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Jugend und spanisches Kommando Hannibal war der älteste Sohn des karthagischen Feldherrn Hamilkar Barkas, der sich im Ersten Punischen Krieg und im Söldnerkrieg ausgezeichnet hatte. Hannibals jüngere Brüder waren Hasdrubal und Mago, die ebenfalls als karthagische Feldherrn dienten. Die römische Geschichtsschreibung berichtet davon, dass der neunjährige Hannibal zusammen mit seinen Brüdern den Römern ewige Feindschaft schwören musste, doch handelt es sich hierbei um eine Legende. Hannibal wurde von einem Spartaner namens Sosylos erzogen, der später zu seinen Beratern gehörte. 237 v. Chr. begleitete Hannibal als erst neunjähriger Junge seinen Vater in das damals noch wenig zivilisierte Spanien, das reich an Bodenschätzen war. Dort eroberte Hamilkar Barkas große Gebiete, die zum einen die territorialen Verluste Karthagos im letzten Krieg gegen Rom ausgleichen und zum anderen die Machtgrundlage seiner Familie, der Barkiden, sichern sollten. Nach Hamilkars Tod in einer Schlacht gegen aufständische iberische Volksstämme übernahm Hannibals Schwager Hasdrubal das Kommando in Spanien. Dieser vergrößerte die neue karthagische Provinz erheblich, gründete mit Cartagena eine regionale Hauptstadt und schloss mit Rom den Ebro-Vertrag, der den Fluss als Grenze zwischen beiden Mächten festlegte. Hannibal hatte sich mittlerweile wieder nach Karthago begeben, kehrte jedoch 224/3 auf Wunsch seines Schwagers nach Spanien zurück. Als Hasdrubals Kavallerie -Kommandant konnte sich Hannibal in mehreren schweren Kämpfen gegen iberische Stämme hervortun. Nach Hasdrubals Ermordung 221 v. Chr. wurde Hannibal Oberbefehlshaber des Heeres. Sogleich führte er einen ausgedehnten Feldzug gegen die noch unabhängigen iberischen Stämme. In einer Schlacht am Tajo errang Hannibal zum ersten Mal einen Sieg in offener Feldschlacht gegen einen zahlenmäßig weit überlegenen Gegner. Die Stadt Sagunt an der Mittelmeerküste verweigerte ihm aber die Unterwerfung. Hannibal entschied sich, die Stadt ab 220 v. Chr. zu belagern, auch um ihren Einfluss auf die iberischen Stämme einzugrenzen. Die Sagunter schlossen daraufhin ein Bündnis mit Rom. Sogleich forderten römische Gesandte Hannibal auf, die Belagerung der Stadt abzubrechen. Dieser lehnte jedoch aufgrund der klaren Rechtslage ab, da Sagunt weit südlich des Ebro gelegen war. Hannibal fragte in Karthago bezüglich eines weiteren Vorgehens an, dessen Ratsherren ihm aber freie Hand ließen. Im Konflikt um Sagunt wiederholten sich die Ereignisse, die zum Ausbruch des Ersten Punischen Krieges geführt hatten, als Rom die Stadt Messina als Anlass für einen Krieg mit Karthago genutzt hatte. Hannibal schuf daher Fakten und ließ 219 nach achtmonatiger Belagerung Sagunt stürmen und die Bevölkerung töten. Die Römer hatten nichts zur Hilfe Sagunts unternommen, ließen dem karthagischen Rat nun aber ausrichten, dass diese einem Krieg nur durch die Auslieferung Hannibals entgehen könnten. Wiederum standen die Ratsherren aber zu ihrem Kommandeur.
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Krieg gegen Rom Hannibal zeichnete sich durch ein für seine Zeit ungewöhnliches Bewusstsein über die Möglichkeiten und Grenzen von Zeit und Raum für militärische Manöver aus. Um einem römischen Angriff auf Spanien zuvorzukommen, überschritt er mit wahrscheinlich mehr als 50.000 Soldaten, 9.000 Reitern und 37 Kriegselefanten auf einem heute nicht mehr genau zu bestimmenden Pass (vielleicht Col de Clapier[1]) die winterlichen Alpen und gelangte durch das Gebiet der Salasser nach Aosta und Ivrea. Das Heer erlitt in den Alpen schwere Verluste, konnte jedoch mit Kelten aus der Po-Ebene verstärkt werden. Durch diesen überraschenden Zug gelangte Hannibal für die nächsten Jahre gegenüber den militärisch überlegenen Römern in die strategische Offensive, da er das römische Bundesgenossensystem als Basis der römischen Macht direkt bedrohte. In taktisch defensiven, aber selbstgewählten überlegenen Ausgangspositionen konnte er die taktischen Schwächen des römischen Militärsystems mehrfach mit enormem Erfolg ausnutzen und in den Schlachten am Ticinus, an der Trebia (beide 218) und am Trasimenischen See (217) die meist deutlich überlegenen römischen Legionen schlagen. Schließlich traf Hannibal am 2. August des Jahres 216 v. Chr. bei Cannae auf eine römische Armee von 16 Legionen (etwa 80.000 Mann), die er mit seinen etwa 50.000 Soldaten durch ein Umfassungsmanöver fast vollständig vernichten konnte. Hannibal unternahm jedoch trotz seiner militärischen Erfolge keinen Marsch gegen die Stadt Rom. In der Geschichtsschreibung wurde ihm dies häufig als strategischer Fehler angelastet. So wurde dem karthagischen Reitergeneral Maharbal in den Mund gelegt: „Du verstehst zu siegen, Hannibal. Den Sieg zu nutzen aber verstehst Du nicht!“ Hannibals Zielsetzung war allerdings nicht die Eroberung der Hauptstadt des Römischen Reiches sondern die Vernichtung seines Bundesgenossensystems. Er hoffte darauf, die italischen Städte von Rom zu lösen und dadurch die Grundlage der römischen Großmachtstellung zu zerstören. Zwar gingen einige italische Bundesgenossen Roms im Jahre 212 v. Chr. zu Hannibal über, darunter auch Capua, doch wurde der Krieg dadurch nicht entschieden. Die Römer hatten ihre anfängliche Strategie unter Einfluss des „Zauderers“ Fabius Maximus gewechselt und griffen die Karthager in Italien und Spanien nur noch in Hannibals Abwesenheit an. Als Capua 211 v. Chr. durch römische Truppen belagert wurde, unternahm Hannibal doch noch einen Scheinangriff auf Rom, um dadurch die Belagerer Capuas zum Rückzug zu bewegen. Laut Cicero (der rund hundert Jahre später lebte) soll dabei der berühmte Ausruf Hannibal ad portas („Hannibal [ist] bei den Toren“), zum Teil auch zitiert als Hannibal ante portas erfolgt sein. Hannibal konnte jedoch den Fall Capuas nicht verhindern, was schon von antiken Historikern als Wendepunkt des Krieges angesehen wurde. Nach jahrelangem Kleinkrieg in Italien, wurde Hannibal schließlich in die Heimat zurückbeordert, da der römische Feldherr Scipio nach der Eroberung Spaniens in Afrika gelandet war. Diesem war es zudem gelungen, den numidischen Reiterfürsten Massinissa zum Seitenwechsel zu bewegen, so dass Hannibal nicht mehr die für seine Taktik wichtige Kavallerie zur Verfügung stand. In der Schlacht bei Zama erlitt Hannibal 202 v. Chr. die erste und auch kriegsentscheidende Niederlage gegen die Römer.
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HANNIBAL Mario Bürki
Reformator und Exil Nach dem Friedensschluss Karthagos mit Rom musste sich Hannibal zunächst mehrerer innenpolitischer Gegner aus der Aristokratie erwehren. Diese warfen ihm vor, einerseits den Marsch auf Rom verweigert und andererseits Beute unterschlagen zu haben. Der weiterhin beim Volk überaus populäre Hannibal wurde aber in allen Punkten freigesprochen. Damit erlitt er ein günstigeres Schicksal als viele andere karthagische Kommandeure, die als Sündenböcke für Niederlagen herzuhalten hatten. Auf römischen Druck verlor Hannibal aber 200 seine Stellung als karthagischer Stratege. Hannibal wandte sich von nun an der Innenpolitik zu, um die politische und militärische Macht der Stadt wieder aufzubauen. Er wurde 196 zum Sufeten gewählt und reformierte Politik und Wirtschaft Karthagos zu Ungunsten der Aristokratie. Er brachte ein Gesetz durch, das den bisher aristokratisch dominierten Gerichtshof der 104 schwächte: Die bisher auf Lebenszeit ernannten Mitglieder mussten von nun an durch die Volksversammlung gewählt werden und durften gemäß dem Annuitätprinzip nach römischen Vorbild nur für ein Jahr und dann erst wieder nach einem weiteren Jahr Pause kandidieren. Hannibal verschaffte somit einer deutlich breiteren Schicht den Zugang zu hohen politischen Ämtern.
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Die karthagische Bevölkerung hatte wegen der Kriegsreparationen an Rom hohe Abgaben zu tragen, welche die Wirtschaft belasteten. Hannibal senkte die Abgaben, indem er hart gegen die Korruption in Karthago vorging. Dadurch vergrößerte er den Kreis seiner innenpolitischen Gegner noch einmal. Diese konnten ihn schließlich 195 ins Exil treiben, indem sie fälschlicherweise behaupteten, er würde gegen Rom konspirieren. Hannibals Reformen blieben jedoch bestehen und hatten einen großen Anteil an dem raschen ökonomischen Wiederaufstieg Karthagos nach dem Zweiten Punischen Krieg. Hannibal floh aus dem römischen Machtbereich. Im östlichen Mittelmeerraum war er unter anderem als Feldherr für Antiochos III. den Großen von Syrien tätig. Als der Seleukidenkönig den Kampf um die Herrschaft über Griechenland gegen Rom annahm, schlug ihm Hannibal vor, einen Zweifrontenkrieg zu führen. Dieser Plan hätte vorgesehen, dass Antiochos einen Teil der römischen Streitkräfte in Griechenland binden sollte, während Hannibal mit karthagischen und fremden Truppen ein zweites Mal in Italien landen würde. Antiochos zeigte sich dem gegenüber zunächst nicht abgeneigt, lehnte jedoch letztlich ab: Er fürchtete, dass Hannibal bei dieser durchaus vielversprechenden Strategie der ganze Ruhm zukäme, was mit seinem Selbstverständnis als hellenistischer König nicht zu vereinbaren war. Anstatt von Hannibals militärischen Fähigkeiten Gebrauch zu machen, übertrug ihm der Seleukide nur den Bau einer Flottille in Phönizien, welche die seleukidische Hauptflotte in der Ägäis verstärken sollte. In der Seeschlacht von Side wurden Hannibals Schiffe aber durch eine rhodische Flotte geschlagen. Nach der endgültigen Niederlage des Antiochos gegen Rom musste Hannibal 190 das Seleukidenreich verlassen. Er hielt sich ein Jahr lang in Kreta auf, bis sich auch dort der römische Einfluss vergrößert hatte. Hannibal floh nun in die hellenistischen Monarchien Kleinasiens. Zunächst trat er in die Dienste des armenischen Königs Artaxias, für den er die Leitung des Baus einer neuen Hauptstadt übernahm. Auf römischen Druck hin musste Hannibal jedoch weiter zu König Prusias I. von Bithynien fliehen. Dieser befand sich in einer militärischen Auseinandersetzung mit dem römischen Bundesgenossen Eumenes II. von Pergamon. Hannibal wurde wiederum als Flottenkommandant eingesetzt, versuchte aber auch in Kleinasien Verbündete für die Sache Bithyniens zu gewinnen. 183 v. Chr. wurde schließlich der in Griechenland überaus populäre Titus Quinctius Flamininus bei Prusias vorstellig und forderte Hannibals Auslieferung, welcher der bithynische König schließlich nachkam. Hannibal entzog sich jedoch der Gefangennahme durch Gift und beging in der Festung von Libyssa (Gebze) Selbstmord.
