Marc Hogan
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5 febrero, 2009
La publicación Tabbloid de hoy NOTICIAS PERSONALES PARA [email protected]
PITCHFORK MEDIA - TODAY
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Cramps Frontman Lux Interior R.I.P. FEB 04, 2009 11:55P.M. PITCHFORK MEDIA - TODAY Lux Interior, the awesomely ghoulish frontman for sleazed-up New York rockabilly OGs the Cramps, died today in Glendale, California, as the Daily Swarm reports and an official statement confirms.
Pitchfork.tv: El Guincho: Various Songs on “Pitchfork Live” - Part 1
Interior, born Eric Lee Purkhiser, formed the Cramps with his wife, Kristy “Poison Ivy” Wallace, in 1976. Although the band played CBGB a lot and was a part of the whole NYC birth-of-punk thing, but they didn’t really fit in with pummelers like the Ramones and the Dictators or artschool types like Television and Blondie. Their sound was a slow, deranged, almost sensual take on 50s rockabilly: lots of guitar fuzz, no bass, tempos slowed to a slithery crawl. Before even the Misfits, the Cramps jammed their songs full of allusions to trash culture and longforgotten B-movies.
FEB 04, 2009 10:45P.M. Pablo Díaz-Reixa of El Guincho hasn’t played many shows in North America in support of his fine 2008 album Alegranza!, but Pitchfork.tv was able to catch him in December at New York’s Le Poisson Rouge. There’s a bit of keyboard, buddy Aleix Clavera of Extraperlo on vocals and electronic percussion, and loops loops loops. Díaz-Reixa’s an energetic performer, enjoying his sunny grooves and catchy tunes just as much as the audience does.
The chemistry between Interior’s halting, insinuating growl and Ivy’s snakey surf-informed guitar lines remains one of the great iconic pairings in American underground rock. The Cramps even coined the term “psychobilly.” Their 1981 sophomore album Psychedelic Jungle is a very serious must-have.
“Bombay” Pitchfork.tv page with embed code is here.
Onstage, Interior was always a proud member of the Iggy Pop school of self-sacrificing showman: climbing all over the stage, stripping down, rolling on the ground, generally showing no regard for his physical wellbeing. But he also had absolutely nuts timing and some truly great, theatrical facial expressions. He was a showman, not a performanceartist. And no less an authority than Ian MacKaye has often named a late-70s Cramps gig at a DC college as a hugely formative influence on the DC hardcore scene, even though those bands really couldn’t have sounded more different than the Cramps’ greasy throb.
“Club de Rusia”
Over the Cramps’ three decades years of existence, Interior and Ivy plowed through a small army of supporting musicians, always remaining as the band’s center. Against all odds, the band remained active up until very recently, though they weren’t playing live shows too often anymore.
Pitchfork.tv page with embed code is here.
Pitchfork.tv page with embed code is here. “Verbena de Los Delfines” Pitchfork.tv page with embed code is here. “Cuando Maravilla Fui”
Watch and learn, kids:
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shot.
Franz Ferdinand Tour America
— Stones Throw and Kid Robot have teamed up to make this already-sold-out vinyl toy of Madlib’s squeaky-voiced alter-ego Quasimoto. And it’s a pig? Did everyone realize Quasimoto was supposed to be a pig?
FEB 04, 2009 10:25P.M. Photo by Kathryn Yu Scottish fuck puppies Franz Ferdinand now have three albums of gloriously spiky new wave to their credit, and even those of you who don’t like their really-pretty-great new joint Tonight have to recognize that something like “Ulysses” is going to get it done onstage. (The album just debuted at #9 in the U.S., so at least 31,000 Americans are still jamming them, naysayers be damned.) And the band has always been efficiently awesome onstage; when that “Take Me Out” riff kicks in, heads explode.
— The Pains of Being Pure at Heart, the gauzy New York dreampop band who you’re going to be hearing a whole lot more about, will spend the rest of the winter touring the U.S. — Also touring: The decidedly more abrasive, awkwardly-named NY shoegazers A Place to Bury Strangers, who will do a few shows at American colleges before spending April in the UK and Europe.
Come April, when they get done with their current European tour, Franz Ferdinand are going on a proper full-scale North American trek. Those of you who started hoarding Sparks before the overly concerned authorities of the world convinced MillerCoors LLC to stop making it might want to break into your supply right now, since nothing goes better with Franz Ferdinand than citrusy caffeinated malt liquor. Get excited:
PITCHFORK MEDIA - TODAY
New Music: Gospel Gossip: “Nashville” [MP3/Stream]
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FEB 04, 2009 09:25P.M. Gospel Gossip‘s debut, 2007’s Sing into My Mouth, was one erratic album— not without its charms, but certainly flawed enough to obscure the band’s potential. Sometimes their gothic dream-pop sounded seductively ominous; at other times, it seemed sickeningly precious. It was the kind of tonally inconsistent record you might expect from a young band either too unsure or too afraid to commit. No such hang-ups on “Nashville”, a searing new single that finds the Northfield, Minn., band firmly in command. The feedback is denser, angrier, but it’s the drumming— a blunt weapon as opposed to mere ballast— that really makes the difference. Whether the band can sustain this vigorous tunefulness over the course of an album, or even the forthcoming Dreamland EP, remains to be seen, but if progress is measured in increments, “Nashville” is one giant step forward.
PITCHFORK MEDIA - TODAY
News in Brief: Dark Was the Night, 50 Cent/Rick Ross, Quasimoto, the Pains of Being Pure at Heart FEB 04, 2009 09:40P.M. — The forthcoming Red Hot benefit compilation Dark Was the Night (out on 4AD February 17 in the U.S. and February 16 in the UK) features, like, every band Pitchfork covers. A few of those bands will be on hand this Friday, February 6, to DJ the album’s New York release party. The party jumps off at the downtown bar Stanton Public, and members of the National, Blonde Redhead, and Yeasayer will man the ones and twos. So which band do you think will have the most feedbacky DJ set?
