Expressions Full

EXPRESSIONS: Three Short Movements for Violin & Piano

Jonathan Metzinger

Contents i. ......................................... p. 1 ii. ............................................. 4 iii. ............................................ 5

Duration: ca. 3 min.

Note to performers: To truly utilize the resonance of Expressions, the violinist should use open strings whenever possible.

EXPRESSIONS: Three Short Movements for Violin & Piano

i. Freely, ad libitum

 





  

  

  

  

  

p





  

  

  

  

  

  

  

  

  

Jonathan Metzinger (2009)

  

                                                













Pulsing (q=ca. 138) in time

                                                     2

p

poco cresc.

                                   poco cresc.  p      



(Pedal) Light

Heavy Light

© Copyright 2009 Jonathan Metzinger

Heavy

2 4

 



    

mf



   



   



   



 





























                                   mf     



Light pizz.

  6       

arco



Heavy Light

 



      (arco)  p

       

arco



 

 









Heavy

 



   sf sf sf ff sf ff    meccanico                                                                         p ff ff                                       pizz.    9                                              p                                                                    

pizz.



 

p

  











poco dim.



























3 12

  arco                                              pp                                                              



pp

  

 



   







sf

16       sf       

     sf



  

poco cresc.



sf

 

 

  

sf

  

p

         



                                                      poco cresc.                                      

 





ff

14

sf

p

    

  



sf



    





  

sf







  



  

sf

 

       

ff

f





  

ff

 

 



 

 

As fast as possible









 



ff









 



    

   

   

 ppp



         

4

ii. recitative With no sense of time

       sf    



sfp

 

     

 subito pp, sul tasto       mf

   mf









  

 

  

 



 

       sf

p

dim.

   

sf

   calmato                

smorz.

      

f

p



 

attacca

5

iii.    

 

Fast and disjointed

with force          



ff

   

ad. lib.



    

 

 

 

 



Pno.





6

 

   

 

 

    

     pp ff  as from a far                                                                                         

6

 

6

pp

Quickly (e=160)

                 Vln.               p 11

 

  

 lightly           p  



                       f 

         subito ff 





ff



 

 

                 

jauntily

mf

            

 

    

 

 

 

   

       

6

                       

16       Vln.   

sf

mf

             Pno.                   f 22    Vln.   



Pno.

 

 

 

   

                                          



              Vln.       26

sf

sf

sf

sf

            

Pno.



sf

sf

sf

sf

              

 

   

 

                  

 

   

       



 

   

   p mf                      3                           p            sf            mp                          3

          3                         

                          f                              sf f         

        

         3

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