Thomas Barnard Books
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- Words: 1,677
- Pages: 41
Thomas Barnard Graphic Designer
2
3
Contents
4
Introduction
6
Collection Catalogues
22
Exhibition Catalogues
58
History Books
70
Other Books
78
Resume
4
5
Introduction
Thank you for taking the time to review my book portfolio. Most of these titles are exhibition and collection catalogues published for the Cleveland Museum of Art. Also illustrated here are a selection of history books, a cookbook, and architectural guidelines for a historic district. In general, art history and museum authors follow many traditions when presenting works of art that go far beyond a simple caption. Most of the authors are quite concerned with their audience of colleagues and scholars, and therefore provide comparative illustrations and copious footnotes. Collection and exhibition catalogues will give complete ownership histories on the work art (provenance), and exhaustively list all prior appearances in exhibitions and literature. The more celebrated works have been widely published and exhibited many times and therefore the listings of this information can be quite long. Part of the challenge of designing for the scholarly audience of art history is those grand works of art and not letting them get swallowed whole by their own achievements. Conversely, the least known works may only have one opportunity to shine—a particular exhibition may put the spotlight on them—and therefore the scholar always sees that every possible bit of information on the object gets published. I am interested in many types of books, it just so happens that art history is what a large museum tends to publish. I believe these samples demonstrate my ability to manage complex projects with all sorts of intricacies. I look forward to speaking with you on the opportunities that may fit my style and ability.
Thomas Barnard Graphic Designer
6
7
Collection Catalogues
Catalogue of Egyptian Art: The Cleveland Museum of Art Lawrence M. Berman with Kenneth Boha©. 600 pages, 800 duotones, 45 color plates, cloth. 1999
A superb example to demonstrate the contents of a comprehensive collection book. The following plates illustrate all the components that are expected by the scholarly reader
8
9
1. Chronology
3. Essays
2. Maps
4. Objects with multiple views
10
11
5. Color plates
7. Complete translations
6. Illustrations
8. Bibliography and concordances
12
13
Jacket Catalogue of American Silver: The Cleveland Museum of Art Phillip M. Johnston. 204 pages, 645 duotones, paper and cloth. 1994
Cloth cover and foilstamping
14
15
16
17
Corpus Vasorum Antiquorum: The Cleveland Museum of Art Fascicule 2 Jenifer Neils with Gisela Walberg. 64 pages, 105 plates, 10 illustrations; paper and cloth. 2000
Used by classical scholars, a CVA is a portfolio of objects from the museum’s collection prepared according to a set of time-honored specifications. Contents include a book and loose plates. This format enables the researcher to have CVAs from several institutions open at once, and allows plates of similar objects to be assembled side-byside for comparison.
18
19
20
Master Drawings from the Cleveland Museum of Art Diane De Grazia and Carter E. Foster, eds. 344 pages, 130 color plates, 91 halftones, paper and cloth. 2000
21
22
23
Exhibition Catalogues
The Persistence of Geometry Lowry Stokes Sims. 128 pages, 152 color plates, 2 illustrations, paper. 2006
24
25
26
27
28
Egypt’s Dazzling Sun: Amenhotep III and His World Arielle P. Kozloff and Betsy M. Bryan, with Lawrence Berman. 500 pages, 462 halftones, 68 color plates, 31 illustrations, paper and cloth. 1992