MP3:> Gospel Gossip: “Nashville” [from the “Nashville” single; out now]
— The beef between absurdly rich kingpin-type rappers 50 Cent and Rick Ross has been building quickly over the past week or so, and it came to some sort of unprecedentedly appalling and entertaining climax when 50 posted this video, wherein 50 and a woman claiming to be Ross’s baby’s mother talk shit on Ross. Also, 50 takes her shopping and intimates that he’s going to fuck her. Incredible. This is how people get
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PITCHFORK MEDIA - TODAY
PITCHFORK MEDIA - TODAY
Coldplay Kick Chris Martin Out...
E Street Band Didn’t Play Live at the Super Bowl, OMG
FEB 04, 2009 08:30P.M.
FEB 04, 2009 07:35P.M.
Photo by Kathryn Yu
America’s self-righteous obsession with real-time musical integrity never ceases to surprise me. We already know Jennifer Hudson and Faith Hill’s Super Bowl performances were sung along with backing tracks, and now the Chicago Tribune reports that the E Street Band were playing to a pre-recorded track for their halftime appearance. Producer and Grammy Awards audio supervisor Hank Neuberger told the Tribune that Bruce Springsteen’s vocals were the only live audio element of the show.
Admit it: Viva la Vida, Coldplay‘s first trip into the Eno-verse, has held up pretty well. These guys are some of the last honest-to-God stars on the face of the Earth, and they would’ve been just fine if they’d just kept biting “Clocks” over and over. They didn’t have to head into the studio with a legendary genius producer who pushed them to tinker with their epicness in all sorts of unexpected ways, but they did it, and it worked out. When that chorus kicks in on “Lost!”, forget about it. Game over. (Also, because of Viva La Vida, this happened.)
Potentially indignant fan: “Next thing you’re gonna tell me Clarence was a hologram!” (We’re almost positive Clarence was not a hologram.) Really, this is not a big deal. If you’re seriously peeved by this news and feel absolutely betrayed, hear me out.
Last month, we reported that Coldplay were striking while the adultcontempo arena-alt was hot and hitting the studio with Brian Eno once again. And thanks to a post on Coldplay’s website, we now have some insight into what, exactly, these guys all do in the booth. The post is credited to the mysterious “Roadie #42”, and according to this guy, Eno’s not done monkeying with Coldplay’s formula.
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Apparently, the band usually builds on frontman Chris Martin’s demo recordings. But Eno’s trying something else out: Banning Martin from the studio, keeping just his vocal track in most cases, and letting the other three dudes build the rest of the songs themselves. The other dudes, understandably, are amped.
PITCHFORK MEDIA - TODAY
New Music: The Lonely Island [ft. T-Pain]: “I’m On a Boat” [Stream]
Reports Roadie #42: “Often, they come in first thing in the morning and listen to Chris’s idea once, before going out into the live room and working up something based purely on how the song ‘felt’ to them on first listen, paying little heed to what chords he chose or how the melody sat.” Chris Martin better watch out because pretty soon these guys might start demanding their own close-ups in the videos.
FEB 04, 2009 07:15P.M. “Jizz in My Pants“, the track and video short by Andy Samberg’s the Lonely Island that debuted on SNL in December, was for me one of those instances where you feel like the only person in the world not laughing around the water cooler. Unlike “Dick in a Box“, there was no sense of recognition in “Jizz”, no reveal or articulation of something underneath the surface, which is usually where the humor comes from in this sort of thing. “I’m On a Boat”, a shout-along jock-jamming posse cut featuring T-Pain, on the other hand, seems good for a few chuckles, but maybe it’s just my mood. “Believe me when I say/ I fucked a mermaid,” sings T-Pain through his Auto-Tune, and i’ve no reason to doubt him. (via Idolator)
Martin, meanwhile, isn’t using his time off to think up even more ridiculous baby-names with Gwyneth Paltrow. According to that post, “he’s up the road at another studio pouring out songs in a writing project with another artist.” Roadie #42 doesn’t say who the other artist is, but it’s probably a rapper.
[from INCREDIBAD; due 02/10/09 from Universal]
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along with his rock’n’roll bona fides, he’s a published author and noted self-mutilating painter. And, for some context, other recent Trinity speakers include the Cranberries’ Dolores O’Riordan and Naomi Campbell, so it’s not like Doherty is sullying some grand tradition all by his lonesome.
Manu Dibango Sues Rihanna, Michael Jackson FEB 04, 2009 07:15P.M.
When he’s not prepping for insightful talks to impressionable youths, Doherty is readying his solo debut, now titled Grace/Wasteland and due March 16 in the UK on Parlophone and March 24 in the U.S. on Astralwerks. He also has a UK tour coming up.
On the 1972 Afro-funk jam “Soul Makossa”, the Camaroonian saxophonist Manu Dibango opens things up by muttering “mama-koo mama-sa maku ma-ku-sa” before his ridiculously pimped-out sax riff kicks in. New York loft party DJs picked up on the song, and it ended up becoming one of the staples of the just-revving-up disco scene. A decade later, Michael Jackson tweaked that chant for his eternal pop-funk banger “Wanna Be Startin’ Somethin’”, turning it into “mama-say mama-sa mama ma-ku-sa.” According to a Guardian report, now Dibango is suing a bunch of people over that perceived swipe. Because it’s 1983. Oh wait. No it isn’t.
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PITCHFORK MEDIA - TODAY The reason for this particular burst of litigation: Rihanna‘s dance-pop burner “Don’t Stop the Music”, Pitchfork’s #70 single of 2008, sampled Jackson’s “mama-say” chant to great effect. As the Guardian reports, Dibango actually already sued Jackson back in the day, and the two settled out of court. But when Rihanna’s people cleared the Michael Jackson sample, they didn’t get Dibango’s permission, and now he wants his. Dibango is now suing Sony BMG, Warner Music, and EMI over the use of that chant.
New Audio: Rivers Cuomo: “By The Side of the Road” (poem for Daytrotter’s Bookery) [Stream] FEB 04, 2009 06:30P.M. Rivers Cuomo has always been a little creepy and distant on one hand and then approachable and self-aware on the other. You can never really figure him out. Which helps to keep him and Weezer interesting even when their records aren’t as good as people would like. Over at Daytrotter, they’ve got Cuomo reading a poem he’s written called “By the Side of the Road”. He whispers it, and there’s some reverb on the recording, and it is a little unsettling, about living in a bush and making friends with worms and licking bark— you know, stuff like that.
