visual systems Laura Sobrado, RISD, Spring 2009 Instructor Ernesto Aparicio
Slides Louis Sullivan
Richard Neutra
Frank Gehry
1
week
1
Research and Sketching
intro to architects
The first week of the semester, we were introduced to the worlk of three architects and their visual elements that define their style. Louis Sullivan is part of the Chicago Style, Richard Neutra; international style, and Frank Gehry; deconstructivism.
In my sketching, I wrestled with the shapes and details of each architect, trying to make sense and simplify their work. Although my sketching was much too complex for the Unit Project, it gave me a deep understanding of their style. The next step was to simplify.
Louis Sullivan
Richard Neutra
2
week
Frank Gehry
Notes
Units: Systematic Sketches
Once I had simplified my units, it was time to flip, rotate, and redraw the units so that we could start making patterns. My patterns had some strong shapes but overall were too complex.
Louis Sullivan
Richard Neutra
Gehry
Neutra
Sullivan
week
3
Frank Gehry
Units: Vectorized
After vectorizing the units in Illustrator and making them only black and white, it was much easier to see where the units were working and where they were not.The next step would be to clean up the connections.
Louis Sullivan
Richard Neutra
Richard Neutra, Architect
Richard Neutra, Architect
Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Richard Neutra, Architect Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Louis Sullivan, Architect
Louis Sullivan, Architect
Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Louis Sullivan, Architect Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
week
4
Frank Gehry
Notes
Frank Gehry, Architect Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Frank Gehry, Architect Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Frank Gehry, Architect Laura Sobrado Visual Systems, Ernesto Aparicio RISD, Spring 2009
Finished Patterns
The Final step of the Units Section was to select the most successful patterns and make sure the connections were clean. These are the final patterns and the most successful of the three for each artist is placed on the bottom.
week
5
1983 Temporary Contemporary at the Museum of Contemporary Art; Los Angeles, California 1988 Sirmai-Peterson Residence; Thousand Oaks, California
Neutra’s first impressions of Southern California were candid. He found Angelenos of the 1920s “mentally footloose” with a cultural naiveté “bordering everywhere on mixup.” But he eventually grew to love his adopted city. With the support of friend and fellow Austrianborn Southern California architect, Rudolf Schindler, Neutra’s first major commission, the Lovell House (1929), announced the arrival of
an important new architectural vision. Neutra responded to the Southern California climate by creating designs where extensive use of glass allowed indoor and outdoor spaces to flow freely together. A journalist once described his work as “ . . . the most amiable relationship between science, technique, industrialization and good taste.”
CCA Posters: Sketches
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“Architects must have a razor sharp sense of individuality”
as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user brings his baggage, his program, and interacts with it to accommodate his needs. If he can’t do that, I’ve failed.”
