PANORAMA: SEEING BEYOND THE FRAME ALFRED HITCHCOCK’S REAR WINDOW
CECIL - PHOTO 1
1. What principles of composition do you notice Hitchcock uses in the film? Name 3 and when you notice them.
2. How are the windows important to the telling of the story?
3. What is the significance of Jeffries being a photographer to the film?
4. Find one scene where the separation between windows is used as a dramatic/compositional device to help tell the story.
5. Why have I selected this film to show as part of the preparation for the Panorama shooting assignment?