PITCHFORK MEDIA - TODAY
Pete Doherty to Teach College Kids All He Knows
Stream:> Rivers Cuomo: “By the Side of the Road”
FEB 04, 2009 06:40P.M. Photo by kk+ Ah, college. The intellectual rigor, the self-discovery, the lectures by former gay prostitutes. That’s right: one-time Libertine and full-time upholder of rock debauchery Pete Doherty will talk to students at Dublin’s Trinity College this Friday, February 6, at the very un-rock star time of 5 p.m. as part of the University Philosophical Society‘s lecture series (via NME). No word yet on whether this has anything to do with community service.
PITCHFORK MEDIA - TODAY
News in Brief: Wichita Recordings, Hot Leg, Murder City Devils, Thank You/Mi Ami
But to boil Doherty’s life down to prostitution seems unfair...the man has also been arrested for car theft, driving under the influence, and a slew of drug-related crimes. So why shouldn’t he join the likes of previous Philosophical Society speakers like Oscar Wilde— who also had some trouble with the law in his day?
FEB 04, 2009 06:15P.M. — Wichita Recordings, the British label that first signed Bloc Party, Peter Bjorn and John, and Simian Mobile Disco, is finally starting up a U.S. branch. That’s appropriate because, see, Wichita is actually a city in the U.S. Pretty soon, they’ll domestically release material from the British bands Sky Larkin and Lovvers and the Swedish groups
It’s easy to forget Doherty can be quite the aesthete when he wants to be:
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Those Dancing Days and First Aid Kit. — Justin “Dave” Hawkins, the former lead yowler for British buttrock revivalists the Darkness, has a new band called Hot Leg, and they’ll release their debut album Red Light Fever on Tuesday, February 9, in the UK, repulsively ugly cover art and all. Because open-chested jumpsuits, apparently, will never die. — Good news for those of us still into grimy bloozed-up post-hardcore: Seattle art-punk greasers the Murder City Devils broke up almost eight years ago, but they’re reuniting this month for a quick West Coast tour. Sub Pop, their old label, will reissue all three of their albums and the Thelema EP on vinyl on February 17. — Instrumental Baltimore skronkers Thank You, who used to call themselves More Dogs and threw really great New Years Eve warehouse parties (which maybe they still do? I don’t live in Baltimore anymore), will spend February and March touring the U.S. with Mi Ami, the new Touch and Go band from two former members of the great DC noise-dance percussives Black Eyes. That first self-titled Black Eyes album? Good lord. The world doesn’t know what it missed.
PITCHFORK MEDIA - TODAY
Photos: Tibet House Benefit (Vampire Weekend, the National, Patti Smith) [New York, NY; 02/03/09] FEB 04, 2009 05:45P.M. Photos by Kathryn Yu; Above: Patti Smith et al. during the encore Last night in New York City, Tibet House held its 19th Annual Benefit Concert at Carnegie Hall. Renowned composer Philip Glass gathered friends like Vampire Weekend, the National, Patti Smith, Steve Earle, and Antibalas together to play a show raising money for the cultural institution. The National played two new, untitled songs, Vampire Weekend rollicked through “M79”, and Patti Smith paid tribute to Buddy Holly (February 3, 2009 marked the 50th anniversary of his death). At the end of the night, everyone got together for an all-star encore jam.
The National
More photos below. Vampire Weekend
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PITCHFORK MEDIA - TODAY
New Music: Speech Debelle: “The Key” [MP3/Stream] FEB 04, 2009 04:15P.M. For those who think the folks at Big Dada Records are all about big beats, take a listen to this new signing: South London’s own Speech Debelle. The purely organic instrumental sound— production by Plutonic— is emblematic of this left-field MC who tells stories about her life with just the right amount of attitude and smarts. Her first single, “Searching“, was a little more moody and intense, but “The Key” shows that this girl’s got range—and an ability to drop a memorable hook. This isn’t just some acoustic hop-hop experiment, it has unique— and uniquely British— feel. In addition to the sweet edge of Ms. Debelle’s voice, the clarinet in this little piece of goodness also adds a little something something. MP3:> Speech Debelle: “The Key” [from “The Key” single; due 03/16/09; also from an upcoming fulllength; due May 2009; both from Big Dada]
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PITCHFORK MEDIA - TODAY
Lily Allen Announces North American Tour
PITCHFORK MEDIA - TODAY
Pitchfork.tv: Cut Off Your Hands: “Turn Cold” [Video Premiere]
FEB 04, 2009 03:55P.M. The story so far: In 2006, Lily Allen makes a really breezy and fun and great debut album. Then she gets very famous very quickly, which somehow leads to her doing stuff like getting sloppy drunk while cohosting an awards-show with Elton John. She says all sorts of saucy stuff whenever anyone interviews her. The BBC gives her a variety show, then cancels it. And she makes a second album which, it turns out, is absolutely butt. Whoever decided to swap out the summery ska of Alright, Still for shiny club-pop needs to lose their job.
FEB 04, 2009 05:40P.M. “Nothing’s new, nothing’s old,” sings Cut Off Your Hands frontman Nick Johnston on this single from the New Zealand indie-poppers. Writing about the track back in December, Marc Hogan said, “I might just be getting old, but these old things work like a charm on ‘Turn Cold’, filled out by handclaps and occasional R.E.M.-tinged acoustic guitar strums along with rapidfire basslines and steady kick-kick-snare drumming.” The video uses all sorts of lo-fi effects to make “Turn Cold” look like a skewed PBS interlude from your distant childhood.
And now Lily Allen’s about to tour Europe and the U.S. Natalie Portman’s Shaved Head, who either have the best band name in history or the worst band name in history (probably the worst), will open Allen’s North American dates.
Pitchfork.tv page with embed code is here. Capitol will release It’s Not Me, It’s You, Allen’s second album, on February 10 in the U.S. (It’s out February 9 in the UK via Regal.) It’s streaming right now on her MySpace.
