

                 



                    

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.   A. Sax.   A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  35

Tbn. Tbn.

Euph.

Bass Bb Perc.

 

     

         

    







  

   

  



    

mf

          



mf



      

         a        a            

 

           

 

   

 

    

  mf     mf     3   3    3        3   

mf





     







  

mf



   

  





     

     



15

               

   



            



            

           

            

16

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  38

Tbn.



  

                                                                          

  



  

     Tbn.          Euph.        Bass Bb         Perc.          

        

  

    

    

            



   

                                a                   

     



 

    

  

     

    

                             

 

  

      

           a       

    

              A   

      

41       Fl.       Cl.       Cl.    S. Sax.           S. Sax.       A. Sax.    mf     A. Sax.   mf   3   T. Sax.    3   T. Sax.      Tpt            Tpt    Tpt        Tbn.       Tbn.          Euph.

Bass Bb Perc.

          

17

                   f         

                                                        

 

        

     

                                      



       

 

    



 



f





 



  

        f        

  

                  

 

  



    

mf

mf

 

mf

        

     

    

18

   Fl.    Cl.  f   Cl.  f    S. Sax.  p    S. Sax.  p   A. Sax.  p     A. Sax.  p   T. Sax.  p   T. Sax.   p    Tpt    Tpt   Tpt     Tbn. 44

Tbn. Euph.

Bass Bb Perc.



p



 p      

mf

   

   

  

 

   

   

                          

                 

         

    

            

  









    

     



  

  

     

  











        

  

   

 

   

   

   

 

       



   



   



   





 

              

   

                          

 

               

         

    

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  47

Tbn.



Tbn.



Euph.

Bass Bb Perc.

     

  



           









 









 

  

     





  

  









                        





 

              

     

         



    

   

19

    

 



 

   

   

 

         



   



   



   











 

 

   



   



    

     

  

   

            

20

    Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  49

Fl.



Tbn. Tbn. Euph.

Bass Bb Perc.



     

  

3

               mf                   











    

     



  







                    



   

f

        f      

f





  

       

f



        mf

mf

       mf          p          p



 

           





mf

           

     



 

   

   



 3   

 





mf

                   



           

                      

        mf

    p        

         

  3             

  3  

          





           

3

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  52

Tbn.



Tbn.



Euph.

Bass Bb Perc.

     

  



 3

 

                   

    

                             































           

                                

             3 f                                                            

  





                                              

21







            

p

 

p

    

3   

  

        

       

22

   Fl.    Cl.    Cl.    S. Sax.    S. Sax.     A. Sax.     A. Sax.    T. Sax.    T. Sax.      Tpt    Tpt   Tpt   



55

Tbn. Tbn.

Euph.

Bass Bb Perc.



     

  

       

 



  

 

  

 



 



              

f









 



 



   

  





                   



       



 

3



   

  





 

3





 

3

 

                 

    

f





3





 3



                       

   Fl.    Cl.    Cl.    S. Sax.    S. Sax.     A. Sax.     A. Sax.    T. Sax.    T. Sax.      Tpt    Tpt   Tpt  57

Tbn.

 

 

Perc.



   f

 



 

3

mf



3

mf



3

mf



3

 



 







       

 





 





 



 



 

 

           



   f    f



 



 



 



   f    f   

f

                     

  

       mf        mf       mf            mf         mf

  Tbn.        Euph.  Bass Bb

 

23

   

      

         



   





 

  

           

          

24

59    Fl.    Cl.    Cl.    S. Sax.    S. Sax.        A. Sax.        A. Sax.        T. Sax.       T. Sax.        Tpt    Tpt   Tpt     Tbn.

Tbn. Euph.

Bass Bb Perc.





      

   

      



   

  



3



3



3



3

 

 







3





3







3







3





   





















 



  

 

  

 

       

    

  

  

  

     

          









  



 

3 3 3

 

  



  

 



           

     

3













  

            







   



 

  



   















 

 

            

61    Fl.    Cl.    Cl.    S. Sax.    S. Sax.     A. Sax.     A. Sax.    T. Sax.   T. Sax.       Tpt 

 



     f      

 



     f      f        





f

         f          f         f f



  Tpt     Tpt      Tbn.    Tbn.        Euph.        Bass Bb          Perc.        

























   

   





 





25



























                 

        

26

63    Fl.    Cl.  mf   Cl.  mf   S. Sax.  mf   S. Sax.  mf    A. Sax.     A. Sax.    T. Sax.    T. Sax.      Tpt    Tpt   Tpt   

Tbn. Tbn.