DER KOMPONIST Mario Bürki wurde am 26. Oktober 1977 geboren. Er studierte Blasmusikdirektion am Konservatorium in Bern und erreichte am Diplom sowie dem Höheren Studienausweis das Prädikat “Sehr Gut”. Bürki besuchte Meisterkurse bei U.P. Schneider (Komposition) und Toshiyuki Shimada / Andreas Spörri (Dirigieren). Sein erstes grosses Werk - Szenen aus: Max und Moritz erreichte am Kompositions-wettbewerb der World Association for Symphonic Bands and Ensembles (WASBE) in Luzern den zweiten Preis und seine Komposition Indian Fire wurde am Wettbewerb Flicorno d’Oro Junior (Italien) mit dem Spezialpreis für das orginellste Konzertstück ausgezeichnet. Zwei seiner Werke (Cap Hoorn und 1405: Der Brand von Bern) wurden an der Mid-Europe in Schladming uraufgeführt. Im November 2005 wurde 1405: Der Brand von Bern vom weltbekannten spanischen Blasorchester «La Artistica Buñol» in Valencia aufgeführt. Mario Bürki ist Musikschulleiter an der Musikschule der Jugendmusik Ostermundigen. Als Instrumentalist spielt er Trompete, Klavier und Orgel. Mario Bürki erhält regelmässig Kompositionsaufträge und mehrere Werke wurden als Wettstücke im Inund Ausland gespielt. Ton- und Notenbeispiele seiner Werke können auf der Homepage des Verlages eingesehen werden: www.musikverlagfrank.ch Besuchen Sie die Homepage von Mario Bürki: www.mariobuerki.ch
© 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLAND
www.musikverlag-frank.ch
THE COMPOSITION
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Hannibal, the son of Hamilcar Barca, was born in 248 BC. His father commanded the Carthaginian land forces during the later stages of the First Punic War. He kept his army intact and led a successful guerrilla war against the Romans in Sicily. As soon as he was old enough, Hannibal joined his father›s army in the invasion of Hispania. Hamilcar Barca died in battle in 228 BC. Hannibal›s brother-in-law Hasdrubal the Fair succeeded to his command of the army with Hannibal serving as an officer under him. Hasdrubal signed a treaty with the Romans where Carthage promised not to expand north of the Ebro River. Hasdrubal also endeavored to consolidate Carthaginian power through diplomatic relationships with native tribes. This included arranging the marriage between Hannibal and an Iberian princess named Imilce. Hasdrubal the Fair was assassinated by a Celtic assassin in 221 BC. Hannibal was now proclaimed commander-in-chief by the army. In 218 BC Carthage decided to hit back. Defeated at sea, the Carthaginians decided this time to attack Italy by land from their base in Hispania. Hannibal led an army made up of 30,000 Spanish infantrymen, 9,000 African cavalry and a team of elephants. To attack Rome from Hispania meant that Hannibal had to take his soldiers and animals over the snowcovered Alps. The Romans did not believe it was possible and were taken by surprise. However, the journey had taken its toll and by the time Hannibal reached Italy, he only had 26,000 men left alive. The first battle between the two sides took place at Trebia. Although they had many more men, the Romans were heavily defeated by the Carthaginians. One of the reasons for this was that the Romans had trouble coping with Hannibal›s elephants. The elephants were used at the front of the Carthaginian forces (similar to the way tanks were used in the First World War). Because of the elephants› size and trumpeting, the Romans had great difficulty in persuading their horses to charge Hannibal›s forces. The Romans tried several different tactics against elephants. They were extremely difficult to kill, so the main aim was to make them panic and run amok amongst the Carthaginians. They tried to do this by killing their driver or by stabbing them with javelins in the soft skin under the tail. The Romans also discovered that elephants were frightened of the sound of squealing pigs. Therefore pigs were covered in tar, set alight and let loose amongst the elephants. The Carthaginians attempted to counteract this tactic by giving wine to the elephants before battle and stabling them with pigs so that they would get used to the squealing. Although Hannibal›s elephants survived the Battle of Trebia, most of them died soon afterwards from the cold weather. However, the lack of elephants did not stop Hannibal inflicting a series of defeats on the Romans. The most important of these was at Cannae where over 50,000 Roman soldiers were killed and a further 19,000 were captured. Hannibal, on the other hand, lost less than 6,000 men. Even though they suffered these losses, the Romans refused to surrender. As Hannibal was never strong enough to attack Rome itself, he failed to obtain a total victory over the enemy. The Roman Senate responded to these military reverses by ordering an attack on Carthaginian held Spain. This was a success, and Scipio Africanus, who organised the campaign, became a national hero. Scipio now started to plan an attack on Carthage, and Hannibal was forced to abandon the territory he controlled in Italy in order to defend his homeland. Scipio and his troops landed in Africa in 204 BC. Instead of attacking Carthage, Scipio visited King Masinissa of Numidia, whose cavalry had played such an important part in Hannibal›s victories over the Romans. In exchange for promises of Carthaginian territory, King Masinissa agreed to join forces with Scipio. The Battle of Zama took place in 202 BC. Hannibal had 40,000 men and 80 elephants while Scipio had 25,000 Romans and 11,000 Numidians. Hannibal started the battle by ordering an elephant charge. However, the Romans had learnt by bitter experience how to deal with elephants. Instead of pigs they now used men blowing trumpets. The noise frightened the elephants and many of them turned and stampeded, trampling to death large numbers of Carthaginians. Hannibal›s troops were scattered and they were gradually hunted down by the Numidian cavalry. The Romans were extremely harsh on the defeated Carthaginians. All but ten of their ships were destroyed, vast amounts of money had to be handed over and all overseas territories had to be abandoned. Carthage also had to promise that in future it would gain permission from Rome before forming alliances or going to war with other countries. Hannibal now decided to become a politician and he was elected as suffete, or chief magistrate. He reformed the way Carthage was governed, stipulating that membership of the Hundred and Four be chosen by direct election rather than cooption. He also changed the term of office from life to a year with a term limit of two years. The Romans became concerned by Hannibal›s growing power and in 195 BC they demanded he retired from office. Hannibal moved to Ephesus, where he met Antiochus III of Syria and later became his military adviser. In 190 BC Hannibal was placed in command of a Seleucid fleet but was defeated in a battle off the Eurymedon River. He fled to Crete, before seeking refuge with King Prusias I of Bithynia, who was engaged in warfare with Rome›s ally, King Eumenes II of Pergamon. Hannibal went on to serve the Bithynians in this war. The Romans became concerned about Hannibal›s naval victories and demanded that Prusias I hand him over. Hannibal was determined not to fall into his enemies› hands and at Libyssa he took poison.
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HANNIBAL Mario Bürki
THE COMPOSER Born the 26 October 1977, Mario Bürki studied wind orchestral conducting at the Berne conservatory. He also followed courses in composition with Urs Peter Scheider and conducting under the direction of Toshiyuki Shimada and Andreas Spörri. His first grand scale work Scenes of Max and Moritz gained a second place in the composition contest in Lucerne organized by the World Association for Symphonic Bands and Ensembles ( WASBE). During the Flicorno d`Oro junior contest (Italy), Indian Fire was awarded a special prize in acknowledgement of its originality. Mario Bürki is regularly commissioned to write for Wind and Brass Band. Two of his works (Cap Hoorn und 1405 : Der Brand von Bern) were premiered at the MidEurope Conference in Schladming and several have been chosen as set test-piece for contests. Alongside his composing he conducts various Wind Bands and teaches trumpet and theory. Mario himself plays the trumpet, the piano and the organ.
© 2008 Copyright by musikverlag frank, Industriestrasse 30, CH-4542 Luterbach, SWITZERLAND
www.musikverlag-frank.ch
Full Score
HANNIBAL "Karthago" Lento q = 89
Mario Bürki
Piccolo
Flute 1
Flute 2
1st Oboe
2nd Oboe
Cor Anglais
1st Bassoon
pp
3rd Clarinet in Bb
Alto Clarinet in Eb
Contrabass Clarinet in Bb
pp
pp
pp
pp
pp
2nd Alto Saxophone
Tenor Saxophone
Baritone Saxophone
2nd Horn in F
3rd Horn in F
4th Horn in F
1st Trombone
Baritone
Tuba
Double Bass
Piano
Harp
Timpani
Percussion 1
Percussion 2
fff
ff
fff
ff
M
ff 3
ff 3
fff
ff
fff
fff
ff
ff 3
ff
div
ff
ff
ff
ff
ff
3
ff
3
3
ff
3
ff
2nd Trombone
Bass Trombone
fff
1st Cornet in Bb
2nd Cornet in Bb
ff
3rd Trumpet in Bb
ff
2nd Trumpet in Bb
E
D
1st Trumpet in Bb
S
1st Horn in F
pp
O
1st Alto Saxophone
pp
E
Bass Clarinet in Bb
ff 3
pp
2nd Clarinet in Bb
pp
Clarinet in Eb 1st Clarinet in Bb
ff 3
pp
O R
C
2nd Bassoon
mp
f
B.D. 2 Sticks
Percusion 3
mute
pp one mute
one mute pp
mp
f Tubular Bells
f
mp
ff
mp
f
pp
f
ff
(motor on) Vibraphone
f
© 2009 by musikverlag frank, Schulhausstrasse 22, CH-4528 Zuchwil (Switzerland)
S.D.
f
f
2
14
ff
3
3
3
3
3
3
3rd Hn
2nd Tpt
3rd Tpt
1st Cor.
3
ff
3
3
3
ff 3
Tba
p
fff
fff
3
fff
fff
3 fff 3 3 3
3
3
ff
3
ff
3
fff
fff
fff
fff
fff
fff
3
fff
3
fff
3
fff
3
ff 3
3
fff
3 3
3
mf
fff
fff
mf
mf
3
ff
C.C.
f
3
ff Tubular Bells
3
3
f
fff
3
3
3
3
ff
ff
mute
3
ff
fff
mf
fff
fff
fff
3
3
fff
3
3
fff
fff
3
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3
3
fff
fff
3
3
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ff
ff
mf
3
3
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fff
mf
3
ff
ff
3
ff
3
fff
3 3 3 ff 3 3 3 3 ff 3 3
ff 33
f
ff
ff
fff
6 6 6 3 3 3 3 3 3 3 3 3 fff mf ff 3 3 3 3 3 6 3 3 6 6 3 3 ff fff mf 3 3
ff
3
3
Perc.3
Perc.2
3
3
Perc.1
3
fff
fff
Timp.
3
open
ff
Hp.
3
Pno.
3
D.B.
3
Bar.
3
open
3
3
2nd Tbn.
ff
fff
fff
ff
3 3
3
O
3
fff
ff
S
3
3
2nd Hn.
3
3
ff
3
ff
fff
3 ff 3 3 3 ff 3
3
3
3
ff
ff
3
T. Sax.
B. Tbn.
3
2nd A. Sax.
1st Tbn.
2nd Cor.
3
1st Tpt
Cb. Cl.
4th Hn.
1st Hn.
Bar. Sax.
B. Cl.
1st A. Sax.
Alto Cl.
3rd Cl.
2nd Cl.
3
1st Cl.
M
Eb Cl.
E
2nd Bsn.
3
E
1st Bsn.
O R
C. A.
3
2nd Ob.
3
1st Ob.
2nd Fl.
1st Fl.
D
Picc.
C
9
mf
S.C.
p
3
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
16
mf
3
3
3
6
3
3
6
mf
3
3
3
6
3
3
6
6
2nd Bsn.
tremolo
p
6
4th Hn.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
6
mf
Tba
3
p
p
6
6
mf
mf
6 3 3 3 3 3 3
mf
6
mf
6 6 3 3 3 3 6
mf
p
mf
6
p
6 3 3 3 3 6
f
E
6 3 3 3 Bar. 3 3 3 mf
D
mf
6
mf
6
3
f
3
p
6
6
tremolo
M
6
à2
3
f
mf
f
3rd Hn
p
3
mf
3
p
6
6
E
Perc.3
6
Perc.2
3
2nd Hn.
Perc.1
3
Bar. Sax.
Timp.
6
1st A. Sax.
Hp.
3
Cb. Cl.
Pno.
3
B. Cl.
D.B.
3
mf
B. Tbn.
6
2nd Tbn.
3
3 3 3 3 3 mf
Alto Cl.
1st Tbn.
3
1st Tpt
6
1st Hn.
3
T. Sax.
3
3rd Cl.
2nd A. Sax.
3
O R
2nd Cl.
mf
C
1st Cl.
O
Eb Cl.
6
S
1st Bsn.
Xylo (Soft sticks)
p
p
4
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
22
1st Bsn.
3
3
3
3
3
3
3
3
6
6
Cb. Cl.
1st Hn.
2nd Hn.
3
3
f
f
3
3
3
2nd Cor.
3
3
3
f
6
6
6
6
6
3
3
3
3
3
f
f
f
f
f
3
3
3
3
6 6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
ff
3
3
3
f
f
f
3
f
ff
ff
f
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3 3
3
3
3
3
3
f
T.B.
f
p
f B.D.
f
Tam tam f
3
3
3
ff 3
3
ff
3
3
3
open
f
3
3
3
3
3
3
3
3
3
3
6
6 6
3
3
3 3 6 3 3 3 f f
f
f
f
f
f
f
f
3
mf
Perc.3
f
Perc. 1
3
3
Perc.1
3
B. Tbn. f Bar.
Timp.
3
f
3
3
M
f
Hp.
6
6
E
Pno.
3
3
D.B.
f
Tba
3
1st Tbn. 2nd Tbn.
6
3
D
1st Cor.
f
3rd Tpt
f
2nd Tpt
3 3 3 3 3 3 3 3
3
1st Tpt
f
4th Hn.
6
f
3rd Hn
3
6
6
f
f
3
O
Bar. Sax.
B. Cl.
T. Sax.
3
f
3 3 3 3 3 3 3 3
f
2nd A. Sax.
3
f
f
1st A. Sax.
3
3 3 3 3 3 3 3 3 3 3 3 3 6
Alto Cl.
3
3 3 3 3 3 3 3 3 3 3 3 3
f
3rd Cl.
3
ff
E
2nd Cl.
f
f
3
O R
1st Cl.
C
Eb Cl.
S
2nd Bsn.
24
3
3
3
3
3
3
3
3
3
5
Picc.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
6
6
2nd Bsn.
3 3
3
3
3
3
3
ff
3
3
3
Hp.
Perc. 1
Perc.3
3
6
3
f
3
3
3
3 3
3
3
f
3
f 3
3
3
3 3
3
3
3
3
3
3
ff
ff
ff
ff
3
3
3
3
f
3
3
3
3
3
3
6 6
3
3
3 3
3
3
3
6
3
3
Glockenspiel
f
3
3
3
3
6 6
3
3
mf
3
6
6
S.D.
3
6
mf
3
f
3
6
3
3
3
3
3
3
3
6
f
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
3
3
3
3
3
6
3
3
6
3 3
3
6
3
3
6
3
3
3
3
3
3
3
3 3
6
3
3 3
6
3
6
3
3
3
f
3
3
f
3
3
3
f
3
3
3
6
3
6
f
3 3
3
f 6 6
3
3
3
3
f
f
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
6
f
3
3
ff
3
3
3
3
3
3
Timp. Perc.1
3
6
3
Pno.
2nd Cor.
D.B.
3
3
Tba
3
3
1st Cor.
3
Bar.
3
3
3
3
3
3
3
6
3rd Tpt
3
B. Tbn.
3
3
2nd Tpt
2nd Tbn.
3
3
4th Hn.
1st Tbn.
3
6
S
3
3rd Hn
ff
6
6 6
6
3
3
2nd Hn.
1st Tpt
3
3
6 6
M
1st Hn.
f
3
3
3
T. Sax.
Bar. Sax.
3
3
3
3
3 6 3 3 3 3
3
3
2nd A. Sax.
E
1st A. Sax.
3
D
Cb. Cl.
ff
B. Cl.
f
Alto Cl.
ff
O
3rd Cl.
f
ff
2nd Cl.
Eb Cl. 1st Cl.
3
3
3
3
f
3
3
3
3
ff
O R
2nd Fl.
C
1st Fl.
31
E
29
3
3
3
3
3
6
3
6
3
3
3
6
3
3
3
3
3
34
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
3
3
6
6
1st Cl.
2nd Cl.
3rd Cl.
3
3
3
3
3
3
3
3
3
3
3
3
6 6
3
3
3
3
3
3
6
6
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
6
6
6
3
3
3
3
3
3 3
3
6
6
3
3
3 3
6
3
6
3
2nd Hn.
