Wedding Music - Byzantine

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Orthodox Wedding Music

St. Anthony's Greek Orthodox Monastery

Byzantine Notation Version March 2007

This book is available online for free in both Byzantine and Western notation.

Recordings of this music chanted by the monks of our monastery are also available online at: http://www.stanthonysmonastery.org/music/Mysteries.htm

St. Anthony’s Greek Orthodox Monastery 4784 N. St. Joseph’s Way Florence, AZ 85232 USA Tel. (520) 868-3188 Fax (520) 868-3088 e-mail: [email protected] website: www.stanthonysmonastery.org Text © 2007 Holy Transfiguration Monastery, Brookline, MA © 2007 St. Anthony’s Greek Orthodox Monastery Permission to copy is granted for liturgical use.

Contents Processionals Awed by the Beauty, brief version ........................................................................................ 1 Awed by the Beauty, long version ......................................................................................... 3 It is Truly Right, second mode ............................................................................................... 5 Lord Have Mercy ....................................................................................................................... 7 Apolytikion of Sts. Constantine and Helen ............................................................................... 16 Kontakion of Sts. Constantine and Helen .................................................................................. 17 Glory to Thee ............................................................................................................................. 19 O Lord our God ......................................................................................................................... 20 Prokeimenon .............................................................................................................................. 21 Alleluia ....................................................................................................................................... 22 Glory to Thee, O Lord ............................................................................................................... 23 Communion Hymn .................................................................................................................... 25 Dance, O Isaiah .......................................................................................................................... 30 O Holy Martyrs .......................................................................................................................... 31 Glory to Thee, O Christ God ..................................................................................................... 32 Recessionals Dogmatic Theotokion, first mode .......................................................................................... 33 Dogmatic Theotokion, plagal first mode ............................................................................... 35

Awed by the Beauty* Third Mode adapted from traditional melody





108

Duration: 1:00 Intonation: #8

Th;n wJraiovthta

 ƒƒby     ƒƒvir  -ƒƒƒgin - -     ƒwed   ƒƒthe ƒbeau  - - ƒƒƒty______ ƒof thy ƒi -  ƒƒty and  - -        thē  ƒex - ƒƒceed-ing ra - - ƒdiance of ƒthy pu  ƒƒƒri -  ty,   ƒƒGa -  ƒƒ-  bri -  el _____________________ * Instead of playing Wagner's "Bridal Chorus" ("Here Comes the Bride") as a processional, it is more appropriate at an Orthodox wedding to chant an Orthodox hymn. According to some local traditions "It is truly right" is chanted in second mode (see page 5) as a processional. Another troparion that is chanted in some places as a processional is "Awed by the beauty." On this page is the heirmological (brief) version, and on page 3 is the sticheraric (long) version. www.stanthonysmonastery.org/music/Mysteries.htm

2

Wedding - Awed by the Beauty

    ƒƒƒWhat__Ì      thee,  ƒO  The -  ƒo -  to -- ƒkos: ƒƒwor -  ƒthy ƒhymn of

ƒƒcalled ƒƒout ƒƒun - - ƒto

 ƒ-   ƒƒcan      praise___ I  of -   ƒƒ-  ƒfer ƒun -   to  ƒthee?    ƒAnd ƒƒƒƒwhat__Ì ƒshall  I ƒƒname_       ƒƒthee?     ƒƒƒand____ÌÌÌÌstand    in  ƒ_____ ƒƒI   ƒƒam  ƒƒin  ƒdoubt________ awe. ƒWhere-fore, as   -- ƒed,        comƒƒ-ƒmand ƒI  cry  ƒƒto  thee:_ÌÌÌÌ Re -ƒƒƒƒjoice, ƒO  ƒƒƒƒFull___Ì of_____ÌÌGrace._    __________Ì 

 

www.stanthonysmonastery.org/music/Mysteries.htm

Awed by the Beauty Sticheraric (Long) Version Third Mode adapted from traditional melody





