Booklet For Guilty Pleasure

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  • Words: 6,443
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ashley tisDAlE

1 Acting Out ’s Ok t I , t h g i ’ R l 2 It s A 3 MasqueRaDe 4 OveRrated 5 Hot Mess e n o e m o S e v o L 6 How Do You 7 Tell Me Lies 8 What If D n i w e R d n a e 9 Eras 10 HaiR 11 Delete YoU U o Y t u o h t i W e M 12 (Bonus Track) p U t I k n a 13 Cr (Bonus Track) h c t i 14 Sw s In The Attic ) n ie Al re u ct pi n o ti m the mo (Fro

las Molinder,

Acting Out

e, Nic (Ashley Tisdal

1 Joacim Persso

n, Steve McMo

sy)

enäs, David Jas rran, Johan Alk

perfect child I was just a the surface was craving to be wild t you see Up above I r from wha eath it all But undern dge by cover, it’s so fa you to believe on ju Don’t you my patience waiting l I’m losin’ al breathe ing, I can’t at oc ff I’m su hold back not gonna l now Chorus: this cage, I’mns I’m taking contro of t ou e m ai ch Let e es t th k ou ab brea I’m gonna you something to talk t ou Gonna give de of me, I’m acting this is what I need si g about u r t I’m talkin It’s anothe I’m ready to show yo ow you wha Set me free t dirty, I’m gonna sh t ge ou It’s time to de of me I’m acting r si t the show It’s anothe time to star le s it’ ing, new beginn if it’s real or just a ro r more a to e m e fo ters Welco begging m think it mat No I don’t t a taste of it you’ll be r once I hit the floor be ge u em yo m e re to Onc something I’ll give you you know t ha w of go I’m letting s ru ho C u crazy to drive yo aiting just s it feels amazing w en be e I’v ye fore y time and ve seen be Now it’s m ing left of what you’ you’re told t th There’s no o short just to do wha do what you’re told And life’s to hat you’re told just to w Just to do Chorus u’re told do what yo ort just to Life’s too sh t u’re told ou I’m acting ort just to do what yo sh o to ’s Life u’re told out I’m acting ort just to do what yo sh o to ’s fe Li out I’m acting (STIM) / dFly Music AB

bal Inc. / Re ade Songs, ed by Reach Glo tertainment, LLC / Crossf P), administer En Music (ASCA ed by Bug obo Arthouse Top e Th To ©2009 Bop I), administer der Music (BM Art in the Fod l Music Scandinavia AB pel Warner/Chap eden ly Studios, Sw xed by Alke nk, and RedF Produced & Mi Boom Boom Room, Burba e Recorded at Th eer: Brian Sumner gin Recording En s Johan Alkenä Guitar & Bass: Freja Jonsson-Blomberg s: cal Vo ng Backi

©2009 Universal Mus ic Publishing (BMI) ROR Songs (BMI) administered by Son / Kobalt Music (ASCAP) / gs of Kobalt Music Publishing Produced by Dreaml ab Recorded at Dreaml ab Mixed by Mark “Spi Studios, Los Angeles ke” Assistant Mix Enginee Stent r: Matty Green Guitars: Kevin “Th rasher” Gruft Bass: Sean Hurly Drums: Matt Hawkins Backing Vocals: Lea h Haywood & Alaina Beaton

3

MasquerAdE

(Leah Haywood, Dan

©2009 Arthouse Ente rtainment (BMI) / Fodder Music (BM RedFly Music AB (ST I), adm IM) / Art in the Crossfade Songs, War inistered by Bug obo Arthouse Ente rtainment, LLC / ner/Chappell Music Scandinavia AB Produced by Twin & Alke Additional Vocal Prod ucti Recorded at The Boo on: Kelly Levesque m Boom Room, Burb Recording Enginee ank, and RedFly Stud r: Brian Sumner ios, Sweden Mixed by Mark “Spi ke” Assistant Mix Enginee Stent r: Guitar: Joacim Pers Matty Green son Bass: Niclas Bosson & Johan Alkenäs Backing Vocals: Sibe l Redzep