[from You and I; out now on Frenchkiss]
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5 febrero, 2009
some serious underground metal heavyweights to Public Assembly, the Williamsburg space that formerly housed Galapagos. If you read the column, you already know that Brandon knows his shit inside and out, and he understands how to book a show with a whole bunch of bands who fit together stylistically but don’t overlap so much that things get boring. At that first Show No Mercy show, I saw three bands I’d never even heard of, and I liked them all. And now Brandon’s worked out the kinks in throwing these shows, so no more five-band bills that stretch into the wee hours.
PITCHFORK MEDIA - TODAY
Premiere: Booker T. With Drive-By Truckers and Neil Young: “Warped Sister” [Stream]
Brandon’s got the next four Show No Mercy shows all booked now, and by the looks of things, asses will be whupped. On the horizon: crazy-epic Portland slow-burners Ocean, lo-fi Jersey black metal warriors Krieg, Philly death metal traditionalists Crucifier, and a monster April bill that will bring together the great Philly Aphex-Twin-as-death-metal trio Genghis Tron with NY doom up-and-comers Tombs. Also a whole slew of bands I’ve never heard of.
FEB 04, 2009 02:00P.M. For Potato Hole, his first solo album in a really, really long time, Stax house organist and MGs frontman Booker T. Jones recruited the Drive-By Truckers and Neil Young as his backing band. Wisely, they don’t shoot for the in-the-pocket grooves of the MGs: Very few groups, instrumental or otherwise, have ever sounded so preternaturally tight. Instead, on “Warped Sister”, the scratchy guitars churn steadily while the rhythm section chug away reliably. Trucker drummer Brad Morgan is crucial here: His beat is unflappable, and his cowbell guides the song through its false ending and out the other side. Despite the high-profile support players, Booker T. clearly takes the lead, opening with gigantic chords before coaxing out a surprisingly catchy melody from his organ. He gets so much texture and nuance out of his instrument that it sounds like it’s actually forming words.
Here’s the complete schedule. All these shows go down at Public Assembly, located at 70 N. 6th St.: 02-15: Ocean, Salome, Batillus, Riff Cannon. 03-01: Krieg, Woe, and others to be announced. 03-22: Crucifier, Villains, Castevet, Nocnitsa, Dimentianon 04-12: Genghis Tron, Tombs, Wetnurse.
[from Potato Hole; due 04/21/09 on Anti-] PITCHFORK MEDIA - TODAY
Serge Gainsbourg’s Histoire De Melody Nelson Reissued
PITCHFORK MEDIA - TODAY
FEB 04, 2009 11:00A.M.
Pitchfork’s Show No Mercy Series Pulverizes Brooklyn
Try as they might, musicians these days just can’t do the elegantly sexobsessed lech thing. In popular music today, Lil Wayne’s compulsive horndog act is about as close as you’re going to get. So clearly the world needs to rediscover the rumbling dirty-old-man freakiness of Serge Gainsbourg yet again. Light in the Attic will do all of us a big favor on March 24 when they reissue Gainsbourg’s pedophilia-themed 1971 concept album Histoire De Melody Nelson. R. Kelly presumably has his copy on pre-order.
FEB 04, 2009 12:00P.M. The first installment of Pitchfork’s Show No Mercy series of metal shows went down this past December on basically the coldest night in New York City history. The godawful karaoke going on in other room of the venue, Brooklyn’s Public Assembly, bled through the wall whenever bands would pause between songs, which seriously fucked up the vibe. There was this big weird puddle of something on the ground, and everything ran so late that I had to go home before the headliners, black metal iconoclasts Nachtmystium, took the stage. And I still had fun.
On Histoire De Melody Nelson, Gainsbourg married his lush, vaguely funky French rock to string and choral arrangements from the composer Jean-Claude Vannier. The album’s overarching narrative is a loose retelling of Nabakov’s Lolita. Actress Jane Birkin, a frequent Gainsbourg duet partner and also one of the many ridiculously beautiful women Gainsbourg got it on with over the course of his life, plays the title
Brandon Stosuy, the guy who writes Show No Mercy, Pitchfork’s metal column, is now booking a series of monthly shows that will bring
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character, while Gainsbourg plays the nasty old guy obsessed with her.
5 febrero, 2009
PITCHFORK MEDIA - TODAY
P.O.S.: Never Better
The album has never been properly U.S. release before, though it remains a touchstone. In 2006, Vannier performed the record straight through in London with guys like Jarvis Cocker and Gruff Rhys standing in for the late Gainsbourg.
FEB 04, 2009 09:00A.M. Fusing hip-hop and punk, the third solo record from this Minneapolisbased rapper and member of the Doomtree collective is his tightest album yet.
The Light in the Attic folks remastered the album from the original master tapes, and they’re issuing it on both CD and limited-edition, hand-numbered 180-gram vinyl. It’ll include a 40-page printed booklet with an old English interview with Gainsbourg and liner notes from Andy Votel and former Pitchfork contributor Andy Beta. No bonus tracks, though. You’ll take the original 28 minutes of music and like it.
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Six Organs of Admittance: RTZ FEB 04, 2009 09:00A.M. PITCHFORK MEDIA - TODAY
Ben Chasny illuminates the more neglected corners of his dense discography on the 2xCD/triple-vinyl set RTZ, which takes from split 12” releases, subscription-only CDs, and Chasny’s personal tape stash, plus a reissue of 1999’s Nightly Trembling album, whose original release (as legend has it) was limited to 33 copies.
Catish Haven: Devastator FEB 04, 2009 09:00A.M. Chicago-based bar band on Secretly Canadian adds some additional instrumentation on their second full length, but still lives and dies on the strength of lead singer George Hunter’s voice.
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PITCHFORK MEDIA - TODAY
Nickel Eye: The Time of the Assassins
PITCHFORK MEDIA - TODAY
Dillinger Four: Civil War
FEB 04, 2009 09:00A.M.
FEB 04, 2009 09:00A.M. Strokes bassist Nikolai Fraiture is the latest member of the band to start a side project. Regina Spektor and the Yeah Yeah Yeahs’ Nick Zinner guest.
Minneapolis pop-punk band returns with its first studio album since 2002, a politically-focused record that shades typically rowdy moments with a newfound maturity.