88

Duration: 2:15 Intonation: #8

Th;n wJraiovthta

           the___ÌÌ beau - - - - ty_________________Ì ƒof_Ì

ƒƒƒwed_____ ƒby

        ƒƒ______Ì thy__ÌÌÌ ƒƒvir  - -  ƒgin -  -  - -  - -  -   - ƒƒi -   ƒƒty____________ ƒand  -    ƒƒthē   ex - - -ƒƒceed -  - -  -  -  ƒƒing______Ì ƒra - -   -  -  -  di            thy_ÌÌÌ ƒpu -  -  -  - - -  - ƒƒri -   ty,___________Ì

ƒƒƒƒance________ of____

www.stanthonysmonastery.org/music/Mysteries.htm

4

Wedding - Awed by the Beauty - Long Version

 el called___________________             ƒGa - - ƒbri -  ƒƒƒƒout   un -  ƒƒƒƒto___ thee,______ÌÌ      O____Ì ƒƒThe -  - -  - ƒƒƒo -  - -  to  - - - -  -  - ƒƒkos:___ÌÌ ƒWhat____       ƒƒhymn_________________ÌÌ            ƒƒ___________Ì ƒƒwor -  ƒthy______Ì of______ÌÌ praise________   ƒƒƒcan__Ì       ƒƒ_______ I  ƒƒof -  -  -  -  ƒƒƒƒfer__Ì ƒun -   -  - -  - - - - ƒto                    ƒƒthee?__________Ì ƒAnd___̃ƒƒƒwhat shall_____Ì ƒƒI_________̃ƒƒname________ ƒƒthee?_           ƒam          ƒƒ__  I   in____________ƒƒdoubt_ and___Ì ƒƒƒƒstand___ ƒƒƒƒin____Ì awe.___Ì Where-fore,   -          thee:__Ì        as  com mand   - ed,   ƒƒI_____________ cry___________Ì to___ÌÌ                  Re - ƒƒjoice,______________________ÌÌ ƒO____Ì ƒFull___________________________ ƒof_Ì          ƒ_______̃ƒGrace.____________________________

www.stanthonysmonastery.org/music/Mysteries.htm

 

It is Truly Right Second Mode adapted from the ancient melody according to the oral tradition of the Holy Mountain

  

i



84



          t   ƒis  ƒtru -  - ƒly____̃ƒright ƒto  ƒƒcall_______Ì ƒthee_______ ƒƒblest,_

 __  O  ƒƒThe -  - -  -  o - -  to - - -  ƒkos,  thē  ƒev -  - -  - er  bless              and__Ì    - - -  ed,  ƒthou___ ƒwho___ ƒƒart_________Ìmost____ ƒpure______Ì all             ƒƒMoth    ƒim -  ƒƒmac - -  - u-  -  -   - late___________ÌÌ ƒand______ ƒƒthe______Ì -                 -  -  -  ƒƒer   ƒof  our____________________ ƒGod.___________More_____Ì hon   than      ƒƒour  -  - -  ƒƒa -  ble___________ ƒthe  ƒChe - - -  ru -  -  -   - bim,__ÌÌ

www.stanthonysmonastery.org/music/Mysteries.htm

Wedding - It is Truly Right

6

          ƒmore_____Ì    ____Ì  and___________Ì ƒbe -  -  yond________ÌÌ ƒƒcomƒƒ-ƒƒpare__________ÌÌ    ƒglo -  ri -  ous_____ÌÌ ƒthan   the  Se -  -  - ra -  - -  -   phim,   ƒwho  with     -  -  didst   ƒƒout___ƒƒcor -  ƒƒrup - -  - ƒƒtion___Ì give  ƒbirth  ƒto   ƒGod__________Ì             the________________̃ƒWord, the   ƒƒver - - -  - ƒy_________Ì The -  -   kos,         ƒƒo - ƒto -  -  ƒƒthee ƒƒdo we  mag - -  - ni -  - -   - fy.____________ 

Lord Have Mercy  

Plagal Fourth Mode adapted from Constantine Pringos (1892-1964) the Protopsaltis of the Patriarchate of Constantinople (1939-1960)

       ƒƒord,___ have__ mer -  - -  ƒcy.  