Chorus

inder, Joacim Pers son, Johan Alkenäs,

Charlie Mason)

OverRatED

Chorus Don’t waste yo ur Just save them fiction tears on me for someone in need It’s way too late I’m closing the door

Chorus: it’s all just an ac t It’s ov errated! The truth is I’m wanting me ba ck ’Cause I’ve gotta be wh I can’t take this o I am undernea th Who I gave up , Being you when so you’d believe it’s all just an ac t It’s overrated! So overrated! I let you contro l me Or so Don’t think that you thought you’re perfect Just all messed up I hid away the best of me Too scared to no tic Now I do, and I’m not going to e ... Chorus It’s overrated! (Changing for a guy . . .) Overrated! (Living in a lie . . .) It’s overrated! (Always asking why . . .) It’s overrated! The mirror, is sh attered . . . I’m finally free! Being you when

4

Ok Alkenäs, David Jass

y)

It’s AlRight, It’s 2

(Niclas Molinder, Joac im Persson, Johan

You played me Betrayed me thing but a game Portrayed a ro You took cont le I couldn’t help rol, I but fall But now I see th So deep ings clear

Your love was no

I pass my reflec tion . . . It’s someone els I see your inven e tion And not myself I turned into yo ur perfect girl A total Now I see, and stranger . . . I don’t want to

(Ashley Tisdale, Nicl as Mol

You told me th ere’s no need ’Cause it’s too to talk it out late to proceed ok your words and walked aw ay No looking back I won’t regret, no I will find my wa y I’m broken But still I have to say Chorus: It’s alright, It’s OK I’m so much be tter without yo u I won’t be sorry Al right, OK So don’t you bo ther wh No matter what at I do you say I Our bridge ha won’t return s burned down I’m stronger no w Alright, OK I’m so much be tter without yo u I won’t be sorry

And slowly I to

iel James, Shelly Peik en)

Hip shaker, drea m I can be anything maker, heartbreaker, earth quaker that you want me Coin spender, to mi Change up my nd-bender, jet-setter, go-gett getup for anyth er ing you choose I don’t mind try ing on someon e else I won’t mind se ein I might like chan g just how it felt ging my disguise To make you ha ppy Chorus: Here’s my form al You and me go invitation masquerading Lose ourselves in Is this love we’re this charading Do we want wh imitating at If not I say so wh we got? at Here’s my form al invitation You can be my School teacher, dre One I can coun am weaver, mind reader, just t on to play it ou be the Hot waiter, cool t with me skater, trailblaz Naughty or nic er, pulse raiser e—whatever yo u want to be You wanna try on someone els e? You might like se Do you mind ch eing how it felt an To make me ha ging your disguise? ppy We’ll make it fu n I still want you when it’s over and done to No more disgu see the real me ise We should be . s, let true love decide if . . together

©2009 Bop To The Top RedFly Music AB (ST Music (ASCAP), administered by Rea ch IM) / Art in the Fod obo Arthouse Ente der Music (BMI), adm Global Inc. / rtainment, LLC inistered by Bug Produced & Mixed by Twin & Kapari Recorded at Westlak e Recording Studios, Recording Enginee Los Angeles, and Red r: Brian Sumner Fly Studios, Sweden Guitar: Kapari, Joh an Alkenäs & Pontus Jacobsson Bass: Joacim Persson String Arrangemen t: Alke Backing Vocals: Sibe l Redzep

©2009 Sony/ ATV/Crows Tre e Publishing (BM Produced by I) / B-Rhaka Pu “Oak” blishing (ASCA Vocal Productio of the Knightwritaz for P) Nin n: Heather Bri Production Co ght & “Oak” of etimesnine Entertainment ordination: Do nnie Meadows the Knightwritaz for Ninetim Mixed by Ma rk “Spike” Ste & esn Tan ine ish Enter a Broadwater for nt Assistant Mix Starr Island Ma tainment En nagement Additional Ba gineer: Matty Green cking Vocals: Heather Brigh t