29
30
31
32
33
34
1994 Invitational: Artists of Northeast Ohio Tom E. Hinson. 64 pages, 17 halftones, 21 color plates, paper. 1994
35
36
Viktor Schreckengost and 20th-Century Design Henry Adams. 192 pages, 173 color plates, 56 halftones, paper. 2000
37
38
39
40
41
42
Cleveland Collects Contemporary Art Tom E. Hinson. 208 pages, 71 color plates, paper. 1998
43
44
Magna Graecia: Greek Art from Sicily and South Italy Michael Bennett and Aaron Paul. 312 pages, 150 color plates, 100 halftones, 10 illustrations, 3 maps, paper and cloth. 2002
45
46
47
48
49
50
Buddhist Treasures from Nara Michael R. Cunningham. 268 pages, 165 color plates, 82 halftones, 5 illustrations, paper and cloth. 1998
51
52
53
54
55
56
57
58
59
History Books
Cleveland Builds
Object Lessons
Cleveland Builds an Art Museum: Patronage, Politics, and Architecture 1884–1916 Walter C. Leedy Jr. 104 pages, 44 halftones, 17 illustrations, paper. 1991 Object Lessons: Cleveland Creates an Art Museum Evan H. Turner, ed. 216 pages, 194 halftones, paper. 1991
60
Cleveland Builds
61
Object Lessons
Sidebar
64
The Professional and Literary Careers of Charles W. Chesnutt: A Rowfant Club Symposium. The Rowfant Club. 112 pages, 5 illustrations, cloth. 2003
65
66
A Passion for Justice: A History of the Legal Aid Society of Cleveland, 1905–2005 Carol Poh Miller. 128 pages, 5 color plates, 32 halftones, paper. 2007
67
68
69
70
71
Other Books
Design Willoughby: Practical Guidelines for Exterior Rehabilitation and New Construction in the Willoughby Historic Preservation District Carol Poh Miller. 64 pages, 65 halftones, 6 illustrations, paper. 1998
72
Friday Lunch Paul T. Ruxin. The Rowfant Club. 221 pages, 3 illustrations, cloth, slipcase. 2001
73
74
A Fare for the Heart: Low Sodium, Low Fat, Low Cholesterol (cookbook) Jacques Pepin. 104 pages, 12 illustrations, paper. 1988
75
76
77
Exhibition Catalogues The Persistence of Geometry Lowry Stokes Sims. 128 pages, 152 color plates, 2 illustrations; paper. 2006 Magna Graecia: Greek Art from Sicily and South Italy Michael Bennett and Aaron Paul. 312 pages, 150 color plates, 100 halftones, 10 illustrations, 3 maps; paper and cloth. 2002 French Master Drawings from the Collection of Muriel Butkin Carter E. Foster with Sylvain Bellenger and Patrick Shaw Cable. 160 pages, 74 duotones, 108 halftones; paper. 2001
Egypt’s Dazzling Sun: Amenhotep III and His World Arielle P. Kozloff and Betsy M. Bryan, with Lawrence Berman. 500 pages, 462 halftones, 68 color plates, 31 illustrations; paper and cloth. 1992 The Triumph of Japanese Style Michael R. Cunningham, et al. 168 pages, 20 halftones, 127 color plates; paper and cloth. 1991 Reckoning with Winslow Homer Bruce Robertson. 212 pages, 88 half-tones, 33 color plates; paper and cloth. 1990
Viktor Schreckengost and 20th-Century Design Henry Adams. 192 pages, 173 color plates, 56 halftones; paper. 2000
Collection Catalogues
Cleveland Collects Contemporary Art Tom E. Hinson. 208 pages, 71 color plates; paper. 1998
Jenifer Neils with Gisela Walberg. 64 pages, 105 plates, 10 illustrations; paper and cloth. 2000
Buddhist Treasures from Nara Michael R. Cunningham. 268 pages, 165 color plates, 82 halftones, 5 illustrations; paper and cloth. 1998
Master Drawings from the Cleveland Museum of Art Diane De Grazia and Carter E. Foster, eds. 344 pages, 130 color plates, 91 halftones; paper and cloth. 2000
