Piazzolla - Astor Piazzolla For Violin And Guitar - Arr. Ian Murphy

fryG Yin{in BY IeN Munpnv ARRe,r,{cgN4ENTs

:

18 DEcARrsrMo 20

DrnNtsn IAMENTo

24

ExrASls

38

L.t c.tnE 92

60

74 .Tr qutrno .ienco

:

76 Tooo rur

40 I a rtr DLL\4tNDo 4)

I ^q FrrDra\

4.4

Lwrw.

REcuERro.

,

soBREBRoADWAY

.

.78 - Yo cANTo uN TANGo 80

About Astor Pazzolla

rsBN 0-Llq-03br1-?

'

For all works conlainedhereini

_

.

ADIOSNONINO By YVES PAUL MARTIAL

i#-r t-=

fv=

>

= n=if 'ttl

I

-

fr?

=

=

=

i==iri=

=

I

=

-

7777

ttl

ttl

r-r >'> copriightO 1958 Erlitions Udrverselles

=

a=

F#-f#tr r ( F

mf :-)

+J

-J

f

r\--'f

'r

I

ir r

'a-r---.-__---

3

"

l>=t<

^'.1'

1)

"-l

|JJJ

ll

1JJJfrrt'

TJfr

TJfrUJJ

=rr==:=J al

ht

-/

-'fi

..J

lJ' sr :

-/

-'fr

!

b *t' _.r _

"tr +

M.D.

M,D

P=,.

-

TTTT

"f i>>

a

i

!t'

,

\1[

tr 1++

C

l 2e

'l

rr

i

I

r r rr

I tr

v-

u7'i \ llt

^++^4.+

f

-rt

Jl o

-lt

J

N ,-l

-.t .

r

fr

_l

r

r

a

=+ t-rJ)J

L\

\

r

rr

r

trr

O'a

^i e-- el - l

r

-rl\\

\

i

11 oll Marcato

,+

"tr

br

\

-1

=r

tr=r

,r

or

>-

=

il;

>'

;

it;

>;;

f

= l-

il=iI

f'

R"T

=

V]

K-f 'v

t-

il=? "ttl

. r-p 7' "t | | l-

\J

l''

=

n7r f'

l--

t)

yt"- ;

Arr

-f

-.J

-

f=

v-f f

.l

\b.J \l

,)

. J

r f-rl

rt*)

ffi)

)le

+

Pesante(Piu lento)

\-l

t.)

,!f /ru r I

L

??==

u

^l

crr

I

t??

I

tl

-'---/

l-

J

tl

))

rrl'

???

l'

:-*--..

r

A tempo lentamente

r

tr

tf

tl

r f r f f f f r r rr r

rr /''::

r

By ASTOR

((

tr

f l-

#il

r

??

r== tl O l95t ErlitionsUniverselles ReseNed Us€dbyPermission

+

r (?==P?

LJ((t_J

-r

Ir.

?t l ?

,

rii

r

_lt; |-.

l

By ASTOR

Copldeht@ 1963Editio.sUniveselles CopynghtRenewed All RightsRcseilcd Usedbt Permission

(C'estfini)

l'i r

pp tl

((

it

r

-

+

i

+

f

To Coda$

l'? Copynghlq I964 EditionsUnilenelles Coplnght Re.ewed

.

"f +ha

[.l

l

1_T

S UA V IIJAIJ By ASTORPIAZZOLLA

Violin

Guitar 6a=D

?

?I

-r

+

=t

tl

tr

7I 7

?

?t l l

? tl I

?

11 l> l CopyightO l 95TEdino.sUni!€rselles CopynghlRenewe! Al1RighlsRcscNcd Usedbf Penni\snJn

=f

I

=t

? I

tr tt

T-

lt lf

TT

tl

a

,!f

ir-*# l r

)

h

F--

rt-z

To Coda$

D,C, al Coda

CODA

+

p

(Doudou) By ASTOR

CopyrigbtO 1964EditionsUnive$elles CoptnghtRenewed

- \-/-

.

",

+ta

h4

Na

fi+

7-==.-

-1.+t

.)Q-

v'l

a)

e'

n\t =7-7?

f)!

?-*

?

By ASTOR

Copyrignt @ 1958Editions Universelles Copyright Renewed All Rights Re*ned Us.d by Pmission

O

a)

Au

:ia

=i:.