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10
Louis S u
1989 Schnabel Residence; Los Angeles, California 1989 Vitra International Manufacturing Facility & Design Museum; Weil am Rhein, Germany
1994 Minnesota
2000
1994 Vitra International Headquarters; Basel, Switzerland
2000
1995 The American Center; Paris, France
2001
1995 EMR Communication and Technology Center; Bad Oeynhausen, Germany
1991 Chiat/Day Headquarters; Venice, California
1996 Team Disneyland Administration Building; Anaheim, California
1992 University of Iowa Advanced Technologies Laboratory; Iowa City, Iowa
1997 Nationale-Nederlanden Building; Prague, Czech Republic
1992 University of Toledo Center for the Visual Arts; Toledo, Ohio 1993 Frederick R. Weisman Art Museum; Minneapolis,
1999 Guggenheim Museum Bilbao; Bilbao, Spain 1999 The Vontz Center for Molecular Studies at the University of Cincinnati, Cincinnati, Ohio
Chicago
Der Neue Zollhof; Dusseldorf, Germany DG Bank Headquarters; Berlin, Germany * Experience Music Project; Seattle, Washington *
2002 Bard College Center for the Performing Arts; Annandale-on-Hudson, New York * 2003 The Walt Disney Concert Hall; Los Angeles, California * The Peter B. Lewis Campus of the Weatherhead School 2003 of Management at Case Western Reserve University in Cleveland, Ohio* Massachusetts Institute of Technology Stata Complex; Cambridge, Massachusetts *
The second project was to create three posters for each architect that could function as an independent poster as well as part of a whole. I wanted to each architect by extracting the shapes that emphasis the architecture. I sketched and then cut paper to show this process in the final piece. “deconstruct”
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a color s sure tha ymphony and I t I am g a oing to g m pretty et it.” The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and true -- is he who shall create poems in stone. Louis Sullivan spent his life pushing for an Architecture that truly represented the people in the present, not one that copied the past. To this end he put as much effort in his writings as he did in his buildings. “Form should follow function...” was and is the Idea that he sought to teach, even to his young draftsman Frank Lloyd Wright. Perhaps the proper way to state this idea is that function
5
should define form. This idea seems to gradually grow, as shown in his works, as time passed. For Sullivan, “Ornament and structure were integral; their subtle rhythm sustained a high emotional tension, yet produced a sense of serenity. But the building’s identity resided in the ornament. It was the spirit animating the mass and flowing from it, and it expressed the individuality of the building. Nurtured by the artists sympathy with life, the ornament spoke: it was the voice of the artist and the building -- indeed they were one, the building a ‘stock personality’ and the architect an interpreter and prophet.”
week
6
Revised Sketches
This week was due for revision of my initial ideas and to push the compositions further. I went through the same process of drawing the shapes in 3 different shades of gray.
week
7
Tryptic Posters: First Try The next step was to integrate lines into my composition which resembled the drawings of the actual architects. Then, I was to integrate color which would lead to balancing spaces and more layers.
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Selected Selected Architectural Selected Architectural Architectural DesignsDesigns Designs
1983 - Temporary 1983 - Temporary 1983 Contemporary - Temporary Contemporary at the Contemporary Museum at the Museum at the Museum of Contemporary of Contemporary Art; of Contemporary Los Angeles, Art; Los Angeles, California Art; Los Angeles, CaliforniaCalifornia 1988 - Sirmai-Peterson 1988 - Sirmai-Peterson 1988 Residence; - Sirmai-Peterson Residence; Thousand Residence; Thousand Oaks, California Thousand Oaks, California Oaks, California 1989 - Schnabel 1989 - Schnabel Residence; 1989 - Schnabel Residence; Los Angeles, Residence; Los Angeles, California Los Angeles, CaliforniaCalifornia 1989 - Vitra 1989 International - Vitra 1989 International - Vitra Manufacturing International Manufacturing Facility Manufacturing & Facility Design &Museum Facility Design&Museum Design Museum ; Weil am; Rhein, Weil