Capturing the Essence of New England
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Mystic
MILBURY A N D
C O M P A N Y
Real Estate Brokerage
Antique Homes Roadshow!
South Dartmouth
NEW LISTING ~ South Dartmouth
Stroll to Padanaram Village from this charming Greek Revival. Offered at $579,000.
Russells Mills Village - Historic Salt Box Offered at $599,000.
NEW PRICE New Listing ~ South Dartmouth
South Dartmouth ~ Nonquitt
South Dartmouth
Slocum Riverfront, Antique Cape. Offered at $449,000.
Antique Colonial on Two Acres Offered at $2,650,000.
92-Acre Farm with Additional Nonquitt Amenities Lot. Offered at $1,695,000.
Just Listed
Westport~SophisticatedWaterfront Home Converted Colonial era Barn/Tavern on 50 +/- Acres Offered at $5,395,000.
Marion Waterfront & Dock
NEW LISTING - Sandwich
Quintessential Cape with period details nestled on two acres of lawns, gardens. Offered at $2.3 million. (adjacent one acre lot
Unique Country Estate on 5+/- Spectacular Acres. Offered at $1,695,000.
with guest house also available - call for details)
For these and other distinctive properties Please Call William J. Milbury at 508.525.5200 304 Elm Street, South Dartmouth, MA 02748 C: 508.525.5200 O: 508.997.7400
w w w. M i l b u r y R E . c o m
Specializing in Distinctive Properties
NEW LISTING. WESTPORT ^ #HARMING SHINGLED #APE OFFERS METICULOUS CRAFTSMANSHIP /FFERED AT
NEW LISTING. WESTPORT POINT ^ 7ONDERFUL WATER VIEWS FROM MOST EVERY ROOM OF THIS RAMBLING CLASSIC WITH ATTACHED GUEST HOUSE /FFERED AT
SOUTH DARTMOUTH. MISHAUM POINT ~ 7ATERFRONT (OME WITH #OMMANDING /CEAN 6IEWS !SSOCIATION !MENITIES INCLUDE DOCK TENNIS SWIMMING BEACH /FFERED AT MILLION Volume 5 Issue 7 Volume 5 Issue 6
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The Woods at Padanaram, South Dartmouth Custom built with quality in mind! . . . $739,000
Call Patti!
New Price! $1,375,000
Call Patti!
Sa
le
Pe n
di
ng
JUST LISTED! PADANARAM . . . Charming, 5 Bedroom Colonial set on 1.82 acres of land! $529,900
MATTAPOISETT IS SPECIAL! . . . $689,000
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Call Anne!
S. DARTMOUTH . . . House + 15 Acres
508-999-1010 | www.annewhitingrealestate.com |
Volume 5 Issue 7
We did it! We completed our changes and we are settling into our new spaces. We have had a great response to our "reinvented" store. Changes are always challenging but we couldn’t be happier. The key word of success these days is adaptation, and I believe we have accomplished it beautifully. Our Interior Design offices have expanded to the second floor. A conference area and enlarged resource library upstairs has been a blessing for our clients and designers. The Oriental rugs are sharing a room with the lamp collection. Explore and discover additional accents as well! The Rug Sale is Back! Now that our Oriental Carpets have settled into their new digs, we have put them back on sale with savings of up to 75% off.
Open Tuesday through Saturday 9:30am – 5:00pm RoutFt.attapoisett | (508) 758 9933 | Visit us at www.surroundings-rogersgallery.com
Trollbeads The Original
www.surroundings-rogersgallery.com
Create a different look every day.
