Vfx Curriculum Vitae
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hassan ben sabbah
r esume
Aldebaran # 7 Mexico, DF 02100 (+52 55) 53 18 01 02 [email protected]
About me
Visual effects, are the magic dust that make our own fairies and monsters to come with live in the others mind.
More About Me
Mexican, Catholic, been born the 13 of June of 1985
Qualifications And work History
The Filter FX 2007, Mexico DF Massive Technical Director - Developed and directed the 3D and compositing teams along the massive pipeline process. - Made precomps of the massive shots over linuxshake massive station. - Designed a compositing shading technique to use opengl massive renders instead of renderman. - Compositing of massive shots in shake and Fusion.
Brand Bureau 2006 , Mexico DF Compositing Supervisor - Developed multiple research for the best understand of the cinema pipeline at the studio . Including logarithmic color spaces and 3D look up Tables
Ollin Studio 2005-2006 , Mexico DF Technical 2D Director and Senior Shake Artist. - Developed multiple research for the best understand of the cinema pipeline at the studio . Including logarithmic color spaces and 3D look up Tables - Created an in house asset manager to keep in order compositing data, users and projects, full apple shake integrated, that optimize in 200% the time and the artist perfomance. vIsual effects artIst
hassan ben sabbah
r esume
Multiservicios Digitales 2004 – 2005 Culiacan Sinaloa Creative Director & VFX Supervisor. - I designed a complete tv programming to gain a licitation to direct the content of the state television transmitter. - Work like conceptual designer to put in circulation the magazine of greater visual quality in the state. Compettenzza Disegno 2002-2004 Mexico DF Co Founder & Technical Director. - I started up a project, that finished like a constituted company, with innovative thecnological products - Registered 2 trademarks of in house product technology Eunoia Animation School . 2004 Alias Maya Certified # 11369 Education
Languages
Compositing Software
Secretaria de Educacion Publica 2003 High School Grade Spanish ( native) English Read( 100%) Speak ( 70%) Listen ( 80%) French ( basic)
Main : Shake / Photoshop / Maya / After effects Also: Digital Fusion / Combustion / Flame
Developing Sfotware
Main: C++, visual basic, real basic, java, JSP,mySQL Also: Shake SDK, MEL
Also Expirience
Massive / Boujou / Pixel Farm / Nuke
Platforms
Mac OS X, OS 9, Windows 98, NT, Also : Linux / Unix
vIsual effects artIst
hassan ben sabbah
Production/ Work Information
r esume
VFX Set Supervisor Banamex puntos premia. “Sol de Oro” FIAP award 2006. Best animation. Compositor And Composting Supervisor TV advertising ( Televisa, Telmex , Coca Cola ), VFX Assistant Feature Film “Curandero” Robert Rodriguez Script / Dimesion Films. Senior Compositor Feature Film “KM 31" Rigoberto Castañeda / Lemon Films Feature Film “Morirse en Domingo" Daniel Gruener Technial 2D Director Feautre Film “KM 31 Rigoberto Castañeda / Lemon Films Compositing Supervisor Feature Film “El Malboro y el Cucu” Argos Films. IMCINE. Short Film “La leche y el agua” IMCINE. Short Film “Proyecto Panorama” IMCINE. Research in Color Science for Electronic Theater Siggraph 2006
vIsual effects artIst
hassan ben sabbah
r esume
In the next pages you will find some shoots I’ve been working on the last year. These are in the VFX compositing reel DVD section, actually unreleased and confidence material, without final color correction. I hope you enjoy it.
vIsual effects artIst
hassan ben sabbah
KM 31 state of the art openning sequence In this sequence the director wanted to show a synthesis of the most important visual elements in the movie, the water, the ghost child, the high way and the myst. I try to use this as a way to inmerse the viewer inside the KM 31 world. KM 31 general character enhancements
In this underwater original plate was necessary to add digital hair and cloth, to the original face replacement FX. The Chroma Key was very hard to obtain because the film was very under exposed. KM 31 character enhancements
For this, my team and me, work to create this ghostly look working on art references, to show a discreet underwater effect over this character, a total of 23 shoots use this look.