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Esta edición contiene artículos con fechas comprendidas entre el Feb 04, 2009 06:01a.m. y el Feb 05, 2009 01:00a.m.. Para cambiar la configuración visite http://www.tabbloid.com/2745.402579b5
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Cramps Frontman Lux Interior R.I.P. FEB 04, 2009 11:55P.M. PITCHFORK MEDIA - TODAY Lux Interior, the awesomely ghoulish frontman for sleazed-up New York rockabilly OGs the Cramps, died today in Glendale, California, as the Daily Swarm reports and an official statement confirms.
Pitchfork.tv: El Guincho: Various Songs on “Pitchfork Live” - Part 1
Interior, born Eric Lee Purkhiser, formed the Cramps with his wife, Kristy “Poison Ivy” Wallace, in 1976. Although the band played CBGB a lot and was a part of the whole NYC birth-of-punk thing, but they didn’t really fit in with pummelers like the Ramones and the Dictators or artschool types like Television and Blondie. Their sound was a slow, deranged, almost sensual take on 50s rockabilly: lots of guitar fuzz, no bass, tempos slowed to a slithery crawl. Before even the Misfits, the Cramps jammed their songs full of allusions to trash culture and longforgotten B-movies.
FEB 04, 2009 10:45P.M. Pablo Díaz-Reixa of El Guincho hasn’t played many shows in North America in support of his fine 2008 album Alegranza!, but Pitchfork.tv was able to catch him in December at New York’s Le Poisson Rouge. There’s a bit of keyboard, buddy Aleix Clavera of Extraperlo on vocals and electronic percussion, and loops loops loops. Díaz-Reixa’s an energetic performer, enjoying his sunny grooves and catchy tunes just as much as the audience does.
The chemistry between Interior’s halting, insinuating growl and Ivy’s snakey surf-informed guitar lines remains one of the great iconic pairings in American underground rock. The Cramps even coined the term “psychobilly.” Their 1981 sophomore album Psychedelic Jungle is a very serious must-have.
“Bombay” Pitchfork.tv page with embed code is here.
Onstage, Interior was always a proud member of the Iggy Pop school of self-sacrificing showman: climbing all over the stage, stripping down, rolling on the ground, generally showing no regard for his physical wellbeing. But he also had absolutely nuts timing and some truly great, theatrical facial expressions. He was a showman, not a performanceartist. And no less an authority than Ian MacKaye has often named a late-70s Cramps gig at a DC college as a hugely formative influence on the DC hardcore scene, even though those bands really couldn’t have sounded more different than the Cramps’ greasy throb.
“Club de Rusia”
Over the Cramps’ three decades years of existence, Interior and Ivy plowed through a small army of supporting musicians, always remaining as the band’s center. Against all odds, the band remained active up until very recently, though they weren’t playing live shows too often anymore.
Pitchfork.tv page with embed code is here.
Pitchfork.tv page with embed code is here. “Verbena de Los Delfines” Pitchfork.tv page with embed code is here. “Cuando Maravilla Fui”
Watch and learn, kids:
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PITCHFORK MEDIA - TODAY
5 febrero, 2009
shot.
Franz Ferdinand Tour America
— Stones Throw and Kid Robot have teamed up to make this already-sold-out vinyl toy of Madlib’s squeaky-voiced alter-ego Quasimoto. And it’s a pig? Did everyone realize Quasimoto was supposed to be a pig?
FEB 04, 2009 10:25P.M. Photo by Kathryn Yu Scottish fuck puppies Franz Ferdinand now have three albums of gloriously spiky new wave to their credit, and even those of you who don’t like their really-pretty-great new joint Tonight have to recognize that something like “Ulysses” is going to get it done onstage. (The album just debuted at #9 in the U.S., so at least 31,000 Americans are still jamming them, naysayers be damned.) And the band has always been efficiently awesome onstage; when that “Take Me Out” riff kicks in, heads explode.
— The Pains of Being Pure at Heart, the gauzy New York dreampop band who you’re going to be hearing a whole lot more about, will spend the rest of the winter touring the U.S. — Also touring: The decidedly more abrasive, awkwardly-named NY shoegazers A Place to Bury Strangers, who will do a few shows at American colleges before spending April in the UK and Europe.
Come April, when they get done with their current European tour, Franz Ferdinand are going on a proper full-scale North American trek. Those of you who started hoarding Sparks before the overly concerned authorities of the world convinced MillerCoors LLC to stop making it might want to break into your supply right now, since nothing goes better with Franz Ferdinand than citrusy caffeinated malt liquor. Get excited:
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New Music: Gospel Gossip: “Nashville” [MP3/Stream]
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FEB 04, 2009 09:25P.M. Gospel Gossip‘s debut, 2007’s Sing into My Mouth, was one erratic album— not without its charms, but certainly flawed enough to obscure the band’s potential. Sometimes their gothic dream-pop sounded seductively ominous; at other times, it seemed sickeningly precious. It was the kind of tonally inconsistent record you might expect from a young band either too unsure or too afraid to commit. No such hang-ups on “Nashville”, a searing new single that finds the Northfield, Minn., band firmly in command. The feedback is denser, angrier, but it’s the drumming— a blunt weapon as opposed to mere ballast— that really makes the difference. Whether the band can sustain this vigorous tunefulness over the course of an album, or even the forthcoming Dreamland EP, remains to be seen, but if progress is measured in increments, “Nashville” is one giant step forward.
PITCHFORK MEDIA - TODAY
News in Brief: Dark Was the Night, 50 Cent/Rick Ross, Quasimoto, the Pains of Being Pure at Heart FEB 04, 2009 09:40P.M. — The forthcoming Red Hot benefit compilation Dark Was the Night (out on 4AD February 17 in the U.S. and February 16 in the UK) features, like, every band Pitchfork covers. A few of those bands will be on hand this Friday, February 6, to DJ the album’s New York release party. The party jumps off at the downtown bar Stanton Public, and members of the National, Blonde Redhead, and Yeasayer will man the ones and twos. So which band do you think will have the most feedbacky DJ set?
