Michael Brecker - Original Rays - Alto

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Michael Brecker's Solo on "Original Rays" - Newport Jazz Festival Trans. M. Halberstadt

q = 220 1

        3                             2

3

4

Intro - Unaccompanied EWI

5

6 7 8                                  11 12     10                                      

9

   15     16      14                                   

13

19  18   20                                         

17

23 24        22                         

21

        

25

   

29

  

33



26

      30

27

28

                        31

    







32

  





 

                              34

35

36

         38        39        40             

37

Copyright © 2007

2

  

41



 

42

 

            

43

         

44

46 48    47                                

45

 

49

  50                

  

53

   

54



 

 



51

   

   

57

A  59            

 

 63            

 

  67           

 

62

66

     

    

70

   



56

          



 

  



58

74



  

 55   

52







75



71

 



  



60

 61          

64 

68

 76

  

   

65           

 69           72 

     

    

77



    73







   

      79         

78

     

82

  

86



B   

90



80

     

81

84

           



        

87

        

91



83



3

92



88



   

   

85

   



    

  

 

96          95               

   



  



102

99

 

     

106

    

      103



107



   



115

112

104

105



  

     

116

97

           

109

113

    



      

  101 

108

      111              

   

           

110

114

100

89



93

94

98



    



   

 

   

     

117







   

4

   

118



 



119

122

Switch to tenor  

123

 

127

126



C Tenor Saxophone       

130

   

134

  

131

3     3  



   

150

  

154

  

  

    



 



      

133

137

    

140



143



  

141

 

144



147

148

151

  

152

   156

      

145

    

             

155



129



136

  



125



128

121

                  

         

124

 

135

139

         



132

142

146

120

           

 

138

   

  

149

    

    

157





153





       



     

5

     

158

D    

162

  

166

  

170

  

174



159



163



     

160

     

 164            167

          

171

3

      





172

 

  

175

168

161



   

       165 

  

 

169

173

  

  

      

176

177

                       

   

179 180 181                                

178

183         

182

      

186



     

190

   

194



187  





184

191

185

                  

  

188

192



  

 

189

193



                

   

 



   



         196        197           

195

6 198

   



  



202

  

206



   

214

  





215



        



216 



223





 

217 

 221 3      3

       224         

225

   



227 229            228                                

230

234



 220    219     

        



   201         

207 208 209                        

222

226

200 

  211           212        213             

210

218





199 

205  203     204                                           



    



231



      3

3

235







232 



  

233

            236 3

3

3

3



237

 

3 

      3

3

  

238

     3

3

     239 240         

              

242

243

241

       

    

7



                 

                  245                 

244

  

246

247                               3

              

248

249

3

        

252

 

256

253

          

      

250      251       

     254   

 257



258





         261           262     

260



   255            

259

  

268

Mike Stern Solo

      

 263         

266      265                 3

264

3

267

    

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