Canticle Sonata
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Canticle Sonata Luke Ottevanger
1
Canticle Sonata for clarinet and piano Luke Ottevanger
I - ...cloud, clear skies... Cool and calm
1 e=90
mp poco espress. - limpid
3
mp poco espress.
5
3
3
3
3 3
9
3
3
3
3
3
3
3
1+2
6:5
1
mp poco espress.
tre corde
6:5
3
3
mp poco espress.
3 3
3
pp echo tone
3
3
pp misterioso
smorz.
6:5
una corda
3 3 3
3
3
3
Copyright © 2007
3
3
2
13
3
3
3
6:5
3
3
pp dolce
21
6:5
smorz.
3
6:5
1
6:5
pp misterioso
3
3
mf poco espress.
pp echo tone
6:5
6:5 una corda
mf poco espress.
3
3
tre corde
3
3
17
3 3
1+2
3
3
24
1+2
6:5
p
6:5
pp misterioso
6:5
6:5
6:5
6:5
6:5
6:5
6:5
6:5
smorz. 6:5
6:5
una corda
28
1
p dolce
3
1+2
6:5
pp misterioso
6:5 6:5
(tre corde)
6:5
accel.
6:5
3
6:5
6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5
tre corde
3
6:5
3
p dolce
33
3
Più mosso e=165
2
.tratt.—
6:5
f espansivo, quasi rubato
6:5
4
38
6:5
6:5
45
p 6:5
6:5
6: 6:5 5
a tempo mf
accel 6:5
6:5
6:5
6:5 6:5 6:5 6:5
6:5
6:5espress.
6:5 6:5
Poco meno mosso
6:5
6:5
6:5
6:5
rit. 51
6:5
6:5
6:5 6:5
1 e=130 tratt.—
mf espress.
6:5
6:5
mp
5 rit.
58
6:5
4:5
6:5
6:5
4:5
(use half pedalling)
Ancor poco meno mosso introducing 2... +A...
e=115
63
68
3
3
3
3
4:5
mp
(use half pedalling)
...+Eb...
3
6
73
3
3
p
6:5
mf
6:5
6:5
...-Bb...
6:5
6:5
6:5
mf
6:5
6:5
6:5
p
6:5
6:5
6:5
6:5
mf
6:5
6:5
6:5
6:5
6:5
p
6:5
6:5
6:5
6:5
mp
6:5
6:5
6:5
rit.
6:5
6:5
6:5
6:5
6:5
6:5
6:5
6:5
6:5
p
p
6:5
6:5
6:5
6:5
6:5
6:5
4:5
...-D=2
p
p
86
6:5
ff
6:5
6:5
eliminating 1... -G...
e=165
...+B=1+2
79
3
6:5
6:5
6:5
7 molto rit. 94
6:5
6:5
6:5
3
4:5
105
4:5
4:5
4:5
4:5
4:5
4:5
4:5 4:5
4:5
4:5 4:5
4:5
4:5
4:5
4:5
4:5
rall.
4:5
4:5
6:5
4:5
5
4:5
4:5 4:5 4:5 4:5 4:5 4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5 4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
3
4:5
4:5
6:5 3
4:5
4:5
4:5
3
3
4:5
4:5
6:5
3
4:5
6:5
e=130
6:5
p
6:5
4:5
mf
6:5
99
6:5
4:5
4:5
4:5
4:5
4:5
8
4:5 4:5 4:5
4:5
6:5
111
4:5
4:5
4:5
4:5
4:5
4:5
4:5
ff
ff
4:5
4:5
e=90
4:5
4:5
Tempo primo 4:5
4:5
4:5
4:5
Tempo primo
118
4:5
4:5
123
3
3
3
3
3
3
4:5
mp poco espress.
mp poco espress.
4:5
smorz.
4:5
4:5
Be sensitive to shifts from 'Ab' sections to 'A' sections 1 alternating with 2
3 3
3
3
9 3
126
3 3 3 3
3 3
3
3
3
3
3 3 3
130
3
mp
mp
3
3
3
3
135
3
3
3
3
3
3
3
mf
mf
3
3
3
3
3
3
10
139
143
p dolce
e=80
3
3
1+2
rit.
