Yamaha-classical-guitar-course-1-part-1-pdf_1.pdf

CIassie Cruitar se..l

F()UNDATII}N MUSIC YAMAHA

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YA]IIAHA

CIassic ffinr Cormss"l

by T. Koizumi

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@ C opyri ght1974 by Y A MA H A Musi c Foundat ion 3-24-22S i momeguro. Meguro-ku, Tokyo,Japan. JA S B A CN o.7910741 P ri ntedi n Japan.

ARI I

1

Blss RUllS,/PASS|tlc BASS

SHE'LL BE COMIN' 'ROUND THE MOUNTAIN

FmCH0RD WHEN THE SAINTS GO MARCHING

1 5 6 7 8

ALLEGRETTO ANDANTINO ALLEGRETTO

3

IIOIES DOUBLI ANDANTE ANDANTINO ANGLAISE PROMENADE

ilrRil0illcs WAI:TZ GALLOP TOM DOOLEY

til0RscAtE II P0slil0lt,,10 ETUDE SONG FROM THE BACKWOODS SEVILLANAS

SLUR WAI:IZ LANDLER

sllAtLll0IEs GussillD0,/ MY LADY PENSANDO EN TI

SCIUil4,0R v P0stll0ll,/c BURUNG TANTINA MINUET (A LOVER'SCONCERTO)

ETUDE NO. I ROMANCE DE AMOR ROMANCE

IORII GIIORD Il|ETOYABTE *Reference Pieces

KACHUSHA GREEN SLEEVES BALLADE MELODIA ALLEGRETTO ANDANTE TANGO POLKA SLIDE WAI:|Z ESPEREUN MOMENTO, POR FAVOR BOLELEBO ENFANTS D'AUJOURD'HUI, HOMMES DE DEMAIN

r0 l0 ll 12 12 12 l3

l6 l6 { 17 : 17 l8 !

I

r8 l8 l9

20 21 21 22 22 23 24 24 24 25 26 27 28

*f

30 30 3l 32 32 33 34 35 36 37 38 38

i

L

CONTENTS

ARI 2

I LOVE ONLY YOU ONCE IN A WORLD ETUDE ROMANCE

39 40 41 42

MODERATO ETUDE NO.l (oP.3s) ETUDE NO.l (oP.3t) SANTA LUCIA MODERATO PRELUDE BOURREE

43 43 44 44 45 46 46

WAIjrZ WALTZ IN G ALLEGRETTO LARGHETTO

47 48 49 50

LONDONDERRY AIR ALLEGRETTO TWO GUITARS RONDO

5l 52 53 54

WALTZ ALLEGRETTO SUSSER DIE GLOCKEN NIE KLINGEN

55 56 56 57

WAI:IZ ALLEGRETTO BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS

s8

ALLEGRETTO MINUET UNDER THE G REENWOOD TREE ROMANCE DE AMOR

59 60 61 62 63 63

rucilfltftoc||0nD//Dtilt{tsHE0 cilon0 r0Rt OLD FOLKS AT HOME ABSCHIED VON DER HEIMATH RONDO NO.2

wAwz MARIA LUISA NOCTURNE ALLEGRO KLEINE ROMANZA CAPRICCIO TANGO NO.3 ALLEGRETTO FARRUCA BARCAROLLE TOMBE L A NEIGE MINUET SICI LI A NA

WIND. LEAVES AND WANDERER

58

66 67 68 69 70 7l 72 74 75 76 77 78 80 82 84 85

tr

SI BASS BASS R|JilS,/PASS|l{G

ftoctice

. PassingBass: Bassline movement appearswhen the chord changesfrom one to another.

Puzle

Fill in the appropriate PassingBassin the Q.

[nsenrble

OAiIERIGATI SOT{GO

SHE'LL BE COMIN''ROUND THE MOUNTAIN

Allegretto

'round

com - in'

the

moun - tain

when she

c

com - in'

com - in'

c

moun- tain, she'll be F

'round the

'round the

moun - tain when she

moun - tain, she'll be

Cz

com - in' 'round

F

the

I t

, E; FmC1|0RD I I

w

t Cr*c.a Pl"v

Slow waltz

Fm-chord

c

-t

r

.Ir

lir t[L

/ill

I

il t,)

3

.-Z (t +--. 1

t

by Sutedjo From"SriAyuda"

fi

Puzle

Fillin the chord namesin O

accordingto the above chord pattern.

From"Homeon the

i -s e mble

OAMERICAN SONGO

WHE,N THE SAINTS GO MARCHING IN I

7"-

a l ,r

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t'!

i

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c

II

,

\

{-

,:' q

Gz

'.\

(Jl

Cz

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t

11.