Route 6, Mattapoisett 508-758-3641
Open Tues.-Sat. 9:30-5
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Contents
V O LU M E 5 I S S U E 7
8 12
F e at u r e d A r t i s t William Shattuck • by Beth Perdue
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Roseberry winn Pottery Tiverton Four Corners • by Nancy A. Bergquist
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Stonington Borough Stonington, CT • by Nicole M. Bouchard
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Olde Mistick Mystic, CT • by Nicole M. Bouchard
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BL o o m s ! F l o w e r S h o w, B o s t o n , M A • by Beth Perdue
52
HO M E M ARKET F EATURE Marion, MA, Milbury and Company • by Jay Alexander
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The Artisan Kitchen M e r e d i t h C i a b u r r i , R o c h e s t e r, M A • Jay Alexander
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P e r r y Fa r m P at c h w o r k Emily McLaughlin,Acushnet, MA • by Nancy A. Bergquist
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Fear, Urgency & Doubt? Marketing & Finance • Ron Fortier
76
The Tides Kitchen & Bath Details, Mattapoisett, MA Palace Papers, Chicago, IL Chad Michael Peters, Fairhaven, MA Andrew Aaron, New Bedford, MA
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Publisher’s Letter
Be Green Environmentally Friendly Products
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46 ON THE COVER
90
ART CALENDAR
The small wooden lighthouse at the south end of the Seaport, two miles upriver from Noank,
93
HA P P ENIN
Lighthouse in Nantucket, built in 1901. The Mystic Seaport does have a genuine piece of
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has never been an official aid to navigation. Rather, it is a replica of the current Brant Point lighthouse history - a working fourth-order Fresnel lens on loan from the Coast Guard.
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From the Publisher
™
Capturing the Essence of New England
PUBLISHER / CEO
Joseph Hopfenspirger ART & PRODUCTION DIRECTOR
Sarah Hopfenspirger
Capturing the Essence of New England
EDITOR
S A Mooring CONTRIBUTING WRITERS
Beth Perdue, Michael J. DeCicco, Jay Alexander Nancy A. Bergquist, Nicole M. Bouchard
Mystic
Majesty
DESIGNERS
SP Designs
89 North Water Street, Historic National Park
PHOTOGRAPHERS
Anne Roland, Roanne Robbins Anne T. Converse, Neil Alexander, Randall Perry Photography, Tyra Pacheco DISTRIBUTION
Coastal Life Distribution Services LEG A L
David Russell, Esq.
For Advertising, Distribution or Franchise Opportunities, Please call 508.763.5310. Visit us online at www.coastallifemag.com. Contact information:
Coastal Life Magazine P.O. Box 163 Rochester, MA 02770 phone: 508.763.5310 • fax 508.763.3765 Ad material can be emailed to:
[email protected] Please submit editorial ideas to
[email protected]
Coastal Life Magazine is published monthly. Advertising and business information can be obtained by calling 508.763.5310, Coastal Life, 2009. Reproduction of any photographs, artwork or copy prepared by Coastal Life is prohibited without written consent of the publisher. The publisher will not be responsible or liable for any omissions, errors, typographical mistakes or misinformation within this publication. We will not knowingly accept any advertising which is in violation of the law. All persons are hereby informed that all dwellings are available on an equal opportunity basis. All pictorial material reproduced in this magazine has been accepted on the condition that it is reproduced with the prior consent and knowledge of the photographer and people concerned. Coastal Life magazine is not responsible for any infringement of copyright or otherwise arising out of publication thereof.
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As the yearly fight between winter and summer moves across the northern hemisphere, we experience the season called spring. It's a time of renewed warmth, sunny days, cold, overcast days, strong winds, gentle breezes, torrential rain and gentle showers. We search out those small signs that life is returning and the time of cold is vanquished for another season. You don’t have to look far to see signs of spring. From the budding of the trees and the warming of the temperatures to the animals coming out of their winter hideouts, there seems to be a promise of new birth and color in the springtime air. At precisely 7:44 A.M. EDT on March 20, 2009 the Sun crosses over the Earth's equator. This is the date that most of us recognize as symbolic of changing seasons. The Spring equinox literally means “equal night.” Because the sun is positioned above the equator, day and night are about equal in length all over the world during the equinoxes. For all the garden lovers devastated by last fall’s news that the Massachusetts Horticultural Society was cancelling its annual spring flower show, hope has bloomed again. . . A new event, called Blooms!, has sprung from the ashes of the old tradition thanks to Mass Hort, Simon Properties, and South Coast landscapers, Peter Sadeck and David Haskell. For those looking to go, Blooms! is a free event that will feature a variety of landscape and garden exhibits in common areas throughout the malls at Copley Place, Mall at Chestnut Hill and Atrium Mall. Looking for something to dress up your favorite potted plant? Decorative cachepots in three different sizes and patterns will do the trick. Roseberry-Winn located in Rhode Island’s historic coastal village of Tiverton Four Corners produces one-of-a-kind pieces you won’t find anywhere else. There are Roseberry-Winn patterned candles, greeting cards and lamps with coordinating silkscreened shades. Hollywood has taken a liking to them as well. When asked where they draw their his inspiration from, Michael stated, “Inspiration can come from almost anywhere…from a 14th century carving in a monastery to bad 70’s flocked wallpaper. It can be anything and a mix of everything.” When pastry chef Meredith Ciaburri decided to create her business from scratch, it was the support of her family and endowed with an entrepreneurial drive that has continued to make her wholesale bakery a household name throughout Southern Massachusetts. Artisan Kitchen supplies numerous retail accounts with her freshly baked culinary treats weekly. Every quilt has a story. Just ask Emily McLaughlin, the charming owner of Perry Farm Patchworks Quilt Shop in Acushnet, Massachusetts. She’s so well versed on the subject of quilting, she can teach you every kind of pattern there is and the fascinating history behind it, too. The simple joy she gets from using a sewing needle and thread is as evident as the 500 bolts of colorful fabric that strikingly cover the walls of her quaint shop as well as her collection of antique quilts.. Yep, here in the south coast March is spring and I’m taking advantage of the increasingly warmer days. I can get my hands dirty and soak up some much needed sun. I need to burn off this cloud of gloom and that has been following me around these last few months. Hope you enjoy this edition of Coastal Life.