MP3:> Gospel Gossip: “Nashville” [from the “Nashville” single; out now]
— The beef between absurdly rich kingpin-type rappers 50 Cent and Rick Ross has been building quickly over the past week or so, and it came to some sort of unprecedentedly appalling and entertaining climax when 50 posted this video, wherein 50 and a woman claiming to be Ross’s baby’s mother talk shit on Ross. Also, 50 takes her shopping and intimates that he’s going to fuck her. Incredible. This is how people get
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PITCHFORK MEDIA - TODAY
PITCHFORK MEDIA - TODAY
Coldplay Kick Chris Martin Out...
E Street Band Didn’t Play Live at the Super Bowl, OMG
FEB 04, 2009 08:30P.M.
FEB 04, 2009 07:35P.M.
Photo by Kathryn Yu
America’s self-righteous obsession with real-time musical integrity never ceases to surprise me. We already know Jennifer Hudson and Faith Hill’s Super Bowl performances were sung along with backing tracks, and now the Chicago Tribune reports that the E Street Band were playing to a pre-recorded track for their halftime appearance. Producer and Grammy Awards audio supervisor Hank Neuberger told the Tribune that Bruce Springsteen’s vocals were the only live audio element of the show.
Admit it: Viva la Vida, Coldplay‘s first trip into the Eno-verse, has held up pretty well. These guys are some of the last honest-to-God stars on the face of the Earth, and they would’ve been just fine if they’d just kept biting “Clocks” over and over. They didn’t have to head into the studio with a legendary genius producer who pushed them to tinker with their epicness in all sorts of unexpected ways, but they did it, and it worked out. When that chorus kicks in on “Lost!”, forget about it. Game over. (Also, because of Viva La Vida, this happened.)
Potentially indignant fan: “Next thing you’re gonna tell me Clarence was a hologram!” (We’re almost positive Clarence was not a hologram.) Really, this is not a big deal. If you’re seriously peeved by this news and feel absolutely betrayed, hear me out.
Last month, we reported that Coldplay were striking while the adultcontempo arena-alt was hot and hitting the studio with Brian Eno once again. And thanks to a post on Coldplay’s website, we now have some insight into what, exactly, these guys all do in the booth. The post is credited to the mysterious “Roadie #42”, and according to this guy, Eno’s not done monkeying with Coldplay’s formula.
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Apparently, the band usually builds on frontman Chris Martin’s demo recordings. But Eno’s trying something else out: Banning Martin from the studio, keeping just his vocal track in most cases, and letting the other three dudes build the rest of the songs themselves. The other dudes, understandably, are amped.
PITCHFORK MEDIA - TODAY
New Music: The Lonely Island [ft. T-Pain]: “I’m On a Boat” [Stream]
Reports Roadie #42: “Often, they come in first thing in the morning and listen to Chris’s idea once, before going out into the live room and working up something based purely on how the song ‘felt’ to them on first listen, paying little heed to what chords he chose or how the melody sat.” Chris Martin better watch out because pretty soon these guys might start demanding their own close-ups in the videos.
FEB 04, 2009 07:15P.M. “Jizz in My Pants“, the track and video short by Andy Samberg’s the Lonely Island that debuted on SNL in December, was for me one of those instances where you feel like the only person in the world not laughing around the water cooler. Unlike “Dick in a Box“, there was no sense of recognition in “Jizz”, no reveal or articulation of something underneath the surface, which is usually where the humor comes from in this sort of thing. “I’m On a Boat”, a shout-along jock-jamming posse cut featuring T-Pain, on the other hand, seems good for a few chuckles, but maybe it’s just my mood. “Believe me when I say/ I fucked a mermaid,” sings T-Pain through his Auto-Tune, and i’ve no reason to doubt him. (via Idolator)
Martin, meanwhile, isn’t using his time off to think up even more ridiculous baby-names with Gwyneth Paltrow. According to that post, “he’s up the road at another studio pouring out songs in a writing project with another artist.” Roadie #42 doesn’t say who the other artist is, but it’s probably a rapper.
[from INCREDIBAD; due 02/10/09 from Universal]
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5 febrero, 2009
along with his rock’n’roll bona fides, he’s a published author and noted self-mutilating painter. And, for some context, other recent Trinity speakers include the Cranberries’ Dolores O’Riordan and Naomi Campbell, so it’s not like Doherty is sullying some grand tradition all by his lonesome.
Manu Dibango Sues Rihanna, Michael Jackson FEB 04, 2009 07:15P.M.
When he’s not prepping for insightful talks to impressionable youths, Doherty is readying his solo debut, now titled Grace/Wasteland and due March 16 in the UK on Parlophone and March 24 in the U.S. on Astralwerks. He also has a UK tour coming up.
On the 1972 Afro-funk jam “Soul Makossa”, the Camaroonian saxophonist Manu Dibango opens things up by muttering “mama-koo mama-sa maku ma-ku-sa” before his ridiculously pimped-out sax riff kicks in. New York loft party DJs picked up on the song, and it ended up becoming one of the staples of the just-revving-up disco scene. A decade later, Michael Jackson tweaked that chant for his eternal pop-funk banger “Wanna Be Startin’ Somethin’”, turning it into “mama-say mama-sa mama ma-ku-sa.” According to a Guardian report, now Dibango is suing a bunch of people over that perceived swipe. Because it’s 1983. Oh wait. No it isn’t.
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PITCHFORK MEDIA - TODAY The reason for this particular burst of litigation: Rihanna‘s dance-pop burner “Don’t Stop the Music”, Pitchfork’s #70 single of 2008, sampled Jackson’s “mama-say” chant to great effect. As the Guardian reports, Dibango actually already sued Jackson back in the day, and the two settled out of court. But when Rihanna’s people cleared the Michael Jackson sample, they didn’t get Dibango’s permission, and now he wants his. Dibango is now suing Sony BMG, Warner Music, and EMI over the use of that chant.
New Audio: Rivers Cuomo: “By The Side of the Road” (poem for Daytrotter’s Bookery) [Stream] FEB 04, 2009 06:30P.M. Rivers Cuomo has always been a little creepy and distant on one hand and then approachable and self-aware on the other. You can never really figure him out. Which helps to keep him and Weezer interesting even when their records aren’t as good as people would like. Over at Daytrotter, they’ve got Cuomo reading a poem he’s written called “By the Side of the Road”. He whispers it, and there’s some reverb on the recording, and it is a little unsettling, about living in a bush and making friends with worms and licking bark— you know, stuff like that.