2    ƒLord,   ƒhave__ÌÌ ƒmer --  cy.  3     ƒLord,  have_____ mer - -  ƒcy.   4       ƒLord,___ ƒƒhave_Ì mer - -  ƒcy.  5       ƒLord,___ have_Ì ƒmer --  ƒcy.  www.stanthonysmonastery.org/music/Mysteries.htm



88



Wedding - Lord Have Mercy

8



Plagal Fourth Mode adapted from John Pallasis (d. 1942)



L

          ord,______Ì̃have_ ƒmer -  -  - -ƒƒcy.

2    ƒƒhave___Ì    Lord,____ÌÌ ƒƒƒmer -  - -  cy.  3    Lord,____Ì ƒhave___ mer - - -  ƒcy.   

4      Lord,_̃ƒhave__ ƒmer -  - -  ƒƒcy.  5         Lord,_̃have__Ì mer -  -  - ƒcy. 6      Lord,__ƒhave__Ì mer -   - -   cy.   7      Lord,_̃have__Ì ƒmer -  - -  -  - cy. 

www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Lord Have Mercy

 

9

Plagal Fourth Mode adapted from Iakovos Nafpliotis (1864-1942) the Protopsaltis of the Patriarchate of Constantinople (1911-1939)



L

     ƒƒord,_______Ì̃have__Ì mer -  - - cy.  

2   ƒƒLord,  ƒƒhave___ mer  -  - ƒcy.   3     Lord,ƒƒhaveÌÌ mer -  - -  ƒƒcy.   

4     ƒLord,   have_________ÌÌ ƒmer -  -   -ƒƒcy.  5       Lord,__Ì ƒhave__ ƒƒmer -  - - cy.   6      Lord,_̃have__Ì mer -  - - ƒcy.  7       O Lord. ƒƒTo Thee, 8  ƒA -  ƒmen. 

www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Lord Have Mercy

10



L

Plagal Fourth Mode adapted from Thrasyvoulos Stanitsas (1910-1987) the Protopsaltis of the Patriarchate of Constantinople (1960-1964)

  

      ƒord,__ÌÌ have_ÌÌ ƒmer - -  ƒƒcy.  

2       Lord,__Ì have_ÌÌ mer - -  cy.  3       Lord,__ÌÌ ƒƒhave_Ì ƒmer --  ƒcy.  

4   Lord,ƒƒhave_ mer - -  ƒcy.  5       Lord,ƒƒhave_ƒƒmer - - ƒƒcy.   6     Lord,__ÌÌ ƒhave___ ƒmer -  - -   - -  ƒcy.   7          ƒThee, ƒƒTo______Ì_____Ì O Lord. 8    ƒƒA -   ƒƒ- ƒƒ-  ƒƒ- ƒƒ-ƒmen.

www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Lord Have Mercy



L

11

Plagal Fourth Mode adapted from Hieromonk Hierotheos of Philotheou Monastery



   ord,   have_Ì mer - -  - ƒcy.  

2       Lord,_____Ì̃ƒhave_ ƒmer - -  - ƒcy.  3       Lord,______ƒƒhave_ ƒmer  -  - cy.   4       Lord,__ƒƒƒƒhave___Ì ƒmer -   - ƒcy.  5      Lord,____̃have__Ì ƒƒmer  -  - ƒƒcy.   6    Most  ho -  ƒly  ƒThe - ƒƒo -  ƒƒto - ƒkos,  ƒsave____ÌÌ us.  7       ƒƒƒTo______Ì ƒThee,  ƒƒO Lord. 8 ƒA  - ƒmen. 

www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Lord Have Mercy

12



Plagal Fourth Mode adapted from Michael Hatziathanasiou (d. 1948)



L

      ord,__ÌÌ ƒhave___Ì mer -- cy.  