am Germany ; Rhein, Weil am Germany Rhein, Germany 1991 - Chiat/Day 1991 - Chiat/Day Headquarters; 1991 - Chiat/Day Headquarters; Venice, Headquarters; California Venice, California Venice, California 1992 - University 1992 - University of 1992 Iowa - University Advanced of Iowa Advanced of Technologies Iowa Advanced Technologies Laboratory; Technologies Laboratory; Iowa City, Laboratory; Iowa IowaCity,Iowa IowaCity, Iowa 1992 - University 1992 - University of 1992 Toledo - University of Center Toledofor ofCenter Toledo the Visual for Center the Arts; Visual for Toledo, the Arts; Visual Ohio Toledo, Arts;Ohio Toledo, Ohio 1993 - Frederick 1993 - Frederick R.1993 Weisman - Frederick R. Weisman Art Museum; R. Weisman Art Museum; Minneapolis, Art Museum; Minneapolis, Minnesota Minneapolis, Minnesota Minnesota 1994 - Vitra 1994 International - Vitra 1994 International - Vitra Headquarters; International Headquarters; Basel, Headquarters; Switzerland Basel, Switzerland Basel, Switzerland 1994 - The 1994 American - The 1994 American Center; - The American Paris, Center; France Paris, Center; France Paris, France 1995 - EMR 1995 Communication - EMR 1995 Communication - EMRand Communication Technology and Technology Center; and Technology Bad Center; Oeynhausen, Bad Center; Oeynhausen, Bad Germany Oeynhausen, GermanyGermany 1995 - Team 1995 Disneyland - Team 1995Disneyland -Administration Team Disneyland Administration Building; Administration Building; Anaheim,Building; Anaheim, California Anaheim, CaliforniaCalifornia 1996 - Nationale-Nederlanden 1996 - Nationale-Nederlanden 1996 - Nationale-Nederlanden Building; Building; Prague, Czech Building; Prague, Republic Czech Prague, Republic Czech Republic 1997 - Guggenheim 1997 - Guggenheim 1997 Museum - Guggenheim Museum Bilbao; Bilbao, Museum Bilbao;Spain Bilbao, Bilbao;Spain Bilbao, Spain 1999 - The 1999 Vontz - The Center 1999 Vontz - The forCenter Molecular Vontzfor Center Molecular Studies for Molecular atStudies the University atStudies the University ofatCincinnati, the University of Cincinnati, Cincinnati, of Cincinnati, Cincinnati, Ohio Cincinnati, Ohio Ohio 1999 - Der 1999 Neue - Der Zollhof; 1999 Neue - Der Dusseldorf, Zollhof; NeueDusseldorf, Zollhof; Germany Dusseldorf, GermanyGermany 2000 - DG 2000 Bank- DG Headquarters; 2000 Bank - DG Headquarters; Bank Berlin, Headquarters; Germany Berlin, Germany * Berlin, Germany * * 2000 - Experience 2000 - Experience 2000 Music- Project; Experience MusicSeattle, Project; Music Washington Seattle, Project;Washington Seattle, * Washington * * 2001 - Bard 2001 College - Bard 2001 Center College - Bard forCenter College the Performing for Center the Performing for Arts; theAnnandale-on-Hudson, Performing Arts; Annandale-on-Hudson, Arts; Annandale-on-Hudson, New YorkNew * YorkNew * York * 2002 - The 2002 Walt- The Disney 2002 Walt -Concert The Disney Walt Hall; Concert Disney Los Angeles, Hall; Concert Los Hall; Angeles, California Los Angeles, California * California * * 2003 - The 2003 Peter - The B. 2003 Lewis Peter - The Campus B. Lewis Peter of Campus B. the Lewis Weatherhead Campus of the Weatherhead of the School Weatherhead ofSchool Management ofSchool Management atof Management at at Case Western Case Reserve Western CaseUniversity Western Reserve University Reserve in Cleveland, University in Cleveland, Ohio* in Cleveland, Ohio* Ohio* etts * Massachus etts * etts * 2003 - Massachusetts 2003 - Massachusetts 2003Institute - Massachusetts of Institute Technology of Institute Technology Stata of Complex; Technology Stata Complex; Cambridge, Stata Complex; Cambridge, Massachus Cambridge, Massachus
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week
8
CCA Poster Revision & Process Book Sketches
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Selected Architectural DesignsDesigns Selected Architectural Designs Selected Architectural