vIsual effects artIst
r esume
hassan ben sabbah KM 31 face replacement
In this preview shoot of face replacement I show up the luma intermediate morph technique working like photoshops patch tool, to preserve original characters speculariity and shadows. KM 31 breaths ( 84 of 250 total VFX shoots ) The movie requires a fast and flexible technique to create a lot of digital breath shoots. The 3D technical director, and me design a pipeline to create 84 shoots of 3D breath using 3 shake and 1 3D artist. It was succesfull in 5 weeks. KM 31 character enhancement
This character originally was thinked to use on set make up, but finally we take a 3D solution making a full legs replacement, to obtain the desired directors look. KM 31 myst
The movie involve a lot of myst set enhancements, but this is probably one of the most hard myst shoots, because the orignal lighting never took cares about the compositing needs.
vIsual effects artIst
r esume
hassan ben sabbah KM 31 shout visual look / closing sequence
For the movie end, we create, a progressive vibrating-shout look, present in early shoots of the movie, having climax in the last closing sequence. We used optic realistic filtering to obtain the final look.
vIsual effects artIst
r esume
hassan ben sabbah
r esume
In this section you can find a short description about the most important technical development research I made in the last year. Yo can find a deep explanation inside the Tech development reel, DVD section.
vIsual effects artIst
hassan ben sabbah Lattice Table of Transformation for 3D Color Correction This research in color sciense was intented to obtain a way to use an in house 3D Look up table system to correctly preview in CRT monitors the final cinema look, including color correction grading. This research results in a function seed table of logarithmic values called LATT (Lattice table of transformation), which uses an in house function to perform fast logarithmic index color transformations. Shake On Screen Control Development
This shows the actual status of development for the shake LATT pluguin. We can see the 3D color graphication as On Screen Control, showing all the transformations performed by the actual tweaking node.
Quik Share Fox Compositing Asset Manager When the study turn the discreet platform to the desktop node based compositing systems, as a technical 2D developer i created this asset manager that allow to keep in order the files, people and projects, consolidating, paths and converting each file in use by compositors in meta data , that allows artist to forget about where are the files or renders and just keep making fine art. vIsual effects artIst
r esume
hassan ben sabbah
vIsual effects artIst
r esume
r esume
Aldebaran # 7 Mexico, DF 02100 (+52 55) 53 18 01 02 [email protected]
About me
Visual effects, are the magic dust that make our own fairies and monsters to come with live in the others mind.
More About Me
Mexican, Catholic, been born the 13 of June of 1985
Qualifications And work History
The Filter FX 2007, Mexico DF Massive Technical Director - Developed and directed the 3D and compositing teams along the massive pipeline process. - Made precomps of the massive shots over linuxshake massive station. - Designed a compositing shading technique to use opengl massive renders instead of renderman. - Compositing of massive shots in shake and Fusion.
Brand Bureau 2006 , Mexico DF Compositing Supervisor - Developed multiple research for the best understand of the cinema pipeline at the studio . Including logarithmic color spaces and 3D look up Tables
Ollin Studio 2005-2006 , Mexico DF Technical 2D Director and Senior Shake Artist. - Developed multiple research for the best understand of the cinema pipeline at the studio . Including logarithmic color spaces and 3D look up Tables - Created an in house asset manager to keep in order compositing data, users and projects, full apple shake integrated, that optimize in 200% the time and the artist perfomance. vIsual effects artIst
hassan ben sabbah
r esume
Multiservicios Digitales 2004 – 2005 Culiacan Sinaloa Creative Director & VFX Supervisor. - I designed a complete tv programming to gain a licitation to direct the content of the state television transmitter. - Work like conceptual designer to put in circulation the magazine of greater visual quality in the state. Compettenzza Disegno 2002-2004 Mexico DF Co Founder & Technical Director. - I started up a project, that finished like a constituted company, with innovative thecnological products - Registered 2 trademarks of in house product technology Eunoia Animation School . 2004 Alias Maya Certified # 11369 Education
Languages
Compositing Software
Secretaria de Educacion Publica 2003 High School Grade Spanish ( native) English Read( 100%) Speak ( 70%) Listen ( 80%) French ( basic)
