Example of an initial thought-shower for the Critical Research Study topic of Women and Film
Secondary Research • use of books/study guides and other library resources, such as newspapers, magazines, journals, video/DVD/television resources, existing research studies; • industry, academic and other related web sites etc.
female representations in films are passive
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based on psychological theories
Define Mulvey’s ideas
men do the looking
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Primary Research • audience reception research (focus groups, work experience, interviews, industry visits); • candidates’ own textual analysis and own critical responses/ theses.
male representations in films are active
women are the objects of the gaze
Faults? Premises? Assumptions?
male audiences want to be the active male character
based on feminist theories
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women audiences want to be with the active male character
Reasons for findings?
Texts to study? 1950s? 1990-2003?
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Test findings?
based on classical Hollywood cinema of the 1950s social-cultural background to audience reception
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Research (Question 1) Accounts of the kinds of research undertaken, to include the following: • the producers, institution or industry concerned • academic criticism • popular criticism • audience reception, including the candidate her/himself
Working hypothesis:Mulvey’s theory of the male gaze in modern society makes false assumptions about both film-makers and audiences.
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Audience Texts Institution
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Checklist of required lines of enquiry
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social-cultural background to filmmakers (stars, directors, studio bosses) Do film-makers today abide by these theories? (consciously/ unconsciously) Do audiences today abide by these theories? (consciously/ unconsciously)