Piano Sheet Music No5.pdf

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  • Pages: 50
THE BEATlES

Hey Jude Words & Music by John Lennon & Paul McCartney

Paul was inspired to pen this lyric to console John Lennon's son, Julian, but eventualLy decided to change the name. At the time it was the longest 45rpm single ever released, clocking in at seven minutes 11 seconds! Hints & Tips: The Left hand gives this piece its pulse so make sure you pLay it rhythmically and that all the notes are held for the full duration. The middle section shouLd be a little stronger and played with a fuller tone. Quite slowly

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RAY CHARLES

Hit The Road Jack Words & Music by Percy Mayfield Percy Mayfield was a prolific and masterful songwriter. He became Ray Charles' favourite songwriter in the 1960s, and was eventually signed to the singer's own record label. This song was recorded by Ray Charles, and that remains the definitive version. Hints & Tips: Learn the left-hand riffs first, before putting them together with the right hand.

Swing N.C.

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JAMES BROWN

1 Got You (I Feel Good) Words & Music by James Brown

This song was recorded in 1965 by James Brown, a towering influence on American soul music even now, nearly 50 years after he started his career. The song remains his calling card and was, alongside Papa's Got A Brand New Bag, his first Top 10 Hit. Hints & Tips: Notice how the riff in the left hand is repeated using different harmonies. This should make it

easier to recognise and play. Funky

c. 142) D7

I feel good,

I knew that I would

1 3

now.

4

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4

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4

feel ___

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5

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I Say A LittLe Prayer Words by Hal David. Music by Burt Bacharach This Bacharach/David collaboration was a hit for both Dionne Warwick and Aretha Franklin. Hal David felt the tempo was too fast and that, as a result, the song would not be a hit. Luckily however, the public felt differently and Warwick charted at No.4 in 1967 and, in 1968, Franklin charted at No. 10. Hints & Tips: Notice how the left hand in bar 5 'imitates' the right hand a bar earlier. Watch out for the time signature changes and wonder at how many there are for such a short piece! Moderately tJ

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© Copyright 1966 Casa David Music Incorporated, USA. Universal/MCA Music Limited (50%)/P and P Songs (50%). ALL rights in Germany administered by Universal/MCA Music PubL. GmbH. ALL Rights Reserved. InternationaL Copyright Secured.

58



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I Should Be So Lucky Words & Music by Mike Stock, Matt Aitken & Pete Waterman This was one of the biggest hits of the 180s, reaching No.1 in the UK, Japan, Germany, France and Australia, as well as six other countries. It was composed in an hour, and recorded by Kylie in 40 minutes!

Hints & Tips: In the verse, notice how the songwriter is always pushing forwards (and upwards) harmonically. This is to increase the tension before the Irelease' of the chorus. See if you can reflect this in your performance.

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I Will Survive Words & Music by Dino Fekaris & Freddie Perren This song reached No.1 in the US in 1978. Since then, it has often been considered (and used) as an anthem representing female empowerment or 'girl power'. It has been covered by many artists and remains one of disco's biggest hits. Hints & Tips: Try to make the 'rubato' section at the beginning as rhythmically free as possible. Then, when you reach the real 'disco' section, try and play with a strong rhythmic feel. Rubato Am /

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Jurassic Park Theme Music by John Williams Being one of the most financially secure composers in history, John Williams had intended to retire by the early 1990s. His output certainly became progressively more sporadic, so this classic Williams score with bold brass, dramatic strings and choir was a welcome addition to his oeuvre. Hints & Tips: The music of this piece should be march-like, with the dotted notes played crisply and perfectly in time. Play the left-hand minims (half notes) strongly and confidently to add strength to the bass line. Practise the closing right-hand chords until you can play them perfectly, to ensure an impressive end to your performance! Stately march f) I

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'FROM THE NEW WORLD' SYMPHONY

Largo Music by Antonin Dvorak Dvorak is a composer whose music often shows influences of the Czech foLk music of his heritage. He moved to America for three years to become Director of the NationaL Conservatory in New York. However, he was allowed aLmost four months hoLiday from this post which gave him time to compose.