1983 - Temporary at theofMuseum Art; 1983 - Temporary Contemporary at the Museum Contemporary Art; of Contemporary 1983Contemporary - Temporary Contemporary at of theContemporary Museum Art; LosCalifornia Angeles, California Los Angeles, Los Angeles, California 1988 - Sirmai-Peterson Residence; Oaks, California 1988 - Sirmai-Peterson Residence; Thousand Thousand Oaks, California 1988 - Sirmai-Peterson Residence; Thousand Oaks, California 1989 -Residence; Schnabel Residence; LosResidence; Angeles, California 1989 - Schnabel Los Angeles, California 1989 - Schnabel Los Angeles, California 1989 - Vitra International Manufacturing FacilityMuseum; & Design Museum; WeilMuseum; am Rhein, Germany 1989 - Vitra International Manufacturing Facility &Manufacturing Design Weil Rhein, Germany 1989 - Vitra International Facility &am Design Weil am Rhein, Germany 1991 - Headquarters; Chiat/Day Headquarters; Venice, California 1991 - Chiat/Day Venice, California 1991 - Chiat/Day Headquarters; Venice, California 1992 - of University of- Iowa Advanced Technologies Laboratory; City, Iowa 1992 - University Iowa Advanced Technologies Laboratory;Technologies Iowa City, Iowa 1992 University of Iowa Advanced Laboratory; Iowa City, Iowa 1992 - of University of- Toledo for the Visual Arts; 1992 - University Toledo Center for Center theofVisual Arts; Toledo, Ohio 1992 University Toledo Center for theToledo, Visual Ohio Arts; Toledo, Ohio 1993 -R.Frederick R.Art Art Museum; Art Minneapolis, Minnesota Minnesota 1993 - Frederick Weisman Museum; Minnesota 1993 -Weisman Frederick R. Minneapolis, Weisman Museum; Minneapolis, 1994 - Vitra International Headquarters; Basel, Switzerland 1994 - Vitra International Headquarters; Basel, Switzerland 1994 - Vitra International Headquarters; Basel, Switzerland - The Center; American Center; Paris,Center; France Paris, France 1994 - The1994 American France 1994 -Paris, The American 1995 - EMR Communication and Technology Center; Bad Oeynhausen, Germany 1995 - EMR Communication Technology Center;and Bad Oeynhausen, Germany 1995 and - EMR Communication Technology Center; Bad Oeynhausen, Germany 1995 - Team Disneyland Administration Building; California Anaheim, California 1995 - Team Disneyland Administration Building;Administration Anaheim, 1995 - Team Disneyland Building; Anaheim, California 1996 - Nationale-Nederlanden Building; Prague, CzechPrague, Republic 1996 - Nationale-Nederlanden Prague, Czech Republic 1996 - Building; Nationale-Nederlanden Building; Czech Republic 1997 - Guggenheim Museum Bilbao; Bilbao,Bilbao; Spain Bilbao, Spain 1997 - Guggenheim Museum Bilbao, Spain 1997 -Bilbao; Guggenheim Museum Vontz for Molecular Studies at theStudies University of Cincinnati, Cincinnati, Ohio 1999 - The1999 Vontz- The Center for Center Molecular Studies atfor the University of Cincinnati, Cincinnati,of Ohio 1999 - The Vontz Center Molecular at the University Cincinnati, Cincinnati, Ohio Der Neue Zollhof; Dusseldorf, 1999 - Der1999 Neue- Zollhof; Dusseldorf, Germany 1999 - Der Neue Zollhof;Germany Dusseldorf, Germany DG Bank Headquarters; Berlin,*Germany * Germany * 2000 - DG2000 Bank -Headquarters; Berlin, Germany 2000 - DG Bank Headquarters; Berlin, 2000 - Experience Music Project; Seattle, Washington 2000 - Experience Music2000 Project; Seattle, Washington * Seattle,*Washington * - Experience Music Project; 2001 - Bard College Center for theCenter Performing Annandale-on-Hudson, New York * New York * 2001 - Bard College Center the Performing Arts;for Annandale-on-Hudson, New York * 2001for - Bard College theArts; Performing Arts; Annandale-on-Hudson, The Walt Disney Concert Hall; Concert LosCalifornia Angeles, California * California * 2002 - The2002 Walt -Disney Concert Hall; LosDisney Angeles, 2002 - The Walt Hall; * Los Angeles, The Peter B.-Lewis Campus of the Weatherhead School of Management at 2003 - The2003 Peter- B. Lewis Campus the B. Weatherhead School of Weatherhead Management at 2003 The of Peter Lewis Campus of the School of Management at CaseReserve Western Reserve University in Cleveland, Ohio* Case Western University in Cleveland, Ohio* Case Western Reserve University in Cleveland, Ohio* 2003 - Massachusetts Institute of Technology Complex; Cambridge, * 2003 - Massachusetts Institute Technology Stata Complex; Cambridge, Massachusetts * 2003 - of Massachusetts Institute ofStata Technology Stata Complex;Massachusetts Cambridge, Massachusetts *
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The most time-consuming aspect of my process with the CCA posters was the color issue. I needed to balance all sides of the three posters with colors and shades that would so that they would be readable and cohesive with the rest of the elements on the poster.