5

Hot Mess (Warren “Oak” Felder, Heath er Brigh

t)

6

(Billy Steinberg

, Josh Alexan

der, Alaina Be ato

n)

How Do You Love SomEo ne

I’m a mess when it co I’ve got I’m not the no inhibitions whats mes to you oever it’s tr ki nda girl who Caught up ue runs ar in a kiss . . . best friend ound like this with benefit s You’re so ra Pre-Choru cy . . . you’ s: re my favo rite guy So Cupid got unruly . . . so uncivi liz me right be tween my ed You know eyes yo Doin’ things u got bit real bad that you ne ver did Ooh, ooh . . . you wak e up in your C Ooh, ooh . horus: bra an . . car’s in th e driveway d your makeup parked side Yeah I know ways I’m leavin’ Ooh, oh I’m every piece of my co this is killin’ me nscience be such a hot hind mess, I’m I’m such a such a hot mess, hot mess w With you, ith you I never knew lo It’s true I w vin’ you could be so fun as such a go od Before you , good girl came along Pre-Choru s I’m getting speeding tic Chorus kets, I’m lettin’ m I’m acting just like a misfit y mail pi You’re mak le up to the ceiling in ’Cause I ju ’ me irresponsible st wanna Act rambu nctious an be with you d see what I do Go Live your lif hard . . . hit that gas e like it’s al l yo Pu u sh ha , push hard ve All this love er mak is worth th e mess . . . e it last hot mess

Mama neve r Daddy neve taught me how to lo ve Mama neve r taught me how to fe el r Daddy neve taught me how to to uc r showed m e how to he h Mama neve al r Daddy neve set a good example r he ld mama’s Mama foun hand d Daddy neve everything hard to ha r stood up like a man ndle I’ve walked around brok Getting it on, getting en, emotionally froz en it wrong Chorus: How do yo u How do yo love someone withou u t So far in m love someone withou getting hurt? y life clouds t crawling in How do yo u love, how have blocked the sun the dirt? How do yo do you love u love, how so do you love meone? someone? I was alway s Their bigg the chosen child est scanda l I became They told m But survival e I’d never survive ’s my middl e name I’ve walked ar Gettin’ it on ound hopin’, just ba rely copin’ , gettin’ it w rong Chorus It’s hard to ta It’s hard to lk . . . to say what’s de tell the trut h when you’ ep inside ve always lie How do yo u d How do yo love someone withou u love som t eone withou getting hurt? So far in m y t How do yo life clouds have bloc crawling in the dirt? ke u How do yo love, how do you love d the sun u How do yo love someone and m someone? u ak So far in m love someone withou e it last? y t How do yo life clouds have bloc tripping on the past ke u ? How do yo love, how do you love d the sun u love, how do you love someone? someone? ©2009 Jerk Aw ake, Jetanon Music (ASCA P) / A Beat On Produced by Publishing (AS Jos CAP) Additional Vo h Alexander & Billy Steinb erg cal Productio n: Chris Garcia Recorded by Jos Mixed by Ma h Alexander at Cryptic Stu rk “Spike” Ste dios, Los Angel nt Assistant Mix es En All Keys, Guitar gineer: Matty Green s, Drum Progra Digital Editin g: Josh Alexan mming: Josh Alexander der, Chris Ga Pro Tools & Log rcia ic Backing Vocal Tech: Scott Roewe s: Alaina Beato n & Keely Ha wkes

d n i w E R D n A e 9 Eras (Niclas Molinder,

7 rdi, Niclas Tisdale, Kara DioGua

Molinder, Joacim

näs)

