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Invierno Porteño

Violin I

Astor Piazzolla

    

            

            

            

6





       

     

                                   

11

15

 







   

  

  

 



                             3 3 3 3 3 3                18   3   3                                    17

3

3

3

19

 

25

 

  

3

3

 

3

 

3

 

3

3

 

                      5

                

29

3

         

                          

32

V.S.

2 35

   



Violin I                           

                            

39

43

                 

50

  

55

    

       

60





   

    

 



  

     

   

                                

  



 

   

             

     

64

69









       

           

   

  





                                   

74

                          

78





                               

84

       

89

        

96

pizz.    

100

 

Violin I







     











      

         



arco

3

Invierno Porteño

Violin II



Astor Piazzolla

   

   

     



7

 

   

   

   

   

                            

                                                 

12

17







24

  



 









   





 







 







                                                    34            31

                         

37

41

                                  

45

                   





   

V.S.

2

Violin II

 

50

   

          3



              

55

        

60

      

66



 



             

          

        

                

71

            

            

      

     

76

 

80

                       



                                 

85

      

89

 

93

 

100



  

  pizz.





  





 

   

                         

 arco



Invierno Porteño

Violoncello

Astor Piazzolla

        

7

   



   

   

                                  

    



                   



            

29

   

    

             

         

25

32

   

                      

13

20

   

     

            

      s.

glis

                                                   s.

glis

37

                                

43

   

49



 













V.S.

2

Violoncello

   

57

65

  

  



      



70

77

 











   



          

          



     

               

99

  









       



                

85

92









  







arco                 

pizz.



Invierno Porteño

Double Bass

Astor Piazzolla

                         pizz.

     

7

               





                 

13

  

20

arco

 



26



 





   



       

31

  







 

   

  

      

              

Golpe X

X X Golpe X X Golpe X X Golpe X X Golpe X X Golpe X                           

36

42

  

X Golpe   X 

48

      

54







                    

pizz.       

           

                      

V.S.

2

Double Bass 60

arco

                       



                               

66

                               

72

                                

78

  

84

                     pizz.

                         

90

96

           

100

       

   

   

   

   

arco



Invierno Porteño

Piano

Astor Piazzolla



        



          

7



          



12

       



17

 



23



          

 

           

  

  

  

     

           

 

    

  

           

              

           

     

  

      

        

          

 

 

                                

    

 



2

Piano

28

                  



32

        



       

 

 

   

     

 

              

               

                               

                                                                

36

                   40                                                         

 

                  

44







 





         



 







                                    

                                                    

                   

49









 

   

 

 

 

 

 

  



                   

55



          

Piano

  

3



                    

60



 

65

 







                   

         

 

 

  

69

         



         

73



 

77

     

    

      

        

                  

                         

    

           

       

      

        

      

  

   

       

     

         

    

                              

                       

   

   

  

  

3

 

    

   

     

        

V.S.



4

Piano

 

82

   



     

87



    

94

 





              

     

    

           

      

     

  

 

    

    

       

  

  

  



 



  

    

                                          

100




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