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(Across from Candleworks)
Joseph Hopfenspirger Publisher
GCA gifford coastal architecture 238 wareham rd. 508-748-3960 marion, ma 02738 Volume 5 Issue 7
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CoastLife_CreatingLandmarks.0309
2/25/09
7:20 PM
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From Defining Space to Feeding Appetites, Minds & Souls – to....
Creating Landmarks from Locations!
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Sold
Sold
Listed
Sold $4,3oo,oo
Sold $4,3oo,oo
MOORINGS ROAD | $2,450,000
WATER STREET | $2,600,000
CONVERSE POINT | $4,950,OO
Sold
ALLEN’S POINT | $4,3OO,OO
Sold
PINEY POINT | $2,5OO,OO
Marion is a very special place with its beautiful coastal landscape, pristine harbors, classic homes, stone walls, great sailing, and people who care about and
SOUTH COAST
want to preserve the character of their communities. We’re inspired by Marion’s ambiance, lifestyle and people, and enjoy marrying homes with buyers who understand the rich history and environmental charm of this lovely New England village.
Kinlin Grover Real Estate
Listed
ALLEN’S POINT | $1,895,OO
(508) 748.2400
WWW.ROBERTPAULLUXURYPROPERTIES.COM
A Study in Contrasts Story by Beth Perdue Exclusive to Coastal Life
William Shattuck
In many ways, South Dartmouth artist William Shattuck is a study in contrasts. An accomplished illustrator and a serious landscape painter, he devotes himself equally to both pursuits, producing precise drawings and fertile landscapes in equal measure. A former advertising man who gets a 16
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kick out of capturing big ideas on paper, Shattuck also feels his way through his creations, following his instincts to capture meaning without over-thinking his ideas. And, though he talks fast, jumping passionately from idea to idea; the artist will also spend hour after hour alone in his
studio, intently focused on creating a single illustration. Luckily, however, there’s nothing split about Shattuck’s art. His images, whether illustrations or landscapes, are deftly crafted works that deliver a powerful and immediate impact. Possibly because of his early days
PREVIOUS PAGE: Fading LIght, Oil, 36 x 48 LEFT PAGE: Untitled, Oil, 8 x 10 TOP RIGHT: Saltmarsh, Oil, 5 x 6 MIDDLE RIGHT: Fog, Oil, 5 x 6 LOWER RIGHT: Autumn Sky, Oil 5 x 6
in commercial illustration, Shattuck’s art strives for a visual give and take, which begins with the artist’s original concept and ends with an evoked response from the viewer. “People will come up to my drawings and say, yeah, I’ve had that idea,” Shattuck said, speaking from his South Dartmouth studio. “It will make my day. I know I’ve hit a home run.” One of the highlights he enjoys, Shattuck said he is thrilled when his illustrations hit home. The same joy comes when people respond emotionally to his landscapes. Like a drawing’s originating idea, Shattuck said each landscape holds a collection of elements selected for inclusion, like the time and space of the painting, its lighting and atmosphere. These are the elements that people respond to, he said. And, he said, “The whole purpose is to get a response out of people.” Shattuck started out as an illustrator and still credits his advertising days for his quick design work, being able to get an idea down on paper in rough, fast-paced studies. Born in 1950, he never went to art school and is mainly self-taught. But, he said, he was always fascinated with drawing. Drawing, he said, “was my number one passion right out of the gate.” After spending time in New York City in his twenties working for The New York Daily News and as a freelance illustrator, Shattuck took art classes at The Art Students League and The School for Visual Arts. He works out his designs on tracing paper before transferring them to drawing paper; then builds up layers of value using charcoal pencils. He then uses an eraser to pull select areas back out. “I’m pushing it on and off trying to make the image emerge,” he explained. Some images pop off the page at the viewer, while others are shaped with the lightest of hands, making you think Shattuck drew them with air itself. The subject of his drawings can be images that have caught his attention, representations of ideas, or a combination of both. One example, a