I

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a

Gt

'"'*t =

llt

c

c

il :

:-r

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z

ARPEGG

P roc t ice

tt

rI

9-

r'.

gonG

Am

ftrpeggio imim

=

-3-'

Play on the following ArPeggio.

-E

-E

tI c

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P

At

Am

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I

Arpeggio

Playon a)

ttl l ,p ""FF I

'ALLEGM,.Ki,FFNERO

Fine Det

p \j\

fN

i\*

-3

rL3

ANDANTINOoA.cA'{oo

r

-r*,l

10

ALLEGRETTO.,.

.ARULLI O

a"j= \ (-1.'

\r I

. Interval,-i

-\

'.,

The differenceof pitch betweentwo notes is calledthe lnterval. It is namedaccordingto its degreeand quality suchas perfect,major,minor (augmented,diminished). Perfect: first,fourth, fifth, eighth. Major, minor : second,third, sixth,seventh.

FG(r,",

| (unison)

i

minor second

a

majorsecond

steP :1,r

minorthird

-1 h al f

:(il'ji5#:?'') minorsixth

(whole step:1 )

a '^

maiorthird

-..+ tf-l

ffi

(whole step:2) >-

majorsixth

F(il"i,"5.'J:5') \perfecteighth : V \ half s t ep: 2

/w h o l e s te p :5 \ )

minor seventh

ffi:ffjr"5""':i'')

maior seventh

=(il"1,"5.'J:?'')

The intervalof more than eighthdegreeis calledcompound Interval. Often, one octave is eliminatedwhen countingthe interval,but this does not changethe qualfity (perfea, major,minor etc.) of the interval. 11

lIOTES DOUBTE

ANDANTE.,.riirrreno

ANDANTINO.

M.cARcAss, o

ANGLAISEoF..ARULT.

Y

E - - P tP i

Pu zzle

Fillin the intervalin (

). (rndicatethe qualityof interval.) )

(,

)(

13

)

t

PROMENADEoF..ARULL,.

4

. Relationof Keys: The keys which are close to the original key are cailed Related Keys. In many cases,the original keys are modulated to these Related Keys. Also the chords of these keys can be used.

RelotedKeysof C moior

Io,'"- 1, pararellkey\ of F major /

/pararellkey\ \of C major/

16

/pararell key\ \of C major /

t_

HARMOlIICS IG, C"**

[I/ARZ.r.r.

ELLrso

F AaL

I

1

p,

i

,'--.-\ /' '-. -t Az

nr.

n2aln

t J

t =)

l nne

l"

@

Harm.7-

-----.r

@

ryr " - - '.'"-l'

d t

At

D.C,

ar

-N') . Harmonics: A harmonictone is created by gently placinga left-hand finger on the fret of the string which has just been plucked by a right_handfinger. It is indicated by "Harm." or just)ar*" together with the number of string.

,/-)

fI l

,/\

*

i\2-

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74

, -4,/ zo'::"'4*

tr7

A .. .,<-- 7 I

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\;l

-/a

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. Ref:

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The followingshowsthe positionof stringsand frets. _ ? f.- - - - - - - r

_?f.-------r ?f.----___r -af.-------^ e f.- - - - -z --: b ' e)Lz @ r2 z. E -' @r2 z s , @L z s ' @li' z s i

a" 76

Tdr

I

m

,5-,t t

GALLOP.".

[t.^

cARcAssro

m_i

Harm. 72- - -

TaM

DOOLEY

.AMERT.AN soNco

Harm. L2- - -

UZZIE

Write the Related keys for G major in the blanks.

77

-.J

SCAT Di|AIOR II POSITION/

ETLJDEoF. .ARULLT.

hlelodvPloy Rhythm

Puzzle

Write the properchordnamesin O. ChordSymbols .K eyofG .K eyofD

IVYz

@ @ 18

I

ooo ooo

,1-,

-J-'r lj

SEVILLANAS

ospAN,sH so,{c o

/ \7*

V .x ,--*<" /l '.f, I l-i'--'*

----:

j .lL. ,..,,. -*.;:-

,; i\ IiF

i -,-- -'1 , ji 11 ' l;"k {i i1 1* ,*.. .._i_j*..J lt

,

' x.

Al-t_-egrp

Di

4l I

Alv

'

lr

4' r li !

i

v

ui D

:>_

Sevillanasis a type of waltz native to the Sevilliadistrict. h is a joyous dance, pbrformed to the beat of castanets.

!

I \ \,

"ii

*.?