Persson, Johan Alke

/ (Ashley Bug Music (BMI) e Terrace Music / Global Inc. / Sunshin ouse Entertainment, LLC inistered by Reach Arth adm obo ), Bug CAP by (AS ic Top Mus I), administered ©2009 Bop To The Fodder Music (BM (STIM) / Art in the RedFly Music AB den Alke & Twin RedFly Studios, Swe by Produced & Mixed Recording Studios, Los Angeles, and e Recorded at Westlak n Sumner Bria r: inee Recording Eng an Alkenäs Guitar & Bass: Joh Jonsson-Blomberg & Ashley Tisdale a Backing Vocals: Frej

sity Nwagbara)

What If

Justifi” Wansel, Cha

8

Chorus

Stock Ent. ng (BMI) / Private rows Tree Publishi lishing, ©2009 Sony/ATV/C lishing, Young Pen/Hit-co Music Pub Pub s (BMI) / Miss Cha ng (BMI) Bug Music Publishi Entertainment for Ninetimesnine . of the Knightwritaz Produced by “Oak” the Knightwritaz for Private Stock Ent ne Entertainment esni of & “Papa Justifi” t., htwritaz for Ninetim by “Oak” of the Knig for Penua Project/Innersound Mgm tion duc Pro al Voc sado Joshua & Dave Pen e, Los Angeles, CA Mixed by Jaycen abe Larr at ater Lino adw rlo assisted by Gianca by Donnie Meadows & Tanisha Bro ation Production Coordin agement for Starr Island Man

HAiR

Chorus

Chorus: return my calls You never do never met at all for you ’ve we Just like I’ll always wait at wh r tte No ma wait for you I’ll u, yo r fo it I’ll wa feel like this I don’t wanna . . . to nt wa n’t I do

er, Andrew “Papa

Storm)

Music ent, LLC / Dabney Arthouse Entertainm (ASCAP) in by Bug Music obo Inc. o/b/o itself & Lily Makes Music adm ); CAP (AS ic ic, kou ©2009 Roditis Mus I) / Right Bank Mus d by Emanuel Kiria ATV Songs, LLC (BM Produced & Recorde ng, Los Angeles, CA Publishing / Sony ordi t io E at Chalice Rec Sten Stud ike” at “Sp d k orde Mar Rec Mixed by ineer: Matty Green Assistant Mix Eng ring: Pat Thrall inee Eng Additional Thrall Digital Editing: Pat kou g: Emanuel Kiria Drum Programmin & Ashley Tisdale rds, boa Key , tars Gui Beaton Acoustic & Electric kie Storm, Alaina Backing Vocals: Fran

Chorus: ed you baby But what if I ne try to save me ver be true en Would you ev d some lame excuse to ne fin u yo uld Or wo I loved you What if I said e one to run to a fight th Would you be tch me walk away without wa Or would you rrying that ya I’m so sick of wo anything er ov it qu gonna like that d you’d let go I could trip an that we ever were g hin yt er ev d rt An but not the hu m the bad seems to fade know the good things fro n’t ’Cause you do at I want you When I say th mean it I at th ow You kn of weakness And in my houre to try tim ll sti e’s er Th Chorus d stop me eak you try an Every time I sp tle thing I say is wrong lit y er u never see ’Cause ev noticing but yo You say you’re ally am that you can believe This is who I re a know right now Make me wann e without liv Is it me you’ll ange your mind ch Or would you

feel like this I don’t wanna don’t want to ,I I don’t want to ak you out, but I fre I don’t wanna much have said too Think I might didn’t mean to , to an me ’t u and I Didn have said it’s yo Think I might d Chorus: leave this behin Guess I should ase and rewind er Guess I should n’t seem to stay away I ca But somehow und desperate so I don’t wanna that y But I am, so sa d un You’ll come aro ase and rewind er Guess I should nd Erase and rewi stand in line I don’t wanna like I used to , to ed us I e Lik and shout have to scream I don’t wanna sticks kind of girl that ’Cause I’m the e a tattoo lik Like a tattoo, d of girl that wears you out Yeah, I’m the kin

ered by ic (BMI), administ in the Fodder Mus AB ic AB (STIM) / Art ll Music Scandinavia ©2009 RedFly Mus ertainment, LLC / Warner/Chappe Ent Bug obo Arthouse den RedFly Studios, Swe by Twin & Play Produced & Mixed Recording Studios, Los Angeles, and e Recorded at Westlak n Sumner r: Bria Recording Enginee an Fransson Guitar & Bass: Joh Redzep & Tobias Lundgren l Sibe als: Voc king Bac