Euph.

Bass Bb Perc.





     

                   



 

  

f

       f     

            

           f             f             

f

        f        

    

       

 



 



         

f

                



 

 

f

     

     

    

          

            

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  65



Tbn. Tbn. Euph.

Bass Bb Perc.



     

  

  f    f         

f

                 

   

      

mf

 mf   mf   mf   p  

       f        f         f         p f             

 

    



 

 

     



 

f

 

  f     

     

   



mf



     mf                           p

 

         

    3





         p f                   p   f                p  f          f    

 



   

mf

f

27

 3

        

     

    

28

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  67

                    

               



Tbn.





Perc.

       

   

   

  I   

            



              

    



           

Tbn.

Bass Bb

        

 

 

Euph.

     

           



  







       3

      3 3 3 3                              

           

 

  

         





f



     

         



 

           

 

f

     



     

 

  

 f                          



 

           

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  70

         

    

Tbn. Tbn.





Perc.

  

   

  3

 



 



         

    

   

 



 

  

 

   

    





  



    

        

   

 







 



3



   3   







    

p

   

        



 p      

     





Bass Bb







Euph.

     

   

29

     





3

             

    

30

3

          Fl.     Cl.     Cl.     S. Sax.     S. Sax.      A. Sax.      A. Sax.      T. Sax.     T. Sax.      Tpt      Tpt  3               Tpt     72

Tbn. Tbn.

Euph.

Bass Bb Perc.







      

   



 



         







   



p p







          f           f          

                                                                            f

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  75

Tbn.



Tbn.



Euph.

Bass Bb Perc.



   







     

              

mf





mf



 

    



mf



         

          

         a        a               

   

 

 

       

  mf     mf     3   3    3        3   







  

mf



   

         



      

  





     

     

31

         



           



      

                 

        

        

   

32

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  78

Tbn.



  

   

                        

   

  

      

 

               

                    

  

       Tbn.          Euph.      Bass Bb        Perc.        

     

         f

 

           

    

     

        



   

    

               

        





  

      

  

   

f

       f





                  a                      

   

     mf  

 

   

mf

  a     



                



    

    A        

81       Fl.      Cl.       Cl.      S. Sax.        S. Sax.      A. Sax.    mf     A. Sax.   mf   3   T. Sax.    3   T. Sax.        Tpt       Tpt     Tpt 

Tbn.



Tbn.



Euph.

Bass Bb Perc.



       



      

   

  

 

         

    



 

                  

    



 



    



                                                    





            



    

 

       

   

   

    



33

 

p

 

p

p

  

p p

   

p

         f       p      p      p                             

34

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  84

Tbn.



Tbn.



Euph.

Bass Bb Perc.

  f

 

f f

           

         

      

   

       

 

        



 



    

    

    

           

f

 

f f

           

   



 

       



   

     

 



    

 

             

 

 

    

                                                    

 

    



     



 

       



 



  

   

    

       

                                           

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  87

   

   

 



 

  

     

















   



 

                     Tbn.       Tbn.                Euph.

Bass Bb Perc.



 



  



f

 

f f

           

          

                                   

        

      

    

 

             

 

           

      

     

 

    

 

    

35

 

                                                                                   

36

   Fl.  f   Cl.  f   Cl.  f    S. Sax.    S. Sax.    A. Sax.    A. Sax.    T. Sax.    T. Sax.      Tpt    Tpt    Tpt     Tbn. 90

Tbn. Euph.

Bass Bb Perc.



           

    

                         



      



       

   





  

 

  







     





    











    



  

        

 

      3            3                                                                      

f

 

f f

           



     

   



       



   

   

               

 

    



   

 

       

             

      

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  93

Tbn.



















 



 

  

     





   













 3

    



 

   

    Tbn.                Euph. 

Bass Bb Perc.



 



  



                         

f

 

f f

           

37

     

  





         



  





  



  



 

      



  







 

   



   

  

 

   

                     

38

  Fl.   Cl.   Cl.   S. Sax.   S. Sax.    A. Sax.    A. Sax.   T. Sax.   T. Sax.     Tpt   Tpt   Tpt  95

Tbn.



Tbn.



Euph.

Bass Bb Perc.