Vatican Treasure: Early Christian, Renaissance, and Baroque Art from the Papal Collections Robert P. Bergman, Diane De Grazia with contributions by Stephen N. Fliegel. 112 pages, 42 color plates, 7 halftones, 37 illustrations; paper and cloth. 1998 Pharaohs: Treasures of Egyptian Art from the Louvre Lawrence M. Berman and Bernadette Letellier. 100 pages, 28 duotones, 20 color plates, 3 illustrations; paper and cloth. 1996 Transformations in Cleveland Art, 1796– 1946 William H. Robinson and David Steinberg. 264 pages, 53 color plates, 203 halftones; paper and cloth. 1996 1994 Invitational: Artists of Northeast Ohio Tom E. Hinson. 64 pages, 17 halftones, 21 color plates; paper. 1994
Corpus Vasorum Antiquorum: The Cleveland Museum of Art Fascicule 2
Catalogue of Egyptian Art: The Cleveland Museum of Art Lawrence M. Berman with Kenneth Boha©. 600 pages, 800 duotones, 45 color plates; cloth. 1999 Catalogue of American Silver: The Cleveland Museum of Art Phillip M. Johnston. 204 pages, 645 duotones; paper and cloth. 1994 The Print Club of Cleveland, 1969–1994 108 pages, 58 duotones; paper and cloth. 1994
History Books A Passion for Justice: A History of the Legal Aid Society of Cleveland, 1905–2005 Carol Poh Miller. 128 pages, 5 color plates, 32 halftones; paper. 2007 The Professional and Literary Careers of Charles W. Chesnutt: A Rowfant Club Symposium. The Rowfant Club. 112 pages, 5 illustrations; cloth. 2003 This Far by Faith: The Story of Cleveland’s Euclid Avenue Congregational Church 1843–1997 Carol Poh Miller. 112 pages, 73 halftones; paper. 1997 Church with a Conscience: A History of Cleveland’s Church of the Covenant Carol Poh Miller. 112 pages, 59 halftones; paper. 1995 Object Lessons: Cleveland Creates an Art Museum Evan H. Turner, ed. 216 pages, 194 halftones;paper. 1991 Cleveland Builds an Art Museum: Patronage, Politics, and Architecture 1884–1916 Walter C. Leedy Jr. 104 pages, 44 halftones, 17 illustrations; paper. 1991 The Art of Amenhotep III: Art Historical Analysis (symposium papers) Lawrence M. Berman, ed. 132 pages, 90 halftones, 12 illustrations, paper. 1990
Other Books Friday Lunch Paul T. Ruxin. The Rowfant Club. 221 pages, 3 illustrations; cloth, slipcase. 2001 A Model for Nonviolent Communication Marshall B. Rosenberg, Ph. D. 56 pages; paper. 1999 Design Willoughby: Practical Guidelines for Exterior Rehabilitation and New Construction in the Willoughby Historic Preservation District Carol Poh Miller. 64 pages, 65 halftones, 6 illustrations; paper. 1998 A Fare for the Heart: Low Sodium, Low Fat, Low Cholesterol (cookbook) Jacques Pepin. 104 pages, 12 illustrations; paper. 1988
78
79
Resume
Thomas Barnard 17601 Schenely Avenue Cleveland, Ohio 44119 [email protected] H 216–481–5815 W 216–707–2427
Senior Graphic Designer The Cleveland Museum of Art Publications; Creative Services September 1988–current Department Heads: Laurence Channing, Donna Brock, Gregory M. Donley Art director for exhibition and collection catalogues, history books, scholarly journals, annual reports, gallery guides, maps, invitations, newsletters, calendars, posters, advertising, and other ephemera
Junior Public Affairs Specialist/ Graphic Design The Cleveland Clinic Foundation Division of Public Affairs and Corporate Development November 1986–August 1988 Art Director: Amy Buskey-Wood Design assignments included brochures, patient guides, a cookbook, and other ephemera
Education Rhode Island School of Design B.F.A. 1986, Graphic Design Studio electives in visible language, typography, information design, letterform design, corporate identity, lithography, silk screen, and documentary film
Graphic Design Internship Right: Schreckengost catalogue endpapers Backcover: Cover sketch for the Egyptian catalogue. Rejected because the work of art wasn’t one of the stars of the collection.