3rd Hn
4th Hn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
M
3
3
3
3
3
3
3
1st Tbn.
f
3
3
3
3
3
6
6
3
3
3
3
3
3
3
3
6
3
3
3
3
3
3
3
3
3
3 3
3
6
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
6
3
3 3
3
3
3
3
3
3
3
6
3
3
3
3
6
3
3
3
mf
6
3
3
6
6
3
f
3
3
3
3
6
6
3
3
3
3
3
3
3
6
3
6
3
6
3
3
6
3
6
6
3
3
6
3
3
6
3
3
3
6
6
3
3
3
3
3
6
3
3
6
ff
3
3
3
ff
3
3
3
3
3
3
3
3
6
6
3
3 3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
6
3
E
D
3
3
S
3
3
O
3
3
3
3
6
3
3
6
3
3
3
O R
3
3
6
3
3
C
6
3
3
3
6
3
6
3
Xyl.
3
Perc. 1
f
3
3
Perc.1
3
3
Timp.
3
3
Hp.
3
Pno.
D.B.
Tba
3
3 3 3
Bar.
B. Tbn.
2nd Tbn.
3
6
2nd Cor.
3
3
1st Cor.
3rd Tpt
3
2nd Tpt
3
6
1st Tpt
3
6 Cb. Cl.
1st Hn.
Bar. Sax.
T. Sax.
2nd A. Sax.
3
1st A. Sax.
B. Cl.
3
3
3
3
Alto Cl.
3
Eb Cl.
3
E
Picc.
3
3
7
39
Picc.
ff
1st Bsn.
2nd Bsn.
Eb Cl. 1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
3
1st Tbn.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
f f
f
3
6
6
3
3
3
6
6
3
3
6
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3 3
3
3
3
f
3
3
mute 3
3
3
3
3
3
3
3
mf
mf mf
D
f
f
3
3
3
3 3 3 3 3 3 3
mute 3 mf mute 3
3 3 3 3 3 3 3
3
3
3
3
3
3
mf
f
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
Rimshots
3
3
6
3
6 6 6 6 6 6 6
f
3
3
f
3
3 3 3 3 3 3 3
f
3
f
f
3
3
6 6 6 6 6 6 6 6
f
3
3
mute 3
ff
f
3
3
mute 3
f
mf
mf
mf
f
3
3
3
6
3
3
6
f
3
f
6
6
6
3
3
3
3
3
6
E
3
mf
3
6
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
6
3
O
3
3
6
3
f
6
3
f
ff
Bar.
3
ff
B. Tbn.
2nd Tbn.
f
3
3
f
mf
2nd Cor.
3
1st Cor.
3
3
3
3
3rd Tpt
ff
2nd Tpt
f
3
ff
1st Tpt
ff
4th Hn.
3
3rd Hn
3
3
3
2nd Hn.
3
M
1st Hn.
3
3
Bar. Sax.
ff
T. Sax.
3
3
ff
2nd A. Sax.
3
C. A.
3
3
E
2nd Ob.
3
O R
1st Ob.
C
2nd Fl.
3
S
1st Fl.
ff
ff
Xylo (hard Sticks) f
8
C. A.
1st Bsn.
f
6
f
Eb Cl. 1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Hn.
2nd Hn.
open
Pno.
Timp.
Perc.1
Xyl.
6
3
3
6
f
f
3 3
6
3
3
3
3
3
mf
3
3
3
3
3
3
3 3 3 3
mf
3
3
3
3
3
3
3
3
f
3
3
3
3
3
6
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
mf
3 3 3
3
3
3 3 3 3
3
3
mf
3
3
3
3 3 3
3
3
3
3
3
3
3
mf
3
3
3
mf
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3 3 3 3
3
3
3
3
3
6
6
3
3
3
mf
3
3
f
3
3
f
3
3
f
3
3
f
3
3
ff
3
3
mf
mf
3
3
3
3
mf
3
3
3
ff
f C.C. ff
f
3
3
mf
3
ff
3
3
6
3
6
ff
ff
3
3
3
6
3
3
ff
3
f
3
3
mf mute 3
3
3
p
3
3
3
3
mf
3
S.C.
3 3
3
mute 3
3
3
3
3
ff
ff
3
ff
6
6
ff
mf
3
3
3
3
f
mf
3
mf
mf
ff
6
6
6
3
3
3
3
3
3
3
3
f
ff
3
3
3
3
f
3 3 3
3
3
3
3
3
6 3
f
3
3
3
3 3 3
3
f
3
3
6
3
mf
3
3
3
3
f
3
3
mf
6
3 3 3 3
3
3
3
f
mf
3
3
6
3
3
3
3
mf
3
3
3
3
3
3
6
cue
6 6 6 6 6 6 6 f
6
f
f
3
f
f
Perc. 1
f
Hp.
6
3 B. Tbn.
D.B.
Bar.
D
2nd Cor.
Tba
f
open
2nd Tbn.
f
open
open
1st Tbn.
open
1st Cor.
f
6
6
f
3
3rd Tpt
4th Hn.
2nd Tpt
1st Tpt
3rd Hn
3 3
6
E
3
O R
2nd Ob.
M
1st Ob.
2nd Bsn.
E
2nd Fl.
C
1st Fl.
S
45
O
Picc.
f
mf 3
3
3
6
9
53
"Hannibal in Spain"
q = 60
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
3
3
mf
mf
2nd Bsn.
56
rit.
3
mf
mf mf
mf
Eb Cl.
3rd Cl.
Alto Cl.
mf
Cb. Cl.
mf
mf
2nd A. Sax.
T. Sax.
Bar. Sax.
3
mute 3
mf
mf
Xyl.
open
3
open
mf
mf
mf
mf
mf
mf
harmon mute
p
3
3
tutti mf
mf
mf
3
3
3
p
6
3
3
3
mf
3
à1
3
3
Perc. 1
3
Perc.1
3
3
3
f
3
6
solo
2nd Tbn.
Tba
mf
O
Timp.
3
6
mf
Hp.
3
Pno.
3
Bar.
3
mf
mute 3
1st Tbn.
D.B.
3
3
1st Cor.
3rd Tpt
B. Tbn.
open
2nd Tpt
2nd Cor.
6
E
1st Tpt
M
3rd Hn
4th Hn.
6
3
open
2nd Hn.
S
6 6 3 3
D
1st Hn.
mf
B. Cl.
1st A. Sax.
O R
2nd Cl.
C
1st Cl.
59 q = 152
E
Picc.
6
3
3
p
3
3
mf
p
Vibraphone (motor on)
p
castagnets
mf
10
Picc.
64
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn. Eb Cl.
71
mf mf
mf
mf
f
3rd Cl.
Alto Cl.
T. Sax.
B. Tbn.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
mf
p
mf
mf
mf
E
mp
mf
f
f
f
mf
open
mp
mf
pp
mf
3
p
p
3
mf
mf open mf
mf
mf
3
p
mf open
mf
mp
mp
mp
mf
mf
mf
mf
f
pp cup mute
mf open
mf
mf
pp cup mute
f
open
cup mute
f
mp
f
f
mp
f
f
S
harmon mute
Tba
Pno.
Bar.
D.B.
2nd Tbn.
1st Cor.
3rd Tpt
1st Tbn.
2nd Tpt
2nd Cor.
3rd Hn
1st Tpt
2nd Hn.
4th Hn.
O
1st Hn.
M
Bar. Sax.
C
2nd A. Sax.
O R
E
1st A. Sax.
D
Cb. Cl.
mf
f
B. Cl.
2nd Cl.
f
f
1st Cl.
f
mp
mp
Xylo
f
11
76
mf
f
f
Bar. mf
f
p
mf
p
mf
3
mf
f
f
f
f
3
3
3 3 3
f
3 3
3
3
3 3
3 3
3
f
3
f
3
3
3
3
f
f
fp
f
mp Floor Tom
mp
mf
3
3
mf
f
f
f
f
3
3
3
3
f
mf
3
p
f
3
3
fp
3
mf
3
3
p 3 S. C.
3
f
Tba
f
p
3
f
3
3 3
f
3
f
mf
mf
mf
f
f
f
f
3 3
f
f f
f
3 3
f
3 3
B. Tbn.
f
2nd Tbn.
f
3 3
f
mf
f
mf
D
1st Tbn.
Xyl.
1st Cor.
Perc. 1
3rd Tpt
Perc.1
2nd Tpt
Timp.
3rd Hn
Hp.
2nd Hn.
Pno.
f
E
mf
T. Sax.
D.B.
mf
f
3 3
O R
mf
mf
83
S
2nd A. Sax.
2nd Cor.
B. Cl.
Alto Cl.
1st Tpt
3rd Cl.
4th Hn.
2nd Cl.
1st Hn.
f
O
1st Cl.
Bar. Sax.
1st Bsn.
1st A. Sax.
C. A.
Cb. Cl.
2nd Ob.
Eb Cl.
1st Ob.
2nd Bsn.
mf
M
2nd Fl.
E
1st Fl.
C
Picc.
3
12
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
3
3
3
C. A.
3
3
3
3
3
3
3
3
3
3
2nd A. Sax.
T. Sax.
3
3
3
3
3
3
3
3
3
3
D.B.
Pno.
Hp.
Perc. 1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 Xyl.
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
fz
3
3
6
fz
3
3
3
3
3
3
f
ff 3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
f
3
3
3
3 3 3 3 3 3
3
3
3
ff 3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3
3
3
3
3
3
3 3 3
3
3
3
3
3
6
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
div.
3
3
3
3
3
3
ff div.
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Timp. Perc.1
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3 3 3 3 3 3 3
3
3
ff
3
ff
3
3 3
Tba
3
3
3
3
3
3
Bar. 3
3
3
3 3
3
3
3
E
3 3
3
3
3
3
3
D
2nd Tbn.
O
3
M
1st Tbn.
B. Tbn.
3
3
3
ff
ff
3
3
3
3
3
2nd Cor.
3
3
3
3
3
3
3
1st Cor.
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3rd Hn
3rd Tpt
3
3
2nd Hn.
2nd Tpt
3
3
3
1st Tpt
3
3
3
3 3 Alto Cl. 3 3 B. Cl. 3 3 Cb. Cl.
4th Hn.
3
S
3rd Cl.
3
3
3
3
1st Hn.
3
3 3
2nd Cl.
Bar. Sax.
3
3
3
3
1st Cl.
1st A. Sax.
3
3
3
3
Eb Cl.
3
1st Bsn.
2nd Bsn.
E
3
O R
86
C
3 Picc.
3
3
3 3
3 3
mf
f
3
6
f
f
3
mp
3
3
3
f
6
13
Picc.
1st Fl.
2nd Fl.
1st Ob.
str.mute
95
6
3 3 3
3
3
3
mf
3
3
3
3
3
3
3
mf
3
3rd Cl.
3
3
3
Alto Cl.
B. Cl.
fz
Cb. Cl.
fz
2nd A. Sax.
T. Sax.
1st Hn.
3
3
mf
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
f
3
Bar.
3
3
3
mp
mp
mp
3
mf
3
3
3
3
3
mf
3
mf
3
3
3
f
p
3
B.D.
3
3
3
3
mf
3
3
3
3
mf
p
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
str. mute
f str. mute
f str. mute
p
3
3
mf
3
3
p
3
3
3
3
3
3
3
p
3
3
3
3
3
p
3
3
3
f str. mute f
3
3
3
3
3
3 3 3 3 3 3 3 3
p
f str. mute
3
3
3
mf
3
solo
3 3 3 3 3 3 mf
str. mute
p
3
3
3
3
3
3
3
3
3
3 3
p
mf
3
3
mf
3
3
3 3
3
3
3
euph solo
3
3
3
3
3
p
mf
3 3 Xyl. 3
3
3
3
3
3 3 3 3 3 3 3 6 3 3 3 3 3 3
3
3
3
3
3 3
3
f
3
3
3
3
3
3
3
mf
3
3
3
p
3
3 3 6 3 3 3 3
3
3
3
3 3
fz
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3
mf
3 3
2nd Tbn.
mp
3 3
3
D
p
mf
3
3
3
mf
3
3
3
p
3
3
3
3
3
p
3
3
3
mf
3
3
3
3
3
3
f
Perc. 1
1st Cor.
Perc.1
3
Timp.
3rd Tpt
Hp.
3
Pno.
2nd Tpt
D.B.
3
3
3
3
3
3
3
3
3
3
3 3
3
fz
3 3
3
3
6
f
3
3
3
3
3
3
mf
3
3
3
3
3
3
mf
3 3 3 3
3
3
3
3
3
p
3 3 3
3
3
3
p
3
f
Tba
3
3
3
f
3
3
4th Hn.
B. Tbn.
3
f
1st Tbn.
mf
3
3rd Hn
3
3
2nd Cor.
3
3
3 3 3 3
2nd Hn.
f
f
1st Tpt
mf
S
Bar. Sax.
3
O
1st A. Sax.
3
3 3
2nd Cl.
3
3
3
mf
3
3 3 3 3 3 3 3 3
fz
3
3
mf
1st Cl.
3
str. mute
f
M
Eb Cl.
E
2nd Bsn.
E
1st Bsn.
O R
C. A.
C
2nd Ob.
97
High Splash
Castagnets
3 3 3 3 3 3
p
middle Splash
3 3 3 3 3 3 3 3
p
14
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
106
1st Bsn.
2nd Bsn.
107
117
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
2nd Hn.
3rd Hn
4th Hn.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
Kadenza, freely
3
3
f
3 3 3 3
E
M
O
S
D
1st Tpt
3
3
3
1st Hn.
3
3
3
Bar. Sax.
3
E
3
O R
B. Cl.
3
C
Eb Cl.
1st Tbn.
2nd Tbn.
B. Tbn.
Bar. Tba
D.B.
3
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
3 3 3 3
3
3
3
f
3
3
mf
3 3 3 3 3
3
3 3 3 3 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
Pno.
3
mf 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
Kadenza, freely
f
3 3 3 3
3 3 3 3
3
3 3 3 3
3 3 3 3
3 3 3 3 3
3
3 3 3 3 3
3
3
3
3 3 3 3
15
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
118
124
q=172
p
p
3 3 3 3 3 3
mp
mf
3 3 3 3
mf
mp
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
Bar. Sax.
acc.
slow
p
6
3
3
3
3
3
3
3
3
2nd Hn.
3rd Hn
4th Hn.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
p
3
3
mf
3
3
3
3
3
3
3
3
mp
mf
mf
mp
3
3
mf
3 3 3 3
mf
mp
E
M
O
S
D
1st Tpt
p
1st Hn.