     

  

           

              

            f                

   

                             

        f      f      f      f       f       f         f

 

     

                           

    

                         

 

       

Fim

        

     

                           

                                                                              

 

  

   

    

COMO UMA ONDA

Fluta

q = 117 Ent. Bongo

  



 

        mf

         

       

       

 

8

Lulu Santos

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

 

       



mf

 

        





          3                              

16

3





f



     

22

                       

      

             

28

              

34

      

f

                      

52



 

 



          3 

 3      



     

                              

40

46



 

    

f

mf

3

f

                

    

      

                          

66



3

f

        

84



f

91





          

        

      

78

 

f

f

      

 

f

 

 



 

      f

Fim                             f



             

       f

f

         

    

                  

      

        

        

     3                     3



         

3

        

   3      

           

 

59

72



   

COMO UMA ONDA

Clarinet in Bb

q = 117       Ent. Bongo       

 

Lulu Santos

mf

        

 

8

  

22

         

 





       

f



 

        



          

            

         

44





mf

f

                          

 

                          

29

37

       

                                       





 

        

          mf

      

  

16

       

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

       

 

                                       f 

50

  

 

56

   

63

mf





 3  



mf

f

f

f

                          

3

   

                                   mf

69

77

3

3          

         







            



        

           

                                    

84

f

f

f

f

Fim                                    

91

f

f

COMO UMA ONDA

Clarinet in Bb2

  

q = 117

     Ent. Bongo           

       

8

 

     

  



16

22

Lulu Santos

      

mf

  





  

      

f



             

        

        





                               f mf

                       

44

  

                                     

29

      

      

        

         



37

  

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

         



  

               

  

                                       f 

50

  

56

    



 3  



mf

mf

f

mf

                      

69

      

77

f

   f









         

        

             

        

  

  

  

        

84

  

3

        

                                          f f

 

63

91

3   3        

f

      

      

   f

f

      

f

  

     

                       

Fim

COMO UMA ONDA Soprano Saxophone

Lulu Santos

q = 117 Ent. Bongo

   



p

  



    

        

9

            

23

    

       



mf

17





    







                                



mf

                          

p





38

  

   

3

3       f

                                         mf

30

44



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

            



         

              

    





 

    

         



    

   

              f                         

50

  

56

 

    mf







mf

 3  

                      

69

         

84

  

91

3

       f

                                         f f mf

63

77

3

3          

         

       

      







                    

  



         

           

    

  

   

                     Fim

COMO UMA ONDA Soprano Saxophone2

q = 117 Ent. Bongo

   





p

   



          mf

  

9

Lulu Santos

   



        



    



                                             mf                                   f  







              

        

40

 

46

 

    



    

 

 

3

3           3

        f

    

                              f 







        

 

    



  

    

86

92

   



    

 3 



mf

            f

        

            

                

80



                   

mf

  



mf

65

71

 

    

              

                            

p



f

52

59

        

            







                   

mf

31

  

     



18

25

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018



   



    

 

    

 

                       Fim

COMO UMA ONDA

Alto Saxophone

q = 117   Ent. Bongo   

   



Lulu Santos

   



   



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

  

p

  

9

                     p

3    3       



16

mf

f



      

23

 3  

3  3    3      

p

f

                          

    

      

45



            



mf

           



      

mf

      



     

    

mf

      

    

    

        

f

  

79



mf





           





     



p

           



           

  

           



     

92

    mf

   

  

86

  

f

                                      f p             

   

p

64

70

    mf

                   



                         





51

57

 3  

                            

29

38

                    



         

   

                     

Fim                    f

COMO UMA ONDA

Alto Saxophone2

q = 117 Ent. Bongo

   





  

p

9

p

  

    

    

                   



16



Lulu Santos







     

p

   

p

        f

                  

26

   

    

                   



                



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

     





            mf





  

     

 

  

                                 



33

42

48

    mf  p

                             



61

f

            



 

 

83

    mf

f



p

 

  

   



      

    

               p

f

     

        



    

94

          

                  

67

75

        

       mf

    

        



mf

54

89

        





             mf 

        

 

        

 

 



          

Fim    

          

COMO UMA ONDA Tenor Saxophone

q = 117 Ent. Bongo

   





 

9

   

   





 3  

              

 3  

  





    3    

   mf      f

  

 3      

 

    

          

92





  

  

      

   

        

 p

              

mf



p

        

 

 3    

    3    

        

     

   

      

             f

    

mf

f

p

f

      

    

      







    3   3    

     



                       

85

  

mf

64

78



      

3    

        



               

58



p

52

70

   



   