Meno mosso
p dolce
3
3
147
3
11 II - ...humble, precious, chaste... Gently flowing, avoiding extremes 1
x=180 N1
pp pp fluido e semplice
pp
echo tone
pp
playful
una corda
8
pp
p dolce
p
14
mp dolce
p
mp
mp
non forte
p mp fluido e semplice mp
12
19
playful
24
(non cresc.)
dolce
mp dolce (non cresc.)
29
p
mp dolce
13
34
(=y.)
3
8:9
(etc.)
3
8:9
8:9
3 3 3 3 3
3 3
39
8:9
(etc.)
3
8:9
3
8:9
8:9
8:9
3
3
3
3
3
8:9
3
3
3
3:2
(=y.)
...beautiful, radiant and of great splendour... Full chromatic set ( = 1+N1, 2+N2 etc.)
accel. 8:9
42
1 3
8:9
3
3
subito cresc.
3
(=y.)
x=x
2
3
3 3 3 3 3 3 8:9
subito cresc.
tre corde
8:9
8:9
3
ff
3
f
mf
ff
3
8:9
Effectively, più mosso Blazing and impulsive
f duro
14
47
56
Senza misura - parts not syncronised
x=200 63
N2
fff
fff
9
ff
ff
5
5
fff
fff
6
ff
7
ff
7
15
64
7 5
dim. r.h. f l.h. dim. share between hands f
3 7:6 p
mp
mp
p
p playful
pp fluido e semplice
pp
3
p
r.h.
p dolce
una corda
71
x=180
l.h. r.h.
Come prima
molto rit.
65
p dolce
p
16 Meno mosso
rit. 77
più p
rit.
più p
x=160 N1
p
(il basso più sonore)
17
III - ...beautiful, merry, robust, strange... Chaconne
1
e=80
mp senza espress., preciso
3
3
mf espress. quasi koto, semplice
31
24
3
mp
5:3
3
mp espress. 16
p hollow, fleeting
(1-2)+(2-1) or (N1-N2)+(N2-N1)
3
espr.
18
37
3
3:2
47
e=140
accel.
3
3
5
42
Scherzando
5
5
3
1
f
5 3 5 3 5 3 3
5
mp
5
3
f
subito mp
5 3 3 5
3 5 5
5
3
5
3
19
53
5
3
5
accel.
e=150
3
3 3 5
5
5
58
2
3
1
3
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
3
1
3
2
3
3
3
3
3
3
3
3
3
3
3
2
3
3
64
4
4
3
1
2
3 3 3
3
3
3
3
3
3
3
3
20
69
3 3
2
2
3
3
3 3
3
3
3
3
3
3
2
4
3
2
3
festivo
3 3 4
4
2 1
3
1
3
3
3
3
3
3
3
1
3
N2 75
84
5
5
5
5
festivo
21
92
accel.
mp
p sotto voce
(use pedal to help sustain inner part, but keep the three lines as clear as possible)
100
105
p sotto voce
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
22
110
3
3
3
3
3
3
3
3
3
3
3
3
subito p poco a poco cresc.
f
3
115
3
3
3
3
3
3
e=170 1N2 121
3
rit.
3
3
5
(white note cluster)
(black note cluster)
3
3
3
5
3
3
3
3
3
e=85
(until sound disappears)*
p
*(use judgement - discretely clear sound by gradual release of pedal if necessary)
23
131
poco f espress.
141
rit.
poco f espress.
e=80
3
mp senza espress., preciso
mp espress.
3
3
148
24
(1-2)+(2-1) or (N1-N2)+(N2-N1)
162
169
3
3
3
3
quasi koto, semplice
e=80
154
rit.