3
mf
E
Cb. Cl.
p
O R
B. Cl.
C
Eb Cl.
3
3
mf
3
3
mf
1st Tbn.
2nd Tbn.
B. Tbn.
Bar. Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
p
acc.
slow
6
mf
3
3
3
3
3
3
3
3
3
p
p
p
mp
pp
mp
Triangle
mp
mf
mf
mp
mp
3
3 3 3 3 3 3 3 3
3
3
3
mf
3
3
mf
3 3
mf
mp
mp
cresc.
mf
16
C. A.
1st Bsn.
2nd Bsn.
f
3
mf
3
3
mf 3
3
f
f
f
Cb. Cl.
1st A. Sax.
f
1st Hn.
1st Tpt
2nd Cor.
f
open
Perc.1
3
3
3
3
3
3
3
f
f
3
f
3
3
3
3
3
fp
3
3
f
Xyl.
Xylo
mf
3
sfz
3
3
3
3 f
3
3
3
3
p
3
mp
3
ff
ff
3
3
3
3
3
ff
3
3
3
ff
ff
fp
3
3
3
ff
mp
3
3
3
3
3
3
3
ff
3
fp
ff
mp
3
3
3
3
3
3
f
3
3
3
3
3
1st 3 3 3 3 3 3 3
2nd
3
3
ff
3
3
3
3
3 mp f 3
mp
3
ff
3 3 3 3
f
3 3 fp 3 3 3
3
p
3
3
3
3
p
3
3
3
ff
fp
3
f
3
3
3
3
mp
ff
3
3
f
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
p
mp
3
3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3
3
ff
3
3
f 3
3
3
fp
3
p
3
3
3
3
ff
3
3
3
f
3
f
f
mp ff
p
3
ff
f
3 3
3
3 3 3 3
3
f
ff
3
mf
3
3
3 3
mp ff f 3 3 3 3 3
3
3 3
f
3
f
3
3
3
3
3
3
3
3
f
3
f
3
3
3
f
ff
3
3
3
3
ff
3
3
ff
3
3
f
3
3
3
3
3
3
3
ff
3 3 ff ff 3 f
3
f
3
3
ff
3 3 3
ff
3
3
f
3
sfz
f
f
Perc. 1
f
Timp.
sfz
Bar.
Hp.
Pno.
f
open
D.B.
3
ff
fp
ff
3
3
3
3
3 3 3
open
Tba
3
3
3
3
3 3 3 3 3 3 3 3 3 mp f 3 ff 3 3 3 mp
3
f
3
p
3
3
3
3
ff
3 3 3 3 3 3 fp 3 3
fp
p
ff
f
3
1st Tbn.
B Trb.
2nd Tbn.
3
1st Cor.
3rd Tpt
ff
fp
3
2nd Tpt
3
3
3
3
f
4th Hn.
3
fp
3
f
f
3rd Hn
2nd Hn.
f
3
f
Bar. Sax.
T. Sax.
2nd A. Sax.
f
3
ff
f
3 3 3 3
3
mf
B. Cl.
3
3
fp
3
3 3 3
f
f
3
ff
"The Hannibal-Theme"
fp
3
3
Alto Cl.
3rd Cl.
f
2nd Cl.
f
f
Eb Cl. 1st Cl.
O
2nd Ob.
f
M
1st Ob.
E
2nd Fl.
3
f
D
1st Fl.
137
E
O R
C
131
S
Picc.
f
f
ff
mp
3
3
3
3
3
f
ff mp
3 3 3 ff
3
mp
3
ff
3
3
ff C.C.
f
ff
3
mp
mf
mf
17
C. A.
3
3
mf
3
3
3
mf
3
3
3
mf
3
3
f
3
f
3
3
3
T. Sax.
3
3
3
3
3rd Tpt
1st Cor.
2nd Cor.
3
3
Tba
D.B.
mf
3
3
Hp.
Timp.
Perc.1
Perc. 1
p 3
3
3
3
Xyl.
mf
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
f
f 3
3
f 3
3
3
3 3
3
mf
3
3
3
3
f
3
3
f
3
3
f
3
3
3
3
3
3
3
f 3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
f
3
3
3
3
3
f
f
f
3
3
3
3
3
3
3
mf
3
3
3
3
mf
3
3 3
f
mf
3
3 3
f
f
3
3
3
3
3
3
f
3
3
f
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
B.D.
3
f
3
3 3
f
3
f
f
3
3
3
f
f
f
3
3
3
3
3
f
3
3
3
3
3
3
f
3
f
3 3
3
mf
3
3
3
Pno.
3
3 both 3 3 3 Bar.
B Trb.
3
3
3
3
3
3
D
3
3
3
3
3
3
3
f
3 3
f
3
3
3
3
2nd Tpt
2nd Tbn.
f
3rd Hn
3
mf
3
3
3 3 3 3 3 mf
f
2nd Hn.
3
f
3
3
f
3
3
3
M
2nd A. Sax.
3
3
3
f
3
3
f
3
E
B. Cl.
3
3
f
f
3
3
3 p 3
3
3
3
3
3
p
1st Tbn.
3
3 3 3
Alto Cl.
1st Tpt
3
3
3
3 3 3
3 3
3rd Cl.
4th Hn.
3
3
3
p
1st Hn.
3
3
3
3
f
3
Bar. Sax.
3
3
3
3
2nd Cl.
1st A. Sax.
3
3 3
mf
3
O
1st Cl.
Cb. Cl.
f
3 3
1st Bsn.
Eb Cl.
3
f
3
E
2nd Ob.
2nd Bsn.
mf
1st Ob.
3
3
mf
2nd Fl.
3
3
O R
1st Fl.
3 f 3 mf 3 3
C
141
S
Picc.
18
153
3
3
3
3
3
3
C. A.
3
1st Bsn.
3 3
3
Eb Cl.
3
3
3
3
2nd Cl.
3
2nd A. Sax.
3
2nd Cor.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
ff
3
3
3
3
3
3
ff
3
3 3 3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3
3
3
3 3
3 3 3
3
3
3
3
3 3
3 3
3
3 3
3
3 3
3
3
3
3
3
3
3
3
f
f
f
3 3 3
3 3 3 3 3
3
f
3 3 3 3 3 3 f
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
3
3 3
f
3 3
3
3
3
Xylophone
f
3 3 3
3
3
3
ff
3 3
3
f
3
3 3 3
ff
3
3 3
3
3
3
3
ff
3
3 3
3
3 3
3
3 3
3 3
3 3
3
3 3
ff
3 3
3
3
ff
3
3 3
ff
3 3
3
ff
3 3 3 3
3
3 3 3 3
ff
3 3
3 3
3
3
3 3 3 3
3
ff
ff
3 3
3
3
3 3 3
Glockenspiel 3 f
ff
3
3 3 3
3
3
3
3 3 3 3 3 3 3
3 3 3
3
3
ff
3
3 3 3 3
3
3
ff
3
3 3 3 3
3
3
ff
3
ff
3
3
3
3
3
3 3 3
ff
3
3
3
3 3 3
ff
3
3
3 3 3 3
ff
3
3
3 3 3
3
3
3 3 3
3
ff
3
3
ff
3
ff
3
O
3
3 3 3
3
3
3
3 3 3
ff
3
3
M
1st Cor.
3
3
3
3
3rd Tpt
3
3
ff
2nd Tpt
1st Tbn.
3
3
3
ff
159
3 3 3
E
1st Tpt
3
3
3 3 3
3
3rd Hn
3
ff
2nd Hn.
4th Hn.
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3
ff
3
1st Hn.
3
3
3 3 3
3
ff
3
3
3
3
T. Sax.
Bar. Sax.
3
3
3
3 3
3 3
ff
3
D
1st A. Sax.
3
3
ff
3
3
3
3
ff
3
3
3
3
Cb. Cl.
3
3
3
ff
B. Cl.
3
ff
Alto Cl.
3
1st Cl.
3rd Cl.
3
3 3 3
ff
3
3
3
ff
3
ff
3
3
3
ff
3
3
3
3
3
O R
2nd Ob.
2nd Bsn.
3
ff
3
3
1st Ob.
3
ff
3
C
2nd Fl.
3 3 3
S
1st Fl.
E
Picc. 150
3
3
Floor Tom 3
3
3
f
3
3
19
3
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
3
f
3
3
f
f
f
3rd Cl.
Alto Cl.
1st Hn.
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
3
3
2nd Tpt
3rd Tpt
3
3
1st Cor.
3
2nd Cor.
1st Tbn.
3
2nd Tbn.
B Trb.
D.B.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
mf
f
mf
f
3
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
C.C.
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
st. mute
st. mute
st. mute
3
3
3
3
3
3
3
3
3
3
mf
3
3
f
3
3 3
3
3
3
3
3
3 3
3 3
3
3
3
3
3 f mf
3
3
3
f
3
fp
mf
3
3
3
fp
f
3
3
fp
3
f
3
3
3
3
mf
3
3
f
f
mf
mf
3
f
3
3
3
f
f
3
mf
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3 3 3 3
3
f
3 3
3
3
3
3
f
3
3 3 3
3
3
3
3
3
3
3
3
3 f
3
f
f
3
3
3
3
3
mf
3
3
3
3
3
f mf 3 3 3
3
3
3
mf
3
3
3
f
mf
3
3
3
f
3 f 3 mf 3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
f
f
3
3
3
3
3
f
3
mf 3 f 3 3
3
3
3
3
3
mf
3
f
3
3 3 3
Pno.
f
f
f
3
f
3
3
3
3
3
3
mf
3
3
3
3
3
3
mf
f
3
mf
3
f
3
3
3 mf 3
mf
3
3
f
3
3
3
Bar. Tba
3
3
3
3
f3
3
mf
3
3
f
3
f mf 3 3
f
f
mf
3
mf 3
mf
f
3
f
mf 3
3
3
f
3
3
3
3
3
3
f mf
3
3
3
f
mf
f
mf
3
3
3
f
T. Sax.
Bar. Sax.
2nd A. Sax.
f
M
1st A. Sax.
mf
3
E
Cb. Cl.
B. Cl.
f
3
D
2nd Cl.
3
1st Cl.
f
mf
3
3 3
f
mf
3
3
3
f
f
mf
3
Eb Cl.
mf
3
3
3
f
3
f
3
mf
3
mf
3
3
E
3
3
O R
f
3 f mf 3
C
3
S
1st Fl.
168
162
O
Picc.
3
20
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
173
3
3
3
3
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
f
3
f
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
f mute
f mute
f
fp
mf
mf
mf
3
f
3
f
3
fp
f
3
f
mf
fp
mf
mf
fp
fp
fp
3
3
3
3
3
3
3 3
f
3 3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
f
f
ff
ff
3
f
ff
open
open
f
f
f
3
f
open
f
mf
Woodblock
mf
f
f Floortom
3
3
f
3
Xylophone
mf
f
3
f
3
f
3
3
3
Glockenspiel
3
3
3
3
3
3
3
f
3
3
f
3
3
3
3
3
3
3
3
3
mf
f
3
3
3
mf
f
3
3
3
mute
3
3
3
3
f
mute
f
f
3 3
C
S
O R
f
f
f
3
3
f
3
3
f
f
f
mf
Tba
mf
f
2nd Tbn.
Bar.
f
1st Cor.
B Trb.
3
3
3rd Tpt
1st Tbn.
mf
2nd Tpt
2nd Cor.
3
3
3rd Hn
1st Tpt
3
2nd Hn.
4th Hn.
3
3
3
mf
T. Sax.
1st Hn.
3
3
3
2nd A. Sax.
Bar. Sax.
O
1st A. Sax.
M
Cb. Cl.
f
E
Eb Cl.
D
2nd Bsn.
"Hannibal leads to the Alps"
E
1st Bsn.
176
21
188
Picc.
1st Ob.
2nd Ob.
184
2nd Fl.
1st Bsn.
2nd Cl.
3rd Cl.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3 3
3 3 3 3 3 3
3 3
3 3
3 3
3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
C
3
3
3
3 3
3 3
3 3
3
3
3
3
3
3
3
f
3 3 3
3
3
f
3
3
3
3 3
3
3
3
3
3
3 3 3
3
3
3
3
3 3
3 3
3 3
3 3 3 3 3 3
mf
3 3 3 3
cresc.
3
mf 3
cresc. 3
3
mf cresc. 3
3
3
3 3 3 3 3 3 3
3
3
3
3
3
3 3 3 3 3 3 3 3 3
3
3
3
3
3 3
3
3
3
mf
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3 3 3 3 3 3
3
3 3 3 3
3
3
3
f
f
3
3
3
B.D.
3
3
3
3
3
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 f 3 3 3 3 3
3
3
3
3
3 3
3
3
3
3
3 3 3
3
3
3 3
2nd Tbn.
3
3
3 3 3 3
3 3 3 3 3 3
3
mf
3
O
M
D
3 3 3 3 3 3
3
3 3 3 3
1st Tbn.
3
3
3
3
3
3
3 3
3
3 3 3 3 3 3 3 3 3 3 3 f 3 f 3 3 3 3 3 3
3
3
3
3
3
3
3 3
3
3
open
f open
f
3
f open
3 3
3
3
f
open
3
O R
f
S
3
mf 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
mf
3
mf
3
192
3
3
3
3 3
3
f
3
f
2nd Cor.
Xyl.
3
Perc. 1
3
Perc.1
3
3
1st Cor.
Timp.
mf
3
f
Hp.
3
3
3rd Tpt
Pno.
3
mf
3
2nd Tpt
D.B.
3
3rd Hn
Tba
3
2nd Hn.
Bar.
3
T. Sax.
B Trb.
3
2nd A. Sax.
1st Tpt
3
4th Hn.
3
Cb. Cl.
1st Hn.
3
Bar. Sax.
3
B. Cl.
1st A. Sax.
3
Alto Cl.
3
Eb Cl. 1st Cl.
3
3
E
2nd Bsn.
3
mf
C. A.
3
E
1st Fl.
3
3
3
3
22
195
C. A.
1st Bsn.
2nd Bsn.
cresc. 3
3
mf
cresc.
3
f
3
3
3
f
cresc.
1st Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
B Trb.
Bar.
Tba
D.B.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
3
3
3
3
ff
f
ff
3
3
3
3
3
3
3
3
3
f cresc.