10

l Kiriakou, Frankie

(J. Cates, Emanue

Tell ME Lies

Don’t tell me You’re leaving much I can take There’s only so if you’re faking It’s easier

is is happening can’t believe th Don’t speak, I ’t right isn Our situation u playing with yo Get real, who you’d be like this t I never though ed to be there by my side os pp You were su me that you want y sa u When yo it ve lie be n’t do I just ready to give up You’re always around and never turn

an

Joacim Persson, Joh

dgren)

son, Tobias Lun Fransson, Tim Lars

(Warren “Oak” Feld

It’s in your eyes be disguised n’t ca s Feeling me want you s ke ma th ’Cause the tru To tell me lies ar My biggest fe ns of tears Is crying ocea sincere you not be so u be I would rather yo How cold could re me u do if you we off yo uld wo t ha W I’m better If it’s a mystery Chorus: nt to know wa n’t do I se ’Cau last time ur lips for the n’t say If I’ve kissed yo Please do If it’s so Tell my heart e It’s not goodby e thing for me And do this on stupid story Make up some Tonight It’s alright lies th and tell me Keep your tru ht rig t no Something’s e in sight Love is nowher let go to I’m not ready t time It’s no you be How cruel could rough th Don’t say we’re t to me Least no I’m better off ry Leave it a myste Chorus

is what you do gar, yeah this t and I love it su ugh my hair in the morning mp ke un I’m , ar I’m in disarray n you run your fingers thro a sexy superst Whe I’m feeling like Pre-Chorus: o me say who wh , wanna make singing la la la u rock my party me Whoa, whoa yo e the only one that keeps the way you are You’r like your t-shirt, I like it like it I love to smell But most all I Chorus: to my hair do u yo at wh I like od could feel so go looking a mess you do to my hair at Who knew that wh e lik I oh how you do gers through it, it e it, run your fin , mess it up, mess it up, mess Tousle it, teas oh oh baby up, mess it up Do it till I can’t get enough it ss me d an Now go love it sugar so un me but I I’m un-perfect u get my ponytail to sag you do, yo r cool See this is what ’cause I think it’s kinda supe mind n’t do I t bu le Pre-Chorus laughab My bangs are Chorus

le curls my Shirley Temp know it up real nice, u to fix yo a nt nn wa go I e I’m us Tonight on a bow ’ca my heart ss it up, I’ll put your name on That you got y that you do it baby I want you to me wa e th bad and I like Chorus You’re wicked

o ed by Bug ob I), administer der Music (BM Scandinavia AB ) / Art in the Fod s /Warner/Chappell Music IM (ST AB Song ly Music Twin & Alke ©2009 RedF tainment, LLC / Crossfade Produced by s, Sweden Arthouse Enter RedFly Studio Burbank, and gineer: Brian Sumner , om Ro om ding En Boom Bo e vis cor Th Re at ded “M nie ost” Da Recor Mixed by Jon an Alkenäs Persson & Joh Guitar: Joacim Freja Jonsson-Blomberg s: Backing Vocal

s, NYC ongs (ASCAP) berrybee Studio ©2009 Reals y Gad at Straw & Mixed by Tob Angeles ded cor Re , Produced alsongs, Los cording at Re Additional Re Luccy rio Engineer: Ma Toby Gad : All Instruments ement: DEEKAY aard ang Additional Arr Arrangement: Peter Steng Robinson ice cal Additional Vo Ann Marie Boskovich & Jan s: Backing Vocal

Joacim Persso

Crank It Up

er, (Niclas Molind

13

U o y e t E 11 Del

n)