Hints & Tips: Try to hoLd onto the Left hand notes for their fuLL Length. Your right hand needs to be very Legato (smooth). =40 C fj .1.

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Morning Music by Edvard Grieg

Grieg studied at the Leipzig conservatoire and was aLready famous, having compLeted his piano concerto in 1868. He tried unsuccessfuLLy to collaborate with others to create an opera, however, he did create a series of incidentaL pieces for Henrik Ibsen's pLay Peer Gynt, which dates from 1875 and this is the most famous of them. Hints & Tips: Look out for the accidentaLs in the right hand from bar 8 onwards. Remember an accidentaL Lasts right through the bar.

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Nothing Compares 2 U Words & Music by Prince Nothing Compares 2 U was written by Prince for The Family and included on their self-titled album of 1985.

However, it was not released as a single until O'Connor recorded the track five years later and with it topped the charts worldwide. Hints & Tips: Although this song is slow, don't let the left hand drag. By allowing a little 'daylight' between each note you will avoid the music sounding stodgy. Very slow

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No. 9

Ode To Joy Music by Ludwig van Beethoven This is the main theme from the last movement of Beethoven's final symphony, the ninth. However it took six years to complete, being written between 1817 and 1823. The premier was given on May 7, 1824 in Vienna by which time the composer was completely deaf. Hints & Tips: This theme from the 'Choral' Symphony is best known to many as the EEC anthem. It needs to be played with spirit.

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William Tell Overture Music by Gioacchino Rossini WilHam Tell is the last opera that Rossini wrote before his early retirement at the age of only 37. It was premiered

in Paris on August 3, 1829. The lead tenor part is almost supernaturally difficult and extremely long (the opera, given complete would last some five hours).

Hints & Tips: Be sure to put your thumb on the fourth notes in the right hand of bars 6 and 14.

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71

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LES MISERABLES

On My Own Music by Claude-Michel Schonberg Original Lyrics by Alain Boublil & Jean-Marc Natel English Lyrics by Herbert Kretzmer,Trevor Nunn & John Caird The lovestruck Eponine sings of her unrequited love for Marius, the student revolutionary. Despite a warning, Eponine returns to the Barricade, is wounded and dies in Marius' arms.

Hints & Tips: In this piece there are plenty of dotted rhythms and time signature changes to observe. The middle section (bars 10-17) is full of tricky accidentals. Make sure that the semiquavers (sixteenth notes) are equal in speed and in volume.

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72

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Oops! ... I Did It Again Words & Music by Max Martin & Rami Like ... Baby One More Time before it, the music video for Oops! ... I Did It Again was almost as popular as the song itself. In it Britney shows her maturity by donning a skin tight red catsuit rather than the school uniform many fans were accustomed to. Hints & Tips: Watch out for the accidentals and cross-over fingerings in this piece. Also, take a careful look at where the left hand notes fall in relation to the right hand melody-mark it up if it helps you to do so. Cheekily

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The Phantom Of The Opera Music by Andrew Lloyd Webber. Words by Charles Hart Additional Lyrics by Richard Stilgoe & Mike Batt

This musical is based on a 1911 novel by French writer Gaston Leroux. The story concerns a composer whose disfigured face drives him to shun the everyday world in favour of the vast cavernous cellars of the Paris Opera. Hints & Tips: The left hand should remain equal in tone and length throughout. Try to relax your left hand wrist! Make sure also that the semibreves (whole notes) are held for their full length. Strong and rhythmic j

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Goldsmith, who died in 2004, was one of Hollywood's most diverse composers. He often made use of 'experimental' effects, but was equally capable of turning out classic Hollywood fare such as this memorable theme from 1979. Hints & Tips: There are many sets of triplets in this piece. Listen to a recording of the music to help you play these rhythms. Play the bass strongly to add a powerful, urgent feel to the music. Add your own dynamic contrasts. Power rock shuffle C

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Hints & Tips: Watch out for all the syncopated rhythms-often the second quaver (eighth note) of the bar is accented. The accents that are marked in bars 6 and 24 give a really jazz-like feel-try to bring them out. Swung

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Written for Frank Sinatra and first released by him on the 1966 album of the same name, this brash rhythm and blues song was sung by Bono on the score of the 2002 film The Good Thief. Other more recent recordings have been made by Westlife, on their album Allow Us To Be Frank, and by Michael Bolton on Bolton Swings Sinatra. The rhythm of the R.H. melody in this song is a bit tricky so look through the piece before you try playing it and mark in where the dotted crotchet beats lie in each bar with numbers (1, 2, 3, 4).

