Por Una Cabeza For Brass Band

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POR UNA CABEZA Tango for brass band Tempo del Tango e = 102

Soprano Cornet

Solo Cornets

    

mf

        

arr Geoff Colmer

        









a1                                                 

mp

mf

Solo Cornets

Carlos Gardel

 a1                                                   mp mf

Repiano Cornet

2nd Cornet

                   mf                  

1st Horn

2nd Horn

1st Baritone

2nd Baritone

1st Trombone

   

    

mf

mf

      

Eb Bass

         mf       

        

mf

   

mf

   

mf

Bb Bass

Maracas Cymbals

  

     

    































             

mf

   

mf



a1



a1



      

   

   

 

        

     p     

         

 

                

    

    

    

























     p

    

p

       



 

p

       

       p         p          clutch     

   

p

                



    p

       

               mf              Bass Trombone        mf                  Euphonium    2nd Trombone



mf

                mf         Flugel            mf               Solo Horn       

3rd Cornet



 



p



 



 





Copyright © 2008 G.Colmer ([email protected])

 



    

    

    



  

  

 



  





 



  

 

 

 

2

  Sop. Crt.  8

Solo Crt.

Solo Crt.

 















                                                        

mf

    



                                 

 mf

      



















































  

















Rep. Crt.



2nd Crt.



3rd Crt.



Flug.





Solo Hn.

       

    



 

  

     

     

     

 

        

1st Hn.

        

    

 

  

     

     

     

  

        

      

        



 

  

    

    

    

 

      

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass



       



  

   



  

 



Mrcs.



Cym.





 

  

   

   

   

    

   

   

   

   

   

mp

  

mp

















































   

   

   

          

   

    

  

 

  

     

  









 

  

    

    mp



   

  

 



  

   





   



  



   

   

  

 



 

 







   

  









 

3

   16

Sop. Crt.

Solo Crt.

Solo Crt.

Rep. Crt.

2nd Crt.

3rd Crt.

Flug.

Solo Hn.

    

  





1st Tbn.

2nd Tbn.





B. Tbn.

Euph.

Eb Bass

Bb Bass



Timp.

Mrcs. Cym.



3    



      



3    













p

   

p



     



      



    





   



    





      

   



    

     



         

f

       



    

       

   

   

f

(p)

    

f

















  



    



     





 

    f       f a2





3



         f (sub.)

3

3

3

      3

f



f

     3

3

3             3 3  3   3                    

   

   

               3 3                  

   

 

   

                                        

3

3

3

     

f (sub.) a2





      

3



        f                       

    





      



3

     





3



       f

3

     

       (p)

3

 

f

3

3

     

p



3

      

(p)

3

3

3

(p)

     p



3

       







3

     





3

     

f

(p)

f



3



f

 

3

      3

3

      



         p

3

           





3

      



3



f

  





3

     

     

f





3



f









        



      

3

3     

      

f

       





p



  

3

     

f

                  







all

  



3

     

p

       p       1st Bar.  

2nd Bar.



             all            

p

2nd Hn.



f

p

1st Hn.



A dramatic and passionate              

 



  





 

      

   

       

4

25

Solo Crt.

Rep. Crt.

2nd Crt.

3rd Crt.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

  

   

   



           



   



  

   Sop. Crt. 





    

  

    





  



    





     

  



      





    



      



     





  





     





      



    





     





  

      





     







  

     

      

3

   



     



     







Cym.

         



    

    

 

3

 







    

3

3

          

         f

     

3



3      



3



3

3

3

3

3

   3

3

3

  

3

3

3

     

3

3

3

3

  

3

3



3

     

3

3





3

3

    

                





3

    

                          Eb Bass                       Bb Bass                           Timp.                   Mrcs.  Euph.







      

3

     

            3



   

     

      

   

 

  

 

     

3     

   







  

   

     



      

  



      

3

3

    

3     

      

 

3

3     



      







 

3

     

      

3

   

3





       3



     

3



     

3

3

3

3             3  3  3                   





  

 

 3         

 

           3         

   

           

   





  

                             



5

   Sop. Crt.  33



Solo Crt.



Rep. Crt.

Flug.

2nd Bar.

1st Tbn.

2nd Tbn.





    



   

    

  

   

3

3

3

    

   

    

    

 

3



 



 



    



      B. Tbn.    

   

Eb Bass

Bb Bass

Timp.

Mrcs.

  

 

    



 

          

        

    

   







   



   

 



   mp



  



  

 







          

       





             

       

                

      

               

       

3

3

3

3

3

3

3

p

 p

3

3

3

3

3

 









 









muted



  



  



 





     

    



    



  





     

  



  



 





   

mp

 

muted



mp

muted



mp

                           a1



      

   

p

       



    





      

3

Euph.

muted

 

3



3

mp

 

   







        

muted



   



 



 

3

3

 





    

 

     

    

muted (harmon)

3

   



    a1       

3

   





mp

  



1st Hn.

1st Bar.

   

   

Solo Hn.

2nd Hn.





2nd Crt.

3rd Crt.