2     Lord,__ ƒƒhave___ mer - -  cy.   3     Lord,__ ƒƒhave___ mer - -  cy.  

4      Lord,__ ƒƒhave___ mer - -  cy.   5      Lord,__ ƒƒhave___ mer - -  cy.  6     Lord,__ ƒƒhave___ mer - -  cy.   7     Lord,__ ƒƒhave___ mer - -  cy.  8     Lord,__ ƒƒhave___ mer - -  cy.  

www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Lord Have Mercy

9       Lord,__̃ƒhave_Ì mer --  cy. 10       Lord,__ÌÌ ƒƒhave_Ì mer --  ƒƒcy.   11     mer   Lord,ƒƒhave_Ì - -  - cy.  12      To   Thee, O ƒƒLord. 

www.stanthonysmonastery.org/music/Mysteries.htm

13

Wedding - Lord Have Mercy

14

Plagal Fourth Mode



adapted from Kyriazis Nicoleris



L

  ƒord,ƒƒhave_ mer-  - cy. 

2    ƒƒLord,  have__ÌÌ mer -  -  - -  cy.  3    ƒƒLord,  ƒhave___Ì mer --  ƒcy. 

4      Lord,ƒƒhave_ mer -  - - -   cy.  5   Lord,_̃ƒhave__Ì mer -  -  - -  cy.  6      Lord,ƒƒhave_ mer -  - - -   cy.   7       Lord,_̃have_Ì̃mer - - -   -ƒcy.   8       To  Thee, O  ƒLord.

9  A -   men. 

 www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Lord Have Mercy

Plagal Fourth Mode adapted from Hieromonk Hierotheos



L

    mer   ord,ƒƒhave_ - -  -   ƒƒcy. 

2  have_Ì  ƒLord,_____ ƒmer -  - cy.  3       Lord,________Ìhave_ÌÌÌÌ mer -  -  - -  cy.  4       Lord,___ have_ÌÌ ƒmer - -  - ƒƒcy.  5      Lord,____̃have__Ì mer -  -  - -  cy.  6   - - -     Most  ƒho - ly  ƒThe - ƒƒo -  to -  ƒkos,  save_____ÌÌ us.  7    ƒƒThee,     ƒƒTo_________ ƒO ƒLord. 8 ƒA  - ƒƒmen. 

www.stanthonysmonastery.org/music/Mysteries.htm

15

 

Apolytikion of Saints Constantine and Helen* Fourth Mode





150

Intonation: #10

Tou' staurou' to;n tuvpon

    Cross     av -  ƒing  ƒseen  ƒthē  ƒimƒ-ƒƒage of Thy ƒƒin Heav - -  ƒen,    ƒƒƒhavƒ-ƒing          ƒand,  like ƒƒƒPaul, ƒre - ceived the call ƒƒnot ƒfrom ƒmen,  ƒThine ƒƒa -  ƒƒƒpos -  tle                  ƒƒa-mong ƒkings ƒƒen - ƒtrustƒ-ƒƒed ƒthe ƒcom-mon-wealth to Thy hand, O ƒLord.  ƒƒKeep ƒus

                 ƒƒal - ways ƒƒin ƒƒƒƒpeace, ƒƒby thē ƒin - ter - ƒces -ƒƒƒƒsions of the The - ƒo - ƒto - ƒkos,    O  on -  ƒƒly Friend of  ƒman.



_____________________ * In some places, this Apolytikion is chanted immediately after "Blessed is our God" in the beginning of the service of betrothal.