(Diane Warre

n, Johan Alkenä

s, David Jassy)

y one more tr e to give us It’s not tim so) k lie (I don’t thin u said your one last yo Last night u wreck my plans I can’t let yo to let you go, oh I’m planninge thing is true lete you Oh, only on ing to do - time to de and me th e on y It’s just you around Onl es one ur no ct pi e’s er ur th all yo And read Burnin’ up l your letters nging by th al Feel I’m ha long way down Tearin’ up l your sweaters a ’s It al Rippin’ up e better the th ying to brea This is for l your tires I’ve been tr fighting for air al But I’m Slashin’ up all your flowers l-time low I’m at an al e to go Smashin’ up all my power ed you” ac ne pl ck t n’ ba no ’ do in ith W ys, “I Grabb e tton that sa always ther Press the bu oh, wo, oh But you’re u, s: yo ru e ho et C Del care much you falls apart to say how e ng hi tim yt t er no It’s feet When ev k so) hing at my ess (I don’t thin you orld is cras t s like the w e best when I’m a m y em se it I don’t wan t there em e th And me no You like m I’m my own worst en ul I want you ink that the time’s co autif When th me feel be ove e ak m I’m done, I thing to an end u Yo is left to pr To bring th uld be goodbye h ve nothing When I ha w I’d make it throug co I think this run outta time ho e in ag out you im ith t w ve n’ e u’ ca m yo I no And Think no There’s lete you out you, no Time to de No me with y sa I t ha You hear w a word ppear Chorus t say r you to disa be here n’ fo do is I u n yo he t W om rising sun r you to no All I want fr You are the ace I run om you is fo All I need fr e you got the news the pl re u’ Yo s tim how it hurt I guess it’s e you You know ac Gonna repl lete you ru Cho s de Erase you, ve you tter,’ I belie Chorus nna get be way that you do go s it’ y, ab e me the you say ‘b rfect And when at somehow I could se ns you think I’m pe it th perfectio e it worth im ak y m And I wish m u yo ith W t easy When it’s no Chorus

Chorus: it up Let’s crank Crank it up cave in ls Till the wal up it Just crank Crank it up rd on spin co Put that re ready to party hty ’Cause I am y girls and get naug m t Gonna ge up So crank it Crank it up cave in ls Till the wal up it ic Just crank odic harmon beat is mel Th-th-this ing poses rik Got me st electronically it I get up on esh fr Feeling so my body’s ic It’s so erot e on Like a cycl ppet, can’t stop it up I’m like a pu e a stone t me frozed lik Dropping atic charismatic, it go need a dose of I m It’s so cine tic beat is something ngle bone si This acroba ically moving every rstand what at de I’m system echanic that can un m There’s no I’m on Chorus every bone ically move get in the zone I systemat na an w I up it So crank ally move every bone ne ic get in the zo I systemat up I wanna So crank it

k)

(Bonus Trac

12 ins, Toby Gad)

e, Lindy Robb

(Ashley Tisdal

YoU Me Without

./ ach Global Inc inistered by Re Ltd. (ASCAP), adm . by Kobalt Music Group, The Top Music adm ©2009 Bop To y Kiddo Music (ASCAP), NY s, C berrybee Studio ding CAP) / He y Gad at Straw Recor GAD-Songs (AS & Mixed by Tob s Recorded at Cookie Jar ompson ded cor Re , Vocal Produced g: Chris Th Vocal Recordin ments: Toby Gad Engineer for All Instru y Tisdale bbins & Ashle Ro dy Lin s: Backing Vocal

pnotic is beat is hy Th-th-th-th it like a chauffeur e rid na c’s I wan of the soni The sound me just like a robot g lin ol tr on t it on on ne C er in the zo so d-d-dj pu I go bionic gic and cruising deep t me frozed up lo go se of I’m losing atic charismatic, it I need a do m It’s so cine tic beat is something ngle bone si ba y ro er ing ev This ac hat atically mov derstand w I’m system echanic that can un m no ’s re The I’m on

Chorus every bone ically move get in the zone I systemat na an w I up So crank it ally move every bone ne ic get in the zo I systemat up I wanna So crank it

cture Aliens Akhurst, V. Pizzinga) In The Att ic)

14

(Bonus Trac

k) (From th

e motion pi

Switch

(K.