Northeastern University Publications January–February 1986 Design Director: Michael McPherson
2
3
Contents
4
Introduction
6
Collection Catalogues
22
Exhibition Catalogues
58
History Books
70
Other Books
78
Resume
4
5
Introduction
Thank you for taking the time to review my book portfolio. Most of these titles are exhibition and collection catalogues published for the Cleveland Museum of Art. Also illustrated here are a selection of history books, a cookbook, and architectural guidelines for a historic district. In general, art history and museum authors follow many traditions when presenting works of art that go far beyond a simple caption. Most of the authors are quite concerned with their audience of colleagues and scholars, and therefore provide comparative illustrations and copious footnotes. Collection and exhibition catalogues will give complete ownership histories on the work art (provenance), and exhaustively list all prior appearances in exhibitions and literature. The more celebrated works have been widely published and exhibited many times and therefore the listings of this information can be quite long. Part of the challenge of designing for the scholarly audience of art history is those grand works of art and not letting them get swallowed whole by their own achievements. Conversely, the least known works may only have one opportunity to shine—a particular exhibition may put the spotlight on them—and therefore the scholar always sees that every possible bit of information on the object gets published. I am interested in many types of books, it just so happens that art history is what a large museum tends to publish. I believe these samples demonstrate my ability to manage complex projects with all sorts of intricacies. I look forward to speaking with you on the opportunities that may fit my style and ability.
Thomas Barnard Graphic Designer
6
7
Collection Catalogues
Catalogue of Egyptian Art: The Cleveland Museum of Art Lawrence M. Berman with Kenneth Boha©. 600 pages, 800 duotones, 45 color plates, cloth. 1999
A superb example to demonstrate the contents of a comprehensive collection book. The following plates illustrate all the components that are expected by the scholarly reader
8
9
1. Chronology
3. Essays
2. Maps
4. Objects with multiple views
10
11
5. Color plates
7. Complete translations
6. Illustrations
8. Bibliography and concordances
12
13
Jacket Catalogue of American Silver: The Cleveland Museum of Art Phillip M. Johnston. 204 pages, 645 duotones, paper and cloth. 1994
Cloth cover and foilstamping
14
15
16
17
Corpus Vasorum Antiquorum: The Cleveland Museum of Art Fascicule 2 Jenifer Neils with Gisela Walberg. 64 pages, 105 plates, 10 illustrations; paper and cloth. 2000
Used by classical scholars, a CVA is a portfolio of objects from the museum’s collection prepared according to a set of time-honored specifications. Contents include a book and loose plates. This format enables the researcher to have CVAs from several institutions open at once, and allows plates of similar objects to be assembled side-byside for comparison.
18
19
20
Master Drawings from the Cleveland Museum of Art Diane De Grazia and Carter E. Foster, eds. 344 pages, 130 color plates, 91 halftones, paper and cloth. 2000
21
22
23
Exhibition Catalogues
The Persistence of Geometry Lowry Stokes Sims. 128 pages, 152 color plates, 2 illustrations, paper. 2006
24
25
26
27
28
Egypt’s Dazzling Sun: Amenhotep III and His World Arielle P. Kozloff and Betsy M. Bryan, with Lawrence Berman. 500 pages, 462 halftones, 68 color plates, 31 illustrations, paper and cloth. 1992
29
30
31
32
33
34
