Brazil Art: Presentation
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HISTORY Cultural influences Graffiti’s history Legal vs illegal art 2. MOVEMENTS and ARTISTS Profile Movements Graffiti WRITING IMAGES(abstract and figurative) MIX (photo) 3. COMPARISON (NY - Barcelona Paris)
HISTORY
CULTURAL INFLUENCES o o o o
o o
European tradition West African slaves Tribal Art -> tupi people Cannibalism: eating up cultures – “eat what you like and leave the carcass” Local people + homeless Music - dance expression of an Identity
HISTORY of BRAZILIAN GRAFFITI o
o
o
Mid-20th c.: Voice of opposition to Brazil’s social + economical problems -> way to express opinion 40’ - 50’: pichacao 1964: military overthrow of democratic government -> became to dangerous
60’: Tropicalia movement -> lyrics as source of inspiration -> Multicolored graffiti + stencil graffiti popular o
o
o
o
o
o
70’: graffiti became more animated popular opposition reclamed public spaces -> city space as political and cultural expression 70’: “Visual pollution” vs freedom of expression (after years of repression) 80’: division: graffiti and pichacao Hip hop culture influence -> no books available -> had to be inventive 90’: create an individual style reflection of own experiences - explore own culture - found recognizable style 1995 -> from marginal culture to accepted art form
LEGAL vs ILLEGAL Get commissioned -> symbol of public pride
QuickTime™ et un décompresseur sont requis pour visionner cette image.
MOVEMENT AND ARTISTS
GRAFFITI
…Writting…
Pichacao QuickTime™ et un décompresseur sont requis pour visionner cette image.
QuickTime™ et un décompresseur sont requis pour visionner cette image. QuickTime™ et un décompresseur sont requis pour visionner cette image.
…Images…
Abstract
… HE WORKS HERE TO MAKE A POINT ABOUT THE YEARS OF NEGLECT THAT HAVE CAUSED THIS POLLUTION.
Zezao
"I DID THIS WORK BECAUSE I WANTED TO SHOW THE ARCHITECTURE AND THE CONDITIONS OF TUNNELS OF SAO PAULO, WHICH IS THIS DEGRADATION, RUBBISH EVERYTHING THAT THE RAIN BRINGS."
36 years old
IS ONE OF THE EXPONENTS OF THE NEW BRAZILIAN ABSTRACT GRAFFITI. HIS TRADEMARKS ARE WHAT HE CALLS FLOPS, ELABORATE ARABESQUES THAT ARE VISUALLY FAR FROM THE PICHACAO LETTERS THAT THEY FIRST CAME FROM.
HIS MOST STRIKING WORK NOWADAYS HAVE BEEN THE ONE HE DOES IN SÃO PAULO SEWERAGE SYSTEM AND SUBTERRANEAN WATER DUCTS, WHERE ALL THE WASTES OF THE BIG CITY ARE WASHED AWAY AMONG ZEZÃO'S WORKS OF ART.
Kboco
Figurative
Otavio and Gustavo Pandolfo o
Signify the Brazilian graffiti
The main influence of the local scene o
o
From tagging to epic mural
Influences: o American hip hop culture & street movies o Brazilian folk art & São Paulo protest art o Brazilian pichacao movement o Barry McGee (American graffiti artist, known as Twist) o
31-year-old siblings from São Paulo
Tate Modern, London
Advertisement and galleries
sculptures
canvas
Speto
Speto
Nina
QuickTime™ et un décompresseur sont requis pour visionner cette image.
Highgraff
Highgraff
Boleta
Thiago Syen
Bugre
Ciro
STREET ART
M A R I N H o
K a l e b
a
ib
t ri
Cu
F e f e
T i t i f r e a k
Sao e Delafuente
La mb
da la
mb
s
donato
M A R I N H o
K a l e b
MIX
Alex Orion
JR
Collaborative works
Donate, Grandson, Shock, Téia, Over, Maumeks, Angel, Graphis, Binho, Swift, Nine, Dalata, Hyper, Zezão, Ramon - Sao Paulo 2006
Teia, Roko, Deninja, Anjo, Graphis, G, Afi, Does, Nem, Nick - Sao Paulo 2007
GRAFFITI STYLES COMPARISON
museum on wheels small military mission
NYC
destruction
bombers
identity exhadurated
basic expression
learning
Barcelona outside and free for everyone to see
Paris se u a c l socia not Am eric an
m
a I e r fo e r e h ag t
It
art h
as a
caus e
st a p o t n o i t a rel
arc
hite
ctu
re
Sao Paulo raw new architecture symbolic cannibalize culture raw
war
danger
typographic terrorism urban intervention
Ready to walk ?