Wonder w he Staring at re you are – how can th I Across the e stars falling behind find you? un you I got a feel iverse – hope you’ll ing our plan be back so on ets will be rearrangin You’re out g... of this wor ld – I’m sure A crazy intu of that You’re off ition . . . an A curious co d on, you’re here then ndition . . . gone – com e back And then yo It’s weird ye u switch right over ah I know bu Just can’t ge t t a hold of myself Chorus: (Hey, hey) So strange – (Hey, hey) you switched in fron t of me You’ve chan ’Cause you ged – not like you us ed to be . . get in my he . When I’m ad and hold he So reverse re, you’re there – we’ my heart yo re ur w orlds apart words – ©2009 Birdta And switch le Publishing, Wa Scribble And back, to m go to the start Bass Music, Wa rner Chappell Publishing (Hey, hey) y world . . . (BM rner Chappell Publishing (AS I) / You’re just CAP) Mixed by Ma – rtin M. Larsso Produced by n at DEEKAY (Hey, hey) talking like a machine DEEKAY Studios, Copen hagen, Denm All instruments I’m stuck – ark : Dicky “Obi” Klein & Johann Programming: Obi & Jos on every w h es “Josh” Joe or ’Cause you rgensen exc Ad get in my he d in between . . . Additional Ke ditional Percussion: Lars H. ept When I’m ad and hold ys: Tim McEw Jensen he an & Martin Additional Ba So reverse re, you’re there – we’ my heart cking Vocals: M. Larsson Alaina Beaton yo re And switch ur words – go to the worlds apart back, to m st y world . . . art You’re out of this wor ld – I’m sure A little mor e of that And you ke than different . . . ep locking, It’s you that blocking, tu I’m missing rn your back ... And then yo u sw itc h right over It’s weird ye ah Just can’t ge I know but t a hold of myself Chorus Wonder w he Staring at re you are – how can th I Across the e stars falling behind find you? un you I got a feel iverse – hope you’ll ing our plan be back so on ets will be rearrangin Chorus g...