PITCHFORK MEDIA - TODAY
Pete Doherty to Teach College Kids All He Knows
Stream:> Rivers Cuomo: “By the Side of the Road”
FEB 04, 2009 06:40P.M. Photo by kk+ Ah, college. The intellectual rigor, the self-discovery, the lectures by former gay prostitutes. That’s right: one-time Libertine and full-time upholder of rock debauchery Pete Doherty will talk to students at Dublin’s Trinity College this Friday, February 6, at the very un-rock star time of 5 p.m. as part of the University Philosophical Society‘s lecture series (via NME). No word yet on whether this has anything to do with community service.
PITCHFORK MEDIA - TODAY
News in Brief: Wichita Recordings, Hot Leg, Murder City Devils, Thank You/Mi Ami
But to boil Doherty’s life down to prostitution seems unfair...the man has also been arrested for car theft, driving under the influence, and a slew of drug-related crimes. So why shouldn’t he join the likes of previous Philosophical Society speakers like Oscar Wilde— who also had some trouble with the law in his day?
FEB 04, 2009 06:15P.M. — Wichita Recordings, the British label that first signed Bloc Party, Peter Bjorn and John, and Simian Mobile Disco, is finally starting up a U.S. branch. That’s appropriate because, see, Wichita is actually a city in the U.S. Pretty soon, they’ll domestically release material from the British bands Sky Larkin and Lovvers and the Swedish groups
It’s easy to forget Doherty can be quite the aesthete when he wants to be:
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Those Dancing Days and First Aid Kit. — Justin “Dave” Hawkins, the former lead yowler for British buttrock revivalists the Darkness, has a new band called Hot Leg, and they’ll release their debut album Red Light Fever on Tuesday, February 9, in the UK, repulsively ugly cover art and all. Because open-chested jumpsuits, apparently, will never die. — Good news for those of us still into grimy bloozed-up post-hardcore: Seattle art-punk greasers the Murder City Devils broke up almost eight years ago, but they’re reuniting this month for a quick West Coast tour. Sub Pop, their old label, will reissue all three of their albums and the Thelema EP on vinyl on February 17. — Instrumental Baltimore skronkers Thank You, who used to call themselves More Dogs and threw really great New Years Eve warehouse parties (which maybe they still do? I don’t live in Baltimore anymore), will spend February and March touring the U.S. with Mi Ami, the new Touch and Go band from two former members of the great DC noise-dance percussives Black Eyes. That first self-titled Black Eyes album? Good lord. The world doesn’t know what it missed.
PITCHFORK MEDIA - TODAY
Photos: Tibet House Benefit (Vampire Weekend, the National, Patti Smith) [New York, NY; 02/03/09] FEB 04, 2009 05:45P.M. Photos by Kathryn Yu; Above: Patti Smith et al. during the encore Last night in New York City, Tibet House held its 19th Annual Benefit Concert at Carnegie Hall. Renowned composer Philip Glass gathered friends like Vampire Weekend, the National, Patti Smith, Steve Earle, and Antibalas together to play a show raising money for the cultural institution. The National played two new, untitled songs, Vampire Weekend rollicked through “M79”, and Patti Smith paid tribute to Buddy Holly (February 3, 2009 marked the 50th anniversary of his death). At the end of the night, everyone got together for an all-star encore jam.
The National
More photos below. Vampire Weekend
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PITCHFORK MEDIA - TODAY
New Music: Speech Debelle: “The Key” [MP3/Stream] FEB 04, 2009 04:15P.M. For those who think the folks at Big Dada Records are all about big beats, take a listen to this new signing: South London’s own Speech Debelle. The purely organic instrumental sound— production by Plutonic— is emblematic of this left-field MC who tells stories about her life with just the right amount of attitude and smarts. Her first single, “Searching“, was a little more moody and intense, but “The Key” shows that this girl’s got range—and an ability to drop a memorable hook. This isn’t just some acoustic hop-hop experiment, it has unique— and uniquely British— feel. In addition to the sweet edge of Ms. Debelle’s voice, the clarinet in this little piece of goodness also adds a little something something. MP3:> Speech Debelle: “The Key” [from “The Key” single; due 03/16/09; also from an upcoming fulllength; due May 2009; both from Big Dada]
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Lily Allen Announces North American Tour
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Pitchfork.tv: Cut Off Your Hands: “Turn Cold” [Video Premiere]
FEB 04, 2009 03:55P.M. The story so far: In 2006, Lily Allen makes a really breezy and fun and great debut album. Then she gets very famous very quickly, which somehow leads to her doing stuff like getting sloppy drunk while cohosting an awards-show with Elton John. She says all sorts of saucy stuff whenever anyone interviews her. The BBC gives her a variety show, then cancels it. And she makes a second album which, it turns out, is absolutely butt. Whoever decided to swap out the summery ska of Alright, Still for shiny club-pop needs to lose their job.
FEB 04, 2009 05:40P.M. “Nothing’s new, nothing’s old,” sings Cut Off Your Hands frontman Nick Johnston on this single from the New Zealand indie-poppers. Writing about the track back in December, Marc Hogan said, “I might just be getting old, but these old things work like a charm on ‘Turn Cold’, filled out by handclaps and occasional R.E.M.-tinged acoustic guitar strums along with rapidfire basslines and steady kick-kick-snare drumming.” The video uses all sorts of lo-fi effects to make “Turn Cold” look like a skewed PBS interlude from your distant childhood.
And now Lily Allen’s about to tour Europe and the U.S. Natalie Portman’s Shaved Head, who either have the best band name in history or the worst band name in history (probably the worst), will open Allen’s North American dates.
Pitchfork.tv page with embed code is here. Capitol will release It’s Not Me, It’s You, Allen’s second album, on February 10 in the U.S. (It’s out February 9 in the UK via Regal.) It’s streaming right now on her MySpace.
