Budhist Architecture
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Budhist Architecture Muhammad Adeel Qureshi Lecturer, Art & Architecture, Pakistan Study Centre, P.O.Box-8450, University o f Karachi Cell: +92-323-2988014 Email :
One of the most enduring achievements of Indian civilization is undoubtedly its architecture, which extends to a great deal more than the Taj Mahal or the temple complexes of Khajuraho and Vijayanagara. Though the Indus Valley sites of Harappa, Mohenjo-daro, and Lothal provide substantial evidence of extensive town planning, the beginnings of Indian architecture are more properly to be dated to the advent of Buddhism in India, in the reign of Ashoka (c. 270-232), and the construction of Buddhist monasteries and stupas. Buddhist architecture was predominant for several centuries, and there are few remains of Hindu temples from even late antiquity. Among the many highlights of Buddhist art and architecture are the Great Stupa at Sanchi and the rock-cut caves at Ajanta. By the eighth century, with the consolidation of Hindu kingdoms, the southern Hindu school of architecture was beginning to flourish. The most notable achievements of the Pallavas were the rock-cut temples of Mahabalipuram and the temples of Kanchipuram. The subsequent history of South Indian temple architecture takes us, over the next eight centuries, to Thanjavur (Tanjore), to the brilliant achievements of the Hoysalas (as seen in the temples at Belur and Halebid), and the temple complexes, which represent the flowering of the Vijayanagara empire, of Kanchipuram, Thiruvannamalai, and Vellore. The most stellar achievement of the later Vijayanagara period may well be the Meenakshi temple in Madurai. In Kerala, however, a distinct style of architecture took shape. In Ellora in western India, Hindus added a new series of temples and carvings at what had once been Buddhist caves, culminating in the majestic Kailasa temple, constructed in the reign of the Rashtrakuta monarch Krishna I (757-73), while the rock-cut caves in Elephanta and Jogeshvari, in the proximity of Bombay, were most likely executed in the sixth century.
1
In north India, meanwhile, architecture was to be a more contentious matter. The fabled temple at Somnath, renowned for its purported riches, is said to have been destroyed by the Muslim invader Mahmud of Ghazni, and after the attainment of Indian independence, the restoration of this temple became a matter of national pride for more ardent defenders of the faith. The story of Somnath points to the manner in which histories, whether political, cultural, or architectural, have become communalized. But the period from 1000-1300 was, in any case, a time when Hindu architecture flourished throughout India. In central India, the Chandellas built a magnificent complex of temples at their capital, Khajuraho, between 950-1030 A.D. These temples, which show Vaishnavite, Shaivite, and Tantric influence, have acquired a renewed reputation today as indices of India's libertine past, allegedly indicative of India's relaxed sexual mores before puritanical Muslims made India a sexually repressed society. The sexual postures depicted in many of the sculptures that adorn some of the temples appear equally on the posters of the Government of India's Tourist Office and the pages of gay and lesbian magazines. The cultural politics of Khajuraho, as indeed of Indian architecture, still remains to be written. In the north-west, the Solanki kings spent lavishly on buildings, and the Surya or Sun temple in Modhera, some 3 hours from Ahmedabad, stills provides striking testimony to their achievements. More stupendous still is the Surya temple at Konarak, built by Narasimha-deva Ganga (c. 1238-64), though masterpieces of Orissan architecture from the reign of the Gangas are to be found in Bhubaneshwar and Puri as well. The weakness of Muslim dynasties in the north enabled Rajput kings to assert their independence; the results of this Hindu revival are to be seen in Chittor, and elsewhere in Rajasthan where massive forts dot the landscape By Muhammad Adeel Qureshi Lecturer, Art & Architecture, Pakistan Study Centre, P.O.Box-8450, University o f Karachi Cell: +92-323-2988014 Email :
2
One of the most enduring achievements of Indian civilization is undoubtedly its architecture, which extends to a great deal more than the Taj Mahal or the temple complexes of Khajuraho and Vijayanagara. Though the Indus Valley sites of Harappa, Mohenjo-daro, and Lothal provide substantial evidence of extensive town planning, the beginnings of Indian architecture are more properly to be dated to the advent of Buddhism in India, in the reign of Ashoka (c. 270-232), and the construction of Buddhist monasteries and stupas. Buddhist architecture was predominant for several centuries, and there are few remains of Hindu temples from even late antiquity. Among the many highlights of Buddhist art and architecture are the Great Stupa at Sanchi and the rock-cut caves at Ajanta. By the eighth century, with the consolidation of Hindu kingdoms, the southern Hindu school of architecture was beginning to flourish. The most notable achievements of the Pallavas were the rock-cut temples of Mahabalipuram and the temples of Kanchipuram. The subsequent history of South Indian temple architecture takes us, over the next eight centuries, to Thanjavur (Tanjore), to the brilliant achievements of the Hoysalas (as seen in the temples at Belur and Halebid), and the temple complexes, which represent the flowering of the Vijayanagara empire, of Kanchipuram, Thiruvannamalai, and Vellore. The most stellar achievement of the later Vijayanagara period may well be the Meenakshi temple in Madurai. In Kerala, however, a distinct style of architecture took shape. In Ellora in western India, Hindus added a new series of temples and carvings at what had once been Buddhist caves, culminating in the majestic Kailasa temple, constructed in the reign of the Rashtrakuta monarch Krishna I (757-73), while the rock-cut caves in Elephanta and Jogeshvari, in the proximity of Bombay, were most likely executed in the sixth century.
1
In north India, meanwhile, architecture was to be a more contentious matter. The fabled temple at Somnath, renowned for its purported riches, is said to have been destroyed by the Muslim invader Mahmud of Ghazni, and after the attainment of Indian independence, the restoration of this temple became a matter of national pride for more ardent defenders of the faith. The story of Somnath points to the manner in which histories, whether political, cultural, or architectural, have become communalized. But the period from 1000-1300 was, in any case, a time when Hindu architecture flourished throughout India. In central India, the Chandellas built a magnificent complex of temples at their capital, Khajuraho, between 950-1030 A.D. These temples, which show Vaishnavite, Shaivite, and Tantric influence, have acquired a renewed reputation today as indices of India's libertine past, allegedly indicative of India's relaxed sexual mores before puritanical Muslims made India a sexually repressed society. The sexual postures depicted in many of the sculptures that adorn some of the temples appear equally on the posters of the Government of India's Tourist Office and the pages of gay and lesbian magazines. The cultural politics of Khajuraho, as indeed of Indian architecture, still remains to be written. In the north-west, the Solanki kings spent lavishly on buildings, and the Surya or Sun temple in Modhera, some 3 hours from Ahmedabad, stills provides striking testimony to their achievements. More stupendous still is the Surya temple at Konarak, built by Narasimha-deva Ganga (c. 1238-64), though masterpieces of Orissan architecture from the reign of the Gangas are to be found in Bhubaneshwar and Puri as well. The weakness of Muslim dynasties in the north enabled Rajput kings to assert their independence; the results of this Hindu revival are to be seen in Chittor, and elsewhere in Rajasthan where massive forts dot the landscape By Muhammad Adeel Qureshi Lecturer, Art & Architecture, Pakistan Study Centre, P.O.Box-8450, University o f Karachi Cell: +92-323-2988014 Email :
2
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