3
3
3
3
3
3
3
3
3
3
3
3
f
cresc.
3
3
f
cresc.
3
3
3
3
3
3
f
cresc. 3
3
f
cresc.
3
3
3
3
mf
f
cresc.
3
3
3
3
mf
f
cresc.
3
3
3
3
f
cresc.
mf
3
3
3
3
f
cresc.
mf
3
3
3
3
3
f
3
ff
mf
ff
3 3
mf
ff
ff
ff
ff
3
3
ff
ff
mf
mf
3
3
3
ff
ff
ff
3
ff
ff
mf
ff
3 3 3 3 3 3 3
3
3
f
mf
3
ff
3 3 3 3 3 3
3
ff
3
ff
3 3 3 3 3 3 3
f
f
cresc.
3 3 3 3 mf
f
cresc.
3
3
ff
3
3 3
ff
3
ff
3
3
3
ff
3 3
f
C.C.
ff
f
C.C.
ff
ff
ff
ff
ff
3
3
3
f 3
3
3
ff
3
f
3
f
3
3
f 3
ff
f
3
3
f
cresc.
3
3
ff 3
f
ff
3
ff
3
3
ff
ff
3
ff
ff
ff
ff
ff
ff
f
cresc.
3
3 3 3 3 3 3 3 3 3
ff
f
ff
ff
3 3 3 3 3
3 3 3 3 3 3 3
3 3 3 3 3 3 3
cresc.
ff
3
ff
f
3
ff
f
mf
ff
3
3
3 3 3 3 3
f
3
3 3 3
ff
3
3
3 3 3 3 3
mf
3
ff
ff
ff
ff
ff
3 3 3 3 3 3 3
f
3
mf
3
3
f
ff
ff
ff
3
3 3
mf
3
ff
mf
3
3 3 3 3 3
3
mf
3 3 3
3
3
3
mf
ff
3
3
3
3
ff
f cresc.
mf
mf
f
3 3
f
cresc.
mf
ff
3
3
Pno.
3
mf
3
2nd Tbn.
ff
f
3
f
cresc.
2nd Tpt
f
3
mf
3
M
3rd Hn
mf
3 3 3 3 3 3
3
3 3
mf
3 3 3 3 3 3 3
2nd Hn.
4th Hn.
T. Sax.
1st Hn.
2nd A. Sax.
Bar. Sax.
3
E
1st A. Sax.
3
D
B. Cl.
Cb. Cl.
ff 3
mf
ff
3
3
f
3
ff
mf
f 3 3 3 3 3 3 3
Alto Cl.
3 3
3rd Cl.
ff
f
3
2nd Cl.
3 3 ff
f
f 3
Eb Cl. 1st Cl.
O R
2nd Ob.
ff
poco a poco crescendo
C
1st Ob.
3 3
f
200
S
2nd Fl.
O
1st Fl.
3 3
E
Picc.
ff
ff
3
23
3
3
3
3
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
Eb Cl.
2nd Cl.
3rd Cl.
Alto Cl.
Cb. Cl.
1st A. Sax.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
both
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
Glockenspiel
ff
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
M
3
3
3
3
3
3
3
3
3
3
3
3
Tam Tam
Xyl.
3
div.
Perc. 1
3
Bar.
Perc.1
3
3
2nd Tbn.
3
1st Tbn.
3
3
3
1st Cor.
3rd Tpt
3
3
3
3
3
2nd Tpt
3
D
3
3
3
3
4th Hn.
Timp.
3
3
3
3
3
Hp.
Pno.
3
3rd Hn
D.B.
3
Tba
3
3
B Trb.
3
2nd Hn.
2nd Cor.
3
3
1st Tpt
T. Sax.
1st Hn.
2nd A. Sax.
Bar. Sax.
1st Cl.
B. Cl.
E
2nd Bsn.
O
E
1st Fl.
O R
3
C
206
S
Picc.
3
3
3
mf
3
3
3
3
24
Picc. 212
1st Bsn.
2nd Bsn.
2nd Cl.
Cb. Cl.
1st A. Sax.
mp 3 3 3
3
3
3
mf
3 3
mf
3
3
mf
3 3
mf
3 3
3 3
mp
3
3
3
3
3 3 3 3
mp
3
3
3
3
3
3
3
3
3
p
p
3
3
p
3 3
mp
3
3 3
mp
3
3
3
p
3
3
3
p
3
mp
3
3 3
mp
3 3
3
3
3
3
3
3
p
3
3
p
3
3
p
3
3
p
3 3 3 3 3 3
3
3
3
3
3
mp
mp
3
3
3
3rd Tpt
1st Cor.
2nd Cor.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
D
1st Tbn.
3
3
3
3
E
2nd Tpt
3
3
3 3
3
3
3
3
p
3
mp
p
mp
3 3
3
3
3 3 p
f
p
mp
3 3
3 3
3 3
3 3
3
mp
mp
mp
3
3 3
3
3
3
mp
mp
3
3
3
3
3
3
mp
3
3
3
mp
3
3
mp
3
3 3
3
mp
3
mf
3
3 3
3
3
3
3
3
mp
3 3
3 3
3
3
mp
Bar. Sax.
1st Tpt
T. Sax.
4th Hn.
3rd Hn
2nd Hn.
1st Hn.
2nd A. Sax.
B. Cl.
Alto Cl.
3rd Cl.
Eb Cl. 1st Cl.
E
C. A.
O R
C
2nd Ob.
S
1st Ob.
O
2nd Fl.
M
1st Fl.
mp Xylophone
3 3
3 3
mp
3 3
25
217
Picc.
calmando q =86
f
f
f
1st Ob.
f
2nd Ob.
f
C. A.
f
Eb Cl.
f
f
f
2nd Cl.
f-pp
3rd Cl.
f-pp
Alto Cl.
mp
mp
T. Sax.
1st Hn.
f-pp
4th Hn.
1st Tpt
1st Tbn.
Pno.
Timp.
Perc.1
Perc. 1
Xyl.
mf
mp
one, Cup mute p one, Cup mute
p one, Cup mute
p
open
mf
open
mf
mf
open
mf
mf
open
mute
mp
mute
p
mp
mp
mf
mp
mf
mf
mp
mp
mp
pp mute
pp
pp
mf
mf
mf
open mf
pp
mf
pp
p3
3
p 3
3
p 3
3
mf
pp mute
pp
pp mute
mute
pp
f
f
f
p
mute
mp
mute
p
mf
p
mp
mp
mf
mf
mp
f
mp f
pp
solo
Hp.
mp
D.B.
Bar. Tba
2nd Tbn.
B Trb.
1st Cor.
2nd Cor.
3rd Tpt
2nd Tpt
pp
mp
f-pp
f-pp
3rd Hn
f-pp
mp
2nd Hn.
f-pp
E
Bar. Sax.
f-pp
f-pp
2nd A. Sax.
D
1st A. Sax.
f-pp
B. Cl.
Cb. Cl.
O
f-pp
M
1st Cl.
C
2nd Bsn.
S
1st Bsn.
E
2nd Fl.
O R
1st Fl.
226 "Crossing the Alps" q = 86
p
p
mp
mf
Vibraphone (motor off)
pp
p
Congas
3
mp
mf
3
mp
26
1st Fl.
2nd Fl.
C. A.
1st Bsn.
2nd Bsn.
Alto Cl.
B. Cl.
3rd Cl.
Cb. Cl.
p
p
mf p
p
T. Sax.
Bar. Sax.
f
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Xyl.
mf
mf
mf p
3
3
mf
mf
p
f
p
mf
f
mf
3
p
f
mf
mf
p
f
3
3
3
3
f
f
mf
mf
3
mp
mf
f
3
mf
mf
3
3
3
mf
mf
3
3
3
f
3
3
f
p
p
mf mp
3
p
f
3
3
3
mf
p
p
mf
3
3
3
3
p
3
3
3
p
3 p p
3 p
Solo
p
p
f
mf
f
p
p
mf
mf
mf
p
3 3 3 3 3 3 mf mp 3 3 f
p
f
3
mf
3
mf
3
Perc. 1
3
mf
3
mf
O
1st Tbn. 3 mf 2nd Tbn. B Trb.
M
3
3
mf
f
mf 3
f
f
3
3
mf
f
3
mf 3
3
mf
1st Cor.
3rd Tpt
p
f
3
2nd Tpt
2nd Cor.
f
E
f
3
mf
D
1st Tpt
mf p
p
f
4th Hn.
3rd Hn
mf
p
mf
3
3
3
mf
p
mf 3
2nd Hn.
mf 3
f
1st Hn.
3
2nd A. Sax.
1st A. Sax.
f
f
f
3
mf 3
p
3
mf
3
mf 3
p
3
2nd Cl.
3
mf
Eb Cl. 1st Cl.
mf 3
mf p
3
234
O R
2nd Ob.
mf 3
3 f 3 f
S
1st Ob.
3 mf 3 3 mf 3
C
228
E
Picc.
mf
mf
3
Xylophone
mf
p
f
3
mp
f
3
27
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
236
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
3
3
3
3
3
3
3
mf
5
p
mf
3
mf
3 p 3 p
3
3
3
3
2nd A. Sax.
T. Sax.
Bar. Sax.
1st Cor.
mf
3
3
3
3
p
Solo
3
p
3 3
3
f
3 3
f
3 3
f
mf
mf
mf
f
f
mf
f
f
str. mute
3
str. mute 3
3
3
3
str. mute
3
f
S
mf
E
3rd Tpt
2nd Tpt
2nd Cor.
3
3
D
1st Tpt
3
3
O
4th Hn.
3 3
mf
3
M
3rd Hn
3 3
mf
3
2nd Hn.
3
mf
mf
3
mf
3
3
3
3 3
3
1st Hn.
1st A. Sax.
E
Eb Cl.
O R
2nd Bsn.
C
1st Bsn.
242
p3 str. mute 3 p
p
p3
3
3
3
3 3
3
3
3
p
3
3 3
1st Tbn.
2nd Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
p 3
3
3
3
p
3
p
3
3
3
p
f
mf
p
mf
3
mf mp
3
3
28
1st Cl.
2nd Cl.
3rd Cl.
Alto Cl.
245
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
B. Cl.
p 3
3
3
p
p 3
3
3
3
p
p 3
3
3
3
p
p 3
3
p
p 3
3 3 3
f
3
f
3
3
3 3 3
f
3
f
3
3
3
3
3
f
f
3
3
3
3
T. Sax.
Bar. Sax.
2nd Hn.
3rd Hn
1st Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
f
S mf
mf
3
p
3
p
3
p
Str. mute
mute
mf
p
3 p
mf
2nd Tbn.
3
mf
D
2nd Cor.
p
mf
1st Cor.
mf
mf
3rd Tpt
mf
mute
O
mute mf mute
M
3 3
2nd Tpt
mf
E
mf
C
2nd A. Sax.
mf
mf
mf
1st Tpt
mf
4th Hn.
3
mf
1st A. Sax. Cb. Cl.
1st Hn.
f
f
3
3
mf
3
3 3
3
f
3
3
3
3
3
3
250
O R
1st Fl.
E
Picc.
mf
3 p Str. mute
3 p Str. mute
p
3
3
3
3
3
3
mf
mf
mf
3
3 p
Xyl.
3
3
mf
3
3
f
3
mf
3
mf
3
3
29
Picc.
2nd Ob.
C. A.
255
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
3
3
2nd Cl.
3rd Cl.
Alto Cl.
3
3
3
3
3
3
3
f
3 mf p
3
mf
Cb. Cl.
1st Tpt
3
3
3
p 3
3
3
3
mf
mf
p
mf
p
mf
f
3 3
3
mf
f
mf
f
mf
3
mf
f
3
3
3
3
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
2nd Tbn.
Xyl.
p
3
3
f
f
f
f
mf
3
Perc. 1
D
E
2nd Tpt
3
mf
3
3
mf
3
f
mf
f
3
f
3
f
mf
3
3
3
3
mf
S
3
O
4th Hn.
M
3rd Hn
p
Bar. Sax.
f
2nd Hn.
mf
mf
3
f
3
p
T. Sax.
3
f
3
3
mf
f
f
mf 3
mf
3
f
3
2nd A. Sax.
1st Hn.
f
p
mf
3
mf
B. Cl.
1st A. Sax.
E
1st Ob.
3
O R
2nd Fl.
C
1st Fl.
258
3
mf
30
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
263
2nd Cl.
3
3
3
3
3
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
3
3
3
3
3
3
3
3
3
3
3
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2nd Hn.
3rd Hn
3
3
3
3
3
3
3
3
3
3
4th Hn. 3
3
3
3
mf
3
3
3
3
mf
mf
3
3
3
3
3
3
mf
3
3
3
3rd Tpt
1st Cor.
2nd Cor.
D
2nd Tbn.
E
2nd Tpt
open
open
open
f
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
f
string. e cresc.
3
3
3
3
3
3
3
3
1st Tbn.
3
3
M
3
O
3
Xyl.
3
3
Perc. 1
Perc.1
Bar. Sax.
Timp.
3
Hp.
3
3
Pno.
3
D.B.
3
3
T. Sax.
3
3
Tba
3
Bar.
3
3
3
B Trb.
3
2nd A. Sax.
1st Tpt
3
mf
1st A. Sax.
1st Hn.
3
3
mf
E
1st Cl.
O R
Eb Cl.
C
2nd Bsn.
S
1st Bsn.
264
3
f Glockenspiel
f
f
3
3
3
3
31
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
270
fp
fp
fp
fp
1st Bsn.
2nd Bsn.
2nd Cl.
3
3
3
3
3
3
3
3
3
3
T. Sax.
Bar. Sax.
4th Hn.
1st Cor.
2nd Cor.
fp
fp
fp
ff
ff
ff
ff ff
ff
ff
ff
ff
tutti
ff
3
3
3
ff
ff ff
fp
fp
ff
ff
3
3
3
3
ff 3
3
ff
3
3
3
3
ff
3
3
ff
3
fp
f
fp
fp
ff
ff ff
ff
fp
fp
3
Xyl.
ff
fp
3
Perc. 1
Perc.1
fp
Tba
fp
3rd Tpt
fp
Bar.
fp
fp
2nd Tbn.
2nd Tpt
Timp.
fp
M
3rd Hn
Hp.
3
E
2nd Hn.
Pno.