1994 Invitational: Artists of Northeast Ohio Tom E. Hinson. 64 pages, 17 halftones, 21 color plates, paper. 1994
35
36
Viktor Schreckengost and 20th-Century Design Henry Adams. 192 pages, 173 color plates, 56 halftones, paper. 2000
37
38
39
40
41
42
Cleveland Collects Contemporary Art Tom E. Hinson. 208 pages, 71 color plates, paper. 1998
43
44
Magna Graecia: Greek Art from Sicily and South Italy Michael Bennett and Aaron Paul. 312 pages, 150 color plates, 100 halftones, 10 illustrations, 3 maps, paper and cloth. 2002
45
46
47
48
49
50
Buddhist Treasures from Nara Michael R. Cunningham. 268 pages, 165 color plates, 82 halftones, 5 illustrations, paper and cloth. 1998
51
52
53
54
55
56
57
58
59
History Books
Cleveland Builds
Object Lessons
Cleveland Builds an Art Museum: Patronage, Politics, and Architecture 1884–1916 Walter C. Leedy Jr. 104 pages, 44 halftones, 17 illustrations, paper. 1991 Object Lessons: Cleveland Creates an Art Museum Evan H. Turner, ed. 216 pages, 194 halftones, paper. 1991
60
Cleveland Builds
61
Object Lessons
Sidebar
64
The Professional and Literary Careers of Charles W. Chesnutt: A Rowfant Club Symposium. The Rowfant Club. 112 pages, 5 illustrations, cloth. 2003
65
66
A Passion for Justice: A History of the Legal Aid Society of Cleveland, 1905–2005 Carol Poh Miller. 128 pages, 5 color plates, 32 halftones, paper. 2007
67
68
69
70
71
Other Books
Design Willoughby: Practical Guidelines for Exterior Rehabilitation and New Construction in the Willoughby Historic Preservation District Carol Poh Miller. 64 pages, 65 halftones, 6 illustrations, paper. 1998
72
Friday Lunch Paul T. Ruxin. The Rowfant Club. 221 pages, 3 illustrations, cloth, slipcase. 2001
73
74
A Fare for the Heart: Low Sodium, Low Fat, Low Cholesterol (cookbook) Jacques Pepin. 104 pages, 12 illustrations, paper. 1988
75
76
77
Exhibition Catalogues The Persistence of Geometry Lowry Stokes Sims. 128 pages, 152 color plates, 2 illustrations; paper. 2006 Magna Graecia: Greek Art from Sicily and South Italy Michael Bennett and Aaron Paul. 312 pages, 150 color plates, 100 halftones, 10 illustrations, 3 maps; paper and cloth. 2002 French Master Drawings from the Collection of Muriel Butkin Carter E. Foster with Sylvain Bellenger and Patrick Shaw Cable. 160 pages, 74 duotones, 108 halftones; paper. 2001
Egypt’s Dazzling Sun: Amenhotep III and His World Arielle P. Kozloff and Betsy M. Bryan, with Lawrence Berman. 500 pages, 462 halftones, 68 color plates, 31 illustrations; paper and cloth. 1992 The Triumph of Japanese Style Michael R. Cunningham, et al. 168 pages, 20 halftones, 127 color plates; paper and cloth. 1991 Reckoning with Winslow Homer Bruce Robertson. 212 pages, 88 half-tones, 33 color plates; paper and cloth. 1990
Viktor Schreckengost and 20th-Century Design Henry Adams. 192 pages, 173 color plates, 56 halftones; paper. 2000
Collection Catalogues
Cleveland Collects Contemporary Art Tom E. Hinson. 208 pages, 71 color plates; paper. 1998
Jenifer Neils with Gisela Walberg. 64 pages, 105 plates, 10 illustrations; paper and cloth. 2000
Buddhist Treasures from Nara Michael R. Cunningham. 268 pages, 165 color plates, 82 halftones, 5 illustrations; paper and cloth. 1998
Master Drawings from the Cleveland Museum of Art Diane De Grazia and Carter E. Foster, eds. 344 pages, 130 color plates, 91 halftones; paper and cloth. 2000