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For the final process book project, I gathered all of the images and materials that I used throughout the semster and c ompiled them onto one poster to try and make sense of the workd as a whole. It was then that I realized that viewing the work on a poster helps me to comprehend each step and its relationship to previous lessons.
week
9
Continue Revisions and Sketches
This week I continued to refine the CCA posters and make sure that connections were made and that details were resolved. For the poster, I experiemented with different layouts and ways that the poster could be opened. I decided on a book format the progressively unfolds to the poster.
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Selected Selected Architectural Selected Architectural Architectural DesignsDesigns Designs
1983 - Temporary 1983 Contemporary - Temporary 1983 - Temporary Contemporary at the Contemporary Museum at the of Contemporary Museum at the Museum of Contemporary Art;of Contemporary Art; Art; Los Angeles, Los California Angeles, Los Angeles, CaliforniaCalifornia 1988 - Sirmai-Peterson 1988 - Sirmai-Peterson 1988 Residence; - Sirmai-Peterson Thousand Residence; Residence; Oaks, Thousand California Thousand Oaks, California Oaks, California 1989 - Schnabel 1989 Residence; - Schnabel 1989 -Los Schnabel Residence; Angeles, Residence; Los California Angeles, Los Angeles, CaliforniaCalifornia 1989 - Vitra International 1989 - Vitra 1989International Manufacturing - Vitra International Manufacturing FacilityManufacturing & Design Facility Museum; &Facility Design Weil &Museum; Design am Rhein, Museum; Weil Germany am Weil Rhein, amGermany Rhein, Germany 1991 - Chiat/Day 1991Headquarters; - Chiat/Day 1991 - Chiat/Day Headquarters; Venice,Headquarters; California Venice, California Venice, California 1992 - University 1992of- University Iowa 1992Advanced - University of Iowa Technologies Advanced of Iowa Advanced Technologies Laboratory; Technologies Iowa Laboratory; City,Laboratory; Iowa Iowa City, Iowa Iowa City, Iowa 1992 - University 1992of- University Toledo 1992 -Center University of Toledo for the ofCenter Toledo Visualfor Arts; Center theToledo, Visual for the Arts; Ohio Visual Toledo, Arts;Ohio Toledo, Ohio 1993 - Frederick 1993 R.-Weisman Frederick 1993 - Frederick Art R. Weisman Museum; R. Weisman Art Minneapolis, Museum; Art Museum; Minneapolis, Minnesota Minneapolis, Minnesota Minnesota 1994 - Vitra International 1994 - Vitra 1994International Headquarters; - Vitra International Headquarters; Basel, Switzerland Headquarters; Basel, Switzerland Basel, Switzerland 1994 - The American 1994 - The 1994 Center; American - The Paris, American Center; France Paris, Center; France Paris, France 1995 - EMR Communication 1995 - EMR 1995 Communication - EMR and Technology Communication andCenter; Technology andBad Technology Oeynhausen, Center; Bad Center; Oeynhausen, Germany Bad Oeynhausen, GermanyGermany 1995 - Team 1995 Disneyland - Team 1995 Administration Disneyland - Team Disneyland Administration Building; Administration Anaheim, Building; California Building; Anaheim,Anaheim, CaliforniaCalifornia 1996 - Nationale-Nederlanden 1996 - Nationale-Nederlanden 1996 - Nationale-Nederlanden Building; Prague, Building; Czech Building; Prague, Republic Czech Prague,Republic Czech Republic 1997 - Guggenheim 