Neodada

  • April 2020
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  • Words: 170
  • Pages: 24
Neodada • • • • • •

Tekkis Pariisis 1960.-ndatel. Tõlkes uus realism Eeskujuks dadaism, Marcel Duchamp Tõrjuv seisukoht puhtale abstraktsionismile Ebatavaliste materjalide kasutuselevõtt Pilditegemine muudeti etenduseks

• Yves Klein “Käsna reljeef” (1958)

• Yves Klein “Anthropométrie sans titre”

• Yves Klein “BlueVenus”

• Jean Tinguely “Kükloop” (1970)

• Jean Tinquely “Kaos”

• Niki de Saint Phalle “Nike” (1984)

• Niki de Saint Phalle “Taroki aed”

• Niki de Saint Phalle “Loch Nessi koletis” (1993)

• Niki de Saint Phalle “Tulilind” (1982)

• Niki de Saint Phalle “Dolores”

• Arman “Trio à Cordes I”

• Arman “Venus a Cordes”

• Arman “Violon Phoenix II”

• César “Compression Mobil” (1960)

• César “Pealkirjata” (1975)

• Jasper Johns “Valge lipp” (1955)

• Jasper Johns “Suvi” (1985)

• Jasper Johns “Roheline ingel” (1990)

• Robert Rauschenberg “Monogramm” (1955)

• Robert Rauschenberg “Voodi” (1955)

• Robert Rauschenberg “Retroactive” (1964)

• Robert Rauschenberg “Estate” (1963)

Kokkuvõte • Omapärased lahendused kunstis • Assamblaazhi ja akumulatsiooni vormis objektikunsti tõus • Metamehaaniliste skulptuuride teke • Kombineeritud maali teke

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