Vatican Treasure: Early Christian, Renaissance, and Baroque Art from the Papal Collections Robert P. Bergman, Diane De Grazia with contributions by Stephen N. Fliegel. 112 pages, 42 color plates, 7 halftones, 37 illustrations; paper and cloth. 1998 Pharaohs: Treasures of Egyptian Art from the Louvre Lawrence M. Berman and Bernadette Letellier. 100 pages, 28 duotones, 20 color plates, 3 illustrations; paper and cloth. 1996 Transformations in Cleveland Art, 1796– 1946 William H. Robinson and David Steinberg. 264 pages, 53 color plates, 203 halftones; paper and cloth. 1996 1994 Invitational: Artists of Northeast Ohio Tom E. Hinson. 64 pages, 17 halftones, 21 color plates; paper. 1994
Corpus Vasorum Antiquorum: The Cleveland Museum of Art Fascicule 2
Catalogue of Egyptian Art: The Cleveland Museum of Art Lawrence M. Berman with Kenneth Boha©. 600 pages, 800 duotones, 45 color plates; cloth. 1999 Catalogue of American Silver: The Cleveland Museum of Art Phillip M. Johnston. 204 pages, 645 duotones; paper and cloth. 1994 The Print Club of Cleveland, 1969–1994 108 pages, 58 duotones; paper and cloth. 1994
History Books A Passion for Justice: A History of the Legal Aid Society of Cleveland, 1905–2005 Carol Poh Miller. 128 pages, 5 color plates, 32 halftones; paper. 2007 The Professional and Literary Careers of Charles W. Chesnutt: A Rowfant Club Symposium. The Rowfant Club. 112 pages, 5 illustrations; cloth. 2003 This Far by Faith: The Story of Cleveland’s Euclid Avenue Congregational Church 1843–1997 Carol Poh Miller. 112 pages, 73 halftones; paper. 1997 Church with a Conscience: A History of Cleveland’s Church of the Covenant Carol Poh Miller. 112 pages, 59 halftones; paper. 1995 Object Lessons: Cleveland Creates an Art Museum Evan H. Turner, ed. 216 pages, 194 halftones;paper. 1991 Cleveland Builds an Art Museum: Patronage, Politics, and Architecture 1884–1916 Walter C. Leedy Jr. 104 pages, 44 halftones, 17 illustrations; paper. 1991 The Art of Amenhotep III: Art Historical Analysis (symposium papers) Lawrence M. Berman, ed. 132 pages, 90 halftones, 12 illustrations, paper. 1990
Other Books Friday Lunch Paul T. Ruxin. The Rowfant Club. 221 pages, 3 illustrations; cloth, slipcase. 2001 A Model for Nonviolent Communication Marshall B. Rosenberg, Ph. D. 56 pages; paper. 1999 Design Willoughby: Practical Guidelines for Exterior Rehabilitation and New Construction in the Willoughby Historic Preservation District Carol Poh Miller. 64 pages, 65 halftones, 6 illustrations; paper. 1998 A Fare for the Heart: Low Sodium, Low Fat, Low Cholesterol (cookbook) Jacques Pepin. 104 pages, 12 illustrations; paper. 1988
78
79
Resume
Thomas Barnard 17601 Schenely Avenue Cleveland, Ohio 44119 [email protected] H 216–481–5815 W 216–707–2427
Senior Graphic Designer The Cleveland Museum of Art Publications; Creative Services September 1988–current Department Heads: Laurence Channing, Donna Brock, Gregory M. Donley Art director for exhibition and collection catalogues, history books, scholarly journals, annual reports, gallery guides, maps, invitations, newsletters, calendars, posters, advertising, and other ephemera
Junior Public Affairs Specialist/ Graphic Design The Cleveland Clinic Foundation Division of Public Affairs and Corporate Development November 1986–August 1988 Art Director: Amy Buskey-Wood Design assignments included brochures, patient guides, a cookbook, and other ephemera
Education Rhode Island School of Design B.F.A. 1986, Graphic Design Studio electives in visible language, typography, information design, letterform design, corporate identity, lithography, silk screen, and documentary film
Graphic Design Internship Right: Schreckengost catalogue endpapers Backcover: Cover sketch for the Egyptian catalogue. Rejected because the work of art wasn’t one of the stars of the collection.
Northeastern University Publications January–February 1986 Design Director: Michael McPherson
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