 

  

mp

 

a1

 



 



 

p

  

a1

 

p

  

 



 



   

 



 



 





 

 

    

 

 



 

















6

  Sop. Crt.  40

Solo Crt.

Rep. Crt.

 

2nd Crt.



3rd Crt.



Flug.

Solo Hn.



  



   



1st Bar.

2nd Bar.



   

mp

 

    

    

 



  



   



   



    

       



  



  



  



  



  













       

                 

         

3                                                    

  3            



3

3

                                 3

3



3

3

3

3

3

                                                 3

3

3

3

3

























   



 





   



   



   

   



 





    



   



   

        

   



 





   



   



   

    

     

      

   

      

 



 



 

 





  



 



 

 



 B. Tbn.   

 

Bb Bass

muted (straight)

   



  

       

Eb Bass







  

Euph.

    

   



       

       

2nd Tbn.



   



   

1st Tbn.

3



3

2nd Hn.

       





3

1st Hn.







 

   

     

         

     

 



 



   

 

 



 



   

7

  Sop. Crt.  46



Rep. Crt.



2nd Crt.

Flug.



  

 

mf

   

 

  

 

3

         3

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.



    

Bb Bass

Timp.

     



mp





   



   mf



  

 

    



mp



 

   



   



   

    

  



  



  

     

mp

mp

3                  



  open  open



open



open







   

    

mp

                                 



   

      mp

                                      



   



3

3

p

3

3

3

3

3

3

p

3 3                                    p 3

     mp 3





























  

 



    



   

 



 



 







B. Tbn.   

Eb Bass

3



  



Euph.



3       mp



 

3

mf

        

1st Hn.

3



     



     



  

Solo Hn.

2nd Hn.



      

Solo Crt.

3rd Crt.



         



 









mf



  

      

 

  





  







 



 





  



    





  



  

mp





mf

 



mp

mf





  

 

mp

   

 

 

 



 



  



 

   

    

open



open



       f

open

      a2     

mp

f (sub.)

 



 



p

p



   

 

    

     

 



        f



a2

f (sub.)

a2

  



   f

8

B 52          Sop. Crt. 



a4       



     



     



       

Solo Crt.

Rep. Crt.

2nd Crt.

3rd Crt.

Flug.

f

3

3      

3     

    



    





     

         



    





       

     



      



     

                     

       





      

  

      



f

f

3

3

3

3

3

3

3

3

3

3

3

3

       3

   

 



   

     



 



3          



 







     

         

      



     



      

       





f

f

Bb Bass

Timp.

Mrcs. Cym.



f



  

3

3

3

  

    

   

 

  

  





  

   

         f



f

3

3

3

3

3

        

3

3               3 3  3                      

  

                3 3                 

   

  

           

               



       



  

     



3



     

3

3

3

3







f

3            



           

3

     

3

      





3

3

    

         1st Bar. 

f

Eb Bass







3



Euph.



      



f

3

     

B. Tbn.

 

3           

3



2nd Tbn.



3     



3

      

        

1st Tbn.

        

 





f

3

3

2nd Bar.

 



      



f

2nd Hn.

  



f

1st Hn.



     



f

Solo Hn.

3

      



  

  

3

                                                                           

        

         

        

        

   

  



 



9

         Sop. Crt.  60



3

Solo Crt.

        



        



3

Solo Crt.

2nd Crt.

3rd Crt.

Flug.





3

Cym.

      



    

       

         







       

    



     

     



     

   

        



     



     



      

3



3

     

3

   

  

 

  

           

3

   muted 

3

3

   

muted   



muted   





  



  

    



    



  

    

    

3

3

  

     



     



      



     

    



      

          

 

3

     

3

      3

3

3

     

3





3



3

3

3

          

3

3

        



3

3

mf

3

     

      Eb Bass    Bb Bass    

Mrcs.

    

      



Euph.

Timp.



   

3





3

B. Tbn.

3

3

3

3

3

  

3                        3 3  3   3                                3

              3 3               

                 

                   

          

 

  



  





 



      

 



    



 

                                              

f

  



  

muted

        a2    

    

3

2nd Tbn.

      



mf



         1st Bar. 

1st Tbn.



3

3

3

2nd Bar.

        a2    

     

      

     



3

3

2nd Hn.







3

1st Hn.

     

3

3

3

Solo Hn.

      3

     







3

       

C

  

3

3

Rep. Crt.

      

  

     

    

10

    Sop. Crt. 

 

68

mf





 



 

 

    

             

  

   



 





 



  



  

Flug.

1st Bar.

2nd Bar.

1st Tbn.

 

mf

 







 

 

 





  

 

 

 

 





 

 





      

mf

3

Euph.

Eb Bass



 





























        



        mf

      

  



  

3



3



                   



                                  



        

  

                                  



        

  









  







mf



   

      



mf



    3  

3



 

mf

Xyl.

 



mf

Bb Bass

 

  







mf

B. Tbn.



3

  

2nd Tbn.





mf

 

1st Hn.

2nd Hn.

 

mf

mf





 

  

Solo Hn.



  

Rep. Crt.















  

Solo Crt.

3rd Crt.



               



2nd Crt.