?

r

D.C. al Fine

By ASTOR

r

Lr t-r

hr

?-?-

IL I7

rr

7

-J

-,1

f

77

I

f -(f -

tt

r._,t

t_

I

r r CopynghtO 1958E litionsUniverselles Copyright Rene{ed All RisbtsReseNed Usedby P€mission

r t-r U

rf

By DIANA andASTOR

r lf

l7 tl copynght @ 1962Editiohs Universeiles Copyrjghr Ren€wed Atl Rights Resered Usedby Pemission

==

/--.\

I

r r r

YO CANTOUN TANGO

v By ASTORPIAZZOLLA

c.plrishl O l958EdilionsUniverelles Copr,rghrRcic$ed

a+' f

tnf

r\

-r - r

Asour Asron Ptnzzot-te

Astor Piazzolla (1921-1992) was the foremostcomposerand ambassadoroI tango music, who carried the slgnature sound of Argentina to clubs and concert halls around the world. Piazzollawas born in 1921 in Mar del Plata,on the coastsouth of BuenosAires,but lived in New York City from 1924 to 1937.ln New York the young Ptazzolla tuned into the vlbrant jazz scene and bandleaders such as Duke Elllngton and Cab Calloway.At age 12, he received his first bandoneon, a type of button accordion that is the principal vorce of tango, and began playing music from the classical repertoire. Soon after his family returned to Argentina in 1937, Piazzolla joined the popular tango orchestra of Anibal Tioilo and-while sti1l a teenager-established himself asa talentedbandoneonplayer and arranger. In Argentina, Piazzolla continued to study classicalmusic, too, wlth the composer Alberto Ginastera and others. In 1954, Piazzolla'scomposition "Buenos Aires" won him a scholarship ro study in Paris with Nadia Boulanger,who encouragedhim to find his own voice by tapping into his passion for tango. Back in Argentina in the late 1950s, Piazzolrladid just that, laying the groundwork for what become known as tangonuelo-r.ew tango.

In 1960 he formed his seminalgroup Quinteto TangoNuevo, Ieaturingbandoneon alongsideviolin, guitar, piano, and bass. In lhe ensuingyearsPiazzolla''music increasingly used dissonance, metrical shifts, counterpolnt,and other techniquesinspired by modern classicalcomposition and jazz orchestras. In Argentina, where tango is a source of national pride and rdentity, some tango purists were incensed by these radical departures from tradition, and ln the late 1960s even Argentinas military government criticized Piazzollalbr being too avant-garde. Piazzolla left behind a huge body of mu:ic-more than 750 works-and classic recordings such as Adiris Nonino and Tango: Zero Hour, as well as collaborations with artists as diverse as poet/author Jorge Luis Borges (El Tango), jazz vlbraphonist Gary Burton (The New Tango), and the Kronos Quartet (Five Tango Sensations).In 1986, Piazzolla's music was featured in the Broadway hit Tango Argentino. In 2001 AmadeusPresspublished AstorPiazzolla:A Memoir, the remarkable life story (as told to journalist Natalio Gorin) of one of the 20th century's true musical iconoclasts.

rT

4rl

qrr

-ENE:TT

TTE'I\g

By ASTOR

',x ) ' l + q

l

7r

l

--'-\

"!f

p

7T Copynghr@ 1960EdnionsUnivcBcllcs Copydght ReneBed AU RighrsResoflcd Uscdby Pcrmission

I

l7

*+

|

l== ll /l

To Coda S'j-

IJI1UAI(I5ilVTL' By ASTORPIAZZOLLI

A

>

)

A

A FTI

Au

x 7bt7;v

=z_-it.

I

r

L'4'J

,

A,,^

/\ II

a l)

Guitar Capo I

J)'

r

\i

\

l'

i>

l-

l-

r rr

-7-

Lr[Ir

r rff 7-bi=

r r

i-#- f ll

-l

coda +)

L , , l i l f ! l t D I ' h L rL l i i n \ L r r \ r . e L c, pt ithrP. (re All Rightt Rescrv.. t\e,ihi_ Pcnna!.d

cont''ln

D.S.al Coda

CODA

r

? I

I-.'IjI\I_ITEIS-E]'TA-YILI

-l I

V

By ROGERAUGUSTE,CHARLESDE ALBERT ABRAHAM, BEN SO

r

7t

-.---trf r a-

T-

lr

copyrighro 1958Ednionsunive*ellcs Cop,rightRencqed AllRigh* ReseNed UsedbyPermksion

......"....-\

To Coda$ r-._-\

i:--._=-..

-=--

I

t_f

f-

r r--.........---..

Ll-r*-)-.

t:-\

D.S. al Coda

z-.._-=_ lbt

)

CODA

+

a)

\ At LL

|

--i-f

l'i r

7-

DETRESSE

By ASTORPIAZZOLLAI

f

a

f

. ffi")_

n 77

lT7

l

E

7#f#r C.ty,i!hl

O Lr)57Udiliorr I-r.,rcN.!Lc! CopyriS! Rencqcd

r

(

----.........-__'.-_...