[from You and I; out now on Frenchkiss]
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5 febrero, 2009
some serious underground metal heavyweights to Public Assembly, the Williamsburg space that formerly housed Galapagos. If you read the column, you already know that Brandon knows his shit inside and out, and he understands how to book a show with a whole bunch of bands who fit together stylistically but don’t overlap so much that things get boring. At that first Show No Mercy show, I saw three bands I’d never even heard of, and I liked them all. And now Brandon’s worked out the kinks in throwing these shows, so no more five-band bills that stretch into the wee hours.
PITCHFORK MEDIA - TODAY
Premiere: Booker T. With Drive-By Truckers and Neil Young: “Warped Sister” [Stream]
Brandon’s got the next four Show No Mercy shows all booked now, and by the looks of things, asses will be whupped. On the horizon: crazy-epic Portland slow-burners Ocean, lo-fi Jersey black metal warriors Krieg, Philly death metal traditionalists Crucifier, and a monster April bill that will bring together the great Philly Aphex-Twin-as-death-metal trio Genghis Tron with NY doom up-and-comers Tombs. Also a whole slew of bands I’ve never heard of.
FEB 04, 2009 02:00P.M. For Potato Hole, his first solo album in a really, really long time, Stax house organist and MGs frontman Booker T. Jones recruited the Drive-By Truckers and Neil Young as his backing band. Wisely, they don’t shoot for the in-the-pocket grooves of the MGs: Very few groups, instrumental or otherwise, have ever sounded so preternaturally tight. Instead, on “Warped Sister”, the scratchy guitars churn steadily while the rhythm section chug away reliably. Trucker drummer Brad Morgan is crucial here: His beat is unflappable, and his cowbell guides the song through its false ending and out the other side. Despite the high-profile support players, Booker T. clearly takes the lead, opening with gigantic chords before coaxing out a surprisingly catchy melody from his organ. He gets so much texture and nuance out of his instrument that it sounds like it’s actually forming words.
Here’s the complete schedule. All these shows go down at Public Assembly, located at 70 N. 6th St.: 02-15: Ocean, Salome, Batillus, Riff Cannon. 03-01: Krieg, Woe, and others to be announced. 03-22: Crucifier, Villains, Castevet, Nocnitsa, Dimentianon 04-12: Genghis Tron, Tombs, Wetnurse.
[from Potato Hole; due 04/21/09 on Anti-] PITCHFORK MEDIA - TODAY
Serge Gainsbourg’s Histoire De Melody Nelson Reissued
PITCHFORK MEDIA - TODAY
FEB 04, 2009 11:00A.M.
Pitchfork’s Show No Mercy Series Pulverizes Brooklyn
Try as they might, musicians these days just can’t do the elegantly sexobsessed lech thing. In popular music today, Lil Wayne’s compulsive horndog act is about as close as you’re going to get. So clearly the world needs to rediscover the rumbling dirty-old-man freakiness of Serge Gainsbourg yet again. Light in the Attic will do all of us a big favor on March 24 when they reissue Gainsbourg’s pedophilia-themed 1971 concept album Histoire De Melody Nelson. R. Kelly presumably has his copy on pre-order.
FEB 04, 2009 12:00P.M. The first installment of Pitchfork’s Show No Mercy series of metal shows went down this past December on basically the coldest night in New York City history. The godawful karaoke going on in other room of the venue, Brooklyn’s Public Assembly, bled through the wall whenever bands would pause between songs, which seriously fucked up the vibe. There was this big weird puddle of something on the ground, and everything ran so late that I had to go home before the headliners, black metal iconoclasts Nachtmystium, took the stage. And I still had fun.
On Histoire De Melody Nelson, Gainsbourg married his lush, vaguely funky French rock to string and choral arrangements from the composer Jean-Claude Vannier. The album’s overarching narrative is a loose retelling of Nabakov’s Lolita. Actress Jane Birkin, a frequent Gainsbourg duet partner and also one of the many ridiculously beautiful women Gainsbourg got it on with over the course of his life, plays the title
Brandon Stosuy, the guy who writes Show No Mercy, Pitchfork’s metal column, is now booking a series of monthly shows that will bring
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character, while Gainsbourg plays the nasty old guy obsessed with her.
5 febrero, 2009
PITCHFORK MEDIA - TODAY
P.O.S.: Never Better
The album has never been properly U.S. release before, though it remains a touchstone. In 2006, Vannier performed the record straight through in London with guys like Jarvis Cocker and Gruff Rhys standing in for the late Gainsbourg.
FEB 04, 2009 09:00A.M. Fusing hip-hop and punk, the third solo record from this Minneapolisbased rapper and member of the Doomtree collective is his tightest album yet.
The Light in the Attic folks remastered the album from the original master tapes, and they’re issuing it on both CD and limited-edition, hand-numbered 180-gram vinyl. It’ll include a 40-page printed booklet with an old English interview with Gainsbourg and liner notes from Andy Votel and former Pitchfork contributor Andy Beta. No bonus tracks, though. You’ll take the original 28 minutes of music and like it.
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Six Organs of Admittance: RTZ FEB 04, 2009 09:00A.M. PITCHFORK MEDIA - TODAY
Ben Chasny illuminates the more neglected corners of his dense discography on the 2xCD/triple-vinyl set RTZ, which takes from split 12” releases, subscription-only CDs, and Chasny’s personal tape stash, plus a reissue of 1999’s Nightly Trembling album, whose original release (as legend has it) was limited to 33 copies.
Catish Haven: Devastator FEB 04, 2009 09:00A.M. Chicago-based bar band on Secretly Canadian adds some additional instrumentation on their second full length, but still lives and dies on the strength of lead singer George Hunter’s voice.
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PITCHFORK MEDIA - TODAY
Nickel Eye: The Time of the Assassins
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Dillinger Four: Civil War
FEB 04, 2009 09:00A.M.
FEB 04, 2009 09:00A.M. Strokes bassist Nikolai Fraiture is the latest member of the band to start a side project. Regina Spektor and the Yeah Yeah Yeahs’ Nick Zinner guest.
Minneapolis pop-punk band returns with its first studio album since 2002, a politically-focused record that shades typically rowdy moments with a newfound maturity.
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