3
D.B.
fp
3
C
3
B Trb.
fp
3
S
2nd A. Sax.
1st Tbn.
3
ff
O
3
B. Cl.
1st Tpt
3
Alto Cl.
1st Hn.
3
3
3
1st A. Sax.
3
3rd Cl.
Cb. Cl.
3
3
fp
fp
1st Cl.
fp
D
Eb Cl.
Con Fuoco q=144
fp
272
fp
E
269
O R
Picc.
f
f C.C.
3
f Xylophone
3
3
ff
32
ff 3
1st Fl.
2nd Fl.
1st Ob.
ff
3
ff
C. A.
1st Bsn.
3
1st Cl.
3
3
3
3
3
Cb. Cl.
ff
ff
3
3
3
4th Hn.
3
ff
3
ff
3
2nd Cor.
1st Tbn.
3
1st Cor.
3
Pno.
Hp.
Timp.
ff
3
f
3
ff
3
3
p
f
f
f
3
3
3
f
p
f
f
f
p f
f
C.C.
3
3
3
3
3
3
fff
f
f
p
f
f
f
Xyl.
Perc.1 Perc. 1
3
D.B.
ff
3
Bar. Tba
ff
B Trb.
ff
2nd Tbn.
M
ff
E
3rd Tpt
D
2nd Tpt
3
O
f
p
1st Tpt
f
3rd Hn
2nd Hn.
f
S
3
3
Bar. Sax.
3
1st Hn.
ff
T. Sax.
3
3rd Cl.
3
3
3
3
ff
3
3
3
2nd A. Sax.
3
3
1st A. Sax.
3
B. Cl.
2nd Cl.
Alto Cl.
3
ff
Eb Cl.
3
3
ff
2nd Bsn.
3
3
2nd Ob.
E
O R
Picc.
280 "Hannibal fights against Romanian Imperium"
C
276
Woodblock
f
f
p
33
290
1st Ob.
2nd Ob.
C. A.
283
2nd Hn.
3rd Hn
4th Hn.
1st Tpt
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
f
p
Perc.1
Perc. 1
Xyl.
f
f
f
mf
f
mf
mf
f
mf
f
f
mf
p
mf
f
mf
f
mf
p
f
mf
f
mf
f
mf
f
f
mf
f
p
p
p
mf
f
mf
f
mf
f
p
mf
f
p
mf
f
p
mf
f
p
mf
f
p
mf
p
p
p
mf
f
mf
f
mf
f
mf
f
mf
mf
mf
p
3
p
3
3 f p
3
mp
mf
mp3
mf
3
f 3
f
3
f
f
mf
f
mf
f
f 3
p f
p
mf
f
mf
f
f
mf
mf
p
3 3 3 mp f p mf
p
f
f
f mf
f
p
p mf f p mf f
p f p
f
p
f
Timp.
f
Hp.
f
Pno.
f
D.B.
Tba
Bar.
B Trb.
f
1st Tbn. 2nd Tbn.
f
f
p f
f
1st Hn.
p
Bar. Sax.
Cb. Cl.
T. Sax.
2nd A. Sax.
B. Cl.
1st A. Sax.
E
Alto Cl.
O R
3rd Cl.
f
2nd Cl.
C
1st Cl.
S
Eb Cl.
f
2nd Bsn.
O
1st Bsn.
M
2nd Fl.
E
1st Fl.
D
Picc.
f
p
mf
f
3
3
mf
3
3
34
296
2nd Ob.
f
f
f
3
f
f
f
2nd Hn.
3rd Hn
1st Tpt
f
fp
Timp.
Perc.1
f
Perc. 1
Xyl.
fp
fff
fff
fff
fff
fff
fff
fff
fff
fff
f
Tambourin
3 3 3 f 3
mf
mf3
f 3
mf
mf
mf
mf
mf
mf
f
mf
p3
mf
p
fff
mf
3 3 3
f
f
mf
f
3 3
mf
f
mf
f
3 3
3 3
mf
f
f
mf
mf
f
f
mf
p
fff
p
3 p 3
fff
f
mf
3 3 3 3
mf
fp f 3 3 3 f 3 mf
f
fff
f
3
3
f
3
3
f
3
mf
f
f
fp
Tba fp
Hp.
f
2nd Tbn.
Pno.
f
1st Tbn.
D.B.
f
f
f
1st Cor.
Bar.
3rd Tpt
B Trb.
f
2nd Tpt
2nd Cor.
E
4th Hn.
D
1st Hn.
fp
M
3 3 T. Sax. 3 f 3 mf Bar. Sax.
f
f
f
f
fp
f
f
mf 3 3 3 f 3 mf 3 3 3
2nd A. Sax.
fp
1st A. Sax.
f
mf
Cb. Cl.
3
B. Cl.
fp f 3 3 3
Alto Cl.
f
fp
f
3rd Cl.
Eb Cl.
2nd Cl.
f
fp
1st Cl.
f
fp
2nd Bsn.
1st Bsn.
f
C. A.
f
fp
E
1st Ob.
O R
2nd Fl.
fp fp fp
C
f f f
1st Fl.
fp
S
f
O
Picc. 294
mf
p
3
3
mf
3
35
309
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
307
3
f
3
3
3
3
3
Alto Cl.
3
3
3
3
3
2nd Cor.
2ndtime only 2nd timeonly
f
f
2nd time only
2nd time only
3 3 3 3
f
f
f
3
fff
D
E
f
both times
fff
fff
fff
fff
fff
fff
fff
fff
both times
fff
fff
both times
fff both times
fff both times
both times
fff
fff both times
fff both times
both times
3
3
3
f
3 3 3 3 f
Xyl.
f
2nd time only
1st Cor.
Perc. 1
3rd Tpt
Perc.1
2nd time only
f
2nd time only
2nd Tpt
Timp.
2nd time only
f
Hp.
legato
3
3
Pno.
f
D.B.
f
3
Tba
f
Bar. Sax.
Bar.
f
3
3 3 3 3 legato f 2ndtime only
B Trb.
3 3 3 3
1st A. Sax.
legato
Cb. Cl.
2nd Tbn.
E
3rd Cl.
1st Tbn.
O R
1st Tpt
S
2nd Cl.
C
4th Hn.
f
1st Cl.
3rd Hn
f
2nd Hn.
3 legato
1st Hn.
legato
3
T. Sax.
f
3
2nd A. Sax.
B. Cl.
f
Eb Cl.
f
O
2nd Bsn.
1st Bsn.
f 3 3 f
M
Picc.
3
3
f
3
3
f
f
f
f
f
f
36
1st Ob.
2nd Ob.
C. A.
2nd Bsn. 1st Bsn.
1st Cl.
Eb Cl.
2nd Cl.
3rd Cl.
Alto Cl.
1st A. Sax.
2nd A. Sax.
T. Sax.
mp
mp mp
1st Hn. 2nd Hn.
Bar. Sax.
mp
Cb. Cl.
B. Cl.
mp
4th Hn.
2nd Tpt
3rd Tpt
2nd Cor. 1st Cor.
1st Tbn.
B Trb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
div. mp
Xyl.
Perc. 1
2nd Tbn.
E
D
1st Tpt
M
3rd Hn
O
E
318
O R
2nd Fl.
2.
C
316 1.
S
Picc. 1st Fl.
solo ff mf f
mf
f-mf
Marimbaphone
mf
Xylophone
mf
37
Picc.
326
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
2nd Bsn. 1st Bsn.
1st Cl.
2nd Cl.
Cb. Cl. 1st A. Sax. 2nd A. Sax.
T. Sax.
p hit with metal on your stand p
2nd Cor.
1st Tbn.
p hit with metal on your stand
D
E
M
O
cup mute
cup mute
p
f
p
p
hit with metal on your mute or stand p hit with metal on your mute or stand
p
hit with metal on your mute or stand p
p
metal on your mute or stand hitwith
p
mf hit with metal on your mute or stand
p hit with metal on your mute or stand
hit with metal on your mute or stand
hit with metal on your mute or stand
p hit with metal on your mute or stand
hit with metal on your mute or stand
p
p hit with metal on your mute or stand
p hit with metal on your mute or stand
p hit with metal on your mute or stand
cup mute
hit with metal on your mute or stand
Solo Stand up
mp
p hit with metal on your stand
hit with metal on your stand
p
f
p hit with metal on your stand
hit with metal on your stand
Perc.1
Xyl.
Perc. 1
Timp.
Hp.
mf
Pno.
D.B.
hit with metal on your stand
Tba
p
Bar.
B Trb.
2nd Tbn.
p
1st Cor.
3rd Tpt
2nd Tpt
p hit with metal on your stand
1st Tpt
p hit with metal on your stand
4th Hn.
p hit with metal on your stand
3rd Hn
p hit with metal on your stand
2nd Hn.
hit with metal on your stand
1st Hn.
mp
p
S
Bar. Sax.
E
B. Cl.
Cue Trumpet Solo
O R
Alto Cl.
C
3rd Cl.
hit with metal on your stand
Eb Cl.
333
38
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
335
2nd Bsn.
1st Bsn.
1st Cl.
f
mp
f
Cb. Cl. 1st A. Sax.
Alto Cl.
3rd Cl.
2nd Cl.
B. Cl.
O R
Eb Cl.
E
C. A.
T. Sax.
Bar. Sax.
C
2nd A. Sax.
2nd Hn.
3rd Hn
4th Hn.
3rd Tpt
1st Cor.
1st Tbn.
Bar.
Tba
D.B.
Pno.
Hp.
Perc. 1
Xyl.
mp
f
Perc.1 Timp.
f
2nd Tbn.
B Trb.
D
2nd Cor.
E
2nd Tpt
O
M
1st Tpt
S
1st Hn.
39
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
345
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
f
f
3rd Cl.
Alto Cl.
E
O R
T. Sax.
3rd Hn
4th Hn.
C
2nd Hn.
2nd Tpt
3rd Tpt
1st Cor.
E
D
2nd Cor.
M
f
f
mf
Bar.
mf
mf
f
f
f
f
mf
f
f
mf
f
Perc.1
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mf
mf
Perc. 1
Timp.
mf
f
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mf
f
Pno.
f
f
mf
f
mf
mf
2nd Tbn.
D.B.
Tba
f
mf
1st Tbn.
B Trb.
f
mf
1st Tpt
f
S
O
1st Hn.
f
f
f
f
2nd A. Sax.
Bar. Sax.
f
f
mf
f
f
f
mf
f
Cb. Cl. 1st A. Sax.
f
2nd Cl.
B. Cl.
rit.
354 Maestoso q=86
349
40
355
1st Bsn.
Alto Cl.
1st Hn.
mf
mf
f
mf
mf
mf
mf
mf
f
7
f
mf
mf
f
D.B.
Pno.
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Timp.
Perc.1
Perc. 1
Xyl.
f
f
f
f
f
f
f
f
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f
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f
f
f
f
mf
f
mf
f
mf
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f
f
7
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f
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mf
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f
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2nd Tbn.
f
mf
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7
f
1st Tbn.
7
3rd Tpt
2nd Tpt
1st Tpt
mf
2nd Hn.
4th Hn.
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f
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Bar. Sax.
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2nd Cl.
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1st Cl.
Cb. Cl.
S
C. A.
O
2nd Ob.
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2nd Bsn.
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Picc.
7
mf
f
Tubular Bell
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41
Picc.
364
363
ff
1st Ob.
2nd Ob.
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
2nd A. Sax.
1st Hn.
2nd Hn.
3rd Hn
1st Tpt
3rd Tpt
2nd Cor.
1st Tbn.
B Trb.
p
Bar.
mp
mp
mp
Perc.1
Perc. 1
f
mf
mf
f
f
f
mf
mf
mf
f
f
f
f
f
p
f
f
ff
ff
ff
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ff
f
f
mp
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mf
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mf
mp
Tba
D.B.
molto espressivo
p
2nd Tbn.
1st Cor.
molto espressivo
2nd Tpt
p
mf
4th Hn.
Bar. Sax.
p
molto espressivo
p
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molto espressivo
E
1st Cl.
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1st Bsn.
D
C. A.
S
2nd Fl.
O
M
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mf
f
f
f
f
f
f
f
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42
"Hannibal near Roma" q = 168
Picc. 375
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
ff
p
mp
p
mp
p
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p
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p
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p
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p
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p
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p
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mf
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f
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mf
ff
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ff
mf
mp
p
1st Cor.
f
mp
3rd Tpt
f
ff
ff
mf
2nd Tpt
mp
ff
mf
mf
ff
mp
mp
ff
4th Hn.
mf
mf
p
mp
mf
mf
mf
mp
ff
3rd Hn
p
mp
p
p
p
mp
mp
E
ff
ff
mf
O R
mf
mp
C
ff
S
mf
O
ff
M
ff
D
2nd Hn.
Xyl.
Bar. Sax.
Perc. 1
T. Sax.
Perc.1
2nd A. Sax.
Timp.
Hp.
Cb. Cl.
Pno.
D.B.
Bar.
B. Cl.
B Trb.
1st Tbn.
Alto Cl.
2nd Cor.
mp
3rd Cl.
1st Tpt
p
2nd Cl.
1st Hn.
mp
1st Cl.
1st A. Sax.
p
2nd Bsn. Eb Cl.
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mp
mp mf mp
mf
mp
mf
mp mf mp
mf
mp
mf
f
mf
mp
f
mf
f
mf
f
mf
f
mf
f
f
mf
f
f
mf
f
f
mf
f
f
mf
mf
mf
mf
f
mf
f
mf
f
mf
mf
f
f
mf
mf
f
f
mf
mf
f
mp mf mp
f
mf
f
mf
f
mf
f
mf
f
mf
f
mf
mf
f
mf f f mf
f
mf
mf
f
mf
f
f
43
399
Picc.
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
2nd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
mp
mp
f
3rd Cl.
f
mf
mp
mf
mp
mf
mp
mf
mp
mp
mf
mp
mf
mf
f
mf
f
2nd Cor.
2nd Tbn.