Main : Shake / Photoshop / Maya / After effects Also: Digital Fusion / Combustion / Flame
Developing Sfotware
Main: C++, visual basic, real basic, java, JSP,mySQL Also: Shake SDK, MEL
Also Expirience
Massive / Boujou / Pixel Farm / Nuke
Platforms
Mac OS X, OS 9, Windows 98, NT, Also : Linux / Unix
vIsual effects artIst
hassan ben sabbah
Production/ Work Information
r esume
VFX Set Supervisor Banamex puntos premia. “Sol de Oro” FIAP award 2006. Best animation. Compositor And Composting Supervisor TV advertising ( Televisa, Telmex , Coca Cola ), VFX Assistant Feature Film “Curandero” Robert Rodriguez Script / Dimesion Films. Senior Compositor Feature Film “KM 31" Rigoberto Castañeda / Lemon Films Feature Film “Morirse en Domingo" Daniel Gruener Technial 2D Director Feautre Film “KM 31 Rigoberto Castañeda / Lemon Films Compositing Supervisor Feature Film “El Malboro y el Cucu” Argos Films. IMCINE. Short Film “La leche y el agua” IMCINE. Short Film “Proyecto Panorama” IMCINE. Research in Color Science for Electronic Theater Siggraph 2006
vIsual effects artIst
hassan ben sabbah
r esume
In the next pages you will find some shoots I’ve been working on the last year. These are in the VFX compositing reel DVD section, actually unreleased and confidence material, without final color correction. I hope you enjoy it.
vIsual effects artIst
hassan ben sabbah
KM 31 state of the art openning sequence In this sequence the director wanted to show a synthesis of the most important visual elements in the movie, the water, the ghost child, the high way and the myst. I try to use this as a way to inmerse the viewer inside the KM 31 world. KM 31 general character enhancements
In this underwater original plate was necessary to add digital hair and cloth, to the original face replacement FX. The Chroma Key was very hard to obtain because the film was very under exposed. KM 31 character enhancements
For this, my team and me, work to create this ghostly look working on art references, to show a discreet underwater effect over this character, a total of 23 shoots use this look.
vIsual effects artIst
r esume
hassan ben sabbah KM 31 face replacement
In this preview shoot of face replacement I show up the luma intermediate morph technique working like photoshops patch tool, to preserve original characters speculariity and shadows. KM 31 breaths ( 84 of 250 total VFX shoots ) The movie requires a fast and flexible technique to create a lot of digital breath shoots. The 3D technical director, and me design a pipeline to create 84 shoots of 3D breath using 3 shake and 1 3D artist. It was succesfull in 5 weeks. KM 31 character enhancement
This character originally was thinked to use on set make up, but finally we take a 3D solution making a full legs replacement, to obtain the desired directors look. KM 31 myst
The movie involve a lot of myst set enhancements, but this is probably one of the most hard myst shoots, because the orignal lighting never took cares about the compositing needs.
vIsual effects artIst
r esume
hassan ben sabbah KM 31 shout visual look / closing sequence
For the movie end, we create, a progressive vibrating-shout look, present in early shoots of the movie, having climax in the last closing sequence. We used optic realistic filtering to obtain the final look.
vIsual effects artIst
r esume
hassan ben sabbah
r esume
In this section you can find a short description about the most important technical development research I made in the last year. Yo can find a deep explanation inside the Tech development reel, DVD section.
vIsual effects artIst
hassan ben sabbah Lattice Table of Transformation for 3D Color Correction This research in color sciense was intented to obtain a way to use an in house 3D Look up table system to correctly preview in CRT monitors the final cinema look, including color correction grading. This research results in a function seed table of logarithmic values called LATT (Lattice table of transformation), which uses an in house function to perform fast logarithmic index color transformations. Shake On Screen Control Development
This shows the actual status of development for the shake LATT pluguin. We can see the 3D color graphication as On Screen Control, showing all the transformations performed by the actual tweaking node.
Quik Share Fox Compositing Asset Manager When the study turn the discreet platform to the desktop node based compositing systems, as a technical 2D developer i created this asset manager that allow to keep in order the files, people and projects, consolidating, paths and converting each file in use by compositors in meta data , that allows artist to forget about where are the files or renders and just keep making fine art. vIsual effects artIst
r esume
hassan ben sabbah
vIsual effects artIst
r esume
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