Kontakion of Saints Constantine and Helen* Third Mode

  



110

Duration: 1:00 Intonation: #8

Kwnstantivnou shvmeron

                ƒn  ƒƒthis  ƒƒday ƒSaint Con - - stan-tineƒƒƒand ƒbless - ed Helƒ-ƒen, his   ƒthe         ƒthe  Wood    ƒmoth -  - - ƒer, ƒƒhave ƒƒre -  ƒvealed  Cross,__ wor -  ƒƒƒthy  ƒƒof all  a - -     ƒƒJews,    - ƒƒƒtion. For______̃ƒthe ƒƒit  is  ƒdis - ƒƒhon - ƒ-  ƒ- ƒ-

ven - ƒƒer -

    ƒhave__ÌÌ        ƒƒƒƒrul  -  - - ers   ƒƒit  as  a ƒƒweap - ƒon  van-quish-ing

our; but faith - ful

        their  op -  ƒpo -  - - ƒnents. ƒƒFor  ƒour  ƒsakes ƒhath ƒƒit  ƒbeen shown_ÌÌÌ ƒforth   _____________________ * In some places, this Kontakion is chanted immediately after "Blessed is the Kingdom" in the beginning of the service of crowning. www.stanthonysmonastery.org/music/Orthros.htm

18

Wedding - Kontakion

         dread        ƒƒƒƒas  ƒa ƒƒƒƒgreat ƒenƒ-ƒƒƒsign, and most ƒawe-ƒsomeƒƒƒin ƒƒwar.__________ÌÌ 

www.stanthonysmonastery.org/music/Orthros.htm



Glory to Thee 

Grave Mode



G

180

Dovxa soi oJ Qeov" hJmw'n

  God,_ÌÌ      lo -   ry  ƒƒto  Thee,ƒƒƒour ƒglo -  -  - ƒry  ƒto ƒƒThee.

(repeated for each verse)

After the final verse:

G

  our  God,          lo -   ƒry  ƒƒto ƒƒThee, glo -ƒƒry ƒƒto ƒƒThee.__________Ì

Verses: Blessed are all they that fear the Lord, that walk in His ways. Thou shalt eat the fruit of thy labours; Blessed art thou, and well shall it be with thee. Thy wife shall be as a fruitful vine on the sides of thy house, Thy sons like young olive trees round about thy table. Behold, so shall the man be blessed that feareth the Lord. The Lord bless thee out of Sion, and mayest thou see the good things of Jerusalem all the days of thy life. And mayest thou see thy children's children; peace be upon Israel.

O Lord our God 

Grave Mode



O

140

Intonation: #21

Kuvrie oJ Qeov" hJmw'n

Lord       ƒƒthem.  ƒour  God,ƒƒƒwith ƒglo - - ry  ƒƒand  hon -  ƒour ƒƒcrown____ÌÌ



(twice)

O

ƒƒƒƒLord ƒƒƒour  God,    hon-our   crown__   them.________Ì       with  glo -  ƒry and

 From the beginning of creation God made them male and female. For this cause shall a man leave his father and mother, and cleave to his wife; and they twain shall be one flesh. Mark 10:6-7 www.stanthonysmonastery.org/music/Mysteries.htm

Prokeimenon of the Epistle* 

Plagal Fourth Mode



88

Intonation: #26

[Eqhka" ejpi; th;n kefalhvn

            ƒheads   hou___________Ì hast____________ ƒset  ƒup -  ƒon   their__ÌÌÌ         ƒƒstones.  pre -  -  -  - -  - - -  - ƒƒcious__________Ì

crowns__ ƒof__Ì



_____________________ * In most traditions, the prokeimenon of the epistle is simply intoned rather than chanted to a sticheraric melody such as this one. www.stanthonysmonastery.org/music/Mysteries.htm



Alleluia (after the epistle) Plagal First Mode by Hieromonk Hierotheos





96

Intonation: #14

!Allhlouvi>a



 l - -  ƒƒle - - lu - -  ƒi -  - -  a.   ƒƒAl  -  - -  le - -  lu  -  -  -  -   - ƒi - -  -  -  -ƒƒa.   Al -  -  ƒle -  - -   - lu - - - -       - -  ƒi -  - -  -ƒa.________________ÌÌ

