Mise-en-scene
The architecture shown in the opening sequence instantly suggests the time. The castles and interior both work together in providing a dated look. The intricate carving in buildings and furniture it shows wealth and although we are shown Tudor architecture it is only the rich homes of the Monarchy. This gives the effect and feel of the Tudor time and class difference.
Lighting The lighting in the sequence is quite reflective on the time as it often shows the audience candles and in most parts (especially the women) there is a dim glow expressing detail in character, it gives a warmth to the scene and add greatly to the miseen-scene.
Religion There is a constant flow of religious iconography throughout the sequence. Such as one of Henry’s wives clutching some prayer beads, there are also many shots of priests at church and the holy cross. Religion is also presented in dark light with many dim candles, the church has a constant hold on people of the time and is presented as conflicting tension within this drama.
Props (Weapons) Throughout the sequence we are shown weapon and armour, this can represent strength, power and nobility. Also implying that it is a time of war and conflict. There is also many shots of the crown showing that the main theme is that of royalty.