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A Thousand Miles Words & Music by Vanessa CarLton -

Vanessa Carlton describes this song, recorded for her debut album Be Not Nobody, as 'a combination of reality and fantasy. It's about a love that so consumes you that you'd do anything for it: Written about someone whom she had a crush on, she has admitted that he remained unaware of her unreciprocated feelings for him. Hints & Tips: The syncopated rhythms are the hardest thing about this piece. Set a metronome to beat the quaver pulse and practise it slowly. A lot of the motifs are repeated, for example, once you have mastered bars 1-4 you will also be able to play bars 7-8, 11-12 and 25-28.

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&

JAY-Z

Umbrella Words & Music by Christopher Stewart, Terius Nash, Shawn Carter & Thaddis HarreLL

This single was 2007's biggest seller on the United World Chart, spending seven weeks at No.1 on the USA's Billboard Hot 100 and topping the UK Chart for ten consecutive weeks, the longest reign since Wet Wet Wet in 1994, and ironically at a time when the country was beset by extreme rainfall and flooding. Hints & Tips: Although this piece is fairly straightforward, do practise it slowly at first, ensuring that the notes in the R.H. and L.H. sound at exactly the same time when they are supposed to-most of the time! Moderate j = 85

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87

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The Tide Is High Words & Music by John Holt, Howard Barrett & Tyrone Evans

This song was co-written by John Holt in 1967. On the first recording he sang the lead vocal with his reggae band, The Paragons. It became a minor hit in his native Jamaica, although it was not to a well-known song elsewhere until it was covered in 1980 by Blondie. Hints & Tips: There are lots of quick repeated notes in the bridge section (bars 17-25). For these, it's best to

keep your right hand as relaxed as possible so it doesn't tire too quickly. Flowingly

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The Voice Within Words & Music by Christina Aguilera & GLen BaLLard The Voice Within was recorded by dirrty diva Christina Aguilera and reached No.9 in the charts. It's taken from her highly acclaimed album Stripped, which reached No.2 in the UK album charts in 2002. Like Justin and Britney, Christina gained a place as a 'Mouseketeer' on the Mickey Mouse Club U.s. TV show, aged 12.

Hints & Tips: Make sure that the notes in the left hand chords sound exactly together.

Hold the right hand minims (half notes) their full value. =68 G

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What A Wonderful World Words & Music by George Weiss & Bob Thiele

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Who Do You Think You Are? Words & Music by Victoria Adams, Emma Bunton, Melanie Brown, Melanie Chisholm, Geri Halliwell, Andy Watkins & Paul Wilson Who Do You Think You Are? was the fourth of nine No. 1s for British group the Spice Girls, the first six of which were consecutive releases. It was also the official Comic Relief single of 1997 thereby raising shedloads of cash for charity. 'Girl Power' indeed!

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Who Will Buy? Words & Music by Lionel Bart Adapted from Charles Dickens' classic novel, Oliver Twist. The composer of the show, Lionel Bart, was never able to repeat the success he enjoyed with Oliver! and by the seventies he was virtually bankrupt. Hints & Tips: This is quite a quick song, but it's important to practise it slowly first. Notice that the first three phrases of the song start on the second beat. Always play this note strongly, to reinforce this rhythm. Make sure you know which notes make up the three-flat key signature. Quick tempo J= 150 Cm I

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Yellow Words & Music by Guy Berryman, Jon Buckland, Will Champion & Chris Martin Yellow was the second single to be released from (oldplay's debut album Parachutes and is considered by many to

be their breakthrough single. Rumour has it that the song title was inspired by the Yellow Pages! Hints & Tips: The left hand should be played lightly and more softly than the right hand. However, placing a slight emphasis the first quaver of each bar will avoid the accompaniment sounding monotonous.

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