5
25
Meno mosso e=70 N1N2
177
5:3
p dolce
188
p dolce
198
1
poco rit.
a tempo
p dolce semplice
p dolce semplice
Spring 2007
1
Canticle Sonata for clarinet and piano Luke Ottevanger
I - ...cloud, clear skies... Cool and calm
1 e=90
mp poco espress. - limpid
3
mp poco espress.
5
3
3
3
3 3
9
3
3
3
3
3
3
3
1+2
6:5
1
mp poco espress.
tre corde
6:5
3
3
mp poco espress.
3 3
3
pp echo tone
3
3
pp misterioso
smorz.
6:5
una corda
3 3 3
3
3
3
Copyright © 2007
3
3
2
13
3
3
3
6:5
3
3
pp dolce
21
6:5
smorz.
3
6:5
1
6:5
pp misterioso
3
3
mf poco espress.
pp echo tone
6:5
6:5 una corda
mf poco espress.
3
3
tre corde
3
3
17
3 3
1+2
3
3
24
1+2
6:5
p
6:5
pp misterioso
6:5
6:5
6:5
6:5
6:5
6:5
6:5
6:5
smorz. 6:5
6:5
una corda
28
1
p dolce
3
1+2
6:5
pp misterioso
6:5 6:5
(tre corde)
6:5
accel.
6:5
3
6:5
6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5 6:5
tre corde
3
6:5
3
p dolce
33
3
Più mosso e=165
2
.tratt.—
6:5
f espansivo, quasi rubato
6:5
4
38
6:5
6:5
45
p 6:5
6:5
6: 6:5 5
a tempo mf
accel 6:5
6:5
6:5
6:5 6:5 6:5 6:5
6:5
6:5espress.
6:5 6:5
Poco meno mosso
6:5
6:5
6:5
6:5
rit. 51
6:5
6:5
6:5 6:5
1 e=130 tratt.—
mf espress.
6:5
6:5
mp
5 rit.
58
6:5
4:5
6:5
6:5
4:5
(use half pedalling)
Ancor poco meno mosso introducing 2... +A...
e=115
63
68
3
3
3
3
4:5
mp
(use half pedalling)
...+Eb...
3
6
73
3
3
p
6:5
mf
6:5
6:5
...-Bb...
6:5
6:5
6:5
mf
6:5
6:5
6:5
p
6:5
6:5
6:5
6:5
mf
6:5
6:5
6:5
6:5
6:5
p
6:5
6:5
6:5
6:5
mp
6:5
6:5
6:5
rit.
6:5
6:5
6:5
6:5
6:5
6:5
6:5
6:5
6:5
p
p
6:5
6:5
6:5
6:5
6:5
6:5
4:5
...-D=2
p
p
86
6:5
ff
6:5
6:5
eliminating 1... -G...
e=165
...+B=1+2
79
3
6:5
6:5
6:5
7 molto rit. 94
6:5
6:5
6:5
3
4:5
105
4:5
4:5
4:5
4:5
4:5
4:5
4:5 4:5
4:5
4:5 4:5
4:5
4:5
4:5
4:5
4:5
rall.
4:5
4:5
6:5
4:5
5
4:5
4:5 4:5 4:5 4:5 4:5 4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5 4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
4:5
3
4:5
4:5
6:5 3
4:5
4:5
4:5
3
3
4:5
4:5
6:5
3
4:5
6:5
e=130
6:5
p
6:5
4:5
mf
6:5
99
6:5
4:5
4:5
4:5
4:5
4:5
8
4:5 4:5 4:5
4:5
6:5
111
4:5
4:5
4:5
4:5
4:5
4:5
4:5
ff
ff
4:5
4:5
e=90
4:5
4:5
Tempo primo 4:5
4:5
4:5
4:5
Tempo primo
118
4:5
4:5
123
3
3
3
3
3
3
4:5
mp poco espress.
mp poco espress.
4:5
smorz.
4:5
4:5
Be sensitive to shifts from 'Ab' sections to 'A' sections 1 alternating with 2
3 3
3
3
9 3
126
3 3 3 3
3 3
3
3
3
3
3 3 3
130
3
mp
mp
3
3
3
3
135
3
3
3
3
3
3
3
mf
mf
3
3
3
3
3
3
10
139
143
p dolce
e=80
3
3
1+2
rit.