HISTORY Cultural influences Graffiti’s history Legal vs illegal art 2. MOVEMENTS and ARTISTS Profile Movements Graffiti WRITING IMAGES(abstract and figurative) MIX (photo) 3. COMPARISON (NY - Barcelona Paris)
HISTORY
CULTURAL INFLUENCES o o o o
o o
European tradition West African slaves Tribal Art -> tupi people Cannibalism: eating up cultures – “eat what you like and leave the carcass” Local people + homeless Music - dance expression of an Identity
HISTORY of BRAZILIAN GRAFFITI o
o
o
Mid-20th c.: Voice of opposition to Brazil’s social + economical problems -> way to express opinion 40’ - 50’: pichacao 1964: military overthrow of democratic government -> became to dangerous
60’: Tropicalia movement -> lyrics as source of inspiration -> Multicolored graffiti + stencil graffiti popular o
o
o
o
o
o
70’: graffiti became more animated popular opposition reclamed public spaces -> city space as political and cultural expression 70’: “Visual pollution” vs freedom of expression (after years of repression) 80’: division: graffiti and pichacao Hip hop culture influence -> no books available -> had to be inventive 90’: create an individual style reflection of own experiences - explore own culture - found recognizable style 1995 -> from marginal culture to accepted art form
LEGAL vs ILLEGAL Get commissioned -> symbol of public pride
QuickTime™ et un décompresseur sont requis pour visionner cette image.
MOVEMENT AND ARTISTS
GRAFFITI
…Writting…
Pichacao QuickTime™ et un décompresseur sont requis pour visionner cette image.
QuickTime™ et un décompresseur sont requis pour visionner cette image. QuickTime™ et un décompresseur sont requis pour visionner cette image.
…Images…
Abstract
… HE WORKS HERE TO MAKE A POINT ABOUT THE YEARS OF NEGLECT THAT HAVE CAUSED THIS POLLUTION.
Zezao
"I DID THIS WORK BECAUSE I WANTED TO SHOW THE ARCHITECTURE AND THE CONDITIONS OF TUNNELS OF SAO PAULO, WHICH IS THIS DEGRADATION, RUBBISH EVERYTHING THAT THE RAIN BRINGS."
36 years old
IS ONE OF THE EXPONENTS OF THE NEW BRAZILIAN ABSTRACT GRAFFITI. HIS TRADEMARKS ARE WHAT HE CALLS FLOPS, ELABORATE ARABESQUES THAT ARE VISUALLY FAR FROM THE PICHACAO LETTERS THAT THEY FIRST CAME FROM.
HIS MOST STRIKING WORK NOWADAYS HAVE BEEN THE ONE HE DOES IN SÃO PAULO SEWERAGE SYSTEM AND SUBTERRANEAN WATER DUCTS, WHERE ALL THE WASTES OF THE BIG CITY ARE WASHED AWAY AMONG ZEZÃO'S WORKS OF ART.
Kboco
Figurative
Otavio and Gustavo Pandolfo o
Signify the Brazilian graffiti
The main influence of the local scene o
o
From tagging to epic mural
Influences: o American hip hop culture & street movies o Brazilian folk art & São Paulo protest art o Brazilian pichacao movement o Barry McGee (American graffiti artist, known as Twist) o
31-year-old siblings from São Paulo
Tate Modern, London
Advertisement and galleries
sculptures
canvas
Speto
Speto
Nina
QuickTime™ et un décompresseur sont requis pour visionner cette image.
Highgraff
Highgraff
Boleta
Thiago Syen
Bugre
Ciro
STREET ART
M A R I N H o
K a l e b
a
ib
t ri
Cu
F e f e
T i t i f r e a k
Sao e Delafuente
La mb
da la
mb
s
donato
M A R I N H o
K a l e b
MIX
Alex Orion
JR
Collaborative works
Donate, Grandson, Shock, Téia, Over, Maumeks, Angel, Graphis, Binho, Swift, Nine, Dalata, Hyper, Zezão, Ramon - Sao Paulo 2006
Teia, Roko, Deninja, Anjo, Graphis, G, Afi, Does, Nem, Nick - Sao Paulo 2007
GRAFFITI STYLES COMPARISON
museum on wheels small military mission
NYC
destruction
bombers
identity exhadurated
basic expression
learning
Barcelona outside and free for everyone to see
Paris se u a c l socia not Am eric an
m
a I e r fo e r e h ag t
It
art h
as a
caus e
st a p o t n o i t a rel
arc
hite
ctu
re
Sao Paulo raw new architecture symbolic cannibalize culture raw
war
danger
typographic terrorism urban intervention
Ready to walk ?
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