Writing Moves Words From The Sound World To The World

world of cold, non-

right side, everything coming out even

isibility: the lines perfectly regular, all justified on the

position is everything in print. Printed texts look machine-made,

as they are. In handwriting, control of space tends to be

manuscripts.. This is an insistent

Print situates words in space more relentlessly than writing ever did.

human facts.

ruled borders that often occur in

visually, and without the aid of guidelines or

typically impresses most by its tidiness and inv-

ornamental, ornate, as in calligraphy. Typographic control

but print locks words into position in this space. Control of

Writing moves words from the sound world to the world of visual space,

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control of space tends to be ornamental, ornate, as in calligraphy. Typographic control typically impresses most by its tidiness invisibility: the lines perfectly regular, all justified on the right side, everything coming out even visually, and without the aid of guidelines or ruled borders that often occur in manuscripts..

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Print situates words in space more relentlessly than writing ever did. Writing moves words from the sound world to the world of visual space, Print situates words in space more relentlessly than writing ever did. Writing moves words from the sound world to the world of visual space, In handwriting,

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Print situates words in space more relentlessly than writing ever did. Writing moves words from the sound world to the world of visual space, but print locks words into position in this space. Control of position is everything in print. Printed texts look machine-made, as they are. In handwriting, control of s

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e tends to be ornamental, ornate, as in calligraphy. Typographic control typically impresses most by its tidiness and invisibility: the lines perfectly regular, all justified on the right side, everything coming out even visually, and without the aid of guidelines or ruled borders that often occur in manuscripts. This is an insistent world of cold, no-human facts.

Print situates words in space more relentlessly than writing ever did. Writing moves words from the sound world to the world of visual space, but print locks words into position in this space. Control of position is everything in print. Printed texts look machine-made, as they are. In handwriting, control of space tends to be ornamental, ornate, as in calligraphy. Typographic control typically impresses most by its tidiness and invisibility: the lines perfectly regular, all justified on the right side, everything

coming

out

even

visually,

and without the aid of guidelines or ruled borders that often occur in manuscripts. This is an insistent world of cold, non-human facts.

words

Print situates words in space more relentlessly than writing ever did. Writing moves

from the sound world to the world of visual space, but print locks words into position in this

space.

In hand

Control of position is everything in print. Printed texts look machine-made, as they are.

writing, control of space tends to be ornamental, ornate, as in calligraphy. Typographic control

typically

right side,

impresses most by its tidiness and invisibility: the lines perfectly regular, all justified to the

everything coming out even visually, and without the aid of guidelines or ruled borders that

often

occur in manuscripts.. This is an insistent world of cold, non-human facts.

Print situates words in space more relentlessly than writing ever did. Writing moves words from the sounds world to the world of the visual, but print locks words into the position in the space. Control of position is everything in print. Printed text looked like machine-made, as they are. In handwriting, controlled space tends to be ornamental, ornate, as in calligraphy. Typographic control typically impresses most by it’s tightness and invisbility: the lines perfectly regular, all justified on the right side, everything coming out even visually, and without the aid of guidlines or r u l e d borders that often occur in manuscrip ts. . .. .. This is an insistent rld wo of cold, non-human fact

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PRINT SITUATES w o r d s i n s p a c e MORERELENTLESSLY THAN WRITING ever did. Writing MOVES WORDS FROM THE sound world to the world OF VISUAL S P A C E , but print locks words into POSITION IN T H I S space. Control of position is EVERYTHING IN PRINT. Printed text looks machine -MADE, AS THEY are. In handwrinting, control OF SPACE T E N D to be ornamental, ornate A S I N CALLIGRAPHY T y p o g r a p h y c o n t r o l t y p i c a l l y IMPRESSES M O S T by its tidiness and invisibility: THE LINES PERFECTLY regular, all justified on the R I G H T S I D E , everything coming out even VISUALLY AND WITHOUT t h e a i d o f g u i d e l i n e s o r R U L E D BORDERS THAT often occur in manuscripts.. THIS IS AND INSISTENT w o r l d o f c o l d , NON-HUMANFACTS.