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Charming,rusticferrocerllent fatm bois won'tfool)/ourey, but it will add interest to 1ottr ltonte or garden BY P A T R t c ta
S HA cK E L F o RD
p a int ing. F auxiewe l sF. o rm e ,fa u xi s u s u a l l ya " n o ."l fear f -a u x l- fu r* .I' mf aux - phobic I'm k i n do f g i rl .R e a lAu . thenti c. . a genuine "false (French wood") has a natural appeal that canButfaux bois for notbeignored. Whilethe termfauxbois includes any mediumthat replicateswood,I am going
r'.f
to focuson ferrocement fauxbois,or obiectsthat aresculptedfromconcrete. jo rustico("therusticwork")to Ferrocement fauxbois,or el Traba to the 1940s. theSpanish, was highlypopularfromthe mid-1880s primarilyas gardenornaments, whicharegenDesigned the pieces,
o foux-bois tree-trunkplanter overflowswifA co/orlu/ co/eus.
erallyveryheavy,are constructedon a metalframe,coveredin wire
Above,A /oux-boishitcAingpost is both decorofive ond whimsicol.
Left: Fromfhe gorden o/ ChristopherFilleg ond RIch Hoft'man,
Above: A concrete bosket is perched on o foux-bois bench in the gorden of Christopher Filleg ond Rich Hoffman.
meshand then coatedin cement-paste layerswhicharesculptedinto theirfinal forms: benches, arches,planters,tables,birdbaths.
buyingandsellingit eversince." I spied a stunning faux-boischair in
their booth as I washuntingfor this article. Low to the groundand deep,the concrete Rustic and chunky becauseof their materialanddesign,piecesarenevertheless now mimicsweatheredbranches.Mossand mimsurprisinglydetailed.Often,sculptors ickedwoodgrainingor bark,but alsoknots,
wormholesand decay. "Fauxbois is one of my favoritethings," says Gwen McClure,who, with her sister
lichen adorn its frame. It's less furniture than sculpture. lust aroundthe cornerin SteveRoger's plantertucked in I founda charming booth,Prize, Rogers, too,makesa point withothertreasures.
MissionRoadAntiqueMall. The McClures
to procure fauxboisfor hisspace, but it is likely to gooutasquicklyasit comesin.
hunt for faux bois on buying trips to France."Weboughtour first pieceat a fair
there are early examplesin such far-flung
in Lyon,"Gwensays."l still rememberthe moss growing on it-and we have been
Mexico. In 1867cleverFrenchgardener Joseph
TerryMcClure, ownsFrenchby Designin the
in France, Whilefauxboiswasdeveloped fugentinaand locationsas Belgium,Tirrkey,
Monierdeveloped and patentedhis formulafor reinforced concrete(addinga metalcomponent the comp ou nd) M onier c r af t ed strengt he ns planters and gardenobiectscarvedto resemble a crazewasborn. treetrunksand logs.Etvoila, Europeangarden designershave been using f aux-bo isele men ts s inc e it s inc eption.T hereis e ve n a smaJ Jbuilding behind NotreDameCathedralin Pariswhich has a fagadeand signage crafted of faux bois Many parks in Europe contain faux-bois elementssu ch as b ridg esand benc hes . ownerof PearTreeDesignand CarolDickey,
Francophile Antiques in Crestwood anda devoted buysfauxbo iswh ensh ecan lind it and us ual-
Iyhasa fewpiecesin her shop.Sheappreclates
,L,rF,: @;^-ft,;,1 ,/
ADyingART
t l r ecrallbe ca useif yo ulra vea nalur algar denil
Dionicio Rodriguez,a Mexicanimmigrantwho settled in San Antonio, Texas,is widely
fits into the settingso well Dickeylikesthe
consideredone of the best craftsmenof el trabajo rusticoto work in the United States.From
plantersthat look like sectionsof log Planted
1924until the l95os, he contributed to larger landscapeprojects, includinggrottos, gates,
properlyit wouldappearthat yourbloomsprop-
fences,bridgesand buildingfacades.His work resemblesChinoiseriefretwork popular in
. rgat edin th is wo od syspo t
the t8th century and hermitagesthat were popular in the rgth century.He worked in eight
D icke ycu rren tlyh asa b enc hav ailableat Beco in t he Cro ssroa dsDist r ic t I t would be
states,and a significantportion of his survivingwork is listed on the National Registerof flistoric Places.Rodriguezdied in San Antonio in 1955.
a uniqueltie ceto Frn daf tlre er r do[ a gar den p ath S t urdya nd coo l, it wo uld welc om et lr e a chlng back an d cre aking k nees o[ any
c ar rf ir r d r eal l yf i n e e x a m p l e si n o l d e r g r a v e -
f i l l e d t o o v e r f l o w i n gw i t h s t r i k i n gg r e e na n d
d evot edgard en er.Or p erh apss upplya s ub-
y ar ds" A devo t e eo f t h e c r a f t , F i l l e y h a s a
c i t r u s y h e d g ea p p l e s .T e r b o v i c hth i n ks th e y
l i rnespot fo r a leisure lyd rink bef or edining,
gr eat s t um p p l a n t e r ,r e a l i s t i ct o i t s r o o t s ,i n
w o u l d b e f a b u l o u sc h o c k e dw i t h su ccu l e n ts,
w h etheryou clroseto we ed or jus t wat c h.
his gar den F i l l e dw i t h b e g o n i a sa n d c o l e u s ,
a n d w l r o a m I t o a r g u ew i t h C e o r g e ?
I also sllo tteda few p iecesat Clr r is Lopher t he plant s ' w a x yl e a v e sa n d c o l o r f u lb l o o m s F illey' s,inclu din ga tree -trunkhit c hingpos t ,
I d o t h i n k f a l l i n K a n s a sC i t y i s p a r ti cu l a r l y
w hich hap pe ne dto b e stan dingby t he f r ont
and f oliagem a k e a s t r i k i n gc o n t r a s tt o t h e r ough t ex t ur eo f t h e c o n c r e t e" b a r k"
d o or at my la st visit Fille y,w ho ownsa s hop
Loc al de s i g n e r a n d C r e s t w o o d s h o p
i n the S ta teL ineArtsE An tiquesDis t r icwit t h
owner Ceor g eT e r b o v i c ha l s o h a s a p a i r o f
s p r i n g 'sb l o o m sa n d b r a n c h e a s n d co m m u n i n g
h i s partnerRich Ho ffman ,fir s t not ic edf aux
s t unning f au x - b o i sj a r d i n i d r e si n t h e s h a p e
w i t h n a t u r e ,w h y n o t c o n s i d e ra d d i n ga l i ttl e
"lt wasco m m onlyus edf or b ois in cem ete ries. g ravemarke rsa nd pla qu es, Filley " s ay s "You
of bas k et s Th . e yw o u l d b e w o n d e r f u lp l a n t -
c o n c r e t et o t h e m i x ?l t m i g h t b e f un to m r x a
ed but equal l yf a b u l o u sb r o u g h t i n s r d ea n d
l i t t l e f a u xr n w i t h y o u r f l o r aa r r dy ou r fa u n a :
h n e C e r t a i n l yi t 's a w o n d e r f utl i m e to b e o u ts i d e m u c k i n ga b o u t i n o n e 'sg a r d e n l M i n e r s m o r eo f a y a r d ,b u t s t i l l ) Wh i l e p la n n i n gn e xt