1997 - Guggenheim Museum 1997 - Guggenheim Bilbao; Museum Bilbao, Museum Bilbao; SpainBilbao, Bilbao;Spain Bilbao, Spain 1999 - The Vontz 1999Center - The 1999 Vontz for- The Molecular Center Vontzfor Studies Center Molecular for at the Molecular Studies University at Studies the of University Cincinnati, at the University ofCincinnati, Cincinnati, of Cincinnati, Ohio Cincinnati, Cincinnati, Ohio Ohio 1999 - Der Neue 1999Zollhof; - Der 1999 Neue Dusseldorf, - Der Zollhof; NeueGermany Dusseldorf, Zollhof; Dusseldorf, GermanyGermany 2000 - DG Bank 2000 Headquarters; - DG 2000 Bank - DG Headquarters; Berlin, Bank Headquarters; Germany Berlin, * Germany Berlin, Germany * * 2000 - Experience 2000 Music - Experience 2000 Project; - Experience Music Seattle, Project; Music Washington Seattle, Project;*Washington Seattle, Washington * * 2001 - Bard College 2001 - Bard Center 2001 College -for Bard the Center College Performing for Center theArts; Performing for Annandale-on-Hudson, the Performing Arts; Annandale-on-Hudson, Arts; Annandale-on-Hudson, New York * New YorkNew * York * 2002 - The Walt 2002 Disney - The 2002 Concert Walt - The Disney Hall; WaltConcert Los Disney Angeles, Concert Hall; Los California Hall; Angeles, Los * Angeles, CaliforniaCalifornia * * 2003 - The Peter 2003B.- Lewis The 2003 Peter Campus - The B. Lewis Peter of the B. Campus Lewis Weatherhead Campus of the Weatherhead School of the of Weatherhead Management School ofSchool Management at of Management at at Case WesternCase Reserve Western Case University Western Reserve in Cleveland, University Reserve University in Ohio* Cleveland, in Cleveland, Ohio* Ohio* 2003 - Massachusetts 2003 - Massachusetts 2003 Institute - Massachusetts of Technology Institute Institute ofStata Technology Complex; of Technology Stata Cambridge, Complex; Stata Complex; Massachusetts Cambridge, Cambridge, Massachusetts * Massachusetts * *
Canadian Canadian Center Canadian for Center Architecture Center for Architecture for Architecture
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Canadian Canadian Center Canadian for Center Architecture Center for Architecture for Architecture
10
week
CCA Posters Full Scale & Process Book
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1983 Temporary Contemporary at the Museum Contemporary Art; of Contemporary 1983 Temporary at theofMuseum of Contemporary Art; 1983Contemporary Temporary Contemporary at the Museum Art; Los Angeles, LosCalifornia Angeles, Los California Angeles, California Sirmai-Peterson Residence; Thousand Oaks, California 1988 Sirmai-Peterson Residence; Thousand Oaks, California 1988 Sirmai-Peterson Residence; Thousand Oaks, California Schnabel LosSchnabel Angeles, California 1989 Residence; Schnabel Residence; Los Angeles, Los California 1989 Residence; Angeles, California 1989 Vitra International Manufacturing Facility &Manufacturing Design Weil Rhein, Germany 1989 Vitra International Manufacturing FacilityMuseum; & Design Museum; Weil am Rhein, Germany 1989 Vitra International Facility &am Design Museum; Weil am Rhein, Germany 1991 Chiat/Day Venice, California 1991 Headquarters; Chiat/Day Headquarters; Venice, California 1991 Chiat/Day Headquarters; Venice, California 1992 University Iowa 1992 Advanced Laboratory; Iowa City, Iowa 1992 of University of University Iowa Technologies Advanced Technologies Laboratory; City, Iowa of