 

It is not good that the man should be alone; I will make him an help meet for him. Genesis 2:18

www.stanthonysmonastery.org/music/Mysteries.htm

Glory to Thee, O Lord (After the Gospel) Plagal Fourth Mode adapted from Athanasios Karamanis

  



108



Dovxa soi oJ Qeov"

        lo -  ry  ƒto  ƒƒThee, O__Lord, glo- ry  ƒto Thee._________  Alternate Version



adapted from Hieromonk Hierotheos

G



88



  ry      ƒLord,    lo -  ƒto  ƒThee,_______ ƒ O_______Ì ƒƒglo - -  - ƒry____ to 

      Thee._______Ì  www.stanthonysmonastery.org/music/Mysteries.htm

Glory to Thee, O Lord

24



G

Another Version adapted from Hieromonk Hierotheos



88



      lo -  -  - ry______ to____ ƒThee,_______ ƒƒO____ Lord,____________ÌÌ

              ________________ ƒglo - -  ry____ ƒƒto  Thee._______ 



I Will Take the Cup of Salvation Communion Hymn* adapted from Hieromonk Gregory of Simonos Petras Monastery

First Mode

 

I



76

Intonation: #1

Pothvrion swthrivou

                _________________ÌÌ ƒwill___Ì ƒtake_____ÌÌ ƒƒthe  ƒcup___Ì of___

       sal -  -  - -  va -  - -   ƒƒtion,   and___Ì ƒƒI  ƒƒwill___ ƒƒcall  ƒup -  ƒon______Ì _____________________ * Several melodies for this communion hymn are provided on the following pages, but only one of them is to be chanted at a time. www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Communion Hymn

26

                   ƒthe  ƒƒname________________________ of_______ ƒƒthe____________ÌÌ ƒLord.__ÌÌ        ____________ƒ Al -  ƒƒle -  ƒlu  -  -  -  - i-  -  -   - -  -  - ƒa.____ 

The Seven Maccabee Children, Solomone Their Mother, and Elezar Their Teacher www.stanthonysmonastery.org/music/Mysteries.htm

Wedding - Communion Hymn

27

Third Mode

I





Intonation: #8

Pothvrion swthrivou



                   ƒ_______________Ì̃ƒwill__________ ƒtake_____ÌÌ ƒƒthe___ÌÌ ƒcup_____________ÌÌ

         call   ƒof   sal - -  ƒva - -  - ƒƒtion,___ ƒand___ÌÌ I__________ƒwill___ ƒƒup              -  -   on the_____name_______ÌÌ of___Ì ƒthe  ƒLord.___ ƒAl - ƒle -  lu -   -    - -  ƒƒi - - - -  ƒƒa._______

Thy wife shall be as a fruitful vine on the sides of thy house, thy sons like young olive trees round about thy table. Psalm 127:3-4

www.stanthonysmonastery.org/music/Mysteries.htm



Wedding - Communion Hymn

28

Fourth Mode "Agia"

I





Intonation: #11

Pothvrion swthrivou



 ƒƒtake          ƒƒ______Ì will_____ÌÌ ƒƒthe___ÌÌ ƒcup  of____Ì sal - -  ƒva - -  - ƒtion,_

   will_Ì          __Ì   ƒand___ÌÌ ƒI_______Ì call  ƒƒup - -  ƒƒon ƒƒthe__Ì ƒƒname___ ƒƒof_______   the__________Ì                _____ Lord.________________________ÌÌ ƒƒAl  - le -  ƒƒlu -   - -   -  -   - i -   -  - -  -  - a. 