d for album, an ch a second o su d is to th g le to be ab t for makin album but like to thank God, ank the fans, withou an o d ly n o e ld th t u ad o o to n w m e I to av as st Fir cky dIh ho h I am so lu lot of thank you’s. ce. Secon ow to everyone w g me be so a N g experien in that I have journey and growin g what I love to do. nging me and lett ing up with in g alle utt an amazin ’t be here today do rds—thanks for ch team, thanks for p y—you and g alle ldn eco in h u R o az W s. w I ro am m B u r To an yo . . . Warne ll of you are such r what time it was! is opportunity and le ib ss o p atte this ank um. A me th idea, no m rience. Th ith this alb for giving creative w calls when I had an to me. Thank you out this whole expe ooo crazy! e s o h n u g o o so u so graci all my ph e me thro my Page—you are lus losing have been e you guid m your family am so lucky to hav ushed back) ;). To , sweat, and tears (p for me and Ip .I od ce trust again ing me (even when through all the blo a growing experien cts who I am. sh refle ade it such at m n e th u e b m yo you for pu thank u d as b azing al ss. This h Feldman— ! I’m so gla I love you ix) during this proce creating such an am me through it. Lori David Grant— on e. nd ed your appe r all your hard work bum, and you help ing me to be creativ I always come al w fo ing thank you more proud of this port and always allo ever I need someth for David be sup g in hen I couldn’t ways fillin ! Ellen d work. W nergy and l of your e anks for all the har gusto—thanks for al e greats in this biz me. al r fo u yo th f u th f o A d o e ll e d an Ji n si e o t y! are som add eren you’re awe you’re my sugar d Luke Burland—you ing to show a diff st WB girlfriends! lp ! e a, e e b h n ah y o h d to you, p the ph shoot an uys are the best, m al—let’s conquer n on’t pick u awesome g when he w thanks for such an Liz and Lisa—you of WMG Internatio e WB promotion l s, th a— al m d d ia am an ill an ay s, e W ri Wak remy, osm Ch nise , Shane C eil, Jason, aves! To Je riffiths, De Wendy G onti, Michael Nance , Ken Lucek, Bob W make it on the airw rspace. Jack be ito sic P iero Giram m Biery, Ron Cerr in, Amy ing my mu r work in cy To d and help —thanks for all you unnoticed. Dave Ste rch ! d ar rl h o w so e g th in e ia o rk d m g o e e ’t w m r th sn w e fo d do ks f ne r an staff—than arah, Teja and all o rinfeld—your work o. Dan Heitkempe . Scott Speer—you S g G d in y c, u e o az n yo g rch am Bich N all that d Court thanks for ing my me thanks for an Rose an d Niclas)— Isquith, D e entire sales staff, d dedication to mak life! Twin (Kim an r forget all of the th to an ve d Zaret, and for all the goodies g my visions come you guys, I will ne amazing talent an ks ur ith akin dept—than ing, thanks for m I had so much fun w J—thanks for all yo azing producers— , az M am rg c. are truly am ring amazing musi om Room studio. D t you . . . To all my y Gad, Billy Steinbe b ou ble Bo live h e va To it m . d w lie o s e o it am b B ay e I n w n e u o o al e had at th , I couldn’t have d presentative of wh nt—thanks for your every w at th s e tim d re me e Ste album who helps onderful an are on to the n. To Spik ri Feldman my Page contributi aking every track w Warren, and Emo anager Bill Perlman ttesman (you both lley and Lo ction: Tom e o m n m r G ia y sco. ra A&R Dire oducers: Tom Wha F ff Je thanks fo ak, The Matrix, D I’d like to thank m an Iden and Katie t Pr c agen Executive O d my musi d off, my nal team, ist Ame V and Josh, ill Perlman own perso y career, my public /Todd Mumford, an ur hard work has pai azing stylist ement: B y ag m an To M s. is m agement o f f av am an o o mixe D M l an ct n d al nt e e le le p y, ’r ling Soun New Ta —you and therap very as rneys G ne at Ster d. day with e le), my music atto ns with you are like . Simone and Larissa y hair! Ha-ha. Elan m To Coy by s Reserve d ht re ig d m ib te u R io d as ll M .A truly incre ys! Eric Vetro—sess atured thanks to yo like what you do to rock! My family an ks Permission by d te rin I ys gu an gu dm y— Lyrics Rep I love you good! Dav Top 40 radio—you y dad and mom, th londie ly grown an e complete making me look so ays. M ogs B nds at w d ie erto E’Est R y y fr y an M voice has r . m m id fo ll . a for WB hy by Rob tiful. A me in so , thanks nough sa you don’t want to Photograp by Ellen Wakayam ign, Inc. n and friend make me look beau er Jen, you inspire e without you ;) E io n ct e G Des h ire O w D rt n, Inc. n SM r A st ve u m fo es e si eiden OG D ig Steven—yo l the support!!! My ere. JM—there’s no for always listening to keep going! and Jeri H Nakasako for SM n al th le th ks r g G g n fo an in by h s e re n d b T st Desig frien ways e the world. ou give m love and al ies in the e Of The for all the u’re the best pupp re than you know. Y records.com CA 91505-4694; 1290 Avenuthe world o yo i, nk, . for warnerbros r Blvd., Burba ernational Inc and Mau love you m I music.com s, ey . 3300 Warne and WEA Int n hl . any fa as U.S mp y the Co p m ou Inc. for rner Music Gr Warner Bros. Records ble laws. And again ds Inc., A Wa on of applica 12. CP2009 r Bros. Recor n is a violati Warne plicatio 10104-00 w York, NY authorized du Americas, Ne All Rights Reserved. Un U.S. outside the

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