Meno mosso
p dolce
3
3
147
3
11 II - ...humble, precious, chaste... Gently flowing, avoiding extremes 1
x=180 N1
pp pp fluido e semplice
pp
echo tone
pp
playful
una corda
8
pp
p dolce
p
14
mp dolce
p
mp
mp
non forte
p mp fluido e semplice mp
12
19
playful
24
(non cresc.)
dolce
mp dolce (non cresc.)
29
p
mp dolce
13
34
(=y.)
3
8:9
(etc.)
3
8:9
8:9
3 3 3 3 3
3 3
39
8:9
(etc.)
3
8:9
3
8:9
8:9
8:9
3
3
3
3
3
8:9
3
3
3
3:2
(=y.)
...beautiful, radiant and of great splendour... Full chromatic set ( = 1+N1, 2+N2 etc.)
accel. 8:9
42
1 3
8:9
3
3
subito cresc.
3
(=y.)
x=x
2
3
3 3 3 3 3 3 8:9
subito cresc.
tre corde
8:9
8:9
3
ff
3
f
mf
ff
3
8:9
Effectively, più mosso Blazing and impulsive
f duro
14
47
56
Senza misura - parts not syncronised
x=200 63
N2
fff
fff
9
ff
ff
5
5
fff
fff
6
ff
7
ff
7
15
64
7 5
dim. r.h. f l.h. dim. share between hands f
3 7:6 p
mp
mp
p
p playful
pp fluido e semplice
pp
3
p
r.h.
p dolce
una corda
71
x=180
l.h. r.h.
Come prima
molto rit.
65
p dolce
p
16 Meno mosso
rit. 77
più p
rit.
più p
x=160 N1
p
(il basso più sonore)
17
III - ...beautiful, merry, robust, strange... Chaconne
1
e=80
mp senza espress., preciso
3
3
mf espress. quasi koto, semplice
31
24
3
mp
5:3
3
mp espress. 16
p hollow, fleeting
(1-2)+(2-1) or (N1-N2)+(N2-N1)
3
espr.
18
37
3
3:2
47
e=140
accel.
3
3
5
42
Scherzando
5
5
3
1
f
5 3 5 3 5 3 3
5
mp
5
3
f
subito mp
5 3 3 5
3 5 5
5
3
5
3
19
53
5
3
5
accel.
e=150
3
3 3 5
5
5
58
2
3
1
3
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1
3
1
3
2
3
3
3
3
3
3
3
3
3
3
3
2
3
3
64
4
4
3
1
2
3 3 3
3
3
3
3
3
3
3
3
20
69
3 3
2
2
3
3
3 3
3
3
3
3
3
3
2
4
3
2
3
festivo
3 3 4
4
2 1
3
1
3
3
3
3
3
3
3
1
3
N2 75
84
5
5
5
5
festivo
21
92
accel.
mp
p sotto voce
(use pedal to help sustain inner part, but keep the three lines as clear as possible)
100
105
p sotto voce
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
22
110
3
3
3
3
3
3
3
3
3
3
3
3
subito p poco a poco cresc.
f
3
115
3
3
3
3
3
3
e=170 1N2 121
3
rit.
3
3
5
(white note cluster)
(black note cluster)
3
3
3
5
3
3
3
3
3
e=85
(until sound disappears)*
p
*(use judgement - discretely clear sound by gradual release of pedal if necessary)
23
131
poco f espress.
141
rit.
poco f espress.
e=80
3
mp senza espress., preciso
mp espress.
3
3
148
24
(1-2)+(2-1) or (N1-N2)+(N2-N1)
162
169
3
3
3
3
quasi koto, semplice
e=80
154
rit.
5
25
Meno mosso e=70 N1N2
177
5:3
p dolce
188
p dolce
198
1
poco rit.
a tempo
p dolce semplice
p dolce semplice
Spring 2007
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