  

        

  

46

  

 3    

mf

f

39



3 3          3

mf

25

31

   

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

p

   mf

17



Lulu Santos

 

     

 

f

    3   3   

mf



    

     

 



   

p

      

Fim                    

COMO UMA ONDA Tenor Saxophone2

q = 117 Ent. Bongo

Lulu Santos

   



  

    

8

 p

     

15

    



           p 

25

  



mf

    

  

       

48

 

p

                            

           p    

75

  

82

  

88

    

93







f

3

        3   

mf

    

  

p

     



p



     3   



       



 

      

         mf



       

       f 

    

65



                        mf

53

59



    

   

     



       



    



 





  



     3   3   

  

42





f

35





p

    

  

   mf





Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

  







        

     

 

     

f



p



     3             



   

                       

Fim

 



COMO UMA ONDA

Trumpet in Bb q = 117 Ent. Bongo

   



p

  

Lulu Santos



    



    

                     p

9

  

      

  

    

16

22

            

38





            

      





                f

                                



f









                             f

79

  

86

  

92

         

   

 

    

    mf

   

  

p





    

                                   p   f

            

        

                    

57

70

    mf





             



                        p

     

   

                    



50

64



                                 p f



                       

  

    

                                     

29

44



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

  

                   

    

 

    

                      f

Fim

COMO UMA ONDA

Trumpet in Bb2

q = 117 Ent. Bongo

   





   

p

  

9

Lulu Santos



   

                    p

 

     

  

    

16

22

          



      







                       

                  f

                               

57



f

            









                             f

79

 

    

  

    

86

92

   

 

    

    mf

   

  

p





    

                         p  f

70

        

                    

p

      

    mf





             



50

64

  

                    

            

38





                          f p



                       

  

   

                                     

29

44



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

  

                   

  

 

    

                       f Fim

COMO UMA ONDA

Trumpet Bb Solo q = 117

   

Lulu Santos



3                        f 3

             

14

   

                  

19

  

24

  



f



    

  



 3    

93

3

 



 

  

88

3

3              

71

84

f

                       







       

                    3

 

3



3                3

3

        3

32

3



3

        

   3  3   3           

  

         

      

28

67

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

3       3

        f



           

     3       3

                  f Fim



COMO UMA ONDA

Trombone



q = 117 Ent. Bongo

 



 

9



mf



 





p

 

51

p



 

      

 



f

       

 

        

   

mf

            

74

    

f

               mf



80

 

 p

           



  

 

mf





p

       

  



           

92



           



     

           



           

Fim                    f





p

           

f



                        



      

    



3

mf

p





 3    

        





86



  

                     

  

   



f

    

        

  



         

58                         







   



65

   



 mf

38

44



                                      



   

31

   

   



mf

         

Lulu Santos



p

17

23

   

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

COMO UMA ONDA Trombone2

q = 117 Ent. Bongo



    

  



 

   

8

32







       



 f

 

75



      



93

   

 

     

p





 

      

p







        

 



        

mf

        



   

        



   

              f

mf

f

f



 

             

    



         

p





         p

                  

    

    



p

f

87

   

           

    











81

f

  



        

                p







f



59

 



                    

        



66

    

p



         

f

      





f





38

51



p



p



p

mf

 







    

44

    

                                      p

        



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

mf

17

23

Lulu Santos

   

    

Fim

COMO UMA ONDA Lulu Santos                              

Euphonium Bb q = 117

 

  



                

       

7



 

14

f

 3  3               

     

22

29



f

 

35

41







  

      

   



             

67

 



mf

3



   

 

         

        

              3 

 3     3   

3

f

      

    





  

f

          mf

  3

f

3             





 

f

      

                   

                         

80

 

          

 

              

92

     

              

mf

f

86





              

    

              

74

  3  



   3   3                           



60

f

 

 3    

                    

           

mf

  

 

f

             



 

         mf

     

47

53



   

Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

 



        

             

p

          

         

                        f

Bass Bb q = 117

 

   

    

COMO UMA ONDA Lulu Santos



    



    



Adap. Máspole Cidade Santana do Cariri-CE Abril 2018

   

f

9

 

                                     

   

16

     

                           

                 

                      

22

f

                               

28

                          

34

       

41

 

48

     

        

  

    

        

 

      

       

                          

                

     

54

             

                           

60

  f

      

                                         

66

                                  

72

79





             

 

        



 

        



86

92

   

a

     



 

        



                 

                       f