Correspondences

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Correspondences E.G. - Assemblage

 

Clavichord





  



 











pp eco, lontano











         mf 

 



-

al

-

                3



     







Tempo II ('Lento' q = 50)



3



sweep over strings with fingertip; do not depress any keys

 







 

  

2.

         'drum' on previously

3          

3







   

3

prepared keys

ff arraché

            mf           





  

     

 



             





depress silently 1.



Tempo I

3

pp





  



 

Tempo I ('Allegretto' q = c. 60)

ritenuto

 



ff deciso

  





Luke Ottevanger

rit.

                

(continue to hold after sound ceases)

  

 

f

      







   

  



  misterioso          

 











    

pp fragile



3

3





  =  







Tempo I

                 



          

© 2006

  

  



accel.

3 3

                   mf





ff arraché

sweep with fingertip to approximate this figure

Tempo II

 

  



  

 

Tempo I

Tempo III 'Presque lent, rêveur' e = 76)

ff arraché

Tempo II

f

 

 

   

2

     



depress silently subito misterioso





accel







accel

(so as to make



   5:3       3   3                                   3 3 3 'drum' on previously 3

prepared keys

   

    



3

3

      

 

) Tempo I q.  = Tempo II e

ff

agitato 3





3

 



                                                       3



3

   

rit.———Tempo I—Tempo II—Tempo III— (continue

3

  

3

          rit. )———

misterioso



3

  





pp



sweep over strings with fingertip; keep B (only) depressed



pp

         



effective dynamic = pp

Tempo I





                      3 3 3 3  'drum' on previously prepared keys 

      



             secco





Tempo II

depress silently

 

3

                    

    

mp



   

3

3





         3

              

3





3

3



3

3





Tempo III

                  p





(vibrato)







      (vibrato)   





p











(on some instruments this B should be prepared by detuning the C) ossia



detune C to B

25/12/2006 (1-3 a.m; 11-12 p.m.)

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