To Coda$

btt;:::--.-

D.S.al Coda

r r r=r #r ODA

Sn _ft


ffi*(-

D.1\

I f1JI\) By ASTOR

(r

ri

rr

r(

^+

?t l ?

ir r i

Copyrigb! @ 1962EdnionsUniveselles Copyright Rencwcd All RightlReeNed UsedbyPemission

FIEVRE

(Fiebre de tango) By ALBERTABRAHAM, BEN SOUSSAN andALBERT NOEL DE MARIGNY ENGEURRAND

Guitar Capo I

7==7

cqry.ight Cl l!5S !!ir:oDs UnivcriclL.r Cofyrisht RcnB\rcd l\ll Rieh6 Rcs.rvcd Uicd by PennrsroD

tl

"tr

f

f-t \__:

b

2E

a-

FRACANAPA

-J By ASTORPTAZZOLLA

Violin

= t.L,-

a)

l+

- t

:- j+

>- t+

>- i

>- t

>- t

te

>-++>

t+-

t

ffi

tre t-t

p

a

Au Guitar

J

ft

Ea

J

ft =.

a

-

=l

n,

ffiffiz

lt

p

--i

=-=.3

=:*-

=a-t=

te

-t

-t

e--e,

t

-t'-

Ke

>>

_

--

--

a-?--T I /V' tV, V 7 f f tV, V f tV, V V f !-

lr.

Fine

lo nexf \ectlolt ll!

--{

tt

ffi##

T'

>>

Au

=-

>

R

7

ll

J>ntt'

F

&

>

fta


a

r

ff

hu

J

r-'1 a

a

a

N

a'

--r-1-l

N

D.C. al Fine

By ALBERT ABRAHAM, BEN ANDRE PSIETOandASTOR

?t l ?

??

I

=b7^

?I t

7I 7

r

?t l T rl

rr

L-!J

r

?i tl

-/

r

7. I _t

= 77t

rr

r rFi

(= !l

Coptright O 1958 Editions Uni versellcs Copynghl Renewed

,------.--=-_-

'at'"'":----J

E

Ce++

rTtt? ---l

r-J

#=_:!=-'- =

CopyriehtO 1958EditionsUnivcrelles CoDtriehtRedewcd ^n D:-lh

r"i;^,;i

t-J'

f-f

L,_iLr ro Coda$

@r rrl D.C. al Coda

IMAGINES 676

copyight O 1962EditionsUnirerselles CoprrighlRene$ed

By ASTOR

?t I

(7

7rr7 L.--

.--l

=T=?-t

7

CoptrightO 1963EditionsUnivc6elles CopyijghtRenewed

r

t""

lrl

''-/

-t-t

1t) - l

?l l-)

Lento

(Key changeis for repeatonly)

:> 71.>-

/T'

T

'

= >- 1

T

? ? ?f

=

frP711

rr

??

tt

':41

t?

-t

??

7

er

?? I

CoptriehtO i960 EditionsUniversclles CopynghtRenewcd

rci

T=T=

lrl

-

i

i

= ?

r

D,C. al Fine

By OSCARNICOLAS and ASTOR

+

r

.-f

=?

lrt

*f

"l

I

=?==

t

t""

I

hrl l-)

?r I

brJ CopynghO 1962&lilions Univeselles Copyrisht Renewed All Righh RcseNcd Usedby P€nnission

r

=?==

r

tua 1-)

a)

J

AlI

tl

r

t

By ASTOR

f

:2

;r;

'>'

-J

=q-)

=

>>

Guitare Capo 3

r

r

r

=7t= ltT

f .

_-J

(#rrr ,_rLl

7?t=

t-)lr

CopynghtO 1960EdnionsUnlverselles Copyigbt Rene*ed All RighlsReservedUsedby Pemi$ion

r 1- r#?r7 i

^r.;:---->-.

-

a.)

.:;:i'brll)

l-'i

J

iJ

-l

J

f nl

_lr

lfr

-z----...--.

f

By RAOIJL andASTOR

f

=)z)f r.e I

til.

r

=Ie

rc

(r=l tcL.

=)zlt}

r.lcl I

r

Copyright@ 1958EditionsU.iveselles Copynsht Renewed All Rights Rsened Usod by Pernnsion

)

4e

zf

| r I f |

r I rl To Coda$

D.C. al Coda

l'

r f r fr

r' =)

rr

Ti

l'

f E r't

f r -l

-, Ttl ae

=:

qrf

By Y\.ES PAUL MARTIAL ANdASTOR

3

t

l,--------

f l't .\.-l

3

-Io Coda$

3

=7t= lttf

,r!f _l

Copyright@ 1961EditionsUniveselles CopyrightRenewcd

fp

-_-

'-)

:--.--.