    

Solo Crt.



 

 



  

  

 



 



    



 



 









 

  





 





 

 







       6 3 3 3 3                       

mf

f



11

    Sop. Crt.  73

Solo Crt.



Solo Crt.



Rep. Crt.



2nd Crt.



3rd Crt.



Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

B. Tbn.

Euph.

Eb Bass

Bb Bass

Xyl.

 





 

 

 

 



   

                                      





                                



  

  











 

 

 

 





 





 

 

 

 



 

 





 

 

 

 





















 







    



mf

3

3

 





















































   



                                         





                                                  



 

                                                          



    



  



    



  

 









 



 



 

      

    



      

  





  



    



 

    

   



    

  





  



  3    

mf



f

gli

ss.

 f



        3

3

 6

12



79     Sop. Crt. 

f

Solo Crt.

Solo Crt.

Rep. Crt.

2nd Crt.

3rd Crt.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

    

    

f





Eb Bass

Bb Bass

Timp.

Xyl.

 

f

     f



3

3

 

  

  

 

f

f





 open

 



mf



  

 

  

    





mf







       





   





  

mp

open







open







open

















 

 



mp



mf

 

mf

 

 

 

mf

3

    3  





mf

 



 

  





  



mf

 













 

















































       



f

3

3



       



f

   

f

    B. Tbn.    Euph.



        



 



  

 

                      







 



 



 





 



 3   3   3     

 











                         





mp

mp

mf

 



                          mf

f

   

           



                           mp ff mf      



 



mf

mf



 

 

  

 

 



  

 

      mp ff       mp ff        ff









   



13

84

 Sop. Crt.   Solo Crt.

D        3

3

2nd Crt.





        

 

   3        ff



3

          3



      3

     

  



3          

   



3

3 3                                ff 3                           Solo Hn.     3 3

1st Hn.

2nd Hn.

  

  1st Bar.   2nd Bar.

1st Tbn.

2nd Tbn.



         



      



ff

3

ff



ff





  

 ff



 



ff



        Euph.   

    Bb Bass        Timp. Mrcs.



ff

Cym.



ff



 



   

  



ff

   3

 

   

 

  

 

   

ff

B. Tbn.

Eb Bass



3

3

3

 

 

      

                                   

 

 

  

  

3



3

 

   





3

 

   





3

 

   

     

3

        

 

3









3



 

3

3

 



   

      

 

      

 

  



   

3





3

 

    

   

  

 

         3

           3 3           3 3           3



3

 

        3           3

 

3

3

3

     

3

                                              

    

3        



3

        

3

 

3

       

3

3

     

Flug.

ff

      

3        



  

3

3



3

           ff

3rd Crt.

       



    

3

3

3

ff

         



3

            ff 3            

      

3

         



a3

Rep. Crt.

        



3

   a1        ff

ff

Solo Crt.

        



                                               



  

 

  



  

 

     

  

   

  

                      

14

91

 Sop. Crt.   Solo Crt.

Solo Crt.

Rep. Crt.

2nd Crt.

3rd Crt.

Flug.





  



       



   

  



  



  



    



   

             



  



    





1st Hn.











          1st Bar.         2nd Bar.          1st Tbn.         2nd Tbn.        B. Tbn.                 Euph.             Eb Bass      2nd Hn.



3

     3     

 









3





3

     



3       



3

     



     



     



      





        



     



     



3

3



3

3                   3 3                                                 3



3

3

Theatrical



Theatrical



Theatrical



Theatrical



 

    



 

    



3











3











3







 

gliss.

gliss

.

  





Theatrical         

   

 3

 

        Bb Bass                                  Timp.                    Mrcs.    Cym.     ff

     

3

       



 





3

 



3

     

3



Solo Hn.

     





 





3

  

   

 

                       

gliss.

gliss .

        

 



gliss.





gliss.







  

3



 3





3



 





 

3

                                            

     





3

     

3

   



    



   



15

96



 



 

 



 

Solo Crt.

Solo Crt.

Rep. Crt.

2nd Crt.

3rd Crt.

Flug.

Solo Hn.

1st Hn.

2nd Hn.

1st Bar.

2nd Bar.

1st Tbn.

2nd Tbn.

 



 

 



 

  



  

 



   

   

Rall.

 

 Sop. Crt.  

3

     3



 

   

   

    3

     3

    

  

    Euph.   







 



 

muted



  



 



muted

 

 



muted



muted



p

  



  





p





p

 



   





   



     

 

p

p

p

p

   



 



 

p









 









 

p

p

 

 











 

 











 

  



 



  





 







    



 



    

       Bb Bass               Timp.          Mrcs.  Cym.



3     

   

gliss.





3

 B. Tbn.   

Eb Bass



3

gliss.

 

    

3

    

    

p

    

       

 

3

3     

Molto Rall.



p

3

3

 



    



    

 

 3   









 gliss.  

 

  

 









 gliss.  

 









 gliss.  

 

 







 

          

 

p

3

  

 

 3 

p

p

p

       

        



  

a1

 



 



  

p

p



    p





 



a1







 p

 



softest stick

  



ppp

 

 



 

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