Ink_excerpt.pdf

  • Uploaded by: I Read YA
  • 0
  • 0
  • November 2019
  • PDF

This document was uploaded by user and they confirmed that they have the permission to share it. If you are author or own the copyright of this book, please report to us by using this DMCA report form. Report DMCA


Overview

Download & View Ink_excerpt.pdf as PDF for free.

More details

  • Words: 1,630
  • Pages: 11
ALICE BROADWAY

SCHOLASTIC INC.

If you purchased this book without a cover, you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher, and neither the author nor the publisher has received any payment for this “stripped book.” Copyright © 2017 by Alice Broadway This book was originally published in hardcover by Scholastic Press in 2018. All rights reserved. Published by Scholastic Inc., Publishers since 1920. scholastic and associated logos are trademarks and/or registered trademarks of Scholastic Inc. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. ISBN 978-1-338-33169-1 10 9 8 7 6 5 4 3 2 1 19 2 0 21 2 2 2 3 Printed in the U.S.A.  23 This edition first printing 2019 Book design by Elizabeth B. Parisi

chapter 1

I

was older than all my friends when I got my first tattoo. My mother loves to tell the story. I wish she wouldn’t. At

two days old you’re meant to get your birth mark, but I got sick instead, and Mom canceled the ceremony. Mom’s friends said, “You need to get her marked, Sophie. What are you going to call her?” But Mom told them she would wait until I was better. I would be named and inked then. She ignored their whispered warnings of what happens to babies who die unmarked. And so

2

- ALICE BROADWAY

for twenty days I remained formless and void u ­ ntil one day my ­mother said, “Let her be Leora.” And I was Leora. The word was punched with minuscule ­needles into my flesh. Tiny letters that have grown with me for sixteen years. • • •

We are not afraid of death. When your marks are safe in your book, you live on a­ fter you die. The life story e­ tched onto your body is kept forever—if y­ ou’re worthy. When we preserve the words, pictures, and moments imprinted on our skin, our story survives for eternity. We are surrounded by the dead, and, for as long as their books are still read and their names are still spoken, they live. Every­one has the skin books in their homes: Our shelves are full of my ancestors. I can breathe them in, touch them, and read their lives. But it was only ­after my f­ather died that I saw the book of someone I’d r­ eally known. • • •

We w ­ ere lucky r­ eally, seeing death walk up from a distance. It meant we could be prepared. We massaged his skin with oil; he told us the stories of his ink and smiled when he showed us the tree on his back with our names on it. He was ready when he went, and his skin was prepared too. I watched his strong arms deflate, leaving the skin wrinkled like an old apple. I watched his straight back bend as though he’d been hit in the stomach. He stopped looking directly at us a­ fter a while; the pain was all he saw. It

-

3

seemed like the sickness sucked him away, just leaving his shell. But the shell is what counts. People had brought us flowers and food to make those final days easier. Little love tokens for Dad when there was nothing else they could do. We weren’t the only ones whose hearts were breaking; Dad was precious to so many. The kitchen smelled of wilting petals, stalks moldering in stale water, and the casserole we hadn’t gotten around to eating. It was like death was catching. Mom wrapped the blankets more tightly around him and wiped sweat from her brow. Dad shivered and his breath sounded crackly. Yet when death came that bright day, in late autumn, I was not ready. I could still taste the coffee I’d drunk at dawn after Mom woke me with a frantic whisper. “Sweetheart, wake up. I don’t think he has much time left.” I hurried to his side. The gaps between his breaths grew longer. Mom and I leaned close and held his hands. I wondered which would be the final gasp, the last silence before he woke in the afterlife and breathed again. Suddenly, with a gasp, Dad’s eyes opened and he looked straight at me. His hand gripped mine. He eased his other hand from Mom’s and grasped the pendant he always wore around his neck. It was a slender, roughhewn wooden leaf with a suggestion of veins etched into it that hung from a leather string. It was as much a part of Dad as his ink; I’d never seen him without it. “Leora.” His voice was hoarse. “This is for you. Leora, don’t forget. You won’t forget me, will you? Please, don’t forget me.”

4

- ALICE BROADWAY

Tears came to his eyes as he begged me. “And promise me you’ll watch out for the blanks. Be careful, my ­little light, my Leora.” I nodded and, through sobs, whispered, “I promise.” I looked at Mom, her lips tight and her face strained. She reached up and untied the leather that circled his neck, and Dad passed the pendant to me. I rubbed the smooth wood, and tears fell from my eyes as I blinked. He turned to Mom and made certain hers was the last face he saw. He went from the land of the living hearing Mom’s “I love you, I love you, I love you” and feeling her kisses on his hand. And he left us. Just like that, he went. The sun dimmed. A source of true goodness had gone from the world, and it was colder and darker without him. ­After he died, the embalmers came to our h ­ ouse. They dripped oil over his body and rubbed spices into his skin. They wrapped him in blue cloth and took him away. He looked like a king. He’d always seemed that way to me. For days a­ fter, I would go into the room and inhale the fragrance of his anointing. Maybe if I could breathe him in he would burst out of my lungs, fully formed and laughing. But the next time I saw him, his life had become pages. He would come home to us once the weighing of the soul ceremony had found him worthy. For now, we had to go to the museum if we wanted to be with him. We walked t­ here in the light of an amber sunset, permitted to enter the museum ­after normal

-

5

opening hours for this intimate viewing. In a private room that smelled of ancient wooden furniture and the perfume of whoever had been for a viewing before us, we were presented with my father in his new form. We placed the small casket with his skin book inside on the table. Mom appeared at my shoulder, her eyes wide. She had been tense and on edge ever since his death—less sorrowful than snappish and distracted. Sometimes I’d come into a room and find her staring into space, her hands clasped so tightly together the knuckles gleamed. I was starting to feel irritated by it; I didn’t want to have to think about her, not just now. I wanted my Mom back—my calm, capable Mom, who always knew the right thing to say. As we lifted the lid, a smell of wax and spice wafted through the room, raising a toast to him. And there he was. His skin taut, smooth, and slightly shrunken. With each page we turned, we touched him again and remembered the roughness of his forearms, the smoothness of his back. Every stiff page told his story. Mom seemed nervous at first; her shoulders were tense under my arm, but she became calmer the further we read. The cover of his book, which was made from the skin from the back of his shoulders, showed a picture of us and the ink from his birth showing his name—Joel Flint. A good title. A good man. A good introduction. We turned a page and saw the tree from his back telling the tale of his family—me and Mom; the girls who captured his heart. I saw my name there and traced the letters with my finger. There were marks I hadn’t seen since I was a child. They looked much fainter now, blurred with time.

6

- ALICE BROADWAY We turned a page and Mom laughed and closed her eyes.

“You might want to look away, Leora,” she said with a blush and pursed lips that hid a smile. She was right, I ­didn’t want to see it, but the flower that had been on his buttock was intricate and delicate. Stretched into the page of his book, it looked like any other part of him, but it was secret. It was their marriage mark—­added to each year, getting more and more beautiful as their love grew. Mom’s laughter suddenly blended with tears and she put her palm across her mouth as if stopping the sadness and reminding her of the kisses she missed. We turned the page.

ORDER YOUR COPY!


More Documents from "I Read YA"

I Love You So Mochi Excerpt
November 2019 15
Ink_excerpt.pdf
November 2019 13
Spark Excerpt
November 2019 21