,.\ i^\

:

-;4=*r**;

1!:' t\1.) '-

ftoctice DX.l

Draw Back

Draw Back

DX.8 Slur involvingdifferentstrings. Vibration

. pluci the first note only and play the secondnote by ping the string with left-hand finger. Slide

0 -eY'

\9

o='

. Playby slidingright-hand

that they are A curvedline,placedover two or more notesof differentpitch, indicates by tapping playedsmoothly. Firstnote is plucked and the following notes are sounded with a slight pluck(descending). or releasing the left-hand (ascending) O Chromatic Scale

When playingthe ascendingtones, placethe fingerson the positions,and when descending, remove one by one. Practiceon every string.

20

SLUR

WAIfZon.r.ELLrso

b

LANDLER.,.xiirrueno

21

rSltlAttllOUI GtlSSAllD0,/

MY

LAFY.H.,.ELL.'. Allegretto ------'!

V- - -

o 1

a -1

€

c..5----.--r

. Clissando : Like slur,the notes are playedsmoothly. lt is indicatedby a stroke anda curve

(?). pluckthe first note and then slidethe left handfinggr to the next note' Do not Pluckthe last note. .Portamento:Playglissandoto the additionalnote and pluck the next note.

The followinggracenotes (Acciaccature) are playedby quick slur. Pluckonly the note indicatedas a smallnote. Do not pluck the main note.

22

The followinggracenotes are played by Pluckonly the small note quick glissando. pluck the main note' and do not

ENSANDO

f,-_

EN TIOA.ALBA

l"

ef

f

-)

=

?) lc

p

@ at*. @ p

l3r 7

O E Minor scale

,rlf

p

l-i.---lerl-l

r l

D'

p

SCA N/C MAIOR

VP \//4

C-

---4( t

b'Lot 712

'.

1a n v

,

vH*H

)^ t!t-

t vrn;Jri\--------------v

P@g

Ploy fr,,tlelody

BURLD{G TANTINA

.o*no o,*oo*="'o*

Moderato

v-c

lr

fy{elodyPloy

MINUET (A LovER'scoNCERTo) o,.BAcHo

Moderately V

c

fu-

c

@#@'

Am

t

@

@ €---------r

xTo play by slidingthe samefingeris indicatedby a "minus"sign(-).

ETUDE

NO. l.r.rARREcAo

M/C (Media Ceja) means the half-bar.

ROMANCE

:.r= q\

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DE N\4OR.""ot{,sHso*Go

=

r.l1]-

=

o.

7' I

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4)

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sl

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s

'f I

tl ChromaticScale

1:7 J F t\ir7t-:' = =

n- 7!t:----------. o-

28

{

t

OIVIANCE

oJ.K.MERrzo

,1 {

l -l l Q'sl

I IrT=== ct?..T777..

' r vt t l

'f srl i

Tl|Eltl0VABtt C]|0RD F0Ri O Root on String @

E ClrordFon1

@ @ 2

F

OMajor Chord

Y l

A

Fm

OMinor Chord

.-j\ t1/

v /A

fDominant

Fz

7th Chord

v rt

+

A

GF

E

O Root on String @

A Cod fiorm

II

@ 0

#@e Frets 1

2

@@ 4

5

6

7

8' 9

@

@

10 1112

I

OMajor Chord

BO t

-_^ \) /-N

fMinor

Chord

Am

Bbm

+ Bvz

f Domnant 7th Chond

+ f CeP Trrirg

2A

I t0Ril ,f\

I

(T

ReferencePieces

al

K{CHUSHA

soNG o RUssrAN o

L'I

Allegretto Am

r_r r

l

-

{

GREEN

SLEEVES

e

SONGO OIRISH J

4

4 t

Ir

#

t-

BALLADE.,.

z- 3

DoR,{o c

t\ '_t_,

*;

v,lef@ tS'cooa

l_j'_$

ALLEGRETTO.o.AGUADoo

DANTE

X

oF.cARULLro

5

L

ITANGO

or.FERRER.

I

\( J

'',--E JJ

oF ,

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1i\ {f

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\f

s/

f

l7

ll

84

-

FineI

I ''t'

LKA

or. KiiFFilERo

SLIDE

WAII

ZO r..r. ELL,so

ESPEREIJN MOMENTO, POR FAVOR.".=."^Tempo di Beguine

r O

l 97l by R ac het pubti s hi ng,BM l . R i ghts for J apan as s i gned to P.M .P

87

rI

pl \y

Cr,qaPl"v BOLELEBO

orNDoNEsrAN soNG o

t rilr" ^

Rhythm

@ l97l by Editions Mus i c ates PAU L M AU R | AT . All r ights r eser ved. Rights for Japan assigned to YAMAHA Music Foundation, ToKyo.

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