.t

MADE IN USA

= T-\T-\ t--

--t

T

= ,'.-

C-C

T

-C='-CTT

r---'-\

fp 1

I

By ASTOR

7=V TT

?I ?

_

=7F=T

ff

==- r t( |

|

Copynght @ 1957Editio.s Universelles Copynghl Renewed AII RishtsResefled Usedbt Pennission

'-

f-r' _lE A

_

ir-\

IVIIS IbI(IU5A

VIDA

",,0,^1i3H""X

'Tr. + ,-- l- -

= .,

\ infin

l"

tiltlt r

,

ll r

=

i\

r=

I

:i

ri

-r7

-

:"'*: -T

T

f' t-}#!

|

/

Ct

.,

..

l=f-f

a

fht

\

--.#n6

\

"tr

"f J

?

t-"1

h t\

v

--+ --+ ---+ ---+ .C.t

C.pl_rilht O l95l Ldirions Uiive^elles Copynght Renewed r\ll RrehB Rcs.rlcd Us.dby Pennnsn)n

:

To Coda S

'wl T'"',j"j" G-H--

0+

7',6,E

l

'fr

''=..------\

=lrr

-l

,rl

_a

By ASTOR

r

I

r rf r

t(f

??== ltQ??

L-.,1

?? t-J

Copyright @ 1957Editions UniveNlles Copydehl R€newed All RighlsReservedUsedby Pemission

.tT

-

a)

-I

04 t

"f

FTT

ffi -=FJ

t-=

-

_

_

t-]--

L-

__E-__-E---

li

-+r il

t

btb-. :--t--

_-

U

ht -F:ffi _

_-_L

cr-

-

_---lL

-

4tL^

'l

I

TI\.DJDI\

I AI\IA By ROBERT AUGUSTEEN

?

?I l il2.

J t-

7

i!i

'r-r #-

(r

frrt

? Cl I

ll.

12.

==

.

lr? f

'

=

7'l l-J

CopyriehtO 1957EditionsUnive6elles CopynghtRenewed Al1RightsRcscilcd Usedby Penission

.q=

5'7

r-]

Lta

|)

r

lt

Y

Dr--

r r a-

f tL_

=._

-

/T=

=

i'tN

L.,

lfrt

-Flr +*--

t-,=

a-\

:-\

.

:

/7=

=

\

7flt

i(rnr

l--= j-\

r-\

a

a "ufi

-|I

nir

S]

N

[\

H(= tfr +r."-

/ 7=

7 frt

t-J

0l

r'7

-f

<

4

b

2.

??

?

-f Jr\-\_,rJr\) By ASTOR

Itr

t.

r

L_r_J-,r

rr

( ?

L_L__J-J

(r

CopynshtO 1962EditioN Unile^elles CoptrightRene*ed All RishtsResened Usedbt Pcrmhsion

( r

l_)_J_)

( t- f

/:-

-'

-

Accompagncnent tres

/l

a

n-'t

!--l

Fi+l

7

I

F-'r't

-?

rl tl

By ASTOR

Copyrigbt@i960EdirionsUnileselles copyright Renewed Al1RightsReseNed Usedby Pemission

To nextsectionll 2.

/'--=>

,-'1--l-;

.'=.--=-

------t----.

/---l---,

t a-\

2nd time D.C. al Fine (Key changeis fbr D.C. only)

---:---. /--=

By ASTOR

-rJ

Copyrighr@ 1963EdiionsUnile$elles Copyright Renewed All RiehtsReservedUsedby Pemission

I

a ,1,,

a

F

I

I

tt

F-=

a-

-"---LL=

.---:=-'

(Lu

F-..

-:---\

F hu

=z=f,

a=fr

To Coda$

4t

a

-tFl

CODA D.C. al Coda

a

--+ -..--2

/\,2

,J'

(Sansta prdsence) By GUY FAVREAU, ALBERT AB BEN SOUSSANandASTORPIA

---:-:-t'

rr

-TTTITI ttl

?

TI

?

I

-?

ffrf

T=TT==T-

lrlpal

CopyrighlO 1957EditionsU.i!€aolles Copynght Re.ewed AU tughtsRese(ed Uscdby Permission

-:______-....-..\..\

nil

#-t

t-t* tTtl

,,r_ b_r_-

i-

I

I

I

" r)

=

r

,-

-

All-l

l-r

p

ri: -l-r

--

-ta

JJ

-t_= r- rL_-u-t-

r (i r t r

trl

=t==t

EJJJ

=T

..]

1