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drawing of a tiny songbird caught in a vise, was conceived of after a heated discussion about whether animals, including birds, have fun. The vise which clamps down on the silent bird has a musical symbol on it with a line drawn through it. Shattuck comes firmly down on the side of fun. “We’re so focused on understanding nature that sometimes we forget the sense of joy and rewards that nature gives back to us,” he said about the drawing. Another image, a collection of exquisitely black viscous snakes curving in fluid motions in a surprisingly plain cardboard box, is a study in opposites: yin and yang, solid and fluid, light and dark, according to Shattuck. “I like to compose things that make a person think,” he said. It wasn’t until Shattuck and his wife moved 20
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to South Dartmouth that the New York native took up landscape painting seriously, inspired by the town’s rural beauty. “I’m not a plein air painter, but I got here and I saw how beautiful this place is and I wanted to try my hand at painting,” he said. The trip was meant to be a quick stopover before a planned series of adventures for him and his wife, Dartmouth native Dorothy “ Dedee” Shattuck. But, 30 plus years later, the family, now including two sons, is still here, Shattuck says with a smile. Shattuck doesn’t believe in strict adherence to what he sees when he paints, instead feeling the true gift comes in letting nature inspire him. “These don’t exist,” he said, gesturing toward several landscapes. “I make these up, but they're inspired by what I see when I walk through the woods.”
In one of his Dartmouth landscapes, the horizon sits at least two-thirds of the way up the canvas, dotted with well-lit trees while below the land is lush and fertile with a narrow waterway snaking through it. The contrast between the heaviness of the water-soaked land and the lighter skyline was what drew Shattuck to the image. The area above the horizon provided a counter balance to the painting’s earthiness, he said, adding the contrast made the painting “way more interesting.” Keeping it interesting is something Shattuck believes in both for himself and his viewers. He likes to create paintings that reveal more of themselves through extended viewing. “I’m pushing (objects) back in space, so as you look at it, it becomes more fun,” he said. “It’s like nature, sometimes the fog rolls in and you see a land mass (that wasn’t there a moment before.)” His more recent work includes a series of drawings of local birds that he exhibited in a show with his son Ben, also an artist. Although the exhibit is over, Shattuck said he is still finishing up some bird images that he began for the exhibit. He is also working on several oil paintings of schools of fish, including bass. Like his drawings, the paintings are carefully crafted with layers of paint designed to convey dimension, a distant light source and the fluid motion of the fish through the water. The unfinished paintings are a little psychedelic at the moment, Shattuck said, noting that he uses brighter colors on the painting’s deeper layers then puts darker glazes over them. “I put the darker color over them to try to hold the color down and trap the light in,” he said. Despite his enthusiasm for his work, Shattuck said returning to it after a vacation can be rough, like the experience of having a piston stick when starting an old car engine. Though it’s hard to get back in the groove, he pushes through it. “What gets me started is knowing the potential of everything that lies ahead –what I can do,” he said. Shattuck’s work is shown at Harrison Gallery in Williamstown, and Borowicz Gallery in South Dartmouth. For more information, go to www. theharrisongallery.com or http://borowiczgallery. blogspot.com.
Previous pages: TOP LEFT: Raven, Charcoal, 10 ½ by 8 ¼ LOWER LEFT: Bounty, Charcoal, 8 ¾ x 10 LOWER right: Untitled, Charcoal, 19 x 18 RIGHT PAGE: Understanding Nature, 8 x 10 THIS PAGE: ABOVE LEFT: Epiphany Waits for Thee, William Shattuck seated ABOVE: Cherry, Oil, 36 x 32 RIGHT: Cherry, Charcoal, 7 x 7 ¾ Volume 5 Issue 7
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