B Trb.
f
f mp mf f-p
mp
mf
mp
mf
mp
mf
mp
mf
mp
mf
mf
mf
mp
mp
mp
mf
mf
mp
mf
mp
mf
mp
mf
mp
mp
mp
mf
f
mf
mf
f
mf
f
f
mf
f
mf
f
mf
f
f
mf
mf
mf
f
mf
f
mf
mf
f
mf
f
mf
f
mf
mf
f
mf
f
mf
f
mf
f
f
mf
mf
f
mf
f
mf
f
mf
mf
f
f
f
mf
mf
f
mf
f
f
mf
f
f
mf
mf
mf
mf
f
mf
f
f
mf
f
mf
f
mf
f
f
f
mf
f
mf
f
f
mf
f
mf
f
f
f
f
mf
mf
mf
f
f
mf
mf
mf
f
f
mp
f
mf
mf
f
f
mf
f
mf
f
f
f
mf
mf
f
f
f
mp
mf
mp
mf
mf
p
mf
f
f
mf
f
mf
f
mf
mf
mf
f
f
mf
mp
f
mf
f
f
mf
f
mf
mp
mf
f
f
f
mf
mf
f
mf
mf
mp
mf
p
mf
f
f
mp
p
f
mf
mf
mf
mf
f
mp
f
f
mf
mf
f
mf
f
mp
mf
f
mf
mf
f
mf
mf
f
f
mf
mf
mf
f
f
f
mf
mf
f
mf
mf
f
mp
mp
mf
mf
mf
mf
f
mf
mf
mf
mf
f
mp
mp
mf
mp
f
mf
f
f
piu mosso
mf
mf
mf
mp
p
mp
f
f
mf
mf
mf
mp
f
f-p
p
mf
mf
f-p
mp
f
mf
mf
D
mp
mf
mp
mp
mp
p
M
3rd Tpt
f
E
2nd Tpt
O
mf
mp
mp
mp
mp
mp
mf
mf
mf
mf
mp
mf
mp
mp
mp
4th Hn.
Perc.1
Timp.
Hp.
Pno.
D.B.
Tba
Bar.
1st Tbn.
1st Cor.
1st Tpt
3rd Hn
2nd Hn.
1st Hn.
Bar. Sax.
mf
T. Sax.
f
1st A. Sax. 2nd A. Sax.
f
E
piu mosso
O R
2nd Fl.
piu mosso
S
1st Fl.
391 piu mosso
C
390
mf
f
f
mf
f
f
mf
f
Perc. 1
Xyl.
f
f
mf
f
mf
Glockenspiel
mf
mf
f
mf
f
mf
f
44
C. A.
Eb Cl.
mf
f
mf
f
mf
2nd Cl.
3rd Cl.
f
mf
f
mf
f
mf
f
mf
f
Bar. Sax.
1st Hn.
f
f
f
1st Tpt
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
B Trb.
D.B.
Hp.
Timp.
f
f
ff
sfp
p
ff
ff
p
ff
p
ff
sfp
sfp
ff
ff
ff
ff
ff
ff
sfp
ff
ff
mf
f
ff
ff
ff
Perc. 1
Xyl.
mf
f
f
ff
ff
ff
ff
ff
ff
sfp
ff
ff
ff
sfp
sfp
sfp
sfp
sfp
mf
ff
ff
sfp
ff
sfp
sfp
ff
sfp
ff
ff
sfp
ff
sfp
ff
ff
mf
ff
ff
mf
ff
mf
ff
ff
ff
sfp
ff
mf
ff
ff
mf
mf
sfp
ff
ff
ff
sfp
ff
ff
ff
sfp
ff
ff
ff
ff
sfp
ff
ff
ff
sfp
ff
ff
sfp
ff
ff
mf
sfp
ff
ff
ff
ff
ff
mf
sfp
sfp
ff
ff
ff
ff
sfp
sfp
mf
ff
ff
sfp
ff
ff
mf
ff
mf
ff
ff
mf
sfp
ff
ff
ff
mf
ff
ff
sfp
ff p
sfp
ff
sfp
ff
mf
ff
ff Tubular Bells
ff
ff
p
ff
sfp
mf
p
ff
p
f
ff
sfp
ff
sfp
mf
f
sfp
ff
ff
mf
p
ff
p
ff
p
ff
p
ff
ff
sfp
ff
ff
ff
sfp
ff
ff
p
sfp
ff
p
ff
ff
p
ff
f
ff
ff
p
mf
ff
f
sfp
ff
p
sfp
sfp
mf
sfp
ff
ff
ff
ff
ff
sfp
ff
ff
ff
sfp
ff
ff
mf
ff
ff
ff
ff
mf
ff
ff
sfp
ff
sfp
f
sfp
sfp
ff
ff
ff
ff
ff
sfp
ff
mf
f
sfp
ff
ff
mf
ff
ff
f
ff
p
ff
ff
mf
ff
sfp
ff
ff
ff
ff
mf
f
f
f
ff
ff
ff
p
p
ff
f
ff
sfp
ff
p
ff
f
Perc.1
f
f
sfp
p ff sfp
f
f
f
ff
ff
f
ff
sfp
p
f
ff
p
ff
sfp
ff p p
ff
f
f
mf
ff
mf
f
Pno.
f
f
ff
f
mf
f
mf
mf
f
mf
ff
mf
f
mf
f
mf
ff
f
mf
Bar. Tba
mf
f
f
ff
f
2nd Tbn.
4th Hn.
mf
f
3rd Hn
ff
2nd Hn.
f
mf
ff
1st A. Sax.
T. Sax.
mf
2nd A. Sax.
f
mf
ff
B. Cl.
f
Alto Cl.
f
mf
1st Cl.
Cb. Cl.
f
1st Bsn.
2nd Bsn.
mf
ff
D
2nd Ob.
f
E
f
q. = 128 e=e
O R
1st Ob.
mf
407 molto accel.
C
S
2nd Fl.
1st Fl.
O
piu mosso
M
403
E
Picc.
sfp
45
Picc. 412
4th Hn.
f
f
ff
2nd Cor.
ff
mf
ff
mf
f
f
f
f
f
f
f
f
f
ff
f
f
mf
f
mf
Bar.
mf
D
1st Cor.
mf
ff
ff
mf
ff
mf
f
mf
E
mf
O R
C
mf
S
ff
f
mf
Xyl.
Perc. 1
Perc.1
3rd Hn
Timp.
Hp.
Pno.
f
f
f
D.B.
f
f
2nd Hn.
Tba
f
B Trb.
f
2nd Tbn.
Bar. Sax.
1st Tbn.
3rd Tpt
f
2nd Tpt
1st Tpt
T. Sax.
1st Hn.
2nd A. Sax.
B. Cl.
Alto Cl.
3rd Cl.
2nd Cl.
O
1st Cl.
1st A. Sax.
1st Bsn.
Cb. Cl.
M
C. A.
Eb Cl.
2nd Ob.
2nd Bsn.
1st Ob.
2nd Fl.
413 "the last Battle"
E
1st Fl.
Xylophone ff
f
ff
f double bassdrum
46
421
Picc.
2nd Ob.
C. A.
1st Bsn.
f
f
2nd Cl.
Alto Cl.
f
f
S
f
f
f
f
f
f
f
f
f
f
Perc. 1
B Trb.
Perc.1
Timp.
Hp.
Pno.
D.B.
2nd Tbn.
Tba
f
O
Bar.
1st Tbn.
4th Hn.
2nd Cor.
f
f
1st Cor.
3rd Hn
3rd Tpt
2nd Tpt
2nd Hn.
1st Tpt
f
1st Hn.
M
Bar. Sax.
E
T. Sax.
D
2nd A. Sax.
f
1st A. Sax.
f
f Cb. Cl. B. Cl.
f
f
1st Cl.
3rd Cl.
f
f
f
E
1st Ob.
f
O R
f
C
2nd Fl.
Eb Cl.
429
1st Fl.
2nd Bsn.
f
Hihat
Xyl.
f
f
double bassdrum
f
47
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
1st Cl.
Cb. Cl. B. Cl.
3rd Hn
4th Hn.
1st Tpt
M
2nd Hn.
Bar. Sax.
1st Cor.
2nd Cor.
D
E
2nd Tbn.
B Trb.
f
fp
fp
f
fp
fp
fp
f
fp
f
fp
f
fp
f
f
fp
f
fp
f
fp
fp
fp
fp Perc.1 Timp.
f
fp
Hp.
f
f
fp
f
f
fp
fp
f
f
Pno.
f
f
Tba D.B.
f
fp
3rd Tpt
Bar.
f
fp
f
f
fp
1st Tbn.
f
2nd Tpt
1st Hn.
T. Sax.
Alto Cl.
f
2nd A. Sax.
3rd Cl.
437
1st A. Sax.
2nd Cl.
E
1st Ob.
O R
2nd Fl.
C
1st Fl.
S
430
O
Picc.
Perc. 1
Xyl.
f
48
446
Picc. 439
1st Fl.
2nd Fl.
2nd Bsn.
C. A.
f
1st Bsn.
f
3
3
3
f 3
f
Eb Cl.
3
f 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
Cb. Cl.
3
3
3
3
f
3
3
4th Hn.
1st Tpt
f 3
f
f
2nd Hn.
f
3rd Hn
f
f
3
3
3rd Tpt
2nd Cor.
2nd Tbn.
f Bar. Tba
D.B.
f
Hp.
Perc. 1
Xyl.
3
f
f
3
f 3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
f
3
sfz
p
mf
3
3
ff
ff
3
3
3
3
ff
3 3 3 3
f
3
3
ff
3 3 3 3 3
f
3
f
3
3 3 3 3 3
3
f
3
3
ff
ff
3
3
3
ff
3
3
ff
3
3
3
ff 3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 f f
3
3 3 3 3
3
f
f
3
3
3
sfz
open
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
f
3
3
3
3
3
ff
3
f
3
3
f 3
3
3
3
3
ff
3
3
3
f
3
3
3
3
3
3
3
f
3
3
3
3 3
f
3
3
3
3
3
3
mf
3
3
3
3 3
3
3
3
f 3
3
3
3
3
3 3
f
3
3
3
f
3
3
3
Timp. Perc.1
3
Pno.
3
3
3
B Trb.
f
f
f
3
3
f
3
3
3
D
1st Tbn.
3
3
3
3
2nd Tpt
3
mf
3
3
3 3 3 3 3 3 3 f
3
1st Cor.
3
3
C
3
3
3
3
3
3
S
O
3
3
M
3
3
E
3
f 3
3
f
3
3
3
3
f
f
f
3
1st Hn.
3
mf
Bar. Sax.
3
f
3
ff
f
3
T. Sax.
3
3
3
3 3
3
3
3
3 3 3 3 3 3 3 3 3 3
f
3
3
3
3
3
3
3
3
2nd A. Sax.
3
3
3
3
mf
3
3
3
3
3
3
3
f 3
f
3
3
3
3
3
1st A. Sax. f
f
3
3
3
3
f
3
3rd Cl.
B. Cl.
3
3
3
f
3
3
2nd Cl.
3
3
3
3
f
Alto Cl.
1st Cl.
mf
f
f
mf
3 f 3
3
E
2nd Ob.
f
O R
1st Ob.
f Triangel
f
f
sfz
3
3
3
3
3
f
3
3
Xylo3 3 mf
3
3
3
f
f
49
450
2nd Fl.
1st Ob.
2nd Ob.
ff
fp
ff
fp
fp
1st Bsn.
ff
3
ff
C. A.
ff
3
f
3
3
mp
3
mp
3
3
3
1st Cl.
3
fp
ff
3
fp
ff
2nd Cl.
fp
3
f
3
ff
3
3
3
1st A. Sax.
3
ff
ff
3 ff
3
3
ff
3
3
T. Sax.
3
ff
3
ff
ff
3
3
3
f
ff
3
f
3rd Hn
3
3
f
4th Hn. 3
3
1st Tpt
fp
ff
fp
ff
fp
2nd Tbn.
3
3
3
3
3
3
3
p
3 3 3 f p 3 3
f
f
f
Hp.
Timp.
Perc.1
Perc. 1
3
3
3
3
3
3
f
f
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
f
3 3
3
3
f 3
3
3
3
3
3
3
3
3
3 3
3
f
3
f
3
3
3 3
3
f
3
3 3
3
3
3
f
3
3
f
3
3
3
3
3
3
f
f
3
f 3 3
f
3
3
ff C.C.
ff
3
3 3
3
mf
3
3
mf
3
3
f
3
3 Xyl.
f
3
f
3
3
3
ff
3
3
Xylo
3
3
3
3
3
ff
3
ff
3
3
3
3
ff
3 3 3 f 3
3
mp
fp
3
f
3
f
mf
3
3
3
3
3
3 3
3 3 3 3
f
3
3
3
3
ff
Pno.
3
3
mp
f
3
f
3
3 3 3 Tba 3 f
f
3
mp
3
3
3
3 3 3
mf
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 Bar. 3 3 3 3 3
D.B.
3 3 3 f
mf
3
3
3
3
3
3
3
3
3 3
3
3
f
3
3
3
f
3
3
mp
f
f
f
ff
1st Tbn.
Btrb.
3
D
1st Cor.
2nd Cor.
ff
3
3
ff
fp
3rd Tpt
3
2nd Tpt
3
3
3 3 3
3
ff
3
3
fp
3
ff
f
M
2nd Hn.
f
E
1st Hn.
3
3 3 3
3
f
mf
3
3 Bar. Sax. 3
mf
3
3
3
3
3
f
f
2nd A. Sax.
3
B. Cl.
3
3
3
Cb. Cl.
ff
3
Alto Cl.
3
3
ff
3rd Cl.
3
3
3
mf
3 3
3
3
3 3 3
3
O
Eb Cl.
f
3
3
3
3
f
3
3 3 3 3 3 2nd Bsn. 3 3
3 3 3 3 3 3 3
3
3
mf
fp
C
1st Fl.
ff
O R
fp
S
Picc.
E
449
mp
3
mf
mf
f
3
3 3 3
mf
f
3
3
mf
3
3
3
3
mf
3
3 3
3
f
3
3 3 3
f
3
mf
3
3
f
3
f
3
50
Picc.
459
1st Fl.
2nd Fl.
ff
3
3
3
3
3
3
3
3
ff
ff
2nd Ob.
C. A.
1st Ob.
3
1st Bsn.
2nd Bsn.
Eb Cl.
3 3 3 3 3 3
3
f
3
3
f
3
3
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
2nd Cl.
3rd Cl.
Alto Cl.
T. Sax.
3
Bar. Sax.
3
f
3rd Hn
4th Hn.
1st Tpt
3
3
3
3
3rd Tpt
1st Cor.