 

www.stanthonysmonastery.org/music/Mysteries.htm

Wedding - Communion Hymn

Plagal First Mode



I



29

Intonation: #14 or #15

Pothvrion swthrivou



                  will__________Ì ____________________________ÌÌ take______________________Ì

 ƒsal - -            ____Ì    the____ cup______________________________Ì ƒof  va -  - - 

      and_______ÌÌ              -  - -   ƒtion,______________Ì ƒI_____ will______Ì ƒƒcall______ up -                  ƒon ƒthe________Ì ƒname_____________ ƒof_______̃ƒthe_________ ƒƒLord.________Ì          ____________________ÌÌ ƒAl -  ƒƒle -  lu -  -  -  - -  i -  - -  ƒa.__ÌÌ

They are no more twain, but one flesh. What therefore God hath joined together let not man put asunder. Matthew 19:6 www.stanthonysmonastery.org/music/Mysteries.htm

 

Dance, O Isaiah Plagal First Mode





120

Intonation: #13

!Hsai?a covreue

       ance,__Ì O  ƒƒI -  ƒƒsai - - ah;  ƒƒƒthe  ƒVir -ƒƒgin hath_con-ceived E - ƒƒsai -

- ƒƒƒas;

   ƒƒƒƒto    ƒand  ƒƒhath  ƒgiv -  ƒen birth__ ƒa  ƒSon,  Em -  ƒman  - ƒu -  ƒƒel, Who is  both   man;             ƒƒGod ƒƒand ƒƒO -   riƒ-ƒent ƒis  ƒƒƒHis ƒƒƒƒname. ƒIn ƒƒƒmagƒ-ƒni - ƒƒfy -  ƒing ƒƒHim, we  call    ƒƒƒƒthe  ƒVir -   ƒƒgin___ÌÌ ƒblest. 

www.stanthonysmonastery.org/music/Mysteries.htm



O Holy Martyrs Grave Mode



Intonation: #21

{Agioi mavrture"

     ƒƒƒƒcon -   ƒhave  been  ƒƒƒho - ƒƒƒly mar -  tyrs, ƒwhoƒƒƒhave ƒtest -  ƒƒed  well ƒand     ƒƒ   -   ƒƒIn -   ƒterƒƒ-ƒƒcede_Ì̃ƒye ƒwith   ƒthe  Lord that He  have ƒƒƒƒmer ƒcy  ƒƒƒon____

crowned:

ƒƒour__Ì   ƒƒƒsouls.   

www.stanthonysmonastery.org/music/Mysteries.htm

Glory to Thee, O Christ God Grave Mode



Dovxa soi Criste; oJ Qeov"

    ƒƒGod,ƒƒƒƒthe  ƒƒƒƒboast  ƒƒƒof  thē   -  ƒlo -   ry  toƒƒƒThee, O ƒƒChrist____ÌÌÌ ƒA -ƒƒƒƒpos    ƒthe ƒƒƒƒmar -     -ƒƒstan - ƒtles,    ƒƒthe ƒƒƒjoy ƒƒƒof - - tyrs,  ƒwho  pro-claimed the con-sub tial            Trin - ƒ- i - - ƒty.__________Ì





www.stanthonysmonastery.org/music/Mysteries.htm

Matthew

19:6

Dogmatic Theotokion First Mode



 



84

Th;n pagkovsmion dovxan

    he   u-  ƒni -  ƒverƒƒ-  sal  glo -  ƒƒry  ƒƒborn  of__̃men, who  ƒƒhath  ƒƒgiv -  ƒƒen          ƒter,   ƒƒthe  heav -  - -  - - -  - ƒen -

ƒbirth ƒun - ƒƒto_________ƒƒthe___Ì Mas -

-         - ƒƒly________ÌÌ gate, ƒ  let  ƒƒus praise_Ì Mar  -  -   -ƒƒy  the__ Vir - -     - -  -   ƒƒgin,   the ƒƒsong ƒƒof  the  ƒƒbod - -   - ƒi - less___Ì hosts,  ƒand  ƒthē  ƒa    dornƒƒ-ƒƒment ƒƒof  ƒthe   ƒfaith - - -   - -  - - -  - - -  - -   - -