Iowa Advanced Technologies Laboratory; Iowa City, Iowa 1992 University Toledo Center for Center theofVisual Toledo, Ohio 1992 of University of University Toledo for Arts; the Visual Arts; Toledo, Ohio Toledo, Ohio 1992 Toledo Center for the Visual Arts; 1993 Frederick Weisman Museum; Minneapolis, MinnesotaMinneapolis, 1993 R.Frederick R.Art Weisman Art Museum;Art Minneapolis, Minnesota Minnesota 1993 Frederick R. Weisman Museum; 1994 Vitra International Headquarters; Basel, Switzerland 1994 Vitra International Headquarters; Basel, Switzerland 1994 Vitra International Headquarters; Basel, Switzerland 1994 The American France 1994 TheCenter; American Center; Paris,Center; France Paris, France 1994 Paris, The American 1995 EMR Communication Technology Center;and BadCenter; Oeynhausen, Germany 1995 EMR Communication and Technology Bad Oeynhausen, Germany 1995and EMR Communication Technology Center; Bad Oeynhausen, Germany 1995 Team 1995 Disneyland Administration Building;Administration Anaheim, Team Disneyland Building; California Anaheim, California 1995 TeamAdministration Disneyland Building; Anaheim, California 1996 Nationale-Nederlanden Building; Prague, Czech Republic 1996 Nationale-Nederlanden Building; Prague, Czech Republic 1996 Nationale-Nederlanden Building; Prague, Czech Republic 1997 Guggenheim Museum Bilbao, Spain 1997 Guggenheim Museum Bilbao; Bilbao, SpainBilbao, Spain 1997 Bilbao; Guggenheim Museum Bilbao; 1999 The Vontz for Molecular the University of Cincinnati, Cincinnati, Ohio 1999 Center The Vontz for Studies Molecular Studies at theStudies University of University Cincinnati, 1999Center The Vontz Centeratfor Molecular at the ofCincinnati, Cincinnati,Ohio Cincinnati, Ohio 1999 Der Neue Dusseldorf, Germany 1999 Zollhof; Der Neue Zollhof; Dusseldorf, 1999 Der Neue Zollhof;Germany Dusseldorf, Germany 2000 DG Bank Berlin, Germany 2000Headquarters; DG Bank Headquarters; Berlin,*Germany * Germany * 2000 DG Bank Headquarters; Berlin, 2000 Experience Music Project; Seattle, Washington * Seattle, * 2000 Experience Project; Seattle, Washington 2000Music Experience Music Project; Washington * 2001 Bard College Center forBard the Performing Arts;for Annandale-on-Hudson, New York *New York * New York * 2001 Bard College Center for the Performing Annandale-on-Hudson, 2001 College Center theArts; Performing Arts; Annandale-on-Hudson, 2002 The Walt Concert Hall; LosDisney Angeles, 2002Disney The Walt Disney Concert Hall;Concert LosCalifornia Angeles, California * California * 2002 The Walt Hall; * Los Angeles, 2003 The Peter Lewis Campus of the Weatherhead School of Management at 2003 B. The Peter B. Lewis Campus of the Weatherhead School of Management at 2003 The Peter B. Lewis Campus of the Weatherhead School of Management at Case Western Reserve University in Cleveland, Ohio* Case Western Reserve University in Cleveland, Case Western Reserve University inOhio* Cleveland, Ohio* 2003 Massachusetts Institute of Institute Technology Stata Complex; Cambridge, Massachusetts * 2003 Massachusetts of Technology Complex; Cambridge, * 2003 Massachusetts Institute ofStata Technology Stata Complex; Massachusetts Cambridge, Massachusetts * 1988
1989
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Mock up #1 for the process book
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12
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Final Draft