3
f
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3 3 Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
f
f
3
3
f
f
3
3
3
3
ff
3
3
3
3
ff
ff
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
B.D.
f
3
ff
3
ff
ff
3
3
3
3
ff
3 3 3 3 3 3 3 3 3 3
3
f
3
3
3
ff
ff
3
3
ff
ff
3
3
3
3
3
Btrb.
3
3
3
3
3
f
3
2nd Tbn.
3
3
3
3
3
3
1st Tbn. 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
E
2nd Tpt
2nd Cor.
3
2nd Hn.
D
1st Hn.
3
3
3 3 3 3 3
f
O R
3
M
f
3
3 3 3
C
f
S
3
2nd A. Sax.
3
E
1st A. Sax.
3
O
f
3 3
3
3
3
ff
f 3 3 Cb. Cl.
3
3
ff
ff
3
1st Cl.
B. Cl.
Glockenspiel
f
3
3
f
3
51
q = 168
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
pp
f
Sing (div.): Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.): 1st Cl.
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
B. Cl.
f
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Sing (div.): f
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Ha - ni - bal Ha - ni - bal Sing (div.):
2nd A. Sax.
T. Sax.
Ha - ni - bal
Bar. Sax.
Ha - ni - bal
Sing (div.): f
Ha - ni - bal Sing (div.):
Ha - ni - bal
2nd Hn.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por - tas!
an - te por - tas!
Ha - ni - bal
an - te por - tas!
an - te por - tas! Ha - ni - bal
Btrb.
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por - tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
p
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
an - te por -tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
p
an - te por - tas!
Ha - ni - bal
p
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por -tas! Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
mp
Ha - ni - bal
mp
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
mp
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por -tas! Ha - ni - bal
Ha - ni - bal
an - te por -tas! Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
mp
Ha - ni - bal
E
D
Ha - ni - bal
mp
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal Sing (div.):
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
f
f
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
p
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
p
an - te por - tas!
mp
mf hose (tuned b) mp hose (tuned e)
cresc. poco a poco
cresc. poco a poco
pp
cresc. poco a poco
p
cresc. poco a poco
mp
cresc. poco a poco
mp Vibraphone (motor on)
Xyl.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Perc. 1
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
f
Perc.1
Ha - ni - bal
Timp.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
pp
Hp.
an - te por- tas!
an - te por - tas!
Ha - ni - bal
Tba
Pno.
Ha - ni - bal
Bar.
D.B.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Sing (div.):
2nd Tbn.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por- tas!
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Sing (div.):
an - te por - tas!
Ha - ni - bal
an - te por- tas!
Ha - ni - bal Ha - ni - bal Ha - ni - bal an - te por- tas!
an - te por - tas! Ha - ni - bal
Sing (div.):
an - te por - tas!
Sing (div.): 2nd Cor.
1st Tbn.
Ha - ni - bal
Sing (div.):
Ha - ni - bal
Sing (div.):
1st Cor.
Ha - ni - bal
Sing (div.): Ha - ni - bal
3rd Tpt
Ha - ni - bal
2nd Tpt
Sing (div.):
3rd Hn
1st Tpt
Sing (div.):
Alto Cl.
4th Hn.
3rd Cl.
1st Hn.
Sing (div.):
2nd Cl.
1st A. Sax.
Ha - ni - bal
an - te por - tas!
Eb Cl.
Cb. Cl.
an - te por - tas!
E
Ha - ni - bal
Ha - ni - bal
O R
Ha - ni - bal
Ha - ni - bal
M
2nd Bsn.
Ha - ni - bal
Ha - ni - bal
1st Bsn.
an - te por - tas!
Ha - ni - bal
Sing (div.):
C. A.
Ha - ni - bal
Sing (div.):
2nd Ob.
Ha - ni - bal
C
1st Ob.
Ha - ni - bal
S
Sing (div.):
O
468
Sing (div.): Picc. Ha - ni-bal Sing (div.): 1st Fl. Ha - ni-bal Sing (div.): 2nd Fl.
cresc. poco a poco
mf
52
Picc.
491
482
Ha - ni - bal 1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal 1st Cl. Eb Cl.
Ha - ni - bal
3rd Cl.
1st Hn.
1st Tpt
Bar.
Tba
D.B.
Hp.
Timp.
Xyl.
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
cresc. poco a poco
repeat freely
ff
repeat freely
ff
repeat freely
repeat freely
ff
ff
ff
ff
ff
ff
ff
repeat freely
repeat freely
repeat freely
repeat freely
repeat freely
repeat freely
repeat freely
ff
repeat freely
ff
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
mf
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
D
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
ff
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
cresc. poco a poco
ff
mf
cresc. poco a poco
Ha - ni - bal
mf
Ha - ni - bal
cresc. poco a poco
Ha - ni - bal
mf
cresc. poco a poco
mf
cresc. poco a poco
ff
cresc. poco a poco
mf
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
ff
mf
an - te por - tas!
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
repeat freely
Ha - ni - bal
ff
ff
Perc.1 Perc. 1
Pno.
an - te por - tas!
an - te por - tas!
Ha - ni - bal
Btrb.
an - te por - tas!
2nd Tbn.
Ha - ni - bal
Ha - ni - bal
1st Tbn.
Ha - ni - bal
Ha - ni - bal
2nd Cor.
an - te por - tas!
1st Cor.
Ha - ni - bal
an - te por - tas!
3rd Tpt
mf
2nd Tpt
Ha - ni - bal
cresc. poco a poco
3rd Hn
Ha - ni - bal
an - te por - tas!
Ha - ni - bal
4th Hn.
Ha - ni - bal
2nd Hn.
an - te por - tas!
Ha - ni - bal
Bar. Sax.
Ha - ni - bal
repeat freely
Ha - ni - bal
T. Sax.
Ha - ni - bal
Ha - ni - bal
Ha - ni - bal
2nd A. Sax.
Ha - ni - bal
Cb. Cl. 1st A. Sax.
Ha - ni - bal
B. Cl.
Ha - ni - bal
Ha - ni - bal
mf poco a poco cresc.
Alto Cl.
Ha - ni - bal
C
2nd Cl.
Ha - ni - bal
S
Ha - ni - bal
repeat freely
O
2nd Bsn.
Ha - ni - bal
an - te por - tas!
M
1st Bsn.
Ha - ni - bal
poco a poco accelerando
E
C. A.
an - te por - tas!
E
O R
p
cresc. poco a poco
cresc. poco a poco
ff
Tam Tam
fff
ff
ff
Anvil (two hammers)
ff
53
Picc.
497
496
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
2nd Cl.
3rd Cl.
Alto Cl.
T. Sax.
1st Cor.
2nd Cor.
1st Tbn.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
f
f
f
f
f
f
f
fff
fff
fff
f
Xylophone
f
fff
fff
fff
fff
fff
fff
fff
fff
fff
fff
f
fff
fff
fff
fff
fff
fff
fff
fff
fff
mf
fff
mf
fff
fff
fff
fff
mf
f
f
fff
fff
mf
Bar.
fff
fff
f
3rd Tpt
f
2nd Tbn.
f
f
Pno.
D.B.
2nd Tpt
Tba
Btrb.
mf
mf
1st Tpt
3rd Hn
mf
2nd Hn.
4th Hn.
O
1st Hn.
f
M
Bar. Sax.
fff
f
C
2nd A. Sax.
S
E
1st A. Sax.
D
Cb. Cl.
fff
1st Cl.
B. Cl.
f
fff
f
mf
fff
f
Eb Cl.
f
E
2nd Fl.
O R
1st Fl.
"Hannibal loses"
fff
54
1st Ob.
2nd Ob.
C. A.
1st Bsn.
2nd Bsn.
Eb Cl.
3
3
3
3
3
3
2nd Cl.
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
T. Sax.
Bar. Sax.
1st Hn.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3rd Hn
4th Hn.
3
3
3
3rd Tpt
1st Cor.
2nd Cor.
dim.
D
O 3
E
2nd Tpt
dim.
M
3
dim.
3
1st Tbn.
2nd Tbn.
Btrb.
Bar.
3
Tba
D.B.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Marimba
3 Xyl.
3
3
dim.
3
3
3
3
dim.
3
dim.
3
3
3
f
Perc. 1
3
C.C. Perc.1 Timp.
3
3
Hp.
3
Pno.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
dim.
dim.
2nd Hn.
1st Tpt
3
1st A. Sax. 2nd A. Sax.
3
3 3
3
3
3
3
1st Cl.
E
2nd Fl.
O R
molto ritardando
C
1st Fl.
S
501
503
Picc.
p
3
55
Picc.
"Hannibal poisons himself"
507 cantabile q = 64
1st Ob.
2nd Ob.
C. A.
Eb Cl.
1st Bsn.
2nd Bsn.
1st Cl.
Solo mf
p
2nd Cl.
3
Alto Cl.
B. Cl.
3
3
3
3
3
3
3
3
3
3
T. Sax.
Bar. Sax.
p
p
pp
3
3
3
3
3
3
3
3
3
poco a poco cresc.
poco a poco cresc.
3
3
poco a poco cresc.
3
poco a poco cresc.
poco a poco cresc.
poco a poco cresc.
open
open
open
cup mute
poco a poco cresc.
poco a poco cresc.
cup mute
cup mute
mp
mp
mp
mp
mp
mp
mute
p
3 3 3 3 3
3
3
3
3
3
3
3
mf
3
3
poco a poco cresc.
p
3
3
3
3
3
3
3
3
3
3
3
3
poco a poco cresc.
Xyl.
Perc. 1
Perc.1
Timp.
Hp.
Pno.
D.B.
Tba p
E
S
2nd Tbn.
Bar.
1st Cor.
Btrb.
O
3rd Tpt
1st Tbn.
2nd Tpt
2nd Cor.
D
1st Tpt
M
3rd Hn
4th Hn.
C
p
p
2nd Hn.
3
p
3
3
3
3
3
3
p
3
3
3
mp3
3
mp3
mp3
3
3
2nd A. Sax.
1st Hn.
mp
1st A. Sax.
3
10
p
3rd Cl.
Cb. Cl.
pp
E
2nd Fl.
O R
1st Fl.
515
S.C.
p
mf
Glockenspiel mp3
3
3
3
56
Picc.
1st Fl.
2nd Fl.
1st Ob.
2nd Ob.
C. A.
521
1st Cl.
3
3
poco a poco cresc.
3
3
f
1st A. Sax.
T. Sax.
4th Hn.
1st Tpt
1st Tbn.
Btrb.
Bar.
D.B.
Pno.
Hp.
Timp.
Xyl.
f
3
3
3
3
f
3
3
3
3
3
f
3
3
3
3
3
3
f poco a poco cresc.
3
f
3
3
poco a poco cresc.
3
3
3
3
poco a poco cresc.
3
3
f
f
poco a poco cresc.
f
f
3
fp
fp
3
3
3
3
f
fp
f
3
3
3
3
3
3
3
3
fp
fp
fp
fp
fp
fp
fp
f
fp
f
fp
fp
fp
3
3
f
f
fp
3
3
3
3
f
fp
f
fp
mp
f
mp
fp
f
mp
f
fp
fp
mp
fp
f
f
fp
B.D.
fp
f
f
f
fp
f
f
fp
fp
f
fp
f
f
f
f
3
fp
3
f
fp
fp
3
f
f
fp
f
mp
mf
f
3
mp
fp
f
mf
3
open
mp
f
3 3
3
f
f
f
fp
3
fp
f
fp
f
fp
f
f
poco a poco cresc.
f
f
3
Perc.1 Perc. 1
poco a poco cresc.
poco a poco cresc.
3
Tba
2nd Tbn.
poco a poco cresc.
1st Cor.
2nd Cor.
3rd Tpt
3
f
2nd Tpt
3
f
3rd Hn
3
poco a poco cresc.
2nd Hn.
3
D
1st Hn.
3
2nd A. Sax.
O
B. Cl.
M
Alto Cl.
E
3rd Cl.
fp
poco a poco cresc.
Bar. Sax.
f
f
3
fp
2nd Cl.
Cb. Cl.
f
E
O R
Eb Cl.
S
2nd Bsn.
C
1st Bsn.
527
mp
fp
fp
mp
mp
3
3
mf
mp
3
3
mf
f
soft sticks
p
57
541
mf
cresc.
mf
cresc.
1st Bsn.
2nd Bsn.
1st Ob.
2nd Ob.
C. A.
1st Cl.
mf
3rd Cl.
Alto Cl.
B. Cl.
Cb. Cl.
1st A. Sax.
mf
cresc.
mf
mf
mf
cresc.
mf
cresc.
mf
cresc.
cresc.
cresc.
cresc.
mf
3rd Hn
mf
cresc.
mf
cresc.
f
3
3
3
3
3
3
3
3
3
3
3
3
f
3
3
3
3
3
3
3
3
3
3
3
3
f
f
3
3
3
3
f
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mf
f
tutti
cresc.
f
mf
f
f
f
f
f
f
f
2nd Hn.
4th Hn.
T. Sax.
1st Hn.
cresc.
2nd A. Sax.
Bar. Sax.
mf
f
2nd Cl.
S
Eb Cl.
cresc.
O
2nd Fl.
f
1st Fl.
E
O R
537
C
Picc.
2nd Tpt
3rd Tpt
1st Cor.
2nd Cor.
1st Tbn.
mf
cresc.
2nd Tbn.
mf
cresc.
Btrb.
Bar.
Tba
D.B.
Pno.
Hp.
Timp.
Perc.1
Perc. 1
Xyl.
mf
mp
mf
cresc.
mf
M
f
f
cresc.
f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
f
f
f
3
3
3
3
3
3
3
3
3
3
3
f
cresc.
mp
f
E
D
1st Tpt
mf
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550
Picc. 546
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2nd Fl.
1st Ob.
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3rd Tpt
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Perc.1 Perc. 1
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2nd Tpt
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2nd Ob.
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3rd Tpt
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2nd Tpt
2nd Cor.
por
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1st Cor.
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4th Hn. 1st Tpt
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3rd Hn
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2nd Bsn.
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2nd Ob.
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D
1st Fl.
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60
561 "destruction of Karthageno" q =144
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2nd Fl.
1st Ob.
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1st Cl.
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1st Fl.
2nd Ob.
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560
61
569
Picc.
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1st Bsn.
1st A. Sax.
2nd A. Sax.
T. Sax.
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Picc. 577
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