www.stanthonysmonastery.org/music/Mysteries.htm

Wedding - Recessional

34

 and         ful.   For ƒƒshe  was ƒshown to___ ƒbe  a  ƒHeav - -  - - ƒen  ƒa  tem -      God  -     ƒple ƒƒof__ÌÌ ƒthe___________ -  -  head;    ƒde - stroy-ing the  ƒƒwall  ƒƒof   -       ƒpeace_Ì    ƒand    enƒƒ-ƒƒmi ty,     she ƒush -  - ƒƒered ƒin__Ì o - ƒpened ƒthe  ƒKing        - -  -  ƒdom.     Pos -   ƒsessƒ-ƒƒing, there  - ƒƒfore, this  ƒƒan -  -  - chor ƒƒof____ faith,           ƒƒwe  have  as ƒƒcham - -  pi -  - on  the Lord_____________Ì̃Who_Ì ƒwas________Ì       -  ƒborn______ of_________Ì ƒher.    Take ƒcour -   age,  ƒƒthere -  -  ƒfore,   ƒtake    O      ƒthine_Ì  cour-ƒage, ye  peo -  - ƒƒple ƒƒof___ÌÌ God;     for  He   ƒƒshall  ƒfight___  since      -     ƒen -   ƒe - - ƒmies,___ ƒHe  is  ƒƒthē  ƒAl - ƒmight -  - - ƒy__________Ì     ƒƒOne.__________ 

Dogmatic Theotokion Plagal First Mode



 



84

!En th'/ !Eruqra'/ Qalavssh/



         n  ƒthe  Red___________ ƒSea ƒthere__ƒƒwas___ƒƒonce ƒƒde -- ƒpict -  -           - -  -   ed  ƒƒan ƒƒim -  - age ƒƒof______________ÌÌ thē___ un -  ƒ-  ƒwed - -      ƒƒBride.   There,__Ì         - - ƒded_________ ƒƒMos -ƒƒes ƒdi - ƒvid -  ƒƒ-  ƒed  ƒthe___Ì ƒƒwa -  -   here,_Ì        ƒGa -  -  - bri - -  ƒel ƒƒdoth_ ƒmin -  -  - ƒis -  ƒter___ÌÌ the  won-

ƒter;

  deep       - -  -  ƒder.   ƒThen the ƒƒwas  trod-ƒden ƒdryƒƒ-ƒƒshod ƒby___ Is -  - - -        ƒra  -  - -  -  el;    ƒƒnow Christ   is born_Ì seed-less - -  ly   of   the___Ì

www.stanthonysmonastery.org/music/Mysteries.htm

36

Wedding - Recessional

     ƒVir - -  -  ƒgin.___Ì ƒƒThe sea,  af - ƒter ƒthe  pas -  ƒsage  ƒof  ƒƒIs -   ra         el,  ƒre - mained_________________ un - -  ƒtrod -  - - -   ƒden;   ƒƒthe blame               ƒ- -  - -  - - - - ƒless__________Ì ƒthe ƒblame -  -  ƒƒƒless___Ì ƒone,________Ì  ƒƒter              ƒ_________________(n)_______________________Ì af - ƒƒthe ƒƒbirth   ƒƒof ƒEm - ƒƒman -       - - ƒƒu -  -  - el,  re -  mained___________Ì un -  -  -ƒƒde -  -  -  filed.              ƒO ƒThou  ƒƒWho___Ì ƒart, ƒand__ÌÌ ev -  -  ƒer  ƒbe --  ƒƒfore___________ÌÌ ƒƒdidst___ÌÌ            ƒ_Ì ex -  -  -  -ƒist,   ƒand ƒƒhast  ƒƒapƒƒ-ƒpeared as__ÌÌ ƒman,____ ƒO__ÌÌ ƒGod:    have               ƒƒmer - -  -  -  ƒcy  ƒon___ us._________________________Ì 

"Yoke them in oneness of mind; crown them into one flesh; grant them the fruit of the womb, the joy of children."

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